Leopard Sayings Quotes

But the plans were on display…” “On display? I eventually had to go down to the cellar to find them.” “That’s the display department.” “With a flashlight.” “Ah, well, the lights had probably gone.” “So had the stairs.” “But look, you found the notice, didn’t you?” “Yes,” said Arthur, “yes I did. It was on display in the bottom of a locked filing cabinet stuck in a disused lavatory with a sign on the door saying ‘Beware of the Leopard.

Mr. D, wearing his leopard-skin jogging suit and rummaging through the refrigerator. He looked up lazily. "Do you mind?" Where's Chiron!" I shouted. How rude." Mr. D took a swig from a jug of grape juice. "Is that how you say hello?" Hello," I amended. "We're about to die! Where's Chiron?

And there, shimmering in the Mist right next to us, was the last person I wanted to see: Mr. D, wearing his leopard-skin jogging suit and rummaging through the refrigerator. He looked up lazily. "Do you mind?" Where's Chiron!" I shouted. How rude." Mr. D took a swig from a jug of grape juice. "Is that how you say hello?" Hello," I amended. "We're about to die! Where's Chiron?

I would say that there exist a thousand unbreakable links between each of us and everything else, and that our dignity and our chances are one. The farthest star and the mud at our feet are a family; and there is no decency or sense in honoring one thing, or a few things, and then closing the list. The pine tree, the leopard, the Platte River, and ourselves - we are at risk together, or we are on our way to a sustainable world together. We are each other's destiny.

Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!

They do say that socialism is the ideal philosophy-just as long as you have capitalists to pay for it.

Sam frowns at me, suddenly serious. "You know, I thought--for most of the first year we lived together--that you were going to kill me." That makes me nearly spit out beer, I laugh so hard. "No, look--living with you, it's like knowing there's a loaded gun on the other side of the room. You're like this leopard who's pretending to be a house cat." That only makes me laugh harder. "Shut up," he says. "You might do normal stuff, but a leopard can drink milk or fall off things like a house cat. It's obvious you're not--not like the rest of us. I'll look over at you, and you'll be flexing your claws, or I don't know, eating a freshly killed antelope." "Oh," I say. It's a ridiculous metaphor, but the hilarity has gone out of me. I thought I did a good job of fitting in--maybe not perfect, but not as bad as Sam makes it sound. "It's like Audrey," he says, stabbing the air with a finger clearly well on his way to inebriated and full of determination to make me understand his theory. "You acted like she went out with you because you did this good job of being a nice guy." "I am a nice guy." I try to be. Sam snorts. "She liked you because you scared her. And then you scared her too much.

Truth is truth and nothing you can do about it even if you hide it, or kill it, or even tell it. It was truth before you open your mouth and say, That there is a true thing.

Here you sit on your high-backed chair Wonder how the view is from there I wouldn't know 'cause I like to sit Upon the floor, yeah upon the floor If you like we could play a game Let's pretend that we are the same But you will have to look much closer Than you do, closer than you do And I'm far too tired to stay here anymore And I don't care what you think anyway 'Cause I think you were wrong about me Yeah what if you were, what if you were And what if I'm a snowstorm burning What if I'm a world unturning What if I'm an ocean, far too shallow, much too deep What if I'm the kindest demon Something you may not believe in What if I'm a siren singing gentlemen to sleep I know you've got it figured out Tell me what I am all about And I just might learn a thing or two Hundred about you, maybe about you I'm the end of your telescope I don't change just to suit your vision 'Cause I am bound by a fraying rope Around my hands, tied around my hands And you close your eyes when I say I'm breaking free And put your hands over both your ears Because you cannot stand to believe I'm not The perfect girl you thought Well what have I got to lose And what if I'm a weeping willow Laughing tears upon my pillow What if I'm a socialite who wants to be alone What if I'm a toothless leopard What if I'm a sheepless shepherd What if I'm an angel without wings to take me home You don't know me Never will, never will I'm outside your picture frame And the glass is breaking now You can't see me Never will, never will If you're never gonna see What if I'm a crowded desert Too much pain with little pleasure What if I'm the nicest place you never want to go What if I don't know who I am Will that keep us both from trying To find out and when you have Be sure to let me know What if I'm a snowstorm burning What if I'm a world unturning What if I'm an ocean, far too shallow, much too deep What if I'm the kindest demon Something you may not believe in What if I'm a siren singing gentlemen to sleep Sleep... Sleep...

Never say never. You never know when never may come.

Now you need young men, bright young men, with minds asking ‘how’ rather than ‘why,’ and who are good at masking, at blending, I should say, their personal interests with vague public ideals.

Now, I can tell you about some women writers who truly are fantastic. One is Anna Kavan. She writes stories like I approach "Land of a Thousand Dances": she's caught in a haze and then a light, a little teeny light, come through. It could be a leopard, that light, or it could be a spot of blood. It could be anything. But she hooks onto that and spirals out. And she does it within the accessible rhythms of plot, and that's really exciting. She's not hung up with being a woman, she just keeps extending herself, keeps telescoping language and plot. Another great woman writer is Iris Sarazan, who wrote The Runaway. She considered herself a mare, a wild runaway. She was a really intelligent girl stuck in all these convents with a hungry mind. I identify with her 'cause of her hunger to go beyond herself. She wound up in prison, but she escaped and wrote some great books before kicking off. Her books aren't page after page of her beating her breast about how shitty she's been treated, they're books about her exciting telescoping plans of escape. Rhythm, great wild rhythm.... The French poet, Rimbaud, predicted that the next great crop of writers would be women. He was the first guy who ever made a big women's liberation statement, saying that when women release themselves from the long servitude of men they're really gonna gush. New rhythms, new poetries, new horrors, new beauties. And I believe in that completely. (1976 Penthouse interview)

It is not good to do too much at once. We have a saying. A man cannot walk on two different paths at the same time. It will crack his buttocks. Tajewo Ole Ndaskoi

I just want to know...if I am special,’ finished September, halfway between a whisper and a squeak. ‘In stories, when someone appears in a poof of green clouds and asks a girl to go away on an adventure, it’s because she’s special, because she’s smart and strong and can solve riddles and fight with swords and give really good speeches, and . . . I don’t know that I’m any of those things. I don’t even know that I’m as ill-tempered as all that. I’m not dull or anything, I know about geography and chess, and I can fix the boiler when my mother has to work. But what I mean to say is: Maybe you meant to go to another girl’s house and let her ride on the Leopard. Maybe you didn’t mean to choose me at all, because I’m not like storybook girls. I’m short and my father ran away with the army and I wouldn’t even be able to keep a dog from eating a bird.

Until humans came and made anthills out of these mountains, Diwan Sahib was saying, looking up at the langurs, the land had belonged to these monkeys, and to barking deer, nilgai, tiger, barasingha, leopards, jackals, the great horned owl, and even to cheetahs and lions. The archaeology of the wilderness consisted of these lost animals, not of ruined walls, terracotta amulets, and potsherds.

The central feature of the practice of meditation and hard work known as Zen is that, as Matthiessen says, it “has no patience with mysticism, far less the occult.” Nor does it have any time with moralism, the prescriptions or distortions we would impose on the world, obscuring it from our view. It asks, it insists rather, that we take this moment for what it is, undistracted, and not cloud it with needless worries of what might have been or fantasies of what might come to be. It is, essentially, a training in the real…”the Universe itself is the scripture of Zen." Pico Iyer from introduction.

One more question." Finn had a smirk on his face. "Do you use…" "If you say litter box, I will empty that pitcher of water on your head." She thought for a second and added, "Before I slash the tires on your car." "My baby?" Kess grinned. "Kidding! I'd just key it." She turned to Burke who was smirking at the look on his brother's face. "Is he always like this?

The first I knew about it was when a workman arrived at my home yesterday. I asked him if he'd come to clean the windows and he said no, he'd come to demolish the house. He didn't tell me straight away of course. Oh no. First he wiped a couple of windows and charged me a fiver. Then he told me." "But Mr. Dent, the plans have been available in the local planning office for the last nine months." "Oh yes, well, as soon as I heard I went straight round to see them, yesterday afternoon. You hadn't exactly gone out of your way to call attention to them, had you? I mean, like actually telling anybody or anything." "But the plans were on display..." "On display? I eventually had to go down to the cellar to find them." "That's the display department." "With a flashlight." "Ah, well, the lights had probably gone." "So had the stairs." "But look, you found the notice didn't you?" "Yes," said Arthur, "yes I did. It was on display in the bottom of a locked filing cabinet stuck in a disused lavatory with a sign on the door saying 'Beware of the Leopard.

For you to say that sadness is not the absence of happiness, but the opposite of it.

My woman has a temper?” “I prefer to say I have a sense of justice and when someone crosses it, it is at their peril.

You go to class and discuss famous poems. The poems are full of swans, gorse, blackberries, leopards, elderflowers, mountains, orchards, moonlight, wolves, nightingales, cherry blossoms, bog oak, lily-pads, honeybees. Even the brand-new ones are jam-packed with nature. It’s like the poets are not living in the same world as you. You put up your hand and say isn’t it weird that poets just keep going around noticing nature and not ever noticing that nature is shrinking? To read these poems you would think the world was as full of nature as it ever was even though in the last forty years so many animals and habitats have been wiped out. How come they don’t notice that? How come they don’t notice everything that’s been annihilated? If they’re so into noticing things? I look around and all I see is the world being ruined. If poems were true they’d just be about walking through a giant graveyard or a garbage dump. The only place you find nature is in poems, it’s total bullshit. Even the sensitive people are fucking liars, you say. No, you don’t, you sit there in silence like always.

