Leo Woman Quotes

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It's hard to love a woman and do anything.
Leo Tolstoy (Anna Karenina)
You are not a perfect woman.You have an evil temper, you’re as blind as a mole, you’re a deplorable poet, and frankly, your French accent could use some work.” Supporting himself on his elbows, Leo took her face in his hands. “But when I put those things together with the rest of you, it makes you into the most perfectly imperfect woman I’ve ever known.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
It is amazing how complete is the delusion that beauty is goodness. A handsome woman talks nonsense, you listen and hear not nonsense but cleverness. She says and does horrid things, and you see only charm. And if a handsome woman does not say stupid or horrid things, you at once persuade yourself that she is wonderfully clever and moral.
Leo Tolstoy (The Kreutzer Sonata)
Never, never marry, my friend. Here’s my advice to you: don’t marry until you can tell yourself that you’ve done all you could, and until you’ve stopped loving the woman you’ve chosen, until you see her clearly, otherwise you’ll be cruelly and irremediably mistaken. Marry when you’re old and good for nothing…Otherwise all that’s good and lofty in you will be lost.
Leo Tolstoy (War and Peace)
Loving the same man or woman all your life, why, that's like supposing the same candle could last you all your life
Leo Tolstoy (The Kreutzer Sonata)
Amelia told me once about a suspicion she'd had for a while. It bothered her quite a bit. She said that Win and I had fallen ill with scarlet fever, and you made the deadly nightshade syrup, you'd concocted far more than was necessary. And you kept a cup on it on Win's nightstand, like some sort of macabre nightcap. Amelia said that if Win had died, she thought you would have taken the rest of that poison. And I've always hated you for that. Because you forced me to stay alive without the woman I loved, while you had no bloody hell intention of doing the same." Merripen didn't answer, gave no sign that he registered Leo's words. "Christ, man," Leo said huskily. "If you had the bollocks to die with her, don't you think you could work up the courage to live with her?
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Cat doesn’t have to work. She’s a woman of independent means. I settled enough money on her to allow her the freedom to do anything she wished. She went to boarding school for four years, and stayed to teach for another two. Eventually she came to me and said she’d accepted a position as a governess for the Hathaway family. I believe you were in France with Win at the time. Cat went for the interview, Cam and Amelia liked her, Beatrix and Poppy clearly needed her, and no one seemed inclined to question her lack of experience.” “Of course not,” Leo said acidly. “My family would never bother with something so insignificant as job experience. I’m sure they started the interview by asking what her favorite color was.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
No family, happy or unhappy, is quite like any other. Tolstoy was chock-fullo’shit. Remember that.
A.J. Finn (The Woman in the Window)
Coming forward with a placating smile, Win handed him a piece of paper. "Of course we would never want to force you into a loveless marriage, dear. But we have put together a list of prospective brides, all of them lovely girls. Won't you take a glance and see if any of them appeals to you?" Deciding to humor her, Leo looked down at the list. "Marietta Newbury?" "Yes," Amelia said. "What's wrong with her?" "I don't like her teeth." "What about Isabella Charrington?" "I don't like her mother." "Lady Blossom Tremaine?" "I don't like her name." "Oh, for heaven's sake, Leo, that's not her fault." "I don't care. I can't have a wife named Blossom. Every night I would feel as if I were calling in one of the cows." Leo lifted his gaze heavenward. "I might as well marry the first woman off the street. Why, I'd be better off with Marks." Everyone was silent.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
Here it is. Let's say you're married, you love your wife, but you're attracted by another woman.' 'Excuse me, but I absolutely cannot understand how after eating my fill here I could go past a bakery and steal a roll.
Leo Tolstoy (Anna Karenina)
As is always the case with a thoroughly attractive woman, her defect—the shortness of her upper lip and her half-open mouth—seemed to be her own special and peculiar form of beauty.
Leo Tolstoy (War and Peace)
Is it possible to love a woman who will never understand the profoundest interests of my life? Is it possible to love a woman simply for her beauty, to love the statue of a woman?
Leo Tolstoy (The Cossacks)
Every man experiences what you call love for every pretty woman and least of all for his wife. That is what the proverb says, and it is a true one. "Another's wife is a swan, but one's own is bitter wormwood.
Leo Tolstoy (The Kreutzer Sonata)
Has she accepted you?" "Not yet.She wants to discuss it with you first." "Thank God.Because I'll tell her that it's the worst idea I've ever heard." Leo arched a brow."You doubt I could protect her?" "I doubt you could keep from murdering each other!I doubt she could ever be happy in such volatile circumstances.I doubt...no,I won't bother listing all my concerns,it would take too bloody long." Harry's eyes were ice-cold. "The answer is no,Ramsay.I'll do what is necessary to take care of Cat.You can return to Hampshire." "I'm afraid it won't be that easy to get rid of me," Leo said."Perhaps you didn't notice that I haven't asked for your permission.There is no choice.Certain things have happened that can't be undone.Do you understand?" He saw from Harry's expression that only a few fragile constraints stood between him and certain death. "You seduced her deliberately," Harry managed to say. "Would you be happier if I claimed it was an accident?" "The only thing that would make me happy is to weight you with rocks and toss you into the Thames." "I understand.I even sympathize.I can't imagine what it would be like to face a man who's compromised your sister,how difficult it would be to keep from murdering him on the spot.Oh, but wait.." Leo tapped a forefinger thoughtfully on his chin. "I can imagine.Because I went through it two bloody months ago." Harry's eyes narrowed."That wasn't the same.Your sister was still a virgin when I married her." Leo gave him an unrepenting glance. "When I compromise a woman,I do it properly." "That does it," Harry muttered, leaping for his throat.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
Woman is deprived of rights from lack of education, and the lack of education results from the absence of rights. We must not forget that the subjection of women is so complete, and dates from such ages back that we are often unwilling to recognise the gulf that separates them from us.
Leo Tolstoy
The vocation of every man and woman is to serve people.
Leo Tolstoy
Ah! you wish us to be only objects of sensuality? All right; by the aid of sensuality we will bend you beneath our yoke,' say the woman.
Leo Tolstoy (The Kreutzer Sonata)
He knew that Vronsky could not be prevented from amusing himself with painting; he knew that he and all dilettanti had a perfect right to paint what they liked, but it was distasteful to him. A man could not be prevented from making himself a big wax doll, and kissing it. But if the man were to come with the doll and sit before a man in love, and began caressing his doll as the lover caressed the woman he loved, it would be distasteful to the lover. Just such a distasteful sensation was what Mihailov felt at the sight of Vronsky’s painting: he felt it both ludicrous and irritating, both pitiable and offensive.
Leo Tolstoy (Anna Karenina)
These prin­ciples laid down as in variable rules: that one must pay a card sharper, but need not pay a tailor; that one must never tell a lie to a man, but one may to a woman; that one must never cheat any one, but one may a husband; that one must never pardon an insult, but one may give one and so on. These principles were possibly not reasonable and not good, but they were of unfailing certainty, and so long as he adhered to them, Vronsky felt that his heart was at peace and he could hold his head up.
Leo Tolstoy (Anna Karenina)
Women have made of themselves such a weapon to act upon the senses that a young man, and even an old man, cannot remain tranquil in their presence. Watch a popular festival, or our receptions or ball-rooms. Woman well knows her influence there. You will see it in her triumphant smiles.
Leo Tolstoy (The Kreutzer Sonata)
As soon as a young man advances toward a woman, directly he falls under the influence of this opium, and loses his head. Long ago I felt ill at ease when I saw a woman too well adorned,—whether a woman of the people with her red neckerchief and her looped skirt, or a woman of our own society in her ball-room dress. But now it simply terrifies me. I see in it a danger to men, something contrary to the laws; and I feel a desire to call a policeman, to appeal for defence from some quarter, to demand that this dangerous object be removed.
Leo Tolstoy (The Kreutzer Sonata)
She was jealous not of any particular woman but of the decrease of his love. Not having an object for her jealousy, she was on the lookout for it.
Leo Tolstoy (Anna Karenina)
Leo had a terrifying image of his Aunt Rosa and some old Chinese woman in wrestlers’ outfits, whaling on each other with spiked clubs.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
But it is Tolstoy’s understanding of life that the fate of each man and woman is determined by forces beyond their control; these forces include the dictatorship of social demands.
