Leslie To Ann Quotes

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A good Tarot Reader never gives false hope or leave a client feeling disturbed,
Leslie Anne Franklin
Oh, Ruth. I wish we had our own words to describe ourselves, to connect us.” Ruth stood up and opened the broiler. “I don’t need another label,” she sighed. “I just am what I am. I call myself Ruth. My mother is Ruth Anne; my grandmother was Anne. That’s who I am. That’s where I come from.” I shrugged. “I don’t want another label either. I just wish we had words so pretty we’d go out of our way to say them out loud.
Leslie Feinberg (Stone Butch Blues)
You know if we've got anything about us that hurts we shrink from anyone's touch on or near it. It holds good with our souls as well as our bodies, I reckon. Leslie's soul must be near raw - it's no wonder she hides it away.
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
Leslie, after her first anguish was over, found it possible to go on with life after all, as most of us do, no matter what our particular form of torment has been. It is even possible that she enjoyed moments of it, when she was one of the gay circle in the little house of dreams.
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
A good Tarot Reader never gives false hope or leaves a client feeling disturbed,
Leslie Anne Franklin
When there is a grand cause to be won, he said, sometimes, there are unavoidable casualties. None of us are happy about that, but it’s a painful reality. He paused and added, We’ve all accepted our culpability…
Leslie Ann Moore (A Tangle of Fates (The Vox Machina Trilogy #1))
Leslie Ann was now modeling a conservative thunderstorm gray business suit/dress with lightning flashes streaking down her legs, and 1G rain splashing her silvery galoshes.
@hg47 (Daughter Moon)
Becoming a mother will test you and push you and fill a part of your soul that you never knew existed. It will teach you how strong you are,
Leslie Anne Bruce (You Are a F*cking Awesome Mom: So Embrace the Chaos, Get Over the Guilt, and Be True to You)
The idea is that you can’t give 100 percent of yourself to everything every day, but you can give 100 percent of yourself to everything on specific days.
Leslie Anne Bruce (You Are a F*cking Awesome Mom: So Embrace the Chaos, Get Over the Guilt, and Be True to You)
It took some time getting used to, and it’s not all sunny days, but life with my children is better than anything I had before. You might not feel the same right now, but you will. I promise.
Leslie Anne Bruce (You Are a F*cking Awesome Mom: So Embrace the Chaos, Get Over the Guilt, and Be True to You)
Leslie Ann was now agonizing over a full-length Flame gown that actually appeared to be burning fire covering her lush body: cool blue flames hugging her neck, red-hot flames usually covering her breasts, fluttering orange and yellow fire hips, all down along her white-hot legs to her Bunsen burner tipped high-heel shoes.
@hg47 (Daughter Moon)
Leslie Marmon Silko whispers the story is long. No, longer. Longer than that even. Longer than anything. With Anne Sexton and Sylvia Plath drink at the bar. Laugh the dark laughter in the dark light. Sing a dark drunken song of men. Make a slurry toast. Rock back and forth, and drink the dark, and bask in the wallow of women knowing what women know. Just for a night. When you need to feel the ground of your life and the heart of the world, there will be a bonfire at the edge of a canyon under a night sky where Joy Harjo will sing your bonesong. Go ahead-with Anne Carson - rebuild the wreckage of a life a word at a time, ignoring grammar and the forms that keep culture humming. Make word war and have it out and settle it, scattering old meanings like hacked to pieces paper doll confetti. The lines that are left … they are awake and growling. With Virginia Woolf there will perhaps be a long walk in a garden or along a shore, perhaps a walk that will last all day. She will put her arm in yours and gaze out. At your backs will be history. In front of you, just the ordinary day, which is of course your entire life. Like language. The small backs of words. Stretching out horizonless. I am in a midnight blue room. A writing room. With a blood red desk. A room with rituals and sanctuaries. I made it for myself. It took me years. I reach down below my desk and pull up a bottle of scotch. Balvenie. 30 year. I pour myself an amber shot. I drink. Warm lips, throat. I close my eyes. I am not Virginia Woolf. But there is a line of hers that keeps me well: Arrange whatever pieces come your way. I am not alone. Whatever else there was or is, writing is with me.