When you don the pelt of a particular animal--snake, beaver, marmoset--the effect on the viewer is dramatic [...]. You will instantly and shockingly be perceived as having the same traits as your chosen varmint. [...] The wearing of moleskin says, "I am soft and velvety and mysterious and like to hide underground." A mink coat says, "I'm a tough cookie. Though I may not have the wherewithal to actually kill you, please expect to be nipped on a regular basis." The pelts of predators always give the impression that you are a man-stealing, window-smashing home wrecker. This also applies to animal-printed fabric. The message of a leopard-print jumpsuit is clear, "I am a huntress who delights in eating the offal of her prey.

What happens when the YA thriller writer heroine tries to get thru airport security with her research notes in her bag? : “How to murder people by poison without detection,” the TSA agent read aloud. The woman behind Colbie gasped in horror. “Okay,” Colbie said, pointing to them. “That’s not what it looks like.” The woman behind her, cradling a leopard-print cat carrier, had turned and was frantically whispering to the people behind her. “Really,” Colbie said. “It’s a funny story, actually.” But the agent was flipping through her notes, not even remotely interested in her funny story. He didn’t need to read aloud what he was looking at, because she knew exactly what was there – other Google searches, such as how to get away with murder using a variety of different everyday products that weren’t considered weapons. “It’s research,” she said to the room. "Yeah, that’s probably what I’d say too,” a guy said from somewhere behind her.

Give him time. It isn't easy for leopards to change their spots.' 'Do they want to?' 'I couldn't say. I know so few leopards.

It was on display in the bottom of a locked filing cabinet stuck in a disused lavatory with a sign on the door saying ‘Beware of the Leopard.’ 

Let’s say that even those who believe themselves to be homeless occasionally discover that they have a home. A place where you could imagine being buried one day.

We don't own truth. Truth is truth and nothing you can do about it even if you hide it, or kill it, or even tell it. It was truth before you open your mouth and say, That there is a true thing.

I guess every creature thinks itself the centre of the universe.' 'I don't. Because we're not. We are microcosms,' says the leopard. 'An ant colony contains the universe. Though it is not its centre.

But look, you found the notice, didn’t you?” “Yes,” said Arthur, “yes I did. It was on display in the bottom of a locked filing cabinet stuck in a disused lavatory with a sign on the door saying ‘Beware of the Leopard.

To say that the frozen silence contracted itself into a yet higher globe of ice were to under-rate the exquisite tension and to shroud it in words. The atmosphere had become a physical sensation. As when, before a masterpiece, the acid throat contracts, and words are millstones, so when the supernaturally outlandish happens and a masterpiece is launched through the medium of human gesture, then all human volition is withered at the source and the heart of action stops beating. Such a moment was this. Irma, a stalagmite of crimson stone, knew, for all the riot of her veins that a page had turned over. At chapter forty? O no! At chapter one, for she had never lived before save in a pulseless preface. How long did they remain thus? How many times had the earth moved round the sun? How many times had the great blue whales of the northern waters risen to spurt their fountains at the sky? How many reed-bucks had fallen to the claws of how many leopards, while that sublime unit of two-figure statuary remained motionless? It is fruitless to ask. The clocks of the world stood still or should have done.

There isn't much left in me at all. Until you. You're the good. Don't take that away from me. I'm thinking my man may be a little slow on the uptake. We're a done deal. We're together. If you mean what you say and I'm important to you, then who I am has to be important. I'm that girl from the swamp without a family, without a parent, or anyone at all. I made my own rules. I can't be anyone else, even for you. You're mine Evangeline. You never have to worry again about anyone leaving you. I love that you're mine. I've never had anything for myself. What if I don' want to do something. Then it isn't done.

The light that had flared to life in her mind, the mating light, burned brightly, filling her with an endless glow of warmth and love. She cocked her head. “They say a leopard can’t change his spots.” “Liv . . .” The word ached. She pressed her hand to his cheek and smiled at him with all the love in her heart. “It’s a good thing you’re not a leopard.

I think it’s possible to learn. The problem is that we learn so damned slowly, so that by the time you’ve realized something, it’s too late. For example, someone one you love might ask you for a favor, an act of love. Like helping him die. Which you say no to because you haven’t learned, you haven’t had the insight. When you do finally see the light, it’s too late. - Harry Hole

But the plans were on display . . .’ ‘On display? I eventually had to go down to the cellar to find them.’ ‘That’s the display department.’ ‘With a torch.’ ‘Ah, well the lights had probably gone.’ ‘So had the stairs.’ ‘But look, you found the notice, didn’t you?’ ‘Yes,’ said Arthur, ‘yes I did. It was on display in the bottom of a locked filing cabinet stuck in a disused lavatory with a sign on the door saying Beware of the Leopard.

... the hybrid breeders dream big. "The end game is to create the most beautiful example of something that looks wild but is domestic," says Anthony Hutcherson, who breeds Bengals, a mix of house cat and Asian leopard cat lineage whose name nods to a type of endangered tiger. "It's great to win a cat show, but it is more rewarding to make something that looks like a little leopard or jaguar or ocelot that eats cat food and purrs on sight.

I would say that there exist a thousand unbreakable links between each of us and everything else, and that our dignity and our chances are one. The farthest star and the mud at our feet are a family, and there is no decency or sense in honoring one thing, or a few things, and then closing the list. The pine tree, the leopard, the Platte River, and ourselves—we are at risk together, or we are on our way to a sustainable world together. We are each other's destiny.

You must always believe. Stay strong. Faith moves mountains. Don't be a bystander in life. No. Take it by the reins. Lay it down beneath you like a woman, a real woman with curves like a prayer pillow. Embrace it gentlly, at other times intensely. Seek out the source of life, where it pulsates, where it burns hot and humid, here, there, everywhere. The world is yours for the taking. Learn to feel out the world. Always give the best of yourself. Bite into it and don't hold back. Fear; leave it behind, far away from you. It will pass through you and continue its course. Walk like a God among men. Always consider what your actions say about you. Every steps resonates; yours levitate! Be mindful of the the way you carry yourself, especially when life punches you right in the heart, your body. Spit violently on the ground if you have to. Turn a deaf-ear to the mean-spirited and narrow-minded. They can only drag you into the lair of regrets, jealousy and resentement.

Johnny,the super,stares forward.His new tangerine hair half blinds me above a purple,leopard print shirt.I swing the door wide.“Come in,Johnny.”He eyes Fenris.“I think I’ll stand here,if you don’t mind.Gobbledepoop.”“Yeah, okay.”I lift my purse from the kitchen counter and scrounge for my wallet.Handing Johnny a number of bills, I say, “This should square us, dude. I’ll be out tomorrow.” “Shame.” He flips through the money, his lips silently counting. “You pay on time, and you’re quiet.I like things serene and peaceful.”I glance at his flaming hair. “I can see that about you.

Paul Theroux on Blogging, Travel Writing, and Three Cups of Tea Speaking of books that contain an element of travel, Greg Mortenson's bestseller about Central Asia was in the news recently. Were you surprised by the allegations that Three Cups of Tea contained fabrications? No, I wasn't. One of the things The Tao of Travel shows is how unforthcoming most travel writers are, how most travelers are. They don't tell you who they were traveling with, and they're not very reliable about things that happened to them. For example, everyone loved John Steinbeck's book Travels With Charley. Turns out he didn't travel alone, his wife kept meeting him, yet she was never mentioned in the book. Steinbeck didn't go to all the places he mentioned, nor did he meet all the people he said he met. In other words, Travels With Charley is fiction, or at least half-fiction. As for Three Cups of Tea, I think that philanthropists and humanitarians are even less forthcoming about what they do. I guess this guy did build a couple of schools in Afghanistan, but a self-promoting humanitarian is not someone I have a great deal of trust or belief in. I lived for six years in Africa and I've been to Africa numerous times since then. People build schools for their own reasons—not to improve a country. The people I've known who've done great things of that type—you know, building hospitals, running schools—are very humble people. They give their lives to the project. Missionaries get a bad rap, but I've known missionaries in Africa who were very self-sacrificing and humble and who did great things. They ran schools, hospitals, libraries; they helped people. Some wrote dictionaries and translated languages that hadn't been written down. I saw a lot of missionaries in Africa that were doing that, and you would never know their names; they came and did their work, and now they're buried there. Are there travel books out there that feel especially honest to you? Many of the books I quote in The Tao of Travel feel honest. One of them, really the most heartfelt, is Christ Stopped at Eboli by Carlo Levi. Peter Matthiessen's The Snow Leopard is a very honest book. Jan Morris has written numerous books, and you can take what she says to the bank. But there are some that just don't feel right. Bruce Chatwin never rang true to me. Bill Bryson said that he would take a couple of people and make them into one composite character. Well, that's what novelists do. If you're a travel writer you have to stick to the facts.

Oh yes, well as soon as I heard I went straight round to see them, yesterday afternoon. You hadn’t exactly gone out of your way to call attention to them, had you? I mean like actually telling anybody or anything.’ ‘But the plans were on display . . .’ ‘On display? I eventually had to go down to the cellar to find them.’ ‘That’s the display department.’ ‘With a torch.’ ‘Ah, well the lights had probably gone.’ ‘So had the stairs.’ ‘But look, you found the notice, didn’t you?’ ‘Yes,’ said Arthur, ‘yes I did. It was on display in the bottom of a locked filing cabinet stuck in a disused lavatory with a sign on the door saying Beware of the Leopard.

