Leg Split Quotes

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According to Greek mythology, humans were originally created with four arms, four legs and a head with two faces. Fearing their power, Zeus split them into two separate parts, condemning them to spend their lives in search of their other halves.
Plato (The Symposium)
There’s nothing rebellious about loving something that can’t love you. You’re a woman, you should have known that men in the city would split you in half searching for their fathers in between your legs.
Warsan Shire
Mum used to say we were the same soul split in two and walking around on four legs. It seems unnatural being born together and then dying apart.
Melodie Ramone (After Forever Ends)
So Plato talked about these beings that used to exist that had four legs and four arms and two heads. They were totally self-contained and ecstatic and powerful. Too powerful, so Zeus cut them all in half and scattered all the halves around the world so that humans were doomed to forever look for their other half, the one who shared their very soul. Only the luckiest humans find their split-apart, you see.
Jandy Nelson (I'll Give You the Sun)
For a split second I felt as though she was nobody special in the larger scheme of my life. She was just some girl who had tied me to her leg to help her sink when she jumped off the bridge. Then I blinked and was in love with her again.
Miranda July (No One Belongs Here More Than You)
Nico had once read a story from Plato, who claimed that in the ancient times, all humans had been a combination of male and female. Each person had two heads, four arms, four legs. Supposedly, these combo-humans had been so powerful they made the gods uneasy, so Zeus split them in half—man and woman. Ever since, humans had felt incomplete. They spent their lives searching for their other halves.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
According to Greek mythology, humans were orginally created with four arms, four legs and a head with two faces. Fearing their power, Zeus split them in two seperate beings, condeming them to spend their lives in search of their other halves.
Plato
I first became fascinated with the Sears catalogue because all the people in its pages were perfect. Nearly everybody I knew had something missing, a finger cut off, a toe split, an ear half-chewed away, an eye clouded with blindness from a glancing fence staple. And if they didn't have something missing, they were carrying scars from barbed wire, or knives, or fishhooks. But the people in the catalogue had no such hurts. They were not only whole, had all their arms and legs and eyes on their unscarred bodies, but they were also beautiful.
Harry Crews (A Childhood: The Biography of a Place)
Studies have found that the same areas in the brain that light up in imaging scans when we break a leg are activated when we split up with our mate. As part of a reaction to a breakup, our brain experiences the departure of an attachment figure in a similar way to that in which it registers physical pain.
Amir Levine (Attached: The New Science of Adult Attachment and How It Can Help You Find—and Keep—Love)
Plato claimed that we were all joined to someone else once, we were humans with four arms and four legs, and a head of two faces, but we were so powerful we threatened to topple the Gods. So they split us from our sole mates down the middle, and doomed us to live forever without our counterparts
Sarah Crossan (One)
Complete, He said, but I don’t want to be complete; I’d rather be split and become full with you.’ He’d part his legs. ‘Split me, here.
rafael nicolás (Angels Before Man)
A perfect fit like we’re split-aparts.” “Split-aparts?” His face brightens. “So Plato talked about these beings that used to exist that had four legs and four arms and two heads. They were totally self-contained and ecstatic and powerful. Too powerful, so Zeus cut them all in half and scattered all the halves around the world so that humans were doomed to forever look for their other half, the one who shared their very soul. Only the luckiest humans find their split-apart, you see.
Jandy Nelson (I'll Give You the Sun)
We are split people. For myself, half of me wishes to sit quietly with legs crossed, letting the things that are beyond my control wash over me. But the other half wants to fight a holy war. Jihad! And certainly we could argue this out in the street, but I think, in the end, your past is not my past and your truth is not my truth and your solution---it is not my solution. So I do not know what it is you would like me to say. Truth and firmness is one suggestion, though there are many people you can ask if that answer does not satisfy. Personally, my hope lies in the last days. The prophet Muhammad---peace be upon Him!---tells us that on the Day of Resurrection everyone will be struck unconscious. Deaf and dumb. No chitchat. Tongueless. And what a bloody relief that will be.
Zadie Smith (White Teeth)
Pluto claimed that in ancient times, all humans had been a combination of male and female. Each person had two heads, four arms, four legs. Supposedly, these combo-humans had been so powerful they made the gods uneasy, so Zeus split them in half - man and woman. Ever since, humans had felt incomplete. They spent their whole lives searching for their other halves.
Rick Riordan
What if something were to happen? What if something suddenly started throbbing? Then they would notice it was there and they'd think their hearts were going to burst. Then what good would their dykes, bulwarks, power houses, furnaces and pile drivers be to them? It can happen any time, perhaps right now: the omens are present. For example, the father of a family might go out for a walk, and, across the street, he'll see something like a red rag, blown towards him by the wind. And when the rag has gotten close to him he'll see that it is a side of rotten meat, grimy with dust, dragging itself along by crawling, skipping, a piece of writhing flesh rolling in the gutter, spasmodically shooting out spurts of blood. Or a mother might look at her child's cheek and ask him: "What's that, a pimple?" and see the flesh puff out a little, split, open, and at the bottom of the split an eye, a laughing eye might appear. Or they might feel things gently brushing against their bodies, like the caresses of reeds to swimmers in a river. And they will realize that their clothing has become living things. And someone else might feel something scratching in his mouth. He goes to the mirror, opens his mouth: and his tongue is an enormous, live centipede, rubbing its legs together and scraping his palate. He'd like to spit it out, but the centipede is a part of him and he will have to tear it out with his own hands. And a crowd of things will appear for which people will have to find new names, stone eye, great three cornered arm, toe crutch, spider jaw. And someone might be sleeping in his comfortable bed, in his quiet, warm room, and wake up naked on a bluish earth, in a forest of rustling birch trees, rising red and white towards the sky like the smokestacks of Jouxtebouville, with big bumps half way out of the ground, hairy and bulbous like onions. And birds will fly around these birch trees and pick at them with their beaks and make them bleed. Sperm will flow slowly, gently, from these wounds, sperm mixed with blood, warm and glassy with little bubbles.
Jean-Paul Sartre (Nausea)
Imagine, if you can, a huge grizzly with ten legs armed with mighty talons and an enormous froglike mouth splitting his head from ear to ear, exposing three rows of long, white tusks. Then endow this creature of your imagination with the agility and ferocity of a half-starved Bengal tiger and the strength of a span of bulls, and you will have some faint conception of Woola in action.
Edgar Rice Burroughs (The Warlord of Mars (Barsoom, #3))
when she was 7, a boy pushed her on the playground she fell headfirst into the dirt and came up with a mouthful of gravel and lines of blood chasing each other down her legs when she told her teacher what happened, she laughed and said ‘boys will be boys honey don’t let it bother you he probably just thinks you’re cute’ but the thing is, when you tell a little girl who has rocks in her teeth and scabs on her knees that hurt and attention are the same you teach her that boys show their affection through aggression and she grows into a young woman who constantly mistakes the two because no one ever taught her the difference ‘boys will be boys’ turns into ‘that’s how he shows his love’ and bruises start to feel like the imprint of lips she goes to school with a busted mouth in high school and says she was hit with a basketball instead of his fist the one adult she tells scolds her ‘you know he loses his temper easily why the hell did you have to provoke him?’ so she shrinks folds into herself, flinches every time a man raises his voice by the time she’s 16 she’s learned her job well be quiet, be soft, be easy don’t give him a reason but for all her efforts, he still finds one ‘boys will be boys’ rings in her head ‘boys will be boys he doesn’t mean it he can’t help it’ she’s 7 years old on the playground again with a mouth full of rocks and blood that tastes like copper love because boys will be boys baby don’t you know that’s just how he shows he cares she’s 18 now and they’re drunk in the split second it takes for her words to enter his ears they’re ruined like a glass heirloom being dropped between the hands of generations she meant them to open his arms but they curl his fists and suddenly his hands are on her and her head hits the wall and all of the goddamn words in the world couldn’t save them in this moment she touches the bruise the next day boys will be boys aggression, affection, violence, love how does she separate them when she learned so early that they’re inextricably bound, tangled in a constant tug-of-war she draws tally marks on her walls ratios of kisses to bruises one entire side of her bedroom turns purple, one entire side of her body boys will be boys will be boys will be boys when she’s 20, a boy touches her hips and she jumps he asks her who the hell taught her to be scared like that and she wants to laugh doesn’t he know that boys will be boys? it took her 13 years to unlearn that lesson from the playground so I guess what I’m trying to say is i will talk until my voice is hoarse so that my little sister understands that aggression and affection are two entirely separate things baby they exist in different universes my niece can’t even speak yet but I think I’ll start with her now don’t ever accept the excuse that boys will be boys don’t ever let him put his hands on you like that if you see hate blazing in his eyes don’t you ever confuse it with love baby love won’t hurt when it comes you won’t have to hide it under long sleeves during the summer and the only reason he should ever reach out his hand is to hold yours
Fortesa Latifi
I look at sex differently than most people. It’s an exchange, and it should be good for both parties. I don’t want you to spread your legs and let me have you because you want someone to hold you. If you want me to hold you, ask me. I want you to spread your legs because you can’t wait another single second for my cock. I want that pussy ripe and ready and weeping for a big dick to split it wide and have its way. I want your nipples to peak because I walk into a room and you remember every dirty thing I can do to them. I want you to want me. I can make you crave me. I don’t want some drive-by fucking that gets me off and I forget it five minutes later. I want to fuck all night long. I want to feel it all the next day because my cock got so used to being deep inside your body. If that’s what you want, then get dressed in the sexiest thing you own and agree that I’m the boss when it comes to sex.
Lexi Blake (A Dom is Forever (Masters and Mercenaries, #3))
Camilla, Henry, Thomas, you greedy monsters,” Dad said. “Not a crumb left for your father? That’s it, you’re not my children. You’re just sad, bald monkeys I won from circus folk in a poker game.” Ten retreated with his prize and went back to lean against Dad’s leg. He split the brownie in two and offered half silently up to Dad. “Well,” Dad conceded, “I guess you might be my kid after all.
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
Like, Plato’s Symposium contains a story about soul mates: human beings were originally four-legged, four-armed, two-faced beings who had immense strength and were always cartwheeling around, perfectly content. To prevent these powerful humans from taking over, the gods split each human into two, who then wandered the earth looking for their soul mates. That is … the dumbest thing I’ve ever heard.
Blythe Roberson (How to Date Men When You Hate Men)
I feel completely embarrassed and remember the lock on the door and think: He knows, he knows, it shows, shows completely. “He’s out back,” Mr. Garret tells me mildly, “unpacking shipments.” Then he returns to the papers. I feel compelled to explain myself. “I just thought I’d come by. Before babysitting. You, know, at your house. Just to say hi. So . . . I’m going to do that now. Jase’s in back, then? I’ll just say hi.” I’m so suave. I can hear the ripping sound of the box cutter before I even open the rear door to find Jase with a huge stack of cardboard boxes. His back’s to me and suddenly I’m as shy with him as I was with his father. This is silly. Brushing through my embarrassment, I walk up, put my hand on his shoulder. He straightens up with a wide grin. “Am I glad to see you!” “Oh, really?” “Really. I thought you were Dad telling me I was messing up again. I’ve been a disaster all day. Kept knocking things over. Paint cans, our garden display. He finally sent me out here when I knocked over a ladder. I think I’m a little preoccupied.” “Maybe you should have gotten more sleep,” I offer. “No way,” he says. Then we just gaze at each other for a long moment. For some reason, I expect him to look different, the way I expected I would myself in the mirror this morning . . . I thought I would come across richer, fuller, as happy outside as I was inside, but the only thing that showed was my lips puffy from kisses. Jase is the same as ever also. “That was the best study session I ever had,” I tell him. “Locked in my memory too,” he says, then glances away as though embarrassed, bending to tear open another box. “Even though thinking about it made me hit my thumb with a hammer putting up a wall display.” “This thumb?” I reach for one of his callused hands, kiss the thumb. “It was the left one.” Jase’s face creases into a smile as I pick up his other hand. “I broke my collarbone once,” he tells me, indicating which side. I kiss that. “Also some ribs during a scrimmage freshman year.” I do not pull his shirt up to where his finger points now. I am not that bold. But I do lean in to kiss him through the soft material of his shirt. “Feeling better?” His eyes twinkle. “In eighth grade, I got into a fight with this kid who was picking on Duff and he gave me a black eye.” My mouth moves to his right eye, then the left. He cups the back of my neck in his warm hands, settling me into the V of his legs, whispering into my ear, “I think there was a split lip involved too.” Then we are just kissing and everything else drops away. Mr. Garret could come out at any moment, a truck full of supplies could drive right on up, a fleet of alien spaceships could darken the sky, I’m not sure I’d notice.
Huntley Fitzpatrick (My Life Next Door)
Nico had once read a story from Plato, who claimed that in the ancient times, all humans had been a combination of male and female. Each person had two heads, four arms, four legs. Supposedly, these combo-humans had been so powerful they made the gods uneasy, so Zeus split them in half—man and woman. Ever since, humans had felt incomplete. They spent
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
According to history, he wrote of humans originally having four arms, four legs, and a single head made up of two faces.” I stared awkwardly at him. “But, in fear of their power, Zeus split them all in half, condemning them to a life of searching for their other half...
