Legends Are Born In May Quotes

The young must grow old Whilst old ones grow older. And cowards will shrink As the bold grow bolder. Courage may blossom in quiet hearts, For who can tell where bravery starts? Truth is a song, oft lying unsung, Some mother bird protecting her young. Those who lay down their lives for friends, The echo rolls onward, it seldom ends. Who never turned and ran, but stayed? This is a warrior, born, not made. Living in peace, aye many a season, Calm in life and sound in reason, Till evil arrives, a wicked horde Driving the warrior to pick up his sword The challenger rings then, straight and fair, Justice is with us, beware, beware.

The legend is born with the dream. Most play the pretentions and the escapes of the human game. Few find themselves and live the legend. No one can give you something that you already have. Within each of us is the ability to dream and the capacity to follow those dreams. In nature, the darkest hour is before the light of day. In life, the light of truth is often found only after the painfullest of moments. Seek the light of truth, and you will find. Knock, and the door will open. Let the quest begin. May yours be the generation where the light of truth conquers the darkness of the human experience. The legend continues. Copyright © 1995 by Ronald Fehribach

The South is a land that has known sorrows; it is a land that has broken the ashen crust and moistened it with tears; a land scarred and riven by the plowshare of war and billowed with the graves of her dead; but a land of legend, a land of song, a land of hallowed and heroic memories. To that land every drop of my blood, every fiber of my being, every pulsation of my heart, is consecrated forever. I was born of her womb; I was nurtured at her.breast; and when my last hour shall come, I pray God that I may be pillowed upon her bosom and rocked to sleep within her tender and encircling arms.

In The Garret Four little chests all in a row, Dim with dust, and worn by time, All fashioned and filled, long ago, By children now in their prime. Four little keys hung side by side, With faded ribbons, brave and gay When fastened there, with childish pride, Long ago, on a rainy day. Four little names, one on each lid, Carved out by a boyish hand, And underneath there lieth hid Histories of the happy band Once playing here, and pausing oft To hear the sweet refrain, That came and went on the roof aloft, In the falling summer rain. 'Meg' on the first lid, smooth and fair. I look in with loving eyes, For folded here, with well-known care, A goodly gathering lies, The record of a peaceful life-- Gifts to gentle child and girl, A bridal gown, lines to a wife, A tiny shoe, a baby curl. No toys in this first chest remain, For all are carried away, In their old age, to join again In another small Meg's play. Ah, happy mother! Well I know You hear, like a sweet refrain, Lullabies ever soft and low In the falling summer rain. 'Jo' on the next lid, scratched and worn, And within a motley store Of headless dolls, of schoolbooks torn, Birds and beasts that speak no more, Spoils brought home from the fairy ground Only trod by youthful feet, Dreams of a future never found, Memories of a past still sweet, Half-writ poems, stories wild, April letters, warm and cold, Diaries of a wilful child, Hints of a woman early old, A woman in a lonely home, Hearing, like a sad refrain-- 'Be worthy, love, and love will come,' In the falling summer rain. My Beth! the dust is always swept From the lid that bears your name, As if by loving eyes that wept, By careful hands that often came. Death canonized for us one saint, Ever less human than divine, And still we lay, with tender plaint, Relics in this household shrine-- The silver bell, so seldom rung, The little cap which last she wore, The fair, dead Catherine that hung By angels borne above her door. The songs she sang, without lament, In her prison-house of pain, Forever are they sweetly blent With the falling summer rain. Upon the last lid's polished field-- Legend now both fair and true A gallant knight bears on his shield, 'Amy' in letters gold and blue. Within lie snoods that bound her hair, Slippers that have danced their last, Faded flowers laid by with care, Fans whose airy toils are past, Gay valentines, all ardent flames, Trifles that have borne their part In girlish hopes and fears and shames, The record of a maiden heart Now learning fairer, truer spells, Hearing, like a blithe refrain, The silver sound of bridal bells In the falling summer rain. Four little chests all in a row, Dim with dust, and worn by time, Four women, taught by weal and woe To love and labor in their prime. Four sisters, parted for an hour, None lost, one only gone before, Made by love's immortal power, Nearest and dearest evermore. Oh, when these hidden stores of ours Lie open to the Father's sight, May they be rich in golden hours, Deeds that show fairer for the light, Lives whose brave music long shall ring, Like a spirit-stirring strain, Souls that shall gladly soar and sing In the long sunshine after rain

As I sat there, the town clock struck twelve, and the sound reminded me of the legend, which affirms that all dumb animals are endowed with speech for one hour after midnight on Christmas Eve, in memory of the animals who lingered near the manger when the blessed Christ Child was born.