P.S.” Kimmie continues, nodding toward my sculptor of Adam’s lips, the assignment was to sculpt something exotic, not erotic. Are you sure you weren’t so busy wishing me dead that you just didn’t hear right? Plus, if it was eroticism you were going for, how come there’s no tongue wagging out of his mouth?” “And what’s exotic about your piece?” “Seriously, it doesn’t get more exotic than leopard, particularly if that leopard is in the form of a swanky pair of kitten heels . . . but I thought I’d start out small.” “Right,” I say, looking at her oblong ball of clay with what appears to be four legs, a golf-ball-sized head, and a long, skinny tail attached. “And, from the looks of your sculpture,” she continues, adjusting the lace bandana in her pixie-cut dark hair, “I presume your hankering for a Ben Burger right about now. The question is, will that burger come with a pickle on the side or between the buns?” “You’re so sick,” I say, failing to mention that my sculptor isn’t of Ben’s mouth at all. “Seriously? You’re the one who’s wishing me dead whilst fantasizing about your boyfriend’s mouth. Tell me that doesn’t rank high up on the sik-o-meter.” “I have to go,” I say, throwing a plastic tarp over my work board. “Should I be worried?” “About what?” “Acting manic and chanting about death?” “I didn’t chant.” “Are you kidding? For a second there I thought you were singing the jingle to a commercial for roach killer: You deserve to die! You deserve to die! You deserve to die!

In stories when someone appears in a poof of green clouds and asks a girl to go away on an adventure, it's because she's special, because she's smart and strong and can solve riddles and fight with swords, and give really good speeches, and... I don't know if I'm any of those things. I don't even know that I'm as ill-tempered as all that. I'm not dull or anything. I know about geography and chess, and I can fix the boiler when my mother has to work. But what I mean to say is: Maybe you meant to go to another girl's house and let her ride on the Leopard. Maybe you didn't mean to choose me at all, because I'm not like storybook girls. I'm short and my father ran away with the army and I wouldn't even be able to keep a dog from eating a bird.

I'm more of a sprinter than a marathoner when it comes to many aspects of life. For example, when I'm running. Over short distances--up to two yards--I can run faster than cheap panty hose on an itchy porcupine. But over long distances, I'm not so impressive. I try to compensate for my lack of long-distance endurance by having good form. I'm told that my running style is quite majestic. That's probably because I learned to run by watching nature films in which leopards chased frightened zebras. Now when I run, I open my eyes real wide and let my tongue slap the side of my face. If you saw it, you'd be saying, "That's very majestic." And then you'd run like a frightened zebra. That's why my homeowners association voted to ask me to do my jogging with a pillowcase over my head.

How to murder people by poison without detection,” he read aloud. The woman behind Colbie gasped in horror. “Okay,” Colbie said, pointing to them. “That’s not what it looks like.” The woman behind her, cradling a leopard-print cat carrier, had turned and was frantically whispering to the people behind her. “Really,” Colbie said. “It’s a funny story, actually.” But the TSA guy was flipping through her notes, not even remotely interested in her funny story. He didn’t need to read aloud what he was looking at, because she knew exactly what was there – other Google searches, such as how to get away with murder using a variety of different everyday products that weren’t considered weapons. “It’s research,” she said to the room. "Yeah, that’s probably what I’d say too,” a guy said from somewhere behind her.

You know what the best course I ever took at college was? Biology. We studied evolution. And I learned something important.’ Now he included Leonard in his gaze. ‘It helped me choose my career. For thousands, no, millions of years we had these huge brains, the neo-cortex, right? But we didn’t speak to each other, and we lived like fucking pigs. There was nothing. No language, no culture, nothing. And then, suddenly, wham! It was there. Suddenly it was something we had to have, and there was no turning back. So why did it suddenly happen?’ Russell shrugged. ‘Hand of God?’ ‘Hand of God my ass. I’ll tell you why. Back then we all used to hang out together all day long doing the same thing. We lived in packs. So there was no need for language. If there was a leopard coming, there was no point saying, Hey man, what’s coming down the track? A leopard! Everyone could see it, everyone was jumping up and down and screaming, trying to scare it off. But what happens when someone goes off on his own for a moment’s privacy? When he sees a leopard coming, he knows something the others don’t. And he knows they don’t know. He has something they don’t, he has a secret, and this is the beginning of his individuality, of his consciousness. If he wants to share his secret and run down the track to warn the other guys, then he’s going to need to invent language. From there grows the possibility of culture. Or he can hang back and hope the leopard will take out the leadership that’s been giving him a hard time. A secret plan, that means more individuation, more consciousness.’ The band was starting to play a fast, loud number. Glass had to shout his conclusion, ‘Secrecy made us possible,’ and Russell raised his beer to salute the theory.

game hunting was flourishing; and, dining at Muthaiga Club, I was offered trout freshly caught in the mountains, together with some last bottles of a particularly fragrant Rhine wine. Not since that last bright summer in Paris in 1939, when the wealthy of the world came flocking to spend their money lest they should not visit Paris again, had I seen women so well groomed, wearing so many lush furs. Baboon pelts and leopard skins were particularly popular. Great log fires burned in the grates of the club chimney places, though the nights were scarcely sharp. The men wore dinner-jackets or dress uniform. The conversation tended to hunting. In the day one had golf at Brackenridge, or swimming or riding or fooling round the game reserves where giraffe still roam haphazardly. Normally one looked in at a roadhouse for an apéritif around eight in the evening, and after dinner perhaps went down to Torr’s to dance. They say the altitude at Nairobi makes people slightly crazy, but after the desert I found it all delightful, as though the world were enjoying one long holiday. As

And now, for the first time, the Lion was quite silent. He was going to and fro among the animals. And every now and then he would go up to two of them (always two at a time) and touch their noses with his. He would touch two beavers among all the beavers, two leopards among all the leopards, one stag and one deer among all the deer, and leave the rest. Some sorts of animal he passed over altogether. But the pairs which he had touched instantly left their own kinds and followed him. At last he stood still and all the creatures whom he had touched came and stood in a wide circle around him. The others whom he had not touched began to wander away. Their noises faded gradually into the distance. The chosen beasts who remained were now utterly silent, all with their eyes fixed intently upon the Lion. The cat-like ones gave an occasional twitch of the tail but otherwise all were still. For the first time that day there was complete silence, except for the noise of running water. Digory’s heart beat wildly; he knew something very solemn was going to be done. He had not forgotten about his Mother, but he knew jolly well that, even for her, he couldn’t interrupt a thing like this. The Lion, whose eyes never blinked, stared at the animals as hard as if he was going to burn them up with his mere stare. And gradually a change came over them. The smaller ones—the rabbits, moles, and such-like—grew a good deal larger. The very big ones—you noticed it most with the elephants—grew a little smaller. Many animals sat up on their hind legs. Most put their heads on one side as if they were trying very hard to understand. The Lion opened his mouth, but no sound came from it; he was breathing out, a long, warm breath; it seemed to sway all the beasts as the wind sways a line of trees. Far overhead from beyond the veil of blue sky which hid them the stars sang again; a pure, cold, difficult music. Then there came a swift flash like fire (but it burnt nobody) either from the sky or from the Lion itself, and every drop of blood tingled in the children’s bodies, and the deepest, wildest voice they had ever heard was saying: “Narnia, Narnia, Narnia, awake. Love. Think. Speak. Be walking trees. Be talking beasts. Be divine waters.

My Shifter Bonded looks at me and nods, pulling his shirt over his head. “I’ll shift and get to them faster. They’ll need backup.” His bones and skin morph and twist into a giant feline predator. I shake my head at him. “Think bigger.” My Bonded looks at me with a raised eyebrow. “He’s a leopard, the biggest Shifter I've ever seen. What could be bigger than that?” I reach into his chest, bond to his bond, smaller and quieter than I am, but still there and alive and more than anyone elses. As I lean down and look into the perfect, honey-colored eyes of the leopard, I say, “Think. Bigger.” His eyes shift to white, and my other Bonded both falter to a stop to watch as his body writhes and grows, bigger and bigger and bigger, the fur slowly slipping away to reveal shiny black scales. An extra set of limbs burst from his back, shifting and morphing until, slowly, he has a set of wings protruding from his shoulder blades. Bigger, bigger, bigger, until suddenly, we're staring at a monstrously large creature. One who has never walked the earth before now. “What the actual fuck?” my Bonded sputters, and my Damage Bonded nods slowly. “A fucking dragon.

I have talked to many people about this and it seems to be a kind of mystical experience. The preparation is unconscious, the realization happens in a flaming second. It was on Third Avenue. The trains were grinding over my head. The snow was nearly waist-high in the gutters and uncollected garbage was scattered in a dirty mess. The wind was cold, and frozen pieces of paper went scraping along the pavement. I stopped to look in a drug-store window where a latex cooch dancer was undulating by a concealed motor–and something burst in my head, a kind of light and a kind of feeling blended into an emotion which if it had spoken would have said, “My God! I belong here. Isn’t this wonderful?” Everything fell into place. I saw every face I passed. I noticed every doorway and the stairways to apartments. I looked across the street at the windows, lace curtains and potted geraniums through sooty glass. It was beautiful–but most important, I was part of it. I was no longer a stranger. I had become a New Yorker. Now there may be people who move easily into New York without travail, but most I have talked to about it have had some kind of trial by torture before acceptance. And the acceptance is a double thing. It seems to me that the city finally accepts you just as you finally accept the city. A young man in a small town, a frog in a small puddle, if he kicks his feet is able to make waves, get mud in his neighbor’s eyes–make some impression. He is known. His family is known. People watch him with some interest, whether kindly or maliciously. He comes to New York and no matter what he does, no one is impressed. He challenges the city to fight and it licks him without being aware of him. This is a dreadful blow to a small-town ego. He hates the organism that ignores him. He hates the people who look through him. And then one day he falls into place, accepts the city and does not fight it any more. It is too huge to notice him and suddenly the fact that it doesn’t notice him becomes the most delightful thing in the world. His self-consciousness evaporates. If he is dressed superbly well–there are half a million people dressed equally well. If he is in rags–there are a million ragged people. If he is tall, it is a city of tall people. If he is short the streets are full of dwarfs; if ugly, ten perfect horrors pass him in one block; if beautiful, the competition is overwhelming. If he is talented, talent is a dime a dozen. If he tries to make an impression by wearing a toga–there’s a man down the street in a leopard skin. Whatever he does or says or wears or thinks he is not unique. Once accepted this gives him perfect freedom to be himself, but unaccepted it horrifies him. I don’t think New York City is like other cities. It does not have character like Los Angeles or New Orleans. It is all characters–in fact, it is everything. It can destroy a man, but if his eyes are open it cannot bore him. New York is an ugly city, a dirty city. Its climate is a scandal, its politics are used to frighten children, its traffic is madness, its competition is murderous. But there is one thing about it–once you have lived in New York and it has become your home, no place else is good enough. All of everything is concentrated here, population, theatre, art, writing, publishing, importing, business, murder, mugging, luxury, poverty. It is all of everything. It goes all right. It is tireless and its air is charged with energy. I can work longer and harder without weariness in New York than anyplace else….