K.A. Poe (Twin Souls (Nevermore, #1))
According to Greek mythology, humans were originally created with four arms, four legs and a head with two faces. Fearing their power, Zeus split them into two separate parts, condemning them to spend their lives in search of their other halves.”  ― Plato, The Symposium
Kristy Nicolle (Something Blue)
Taggle, meanwhile, made himself popular, killing rats and bringing a rabbit into camp every evening, preening in the praise - silently, thank god, though at night, he recounted choice bits to Kate: "Rye Baro says I am a princeling; he split the leg bone for me so that I could eat the marrow. They love me. And I'm sure they'll keep you, too." Mira, she thought, and treasured it each time she heard it, They must keep me. Family.
Erin Bow (Plain Kate)
Geez, Vi, you didn’t need to break your own leg to get out of going to the dance with Grady Spencer. A simple ‘no’ would have been just fine, I’m sure.” Apparently no one had noticed that Jay had barely let go of her hand for a second. His thumb was now tracing lazy circles around her palm, and he answered her uncle’s teasing comment without looking away from Violet for even a split second. “She’s not going to the dance with Grady,” he announced, smiling at her mischievously, and for a moment Violet forgot how to breathe. She hoped she never got used to how a simple look from him could turn her into a blithering idiot. “Really?” her aunt Kat asked, her eyes narrowing as she glanced from Violet to Jay, and then down at their intertwined hands. Clearly she wasn’t going to let the comment pass unnoticed. “Why is that?” she asked in a voice filled with unspoken meaning. Stephen Ambrose looked at his wife curiously, a little slow to catch on, which was sad, really, considering it was his job to seek out clues and solve mysteries. Jay answered Kat without missing a beat. “Because she’s going with me.” He winked at violet, whose cheeks had flushed to a brilliant shade of scarlet. She wasn’t entirely sure she was ready for this. Violet saw her mom and Aunt Kat exchange meaningful glances. They knew, she realized. And now her uncle did too. Uncle Stephen gave Jay his best I’m-keeping-my-eye-on-you look, but a quick “Hmm” was the only sound he made. How much embarrassment could one person possible survive? There was a moment of awkward silence, made even more uncomfortable by Jay’s refusal to look anywhere but at her. He reached out and brushed his finger along her cheek. Violet almost forgot to care that everyone in the room was looking at them.
Kimberly Derting (The Body Finder (The Body Finder, #1))
We are raised to believe that you should just be able to glance at someone for a split second and know what lies between not only their legs but also their ears.
Pidgeon Pagonis (Nobody Needs to Know: A Memoir)
I know Jojo is innocent because I can read it in the unmarked swell of him: his smooth face, ripe with baby fat; his round, full stomach; his hands and feet soft as younger sister's. He looks even younger when he falls asleep. His baby sister has flung across him, and both of them slumber like young feral cats: open mouths, splayed arms and legs, exposed throats. When I was thirteen, I knew much more than him. I knew that metal shackles could grow into the skin. I knew that leather could split flesh like butter. I knew that hunger could hurt, could scoop me hollow as a gourd, and that seeing my siblings starving could hollow out a different part of me, too. Could make my heart ricochet through my chest desperately.
Jesmyn Ward (Sing, Unburied, Sing)
Or a mother might look at her child's cheek and ask him: "What's that, a pimple?" and see the flesh puff out a little, split, open, and at the bottom of the split an eye, a laughing eye might appear. Or they might feel things gently brushing against their bodies, like the caresses of reeds to swimmers in a river. And they will realize that their clothing has become living things. And someone else might feel something scratching in his mouth. He goes to the mirror, opens his mouth: and his tongue is an enormous, live centipede, rubbing its legs together and scraping his palate. He'd like to spit it out, but the centipede is a part of him and he will have to tear it out with his own hands. And a crowd of things will appear for which people will have to find new names, stone eye, great three cornered arm, toe crutch, spider jaw.
Jean-Paul Sartre
Could Pesto be his own observer? Interesting question. He used to like to raise his leg and study his asshole. It didn't seem like this observation caused him to split into multiple cats with multiple assholes.
Ruth Ozeki (A Tale for the Time Being)
Tis solace making baubles, ay, and sport. Himself peeped late, eyed Prosper at his books Careless and lofty, lord now of the isle: Vexed, 'stitched a book of broad leaves, arrow-shaped, Wrote thereon, he knows what, prodigious words; Has peeled a wand and called it by a name; Weareth at whiles for an enchanter's robe The eyed skin of a supple oncelot; And hath an ounce sleeker than youngling mole, A four-legged serpent he makes cower and couch, Now snarl, now hold its breath and mind his eye, And saith she is Miranda and my wife: 'Keeps for his Ariel a tall pouch-bill crane He bids go wade for fish and straight disgorge; Also a sea-beast, lumpish, which he snared, Blinded the eyes of, and brought somewhat tame, And split its toe-webs, and now pens the drudge In a hole o' the rock and calls him Caliban; A bitter heart that bides its time and bites.
Robert Browning
According to Greek mythology, humans were originally created with 4 arms, 4 legs and a head with two faces. Fearing their power, Zeus split them into two separate parts, condemning them to spend their lives in search of their other halves.
Plato
His enormous cock slid into my slick passage once again, stretching my delicate tissues to the brink of what I could comfortably handle, and my feelings of excitement and arousal exploded exponentially. I moved to wrap my legs around him, but before I could, he dug his arms beneath my back and lifted us both up until he was sitting back onto his haunches and I was straddling him across his lap, his cock reaching even deeper into me so that I felt that it was almost splitting me in two.
Cristina Rayne (Claimed by the Elven King: The Complete Edition (Claimed by the Elven King #1-4))
According to Greek mythology, humans were originally created with four arms, four legs and a head with two faces. Fearing their power, Zeus split them into two separate parts, condemning them to spend their lives in search of their other halves.
Bella Di Corte (Till Death Do Us Part)
Screens of tumbling water, breaking the world beyond them into glittering lines and smeared shadows. Kellhus had ceased trying to penetrate them. “Power,” Anasûrimbor Moënghus said, “is always power over. When an infant may be either, what is the difference between a Fanim and an Inrithi? Or between a Nansur and a Scylvendi? What could be so malleable in Men that anyone, split between circumstances, could be his own murderer? “You learned this lesson quickly. You looked across Wilderness and you saw thousands upon thousands of them, their backs bent to the field, their legs spread to the ceiling, their mouths reciting scripture, their arms hammering steel … Thousands upon thousands of them, each one a small circle of repeating actions, each one a wheel in the great machine of nations … “You understood that when men stop bowing, the emperor ceases to rule, that when the whips are thrown into the river, the slave ceases to serve. For an infant to be an emperor or a slave or a merchant or a whore or a general or whatever, those about him must act accordingly. And Men act as they believe. “You saw them, in their thousands, spread across the world in great hierarchies, the actions of each exquisitely attuned to the expectations of others. The identity of Men, you discovered, was determined by the beliefs, the assumptions, of others. This is what makes them emperors or slaves … Not their gods. Not their blood. “Nations live as Men act,” Moënghus said, his voice refracted through the ambient rush of waters. “Men act as they believe. And Men believe as they are conditioned. Since they are blind to their conditioning, they do not doubt their intuitions …” Kellhus nodded in wary assent. “They believe absolutely,” he said.
R. Scott Bakker (The Thousandfold Thought (The Prince of Nothing, #3))
Somebody told me, before we got on the train,” he says, “if you fall, if you see your arm or your leg getting sucked under there, you have a split second to decide whether or not to put your head in there too.” The young man blinks into the camera. “I made the wrong choice,” he says.
Jeanine Cummins (American Dirt)
Sometimes it is the other way around. A white person is set down in our midst, but the contrast is just as sharp for me. For instance, when I sit in the drafty basement that is The New World Cabaret with a white person, my color comes. We enter chatting about any little nothing that we have in common and are seated by the jazz waiters. In the abrupt way that jazz orchestras have, this one plunges into a number. It loses no time in circumlocutions, but gets right down to business. It constricts the thorax and splits the heart with its tempo and narcotic harmonies. This orchestra grows rambunctious, rears on its hind legs and attacks the tonal veil with primitive fury, rending it, clawing it until it breaks through to the jungle beyond. I follow those heathen--follow them exultingly. I dance wildly inside myself; I yell within, I whoop; I shake my assegai above my head, I hurl it true to the mark yeeeeooww! I am in the jungle and living in the jungle way. My face is painted red and yellow and my body is painted blue. My pulse is throbbing like a war drum. I want to slaughter something--give pain, give death to what, I do not know. But the piece ends. The men of the orchestra wipe their lips and rest their fingers. I creep back slowly to the veneer we call civilization with the last tone and find the white friend sitting motionless in his seat, smoking calmly. "Good music they have here," he remarks, drumming the table with his fingertips. Music. The great blobs of purple and red emotion have not touched him. He has only heard what I felt. He is far away and I see him but dimly across the ocean and the continent that have fallen between us. He is so pale with his whiteness then and I am so colored.
Zora Neale Hurston (How it Feels to be Colored Me (American Roots))
Meg slashed through the last of Tarquin’s minions. That was a good thing, I thought distantly. I didn’t want her to die, too. Hazel stabbed Tarquin in the chest. The Roman king fell, howling in pain, ripping the sword hilt from Hazel’s grip. He collapsed against the information desk, clutching the blade with his skeletal hands. Hazel stepped back, waiting for the zombie king to dissolve. Instead, Tarquin struggled to his feet, purple gas flickering weakly in his eye sockets. “I have lived for millennia,” he snarled. “You could not kill me with a thousand tons of stone, Hazel Levesque. You will not kill me with a sword.” I thought Hazel might fly at him and rip his skull off with her bare hands. Her rage was so palpable I could smell it like an approaching storm. Wait…I did smell an approaching storm, along with other forest scents: pine needles, morning dew on wildflowers, the breath of hunting dogs. A large silver wolf licked my face. Lupa? A hallucination? No…a whole pack of the beasts had trotted into the store and were now sniffing the bookshelves and the piles of zombie dust. Behind them, in the doorway, stood a girl who looked about twelve, her eyes silver-yellow, her auburn hair pulled back in a ponytail. She was dressed for the hunt in a shimmering gray frock and leggings, a white bow in her hand. Her face was beautiful, serene, and as cold as the winter moon. She nocked a silver arrow and met Hazel’s eyes, asking permission to finish her kill. Hazel nodded and stepped aside. The young girl aimed at Tarquin. “Foul undead thing,” she said, her voice hard and bright with power. “When a good woman puts you down, you had best stay down.” Her arrow lodged in the center of Tarquin’s forehead, splitting his frontal bone. The king stiffened. The tendrils of purple gas sputtered and dissipated. From the arrow’s point of entry, a ripple of fire the color of Christmas tinsel spread across Tarquin’s skull and down his body, disintegrating him utterly. His gold crown, the silver arrow, and Hazel’s sword all dropped to the floor. I grinned at the newcomer. “Hey, Sis.
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
Are you unwell, Paige?” “Fine. My uterus is just confirming that it will not be growing a baby this month. With good reason,” I said, “since a tiny, defenseless human is not really what I need while I’m on the run from agents of tyranny.” “You are menstruating.” “I am menstruating,” I confirmed gravely. “I see.” His eyes darkened. “Is it very painful?” I considered. “I’ve never had to describe it before,” I said, musing. “I suppose it’s like having all my lower organs crammed right down into my pelvis, then soaked in boiling water, so they’re sore and swollen. It’s a heavy, aching…downward-ness. But then it also feels like I’ve been kicked in the back. And the stomach. And the legs. Oh, and I’ve got a splitting headache.” Arcturus had stopped plunging the coffee. “And you feel able to train,” he said, after a long pause. “While experiencing those sensations.” I rubbed the corner of my eye. “I’m grand.
Samantha Shannon (The Mask Falling (The Bone Season, #4))
Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah, Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of magnet's brilliance I remember the letter of the final decesion of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending into your bosom Stupid relationship inflted in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all into pieces for the sake of Art There isn't any other way out for poetry except suicide Shubha Let me enter into the immemorial incontinence of your labia majora Into the absurdity of woeless effort In the golden chlorophyll of the drunken heart Why wasn't I lost in my mother's urethra? Why wasn't I driven away in my father's urine after his self-coition? Why wasn't I mixed in the ovum-flux or in the phlegm? With her eyes shut supine beneath me I felt terribly distressed when I saw comfort seize Shubha Women could be treacherous even after unfolding a helpless appeareance Today it seems there is nothing so treacherous as Women and Art Now my ferocious heart is rinning towards an impossible death Vertigoes of water are coming up to my neck from the pierced earth I will die Oh what are these happening within me? I am failing to fetch out my hand and my palm From the dried sperms on my trousers spreading wings 300000 children are gliding toward the district of Shubha's bosom Millions of needles are now running from my blood into Poetry Now the smuggling of my obstinate leg is trying to plunge Into the death killer sex-wig entangled in the hypnotic kingdom of words In violent mirrors on each wall of the room I am observing After letting loose a few naked Malay, his unestablished scramblings.