There was a silence when Ayla finished. Zelandoni who was First broke the silence. “In our Histories and Legends, the Great Earth Mother gave birth to all life, and then to those like us who would remember Her. Who is to say how Doni formed us? What child remembers its life in the womb? Before it is born, a baby breathes water and struggles to breathe when first born. You have all seen and examined human life before it was fully formed, when it was expelled early. In the first stages, it does resemble a fish, and then animals. It may be she is remembering her own life in the womb, before she was born. Ayla’s interpretation of her early experience with the ones she calls the Clan does not deny the Legends or the Mother’s Song. It adds to them, explains them. But I am overwhelmed that those we have called animals for so long would have such great knowledge of the Mother, and having such knowledge in their ‘memories,’ how they could not recognize Her.” The zelandonia were relieved. The First had managed to take what at first seemed like a basic conflict of beliefs, told by Ayla with such credible conviction that it could almost create a schism, and instead blend them together. Her interpretation added strength to their beliefs rather than tearing them apart. They could, perhaps, accept that the ones they called Flatheads were intelligent in their own way, but the zelandonia had to maintain that the beliefs of those people were still inferior to their own. The Flatheads had not recognized the Great Earth Mother.

Jess Pepper's review of the Avalon Strings: 'In a land so very civilized and modern as ours, it is unpopular to suggest that the mystical isle of Avalon ever truly existed. But I believe I have found proof of it right here in Manhattan. To understand my reasoning, you must recall first that enchanting tale of a mist-enshrouded isle where medieval women--descended from the gods--spawned heroic men. Most notable among these was the young King Arthur. In their most secret confessions, these mystic heroes acknowledged Avalon, and particularly the music of its maidens, as the source of their power. Many a school boy has wept reading of Young King Arthur standing silent on the shore as the magical isle disappears from view, shrouded in mist. The boy longs as Arthur did to leap the bank and pilot his canoe to the distant, singing atoll. To rejoin nymphs who guard in the depths of their water caves the meaning of life. To feel again the power that burns within. But knowledge fades and memory dims, and schoolboys grow up. As the legend goes, the way became unknown to mortal man. Only woman could navigate the treacherous blanket of white that dipped and swirled at the surface of the water. And with its fading went also the music of the fabled isle. Harps and strings that heralded the dawn and incited robed maidens to dance evaporated into the mists of time, and silence ruled. But I tell you, Kind Reader, that the music of Avalon lives. The spirit that enchanted knights in chain mail long eons ago is reborn in our fair city, in our own small band of fair maids who tap that legendary spirit to make music as the Avalon Strings. Theirs is no common gift. Theirs is no ordinary sound. It is driven by a fire from within, borne on fingers bloodied by repetition. Minds tormented by a thirst for perfection. And most startling of all is the voice that rises above, the stunning virtuoso whose example leads her small company to higher planes. Could any other collection of musicians achieve the heights of this illustrious few? I think not. I believe, Friends of the City, that when we witnes their performance, as we may almost nightly at the Warwick Hotel, we witness history's gift to this moment in time. And for a few brief moments in the presence of these maids, we witness the fiery spirit that endured and escaped the obliterating mists of Avalon.

Far Dareis Mai (FAHR DAH-rize MY): Literally “Maidens of the Spear.” A warrior society of the Aiel, which, unlike any of the others, admits women and only women. A Maiden may not marry and remain in the society, nor may she fight while carrying a child. Any child born to a Maiden is given to another woman to raise, in such a way that no one knows who the child’s mother was. (“You may belong to no man, nor may any man belong to you, nor any child. The spear is your lover, your child, and your life.”) These children are treasured, for it is prophesied that a child born of a Maiden will unite the clans and return the Aiel to the greatness they knew during the Age of Legends.