Another howl ruptured the quiet, still too far away to be a threat. The Beast Lord, the leader, the alpha male, had to enforce his position as much by will as by physical force. He would have to answer any challenges to his rule, so it was unlikely that he turned into a wolf. A wolf would have little chance against a cat. Wolves hunted in a pack, bleeding their victim and running them into exhaustion, while cats were solitary killing machines, designed to murder swiftly and with deadly precision. No, the Beast Lord would have to be a cat, a jaguar or a leopard. Perhaps a tiger, although all known cases of weretigers occurred in Asia and could be counted without involving toes. I had heard a rumor of the Kodiak of Atlanta, a legend of an enormous, battle-scarred bear roaming the streets in search of Pack criminals. The Pack, like any social organization, had its lawbreakers. The Kodiak was their Executioner. Perhaps his Majesty turned into a bear. Damn. I should have brought some honey. My left leg was tiring. I shifted from foot to foot . . . A low, warning growl froze me in midmove. It came from the dark gaping hole in the building across the street and rolled through the ruins, awakening ancient memories of a time when humans were pathetic, hairless creatures cowering by the weak flame of the first fire and scanning the night with frightened eyes, for it held monstrous hungry killers. My subconscious screamed in panic. I held it in check and cracked my neck, slowly, one side then another. A lean shadow flickered in the corner of my eye. On the left and above me a graceful jaguar stretched on the jutting block of concrete, an elegant statue encased in the liquid metal of moonlight. Homo Panthera onca. The killer who takes its prey in a single bound. Hello, Jim. The jaguar looked at me with amber eyes. Feline lips stretched in a startlingly human smirk. He could laugh if he wanted. He didn’t know what was at stake. Jim turned his head and began washing his paw. My saber firmly in hand, I marched across the street and stepped through the opening. The darkness swallowed me whole. The lingering musky scent of a cat hit me. So, not a bear after all. Where was he? I scanned the building, peering into the gloom. Moonlight filtered through the gaps in the walls, creating a mirage of twilight and complete darkness. I knew he was watching me. Enjoying himself. Diplomacy was never my strong suit and my patience had run dry. I crouched and called out, “Here, kitty, kitty, kitty.” Two golden eyes ignited at the opposite wall. A shape stirred within the darkness and rose, carrying the eyes up and up and up until they towered above me. A single enormous paw moved into the moonlight, disturbing the dust on the filthy floor. Wicked claws shot forth and withdrew. A massive shoulder followed, its gray fur marked by faint smoky stripes. The huge body shifted forward, coming at me, and I lost my balance and fell on my ass into the dirt. Dear God, this wasn’t just a lion. This thing had to be at least five feet at the shoulder. And why was it striped? The colossal cat circled me, half in the light, half in the shadow, the dark mane trembling as he moved. I scrambled to my feet and almost bumped into the gray muzzle. We looked at each other, the lion and I, our gazes level. Then I twisted around and began dusting off my jeans in a most undignified manner. The lion vanished into a dark corner. A whisper of power pulsed through the room, tugging at my senses. If I did not know better, I would say that he had just changed. “Kitty, kitty?” asked a level male voice. I jumped. No shapechanger went from a beast into a human without a nap. Into a midform, yes, but beast-men had trouble talking. “Yeah,” I said. “You’ve caught me unprepared. Next time I’ll bring cream and catnip toys.” “If there is a next time.

I DON'T WANT to talk about me, of course, but it seems as though far too much attention has been lavished on you lately-that your greed and vanities and quest for self-fulfillment have been catered to far too much. You just want and want and want. You believe in yourself excessively. You don't believe in Nature anymore. It's too isolated from you. You've abstracted it. It's so messy and damaged and sad. Your eyes glaze as you travel life's highway past all the crushed animals and the Big Gulp cups. You don't even take pleasure in looking at nature photographs these days. Oh, they can be just as pretty as always, but don't they make you feel increasingly ... anxious? Filled with more trepidation than peace? So what's the point? You see the picture of the baby condor or the panda munching on a bamboo shoot, and your heart just sinks, doesn't it? A picture of a poor old sea turtle with barnacles on her back, all ancient and exhausted, depositing her five gallons of doomed eggs in the sand hardly fills you with joy, because you realize, quite rightly, that just outside the frame falls the shadow of the condo. What's cropped from the shot of ocean waves crashing on a pristine shore is the plastics plant, and just beyond the dunes lies a parking lot. Hidden from immediate view in the butterfly-bright meadow, in the dusky thicket, in the oak and holly wood, are the surveyors' stakes, for someone wants to build a mall exactly there-some gas stations and supermarkets, some pizza and video shops, a health club, maybe a bulimia treatment center. Those lovely pictures of leopards and herons and wild rivers-well, you just know they're going to be accompanied by a text that will serve only to bring you down. You don't want to think about it! It's all so uncool. And you don't want to feel guilty either. Guilt is uncool. Regret maybe you'll consider. Maybe. Regret is a possibility, but don't push me, you say. Nature photographs have become something of a problem, along with almost everything else. Even though they leave the bad stuff out-maybe because you know they're leaving all the bad stuff out-such pictures are making you increasingly aware that you're a little too late for Nature. Do you feel that? Twenty years too late? Maybe only ten? Not way too late, just a little too late? Well, it appears that you are. And since you are, you've decided you're just not going to attend this particular party.

My bisnonno is such a man...Fine, you laugh again. Not so handsome,I think,but just as proud. He struts through the square with his new shoes. He buys a carriage. But he gives to the poor,too, to the Church.He is kind to his siters; he is a friend to many.He is raffinato, a gentleman. And the girl he chooses? Hmm? Hmm?" "I don't know, Nonna. Elizabeth Benedetto?" "Hah!" Nonna slapped her hand hard against her knee. It bounced soundlessly off the leopard plush. "Elisabetta. Elisabetta, daughter of a man who works on another's boat. Elisabetta who has many sisters and who is intended for the Church if she does not marry. I don't remember her family name, if I ever knew. Maybe Benedetto.Why not? It does not matter.What matters is that no one understands why Michelangelo Costa chooses this girl. No one can...oh,the word...to say a picture of: descrivere." "Describe?" "Si. Describe.No one can describe her.Small,they think. Brown, maybe. Maybe not so pretty, not so ugly. Just a girl. She sits by the seawall mending nets her family does not own. She is odd,too,her neighbors think.They think it is she who leaves little bit of shell and rock when she is done with the nets, little mosaico on the wall. So why? the piu bella girls ask, the ones with long,long necks, and long black hair, and noses that turn up at the end. Why this odd, nobody girl in her ugly dresses, with her dirty feet? "Michelangelo sends his cousins to her with gifts. A cameo, silk handkerchiefs, a fine pair of gloves. Again,the laugh.Then, you would not have laughed at a gift of gloves, piccola. Oh,you girls now. You want what? E-mails and ePods?" "That's iPods,Nonna." "Whatever. See,that word I know. Now, Elisabetta sends back the little girst. So my bisnonno sends bigger: pearls, meters of silk cloth, a horse. These,too,she will not take. And the people begin to look,and ask: Who is she, this nobody girl,to refuse him? No money,no beauty,no family name.You are a fool,they tell her. Accept. Accept! "And my proud bisnonno does not understand. He can have any girl in the town.So again,he gathers the gifts, he carries them himself, leads the horse. But Elisabetta is not to be found. She is not at her papa's house or in the square or at the seawall. Michelangelo fears she has gone to the convent. But no. As he stands at the seawall, a seabird,a gull, lands on his shoulder and says-" "Nonna-" "Shh! The girl tells him to follow the delfino....delfin? Dolphin! So he looks, and there, a dolphin with its head above the water says, 'Follow!' So he follows,the sack with gifts for Elisabetta on his back,like a peddler, the horse trailing behind.The dolphin leads him around the bay to a beach, and there is Elisabetta, old dress covered in sand,feet bare, just drawing circles in the sand. She starts to run, but Michelangelo calls to her. 'Why,' he asks her. 'Why do you hide? Why will you not take my gifts?' And she says..." I'd been fighting a losing battle with yawning for a while. I was failing fast. "I have no idea. 'I'm in love with someone else.'?

Don't come close. Don't say anything. Just leave." "Why?" He gave an impatient shake off his head. "Whatever words would make you go, consider them said." "And if I don't?" His eyes were devil-bright, his face hard. Then I'll drag you to this bed and force myself on you." Beatrix didn't believe that for a second. But it revealed the extremity of his torment, that he would threaten such a thing. Giving him a patently skeptical glance, she said, "You're too drunk to catch me." She was startled by a burst of movement. Christopher reached her, fast as a leopard, and slammed his palms on the door on either side of her head. His voice was harsh and low. "I'm not as drunk as I look." Beatrix had raised her arms reflectively, crossing them over her face. She had to remind herself to start breathing again. The problem was, once she resumed, she couldn't control her lungs, which were working as if she had run for miles. Faced with a hard wall of masculine flesh, she could almost feel the heat of his skin. "Are you afraid of me now?" he asked. She gave a slight shake of her head, her eyes huge. "You should be.