Malay Roy Choudhury (Selected Poems)
Shelton pushed Ben lightly. “Remember when you couldn’t flare without losing your temper? So Hi kicked you from behind to get you mad, and you threw him in the ocean?” Ben snorted. “He deserved it.” “I was providing a service,” Hi protested. “I recall Tory once trying to eat a mouse.” I pinched my nose. “Ugh, don’t remind me.” Ella giggled. “One time Cole lost his flare while carrying a boulder. It pinned his leg for an hour.” Then everyone had a story. Our funeral became a wake. The mood lifted as we swapped flare stories. It was cathartic. A way to say good-bye. I caught Ben smiling at me. “I remember when Tory sniffed that mound of bird crap in the old lighthouse. I thought she’d vomit on the spot.” Chance laughed. “I knew she was too clever. Always with a trick up her sleeve.” The boys glanced at each other. Their smiles faded. Something passed between them. Abruptly, both looked at me. I could see a question in their eyes. A resolve to see something through. They talked. Oh God, they talked about me. They’re going to make me choose. In a flash of dread, I realized I could delay this no longer. With another jolt, I realized I didn’t need to. There was no point putting it off. There was also no decision to make. My eyes met a dark, intense pair staring back earnestly. Longingly. Fearfully. I smiled. Even as my heart pounded. Before anyone spoke, I stepped forward, legs shaking so badly I worried I might fall. But my second foot successfully followed the first. I walked over to Ben’s side. Slipped my hand inside his. Squeezed for dear life. Ben’s eyes widened. He gasped quietly, his chest rising and falling. I met his startled gaze. Smiled through my blushes. A goofy smile split Ben’s face, one I’d never seen before. His fingers crushed mine. No decision to make. Tearing my eyes from Ben, I looked at Chance, found him watching me with a glum expression. Then he sighed, a wry smile twisting his lips. Chance nodded slightly. Not one word spoken. Volumes exchanged. The silence stretched, like a living breathing force. Finally, Hi cleared his throat. “Um.” My face burned scarlet as I remembered our audience. Ella was gaping at me, a delighted grin on her face. Shelton looked like he might turn and run. Hi was rubbing the back of his neck, his face twisted in an uncomfortable grimace. Still no one said a word. This was the most painful moment of my life. “So . . .” Hi drummed his thighs, eyes fixed to the pavement. “Right. A lot just happened there. Weirdly without anyone talking, but, um, yeah.
Kathy Reichs (Terminal (Virals, #5))
Here’s a great home workout that allows you to train and work on the usual issues I find ailing most people: • Right-leg Bulgarian Split Squats with the dumbbell in the suitcase position, 10 reps • Left-leg Bulgarian Split Squats with the dumbbell in the suitcase position, 10 reps • Goblet Squats with the dumbbell cradled on the chest, 10 reps • Deep Push-ups, chest touching the floor, with the push-up handles, 10 reps • Doorway Chin-ups or Pull-ups, 10 reps • Ab Wheel, 10 reps Try to do these six exercises one after another straight through without resting much between movements. Repeat this sequence, after a minute or two of rest, three to five times.
Dan John (Never Let Go: A Philosophy of Lifting, Living and Learning)
I wanted to drag them all out, flay us all, destroy all the artificial separations of history. You'd merely done what I had, after all--split from two cells into four then eight then sixteen until you've accumulated all your arms and legs and organs and pushed yourself into the world--so fucking what? You honkey, nigger, spic, dyke, cunt. If I cry out, who will hear me?
Kelly J. Cogswell (Eating Fire: My Life as a Lesbian Avenger)
Now comes the fun part,” he whispered. His cold hands ran down my calves to my ankles, which he pressed against the side of the couch and into hard metal bands that snapped around them like shackles.  “What was that?” I asked, sitting up. He stood, his muscular frame leaning as he towered over me, his chest sliding over my spread legs.  “Those are to keep you where I want you,” Saxon whispered as his hands continued over my body, gliding or whispering over my abdomen, around my breasts, to my shoulders, and down my arms. The farther up my arms his fingers moved, the closer he came to my lips, to my neck. His fangs were fully exposed.  “Do you want to be mine?” Saxon asked, his nose trailing over my neck. He planted his lips against my jaw, the touch a burning cold. I shivered. “Do you want to be right where I want you?” “Yes,” I gasped, knowing that I did, no matter how terrifying the fact that I couldn't move was making me.  “Good,” Saxon whispered, his hands rough against my arm as he pressed my wrists against the sides of the couch and into the bands that instantly snapped together to lock me in place.  I made a sound that was half fear, half pleasure. As I re-balanced my weight trying to get away from the cold bands only to find that I was captured.  Held against the couch. Caught underneath the Vampire who smiled as he ripped my bra and panties from my soaked and wanting body in one quick motion. “You smell so good, Ivy,” Saxon said, running his nose down my neck and over my bare breasts where his tongue darted out to capture my nipple for a moment. I moaned and he continued down, his hands running down my sides, down my legs, as he inhaled the scent of my stomach.  The scent of my sex.  “My rose,” he murmured, burying his face between my legs, his cold tongue darting out to flick at my clit. I gasped at the contact, a thrill of pleasure shooting up my spine. My body convulsed as he nipped at the tiny nub of aroused flesh, my back attempting to arch, my hips working to press in to him, but I couldn’t move. Judging by the pricks of cold metal that was all up and down my legs and arms, he had bound me by more than my ankles and wrists. A split second of panic captured my breath. “Saxon,” I moaned, shifting as the pleasure began to overtake me.
Rae Foxx (The Bloodwood Academy Shifter: Semester Two (The Bloodwood Academy, #2))
Charlie sat beside Spider on the edge of the cliff, in the moonlight, his legs dangling over the side. "You know," he said, "you used to be a part of me. When we were kids." Spider put his head on one side. "Really?" "I think so." "Well, that would explain a few things." He held out his hand: a seven-legged clay spider sat on the back of his fingers, tasting the air. "So what now? Are you going to take me back or something?" Charlie's brow crinkled. "I think you've turned out better than you would have done if you were part of me. And you've had a lot more fun." Spider said, "Rosie. Tiger knows about Rosie. We have to do something." "Of course we do," said Charlie. It was like bookkeeping, he thought: you put entries in one column, deduct them from another, and if you've done it correctly, everything should come out right at the bottom of the page. He took his brother's hand. They stood up and took a step forward, off the cliff – –and everything was bright– A cold wind blew between the worlds. Charlie said, "You're not the magical bit of me, you know." "I'm not?" Spider took another step. Stars were falling now by the dozen, streaking their way across the dark sky. Someone, somewhere, was playing high sweet music on a flute. Another step, and now distant sirens were blaring. "No," said Charlie. "You're not. Mrs. Dunwiddy thought you were, I think. She split us apart, but she never really understood what she was doing. We're more like two halves of a starfish. You grew up into a whole person. And so," he said, realizing it was true as he said it, "did I.
Neil Gaiman (Anansi Boys)
Plato talked about these beings that used to exist that had four legs and four arms and two heads. They were totally self-contained and ecstatic and powerful. Too powerful, so Zeus cut them all in half and scattered all the halves around the world so that humans were doomed to forever look for their other half, the one who shared their very soul. Only the luckiest humans find their split-apart, you see.
Jandy Nelson (I'll Give You the Sun)
What do you mean, words whose meanings evolved?" asked Alif. "That doesn't make sense. The Quran is the Quran." Vikram folded his legs-Alif did not watch this operation closely-and smiled at his audience. "The convert will understand. How do they translate ذرة in your English interpretation?" "Atom," said the convert. You don't find that strange, considering atoms were unknown in the sixth century?" The convert chewed her lip. "I never thought of that," she said. "You're right. There's no way atom is the original meaning of that word." "Ah." Vikram held up two fingers in a sign of benediction. He looked, Alif thought, like some demonic caricature of a saint. "But it is. In the twentieth century, atom became the original meaning of ذرة, because an atom was the tiniest object known to man. Then man split the atom. Today, the original meaning might be hadron. But why stop there? Tomorrow, it might be quark. In a hundred years, some vanishingly small object so foreign to the human mind that only Adam remembers its name. Each of those will be the original meaning of ذرة. Alif snorted. "That's impossible. ذرة must refer to some fundamental thing. It's attached to an object." "Yes it is. The smallest indivisible particle. That is the meaning packaged in the word. No part of it lifts out-it does not mean smallest, nor indivisible, nor particle, but all those things at once. Thus, in man's infancy, ذرة was a grain of sand. Then a mote of dust. Then a cell. Then a molecule. Then an atom. And so on. Man's knowledge of the universe may grow, but ذرة does not change." "That's..."The convert trailed off, looking lost. "Miraculous. Indeed.
G. Willow Wilson (Alif the Unseen)
His head kind of imploded. He had always wondered what it would feel like to crush a human head with his foot – and now he knew. He thoroughly enjoyed the deep-sounding crack of his skull splitting open. The noise was a physical thing, jolting up his leg and reverberating through his entire body. God, it was deeply satisfying, even if it was his old friend Harlan. Oh well, never mind. Richard was right, friends and family were a liability.
Sam West (Splatterpunks)
Sevro, swarmed by his daughters, makes faces at them as they eat. But when the air cracks with a sonic boom, he bolts upright, looks at the sky, and runs off into the house, urging his children to stay put. He returns a whole half an hour later arm in arm with his wife, hair a mess, two jacket buttons missing, touching a white napkin to a bloodied, split lip. My old friend Victra, immaculate in a high-collared green jacket threaded with gemstones, beams devilishly across the patio at me. She’s seven months pregnant with their fourth daughter. “Well, if it isn’t the Reaper in the leathery flesh. Apologies, my goodman. I’m dreadfully late.” Her long legs cover the distance in three strides. I greet her with a hug. She squeezes my butt hard enough to make me jump. She kisses Mustang on the head and slides into a chair, dominating the table. “Hello, gloomy one,” she says to Electra.
Pierce Brown (Iron Gold (Red Rising Saga, #4))
Nico had once read a story from Plato, who claimed that in the ancient times, all humans and been a combination of male and female. Each person had two heads, four arms, four legs. Supposedly, these combo-humans had been so powerful they made the gods uneasy, so Zeus split them in half—man and woman. Ever since, humans had felt incomplete. They spent their lives searching for their other halves. And where does that leave me? Nico wondered. It wasn't his favourite story.
Rick Riordan (The Blood of Olympus (Heroes of Olympus Book 5) (Heroes of Olympus 5))
The span of his seventy-five years had acted as a magic bellows—the first quarter-century had blown him full with life, and the last had sucked it all back. It had sucked in the cheeks and the chest and the girth of arm and leg. It had tyrannously demanded his teeth, one by one, suspended his small eyes in dark-bluish sacks, tweeked out his hairs, changed him from gray to white in some places, from pink to yellow in others—callously transposing his colors like a child trying over a paintbox. Then through his body and his soul it had attacked his brain. It had sent him night-sweats and tears and unfounded dreads. It had split his intense normality into credulity and suspicion. Out of the coarse material of his enthusiasm it had cut dozens of meek but petulant obsessions; his energy was shrunk to the bad temper of a spoiled child, and for his will to power was substituted a fatuous puerile desire for a land of harps and canticles on earth.
F. Scott Fitzgerald
I’m going to use you.” He unbuttons my shorts and pulls them off, taking my panties with them. “And abuse you.” “Do it.” “I’m going to split you in half.” He kneels between my legs and spreads my thighs wide, taking full advantage of my flexibility. “Any time now would be great.” I writhe beneath him, wanting, aching, throbbing with wet arousal. “When I pull your hair, you’ll scream for it, begging me to fuck you harder, deeper.” “Because I love your dick. Now stop teasing me and serve it up, you dirty bastard.
Pam Godwin (One is a Promise (Tangled Lies, #1))
Atsushi hated pain. But pain had been an intimate part of his life for as long as he could remember. The pain of being stabbed, the pain from being punched, the pain of his hands numbing in the cold, pain inside his head, the pain of hunger—suffering clung to Atsushi like clothing, shaping him. Pain made Atsushi feel like himself. He didn’t know any other way to experience this feeling. After joining the detective agency, the nature of the pain changed, he got hurt less often, and he stopped feeling miserable. Instead, the crushing pressure of necessity tore at Atsushi’s flesh. It split open his shoulder, pierced his chest, and snapped off his leg. The agony was so unbearable that it was as if he could feel his soul leaving his body, but even then, he fought through the pain because it was worth it. He knew he could stubbornly resist the pain no matter how bad it got. There’s a beast inside me, thought Atsushi. And that’s not a metaphor. There’s a literal beast inside me. Right now, he’s howling and wildly feasting as he rampages. For some reason or another, he seems to have the power to negate wounds. Not the power to heal them or to recover but to negate. The reason he’s able to do this isn’t totally unrelated to my birth, probably. It’s not unrelated to the suffering I’ve had to bear all these years. The beast—the tiger—is a manifestation of something within me. I still don’t know what that something is, but if he commands me to stand, then I can’t not stand—just like if he negates my wounds, then my wounds have no choice but to disappear.