KIRKUS REVIEWS BOOK REVIEW A retired professor explores the life and writings of Carl Sandburg in this debut book. “During the first half of the twentieth century,” Quinley writes, “Carl Sandburg seemed to be everywhere and do everything.” Though best known for his Pulitzer Prize–winning poetry and multivolume biography of Abraham Lincoln, Sandburg had a wide-ranging career as a public intellectual, which included stints in journalism as a columnist and investigative reporter, in musicology as a leading advocate and performer of folk music, and in the nascent movie industry as a consultant and film critic. He also dabbled in political activism, children’s literature, and novels. Not only does Quinley, a retired college administrator and professor, hail Sandburg as a 20th-century icon (“If my grandpa asks you a question,” his grandchildren joke, “the answer is always Carl Sandburg”), but much of his own life has been adjacent to that of the poet as well. Born in Maywood, Illinois, a “few blocks” from Sandburg’s home 30 years prior, Quinley would eventually move to the Appalachian Mountains. He lived just a few miles from Sandburg’s famed residence in Hendersonville, North Carolina. As a docent for the Carl Sandburg Home National Historic Site, the author was often asked for literature about the luminary’s life. And though much has been written about Sandburg, biographies on the iconoclast are either out of print or are tomes with more than 800 pages. Eschewing comprehensiveness for brevity, Quinley seeks to fill this void in the literary world by offering readers a short introduction to Sandburg’s life and writings. At just 122 pages, this accessible book packs a solid punch, providing readers with not just the highlights of Sandburg’s life, but also a sophisticated analysis of his passions, poetry, and influence on American culture. This engaging approach that’s tailored to a general audience is complemented by an ample assortment of historical photographs. And while its hagiographic tone may annoy some readers, this slim volume is backed by more than 260 endnotes and delivers an extensive bibliography for readers interested in learning more about the 20th century’s “voice of America.” A well-written, concise examination of a literary legend Kirkus Indie, Kirkus Media LLC, 2600 Via Fortuna Suite 130 Austin, TX 78746 indie@kirkusreviews.com

Valley of the Damned. Valkyrie Kari tells of the great warrior Crazy Horse (abridged) ’Twas written of those of long ago, That honor should be “as long as grass shall grow.” In battle honor is a fearsome beast, none can contain, In the strength of heart, it brings only shame. A mighty warrior of the plains was he, Crazy Horse of Sioux battle creed. Given to the ravages of noble, savage war, Against his enemies, he vaulted fore. Peering down from lofty mountain hold, The Horse in dream; the warrior was of olde. The promises they were broken one by one, Until only war unbridled could be hardtily done. Understanding and honor was not for those weak, Only the evil Long-knives now he eagerly did seek. The Knives came to steal, to plunder their land, To kill sacred mother with marauding, guilty hands. They had no regard for their own swelling words, With lust in their eyes, their greed greatly stirred. From southern lands came noise that Longhair did kill, Black Kettle’s camp, their blood he had spilled. Longhair destroyed all; dastard agent of evil strife, Deprived them of children and their bountiful life. Yet this lone, brave holy man stood in Longhair’s way, Crazy Horse, vision man, his plans were well framed. His command rode north hard to that destined battle, To meet wicked Longhair—to dash him from the saddle. Fate led him on to Little Bighorn, Where warriors of the sun met with sacred horn. A hellish dry place of calamitous battle, Found many a soul hearing death’s final rattle. The Long-snakes scouted for the great camp, That morn’ they set their fateful, forked-tongue attack. They raised their sabers, waved them strong, Entered eternity, their deaths foresaw. A sea of pilfered blue engulfed in crimson red, Amidst swirls of feathers sacred of the motherland. Through carnage, The Horse did lead his men, Beyond the battle, to the place where legend began. Up hill rode the bold Crazy Horse, With a thousand others to show determined force. To engage Long-knives at their last stand, Striking them down until dead was every man. Great Gall and Crazy Horse led that righteous attack, Against forceful Custer, whose plans did not lack, For ’twas he himself who boasted, wantonly said, “I will become a great chief, if my enemies I fill with lead.” With righteous honor as their sacred ally, Holy arrows that day swiftly let fly. Horse met Longhair in battle forever stayed, Defeated mighty Custer; his corpse on the field in state. Upon that fateful day, on sage choked sandy plain, Spirits clashed with spirits, for the sacred domain. Unconquerable, indomitable this sacred warrior heart, Leads many against the evil now, for this righteous court. Thus, Horse brought the valiants into stark raved battle, Battle scarred by holy wounds delivered by blue devils. Yet he would not relent, this honorable man of gifted vision, But peace came through the lie; his life ended by steel incision. Breathing his last, quiet honor came his way, “Bring my heart home, the Great Spirit will find my way.” Thus ˊtis with all whose understanding shows what may, Honor leads righteousness to death, ask they of that claim. War spirit vigilant with mighty spear and bow in hand, Leads Great Plains spirits, under his gallant command. His spirit never conquered lives it to this good day, Among the heroic mighty, let us his spirit proclaim. In the hour of travail, honor can be finely seen, Leading multitudes unto battle, their hearts boundlessly free. Cowards can never know the freedom of the plains and wind, Or how she musters a soul and the courage found within. Born in deep commune of Earth and Great Spirit above, Understanding and honor flow from hearts of great love. One without understanding is a fool at best, One without honor is a spirit that ne’er rests. O’ majestic One of the relentless plain, The mountains ring joyous with thy name.