Leo Tolstoy (Anna Karenina)
When the reception was over I went for a walk and…she’s pregnant.” They were both quiet a moment, exchanging one of those old-married-people looks he still couldn’t decipher, but which made him squirm. He and Beth were both adults, but that didn’t make telling his parents he’d accidentally gotten a woman pregnant any easier. “Lot easier to walk with your fly zipped,” Leo grumbled.
Shannon Stacey (Undeniably Yours (Kowalski Family, #2))
He had never thought the question over clearly, but vaguely imagined that his wife had long suspected him of being unfaithful to her and was looking the other way. It even seemed to him that she, a worn-out, aged, no longer beautiful woman, not remarkable for anything, simple, merely a kind mother of a family, ought in all fairness to be indulgent. It turned out to be quite the opposite.
Leo Tolstoy (Anna Karenina)
…the role of the disappointed lover of a maiden or of any single woman might be ridiculous; but the role of a man who was pursuing a married woman, and who made it the purpose of his life at all cost to draw her into adultery, was one which had in it something beautiful and dignified and could never be ridiculous….
Leo Tolstoy
In his Petersburg world people were divided into two quite opposite sorts. One--the inferior sort: the paltry, stupid, and, above all, ridiculous people who believe that a husband should live with the one wife to whom he is married, that a girl should be pure, a woman modest, and a man, manly, self controlled and firm; that one should bring up one's children to earn their living, should pay one's debts, and other nonsense of the kind. These were the old-fashioned and ridiculous people. But there was another sort of people: the real people to which all his set belonged, who had above all to be well-bred, generous, bold, gay, and to abandon themselves unblushingly to all their passions and laugh at everything else.
Leo Tolstoy (Anna Karenina)
A man could not be prevented from making himself a big wax doll, and kissing it. But if the man were to come with the doll and sit before a man in love, and begin caressing his doll as the lover caressed the woman he loved, it would be distasteful to the lover. Just such a distasteful sensation was what Mihailov felt at the sight of Vronsky’s painting: he felt it both ludicrous and irritating, both pitiable and offensive.
Leo Tolstoy (Anna Karenina)
Leo whistled. ‘You know, Clytius … for such a big dude, you’ve got a beautiful voice.’ ‘Idiot,’ hissed the woman.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
She angled her chin proudly. “Very well. If you insist. I’ve come to invite you to my wedding.” He shook his head sadly. “That I cannot do, my love.” “But it shall be the talk of London. I want you there. Desperately.” He gazed out to the sea. “I never thought you to be cruel, Tess. I can deny you nothing. But please don’t ask this of me.” “But if you’re not there, my dear, dear Leo, then however shall I marry you? She watched as the shock of her words rippled over his beloved features. “Me? But you always said no when I asked for your hand.” “I was a foolish woman. Lynnford was the love of my youth. And as we have talked these many weeks as we’ve not been able to talk in years, so we discovered that neither of us is the person that each of us fell in love with. We were holding onto someone who no longer exists.” She took a tentative step toward him. “You love me as I am now. And I shall love you always. Marry me, Leo. For God’s sake, marry me.
Lorraine Heath (Waking Up With the Duke (London's Greatest Lovers, #3))
Leo had a terrifying image of his Aunt Rosa and some old Chinese woman in wrestlers’ outfits, whaling on each other with spiked clubs. “Yeah,” Leo said. “I’m sure they would’ve been best buds.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
You can't understand it; for you men, who are free and make your own choice, it's always clear whom you love. But a girl's in a position of suspense, with all a woman's or maiden's modesty, a girl who sees you men from afar, who takes everything on trust,— a girl may have, and often has, such a feeling that she cannot tell what to say.
Leo Tolstoy (Anna Karenina)
There are a number of good books that draw upon fox legends -- foremost among them, Kij Johnson's exquisite novel The Fox Woman. I also recommend Neil Gaiman's The Dream Hunters (with the Japanese artist Yoshitaka Amano);  Larissa Lai's unusual novel, When Fox Is a Thousand; Helen Oyeyemi's recent novel, Mr. Fox; and Ellen Steiber's gorgeous urban fantasy novel, A Rumor of Gems, as well as her heart-breaking novella "The Fox Wife" (published in Ruby Slippers, Golden Tears). For younger readers, try the "Legend of Little Fur" series by Isobelle Carmody.  You can also support a fine mythic writer by subscribing to Sylvia Linsteadt's The Gray Fox Epistles: Wild Tales By Mail.  For the fox in myth, legend, and lore, try: Fox by Martin Wallen; Reynard the Fox, edited by Kenneth Varty; Kitsune: Japan's Fox of Mystery, Romance, and Humour by Kiyoshi Nozaki;Alien Kind: Foxes and Late Imperial Chinese Narrative by Raina Huntington; The Discourse on Foxes and Ghosts: Ji Yun and Eighteenth-Century Literati Storytelling by Leo Tak-hung Chan; and The Fox and the Jewel: Shared and Private Meanings in Contemporary Japanese Inari Worship, by Karen Smythers.
Terri Windling
They abolish the external form, they suppress the formal sales of slaves, and then they imagine and assure others that slavery is abolished. They are unwilling to see that it still exists, since people, as before, like to profit by the labor of others, and think it good and just. This being given, there will always be found beings stronger or more cunning than others to profit thereby. The same thing happens in the emancipation of woman. At bottom feminine servitude consists entirely in her assimilation with a means of pleasure. They excite woman, they give her all sorts of rights equal to those of men, but they continue to look upon her as an object of sensual desire, and thus they bring her up from infancy and in public opinion.
Leo Tolstoy (The Kreutzer Sonata)
Just imagine the existence of a man - let us call him A - who has left youth far behind, and of a woman whom we may call B, who is young and happy and has seen nothing as yet of life or of the world. Family circumstances of various kinds brought them together, and he grew to love her as a daughter, and had no fear that his love would change its nature. But he forgot that B was so young, that life was still a May-game to her and that it was easy to fall in love with her in a different way, and that this would amuse her. He made a mistake and was suddenly aware of another feeling, as heavy as remorse, making its way into his heart, and he was afraid. He was afraid that their old friendly relations would be destroyed, and he made up his mind to go away before that happened.
Leo Tolstoy (Семейное счастие)
Stepan Arkadyevitch was a truthful man in his relations with himself. He was incapable of deceiving himself and persuading himself that he repented of his conduct. He could not at this date repent of the fact that he, a handsome, susceptible man of thirty-four, was not in love with his wife, the mother of five living and two dead children, and only a year younger than himself. All he repented of was that he had not succeeded better in hiding it from his wife. But he felt all the difficulty of his position and was sorry for his wife, his children, and himself. Possibly he might have managed to conceal his sins better from his wife if he had anticipated that the knowledge of them would have had such an effect on her. He had never clearly thought out the subject, but he had vaguely conceived that his wife must long ago have suspected him of being unfaithful to her, and shut her eyes to the fact. He had even supposed that she, a worn-out woman no longer young or good-looking, and in no way remarkable or interesting, merely a good mother, ought from a sense of fairness to take an indulgent view. It had turned out quite the other way.
Leo Tolstoy (Anna Karenina)
He positively forgot where he was, and not even hearing what was said, he could not take his eyes off the marvelous portrait. It was not a picture, but a living, charming woman, with black curling hair, with bare arms and shoulders, with a pensive smile on the lips, covered with soft down; triumphantly and softly she looked at him with eyes that baffled him. She was not living only because she was more beautiful than a living woman can be.
Leo Tolstoy (Anna Karenina)
He was very well aware that in their eyes the position of an unsuccessful lover of a girl, or of any woman free to marry, might be ridiculous. But the position of a man pursuing a married woman, and, regardless of everything, staking his life on drawing her into adultery, has something fine and grand about it, and can never be ridiculous; and so it was with a proud and gay smile under his mustaches that he lowered the opera glass and looked at his cousin. "But
Leo Tolstoy (Anna Karenina)
Frank grunted. “Chinese have that, too—ancestor worship, sweeping the graves in the springtime.” He glanced at Leo. “Your Aunt Rosa would’ve gotten along with my grandmother.” Leo had a terrifying image of his Aunt Rosa and some old Chinese woman in wrestlers’ outfits, whaling on each other with spiked clubs.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
These fits of jealousy, which of late had been more and more frequent, horrified him and, however much he tried to disguise the fact, estranged him from her, although he knew the cause of her jealousy was her love for him. How often he had told himself that to be loved by her was happiness; and now that she loved him only as a woman can for whom love outweighs all that is good in life, he was much farther from happiness than when he had followed her from Moscow.