Kafka Asagiri (文豪ストレイドッグス 55Minutes [Bungō Stray Dogs 55 Minutes])
I once read the most widely understood word in the whole world is ‘OK’, followed by ‘Coke’, as in cola. I think they should do the survey again, this time checking for ‘Game Over’. Game Over is my favorite thing about playing video games. Actually, I should qualify that. It’s the split second before Game Over that’s my favorite thing. Streetfighter II - an oldie but goldie - with Leo controlling Ryu. Ryu’s his best character because he’s a good all-rounder - great defensive moves, pretty quick, and once he’s on an offensive roll, he’s unstoppable. Theo’s controlling Blanka. Blanka’s faster than Ryu, but he’s really only good on attack. The way to win with Blanka is to get in the other player’s face and just never let up. Flying kick, leg-sweep, spin attack, head-bite. Daze them into submission. Both players are down to the end of their energy bars. One more hit and they’re down, so they’re both being cagey. They’re hanging back at opposite ends of the screen, waiting for the other guy to make the first move. Leo takes the initiative. He sends off a fireball to force Theo into blocking, then jumps in with a flying kick to knock Blanka’s green head off. But as he’s moving through the air he hears a soft tapping. Theo’s tapping the punch button on his control pad. He’s charging up an electricity defense so when Ryu’s foot makes contact with Blanka’s head it’s going to be Ryu who gets KO’d with 10,000 volts charging through his system. This is the split second before Game Over. Leo’s heard the noise. He knows he’s fucked. He has time to blurt ‘I’m toast’ before Ryu is lit up and thrown backwards across the screen, flashing like a Christmas tree, a charred skeleton. Toast. The split second is the moment you comprehend you’re just about to die. Different people react to it in different ways. Some swear and rage. Some sigh or gasp. Some scream. I’ve heard a lot of screams over the twelve years I’ve been addicted to video games. I’m sure that this moment provides a rare insight into the way people react just before they really do die. The game taps into something pure and beyond affectations. As Leo hears the tapping he blurts, ‘I’m toast.’ He says it quickly, with resignation and understanding. If he were driving down the M1 and saw a car spinning into his path I think he’d in react the same way. Personally, I’m a rager. I fling my joypad across the floor, eyes clenched shut, head thrown back, a torrent of abuse pouring from my lips. A couple of years ago I had a game called Alien 3. It had a great feature. When you ran out of lives you’d get a photo-realistic picture of the Alien with saliva dripping from its jaws, and a digitized voice would bleat, ‘Game over, man!’ I really used to love that.
Alex Garland
My back hit the wall. He closed in with an almost terrifying intensity. His muscular body boxed me in. “Rogan,” I warned. In my head, a song played over and over, singing to me in a seductive voice, Rogan, Rogan, Rogan, sex . . . want . . . “Remember that dream you had?” His voice was low, commanding. “Rogan!” The delicious warmth danced around my neck. “Where I had no clothes?” The warmth split and slid over me, over the sensitive nerves in the back of my neck, over my collarbone, around my breasts, cupping them and sliding fast to the tips, tightening my nipples, then sliding down, over my stomach, over my sides and butt, down between my legs. It was everywhere at once, and it flowed over me like a cascade of sensual ecstasy, overloading my senses, overriding my reason, and rendering me speechless. I hurtled through it, trying to sort through the sensations and failing. My head spun. He was right there, masculine, hot, sexy, so incredibly sexy, and I wanted to taste him. I wanted his hands on me. I wanted him to press himself against the aching spot between my legs. His arms closed around me. His face was too close, his eyes enticing, compelling, excited. “Let’s talk about that dream, Nevada.” I was trapped. I had nowhere to go. If he kissed me, I would melt right here. I would moan and beg him, and I would have sex with him right here, in the Galleria, in public. A spark of pain drained down my arm, driven by pure instinct. I grabbed his shoulder. Feathery lightning shot out and singed him. Agony exploded in me, cleansing like an ice-cold shower. Rogan’s body jerked, as if struck by an electric current. It lasted only a second, and I didn’t push as hard as I could have. I was learning to control it. Rogan whipped back to me, his eyes feral. His voice was a ragged growl. “Was that supposed to hurt?” “It was supposed to get your attention.” I pushed him back with my hand. “You were getting really excited.” “‘No’ would’ve been sufficient.” “I wasn’t sure.” I pushed from the wall and headed for the exit. “I said ‘once.’ That was more than once. I wanted you to stop.” “I was encouraged by you breathlessly moaning my name.” I spun on my foot. “I wasn’t moaning your name. I was shrieking in alarm.” “That was the sexiest throaty shrieking I’ve ever heard.” “You need to get out more.” My cheeks were burning.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
CAPISTRUM MARITALE (The Matrimonial Halter) - Juvenal I Ripples in your watery skin, unseen beneath the volume of groans. I hover above the marital bed, the cat-gut seams of our mattress split. (3 courses, not 8, should suffice, mea delicia.) II Legs straight, you like me tight, it is your size (and shame), you tore me unformed, drew blood before eggs ripened. If I had a little girl... I would call her... Claudia. III I have known only this, a shiver, a million dreams expelled: 'Was I good?' Magnifico! I gasp, floating down, swim to the wash bowl, your dead sons trickling down my legs.
Bernardine Evaristo (The Emperor's Babe)
Ode to the Beloved’s Hips" Bells are they—shaped on the eighth day—silvered percussion in the morning—are the morning. Swing switch sway. Hold the day away a little longer, a little slower, a little easy. Call to me— I wanna rock, I-I wanna rock, I-I wanna rock right now—so to them I come—struck-dumb chime-blind, tolling with a throat full of Hosanna. How many hours bowed against this Infinity of Blessed Trinity? Communion of Pelvis, Sacrum, Femur. My mouth—terrible angel, ever-lasting novena, ecstatic devourer. O, the places I have laid them, knelt and scooped the amber—fast honey—from their openness— Ah Muzen Cab’s hidden Temple of Tulúm—licked smooth the sticky of her hip—heat-thrummed ossa coxae. Lambent slave to ilium and ischium—I never tire to shake this wild hive, split with thumb the sweet- dripped comb—hot hexagonal hole—dark diamond— to its nectar-dervished queen. Meanad tongue— come-drunk hum-tranced honey-puller—for her hips, I am—strummed-song and succubus. They are the sign: hip. And the cosign: a great book— the body’s Bible opened up to its Good News Gospel. Alleluias, Ave Marías, madre mías, ay yay yays, Ay Dios míos, and hip-hip-hooray. Cult of Coccyx. Culto de cadera. Oracle of Orgasm. Rorschach’s riddle: What do I see? Hips: Innominate bone. Wish bone. Orpheus bone. Transubstantiation bone—hips of bread, wine-whet thighs. Say the word and healed I shall be: Bone butterfly. Bone wings. Bone Ferris wheel. Bone basin bone throne bone lamp. Apparition in the bone grotto—6th mystery— slick rosary bead—Déme la gracia of a decade in this garden of carmine flower. Exile me to the enormous orchard of Alcinous—spiced fruit, laden-tree—Imparadise me. Because, God, I am guilty. I am sin-frenzied and full of teeth for pear upon apple upon fig. More than all that are your hips. They are a city. They are Kingdom— Troy, the hollowed horse, an army of desire— thirty soldiers in the belly, two in the mouth. Beloved, your hips are the war. At night your legs, love, are boulevards leading me beggared and hungry to your candy house, your baroque mansion. Even when I am late and the tables have been cleared, in the kitchen of your hips, let me eat cake. O, constellation of pelvic glide—every curve, a luster, a star. More infinite still, your hips are kosmic, are universe—galactic carousel of burning comets and Big Big Bangs. Millennium Falcon, let me be your Solo. O, hot planet, let me circumambulate. O, spiral galaxy, I am coming for your dark matter. Along las calles de tus muslos I wander— follow the parade of pulse like a drum line— descend into your Plaza del Toros— hands throbbing Miura bulls, dark Isleros. Your arched hips—ay, mi torera. Down the long corridor, your wet walls lead me like a traje de luces—all glitter, glowed. I am the animal born to rush your rich red muletas—each breath, each sigh, each groan, a hooked horn of want. My mouth at your inner thigh—here I must enter you—mi pobre Manolete—press and part you like a wound— make the crowd pounding in the grandstand of your iliac crest rise up in you and cheer.
Natalie Díaz
I see it out of the corner of my eye as the man moves his fork toward his mouth. He's talking to the woman and he looks like the same pompous asshole I've been watching for the last hour. Truly. The he moves the fork and a piece of pasta falls off. It hits his lip and smears cheese down his perfect, clefted chin. He tries to act cool, but for a split second, like a flash of light, I see what he's hiding. Curt looks up with his chin still on the table. He's watching me watch them. "You saw it, didn't you?" he breathes. I shake my head. "No, I didn't see anything really...." I squint. the woman puts a small amount of egg on her fork, then lifts it tentatively. She's trying to act beautiful, in control. She moves her body sideways, then opens her mouth.... "See?" curt asks drowsy. "You see it?" I stare, fascinated. Maybe, after all, I do. Curt nods in answer to the question I haven't asked. "Finally," he says. "Do you get it now?" I nod very slowly. The woman takes another bite, and I don't think about her legs anymore. I just watch for the flash. I don't think I will, but I see it again. One minute she looks confident , perfect, the next I see something else. I cringe. I try watching the man instead, but that's worse. I realize for the first time that he's trying really hard.
K.L. Going (Fat Kid Rules the World)
He was an only son, and he was born six months after his father was mustered into a Connecticut regiment in 1862. Adam’s mother ran the farm, bore Adam, and still had time to embrace a primitive theosophy. She felt that her husband would surely be killed by the wild and barbarous rebels, and she prepared herself to get in touch with him in what she called the beyond. He came home six weeks after Adam was born. His right leg was off at the knee. He stumped in on a crude wooden leg he himself had carved out of beechwood. And already it was splitting. He had in his pocket and placed on the parlor table the lead bullet they had given him to bite while they cut off his frayed leg.
John Steinbeck (East of Eden)
He ruffled her hair as he came in, all uncle and no cop about him now. She far preferred her uncle to the chief; he had inherited the sense of humor in the family, while her father got the receding hairline and mad skills with numbers. "Geez, Vi, you didn't need to break your own leg to get out of going to the dance with Grady Spencer. A simple 'no' would have been just fine, I'm sure." Apparently no one had noticed that Jay had barely let go of her hand for a second. His thumb was now tracing lazy circles around her palm, and he answered her uncle's teasing comment without looking away from Violet for even a split second. "She's not going to the dance with Grady," he announced, smiling at her mischievously, and for a moment Violet forgot how to breathe. She hoped she never got used to how a simple look from him could turn her into a blithering idiot. "Really?" her aunt Kat asked, her eyes narrowing as she glanced from Violet to Jay, and then down at their intertwined hands. Clearly she wasn't going to let the comment pass unnoticed. "Why is that?" she asked in a voice filled with unspoken meaning. Stephen Ambrose looked at his wife curiously, a little slow to catch on, which was sad, really, considering it was his job to seek out clues and solve mysteries. Jay answered Kat without missing a beat. "Because she's going with me." He winked at Violet, whose cheeks had flushed to a brilliant shade of scarlet. She wasn't entirely sure she was ready for this. Violet saw her mom and Aunt Kat exchange meaningful glances. They knew, she realized. And now her uncle did too. Uncle Stephen gave Jay his best I'm-keeping-my-eye-on-you look, but a quick "Hmm" was the only sound he made. How much embarrassment could one person possibly survive? There was a moment of awkward silence, made even more uncomfortable by Jay's refusal to look anywhere but at her. He reached out and brushed his finger along her cheek. Violet almost forgot to care that everyone in the room was looking at them. Her uncle Stephen cleared his throat, and Violet jumped a little.
Kimberly Derting (The Body Finder (The Body Finder, #1))
They landed with a crash that split paving stones and jarred the nearby houses. Something cracked in Thorn’s left wing-shoulder, and his back arched unnaturally as Murtagh’s wards kept the dragon from crushing him flat. Saphira could hear Murtagh cursing from underneath Thorn, and she decided that it would be best to move away before the angry two-legs-round-ears started casting spells. She jumped up, kicking Thorn in the belly as she did so, and alit on the peak of the house behind the red dragon. The building was too weak to support her, so she took flight again and, just for good measure, set the row of buildings on fire. Let them deal with that, she thought, satisfied, as the flames gnawed hungrily at the wooden structures.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
Gregory was in the walls, in the crawl space between the board floor of the cabin and the bitter ground. He was gone, but he was everywhere. He was on the small pantry shelf where canning was removed. The air of the cabin still held Gregory. He filled and expanded every dark corner, tight, to exploding. He was jammed between her legs so that no matter how she moved, he was inside of Agnes. She couldn't shake him from her vestments or burn him from the stove. He nested in the books, of course. She couldn't stand to touch their pages. He was in the sweet, fragrant wood Mary Kashpaw chopped, split, and piled. In the cloth of curtains, the clasp of doors, he waited. She turned the handle, let the light in, and he came, too, solid and good and alive.
Louise Erdrich (The Last Report on the Miracles at Little No Horse)
For a split second, Elsa recalled a new memory of her younger self. She was building a snowman with another girl. They pulled the snowman around the room laughing. It was clear they loved each other. Her hands started to tingle in an unfamiliar way- they were warm- then the sensation was gone and she was left with a sharp headache. What was that? she wondered. The girl had to be in her imagination. She had never used magic before that week. Had she? Elsa stood up, her legs shaking. She held on to her bed frame to keep from falling. Heart pounding, fingers aching, she closed her eyes again and tried to remember the love she had just felt coursing through her veins. The emotion was stronger than fear. This feeling had come from building something out of love- a snowman for the two girls to enjoy.