Lidia Yuknavitch (The Chronology of Water)
The Weakest Link was a huge success, thanks to the simple device of letting Anne Robinson tell the contestants they were rubbish and stupid. Trouble is, they weren’t rubbish and stupid – the questions were often genuinely tricky. What we really want is a quiz show in which authentic dimwits have their efforts mercilessly pilloried – a version of Family Fortunes in which millions of viewers can phone a special number to collectively heckle the idiocy of everyone participating, with the resulting cacophonic abuse relayed live in the studio. Or maybe just an edition of Wheel of Fortune where John Leslie finally snaps and cracks a simpleton in the face with a broom.
Charlie Brooker (Screen Burn)
The moral of the story isn’t to keep you from having children altogether or to force you into the complete resignation of your former self but rather to help you to understand that what you’re feeling is common, that you are not the only woman to feel this way, and that it does work itself out. Periods of transition are just that… periods. It’s not forever, and you will come through it.
Leslie Anne Bruce (You Are a F*cking Awesome Mom: So Embrace the Chaos, Get Over the Guilt, and Be True to You)
She walked through the underpass at the Elephant and Castle, enjoying the sense that nothing really mattered, not the truth about the past, nor whether they believed her, not Winnie’s drinking or Vik’s ultimatum. It was the perfect place to escape from a painful past. She could waste years at home trying to make sense of a random series of events. There was no meaning, no lessons to be learned, no moral—none of it meant anything. She could spend her entire life trying to weave meaning into it, like compulsive gamblers and their secret schema. Nothing mattered, really, because an anonymous city is the moral equivalent of a darkened room. She understood why Ann had come here and stayed here and died here. It wouldn’t be hard. All she had to do was let go of home. She would phone Leslie and Liam sometimes, say she was fine, fine, let the calls get farther apart, make up a life for herself and they’d finally forget.
Denise Mina (Exile (Gartnethill, #2))
When we got back to Manhattan, Maeve took me to a men’s store and bought me extra underwear, a new shirt, and a pair of pajamas, then she got me a toothbrush at the drugstore next door. That night we went to the Paris Theater and saw Mon Oncle. Maeve said she was in love with Jacques Tati. I was nervous about seeing a movie with subtitles but it turned out that nobody really said anything. After it was finished, we stopped for ice cream then went back to Barnard. Boys of every stripe were expressly forbidden to go past the dorm lobby, but Maeve just explained the situation to the girl at the desk, another friend of hers, and took me upstairs. Leslie, her roommate, had gone home for Easter break and so I slept in her bed. The room was so small we could have easily reached across the empty space and touched fingers.
Ann Patchett (The Dutch House)
Leslie-Ann set down her own bucket and watched, marveling, as a quarter of an inch of water covered the bottom. When she looked away, she saw an older kid. She’d seen him around. But usually he was with Orc and she was too scared of Orc ever to get near him. She tugged on Howard’s wet sleeve. He seemed not to be sharing in the general glee. His face was severe and sad. “What?” he asked wearily. “I know something.” “Well, goody for you.” “It’s about Albert.” Howard sighed. “I heard. He’s dead. Orc’s gone and Albert’s dead and these idiots are partying like it’s Mardi Gras or something.” “I think he might not be dead,” Leslie-Ann said. Howard shook his head, angry at being distracted. He walked away. But then he stopped, turned, and walked back to her. “I know you,” he said. “You clean Albert’s house.” “Yes. I’m Leslie-Ann.” “What are you telling me about Albert?” “I saw his eyes open. And he looked at me.