Leo Tolstoy (Anna Karenina)
Marks," he said, his voice uneven, "you are not a perfect woman." 'I'm aware of that," she said. "You have an evil temper, you're as blind as a mole, you're a deplorable poet, and frankly, your French accent could use some work." Supporting himself on his elbows, Leo took her face in his hands. "But when I put those things together with the rest of you, it makes you into the most perfectly imperfect woman I've ever known." Absurdly pleased, she smiled up into his face. "You are beautiful beyond words," Leo went on. "You are kind, amusing, and passionate. You also have a keen intellect, but I'm willing to overlook that.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
Problems?" Bruiser asked. I frowned at Leo. "One of his castoffs was working with the Nicaud witches. You really need to keep it in your pants." Up front, Wrassler made a choked sound. No one spoke. Leo's eyebrow rose, just the one. There were a multiple emotions in the elegant gesture―amusement at me, a trace of anger at the woman's betrayal, a steely-eyed promise of retaliation at my lack of proper etiquette. "Keep it in my pants . . ." "Yeah. Your need to tap everything that moves causes nothing but problems." Leo said stiffly, "I have taken your recommendations under advisement." Which said and meant absolutely nothing.
Faith Hunter (Shadow Rites (Jane Yellowrock, #10))
She felt as though her nerves were strings being strained tighter and tighter on some sort of screwing peg. She felt her eyes opening wider and wider, her fingers and toes twitching nervously, something within oppressing her breathing, while all shapes and sounds seemed in the uncertain half-light to strike her with unaccustomed vividness. Moments of doubt were continually coming upon her, when she was uncertain whether the train were going forwards or backwards, or were standing still altogether; whether it were Annushka at her side or a stranger. "What's that on the arm of the chair, a fur cloak or some beast? And what am I myself? Myself or some other woman?" She was afraid of giving way to this delirium. But something drew her towards it, and she could yield to it or resist it at will.
Leo Tolstoy (Anna Karenina)
At the point where he, today's Ivan Ilyich, began to emerge, all the pleasures that had seemed so real melted away now before his eyes and turned into something trivial and often disgusting. And the further he was from childhood, the nearer he got to the present day, the more trivial and dubious his pleasures appeared. It started with law school. That had retained a little something that was really good: there was fun, there was friendship, there was hope. But in the last years the good times had become more exceptional. Then, at the beginning of his service with the governor, some good times came again: memories of making love to a woman. Then it became all confused, and the good times were not so many. After that there were fewer still; the further he went the fewer there were. Marriage. . .an accident and such a disappointment, and his wife's bad breath, and all that sensuality and hypocrisy! And the deadlines of his working life, and those money worries, going on for a year, two years, ten, twenty - always the same old story. And the longer it went on the deadlier it became. 'It's as if I had been going downhill when I thought I was going uphill. That's how it was. In society's opinion I was heading uphill, but in equal measure life was slipping away from me...And now it's all over. Nothing left but to die!
Leo Tolstoy (The Death of Ivan Ilych)
- but are you really so in love? - Oh, it is not that at all. It is not that, it is some kind of power that has seized me and holds me. I do not know what to do.
Leo Tolstoy (The Devil)
But tie yourself up with a woman and, like a chained convict, you lose all freedom! And all you have of hope and strength merely weighs you down and torments you with regret.
Leo Tolstoy (War and Peace)
Leo shakes his head. “You Aussies have a dark side.” “Nonsense. We’re friendly alcoholics who like to barbeque and swear.
Sulari Gentill (The Woman in the Library)
How could you not see that I'm a woman? Yes, a woman, who might belong to anyone - yes, even to you,
Leo Tolstoy (War and Peace, V1/2)
Where are you?” she shouted. “Don’t you see us?” taunted the woman’s voice. “I thought Hecate chose you for your skill.” Another bout of queasiness churned through Hazel’s gut. On her shoulder, Gale barked and passed gas, which didn’t help. Dark spots floated in Hazel’s eyes. She tried to blink them away, but they only turned darker. The spots consolidated into a twenty-foot-tall shadowy figure looming next to the Doors. The giant Clytius was shrouded in the black smoke, just as she’d seen in her vision at the crossroads, but now Hazel could dimly make out his form—dragon-like legs with ash-colored scales; a massive humanoid upper body encased in Stygian armor; long, braided hair that seemed to be made from smoke. His complexion was as dark as Death’s (Hazel should know, since she had met Death personally). His eyes glinted cold as diamonds. He carried no weapon, but that didn’t make him any less terrifying. Leo whistled. “You know, Clytius…for such a big dude, you’ve got a beautiful voice.” “Idiot,” hissed the woman. Halfway between Hazel and the giant, the air shimmered. The sorceress appeared. She wore an elegant sleeveless dress of woven gold, her dark hair piled into a cone, encircled with diamonds and emeralds. Around her neck hung a pendant like a miniature maze, on a cord set with rubies that made Hazel think of crystallized blood drops. The woman was beautiful in a timeless, regal way—like a statue you might admire but could never love. Her eyes sparkled with malice. “Pasiphaë,” Hazel said. The woman inclined her head. “My dear Hazel Levesque.” Leo coughed. “You two know each other? Like Underworld chums, or—” “Silence, fool.” Pasiphaë’s voice was soft, but full of venom. “I have no use for demigod boys—always so full of themselves, so brash and destructive.” “Hey, lady,” Leo protested. “I don’t destroy things much. I’m a son of Hephaestus.” “A tinkerer,” snapped Pasiphaë. “Even worse. I knew Daedalus. His inventions brought me nothing but trouble.” Leo blinked. “Daedalus…like, the Daedalus? Well, then, you should know all about us tinkerers. We’re more into fixing, building, occasionally sticking wads of oilcloth in the mouths of rude ladies—” “Leo.” Hazel put her arm across his chest. She had a feeling the sorceress was about to turn him into something unpleasant if he didn’t shut up. “Let me take this, okay?
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
In the love between a man and a woman there always comes a moment when this love has reached its zenith—a moment when it is unconscious, unreasoning, and with nothing sensual about it.
Leo Tolstoy
In his Petersburg world all people were divided into utterly opposed classes. One, the lower class, vulgar, stupid, and, above all, ridiculous people, who believe that one husband ought to live with the one wife whom he has lawfully married; that a girl should be innocent, a woman modest, and a man manly, self-controlled, and strong; that one ought to bring up one's children, earn one's bread, and pay one's debts; and various similar absurdities. This was the class of old-fashioned and ridiculous people. But there was another class of people, the real people. To this class they all belonged, and in it the great thing was to be elegant, generous, plucky, gay, to abandon oneself without a blush to every passion, and to laugh at everything else.
Leo Tolstoy (Anna Karenina)
Women are the chief stumbling block in a man's career. It's hard to love a woman and do anything. There's only one way of having love conveniently without its being a hindrance—that's marriage.