Jen Calonita (Conceal, Don't Feel)
I say, it sounds like some dangerous psychotic killer wrote this, and this buttoned-down schizophrenic could probably go over the edge at any moment in the working day and stalk from office to office with an Armalite AR-180 carbine gas-operated semiautomatic. My boss just looks at me. The guy, I say, is probably at home every night with a little rattail file, filing a cross into the tip of every one of his rounds. This way, when he shows up to work one morning and pumps a round into his nagging, ineffectual, petty, whining, butt-sucking, candy-ass boss, that one round will split along the filed grooves and spread open the way a dumdum bullet flowers inside you to blow a bushel load of your stinking guts out through your spine. Picture your gut chakra opening in a slow-motion explosion of sausage-casing small intestine. My boss takes the paper out from under my nose. Go ahead, I say, read some more. No really, I say, it sounds fascinating. The work of a totally diseased mind. And I smile. The little butthole-looking edges of the hole in my cheek are the same blue-black as a dog’s gums. The skin stretched tight across the swelling around my eyes feels varnished. My boss just looks at me. Let me help you, I say. I say, the fourth rule of fight club is one fight at a time. My boss looks at the rules and then looks at me. I say, the fifth rule is no shoes, no shirts in the fight. My boss looks at the rules and looks at me. Maybe, I say, this totally diseased fuck would use an Eagle Apache carbine because an Apache takes a thirty-shot mag and only weighs nine pounds. The Armalite only takes a five-round magazine. With thirty shots, our totally fucked hero could go the length of mahogany row and take out every vice-president with a cartridge left over for each director. Tyler’s words coming out of my mouth. I used to be such a nice person. I just look at my boss. My boss has blue, blue, pale cornflower blue eyes. The J and R 68 semiautomatic carbine also takes a thirty-shot mag, and it only weighs seven pounds. My boss just looks at me. It’s scary, I say. This is probably somebody he’s known for years. Probably this guy knows all about him, where he lives, and where his wife works and his kids go to school. This is exhausting, and all of a sudden very, very boring. And why does Tyler need ten copies of the fight club rules? What I don’t have to say is I know about the leather interiors that cause birth defects. I know about the counterfeit brake linings that looked good enough to pass the purchasing agent, but fail after two thousand miles. I know about the air-conditioning rheostat that gets so hot it sets fire to the maps in your glove compartment. I know how many people burn alive because of fuel-injector flashback. I’ve seen people’s legs cut off at the knee when turbochargers start exploding and send their vanes through the firewall and into the passenger compartment. I’ve been out in the field and seen the burned-up cars and seen the reports where CAUSE OF FAILURE is recorded as "unknown.” No, I say, the paper’s not mine. I take the paper between two fingers and jerk it out of his hand. The edge must slice his thumb because his hand flies to his mouth, and he’s sucking hard, eyes wide open. I crumble the paper into a ball and toss it into the trash can next to my desk. Maybe, I say, you shouldn’t be bringing me every little piece of trash you pick up.
Chuck Palahniuk (Fight Club)
Three kids against five robotic school helpers. Well, four kids. Beck was still in the air vent under locker G42. His Tenderfoot Shell waited patiently, standing in place at the middle of the dead-end corridor in the girls’ locker room. One of the five SPUDs that had us cornered leapt through the air at Bloom. The world around me came to a standstill, like someone had paused a game. I saw Bloom. I saw the SPUD jumping toward her. I saw Lexi, huddled up and afraid. I don’t know what happened to me in that split-second, but I reacted before I even had time to think about it. Balling a tight fist, I threw my hand into the air in front of the SPUD that was going for Bloom. My right forearm scraped against the small robot’s face, and then my elbow shot forward, landing a blow right on the SPUD’s body, sending his arms and legs flying in all directions.
Marcus Emerson (Legacy (Middle School Ninja, #1))
The ocean is like a warm bath. I mount his back and ride him. My thighs squeeze him and pulse with a tingling light. We are lovers. We are married. He swims with incredible strength and we travel quickly. He keeps me safe and I am drunk on his dignity. The smaller bears shrink, only to be eaten by engorged shrimp. The ocean grows hot with life after the offering of food. My skin melts where there is contact with my lover. The ocean and our love fuse the polar bear and me. He is I, his skin is my skin. Our flesh grows together. His face is my pussy and she is hungry. My legs sprout white fur that spreads all over me. I can feel every hair form inside of me and poke through tough bearskin. My whole body absorbs him and we become a new being. I am invincible. Bear mother, rabbit daughter, seal eater. Bear lover, human lover, ice pleaser. I will live another year.
Tanya Tagaq (Split Tooth)
Do you want me to kiss you for luck?" I asked. His eyes cut to me for a split second, then returned to the store. He waited so long that I thought he wasn't going to answer. He would ignore my inappropriate question. The he said, "Yes." I scooted next to him on the seat. The heat of his leg soaked through my jeans. Inhaling his cologne, I leaned my head toward his. He didn't turn to me or take his eyes off the store - and of course I didn't want him to, because that would not be safe. I closed my eyes and softly, slowly kissed his jaw. His big hand closed over my knee, then slid up my leg. His fingers massaged as they went. I opened my eyes again to make sure I wasn't runing his offical police work. He stil watched the store. But when I ended the kiss, he sighed. I kissed him again, farther back toward his ear. He took a sharp breath. His hand clamped my thigh.
Jennifer Echols (Going Too Far)
He got a good glass for six hundred dollars. His new job gave him leisure for stargazing. Often he bid me come and have a look Up the brass barrel, velvet black inside, At a star quaking in the other end. I recollect a night of broken clouds And underfoot snow melted down to ice, And melting further in the wind to mud. Bradford and I had out the telescope. We spread our two legs as it spread its three, Pointed our thoughts the way we pointed it, And standing at our leisure till the day broke, Said some of the best things we ever said. That telescope was christened the Star-Splitter, Because it didn't do a thing but split A star in two or three the way you split A globule of quicksilver in your hand With one stroke of your finger in the middle. It's a star-splitter if there ever was one, And ought to do some good if splitting stars 'Sa thing to be compared with splitting wood.
Robert Frost
I grow tired of your mouth.” Bones shifted under Curran’s skin. The nose widened, the jaws grew, the top lip split, displaying enormous teeth. I was staring into the face of a nightmare, a horrible meld of human and lion. If a thing that weighed over six hundred pounds in beast-form could be called a lion. His eyes never changed. The rest of him—the body, the arms, the legs, even his hair and skin remained human. The shapeshifters had three forms: beast, human, and half. They could shift into any of the three, but they always changed shape completely. Most had to strain to maintain the half-form and to be able to speak in it was a great achievement. Only Curran could do this: turn part of his body into one shape while keeping the rest in another. Normally, I had no trouble with Curran’s face in half-form. It was well-proportioned, even—many shapeshifters suffered the “my jaws are way too big and don’t fit together” syndrome—but I was used to that half-form face being sheathed in gray fur. Having human skin stretched over it was nausea inducing. He noticed my heroic efforts not to barf. “What is it now?” I waved my hand around my face. “Fur.” “What do you mean?” “Your face has no fur.” Curran touched his chin. And just like that all traces of the beast vanished. He sat before me fully human. He massaged his jaw. The beast grew stronger during the flare. Curran’s irritation caused his control to slip just a hair. “Having technical difficulties?” I asked and immediately regretted it. Pointing out loss of control to a control freak wasn’t the brightest idea. “You shouldn’t provoke me.” His voice dropped low. He suddenly looked slightly hungry. “You never know what I might do if I’m not fully in control of myself.” Mayday, Mayday. “I shudder at the thought.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
The final misconception is that evolution is “just a theory.” I will boldly assume that readers who have gotten this far believe in evolution. Opponents inevitably bring up that irritating canard that evolution is unproven, because (following an unuseful convention in the field) it is a “theory” (like, say, germ theory). Evidence for the reality of evolution includes: Numerous examples where changing selective pressures have changed gene frequencies in populations within generations (e.g., bacteria evolving antibiotic resistance). Moreover, there are also examples (mostly insects, given their short generation times) of a species in the process of splitting into two. Voluminous fossil evidence of intermediate forms in numerous taxonomic lineages. Molecular evidence. We share ~98 percent of our genes with the other apes, ~96 percent with monkeys, ~75 percent with dogs, ~20 percent with fruit flies. This indicates that our last common ancestor with other apes lived more recently than our last common ancestor with monkeys, and so on. Geographic evidence. To use Richard Dawkins’s suggestion for dealing with a fundamentalist insisting that all species emerged in their current forms from Noah’s ark—how come all thirty-seven species of lemurs that made landfall on Mt. Ararat in the Armenian highlands hiked over to Madagascar, none dying and leaving fossils in transit? Unintelligent design—oddities explained only by evolution. Why do whales and dolphins have vestigial leg bones? Because they descend from a four-legged terrestrial mammal. Why should we have arrector pili muscles in our skin that produce thoroughly useless gooseflesh? Because of our recent speciation from other apes whose arrector pili muscles were attached to hair, and whose hair stands up during emotional arousal.
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
They were all shouting and shoving at each other when Grace turned from the chaos. Daniel caught the wicked gleam in her eye just before she charged him. She ran smack into him with her shoulder and slammed to a stop. Daniel looked down at her, feeling her arms around his waist and seeing her upturned face just inches below his. She weighed just slightly more than the average feather. “You’re a moose,” she pouted. “How am I supposed to knock you into the snow?” Daniel couldn’t help grinning down at her impish exasperation. “Boys, how about a little help?” Grace shouted. In a split second, all five boys pounced. With a shout of protest, Daniel went down in a flurry of arms and legs and snow. They continued the battle until they had nearly turned themselves into a family of snow-people. Finally, Grace plowed a huge armload of snow into Daniel’s face. “Give up, big man. We’ve got you. Admit it.
Mary Connealy (Calico Canyon (Lassoed in Texas, #2))
The cabin; by the stern windows; Ahab sitting alone, and gazing out. I leave a white and turbid wake; pale waters, paler cheeks, where'er I sail. The envious billows sidelong swell to whelm my track; let them; but first I pass. Yonder, by the ever-brimming goblet's rim, the warm waves blush like wine. The gold brow plumbs the blue. The diver sun— slow dived from noon—goes down; my soul mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear? this Iron Crown of Lombardy. Yet is it bright with many a gem; I the wearer, see not its far flashings; but darkly feel that I wear that, that dazzlingly confounds. 'Tis iron—that I know—not gold. 'Tis split, too—that I feel; the jagged edge galls me so, my brain seems to beat against the solid metal; aye, steel skull, mine; the sort that needs no helmet in the most brain-battering fight! Dry heat upon my brow? Oh! time was, when as the sunrise nobly spurred me, so the sunset soothed. No more. This lovely light, it lights not me; all loveliness is anguish to me, since I can ne'er enjoy. Gifted with the high perception, I lack the low, enjoying power; damned, most subtly and most malignantly! damned in the midst of Paradise! Good night—good night! (waving his hand, he moves from the window.) 'Twas not so hard a task. I thought to find one stubborn, at the least; but my one cogged circle fits into all their various wheels, and they revolve. Or, if you will, like so many ant-hills of powder, they all stand before me; and I their match. Oh, hard! that to fire others, the match itself must needs be wasting! What I've dared, I've willed; and what I've willed, I'll do! They think me mad— Starbuck does; but I'm demoniac, I am madness maddened! That wild madness that's only calm to comprehend itself! The prophecy was that I should be dismembered; and—Aye! I lost this leg. I now prophesy that I will dismember my dismemberer. Now, then, be the prophet and the fulfiller one. That's more than ye, ye great gods, ever were. I laugh and hoot at ye, ye cricket-players, ye pugilists, ye deaf Burkes and blinded Bendigoes! I will not say as schoolboys do to bullies—Take some one of your own size; don't pommel me! No, ye've knocked me down, and I am up again; but ye have run and hidden. Come forth from behind your cotton bags! I have no long gun to reach ye. Come, Ahab's compliments to ye; come and see if ye can swerve me. Swerve me? ye cannot swerve me, else ye swerve yourselves! man has ye there. Swerve me? The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run. Over unsounded gorges, through the rifled hearts of mountains, under torrents' beds, unerringly I rush! Naught's an obstacle, naught's an angle to the iron way! CHAPTER
Herman Melville (Moby Dick: or, the White Whale)
Tremont’s voice came out of the hole, sounding hollow and dead. “Something smells awful in here, Warden.” “Never mind that! Keep going.” Tremont’s lower legs disappeared into the hole. A moment later his feet were gone, too. His light flashed dimly back and forth. “Warden, it smells pretty damn bad.” “Never mind, I said!” Norton cried. Dolorously, Tremont’s voice floated back: “Smells like shit. Oh God, that’s what it is, it’s shit, oh my God lemme outta here I’m gonna blow my groceries oh shit it’s shit oh my Gawwwwwd—” And then came the unmistakable sound of Rory Tremont losing his last couple of meals. Well, that was it for me. I couldn’t help myself. The whole day—hell no, the last thirty years—all came up on me at once and I started laughing fit to split, a laugh such as I’d never had since I was a free man, the kind of laugh I never expected to have inside these gray walls. And oh dear God didn’t it feel good!
Stephen King (Different Seasons: Four Novellas)
An android,” Irmgard explained. “And nobody knows. No humans, I mean.” Pris, with the scissors, cut yet another leg from the spider. All at once John Isidore pushed her away and lifted up the mutilated creature. He carried it to the sink and there he drowned it. In him, his mind, his hopes, drowned, too. As swiftly as the spider. “He’s really upset,” Irmgard said nervously. “Don’t look like that, J. R. And why don’t you say anything?” To Pris and to her husband she said, “It makes me terribly upset, him just standing there by the sink and not speaking; he hasn’t said anything since we turned on the TV.” “It’s not the TV,” Pris said. “It’s the spider. Isn’t it, John R. Isidore? He’ll get over it,” she said to Irmgard, who had gone into the other room to shut off the TV. Regarding Isidore with easy amusement, Roy Baty said, “It’s all over now, Iz. For Mercerism, I mean.” With his nails he managed to lift the corpse of the spider from the sink. “Maybe this was the last spider,” he said. “The last living spider on Earth.” He reflected. “In that case it’s all over for spiders, too.” “I—don’t feel well,” Isidore said. From the kitchen cupboard he got a cup; he stood holding it for an interval—he did not know exactly how long. And then he said to Roy Baty, “Is the sky behind Mercer just painted? Not real?” “You saw the enlargements on the TV screen,” Roy Baty said. “The brush strokes.” “Mercerism isn’t finished,” Isidore said. Something ailed the three androids, something terrible. The spider, he thought. Maybe it had been the last spider on Earth, as Roy Baty said. And the spider is gone; Mercer is gone; he saw the dust and the ruin of the apartment as it lay spreading out everywhere—he heard the kipple coming, the final disorder of all forms, the absence which would win out. It grew around him as he stood holding the empty ceramic cup; the cupboards of the kitchen creaked and split and he felt the floor beneath his feet give.