Try Evan,” he suggests. “Apart from numbers and heaven, which gets old very quickly, there’s practically nothing.” “Numbers? Oh! Eleven…seven…” I furrow my brow. “Devon,” Kelly calls over. “That’s a county in England.” “Leaven,” I add. “You do it to bread.” Evan’s expression is comical, his blue eyes stretched as wide as they’ll go as he plucks a string and, in a singsong nursery-rhyme voice, intones: “From the age of seven to eleven Before he tragically went to heaven Evan leavened bread in Devon.” He throws his hands wide. “See? Not much to work with.” “At least you don’t have rude stuff that rhymes with you,” Kelly says gloomily. “They called me Smelly Jelly Belly at school for years.” “And Kendra isn’t that great either. It sort of sounds like bend-ya,” Kendra adds. I can’t help smiling that Kendra and Kelly are competitive in everything, even down to whose name rhymes with worse stuff. “Kendra,” Evan sings, playing a chord, “I would never bend ya, or lend ya or send ya… Oh, the words I can engender thinking about Kendra…” “‘Engender’!” Kelly exclaims. “That’s really good!” I pull myself out of the pool and walk over to a lounger, picking up a towel and wrapping it around myself; I sit on one side of Evan, Kelly on the other. Even cool-as-a-cucumber Kendra has sat up to watch Evan playing his guitar. “What about Paige?” I ask, looking over at his sister, the only one uninterested in her brother’s talent. She’s got a moisturizing pack on her hair--her head is wrapped in the special leopard-skin towel she uses when she’s doing a hair treatment--pink headphones on her ears, and a magazine in her hands as she reclines on her lounger. “Paige goes into a rage when you tell her she’s not yet legal drinking age--” Evan sings immediately, and Paige, who must have been listening after all, promptly throws her magazine at his head. He ducks easily, and it flies past and lands on the tiles.

The Branch From Jesse 11 A shoot will come up from the stump of Jesse; from his roots a Branch will bear fruit. 2 The Spirit of the Lord will rest on him— the Spirit of wisdom and of understanding, the Spirit of counsel and of might, the Spirit of the knowledge and fear of the Lord— 3 and he will delight in the fear of the Lord. He will not judge by what he sees with his eyes, or decide by what he hears with his ears; 4 but with righteousness he will judge the needy, with justice he will give decisions for the poor of the earth. He will strike the earth with the rod of his mouth; with the breath of his lips he will slay the wicked. 5 Righteousness will be his belt and faithfulness the sash around his waist. 6 The wolf will live with the lamb, the leopard will lie down with the goat, the calf and the lion and the yearling[f] together; and a little child will lead them. 7 The cow will feed with the bear, their young will lie down together, and the lion will eat straw like the ox. 8 The infant will play near the cobra’s den, and the young child will put its hand into the viper’s nest. 9 They will neither harm nor destroy on all my holy mountain, for the earth will be filled with the knowledge of the Lord as the waters cover the sea. 10 In that day the Root of Jesse will stand as a banner for the peoples; the nations will rally to him, and his resting place will be glorious. 11 In that day the Lord will reach out his hand a second time to reclaim the surviving remnant of his people from Assyria, from Lower Egypt, from Upper Egypt, from Cush,[g] from Elam, from Babylonia,[h] from Hamath and from the islands of the Mediterranean. 12 He will raise a banner for the nations and gather the exiles of Israel; he will assemble the scattered people of Judah from the four quarters of the earth. 13 Ephraim’s jealousy will vanish, and Judah’s enemies[i] will be destroyed; Ephraim will not be jealous of Judah, nor Judah hostile toward Ephraim. 14 They will swoop down on the slopes of Philistia to the west; together they will plunder the people to the east. They will subdue Edom and Moab, and the Ammonites will be subject to them. 15 The Lord will dry up the gulf of the Egyptian sea; with a scorching wind he will sweep his hand over the Euphrates River. He will break it up into seven streams so that anyone can cross over in sandals. 16 There will be a highway for the remnant of his people that is left from Assyria, as there was for Israel when they came up from Egypt. Songs of Praise 12 In that day you will say: “I will praise you, Lord. Although you were angry with me, your anger has turned away and you have comforted me. 2 Surely God is my salvation; I will trust and not be afraid. The Lord, the Lord himself, is my strength and my defense[j]; he has become my salvation.” 3 With joy you will draw water from the wells of salvation. 4 In that day you will say: “Give praise to the Lord, proclaim his name; make known among the nations what he has done, and proclaim that his name is exalted. 5 Sing to the Lord, for he has done glorious things; let this be known to all the world. 6 Shout aloud and sing for joy, people of Zion, for great is the Holy One of Israel among you.

What are you saying, Argus?” Jason came out of the darkness like a murdered man’s ghost. “I heard you mention my name.” “Only telling Atalanta here about your own exploits as a hunter,” Argus said as naturally as if it were true. “You ought to show her that leopard-skin trophy of yours. It’s a beauty.” “There’ll be time enough to show her that later.” Jason tried to look annoyed, but I could tell that Argus’s smooth talk had flattered him. “When I choose to do it, not when you try to send me off on an errand. I still lead this venture, not you.” I hated his arrogant attitude toward Argus, to whom he owed so much, but there was little I could do about it. The best I could manage was a ruse to divert him. “A leopard skin?” I put the proper note of awe into my voice. “You should wear it when Lord Aetes summons us to his hall. One look at such a prize and he’ll know who our leader is without asking!” “You think that will be necessary?” Jason growled, giving Argus a hard, resentful stare. I pretended I hadn’t heard that. “A leopard! Not even Herakles could boast such a kill. He wore a lion’s pelt, but brute strength’s all you need to slay one of those beasts. You need strength and brains to overcome a leopard.” “Would you really like to see the pelt?” Jason asked eagerly. I nodded. “For you, then, honored huntress,” he said in a low, honeyed voice. He leaped back aboard the Argo with so much vigor that Argus had to bite his lips to hold back the laughter. “I’ll never call you ‘girl’ again,” Argus said to me. “A woman twice your age would envy your cunning!” “If I were still ‘Glaucus,’ you’d say I was smart or clever, not cunning,” I chided him. “Pfff! What does one little word matter?” “So you won’t mind if I call the Argo a ferryboat?” I replied sweetly.

Don Fabrizio remembered a conversation with Father Pirrone some months before in the sunlit observatory. What the Jesuit had predicted had come to pass. But wasn’t it perhaps good tactics to insert himself into the new movement, make at least part use of it for a few members of his own class? The worry of his imminent interview with Don Calogero lessened. “But the rest of his family, Don Ciccio, what are they really like?” “Excellency, no one has laid eyes on Don Calogero’s wife for years, except me. She only leaves the house to go to early Mass, the five o’clock one, when it’s empty. There’s no organ-playing at that hour; but once I got up early just to see her. Donna Bastiana came in with her maid, and as I was hiding behind a confessional I could not see very much; but at the end of Mass the heat was too great for the poor woman and she took off her black veil. Word of honour, Excellency, she was lovely as the sun, one can’t blame Don Calogero, who’s a beetle of a man, for wanting to keep her away from others. But even in the best kept houses secrets come out; servants talk; and it seems Donna Bastiana is a kind of animal: she can’t read or write or tell the time by a clock, can scarcely talk; just a beautiful mare, voluptuous and uncouth; she’s incapable even of affection for her own daughter! Good for bed and that’s all.” Don Ciccio, who, as protégé of queens and follower of princes, considered his own simple manners to be perfect, smiled with pleasure. He had found a way of getting some of his own back on the suppressor of his personality. “Anyway,” he went on, “one couldn’t expect much else. You know whose daughter Donna Bastiana is, Excellency?” He turned, rose on tiptoe, pointed to a distant group of huts which looked as if they were slithering off the edge of the hill, nailed there just by a wretched-looking bell-tower: a crucified hamlet. “She’s the daughter of one of your peasants from Runci, Peppe Giunta he was called, so filthy and so crude that everyone called him Peppe “Mmerda” . . . excuse the word, Excellency.” Satisfied, he twisted one of Teresina’s ears round a finger. “Two years after Don Calogero had eloped with Bastiana they found him dead on the path to Rampinzeri, with twelve bullets in his back. Always lucky, is Don Calogero, for the old man was getting above himself and demanding, they say.” Much of this was known to Don Fabrizio and had already been balanced up in his mind; but the nickname of Angelica’s grandfather was new to him; it opened a profound historical perspective, and made him glimpse other abysses compared to which Don Calogero himself seemed a garden flowerbed. The Prince began to feel the ground giving way under his feet; how ever could Tancredi swallow this? And what about himself? He found himself trying to work out the relationship between the Prince of Salina, uncle of the bridegroom, and the grandfather of the bride; he found none, there wasn’t any. Angelica was just Angelica, a flower of a girl, a rose merely fertilised by her grandfather’s nickname. Non olet, he repeated, non olet; in fact optime foeminam ac contuberninum olet.

And I can tell you too, Don Pietrino, that if, as has often happened before, this class were to vanish, an equivalent one would be formed straightaway with the same qualities and the same defects; it might not be based on blood any more, but possibly on … on, say, the length of time lived in a place, or on greater knowledge of some text considered sacred.