Michael Grant (Plague (Gone, #4))
Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada The Door, by Magda Svabo The Plot Against America, by Philip Roth Fates and Furies, by Lauren Groff The Overstory, by Richard Power Night Train, by Lise Erdrich Her Body and Other Parties, by Carmen Maria Machado The Penguin Book of the Modern American Short Story, edited by John Freeman Between the World and Me, by Ta-Nehisi Coates Birds of America, by Lorrie Moore Mongrels, by Stephen Graham Jones The Office of Historical Corrections, by Danielle Evans Tenth of December, by George Saunders Murder on the Red River, by Marcie R. Rendon Leave the World Behind, by Rumaan Alam Ceremony, by Leslie Marmon Silko On Earth We’re Briefly Gorgeous, by Ocean Vuong The Unwomanly Face of War, by Svetlana Alexievich Standard Deviation, by Katherine Heiny All My Puny Sorrows, by Miriam Toews The Death of the Heart, by Elizabeth Bowen Mean Spirit, by Linda Hogan NW, by Zadie Smith Being Mortal, by Atul Gawande Americanah, by Chimamanda Ngozi Adichie Firekeeper’s Daughter, by Angeline Boulley Erasure, by Percival Everett Sharks in the Time of Saviors, by Kawai Strong Washburn Heaven, by Mieko Kawakami Books for Banned Love Sea of Poppies, by Amitav Ghosh The English Patient, by Michael Ondaatje Euphoria, by Lily King The Red and the Black, by Stendahl Luster, by Raven Leilani Asymmetry, by Lisa Halliday All the Pretty Horses, by Cormac McCarthy Middlesex, by Jeffrey Eugenides The Vixen, by Francine Prose Legends of the Fall, by Jim Harrison The Winter Soldier, by Daniel Mason
Louise Erdrich (The Sentence)
...I shall let [Anne] Wallace put the case herself, at what I think is necessary length: 'As travel in general becomes physically easier, faster, and less expensive, more people want and are able to arrive at more destinations with less unpleasant awareness of their travel process. At the same time the availability of an increasing range of options in conveyance, speed, price, and so forth actually encouraged comparisons of these different modes...and so an increasingly positive awareness of process that even permitted semi-nostalgic glances back at the bad old days...Then, too, although local insularity was more and more threatened...people also quite literally became more accustomed to travel and travellers, less fearful of 'foreign' ways, so that they gradually became able to regard travel as an acceptable recreation. Finally, as speeds increased and costs decreased, it simply ceased to be true that the mass of people were confined to that circle of a day's walk: they could afford both the time and the money to travel by various means and for purely recreational purposes...And as walking became a matter of choice, it became a possible positive choice: since the common person need not necessarily be poor. Thus, as awareness of process became regarded as advantageous, 'economic necessity' became only one possible reading (although still sometimes a correct one) in a field of peripatetic meanings that included 'aesthetic choice'.' It sounds a persuasive case. It is certainly possible that something like the shift in consciousness that Wallace describes may have taken place by the 'end' (as conventionally conceived) of the Romantic period, and influenced the spread of pedestrianism in the 1820s and 1830s; even more likely that such a shift was instrumental in shaping the attitudes of Victorian writing in the railway age, and helped generate the apostolic fervour with which writers like Leslie Stephen and Robert Louis Stevenson treated the walking tour. But it fails to account for the rise of pedestrianism as I have narrated it.
Robin Jarvis (Romantic Writing and Pedestrian Travel)
Anne,” said Leslie, breaking abruptly a short silence, “you don’t know how GOOD it is to be sitting here with you again — working — and talking — and being silent together.
L.M. Montgomery (The Works of L.M. Montgomery)
The last remnants of Deanna the child--the idealist, the sheltered elite--had been torn loose by tonight's tragedies, slain with the same bullet that had felled her would-be killer. She had no idea who the new person inhabiting this shell of her old self would become. The realization frightened her.