Philip K. Dick (Do Androids Dream of Electric Sheep?)
Burial Cathy Linh Che There is the rain, the odor of fresh earth, and you, grandmother, in a box. I bury the distance, 22 years of not meeting you and your ruined hands. I bury your hair, parted to the side and pinned back, your áo dài of crushed velvet, the implements you used to farm, the stroke which claimed your right side, the land you gave up when you remarried, your grief over my grandfather's passing, the war that evaporated your father's leg, the war that crushed your bowls, your childhood home razed by the rutted wheels of an American tank— I bury it all. You learned that nothing stays in this life, not your daughter, not your uncle, not even the dignity of leaving this world with your pants on. The bed sores on your hips were clean and sunken in. What did I know, child who heard you speak only once, and when we met for the first time, tears watered the side of your face. I held your hand and said, bà ngoai, bà ngoai Ten years later, I returned. It rained on your gravesite. In the picture above your tomb, you looked just like my mother. We lit the joss sticks and planted them. We kept the encroaching grass at bay.
Cathy Linh Che (Split)
The shoot-to-kill order came through at zero one fifteen, relayed over a satellite radio. It’d been just three hours since the two-man reconnaissance team had reported the sighting. They lay in a shallow dugout on a windblown ridge, the leeward slope falling away steeply to an impassable boulder field. A desert-issue tarp all but covered the hole, protected from view on the flanks by thorny scrub. Shivering, they blew into their bunched trigger-finger mitts. The daytime temperature had dropped twenty degrees or more, and fine sleet was melting on their blackened faces. Darren Proctor extended the folded stock of his L115A3 sniper rifle. He split the legs of the swivel bi-pod and aligned the swivel cheek piece with the all-weather scope. Flipping open the lens cap, he glassed the terrain cast a muted green by the night vision. The tree line was sparse, a smattering of pines and cedars shuddering in the biting wind. Glimpsing movement on a scree slope fifty metres or so beyond, he focused in. The eyes of a striped hyena shone like glow sticks. He watched as the scavenger ripped at the carcass of an ibex or wild sheep. A second later it sniffed the air, ears pricked, and scampered off.
Gary Haynes (State of Honour)
how he would get to Tronjheim’s base—where the Urgals were breaking in. There was no time to climb down. He looked at the narrow trough to the right of the stairs, then grabbed one of the leather pads and threw himself down on it. The stone slide was smooth as lacquered wood. With the leather underneath him, he accelerated almost instantly to a frightening speed, the walls blurring and the curve of the slide pressing him high against the wall. Eragon lay completely flat so he would go faster. The air rushed past his helm, making it vibrate like a weather vane in a gale. The trough was too confined for him, and he was perilously close to flying out, but as long as he kept his arms and legs still, he was safe. It was a swift descent, but it still took him nearly ten minutes to reach the bottom. The slide leveled out at the end and sent him skidding halfway across the huge carnelian floor. When he finally came to a stop, he was too dizzy to walk. His first attempt to stand made him nauseated, so he curled up, head in his hands, and waited for things to stop spinning. When he felt better, he stood and warily looked around. The great chamber was completely deserted, the silence unsettling. Rosy light filtered down from Isidar Mithrim. He faltered—Where was he supposed to go?—and cast out his mind for the Twins. Nothing. He froze as loud knocking echoed through Tronjheim. An explosion split the air. A long slab of the chamber floor buckled and blew thirty feet up. Needles of rocks flew outward as it crashed down. Eragon stumbled back, stunned, groping for Zar’roc. The twisted shapes of Urgals clambered out of the hole in the floor. Eragon hesitated. Should he flee? Or should he stay and try to close the tunnel? Even if he managed to seal it before the Urgals attacked him, what if Tronjheim was already breached elsewhere? He could not find all the places in time to prevent the city-mountain from being captured. But if I run to one of Tronjheim’s gates and blast it open, the Varden could retake Tronjheim without having to siege it. Before he could decide, a tall man garbed entirely in black armor emerged from the tunnel and looked directly at him. It was Durza. The Shade carried his pale blade marked with the scratch from Ajihad. A black roundshield with a crimson ensign rested on his arm. His dark helmet was richly decorated, like a general’s, and a long snakeskin cloak billowed around him. Madness burned in his maroon eyes, the madness of one who enjoys power and finds himself in the position to use it.
Christopher Paolini (Eragon (The Inheritance Cycle, #1))
Before the shrinking of the Feminine was the Goddess—and all that is split in our own lives was in harmony in Hers. She was profoundly in Her body. Her body itself was sacred. In the Old Religion, body and spirit were one. She was seen as substantial, as essentially embodied. Her thighs, Her Belly, Her breasts were generous, Her physical strength apparent. We miss the beauty of such an image, we who have been taught to measure ourselves endlessly. Too fat, too thin, too flat, too wrinkled. Our bodies are never good, and in themselves. We must deny our naturalness to see beauty. What we learn to reject was once holy. What we learn to hide behind closed doors was once celebrated in the open. Blood was sacred to the Goddess—menstrual blood. Some of Her images were painted red between the legs. What some of us and many of our mothers learned to see as 'the curse' was once seen as the Blessing, women's particular creative magic. The blood that flows of itself and not from a wounding was thought to be the very source of life. One early creation tale stated than when the Mother created man and woman, She made them from a mixture of Her menstrual blood and clay. Moreover, every woman carried some of the Goddess's sacred substance and participated in Her ability to create life.
Kathie Carlson (In Her Image: The Unhealed Daughter's Search for Her Mother)
Only the History of William Marshal described this encounter in close terms, though the broad details of its account were confirmed in other contemporary sources. One thing seems certain. This was to be no fair fight. So intent had Richard been upon hunting down his father, that he had begun his chase wearing only a doublet and light helm. This added speed to his pursuit, but left him dreadfully exposed to attack. Worse still, the Lionheart was armed with only a sword. Marshal, by contrast, had a shield and lance. The biographer described how: [William] spurred straight on to meet the advancing [Duke] Richard. When the [duke] saw him coming he shouted at the top of his voice: ‘God’s legs, Marshal! Don’t kill me. That would be a wicked thing to do, since you find me here completely unarmed.’ In that instant, Marshal could have slain Richard, skewering his body with the same lethal force that dispatched Patrick of Salisbury in 1168. Had there been more than a split second to ponder the choice, William might perhaps have reacted differently. As it was, instinct took over. Marshal simply could not bring himself to kill an un-armoured opponent, let alone the heir-apparent to the Angevin realm, King Henry II’s eldest surviving son. Instead, he was said to have shouted in reply: ‘Indeed I won’t. Let the Devil kill you! I shall not be the one to do it’, and at the last moment, lowering his lance fractionally, he drove it into Richard’s mount. With that ‘the horse died instantly; it never took another step forward’ and, as it fell, the Lionheart was thrown to the ground and his pursuit of the king brought to an end.
Thomas Asbridge (The Greatest Knight: The Remarkable Life of William Marshal, the Power Behind Five English Thrones)
Open the so-called body and spread out all its surfaces: not only the skin with each of its folds, wrinkles, scars, with its great velvety planes, and contiguous to that, the scalp and its mane of hair, the tender pubic fur, nipples, nails, hard transparent skin under the heel, the light frills of the eyelids, set with lashes - but open and spread, expose the labia majora, so also the labia minora with their blue network bathed in mucus, dilate the diaphragm of the anal sphincter, longitudinally cut and flatten out the black conduit of the rectum, then the colon, then the caecum, now a ribbon with its surface all striated and polluted with shit ; as though your dress maker' s scissors were opening the leg of an old pair of trousers, go on, expose the small intestines' alleged interior, the jejunum, the ileum, the duodenum, or else, at the other end, undo the mouth at its corners, pull out the tongue at its most distant roots and split it, spread out the bats' wings of the palate and its damp basements, open the trachea and make it the skeleton of a boat under construction; armed with scalpels and tweezers, dismantle and lay out the bundles and bodies of the encephalon; and then the whole network of veins and arteries, intact, on an immense mattress, and then the lymphatic network, and the fine bony pieces of the wrist, the ankle, take them apart and put them end to end with all the layers of nerve tissue which surround the aqueous humours and the cavernous body of the penis, and extract the great muscles, the great dorsal nets, spread them out like smooth sleeping dolphins. Work as the sun does when you're sunbathing or taking grass.
Jean-François Lyotard (Libidinal Economy)
In the half darkness, piles of fish rose on either side of him, and the pungent stink of fish guts assaulted his nostrils. On his left hung a whole tuna, its side notched to the spine to show the quality of the flesh. On his right a pile of huge pesce spada, swordfish, lay tumbled together in a crate, their swords protruding lethally to catch the legs of unwary passersby. And on a long marble slab in front of him, on a heap of crushed ice dotted here and there with bright yellow lemons, where the shellfish and smaller fry. There were ricco di mare---sea urchins---in abundance, and oysters, too, but there were also more exotic delicacies---polpi, octopus; aragosti, clawless crayfish; datteri di mare, sea dates; and grancevole, soft-shelled spider crabs, still alive and kept in a bucket to prevent them from making their escape. Bruno also recognized tartufo di mare, the so-called sea truffle, and, right at the back, an even greater prize: a heap of gleaming cicale. Cicale are a cross between a large prawn and a small lobster, with long, slender front claws. Traditionally, they are eaten on the harbor front, fresh from the boat. First their backs are split open. Then they are marinated for an hour or so in olive oil, bread crumbs, salt, and plenty of black pepper, before being grilled over very hot embers. When you have pulled them from the embers with your fingers, you spread the charred, butterfly-shaped shell open and guzzle the meat col bacio----"with a kiss," leaving you with a glistening mustache of smoky olive oil, greasy fingers, and a tingling tongue from licking the last peppery crevices of the shell. Bruno asked politely if he could handle some of the produce. The old man in charge of the display waved him on. He would have expected nothing less. Bruno raised a cicala to his nose and sniffed. It smelled of ozone, seaweed, saltwater, and that indefinable reek of ocean coldness that flavors all the freshest seafood. He nodded. It was perfect.
Anthony Capella (The Food of Love)
Warm hands held her firm as he settled between her legs. His warm, wet tongue drew lazy circles around her sensitive flesh, so gently at first, she hovered between pleasure and pain, and then harder, faster, until the ache inside her blossomed into edgy need. He slid one thick finger into her wet heat, and then another, a sensual intrusion that stole her breath. And then his lips closed around her aching nub. She cried out, throwing back her head, hands fisting his hair, pleasure cresting and flooding through her veins, trickling out to her fingers and toes. With a low growl, he pushed up and sheathed himself with a condom he pulled from his pocket. On instinct, she rolled her hips, wrapped her legs around his hips to pull him close. Liam grabbed the edge of her headboard with one strong arm and plunged inside her. She gasped at the exquisite sensation and tightened her legs around him. Need pulsed beneath her skin. "Move, Liam. Please. I won't break." Her body took over, hands gripping his thick biceps, hips rocking, taking him deeper. A strangled groan escaped his lips and he gripped her hip so hard she knew his fingers would leave bruises. Braced against her headboard, he pulled out and pushed in deep and hard, shoulders straining as he gave in to her demands, filling a need she didn't know had existed, taking her outside of herself, beyond control. The bed squeaked, swayed. The headboard hammered against the wall in time to the rhythm of his thrusts. Need coiled inside her, tighter and tighter, until finally she peaked. Her spine arched, her orgasm sweeping through her body in a tidal wave of pleasure, filling her with heat. Liam growled her name, corded throat tightening, muscles going rigid as he followed her into oblivion. The sound of wood splintering startled her, made her heart jump. Liam dropped down, covering her with his body as the headboard split in two and crashed down on top of them. "Oh my God." She panted beneath him. "We broke the bed. Are you okay?" Liam heaved the headboard up so she could slip out from underneath him. When she was safely away, he lifted it onto the floor and gave a satisfied growl. "Now, that was good sex.