You were born to be an history maker. You may not be popular but you can make your life to be part of something larger, bigger and greater than yourself.

present counties of Clare, Galway, and Mayo, whence came the family name, in a contraction of Connaught-Galway to Connelly, Conly, Cory, Coddy, Coidy, and, finally, "Cod " Y• All this almost makes sense. However, it is only one of the legends Mrs. Wetmore offers up as fact in her book, despite her disclaimer in the preface that "embarrassed with riches of fact, I have had no thought of fiction." For the truth about William Cody's lineage, we must turn to Don Russell's authoritative biography, The Lives and Legends of Buffalo Bill. Russell's research was thorough and exemplary; the notes for his book in the Buffalo Bill Historical Center in Cody, Wyoming, are proof of that. According to Russell, "Buffalo Bill's most remote definitely known ancestor was one Philip, whose surname appears in various surviving records as Legody, Lagody, McCody, Mocody, Micody ... as well as Codie, Gody, Coady, and Cody." Russell traces Philip to Philippe Le Caude of the Isle of Jersey, who married Marthe Le Brocq of Guernsey in the parish of St. Brelades, Isle of Jersey, on September 15, 1692. Although the family names are French, the Channel Islands have been British possessions since the Middle Ages. No Irish or Spanish in sight; just good English stock. The Cody Family Association's book The Descendants of Philip and Martha Cody carries the line down to the present day. Buffalo Bill was sixth in descent from Philip. Philip and Martha purchased a home in Beverly, Massachusetts, in 1698, and occupied it for twenty-five years, farming six acres of adjacent land. In 1720 Philip bought land in Hopkinton, Massachusetts, and he and his family moved there, probably in 1722 or 1723. When he died in 1743, his will was probated under the name of Coady. The spelling of the family name had stabilized by the time Bill's father, Isaac, the son of Philip and Lydia Martin Cody, was born on September 15, 1811, in Toronto Township, Peel County, Upper Canada. It is Lydia Martin Cody who may have been responsible for the report of an Irish king in the family genealogy; she boasted that her ancestors were of Irish royal birth. When Isaac Cody was seventeen years old, his family moved to a farm near Cleveland, Ohio, in the vicinity of what is today Eighty-third Street and Euclid Avenue. That move would ultimately embroil William Cody in a lawsuit many years later, one of several suits he was destined to lose. Six years after arriving in Ohio, Isaac married Martha Miranda

they told me that the night and day were all that I could see They told me that I had five senses to inclose me up And they inclosed my brain into a narrow circle And sunk my heart into the abyss, a red round globe, hotburning, Til all from life I was obliterated and erased. Instead of morn arises a bright shadow, like an eye In the eastern cloud; instead of night, a sickly charnel house.... What Blake is intimating here is that the vision of things as ‘infinite and holy’ is not an abnormal vision, but the perfectly normal emotional state. And yet man is not born with such a vision, and he can five so far from it that he can decide at the end of his life that ‘not to be born is the best thing, and death is better than life’. Why? Blake cannot say why; he can only account for it by utilizing the legend of a Fall; by saying, as it were, ‘Men are born like smashed radio sets, and before they can function properly, they must repair themselves’. (Blake lived before the machine-age, or no doubt he would have used the same kind of simile.) In short, he used the legend of Original Sin. For readers who approach this argument for the first time, the most doubtful part about it is the proposition that men ought to see the world like Van Gogh’s Nuit Etoile as a matter of course. They may object: ‘We agree that man could see a starry night that way, but to claim that he ought to, perhaps that he did, once upon a time, and lost the faculty because he ate an apple from a forbidden tree