Leslie Ann Moore (A Tangle of Fates (The Vox Machina Trilogy #1))
A flutter of bright green drew Deanna's focus out of the turbulent realm of her head and onto the flame-damaged storage shed. From the hold below the scorched eaves she saw the male paloma emerge and take flight. A few seconds later the drab brown female popped out. She soared after her mate. Deanna gasped in shock, amazed that any creature could have survived.
Leslie Ann Moore (A Tangle of Fates (The Vox Machina Trilogy #1))
Leslie turned herself about passionately.
L.M. Montgomery (Anne of Green Gables Collection: 11 Books)
Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada The Door, by Magda Svabo The Plot Against America, by Philip Roth Fates and Furies, by Lauren Groff The Overstory, by Richard Power Night Train, by Lise Erdrich Her Body and Other Parties, by Carmen Maria Machado The Penguin Book of the Modern American Short Story, edited by John Freeman Between the World and Me, by Ta-Nehisi Coates Birds of America, by Lorrie Moore Mongrels, by Stephen Graham Jones The Office of Historical Corrections, by Danielle Evans Tenth of December, by George Saunders Murder on the Red River, by Marcie R. Rendon Leave the World Behind, by Rumaan Alam Ceremony, by Leslie Marmon Silko On Earth We’re Briefly Gorgeous, by Ocean Vuong The Unwomanly Face of War, by Svetlana Alexievich Standard Deviation, by Katherine Heiny All My Puny Sorrows, by Miriam Toews The Death of the Heart, by Elizabeth Bowen Mean Spirit, by Linda Hogan NW, by Zadie Smith Being Mortal, by Atul Gawande Americanah, by Chimamanda Ngozi Adichie Firekeeper’s Daughter, by Angeline Boulley Erasure, by Percival Everett Sharks in the Time of Saviors, by Kawai Strong Washburn Heaven, by Mieko Kawakami
Louise Erdrich (The Sentence)
But … something’s wrong about this, ” said Mary Anne.“Something … I know what it is. Remember when we were first starting the club and we were deciding whether to invite Stacey to join? We didn’t know her, so we asked her all sorts of things about the baby-sitting she did in New York. We wanted a club of good baby-sitters. Dedicated baby-sitters. Do you know anything about Janet and Leslie, Kristy?
Ann M. Martin (The Truth About Stacey (The Baby-Sitters Club, #3))
Fire on the Mountain, by Anita Desai Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada The Door, by Magda Szabó The Plot Against America, by Philip Roth Fates and Furies, by Lauren Groff The Overstory, by Richard Power Night Train, by Lise Erdrich Her Body and Other Parties, by Carmen Maria Machado The Penguin Book of the Modern American Short Story, edited by John Freeman Between the World and Me, by Ta-Nehisi Coates Birds of America, by Lorrie Moore Mongrels, by Stephen Graham Jones The Office of Historical Corrections, by Danielle Evans Tenth of December, by George Saunders Murder on the Red River, by Marcie R. Rendon Leave the World Behind, by Rumaan Alam Ceremony, by Leslie Marmon Silko On Earth We’re Briefly Gorgeous, by Ocean Vuong The Unwomanly Face of War, by Svetlana Alexievich Standard Deviation, by Katherine Heiny All My Puny Sorrows, by Miriam Toews The Death of the Heart, by Elizabeth Bowen Mean Spirit, by Linda Hogan NW, by Zadie Smith Being Mortal, by Atul Gawande Americanah, by Chimamanda Ngozi Adichie Firekeeper’s Daughter, by Angeline Boulley Erasure, by Percival Everett Sharks in the Time of Saviors, by Kawai Strong Washburn Heaven, by Mieko Kawakami
Louise Erdrich (The Sentence)
The epidemic of violence against sex workers would be a national emergency if any other group were involved; but sex workers, particularly those who are working on the street and may have addictions or be radicalized, have not been the object of any great concern.