[The Death of Ivan Ilych is] possibly the best short story ever written, depending on whether or not you consider The Leopard [Giuseppe di Lampedusa] to be a short story, but it is only about 50 pages or so. It describes how easy it is to go through life, in the same way as Eliot describes in ‘Prufrock’, trying to please everyone and to be a good person, to conform, without really having any authentic intimacy with anyone. And the great importance really of waking up and smelling the coffee and seeing that the superficial things in life really are superficial and that what actually matters is how you conduct yourself in your relationships with your intimates. Well [Tolstoy]... was [bad at that], yes. And, er, that’s true, of course, of many authors. They can be extraordinarily adept at writing stories about the things that they are unable to do themselves. [Defining authentic intimacy...] ...that’s a whole subject but sincerity is that you feel passionately that something is real and important, as opposed to authenticity where you divine internal truth, your true feeling and also external truth, the true feeling of other people. It’s not about being Tony Blair who is sincere but inauthentic; it’s about being… well, who? It’s very difficult to know, though, because these people are so good at presenting themselves. Somebody who is authentic in the public eye… well, very few people. Most high achievers are not very authentic. Unless you know people very well it’s hard to judge. [I suppose the point of superficiality is that it’s a defence against vulnerability. Being authentic makes you terribly vulnerable.] I don’t think it’s the same thing as telling the truth. My mother, in her later years after my father died, was a good example of someone who became very wise when she got older. If she watched me doing something stupid, she wouldn’t say: ‘Oh, don’t be so stupid,’ but she’d ask a question: ‘I wonder if you’ve thought about this or that?’ If I didn’t want to hear any more she would let it go. She didn’t try to impose her version on me but at the same time she tried to signal what she felt was true. She certainly didn’t tell lies. An authentic person in an inauthentic environment, like a corporate headquarters or a television company, might need to construct quite an elaborate persona and it might entail… well, keeping your mouth shut a lot.

We live on a cursed earth in a cursed universe. Both are under the baleful influence of Satan, who is both “the god of this world” (2 Cor. 4:4), and “the prince of the power of the air” (Eph. 2:2). The devastating effects of the curse and satanic influence will reach a terrifying climax in the events of the Tribulation. Some of the various bowl, trumpet, and seal judgments are demonic, others represent natural phenomena gone wild as God lets loose His wrath. At the culmination of that time of destruction and chaos, Christ returns and sets up His kingdom. During His millennial reign, the effects of the curse will begin to be reversed. The Bible gives us a glimpse of what the restored creation will be like. There will be dramatic changes in the animal world. In Isaiah we learn that The wolf will dwell with the lamb, and the leopard will lie down with the kid, and the calf and the young lion and the fatling together; and a little boy will lead them. Also the cow and the bear will graze; their young will lie down together; and the lion will eat straw like the ox. And the nursing child will play by the hole of the cobra, and the weaned child will put his hand on the viper’s den. They will not hurt or destroy in all My holy mountain. (Isa. 11:6-9) “The wolf and the lamb shall graze together, and the lion shall eat straw like the ox; and dust shall be the serpent’s food. They shall do no evil or harm in all My holy mountain,” says the Lord. (Isa. 65:25) The changes in the animal world will be paralleled by changes in the earth and the solar system: Then the moon will be abashed and the sun ashamed, for the Lord of hosts will reign on Mount Zion and in Jerusalem, and His glory will be before His elders. (Isa. 24:23) The light of the moon will be as the light of the sun, and the light of the sun will be seven times brighter, like the light of seven days, on the day the Lord binds up the fracture of His people and heals the bruise He has inflicted. (Isa. 30:26) No longer will you have the sun for light by day, nor for brightness will the moon give you light; but you will have the Lord for an everlasting light, and your God for your glory. Your sun will set no more, neither will your moon wane; for you will have the Lord for an everlasting light. (Isa. 60:19-20)

{The Death of Ivan Ilych is} possibly the best short story ever written, depending on whether or not you consider The Leopard [Giuseppe di Lampedusa] to be a short story, but it is only about 50 pages or so. It describes how easy it is to go through life, in the same way as Eliot describes in ‘Prufrock’, trying to please everyone and to be a good person, to conform, without really having any authentic intimacy with anyone. And the great importance really of waking up and smelling the coffee and seeing that the superficial things in life really are superficial and that what actually matters is how you conduct yourself in your relationships with your intimates. Well [Tolstoy]... was [bad at that], yes. And, er, that’s true, of course, of many authors. They can be extraordinarily adept at writing stories about the things that they are unable to do themselves. [Defining authentic intimacy...] ...that’s a whole subject but sincerity is that you feel passionately that something is real and important, as opposed to authenticity where you divine internal truth, your true feeling and also external truth, the true feeling of other people. It’s not about being Tony Blair who is sincere but inauthentic; it’s about being… well, who? It’s very difficult to know, though, because these people are so good at presenting themselves. Somebody who is authentic in the public eye… well, very few people. Most high achievers are not very authentic. Unless you know people very well it’s hard to judge. [I suppose the point of superficiality is that it’s a defence against vulnerability. Being authentic makes you terribly vulnerable.] I don’t think it’s the same thing as telling the truth. My mother, in her later years after my father died, was a good example of someone who became very wise when she got older. If she watched me doing something stupid, she wouldn’t say: ‘Oh, don’t be so stupid,’ but she’d ask a question: ‘I wonder if you’ve thought about this or that?’ If I didn’t want to hear any more she would let it go. She didn’t try to impose her version on me but at the same time she tried to signal what she felt was true. She certainly didn’t tell lies. An authentic person in an inauthentic environment, like a corporate headquarters or a television company, might need to construct quite an elaborate persona and it might entail… well, keeping your mouth shut a lot.

And I can tell you too, Don Pietrino, that if, as has often happened before, this class were to vanish, an equivalent one would be formed straight away with the same qualities and the same defects; it might not be based on blood any more, but possibly on . . . on, say, the length of time lived in a place, or on greater knowledge of some text considered sacred.

You go to class and discuss famous poems. The poems are full of swans, gorse, blackberries, leopards, elderflowers, mountains, orchards, moonlight, wolves, nightingales, cherry blossoms, bog oak, lily-pads, honeybees. Even the brand-new ones are jam-packed with nature. It’s like the poets are not living in the same world as you. You put up your hand and say isn’t it weird that poets just keep going around noticing nature and not ever noticing that nature is shrinking? To read these poems you would think the world was as full of nature as it ever was even though in the last forty years so many animals and habitats have been wiped out. How come they don’t notice that? How come they don’t notice everything that’s been annihilated? If they’re so into noticing things? I look around and all I see is the world being ruined. If poems were true they’d just be about walking through a giant graveyard or a garbage dump. The only place you find nature is in poems, it’s total bullshit. Even the sensitive people are fucking liars, you say. No, you don’t, you sit there in silence like

It is a story of the cost and the inventiveness required of the unwelcome immigrant. His most useful weapon, which is also a shield, is his capacity for self-censorship, for dissimulation. Immigrants need, whatever else they need, to be good actors. And actors, one might say, are master censors. They have to censor all the words their part does not require. And yet, of course, we don't think of actors as censoring themselves, or engaged in dramatic acts of self-censorship. The capacity for survival, Freud intimates, depends upon a capacity for cunning self-censorship. But presumably, over time, like the leopards in the temple, we can become so habituated to our own dissimulations that we become them; they become integral to the ceremony of being oneself.

Censorship, that is to say, bespeaks a world calculated in advance (it is wishfulness and wilfulness disguised as prophecy); a world in which we recognize what is a temple and what is not, what is a sacrificial pitcher and what is not. A world in which there could not possibly be leopards in the temple. The censor tells us what the sacrifices are that are worth making, and what needs to be calculated in advance; censorship, whatever else it is, is always calculation in advance, always needing to keep ahead of itself. And once the censors fail, something opens up; if the leopards had been kept out of the temple, we would have had no parable, nor the myriad interpretations it seems to invite.

We hear marketers say all the time: “Build a personal brand! Get people to fall in love with YOU! Then, people will buy anything and everything you create!” No, they won’t. For example, Billie Eilish is one of the biggest music stars in the world. She has millions and millions of fans and followers. And in 2019 she published a book (called Billie Eilish—”People love you!!!”) and it was a massive flop. Nobody bought it. What readers, listeners, viewers, and potential customers want isn’t you. It’s your category. The reason readers keep buying more Ryan Holiday books is because he keeps writing books about Stoicism, and his readers are obsessed with [category] Stoicism. Celebrities, on the other hand, typically write one book. And that book is titled their name. And it never sells. And then they don’t write any other books—because people don’t want more of “them.

Raksasom! Rana! Atanka!” he warbles as he runs past the van. Monsters. Horror. Run. Monsters. Pardeep smiles to himself, amused. This is a prank. Probably kids playing tricks on some superstitious old fools. “Hello? Police,” he says, entering the lobby. It’s deserted. “Police!” The smell is awful. It smells like shit, garbage, death—which is to say, nothing unusual for this neighborhood. There’s no response. He starts up the stairs. At the top of the first-floor landing he sees something moving in the dimness down at the end of the hallway. It’s low to the ground, perhaps about waist level. In the windowless corridor, it looks to Pardeep like a woman with a blanket over her, crawling on all fours. He is confused. He reaches for his flashlight, takes a few steps closer. Then there is something moving at him very fast down the dark hallway. He clicks on his flashlight and sees bright eyes flash jewel-green in the darkness. Then he is falling backward. Pardeep doesn’t have time to scream as the leopard opens him from belly to chin. Two more leopards arrive, skulking slyly in the hallway. The leopard is one of the most dangerous animals in the world. The beautiful turquoise-eyed creature is sometimes called a leaping chain saw due to the fact that it uses both its rear claws and its razor-sharp front claws, as well as its teeth, when it strikes.