Leo Tolstoy (Anna Karenina)
No honor, no heart, no religion; a corrupt woman. I always knew it and always saw it, though I tried to deceive myself to spare her," he said to himself. And it actually seemed to him that he always had seen it: he recalled incidents of their past life, in which he had never seen anything wrong before—now these incidents proved clearly that she had always been a corrupt woman. "I made a mistake in linking my life to hers; but there was nothing wrong in my mistake, and so I cannot be unhappy. It's not I that am to blame," he told himself, "but she. But I have nothing to do with her. She does not exist for me…
Leo Tolstoy (Anna Karenina)
Leo had asked gently. “Let’s look at the situation honestly, Win. You have nothing in common with him. You’re a lovely, sensitive, literate woman, and he’s … Merripen. He likes to chop wood for entertainment. And apparently it falls to me to point out the indelicate truth that some couples are well-suited in the bedroom but not anywhere else.” Win had been shocked out of her tears by his bluntness. “Leo Hathaway, are you suggesting—” “Lord Ramsay now, thank you,” he had teased. “Lord Ramsay, are you suggesting that my feelings for Merripen are carnal in nature?” “They’re certainly not intellectual,” Leo had said, and grinned as she punched him in the shoulder.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Never, never marry, my friend. Here’s my advice to you: don’t marry until you can tell yourself that you’ve done all you could, and until you’ve stopped loving the woman you’ve chosen, until you see her clearly, otherwise you’ll be cruelly and irremediably mistaken. Marry when you’re old and good for nothing … Otherwise all that’s good and lofty in you will be lost. It will all go on trifles. Yes, yes, yes! Don’t look at me with such astonishment. If you expect something from yourself in the future, then at every step you’ll feel that it’s all over for you, it’s all closed, except the drawing room, where you’ll stand on the same level as a court flunkey and an idiot … 
Leo Tolstoy (War and Peace)
Leo stared back at her with a mixture of wary amusement and growing heat. He could no longer deny that he found nothing in the world more entertaining than talking to her. Or just being near her. Cantankerous, stubborn fascinating creature... completely unlike his past lovers. And at times like this, she had all the cuddlesome appeal of a feral hedgehog. But she challenged him, met him as an equal, in a way that no other woman ever had. He wanted her beyond reason.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
If it was an emergency, you would have hung up and called back. Over and over again. Leaving progressively more and more threatening messages about what you were going to do to me when you did finally get a hold of me,” he told her, signing off on the bottom of the letter he’d just finished and moving it to the side. “I would never do that,” she said. “No?” When she did finally send him reports it was always in folders that were named things like I’m Not Your Fucking Secretary and If You Ask Me to Get You Coffee It Will Definitely Have Turtle Shit In It. “If I really needed your attention, I’d start texting. Photos. Naked photos.” His entire body reacted to that. He cleared his throat. “I would definitely—.” “Of my grandfather.” Bennett paused. Then groaned. He knew her grandfather. Leo Landry was a great guy. Funny, down-to-earth, honest, loyal. And someone that Bennett absolutely did not ever want to see naked. Ever. “You’re an evil woman.” “Remember that.
Erin Nicholas (Crazy Rich Cajuns (Boys of the Bayou, #4))
The kind aunt with whom I lived, herself the purest of beings, always told me that there was nothing she so desired for me as that I should have relations with a married woman: 'Rien ne forme un juene homme, comme une liaison avec une femme comme il faut'.{1}
Leo Tolstoy (A Confession and Other Religious Writings)
For a long time afterwards, in prison, when moral change took place in me, I thought of that moment, recalled what I could of it, and considered it. I remembered for an instant, before the action I had a terrible consciousness I was killing a defenseless woman, my wife!
Leo Tolstoy (The Kreutzer Sonata and Other Short Stories)
I sat with my father, Leo, at the kitchen table and got drunk with him for the first time. He told me to beware of crazy women, angry women, passionate women. He told me they would ruin me. “But they are also the best women,” he said, “the best lovers, with a jungle between their legs and such wildness in bed that every man should experience.
Jamel Brinkley (The Best American Short Stories 2019)
A woman, feeling sorry for a beggar who had come to her door, invited him in and offered him food. On the table was a pile of dark bread—and a few slices of challah. The shnorrer (beggar) promptly fell upon the challah. “There’s black bread, too,” the woman hinted. “I prefer challah.” “But challah is much more expensive!” “Lady,” said the beggar, “it’s worth it.” That, I think, is chutzpa.
Leo Rosten (The New Joys of Yiddish: Completely Updated)
Never, never marry, my dear fellow! That’s my advice: never marry till you can say to yourself that you have done all you are capable of, and until you have ceased to love the woman of your choice and have seen her plainly as she is, or else you will make a cruel and irrevocable mistake. Marry when you are old and good for nothing—or all that is good and noble in you will be lost. It will all be wasted on trifles. Yes!
Leo Tolstoy (War and Peace)
You’re too good to carry hate in your heart, Mia, and that’s one of your best qualities and one that I’m the most grateful for. If you didn’t forgive me… if you didn’t give me a chance, then I wouldn’t know how big a heart lives inside you. I wouldn’t know my daughter. I wouldn’t know the amazing woman your papa raised you to be.” He looked down then, his lips pulled into to a frown. “People can change. And I hope that you see me as proof of that.
Jay McLean (Leo (Preston Brothers #3))
soon as they reached the first archway, the polecat Gale found them. She scurried up Hazel’s side and curled around her neck, chittering crossly as if to say: Where have you been? You’re late. “Not the farting weasel again,” Leo complained. “If that thing lets loose in close quarters like this, with my fire and all, we’re gonna explode.” Gale barked a polecat insult at Leo. Hazel hushed them both. She could sense the tunnel ahead, sloping gently down for about three hundred feet, then opening into a large chamber. In that chamber was a presence…cold, heavy, and powerful. Hazel hadn’t felt anything like it since the cave in Alaska where Gaea had forced her to resurrect Porphyrion the giant king. Hazel had thwarted Gaea’s plans that time, but she’d had to pull down the cavern, sacrificing her life and her mother’s. She wasn’t anxious to have a similar experience. “Leo, be ready,” she whispered. “We’re getting close.” “Close to what?” A woman’s voice echoed down the corridor: “Close to me.” A wave of nausea hit Hazel so hard her knees buckled. The whole world shifted. Her sense of direction, usually flawless underground, became completely unmoored. She and Leo didn’t seem to move, but suddenly they were three hundred feet down the corridor, at the entrance of the chamber. “Welcome,” said the woman’s voice. “I’ve looked forward to this.” Hazel’s
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
[...] she was more beautiful today than she had been as a young woman. There were faint lines about her eyes and her skin was no longer as taut and fragile as it had once been. Softness had crept into her features. Yet Leo loved these changes more than any ideal of youthful beauty or perfection. These were changes he'd witnessed: changes that had occurred while he'd been by her side, the marks of their relationship, the years they'd spent together [...]
Tom Rob Smith (Agent 6 (Leo Demidov, #3))
They are regular brigands, especially Dolokhov,” replied the visitor. “He is a son of Marya Ivanovna Dolokhova, such a worthy woman, but there, just fancy! Those three got hold of a bear somewhere, put it in a carriage, and set off with it to visit some actresses! The police tried to interfere, and what did the young men do? They tied a policeman and the bear back to back and put the bear into the Moyka Canal. And there was the bear swimming about with the policeman on his back!
Leo Tolstoy (War and Peace)
Vasilisa had not seen her daughter for four years. Her daughter, Yefimya, had gone after her wedding to Petersburg, had sent them two letters, and since then seemed to vanish out of their lives—there had been no sight or sound of her. And whether the old woman was milking her cow at dawn, or heating her stove, or dozing at night, she was always thinking of one and the same thing—what was happening to Yefimya, whether she was alive out yonder. She ought to have sent a letter, but the old father could not write, and there was no one to write.
Leo Tolstoy (A Very Russian Christmas: The Greatest Russian Holiday Stories of All Time (Very Christmas))
He’s in the right, he’s in the right!” she muttered; “of course he always is in the right, he is a Christian, he is magnanimous! Yes, a mean, horrid man! And no one but I understands or will understand it, and I cannot explain it. They say he’s a religious, moral, honest, and wise man, but they do not see what I have seen. They do not know how for eight years he has been smothering my life, smothering everything that was alive in me, that he never once thought I was a live woman, in need of love. They do not know how at every step he hurt me and remained self-satisfied. Have I not tried to love him, tried to love my son when I could no longer love my husband? But the time came when I understood that I could no longer deceive myself, that I am alive, and cannot be blamed because God made me so, that I want to love and to live.” … “And he knows it all; knows that I cannot repent of breathing, of loving, knows that nothing but lies and deception can come of this arrangement, but he wants to continue to torture me. I know him; I know that he swims and delights in falsehood as a fish in water. But no! I will not give him that pleasure, come what will. I will break this web of lies in which he wishes to entangle me. Anything is better than lies and deception!