Sara Desai (The Dating Plan (Marriage Game, #2))
The last time I saw Collin was in 1917, at the foot of Mort-Homme. Before the great slaughter, Collin’d been an avid angler. On that day, he was standing at the hole, watching maggots swarm among blow flies on two boys that we couldn’t retrieve for burial without putting our own lives at risk. And there, at the loop hole, he thought of his bamboo rods, his flies and the new reel he hadn’t even tried out yet. Collin was imaging himself on the riverbank, wine cooling in the current his stash of worms in a little metal box and a maggot on his hook, writhing like… Holy shit. Were the corpses getting to him? Collin. The poor guy didn’t even have time to sort out his thoughts. In that split second, he was turned into a slab of bloody meat. A white hot hook drilled right through him and churned through his guts, which spilled out of a hole in his belly. He was cleared out of the first aid station. The major did triage. Stomach wounds weren’t worth the trouble. There were all going to die anyway, and besides, he wasn’t equipped to deal with them. Behind the aid station, next to a pile of wood crosses, there was a heap of body parts and shapeless, oozing human debris laid out on stretchers, stirred only be passing rats and clusters of large white maggots. But on their last run, the stretcher bearers carried him out after all… Old Collin was still alive. From the aid station to the ambulance and from the ambulance to the hospital, all he could remember was his fall into that pit, with maggots swarming over the open wound he had become from head to toe… Come to think of it, where was his head? And what about his feet? In the ambulance, the bumps were so awful and the pain so intense that it would have been a relief to pass out. But he didn’t. He was still alive, writhing on his hook. They carved up old Collin good. They fixed him as best they could, but his hands and legs were gone. So much for fishing. Later, they pinned a medal on him, right there in that putrid recovery room. And later still, they explained to him about gangrene and bandages packed with larvae that feed on death tissue. He owed them his life. From one amputation and operation to the next – thirty-eight in all – the docs finally got him “back on his feet”. But by then, the war was long over.
Jacques Tardi (Goddamn This War!)
Their eyes met. For a split second she caught a glimpse of heat in his eyes. Then Jake banked the flame and broke out of her embrace. Marnie felt a hot blush rise from her toes to her nose. It took a moment for her eyes to focus and her brain to function. Bewildered, she looked up to find him watching her. His heavy-lidded eyes held a strange desperation as he reached back and unhooked the vice of her ankles from around his wiast. Her legs dropped. Her heels thumped against the cabinet. Beneath his hawklike gaze she felt stripped bare and vulnerable. He studied her face, seeming to see more than her features. He seemed to delve into her mind, to touch things deep and frightening—parts of herself Marnie was still exploring. The muscles in his jaw knotted and unknotted. After a moment he stepped back and casually, but with difficulty, adjusted his jeans Heat flooded her cheeks. Legs splayed, nipples peaked to his clinical gaze, she’d never experienced such acute embarrassment in her life. Her breath hitched as she jumped off the counter, tugging her top down and her pants up. At a loss for hers, she half laughed. “I have absolutely no idea what to say.” Which was a reasonable start, she guessed. It was rare for her to be speechless. But then, this was a day of firsts. “I told you you weren’t my type.” The brass button on his jeans closed like the clasp of a miser’s purse. Other than a faint flush on the ridge of his cheekbones and what looked like a painful erection, he seemed totally unaffected by what had just happened. She stared at him. “Not your t—What do you call what just happened?” Marnie was confused. It was out of character for her to be sexually aggressive. But now that she’d done it, she wasn’t sorry. “What part of ‘I don’t want you’ didn’t you understand?” He’d wanted her. He might lie about it, but his body had been honest. He was as hard as petrified wood. “Then what”—she pointed—“is that?” He ignored the bulge in his jeans. “Just because I have it doesn’t mean I intend to use it.” Marnie stepped forward and touched his arm. He jerked away from her as if she’d used a cattle prod. “Was it something I said?” she asked quietly, dropping her hand to her side. “Look, I have a tendency to sort of speak without running the words through my brain first. But I know I didn’t give out mixed signals just now. I wanted to make love with you. It was very good. No, darn it, it was excellent. So if you have some sort of medical condition, let’s talk about i—” He moved backward, almost tripping over Duchess sprawled on the floor. The dog rose to hover anxiously between them. Jake’s eyes turned as he said, “I do not have a medical condition.” Marnie backed up—mentally as well as physically. Her hip bumped the counter. “Good.” He scowled and swore under his breath. “That is good, isn’t it?” she asked tentatively.
Cherry Adair (Kiss and Tell (T-FLAC, #2; Wright Family, #1))
They'd eaten dinner in bed, and Lindsay had accidentally dropped an edamame bean down her towel dress, which he'd needed to fish out. With his mouth, naturally. "Ohhh," she moaned again. Was she trying to kill him? "My dick is hard enough to hammer nails," he said, gritting his teeth. 'I could be a proper handyman now." She didn't seem to hear him. She was too busy moaning as he rubbed her foot, using one of the techniques he'd discovered using Google. This would be the end of him. When she shimmied a little to adjust her position, her towel dress split apart, and fuck, it was a beautiful view. Her skin was so dewy, but her nipples were tight buds... He could be a fairly patient man at times, but this was testing his limits. "That's it," he growled. "I'll do the other foot afterward." "After...?" A moment later, he was on top of her. He slipped his hand down her body, cupping her mound as his middle finger slid inside her. She made some noises that were even better than the ones she'd made earlier, and she certainly squirmed more than she had during the foot massage. He grinned down at her. "How does that feel? Am I hitting the right spot?" "Yeah, that's a good...spot," she said in a strangled voice. He thrust a finger inside her before bending down and bringing the peak of her nipple into his mouth. She jerked beneath him. "What about that spot?" he asked, raising his head. In response, she cupped the back of his head and brought it down to her other breast. He tugged the brownish pink tip into his mouth as he continued to pleasure her between her legs. "Ryan," she moaned, raking her nails over his back. He didn't care about anything but making her feel good right now. He slid down her body and circled his tongue over her clit before feasting on her. "Is that the right spot?" Her inarticulate response was certainly gratifying, and when he looked up, she shoved his head back down. He chuckled. It didn't take long before she was coming apart, bucking against his face, twisting the sheets in her hands. He moved up her body and kissed her slowly, reverently on the lips as he fumbled for a condom. When he finally managed to roll it on, his hands shaking, he positioned his erection at her entrance and pushed inside. Sex was different with her than with other women. Not that sex had been bad for him before, and not that his partners hadn't enjoyed themselves---he always made sure of it. But. This. This was something else entirely. She ran her foot over the back of his leg, and he groaned as he pumped inside her. Her lips were parted, and he needed to kiss them. So, he did. She met him greedily, and that spurred him on. He didn't move faster; rather, he moved deeper. Filling her up, pulling back... again and again... When he stopped kissing her, he watched every little change in her expression, and then her face contorted in the loveliest way, and she cried out.
Jackie Lau (Donut Fall in Love)
Wrath…” “What,” he murmured against her, working her with his nose. “You don’t like?” “Shut up and get back to doing—” His tongue slipping under the panties cut her off…and made him have to slow himself down. She was so slick and wet and soft and willing, it was all he could do to keep himself from hauling her on the rug and going at her deep and hard. And then they’d both miss out on the fun of anticipation. Moving the cotton aside with his hand, he kissed her pink flesh, then delved in. She was oh, so ready for him, and he knew it because of the honey that he swallowed as he dragged upward in a long, slow lick. But it wasn’t enough, and holding the panties to the side was distracting. With his fang, he punctured them, then split them apart right up the middle, leaving the two halves to hang off her hips. His palms went up to her ass and squeezed hard as he quit fooling around and got busy working out his female with his mouth. He knew exactly what she liked best, the sucking and the licking and the going in with his tongue. Closing his eyes, he took it all in, the scent and the taste and the feel of her shuddering against him as she peaked and came apart. Behind the fly of his leathers, his cock was screaming for attention, the rasp of the buttons not nearly sufficient to satisfy what it was demanding, but tough shit. His erection was going to have to chill for a while, because this was too sweet to stop anytime soon. When Beth’s knees wobbled, he took her down to the floor and stretched one of her legs up, keeping to his pace while shoving her fleece to her neck and putting his hand under her bra. As she orgasmed again, she grabbed onto one of the desk legs, pulling hard and bracing her free foot into the rug. His pursuit pushed them both farther and farther beneath where he discharged his kingly duties until he had to crouch down to fit his shoulders. Eventually her head was out the other side and she was gripping the pansy-ass chair he sat in and dragging it with her. As she cried out his name once more, he prowled up her body and glared at the stupid, nancy chair. “I need something heavier to sit in.” Last coherent thing he said. His body found the entrance to hers with an ease that spoke of all the practice they’d had and…Oh, yeah, still as good as the first time. Wrapping his arms around her, he rode her hard, and she was right there with him as the storm rolling through his body gathered in his balls until they stung. Together, he and his shellan moved as one, giving, receiving, going faster and faster until he came and kept going and came again and kept going until something hit his face. In full animal mode, he growled and swiped at it with his fangs. It was the drapes. He’d managed to fuck them out from under the desk, past the chair, and over to the wall. Beth burst out laughing and so did he, and then they were cradling each other.
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
Long ago there was a little boy who lived in the wood with his father and his sister. One night, the three of them were out collecting firewood when they heard a low, delicate whimper. The father realised it was an injured animal and ordered the children to fetch water from the lake, whilst he followed the sound. Hours past but the father did not return. The children became fearful for their father’s safety and in their moment of fright, they disobeyed their father in order to find him. And find him they did. However, he was no longer the man he once was. Both his eyes were slit through their centre, oozing blood down the paleness of his face. His neck had been torn open. The entirety of his midsection was split but nothing, not one, single organ, seemed to be left within. Each limb still remained, however they had been dragged, with some exceptional force, in the opposite direction to which they were designed. The children screamed and ran, though the image of their father’s mangled corpse seemed to chase after them. They slept. Within the whisper of the wind came the sweet tune of a woman’s song. The little girl awoke to the feeling of happiness, security and motherly love that the song carried with it. She needed to find the woman it had come from. Leaving her brother, she took off into the wood to try and find the singer. The little boy quickly entered into a spit of panic when he found his sister missing. He didn’t know whether he should call out for her, look for her or wait. But waiting could mean the worst, he thought, and so he took off into the woods after her. He had searched everywhere, every dark corner and decrepit tree, before reaching the lake. The moon reflected off its black surface, which drew his attention to something bobbing within the ripples. It was a leg. When he caught sight of the foot, the boy fell to his knees. He recognised the shoe. It was his sister’s shoe; his sister’s leg. Soon enough, the other body parts came drifting to join the leg, forming a rough manifestation of what was once his sister’s living body. Firstly, there was a head facing down in the water, then arms seemingly blue under the moonlight, and lastly a torso coated in her favourite dress. He felt sick, lost, terrified to his very core. Just as thoughts of never being whole again began to pain his chest, the boy heard the snapping of a twig behind him. He dared to turn around but all he found was a small, black-furred wolf. The wolf approached him timidly, whining deep in its throat to say to the boy that he too was lonely and afraid. The boy put out his hand for the wolf to join him and they sat together. Perhaps he would be OK. Perhaps all that had happened had led to this; something new. He rustled the fur of his new friend, starting with its back then its ear before going under its snout. His hand touched something wet and sticky. He drew it from the wolf to get a better look, only to find a crimson substance now clinging to his small hands. Blood. The wolf turned on the boy as its eyes became a pale blue before thwack! He tore the boy’s face from his head…
S.R. Crawford (Bloodstained Betrayal)
A long time ago, I collected the flower petals stained with my first blood; I thought there was something significant about that, there was importance in all the little moments of experience, because when you live forever, the first times matter. The first time you bleed, first time you cry — I don’t remember that — first time you see your wings, because new things defile you, purity chips away. your purity. nestled flowers in your belly, waiting to be picked. do you want innocence back? small and young smiles that make your eyes squint and cheeks flare the feeling of your face dripping down onto the grass, the painted walls you tore down, the roads you chipped away, they’ll eat away at you, the lingering feelings of a warm hand on your waist, the taps of your feet as you dance, the beats of your timbrel.’ ‘and now you are like Gods, sparkling brilliant with jewelry that worships you, and you’re splitting in order to create.’ ‘The tosses of your wet hair, the rushes of chariots speeding past, the holy, holy, holy lord god of hosts, the sweetness of a strawberry, knocks against the window by your head, the little tunes of your pipes, the cuts sliced into your fingers by uptight cacti fruits, the brisk scent of a sea crashing into the rocks, the sweat of wrestling, onions, cumin, parsley in a metal jug, mud clinging to your skin, a friendly mouth on your cheeks and forehead, chimes, chirps of chatter in the bazaar, amen, amen, amen, the plump fish rushing to take the bread you toss, scraping of a carpenter, the hiss of chalk, the wisps of clouds cradling you as you nap, the splashes of water in a hot pool, the picnic in a meadow, the pounding of feet that are chasing you, the velvet of petals rustling you awake, a giant water lily beneath you, the innocent kiss, the sprawl of the universe reflected in your eyes for the first time, the bloody wings that shred out of your back, the apples in orchards, a basket of stained flowers, excited chants of a colosseum audience, the heat of spinning and bouncing to drums and claps, the love braided into your hair, the trickles of a piano, smell of myrrh, the scratches of a spoon in a cup, the coarseness of a carpet, the stringed instruments and trumpets, the serene smile of not knowing, the sleeping angel, the delight of a creator, the amusement of gossip and rumors, the rumbling laughter between shy singing, the tangling of legs, squash, celery, carrot, and chayote, the swirled face paint, the warmth of honey in your tea, the timid face in the mirror, mahogany beams, the embrace of a bed of flowers, the taste of a grape as its fed to you, the lip smacks of an angel as you feed him a raspberry, the first dizziness of alcohol, the cool water and scent of natron and the scratch of the rock you beat your dirty clothes against, the strain of your arms, the columns of an entrance, the high ceilings of a dark cathedral, the boiling surface of bubbling stew, the burn of stained-glass, the little joyous jump you do seeing bread rise, the silky taste of olive oil, the lap of an angel humming as he embroiders a little fox into his tunic, the softness of browned feathers lulling you to sleep, the weight of a dozen blankets and pillows on your small bed, the proud smile on the other side of a window in a newly-finished building, the myrtle trees only you two know about, the palm of god as he fashions you from threads of copper, his praises, his love, his kiss to your hair, your father.