Leslie Ann Jeffrey (Sex Workers in the Maritimes Talk Back)
If the media were doing their investigative job properly, the net of deviants would either be widened or abandoned altogether as ludicrous, as more and more of society's members - more and more members of the public - would be implicated in the tracing of this net. To single out sex workers serves a specific function: it removes the "disciplinary gaze" from all others.
Leslie Ann Jeffrey (Sex Workers in the Maritimes Talk Back)
His family, like hers, was horrified, her brother-in-law John ‘Jack’ Leslie writing to his wife, Jennie’s younger sister Leonie: ‘I hope G. West has survived the honeymoon.’ (Jennie had once been described as ‘more panther than woman’.)
Anne de Courcy (The Husband Hunters: American Heiresses Who Married into the British Aristocracy)
Oh my God, what if you wake up some day, and you’re 65 or 75, and you never got your memoir or novel written; or you didn’t go swimming in warm pools and oceans all those years because your thighs were jiggly and you had a nice big comfortable tummy; or you were just so strung out on perfectionism and people-pleasing that you forgot to have a big juicy creative life, of imagination and radical silliness and staring off into space like when you were a kid? It’s going to break your heart. Don’t let this happen. Anne Lamott, Facebook post, May 12, 2014
Leslie Schilling (Feed Yourself: Step Away from the Lies of Diet Culture and into Your Divine Design)
Janelle smiled in a way that suggested that Stevie was a beautiful tropical fish, so simple and so precious.
Maureen Johnson (Nine Liars (Truly Devious, #5))
Where are you going, Albert?” Albert said nothing. How rare, Quinn thought: Albert speechless. “Not really your concern, Quinn,” Albert said finally. “You’re running out.” Albert sighed. To his three companions he said, “Go ahead and get in the boat. The Boston Whaler. Yes, that one.” Turning back to Quinn he said, “It’s been good doing business with you. If you want, you can come with us. We have room for one more. You’re a good guy.” “And my crews?” “Limited resources, Quinn.” Quinn laughed a little. “You’re a piece of work, aren’t you, Albert?” Albert didn’t seem bothered. “I’m a businessman. It’s about making a profit and surviving. It so happens that I’ve kept everyone alive for months. So I guess I’m sorry if you don’t like me, Quinn, but what’s coming next isn’t about business. What’s coming next is craziness. We’re going back to the days of starvation. But in the dark this time. Craziness. Madness.” His eyes glinted when he said that last word. Quinn saw the fear there. Madness. Yes, that would terrify the eternally rational businessman. “All that happens if I stay,” Albert continued, “is that someone decides to kill me. I’ve already come too close to being dead once.” “Albert, you’re a leader. You’re an organizer. We’re going to need that.” Albert waved an impatient hand and glanced over to see that the Boston Whaler was ready. “Caine’s a leader. Sam’s a leader. Me?” Albert considered it for a second and shook the idea off. “No. I’m important, but I’m not a leader. Tell you what, though, Quinn: in my absence you speak for me. If that helps, good for you.” Albert climbed down into the Boston Whaler. Pug started the engine and Leslie-Ann cast off the ropes. Some of the last gasoline in Perdido Beach sent the boat chugging out of the marina. “Hey, Quinn!” Albert shouted back. “Don’t come to the island without showing a white flag. I don’t want to blow you up!
Michael Grant (Fear (Gone, #5))
I don’t want to. I know how you feel about it, Mistress Blythe — just as I feel meself. But it ain’t our feelings we have to steer by through life — no, no, we’d make shipwreck mighty often if we did that. There’s only the one safe compass and we’ve got to set our course by that — what it’s right to do. I agree with the doctor. If there’s a chance for Dick, Leslie should be told of it. There’s no two sides to that, in my opinion.
L.M. Montgomery (Anne of Green Gables: The Complete Collection (Anne of Green Gables, #1-8))
Seasons 5 and 6 were about the frustrations of Leslie Knope's new job. They also are about Ben and Leslie finally getting married and pregnant. They dealt with Ann and Chris leaving, Andyand April trying to figure out what they wanted, Donna finding love, and Tom entering a new business venture. I forget what happened with Jerry.