Leo Tolstoy (Anna Karenina)
... and for the first time in his life the possibility of death presented itself, not in relation to the living world, or any effect it might have on other people, but purely in relation to himself and his own soul, and it seemed so vivid, almost a dependable certainty, stark and terrible. And from the heights of this vision everything that had once tormentingly preoccupied him seemed suddenly bathed in a cold, white light with no shadows, no perspective, no outline. His whole life seemed like a magic-lantern show that he had been staring at through glass by artificial light. Now suddenly the glass was gone, and he could see those awful daubings in the clear light of day. 'Yes, yes, here they are, these false images that I used to find so worrying, enthralling and agonizing,' he told himself, giving his imagination a free rein to run over the main pictures in the magic lantern of his life, looked anew in the cold, white daylight brought on by a clear vision of death. 'Here they are, these crudely daubed figures that used to seem so magnificent and mysterious. Honour and glory, philanthropy, love of a woman, love of Fatherland -- how grand these pictures used to seem, filled with such deep meanings! And now it all looks so simple, colourless and crude in the cold light of the morning I can feel coming upon me.
Leo Tolstoy (War and Peace)
The absence of the rights of woman does not consist in the fact that she has not the right to vote, or the right to sit on the bench, but in the fact that in her affectional relations she is not the equal of man, she has not the right to abstain, to choose instead of being chosen. You say that that would be abnormal. Very well! But then do not let man enjoy these rights, while his companion is deprived of them, and finds herself obliged to make use of the coquetry by which she governs, so that the result is that man chooses ‘formally,’ whereas really it is woman who chooses. As soon as she is in possession of her means, she abuses them, and acquires a terrible supremacy.
Leo Tolstoy (The Kreutzer Sonata)
When I stepped into the trailer, I froze. The head of wardrobe was a guy—a very good-looking guy with ash blond hair, hazel eyes, and a body on him that would make my trainer proud. There was no way I was going to let this guy see any of my flaws. Of course, maybe I wouldn’t be dealing with him. Over the last two weeks, all of my wardrobe fittings had been with a woman. “Where’s Jackie?” I asked, hoping she was still assigned to me. “Oh, honey, that girl quit to go work on a Leonardo DiCaprio movie.” He threw his hip out as he flipped his hand in the air. “But can you blame her? Leo is way too hot to turn down. I’m Steve,” he said, putting his hand over his chest. “And I promise I’ll take much better care of you than Jackie.
Caitlin McKenna (My Big Fake Irish Life)
The baby girl who lifted the flaps of Rod Campbell's Dear Zoo becomes the toddler charmed by Ludwig Behmelman's Madeline who turns into the sixth grader listening open-mouthed to Mark Halperin's A Kingdom Far and Clear who grows up to be the young woman swept away by Leo Tolstoy and the beautiful, ill-fated heroine of Anna Karenina. Each book makes straight the path for the next, opening out into sunlit literary meadows where, over time, young people will encounter beautiful writing and characters and scenes that may have been known, loved, and remembered by generations long since past. For the child, or teenager, or anyone else for that matter, getting these tickets to arcadia is a matter of simplicity. All they have to do is listen.
Meghan Cox Gurdon (The Enchanted Hour: The Miraculous Power of Reading Aloud in the Age of Distraction)
She was not beautiful, or anywhere near it; but her face, a little too broad, and her firm quiet body, had the confidence of women who have never missed beauty, having had all they want from life without it. She wore a plain dark-red dress which was neither good nor bad; chosen, it seemed, with a thoughtless negative taste, assimilated to herself, and forgotten. She was almost wholly lacking in the paraphernalia of female competition; but its absence was like the absence of small change in the handbag of a queen. Hers was the rare, prideless assurance of the woman whose womanhood has not only succeeded, but has known what to take of success and what to leave aside. She was the kind of woman of whom other women say that they don’t know what men see in her. But Leo knew.
Mary Renault (The Friendly Young Ladies)
A man must be judged by what he makes of himself, Dr. Harrow. By what he does when no one else is looking. And having lived in proximity to Mr. Merripen and Mr. Rohan, I can state with certainty that they are both fine, honorable men." Dodger extracted an object from the coat pocket and wriggled with triumph. He began to lope slowly around the edge of the room, watching Harrow warily. "Forgive me if I don't accept assurances of character from a woman such as you," Harrow said to Miss Marks. "But according to rumor, you've been in rather too much proximity with certain gentlemen in your past." The governess turned white with outrage. "How dare you?" "I find that remark entirely inappropriate," Leo said to Harrow. "It's obvious that no sane man would ever attempt something scandalous with Marks.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
And the observance of his five commandments will bring peace upon the earth. They all have but one object,—the establishment of peace among men. If men will only believe in the doctrine of Jesus and practise it, the reign of peace will come upon earth,—not that peace which is the work of man, partial, precarious, and at the mercy of chance; but the peace that is all-pervading, inviolable, and eternal. The first commandment tells us to be at peace with every one and to consider none as foolish or unworthy. If peace is violated, we are to seek to re-establish it. The true religion is in the extinction of enmity among men. We are to be reconciled without delay, that we may not lose that inner peace which is the true life (Matt. v. 22-24). Everything is comprised in this commandment; but Jesus knew the worldly temptations that prevent peace among men. The first temptation perilous to peace is that of the sexual relation. We are not to consider the body as an instrument of lust; each man is to have one wife, and each woman one husband, and one is never to forsake the other under any pretext (Matt. v. 28-32). The second temptation is that of the oath, which draws men into sin; this is wrong, and we are not to be bound by any such promise (Matt. v. 34-37). The third temptation is that of vengeance, which we call human justice; this we are not to resort to under any pretext; we are to endure offences and never to return evil for evil (Matt. v. 38-42). The fourth temptation is that arising from difference in nationalities, from hostility between peoples and States; but we are to remember that all men are brothers, and children of the same Father, and thus take care that difference in nationality leads not to the destruction of peace (Matt. v. 43-48).
Leo Tolstoy (My Religion)
How many times we hear or read of reflections upon the abnormal condition of women, and upon what they ought to be. But these are only vain words. The education of women results from the real and not imaginary view which the world entertains of women’s vocation. According to this view, the condition of women consists in procuring pleasure and it is to that end that her education is directed. From her infancy she is taught only those things that are calculated to increase her charm. Every young girl is accustomed to think only of that. As the serfs were brought up solely to please their masters, so woman is brought up to attract men. It cannot be otherwise. But you will say, perhaps, that that applies only to young girls who are badly brought up, but that there is another education, an education that is serious, in the schools, an education in the dead languages, an education in the institutions of midwifery, an education in medical courses, and in other courses. It is false. Every sort of feminine education has for its sole object the attraction of men.
Leo Tolstoy (The Kreutzer Sonata)
I ask him about his novel. I fancy that Leo writes historical fiction, and for some reason I'm convinced his era is the Roman Empire. I have no reason to suppose this...it's just a fancy. "Romance," he says. "I write romance." My surprise clearly needs no words because he continues to explain. "My agent will tell you it's a story about passionate friendships and reluctant relationships in modern America, but really it's a romance." "Oh...set today?" I'm still thinking gladiators. "Modern America, remember." "Have you...have you always written romance?" "Yes, and what's more, so have you. The mystery writers, the historical novelists, the political thriller writers, the science fiction writers...everybody but the people who write instruction manuals is writing romance. We dress our stories up with murders, and discussions about morality and society, but really we just care about relationships." "You can't be serious. You're saying Stephen King writes romances?" "Yes, ma'am!" Leo sits back in the sofa. "The killer clown is entertaining and all that, but what we're really interested in is whether the fat kid gets the pretty girl.
Sulari Gentill (The Woman in the Library)
Did I develop my own set of random assumptions by utilizing the very little information available to me? For example, Leo Vodnik had held a magazine titled Construction Engineering Australia. Men are ten times more likely than women to die at work. Is that all it took for me to predict a “workplace accident” as his cause of death? Ethan Chang had his arm in a cast. Was it his injury that made me choose “assault,” together with the fact that injury and violence is a leading cause of death for young adult men? I know I watched Kayla Halfpenny at the airport and saw her knock over her drink and then her phone. Was it my observation of the sweet girl’s clumsiness together with the fact that road traffic injuries are one of the leading causes of death among young adults that led me to say “car accident”? Did I simply make random choices? Is that what led me to pancreatic cancer, the most feared cancer, for the vibrant woman who reminded me of my friend Jill, and breast cancer for the pregnant woman? Did I temporarily believe I was Madame Mae? I must have been thinking of my mother, because I kept saying “fate won’t be fought.” Had I somehow become a strange alchemy of the two of us? Both of us, after all, specialized in predictions.