rafael nicolás (Angels Before Man)
What is your name?” she said crossing her legs. “I am Raj Singhania, owner of Singhania group of Industries and I am on my way to sign a 1000 crore deal.” “Oh my God, Oh my God!” she said laughing and looked at Bobby from top to bottom. “What’s with this OMG thing and girls, stop saying that. I am not going to propose you anytime soon. But it’s OK. I can understand how girls feel when they meet famous dudes like me,” Bobby said smiling. “What kind of an idiot are you?” she said laughing. “Indeed, a very rare one. The one that you find after searching for millions of years,” Bobby said. “Do you always talk like this?” she said laughing. “Only to strangers on bus or whenever I get bored,” Bobby said. “OK, tell me your real name,” she said. “My name is Mogaliputta Tissa and I am here to save the world.” “Oh no not again!” she said squeezing her head with both her hands. “I know you are dying inside to kiss me,” Bobby said flashing a smile. “Why would I kiss you?” she said with a pretended sternness. “Because, you are impressed with my intelligence level and the hotness quotient, I can see that in your eyes.” “You think you are hot! Oh no! You look like that cartoon guy in 7 up commercial,” she said laughing. “Thank you. He was the coolest guy I saw on TV,” Bobby said. “OK fine, let’s calm down. Tell me your real name,” she said calmly. “I don’t remember my name,” Bobby said calmly. “What kind of idiot forgets his name?” she said staring into Bobby’s eyes. “I am suffering from multiple personality disorder and I forgot my present personality’s name. Can you help me out?” Bobby said with an innocent look on his face. “I will kill you with my hair clip. Leave me alone,” she said and closed her eyes. “You look like a Pomeranian puppy,” Bobby said looking at her hair. “Don’t talk to me,” she said. “You look very beautiful,” Bobby said. “Nice try but I am not going to open my eyes,” she said. “Your ear rings are very nice. But I think that girl in the last seat has better rings,” Bobby said. “She is not wearing any ear rings. I know because I saw her when I was getting inside. It takes just 5 seconds for a girl to know what other girls around her are wearing,” she said with her eyes still closed. “Hey, look. They are selling porn CDs at a roadside shop,” Bobby said. “I have loads of porn in my personal computer. I don’t need them,” she said. “OMG, that girl looks hotter than you,” Bobby said. “I will not open my eyes no matter what. Even if an earthquake hits the road, I will not open my eyes,” she said crossing her arms over her chest. Bobby turned back and waved his hand to the kid who was poking his mom’s ear. The kid came running and halted at Bobby’s seat. “This aunty wants to give you a chocolate if you tell her your name,” Bobby whispered to the kid and the kid perked up smiling. “Hello Aunty! Wake up, my name is Bintu. Give me my chocolate, Aunty, please!” the kid said yanking at the girl’s hand. All of a sudden, she opened her eyes and glared at the kid. “Don’t call me aunty. What would everyone think? I am a teenage girl. Go away. I don’t have anything to give you,” she said and the kid went back to his seat. “This is what happens when you mess with an intelligent person like me,” Bobby said laughing. “Shut up,” she said. “OK dude.” “I am not a dude. Stop it.” “OK sexy. Oops! OK Saxena,” “I will scream.” “OK. Where do you study?” “Why should I tell you?” “Are you suffering from split personality disorder like me?” Bobby said staring into her eyes. “Shut up. Don’t talk to me,” she said with a pout. “What the hell! I have enlightened your mind with my thoughts, told you my name and now you are acting like you don’t know me. Girls are mad.
Babu Rajendra Prasad Sarilla
Hyphen This word comes from two Greek words together meaning ‘under one’, which gets nobody anywhere and merely prompts the reflection that argument by etymology only serves the purpose of intimidating ignorant antagonists. On, then. This is one more case in which matters have not improved since Fowler’s day, since he wrote in 1926: The chaos prevailing among writers or printers or both regarding the use of hyphens is discreditable to English education … The wrong use or wrong non-use of hyphens makes the words, if strictly interpreted, mean something different from what the writers intended. It is no adequate answer to such criticisms to say that actual misunderstanding is unlikely; to have to depend on one’s employer’s readiness to take the will for the deed is surely a humiliation that no decent craftsman should be willing to put up with. And so say all of us who may be reading this book. The references there to ‘printers’ needs updating to something like ‘editors’, meaning those who declare copy fit to print. Such people now often get it wrong by preserving in midcolumn a hyphen originally put at the end of a line to signal a word-break: inter-fere, say, is acceptable split between lines but not as part of a single line. This mistake is comparatively rare and seldom causes confusion; even so, time spent wondering whether an exactor may not be an ex-actor is time avoidably wasted. The hyphen is properly and necessarily used to join the halves of a two-word adjectival phrase, as in fair-haired children, last-ditch resistance, falling-down drunk, over-familiar reference. Breaches of this rule are rare and not troublesome. Hyphens are also required when a phrase of more than two words is used adjectivally, as in middle-of-the-road policy, too-good-to-be-true story, no-holds-barred contest. No hard-and-fast rule can be devised that lays down when a two-word phrase is to be hyphenated and when the two words are to be run into one, though there will be a rough consensus that, for example, book-plate and bookseller are each properly set out and that bookplate and book-seller might seem respectively new-fangled and fussy. A hyphen is not required when a normal adverb (i.e. one ending in -ly) plus an adjective or other modifier are used in an adjectival role, as in Jack’s equally detestable brother, a beautifully kept garden, her abnormally sensitive hearing. A hyphen is required, however, when the adverb lacks a final -ly, like well, ill, seldom, altogether or one of those words like tight and slow that double as adjectives. To avoid ambiguity here we must write a well-kept garden, an ill-considered objection, a tight-fisted policy. The commonest fault in the use of the hyphen, and the hardest to eradicate, is found when an adjectival phrase is used predicatively. So a gent may write of a hard-to-conquer mountain peak but not of a mountain peak that remains hard-to-conquer, an often-proposed solution but not of one that is often-proposed. For some reason this fault is especially common when numbers, including fractions, are concerned, and we read every other day of criminals being imprisoned for two-and-a-half years, a woman becoming a mother-of-three and even of some unfortunate being stabbed six-times. And the Tories have been in power for a decade-and-a-half. Finally, there seems no end to the list of common phrases that some berk will bung a superfluous hyphen into the middle of: artificial-leg, daily-help, false-teeth, taxi-firm, martial-law, rainy-day, airport-lounge, first-wicket, piano-concerto, lung-cancer, cavalry-regiment, overseas-service. I hope I need not add that of course one none the less writes of a false-teeth problem, a first-wicket stand, etc. The only guide is: omit the hyphen whenever possible, so avoid not only mechanically propelled vehicle users (a beauty from MEU) but also a man eating tiger. And no one is right and no-one is wrong.
Kingsley Amis (The King's English: A Guide to Modern Usage)
THE FIRST TIME she left the house with her sleeping son in her arms, still unsteady on her legs, gripping the railing tightly, she surveyed the yard, astonished. It was at once familiar and strange. Something was different, though she could not immediately put her finger on it. The morning sun beamed through the bushes. The leaves of the banana plants seemed greener, their fruit larger and yellower. The hibiscus and the bougainvillea had never looked so beautiful. A warm breeze caressed her skin. Maung Sein was perched on a log below her, chopping kindling. Stroke by stroke he would split branches as thick as a fist. The uniformity of his movements radiated something infinitely reassuring. Nu Nu looked at Ko Gyi in her arms. He had her nose. Her mouth. Her cinnamon skin. She cautiously took one of his little hands. It was warm. And would always remain so. Suddenly he opened one blinking eye, and then quickly the other. He had her eyes, too, without a doubt. Ko Gyi regarded his mother earnestly, intently. She smiled. His deep brown eyes did not move. They looked for a long time at each other. Then a quiet smile drifted across his face. No one had ever smiled at her that
Jan-Philipp Sendker (A Well-Tempered Heart)
His leg split like a piece of lumber being hit with an awl.
Andrew Cormier (Shamblers: the zombie apocalypse)
he wrote of humans originally having four arms, four legs, and a single head made up of two faces.” I stared awkwardly at him. “But, in fear of their power, Zeus split them all in half, condemning them to a life of searching for their other half...
Anonymous
It amazed Forrest that so many men seemed to wake up in the morning needing some kind of beating or another, men saying and doing fantastic things for the sake of getting another man to smash his face. Perhaps it was the aftermath, the burning humiliation of it they sought, when the aching morning came and they rolled over in the dirt and felt their mouth for teeth or lightly touched the split ear, the face in the rearview mirror swollen and crusted with blood. Forrest figured if these men wanted it he might as well give it to them. Either way he would push him off into the ditch and break his legs and if the man died then it was his own fault.
Matt Bondurant (The Wettest County in the World: A Novel Based on a True Story)
He registered the empty room a split second before she dropped on him from the storage shelf above the bathroom door, nearly knocking him off his feet. "Hey. Stop that." He tried to twist to get hold of her, but his temple caught her sharp elbow and he saw stars. He staggered toward the bed and flipped her down at last, but she managed to hook her leg behind his neck and he ended up on the boom somehow, with her sittinbg on his chest. Her wild, shoulder-length waves framed cheeks pink from effort, her chest heaving as she leaned forward to pin his hands next to his head on each side. She ended up with her fine breasts inches from his lips. He could have subdued her in two moves, but he liked her on top of him.
Dana Marton (Guardian Agent (Agents Under Fire #1))
An axe delivers a huge amount of force to a small area of strong, very sharp metal. It is a weapon for attack rather than defence, and good at cleaving through armour. It can break enemy shields and kill a charging horse. Since they require intense training, the users are mostly highly skilled elite soldiers, often aristocrats, e.g. the Saxon huscarls. Type of fight scene: gritty, brutal, battles, attack, historical fiction, fantasy fiction, cutting through armour Typical user: tall brawny male with broad shoulders and bulging biceps, courageous, elite soldier, Viking, Saxon Mostly used in: European Dark Ages to Middle Ages Main action: cleave, hack, chop, cut, split Main motion: downwards Typical injury: severed large limbs, split skulls, cleaved torsos Strategy for lethal fight: severe the arm which holds the sword or the shield, or cleave torso from top to bottom, or cut off a leg then split the skull Disadvantages: big and heavy Watch battle axes in action Here are three connected videos about Viking and Saxon warriors with axes:
Rayne Hall (Writing Fight Scenes: Professional Techniques for Fiction Authors (Writer's Craft Book 1))
read a story from Plato, who claimed that in the ancient times, all humans had been a combination of male and female. Each person had two heads, four arms, four legs. Supposedly, these combo-humans had been so powerful they made the gods uneasy, so Zeus split them in half—man and woman. Ever since, humans had felt incomplete. They spent their lives searching for their other halves.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
Plato wrote that the gods were jealous of man’s powers after the days of creation, that we had four arms and four legs and two heads, and were full of love and intelligence and grit, so they split us in half and threw our halves all around the earth. The point of life, then, is to find your other half and become whole again. The tragedy of life is if you find them and don’t hold on.” I
Victor Methos (An Invisible Client)
She looks up at me, a soft smile on her lips as she sees me in the mirror. I walk up behind her and put my arms around her, resting my chin on her shoulder. “I’m sorry I made you cry,” I say. She shakes her head and talks to me in the mirror. “No one has ever done anything like that for me before,” she says. Her eyes fill up with tears again, and I’m sorry that I came out of the stall. I’ll go back in there if she’ll stop crying, but I’m not leaving her. I can see that now. I’m not leaving her, no matter what. “The lock?” I ask. She’s leaning back against me, and she wraps her arms over mine. She nods. She wipes her eyes with a paper towel, swiping the black makeup from under her eyes. Her face is splotchy, but she’s never looked more beautiful. For that one split-second, she isn’t hiding anything from me. “The minute I saw the tattoo I knew it needed to be changed. I’m sorry if I defiled your art.” She could take exception to my change, but I have a feeling she doesn’t. “It’s perfect,” she says. She lifts my arm from around her waist and looks down at it. “It’s perfect,” she repeats, sniffling. “I don’t know how to tell you what I’m feeling.” I’m the one with the hearing impairment, and she can’t tell me something? I laugh and lift her hair from her neck and press my lips there. “You don’t have to say anything,” I tell her. She turns around and cups my face in her palm, her hand stroking across my five-o’clock shadow. I take her hands in mine and lift them to my lips, kissing them one by one. Then I look into her eyes and open my mouth to ask her the one question I need to know the answer to. “What’s your name?” I ask. She freezes. It’s like there’s suddenly a wall between us, and I haven’t even let her go. “No,” she says. I feel like she’s kicked me in the gut. I let her go and take a step back. “Why not?” I ask. “I just can’t,” she says. I nod and let myself out of the bathroom. My legs are shaking. The waitress shoots me a glance as I walk back to the table. I sit down. Kit’s still in the bathroom, and I can’t help but wonder if she’s ever going to come out. Her guitar is still under the table. So, she has to come back, right?
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
You’ve gotta believe that the split second that changed your life—the brief moment that took your leg and bruised your melon—can’t be the defining moment of your life. It was just an instant, a flash. Just one second out of millions of seconds. It doesn’t get to own you.
Jennifer Handford (The Light of Hidden Flowers)