Ryan Carter wants to have dinner with me on Friday. And like a dozen other people. But still." I collapsed onto the sofa and kicked off my shoes. Eva frowned. "But aren't you in a fight?" "Yes. I don't know. Is this a really bad idea? Apparently he suggested it." Eva's grin broadened and her dark eyes twinkled. She peeled off the rubber dish gloves and dropped down next to me on the sagging cushions. "I think it's a great idea." "But what if he's a Wickham?" She shrugged. "Maybe you're a Lydia." I shuddered. "Don't say such things." Lydia might have caught Wickham in the end, but she was still vain and flippant and unlikeable. "I want to be Elizabeth." Eva gave me a look. "Fine." My head dropped against the back of the couch. "I'm a Jane. I'm a Jane, okay?" The staid older sister. "There's nothing wrong with being a Jane." "That's what the Elizabeths always say," I muttered darkly.

Marcus woke again to find Sanga lying asleep on his bed, and he quietly climbed off his own mattress, standing still for a moment to allow the slight feeling of dizziness to pass. Walking quietly on bare feet, he made his way up the corridor to the latrine, then went in search of his wife. Felicia was delighted to see him on his feet, despite her immediate concern for his well-being, which were quickly dispelled when he waved her away and turned a full circle with his arms out. ‘Well, you seem to be spry enough that I think we can assume the effects of the mandrake have completely worn off. You won’t be able to speak or eat solid food for some time yet though.’ ‘And that’s why I brought this for him.’ They turned to find the tribune standing in the doorway with a smile on his face, a small iron pot dangling from one hand. ‘There’s a food shop at the end of the street whose proprietress was only too happy to lend me the pot in the likelihood of getting your business for the next few weeks. Pass me a cup and I’ll pour you some.’ Marcus found his glass drinking tube and took a sip at the soup, nodding his thanks to the tribune. Scaurus sat in silence until the cup was empty, watching as the hungry centurion consumed the soup as quickly as its temperature would allow. ‘That’s better, eh? There’s more in the pot for when I’m gone. I’d imagine you’ll be spending another night in here just to be sure you’re over the worst of it, but that ought to keep you going until morning. And now, Centurion, to business? First Spear Frontinius tells me that you passed a message requesting a conversation with me, although from the look of things most of the speaking will be done by me.’ Marcus nodded, reaching for his tablet and writing several lines of text. He handed the wooden case to Scaurus, who read the words and stared back at his centurion with his eyebrows raised in astonishment. ‘Really? You’re sure of this?’ After thinking for a moment, Marcus held out his hand and took the tablet back. He smoothed the wax and wrote another statement. Scaurus looked grimly at the text, shaking his head. ‘You got that close to him?’ Marcus wrote in the tablet again. Scaurus read the text aloud, a wry smile on his face. ‘“Take a tent party with you.” A tent party? I’ll need a damned century if he’s as dangerous as you say. And the nastiest, most bad-tempered officer in the First Cohort. Do any names spring to mind, Centurion?

Why are you here?” His voice sounded rusty from disuse. Somehow Beatrix managed to drag her mesmerized gaze away from the glinting fleece on his chest. “I came to return Albert,” she said. “He appeared at Ramsay House today. He says you’ve been neglecting him. And that you haven’t taken him on any walks lately.” “Has he? I had no idea he was so loose-tongued.” “Perhaps you would like to put…more clothes on…and come for a walk with me? To clear your head?” “This brandy is clearing my head. Or it would if my damned servants would stop wearing it.” “Come walk with me,” she coaxed. “Or I may be forced to use my dog-training voice on you.” Christopher gave her a baleful look. “I’ve already been trained. By Her Majesty’s Royal Army.” Despite the sunlight in the room, Beatrix sensed the nightmares lurking in the corners. Everything in her insisted that he should be outside, in the open air, away from confinement. “What is it?” she asked. “What’s caused this?” He lifted a hand in an annoyed gesture, as if to bat away an insect. Beatrix moved toward him cautiously. “Don’t,” came his sharp rebuke. “Don’t come close. Don’t say anything. Just leave.” “Why?” He gave an impatient shake of his head. “Whatever words would make you go, consider them said.” “And if I don’t?” His eyes were devil-bright, his face hard. “Then I’ll drag you to this bed and force myself on you.” Beatrix didn’t believe that for a second. But it revealed the extremity of his torment, that he would threaten such a thing. Giving him a patently skeptical glance, she said, “You’re too drunk to catch me.” She was startled by a burst of movement. Christopher reached her, fast as a leopard, and slammed his palms on the door on either side of her head. His voice was harsh and low. “I’m not as drunk as I look.

The kingdom of Bosnia forms a division of the Ottoman empire, and is a key to the countries of Roumeli (or Romeli). Although its length and breadth be of unequal dimensions, yet it is not improper to say it is equal in climate to Misr and Sham (Egypt and Syria). Each one of its lofty mountains, exalted to Ayuk, (a bright red star that * The peace of Belgrade was signed on the first of September, 1739. By this peace the treaty of Passarowitz was nullified, and the rivers Danube, Save, and Una re-established, as the boundaries of the two empires. See note to page 1. always follows the Hyades,) is an eye-sore to a foe. By reason of this country's vicinity to the infidel nations, such as the deceitful Germans, Hungarians, Serbs (Sclavonians), the tribes of Croats, and the Venetians, strong and powerful, and furnished with abundance of cannon, muskets, and other weapons of destruction, it has had to carry on fierce war from time to time with one or other, or more, of these deceitful enemies—enemies accustomed to mischief, inured to deeds of violence, resembling wild mountaineers in asperity, and inflamed with the rage of seeking opportunities of putting their machinations into practice; but the inhabitants of Bosnia know this. The greater part of her peasants are strong, courageous, ardent, lion-hearted, professionally fond of war, and revengeful: if the enemy but only show himself in any quarter, they, never seeking any pretext for declining, hasten to the aid of each other. Though in general they are harmless, yet in conflict with an enemy they are particularly vehement and obstinate; in battle they are strong-hearted ; to high commands they are obedient, and submissive as sheep; they are free from injustice and wickedness; they commit no villany, and are never guilty of high-way robbery; and they are ready to sacrifice their lives in behalf of their religion and the emperor. This is an honour which the people of Bosnia have received as an inheritance from their forefathers, and which every parent bequeaths to his son at his death. By far the greater number of the inhabitants, but especially the warlike chiefs, capudans, and veterans of the borders, in order to mount and dismount without inconvenience, and to walk with greater freedom and agility, wear short and closely fitted garments: they wear the fur of the wolf and leopard about their shoulders, and eagles' wings in their caps, which are made of wolf-skins. The ornaments of their horses are wolf and bearskins: their weapons of defence are the sword, the javelin, the axe, the spear, pistols, and muskets : their cavalry are swift, and their foot nimble and quick. Thus dressed and accoutred they present a formidable appearance, and never fail to inspire their enemies with a dread of their valour and heroism. So much for the events which have taken place within so short a space of time.* It is not in our power to write and describe every thing connected with the war, or which came to pass during that eventful period. Let this suffice. * It will be seen by the dates given in page 1, that the war lasted about two years and five months. Prepared and printed from the rare and valuable collection of Omer EfFendi of Novi, a native of Bosnia, by Ibrahim.* * This Ibrahim was called Basmajee^ the printer. He is mentioned in history as a renegado, and to have been associated with the son of Mehemet Effendi, the negotiator of the peace of Paasarowitz, and who was, in 1721, deputed on a special em-, bassy to Louis XV. Seyd Effendi, who introduced the art of printing into Turkey. Ibrahim, under the auspices of the government, and by the munificence of Seyd Effendi aiding his labours^ succeeded in sending from the newly instituted presses several works, besides the Account of the War in Bosnia.

One of these days, you keep asking, Brice, and I might scare you to death and say yes. I'd turn into a clingy, nagging witch and drive you nuts

One cannot change one's way of thinking as easily as one might, say, turn into a snow leopard.

What did the leopard say after eating its trainer?

Am I going to lose consciousness or will I faint?” Needless to say, the solution to this remains, “Whatever happens, even if I faint, so be it. It’s OK. I’ll deal with it when and if it happens.” Now before you get there and master this “whatever” way of thinking, take baby steps and explain to your negative voice that the panic attack system is exactly there so you would not faint.  It’s the fight-or-flight system, not the faint system. It’s rushing blood to your muscles (and thus takes it away from your brain, which explains the light-headedness) so you can punch that danger to the ground or outrun a leopard (or at least try to) if need be. Fainting would get you killed, so it’s not on the menu during an actual panic attack.

Those were years when novels were helping to form those literary myths which still dominate European minds today; but in Sicily, partly because of its traditional impermeability to anything new, partly because of the general ignorance of any language whatsoever, partly also, it must be said, because of a nagging and strict Bourbon censorship which worked through the Customs, no one had heard of Dickens, Eliot, Sand, Flaubert, or even Dumas. A couple of Balzac’s volumes had, through various subterfuges, it is true, reached the hands of Don Fabrizio, who had appointed himself family censor; he had read them and then lent them, in disgust, to a friend he didn’t like, saying that they were by a writer with a talent undoubtedly vigorous but also extravagant and “obsessed” (today he would have said “monomaniacal”): a hasty judgment, obviously, but not without a certain acuteness.

These are things one can’t say to a Sicilian; and if you’d said them yourself, I too would have objected.

Sleep, my dear Chevalley, sleep, that is what Sicilians want, and they will always hate anyone who tries to wake them, even in order to bring them the most wonderful of gifts; and I must say, between ourselves, I have strong doubts whether the new Kingdom will have many gifts for us in its luggage.

In Sicily it doesn’t matter whether things are done well or done badly; the sin which we Sicilians never forgive is simply that of ‘doing’ at all. We are old, Chevalley, very old. For more than twenty-five centuries we’ve been bearing the weight of a superb and heterogeneous civilization, all from outside, none made by ourselves, none that we could call our own. We’re as white as you are, Chevalley, and as the Queen of England; and yet for two thousand and five hundred years we’ve been a colony. I don’t say that in complaint; it’s our fault. But even so we’re worn out and exhausted.