Liane Moriarty (Here One Moment)
I won’t enjoy the scenery with the Grim Reaper casting her shadow over it.” “Don’t call her such horrid names, Leo,” Beatrix had protested. “I like her very much. And she’s very nice when you’re not around.” “I believe she was treated very wrongly by a man in her past,” Poppy said sotto voce. “In fact, I’ve heard a rumor or two that Miss Marks became a governess because she was involved in a scandal.” Leo was interested despite himself. “What kind of scandal?” Poppy lowered her voice to a whisper. “They say she squandered her favors.” “She doesn’t look like a woman who would squander her favors,” Beatrix said in a normal voice. “Hush, Bea!” Poppy exclaimed. “I don’t want Miss Marks to overhear. She might think we were gossiping about her.” “But we are gossiping about her. Besides, I don’t believe she would do … you know, that … with anyone. She doesn’t seem at all that sort of woman.” “I believe it,” Leo had said. “Usually the ladies most inclined to squander their favors are the ones who don’t have any.” “I don’t understand,” Bea said. “He means unattractive ladies are more easily seduced,” Poppy had said wryly, “which I don’t agree with. And besides, Miss Marks isn’t unattractive at all. She’s only a bit … stern.” “And scrawny as a Scottish chicken,” Leo had muttered.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Don’t grieve for me!” He glanced about the audience, brows high. “No? No one? The truth is, at my best, I’ve been a barely adequate king. My father’s son, I daresay. Though allow me to take just a little pride in my victory against the odds at Stoffenbeck. Unfortunate timing, to take the throne with not one but two bloody revolts on the way, but that’s no excuse, really. There’s always something horrible on the way, after all. You’ll see. Not that I bear any of you ill will, you understand. Ill will is too heavy a thing to carry through life, let alone up onto a scaffold, and it’s useless in a fight in any case.” Out of the corner of his eye, he saw the executioner wrap his hands around the lever. “Well! I think I’m being given the signal to finish up. To my sister, Savine…” He grinned over at her. The way he used to, when they were together, in Sworbreck’s office. When he had just thought of the best joke. One he knew she would love. That was how he wanted her to think of him. As he had been. As they had been. “I take some comfort in knowing you’ll be a far better ruler than I ever was. We have had our differences, but you remain the woman I most admire. And, let’s be honest, the only one I’ve ever loved.” He was gratified to see a tear slide down her cheek. It was not as if it had all been worth it, for one tear, but it was something. He grinned at the Lord Regent. “To her husband, Leo dan Brock, I can only say… how’s your leg?” He gave one last chuckle, and it became a sigh. “Let’s get on with it,” he said. There was a clatter as the trap dropped open.
Joe Abercrombie (The Wisdom of Crowds (The Age of Madness, #3))
Is this a good thing or a bad thing?" Pierre wondered. "Good for me, but bad for the next traveler, and anyway he can't help it - he has to eat. He told me an officer thrashed him for that. But the officer thrashed him because he was in a hurry. And I shot Dolokhov because I considered myself insulted. Louis XVI was executed because he was considered a criminal, and within a year the men who executed him were killed as well for doing something or other. What's bad and what's good? What should we love and what should we hate? What is life for, and what am I? What is life? What is death? What kind of force is it that directs everything?" He kept asking himself. And there were no answers to any of these questions, except one illogical response that didn't answer any of them. And that response was: "You're going to die, and it will be over and done with. You're going to die and you'll either come to know everything or stop asking." But dying was horrible too. The Torzhok pedlar woman was whining away, offering her wares, especially some goatskin slippers. "I've got hundreds of roubles, money I don't know what to do with, and she stands there in her tatty coat hardly daring to look at me," Thought Pierre. "And what does she want money for? As if it could give her a hair's breadth of extra happiness or put her soul at rest. Is there anything in the world that can make her and me any less subject to evil and death? Death, the end of everything, and it must come today or tomorrow - either way it's a split second on the scale of eternity." And again he twisted the screw that wouldn't bite, and the screw went on turning in the same hole.
Leo Tolstoy (War and Peace)
Catherine broke off as she saw something among the drafts of structures and landscapes and the pages of notes. A pencil sketch of a woman … a naked woman reclining on her side, light hair flowing everywhere. One slender thigh rested coyly over the other, partially concealing the delicate shadow of a feminine triangle. And there was an all-too-familiar pair of spectacles balanced on her nose. Catherine picked up the sketch with a trembling hand, while her heart lurched in hard strikes against her ribs. It took several attempts before she could speak, her voice high and airless. “That’s me.” Leo had lowered to the carpeted floor beside her. He nodded, looking rueful. His own color heightened until his eyes were startlingly blue in contrast. “Why?” she whispered. “It wasn’t meant to be demeaning,” he said. “It was for my own eyes, no one else’s.” She forced herself to look at the sketch again, feeling horribly exposed. In fact, she couldn’t have been more embarrassed had he actually been viewing her naked. And yet the rendering was far from crude or debasing. The woman had been drawn with long, graceful lines, the pose artistic. Sensuous. “You … you’ve never seen me like this,” she managed to say, before adding weakly, “Have you?” A self-deprecating smile touched his lips. “No, I haven’t yet descended to voyeurism.” He paused. “Did I get it right? It’s not easy, guessing what you look like beneath all those layers.” A nervous giggle struggled through her mortification. “If you did, I certainly wouldn’t admit it.” She put the sketch onto the pile, facedown. Her hand was shaking. “Do you draw other women this way?” she asked timidly. Leo shook his head. “I started with you, and so far I haven’t moved on.” Her flush deepened. “You’ve done other sketches like this? Of me unclothed?” “One or two.” He tried to look repentant. “Oh, please, please destroy them.” “Certainly. But honesty compels me to tell you that I’ll probably only do more. It’s my favorite hobby, drawing you naked.” Catherine moaned and buried her face in her hands. Her voice slipped out between the tense filter of her fingers. “I wish you would take up collecting something instead.