Amy Poehler
...things die, and god willing, stay dead.
Leslie Ann Mcilroy (Gravel: Poems)
I focused on what I was giving up in motherhood and not enough on what I was gaining
Leslie Anne Bruce (You Are a F*cking Awesome Mom: So Embrace the Chaos, Get Over the Guilt, and Be True to You)
Service which is rendered without joy helps neither the servant nor the served.” —MAHATMA GANDHI
Leslie Anne Bruce (You Are a F*cking Awesome Mom: So Embrace the Chaos, Get Over the Guilt, and Be True to You)
What you feel is only seventy percent of what you were capable of before children might now be your hundred percent.
Leslie Anne Bruce (You Are a F*cking Awesome Mom: So Embrace the Chaos, Get Over the Guilt, and Be True to You)
Every day, make one thing a priority and allow everything else to be secondary. The next day, switch it up! Of
Leslie Anne Bruce (You Are a F*cking Awesome Mom: So Embrace the Chaos, Get Over the Guilt, and Be True to You)
If you can carve out twenty minutes each day to put down the phone, get on the floor, and just be with your little person, I guarantee it is more meaningful
Leslie Anne Bruce (You Are a F*cking Awesome Mom: So Embrace the Chaos, Get Over the Guilt, and Be True to You)
I needed to reevaluate what I consider a win. There
Leslie Anne Bruce (You Are a F*cking Awesome Mom: So Embrace the Chaos, Get Over the Guilt, and Be True to You)
Leaving your baby with childcare when you’re working. Leaving your baby with childcare when you’re not working. Not having more patience. Not having time to sanitize pump parts. Not doing more tummy time. Letting your baby cry during tummy time. Going out on date night. Drinking wine and having to dump your milk. Drinking wine and not dumping your milk. Giving your baby toys with batteries. Quitting breastfeeding.
Leslie Anne Bruce (You Are a F*cking Awesome Mom: So Embrace the Chaos, Get Over the Guilt, and Be True to You)
Giving your baby organic, grain-free, homemade snacks (while you eat a cheeseburger). Letting your baby cry at bedtime when you’re sleep training. Noticing your baby is overtired. Not feeling guilty.
Leslie Anne Bruce (You Are a F*cking Awesome Mom: So Embrace the Chaos, Get Over the Guilt, and Be True to You)
When I stopped trying to force myself into my old shell, I finally found peace in the new woman I had become.
Leslie Anne Bruce (You Are a F*cking Awesome Mom: So Embrace the Chaos, Get Over the Guilt, and Be True to You)
Like clockwork, the sun would rise and then slip away again before I did anything that I considered productive (because I was clueless enough to think that sustaining a human life all on my own wasn’t enough).
Leslie Anne Bruce (You Are a F*cking Awesome Mom: So Embrace the Chaos, Get Over the Guilt, and Be True to You)
SHIT YOU NEED TO STOP FEELING GUILTY ABOUT. Going to work out. Having lunch with friends. Missing bedtime. Not generating a better income.
Leslie Anne Bruce (You Are a F*cking Awesome Mom: So Embrace the Chaos, Get Over the Guilt, and Be True to You)
Skipping story time. Letting your child watch TV or an iPad. Breaking from your child’s routine. Being so strict about your child’s routine. Daydreaming about life before baby. Spending money on yourself. Picking your baby up late from nursery school or day care. Reading a book that isn’t about parenting. Crying in front of your kid. Giving your baby nonorganic, non-grain-free, non-homemade snacks.
Leslie Anne Bruce (You Are a F*cking Awesome Mom: So Embrace the Chaos, Get Over the Guilt, and Be True to You)
Leslie Ford, looking at him, thought that he had the face of a genius … the remote, detached look of a soul from another star. Earth was not his habitat.
L.M. Montgomery (Anne of Ingleside (Anne of Green Gables #6))