The third and most notable problem with our current thinking is that it continues to be based on a model that prioritizes task completion above everything else. It’s a sort of one-or-zero, task-done-or-not, weight-lifted-or-not, distance-swum-or-not mentality. This is like saying, “I deadlifted 500 pounds, but I herniated a disc,” or, “I finished a marathon, but I wore a hole in my knee.” Imagine this sort of ethic spilling over into the other aspects of your life: “Hey, I made you some toast! But I burned down the house.

The Leopard pouncing in the night Is kin to soft domestic Puss – They love to hunt, and hunt to love, Because God made them thus. And who can say if joy or fear Are each in other’s lasting debt? Does every Prey enjoy each breath Because of constant threat?

Only words cede, those spoken and delivered by hand, and friendships, and cells, and shoes with leopard spots and Sunday lunches of long ago, and passions in adolescence and in adulthood, and stores that sell knives and small appliances, parental worries, children's voices, clamshells on the edge of your plate. A few regrets endure. I still wait to be forgiven by my husband, and to say, when I'm seventeen, to a tortured and fearless boy, that I love him too.

Andrei was in an elusive period in life, much like a snow leopard. He’d spent a couple of years having successfully filtered out all that was terrible and ugly in his life, from old shoes to lifeless people. However, the purification finished and he had not yet found the glint of gold to replace the damned. He had nowhere to place his lifted foot. Instead, his moral foot hovered, awkwardly, a crepuscular flesh, trembling every night, unable to set itself in a correct place. He lived in that hanging imbalance every day, and some would say this period of searching takes a while. But to him, all it did was take. Not a while. The peace of his life just takes. And takes. And takes. While Andrei may not suffer from the heat of stress or common negativity that improperly placed feet do, he lived cold, in a void, without the luxury of finding a worthy arrangement for his leopard paw.

There were a couple of Bowie twins from Hatfield in Hertfordshire. They were both tall and razor thin, and looked like a slightly more exaggerated version of David Bowie on the cover of Young Americans. Their hair was even more exaggerated: deep red with bleached streaks through the front, but also with pink highlights cascading over their eyes, and slicked back at the sides. Pencil-thin dark plucked eyebrows, very pale complexions, with black mascara. They always wore the shiniest black or red plastic dungarees. Outside the club they would wear these slightly furry leopard-skin bomber jackets, which I thought looked great. They had a mad, slurry way of talking, and kind of shouted and talked at the same time. They would jump from one subject to another in mid-sentence. They were very unusual people. Every second line was ‘Never mind the bollocks.’ They would say that three hundred times a night. Everything was ‘Never mind the bollocks.’ I know for a fact that the Sex Pistols got the name for their album from the twins. They both earned a living selling hot dogs. One worked on Charing Cross Road, the other down by Trafalgar Square. They were mad. If you stopped to talk to them, they would always be arguing with someone. Man or woman, they always had the same line: ‘Now listen, sweetheart: never mind the bollocks.

There is always a betrayal," he says. "We all have to let something go-in order to be free." I lean my head back against his shoulder and shut my eyes. To be free. Is that what I am? Free? "Who have you betrayed?" I ask. "I have betrayed so many people that for a long time I did not know myself." "Tell me." "I used to wash dishes in the kitchen, before you were born. I remember the brown ceramic sink, propped up on stilts. The tap leaked, a constant dripping of water. Over the years it had made a small dip in the ceramic, rough to touch. One day I came in and a small crack had spread itself across the sink. Eventually it would be two halves. That was how it was with me.

Before I could say anything the other gagged my mouth with a stone ball. I wanted to say what fools they were, but not the first fool in Dolingo. How could I confess anything with my mouth gagged? And the boy’s smell came to my nose again, so strong, almost as if he was right outside this cell, but now moving away. The one-eyed scientist pulled a knot at his neck and removed his hood. Bad Ibeji. I heard of one found at the foot of the Hills of Enchantment, which the Sangoma burned, even though it was already dead. Even in death it shook the unshakable woman, for it was the one mingi she would kill on sight. Bad Ibeji was never to be born but is not the unborn Douada, who roams the spirit world, wiggling on air like a tadpole and sometimes slipping into this world through a newborn. Bad Ibeji was the twin that the womb squeezed and crushed, tried to melt, but could not melt away. Bad Ibeji grows on its malcontent like that devil of the body’s own flesh, that bursts through the breasts of woman, killing her by poisoning her blood and bone. Bad Ibeji knows it will never be the favored one, so it attacks the other twin in the womb. Bad Ibeji sometimes dies at birth when the mind did not grow. When the mind did grow, all it knows to do is survive. It burrows into the twin’s skin, sucking food and water from his flesh. It leaves the womb with the twin, and sticks so tight to his skin that the mother thinks this too is the baby’s flesh, unformed, ugly like a burn and not handsome, and sometimes throws away them both to the open lands to die. It is wrinkled and puffy flesh, and skin and hair, and one eye big and a mouth that drools without stop, and one hand with claws and another stuck on the belly as if sewn, and useless legs that flap like fins, a thin penis, stiff like a finger, and hole that bursts shit like lava. It hates the twin for it will never be the twin, but it needs the twin for it cannot eat food, or drink water as it has no throat, and teeth grow anywhere, even above the eye. Parasite. Fat, and lumpy, like cow entrails tied together, and leaving slime where it crawls.

My grandmother used to say, "Don't frown, Ania, laughter is so much better for the world. Give your family and friends that gift always.

In Greece, says Suidas, "the greatest and most expensive sacrifice was the mysterious sacrifice called the Telete," a sacrifice which, according to Plato, "was offered for the living and the dead, and was supposed to free them from all the evils to which the wicked are liable when they have left this world." In Egypt the exactions of the priests for funeral dues and masses for the dead were far from being trifling. "The priests," says Wilkinson, "induced the people to expend large sums on the celebration of funeral rites; and many who had barely sufficient to obtain the necessaries of life were anxious to save something for the expenses of their death. For, beside the embalming process, which sometimes cost a talent of silver, or about 250 [pounds] English money, the tomb itself was purchased at an immense expense; and numerous demands were made upon the estate of the deceased, for the celebration of prayer and other services for the soul." "The ceremonies," we find him elsewhere saying, "consisted of a sacrifice similar to those offered in the temples, vowed for the deceased to one or more gods (as Osiris, Anubis, and others connected with Amenti); incense and libation were also presented; and a prayer was sometimes read, the relations and friends being present as mourners. They even joined their prayers to those of the priest. The priest who officiated at the burial service was selected from the grade of Pontiffs, who wore the leopard skin; but various other rites were performed by one of the minor priests to the mummies, previous to their being lowered into the pit of the tomb after that ceremony. Indeed, they continued to be administered at intervals, as long as the family paid for their performance." Such was the operation of the doctrine of purgatory and prayers for the dead among avowed and acknowledged Pagans; and in what essential respect does it differ from the operation of the same doctrine in Papal Rome?

Jeremiah 13:23 says, “Can the Cushite change his skin, / Or the leopard his spots? / Then you also may be able to do good, / Who are accustomed to do evil.

The first beast was like a lion with eagles’ wings. As I watched, its wings were pulled off, and it was left standing with its two hind feet on the ground, like a human being. And it was given a human mind. 5 Then I saw a second beast, and it looked like a bear. It was rearing up on one side, and it had three ribs in its mouth between its teeth. And I heard a voice saying to it, “Get up! Devour the flesh of many people!” 6 Then the third of these strange beasts appeared, and it looked like a leopard. It had four bird’s wings on its back, and it had four heads. Great authority was given to this beast.

truth is truth and nothing you can do about it even if you hide it or kill it or even tell it. It was truth before you open your mouth and say, that there is a true thing

You could learn a lot from a man who knew how to say please and thank you, yes sir and yes ma’am. People worry about leopards and elephants and tigers being endangered, but we all watch as rudeness butts its way into normal conversation.

Lexical errors involve making mistakes such as mixing up complete words (think of a classic Spoonerism such as ‘The Lord is a shoving leopard’). In contrast, phonemic errors involve mixing up individual speech sounds (such as mistaking reef for leaf). The Illinois researchers tested this by giving participants four-word tongue-twisters (such as lean reed reef leech) to recite either aloud or in inner speech, stopping to report any errors they made (for example, saying leaf instead of reef). The tongue-twisters had been carefully generated to allow the researchers to manipulate lexical (word) and phonemic (sound) similarity. The data showed that both kinds of error occurred in overt speech, but only lexical errors happened in inner speech.

And I saw a beast rising out of the sea, with ten horns and seven heads, with ten diadems on its horns and blasphemous names on its heads. And the beast that I saw was like a leopard; its feet were like a bear's, and its mouth was like a lion's mouth. And to it the dragon gave his power and his throne and great authority. One of its heads seemed to have a mortal wound, but its mortal wound was healed, and the whole earth marveled as they followed the beast. And they worshiped the dragon, for he had given his authority to the beast, and they worshiped the beast, saying, “Who is like the beast, and who can fight against it?”  (Revelation 13:1-4)

In a dream I am walking joyfully up the mountain. Something breaks and falls away, and all is light. Nothing has changed, yet all is amazing, luminescent, free. Released at last, I rise into the sky. . . . This dream comes often. Sometimes I run, then lift up like a kite, high above earth, and always I sail transcendent for a time before awaking. I choose to awake, for fear of falling, yet such dreams tell me that I am a part of things, if only I would let go, and keep on going. “Do not be heavy,” Soen Roshi says. “Be light, light, light—full of light!