Lisa Kleypas (Married By Morning (The Hathaways, #4))
While his patience frayed, in the end, it was Meena who snapped first. Whether it was the fact a woman touched him, hanging on to his arm, gushing at how beautiful the wedding was, or the fact that Meena couldn’t handle the frustration of the last few days, it didn’t matter. With a snarled, “Get your hands off my husband!” Meena sliced through the crowd, skirts hiked. She leaped the last few feet and soared through the air to tackle the lioness at his side, who, as it turned out, was Loni’s cousin. But at the time, all he knew was his new wife was in full-on jealous mode and determined to scalp a wedding guest. As omega, Leo should have jumped in to calm the hot tempers— and stop the hair pulling. At the very least, he should have definitely pried Meena off the lioness before she got blood on her white dress. But… Well… He kind of liked it. While Leo had dated his fair share of women, he’d never had one show such a possessive side before. Definitely never had one go after a girl for daring to flirt with him. He didn’t know what it said about him, the fact that he enjoyed her jealous outburst. Feeling kind of smug about it, he took a moment to bask. Hers. Yes, he was hers, and she was his, at least on paper. Perhaps it was time to complete the bond and truly mate so that everyone would know they belonged to each other. Time to claim each other. First, though, he needed to pry her off the other woman before she literally spilled blood. Winding an arm around her middle, he lifted Meena, even as she continued to snarl at the woman on the ground. “Touch my man again and I will rip that hand from you and slap you with it!” Ah, the romantic words of a woman in lust. Tossing Meena over his shoulder, he ignored the amused glances of the crowd as he carted her away from the party. “I wasn’t done, Pookie,” she grumbled. “I’ve got better plans for that energy,” was his reply. And yes, she announced to all that, “Leo’s finally going to debauch me.” She wasn’t the only one fist pumping. The other ladies in the pride were cheering too while Leo fought not to blush, and poor Peter, he made a beeline for the bar. However, embarrassment wasn’t enough to stop him.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
Leo was at her side in an instant, crouching on the floor as he sorted through the hissing tangle of limbs and skirts. “Are you hurt? I feel certain there’s a woman in here somewhere. … Ah, there you are. Easy, now. Let me—” “Don’t touch me,” she snapped, batting at him with her fists. “I’m not touching you. That is, I’m only touching you with the—ow, damn it—with the intention of helping.” Her hat, a little scrap of wool felt with cheap corded trim, had fallen over her face. Leo managed to push it back to the top of her head, narrowly missing a sharp blow to his jaw. “Christ. Would you stop flailing for a moment?” Struggling to a sitting position, she glared at him. Leo crawled to retrieve the spectacles and returned to hand them to her. She snatched them from him without a word of thanks. She was a lean, anxious-looking woman. A young woman with narrowed eyes, from which bad temper flashed out. Her light brown hair was pulled back with a gallows-rope tightness that made Leo wince just to see it. One would have hoped for some compensating feature—a soft pair of lips, perhaps, or a pretty bosom. But no, there was only a stern mouth, a flat chest, and gaunt cheeks. If Leo were compelled to spend any time with her—which, thankfully, he wasn’t—he would have started by feeding her. “If you want to help,” she said coldly, hooking the spectacles around her ears, “retrieve that blasted ferret for me. Perhaps I’ve tired him enough that you may be able to run him to ground.” Still crouching on the floor, Leo glanced at the ferret, which had paused ten yards away and was watching them both with bright, beady eyes. “What is his name?” “Dodger.” Leo gave a low whistle and a few clicks of his tongue. “Come here, Dodger. You’ve caused enough trouble for the morning. Though I can’t fault your taste in … ladies’ garters? Is that what you’re holding?” The woman watched, stupefied, as the ferret’s long, slender body wriggled toward Leo. Chattering busily, Dodger crawled onto Leo’s thigh. “Good fellow,” Leo said, stroking the sleek fur. “How did you do that?” the woman asked in annoyance. “I have a way with animals. They tend to acknowledge me as one of their own.” Leo gently pried a frilly bit of lace and ribbon from the long front teeth. It was definitely a garter, deliciously feminine and impractical. He gave the woman a mocking smile as he handed it to her. “No doubt this is yours.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
First came the flower girls, pretty little lasses in summery frocks, skipping down the aisle, tossing handfuls of petals and, in one case, the basket when it was empty. Next came the bridesmaids, Luna, strutting in her gown and heels, a challenging dare in her eyes that begged someone to make a remark about the girly getup she was forced to wear. Next came Reba and Zena, giggling and prancing, loving the attention. This time, Leo wasn’t thrown by Teena’s appearance, nor was he fooled. How could he have mistaken her for his Vex? While similar outwardly, Meena’s twin lacked the same confident grin, and the way she moved, with a delicate grace, did not resemble his bold woman at all. How unlike they seemed. Until Teena tripped, flailed her arms, and took out part of a row before she could recover! Yup, they were sisters all right. With a heavy sigh, and pink cheeks, Teena managed to walk the rest of the red carpet, high heels in hand— one of which seemed short a heel. With all the wedding party more or less safely arrived, there was only one person of import left. However, she didn’t walk alone. Despite his qualms, which Leo heard over the keg they’d shared the previous night, Peter appeared ready to give his daughter away. Ready, though, didn’t mean he looked happy about it. The seams of the suit his soon-to-be father-in-law wore strained, the rented tux not the best fit, but Leo doubted that was why he looked less than pleased. Leo figured there were two reasons for Peter’s grumpy countenance. The first was the fact that he had to give his little girl away. The second probably had to do with the snickers and the repetition of a certain rumor, “I hear he lost an arm-wrestling bet and had to wear a tie.” For those curious, Leo had won that wager, and thus did his new father-in-law wear the, “gods-damned-noose” around his neck. However, who cared about that sore loser when upon his arm rested a vision of beauty. Meena’s long hair tumbled in golden waves over her shoulders, the ends curled into fat ringlets that tickled her cleavage. At her temples, ivory combs swept the sides up and away, revealing the creamy line of her neck. The strapless gown made her appear as a goddess. The bust, tight and low cut, displayed her fantastic breasts so well that Leo found himself growling. He didn’t like the appreciative eyes in the crowd. Yet, at the same time, he felt a certain pride. His bride was beautiful, and it was only right she be admired. From her impressive breasts, the gown cinched in before flaring out. The filmy white fabric of the skirt billowed as she walked. He noted she wore flats. Reba’s suggestion so she wouldn’t get a heel stuck. Her gown didn’t quite touch the ground. Zena’s idea to ensure she wouldn’t trip on the hem. They’d taken all kinds of precautions to ensure her the smoothest chance of success. She might lack the feline grace of other ladies. She might have stumbled a time or two and been kept upright only by the smooth actions of her father, but dammit, in his eyes, she was the daintiest, most beautiful sight he’d ever seen. And she is mine.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
He was very well aware that he ran no risk of being ridiculous in the eyes of Betsy or any other fashionable people. He was very well aware that in their eyes the position of an unsuccessful lover of a girl, or of any woman free to marry, might be ridiculous. But the position of a man pursuing a married woman, and, staking his life on drawing her into adultery, has something fine and grand about it, and can never be ridiculous; and so it was with a proud and gay smile under his mustaches that he lowered the opera glass and looked at his cousin.
Leo Tolstoy
You know I'll never marry," he said. Marks's voice came from the corner. She was perched on a small chair, a sunbeam glancing off her fair hair and causing dust motes to glitter around her. "Just as well, since no rational woman would have you." Leo took up the challenge without hesitation. "A rational woman..." he mused aloud. "I don't believe I've ever met one of those." "How would you know if you did?" she asked. "You wouldn't be interested in her character. You would be far too busy examining her... her..." "Her what?" he prompted. "Her dress measurements," she finally said, and he laughed at her prudishness. "Is it really so impossible for you to name ordinary body parts, Marks? Breasts, hips, legs- why is it indecent to talk about the human anatomy in a straightforward manner?" Her eyes narrowed. "Because it leads to improper thoughts." Leo smirked at her. "Mine already are." "Well, mine aren't," she said. "And I would prefer them to remain that way." His brows lifted. "You don't have improper thoughts?" "Hardly ever." "But when you do, what are they?" She gave him an indignant glance. "Have I ever been involved in your improper thoughts?" Leo persisted, causing her face to flame. "I told you I didn't have any," she protested. "No, you said 'hardly ever.' Which means one or two are rattling around in there." Amelia broke in. "Leo, stop tormenting her." Leo barely heard her, his attention fixed on Catherine. "I wouldn't think badly of you at all if you did," he said. "In fact, I'd like you much better for it." "No doubt you would," Catherine shot back. "You probably prefer women with no virtues at all." "Virtue in a woman is like pepper in the soup. A little makes for a nice seasoning. But overdo it, and no one wants very much of you.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
A gentleman shouldn't give personal items to a lady he's courting." He lowered his voice, mindful of being overheard by Poppy and the housekeeper, who were talking by the threshold of the Rutledge apartments. "But I can't take it back- no other woman could do it justice. And Marks, you have no idea of the self-restraint I exercised, I wanted to buy you a pair of embroidered stockings with little flowers running that run all the way up the insides of your-" "My lord," Catherine whispered, a light blush covering her face. "You forget yourself." "I haven't forgotten a thing, actually. Not one detail of your beautiful body. Soon I may start sketching you naked again. Every time I put a pencil to paper, the temptation nearly overwhelms me." She tried to look severe. "You promised not to do that again." "But my pencil has a will of its own," he said gravely.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
Catherine drew out an object wrapped in soft cloth. Gently she unwrapped a new pair of spectacles made of silver... gleaming and perfect, the oval lenses sparkling. Marveling at the workmanship, she drew a finger along one of the intricate filigreed earpieces, all the way to the curved tip. "They're so beautiful," she said in wonder. "If they please you, we'll have another pair made in gold. Here, let me help you..." Leo gently drew the old spectacles off her face, seeming to savor the gesture. She put the new ones on. They felt light and secure on the bridge of her nose. As she looked around the room, everything was wonderfully detailed and in focus. In her excitement, she jumped up and hurried to the looking glass that hung over the entryway table. She inspected her own glowing reflection. "How pretty you are," Leo's tall, elegant form appeared behind hers. "I do love spectacles on a woman." Catherine's smiling gaze met his in the silvered glass. "Do you? What an odd preference." "Not at all." His hands came to her shoulders, lightly fondling up to her throat and back again. "They emphasize your beautiful eyes. And they make you look capable of secrets and surprises- which, as much as we know, you are." His voice lowered. "Most of all I love the act of removing them- getting you ready for a tumble in bed." She shivered at his bluntness, her eyes half closing as she felt him pull her back against him. His mouth went to the side of her neck. "You like them?" Leo murmured, kissing her soft skin. "Yes." Her head listed to the side as his tongue traced a subtle path along her throat. "I... I don't know why you went to such trouble. It was very kind." Leo's dark head lifted, and he met her drowsy gaze in the looking glass. His fingers went to the side of her throat, stroking as if to rub the feel of his mouth into her skin. "I wasn't being kind," he murmured, a smile touching his lips. "I merely wanted you to see clearly." I'm beginning to, she was tempted to tell him, but Poppy returned to the apartment before she was able.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
As he had predicted, he loved Catherine like a madman. And as she had once claimed, she was entirely able to manage him. They were different in so many ways, and yet somehow it made them exactly right for each other. The result had been a remarkably harmonious marriage. They entertained each other with furious, funny bickering and long, thoughtful conversations. When they were alone, they often spoke in a kind of shorthand that no one else would have been able to interpret. They were a physical pair, passionate and affectionate. Playful. But the real surprise of the marriage was the kindness they showed each other... they, who had once fought so bitterly. Leo had never expected that the woman who had formerly brought out the worst in him would now bring out the best in him. And he had never dreamed that his love for her would deepen to such proportions that there was no hope of controlling or restraining it. In the face of a love this vast, a man could only surrender.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
You can't take advantage of a woman in your employ. You know that." "Before you tread the moral high ground," Leo said, "let's not forget that you seduced Amelia before you married her. Or is debauching an innocent acceptable as long as she's not working for you?
Lisa Kleypas (Married by Morning (The Hathaways, #4))
Holocaust survivor and author Victor Frankl wrote of a rich woman who went through the Holocaust, and who was grateful for the experience, as much as she suffered, because it opened her eyes. It transformed her. I’m not saying the Holocaust was good, but perhaps we can say that it happened. It serves as a lesson — one we should heed, by the way, in these days of politically charged hatred, of blaming our ills on immigrants and minorities.
Leo Babauta (Zen Habits: Handbook for Life)
Marks was so self-contained and tenacious that it was often easy to forget she was still a young woman in her early twenties. When Leo had first met her, she had been the perfect embodiment of a dried-up spinster, with her spectacles and forbidding scowl and her stern hyphen of a mouth. Her spine was unbending as a fireplace poker, and her hair, the dull brown of apple moths, was always pinned back too tightly. The Grim Reaper, Leo had nicknamed her, despite the objections of the family. But the past year had wrought a remarkable change in Marks. She had filled out, her body slender but no longer matchstick thin, and her cheeks had gained color. A week and a half ago, when Leo had arrived from London, he had been absolutely astonished to see Marks with light golden locks. Apparently she had been dyeing her hair for years, but after an error on the part of the apothecary, she had been forced to abandon the disguise. And whereas the darker brown locks had been too severe for her delicate features and pale skin, her own natural blond was stunning. Which had left Leo to grapple with the fact that Catherine Marks, his mortal enemy, was a beauty. It wasn't really the altered hair color that made her look so different... it was more that Marks was so uncomfortable without it. She felt vulnerable, and it showed. As a result, Leo wanted to strip away more layers, literal and physical. He wanted to know her.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
When my mother fell ill, my father felt it as a great burden. He paid a woman to look after her until the end, and sent me away to live with my aunt and grandmother, and I never heard from him again. He may be dead, for all I know." "I'm sorry," Leo said. And he was. Genuinely sorry, wishing he could somehow have gone back in time to comfort a small girl in spectacles, who had been abandoned by the man who should have protected her. "Not all men are like that," he felt the need to point out. "I know. It would hardly be fair of me to blame the entire male population for my father's sins." Leo became uncomfortably aware that his own behavior hadn't been any better than her father's, that he had indulged in his own bitter grief to the point of abandoning his sisters. "No wonder you've always hated me," he said. "I must remind you of him, I deserted my sisters when they needed me." Catherine gave him a clear-eyed stare, not pitying, not censorious, just... appraising. "No," she said sincerely. "You're not at all like him. You came back to your family. You've worked for them, cared for them. And I've never hated you." Leo stared at her closely, more than a little surprised by the revelation. "You haven't?" "No. In fact-" She broke off abruptly. "In fact?" Leo prompted. "What were you going to say?" "Nothing." "You were. Something along the lines of liking me against your will." "Certainly not." Catherine said primly, but Leo saw the twitch of a smile at her lips. "Irresistibly attracted by my dashing good looks?" he suggested. "My fascinating conversation?" "No, and no." "Seduced by my brooding glances?" He accompanied this with a waggish swerving of his brows that finally reduced her to laughter. "Yes, it must have been those." Settling back against the pillows, Leo regarded her with satisfaction. What a wonderful laugh she had, light and throaty, as if she had been drinking champagne. And what a problem this could become, this madly inappropriate desire for her. She was becoming real to him, dimensional, vulnerable in ways he had never imagined.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
In his Petersburg world all people were divided into utterly opposed classes. One, the lower class, vulgar, stupid, and, above all, ridiculous people, who believe that one husband ought to live with the one wife whom he has lawfully married; that a girl should be innocent, a woman modest, and a man manly, self-controlled, and strong; that one ought to bring up one's children, earn one's bread, and pay one's debts; and various similar absurdities. This was the class of old-fashioned and ridiculous people.
Leo Tolstoy (Anna Karenina)
Woman, don't you know, is such a subject that however much you study it, it's always perfectly new." "Well, then, it would be better not to study it.
Leo Tolstoy (Anna Karenina)
- Ja, naprotiv, smatram da su ta dva pitanja nerazdvojno vezana - reče Pescov - to je onaj lažni krug. Žene su lišene prava zbog nedostaka obrazovanja, a nedostatak obrazovanja dolazi zbog odsustva prava. Ne treba zaboravljati da je porobljavanje žena tako veliko i staro, da mi i ne poimamo pučinu koja njih deli od nas - govorio je on. - Vi rekoste: prava - reče Sergej Ivanoič, sačekavši da Pescov ućuti - prava da se zauzmu mesta i dužnosti porotnika, odbornika, predsednika, prava činovnika, članova parlamenta... - Bez sumnje. - No ako žene, kao redak izuzetak, mogu zauzeti ta mesta, čini mi se da ste vi nepravilno upotrebili izraz "prava". Tačnije bi bilo reći: obavaze. Svaki će se složiti s tim da onaj ko vrši kakvu bilo dužnost, porotnika, odbornika, telegrafiste, vrši obavezu. I prema tome tačnije bi bilo izraziti se: da žene traže obaveze, a to je sasvim zakonito. I može se samo podržavati njihova želja da pomognu opštem muškom radu.
Leo Tolstoy (Anna Karenina)
Don’t you think it’s possible your attachment to Merripen was a result of proximity as much as anything else?” Leo had asked gently. “Let’s look at the situation honestly, Win. You have nothing in common with him. You’re a lovely, sensitive, literate woman, and he’s … Merripen. He likes to chop wood for entertainment. And apparently it falls to me to point out the indelicate truth that some couples are well-suited in the bedroom but not anywhere else.” Win had been shocked out of her tears by his bluntness. “Leo Hathaway, are you suggesting—” “Lord Ramsay now, thank you,” he had teased. “Lord Ramsay, are you suggesting that my feelings for Merripen are carnal in nature?” “They’re certainly not intellectual,” Leo had said, and grinned as she punched him in the shoulder.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Amelia told me once about a suspicion she’d had for a while. It bothered her quite a bit. She said that when Win and I had fallen ill with scarlet fever, and you made the deadly nightshade syrup, you’d concocted far more than was necessary. And you kept a cup of it on Win’s nightstand, like some sort of macabre nightcap. Amelia said that if Win had died, she thought you would have taken the rest of that poison. And I’ve always hated you for that. Because you forced me to stay alive without the woman I loved, while you had no bloody intention of doing the same.” Merripen didn’t answer, gave no sign that he registered Leo’s words. “Christ, man,” Leo said huskily. “If you had the bollocks to die with her, don’t you think you could work up the courage to live with her?
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))