Leg Plaster Quotes

We've searched our database for all the quotes and captions related to Leg Plaster. Here they are! All 35 of them:

Then you shoot me,' I say furiously, shoving the weapons back at him. 'You shoot me and go home and live with it!' And as I say it, I know death right here, right now would be the easier of the two 'You know I can't,' Peeta says, discarding the weapons. 'Fine, I'll go first anyways.' He leans down and rips the bandage off his leg, eliminating the final barrier between his blood and the earth. 'No, you can't kill yourself,' I say. I'm on my knees desperately plastering the bandage back onto his wound. 'Katniss,' he says. 'It's what I want.' 'You're not leaving me here alone,' I say. Because if he dies, I'll never go home, not really. I'll spend the rest of my life in this arena trying to think my way out.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I am the cockroach, I am my leg, I am my hair, I am the section of brightest light on the wall plaster—I am every Hellish piece of myself—life is so pervasive in me that if they divide me in pieces like a lizard, the pieces will keep on shaking and writhing. I am the silence etched on a wall, and the most ancient butterfly flutters in and looks at me: just the same as always. From birth to death is what I call human in myself, and I shall never actually die. But this is not eternity, it is condemnation. How opulent this silence is. It is the accumulation of centuries. It is the silence of the cockroach looking. The world looks at itself in me. Everything looks at everything, everything experiences the other; in this desert things know things.
Clarice Lispector (The Passion According to G.H.)
New Rule: Not everything in America has to make a profit. If conservatives get to call universal health care "socialized medicine," I get to call private, for-profit health care "soulless vampire bastards making money off human pain." Now, I know what you're thinking: "But, Bill, the profit motive is what sustains capitalism." Yes, and our sex drive is what sustains the human species, but we don't try to fuck everything. It wasn't that long ago when a kid in America broke his leg, his parents took him to the local Catholic hospital, the nun stuck a thermometer in his ass, the doctor slapped some plaster on his ankle, and you were done. The bill was $1.50; plus, you got to keep the thermometer. But like everything else that's good and noble in life, some bean counter decided that hospitals could be big business, so now they're not hospitals anymore; they're Jiffy Lubes with bedpans. The more people who get sick, and stay sick, the higher their profit margins, which is why they're always pushing the Jell-O. Did you know that the United States is ranked fiftieth in the world in life expectancy? And the forty-nine loser countries were they live longer than us? Oh, it's hardly worth it, they may live longer, but they live shackled to the tyranny of nonprofit health care. Here in America, you're not coughing up blood, little Bobby, you're coughing up freedom. The problem with President Obama's health-care plan isn't socialism. It's capitalism. When did the profit motive become the only reason to do anything? When did that become the new patriotism? Ask not what you could do for your country, ask what's in it for Blue Cross Blue Shield. And it's not just medicine--prisons also used to be a nonprofit business, and for good reason--who the hell wants to own a prison? By definition, you're going to have trouble with the tenants. It's not a coincidence that we outsourced running prisons to private corporations and then the number of prisoners in America skyrocketed. There used to be some things we just didn't do for money. Did you know, for example, there was a time when being called a "war profiteer" was a bad thing? FDR said he didn't want World War II to create one millionaire, but I'm guessing Iraq has made more than a few executives at Halliburton into millionaires. Halliburton sold soldiers soda for $7.50 a can. They were honoring 9/11 by charging like 7-Eleven. Which is wrong. We're Americans; we don't fight wars for money. We fight them for oil. And my final example of the profit motive screwing something up that used to be good when it was nonprofit: TV news. I heard all the news anchors this week talk about how much better the news coverage was back in Cronkite's day. And I thought, "Gee, if only you were in a position to do something about it.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
The maltster, after having lain down in his clothes for a few hours, was now sitting beside a three-legged table, breakfasting off bread and bacon. This was eaten on the plateless system, which is performed by placing a slice of bread upon the table, the meat flat upon the bread, a mustard plaster upon the meat, and a pinch of salt upon the whole, then cutting them vertically downwards with a large pocket-knife till wood is reached, when the severed lump is impaled on the knife, elevated, and sent the proper way of food.
Thomas Hardy (Far from the Madding Crowd)
After all, Betty was ill and she was her sister, and she wouldn't be able to shave her legs for weeks because of the plaster.
Eva Ibbotson (Island of the Aunts)
His agility surprised Phoebe Ash. She saw the plaster cast on his right leg. Funny messages in ink—“Go break the left one, tiger!”—had been written on the off-white plaster.
Ed Lynskey (The Quetzal Motel)
Call me Ishmael. Some years ago--never mind how long precisely--having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me. There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs--commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there. Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?--Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster--tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here? But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand--miles of them--leagues. Inlanders all, they come from lanes and alleys, streets and avenues--north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither? Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries--stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
Herman Melville (Moby-Dick or, The Whale)
Summer’s closet is clearly a magical portal. She entered it wearing Lululemon pants, wool socks, and one of my hockey hoodies. She exits it looking like a goddess. A slinky silver dress is plastered to her body, hugging every tantalizing curve. A slit goes up to her thigh, revealing one long, tanned leg, and her silver stilettos add about another four inches to her already tall frame. Her golden hair is up in an elegant twist held together by an ornate clip that sparkles under the light fixture overhead. It takes me a moment to realize that her hairclip is sparkling because it’s encrusted with diamonds. Summer notes my expression. Her makeup is subtle except for her bright red lips, which curve into a smile. It’s really fucking hot.
Elle Kennedy (The Chase (Briar U, #1))
Our ghoulish mission was to search for bodies. It was rich hunting that day and the many thereafter. We started on a small scale—here a leg, there an arm, and an occasional baby—but struck a mother lode before noon. We cut our way through a basement wall to discover a reeking hash of over one hundred human beings. Flame must have swept through before the building’s collapse sealed the exits, because the flesh of those within resembled the texture of prunes. Our job, it was explained, was to wade into the shambles and bring forth the remains. Encouraged by cuffing and guttural abuse, wade in we did. We did exactly that, for the floor was covered with an unsavory broth from burst water mains and viscera. A number of victims, not killed outright, had attempted to escape through a narrow emergency exit. At any rate, there were several bodies packed tightly into the passageway. Their leader had made it halfway up the steps before he was buried up to his neck in falling brick and plaster. He was about fifteen, I think.
Kurt Vonnegut Jr. (Armageddon in Retrospect)
She didn’t have a crown. Her head was bowed, her face in shadow, her hands held out open at the sides. Around her feet were the stubs of candles, and all over her black dress were pinned what I thought at first were stars, but which were instead little brass or tin arms, legs, hands, sheep, donkeys, chickens, and hearts. I could see what these were for: she was a Virgin of lost things, one who restored what was lost. She was the only one of these wood or marble or plaster Virgins who had ever seemed at all real to me.
Margaret Atwood (Cat's Eye)
What did I do now?” He reluctantly pulled the car the curb. I needed to get out of this car – like now. I couldn’t breathe. I unbuckled and flung open the door. “Thanks for the ride. Bye.” I slammed the door shut and began down the sidewalk. Behind me, I heard the engine turn off and his door open and shut. I quickened my stride as James jogged up to me. I slowed down knowing I couldn’t escape his long legs anyway. Plus, I didn’t want to get home all sweaty and have to explain myself. “What happened?” James asked, matching my pace. “Leave me alone!” I snapped back. I felt his hand grab my elbow, halting me easily. “Stop,” he ordered. Damn it, he’s strong! “What are you pissed about now?” He towered over me. I was trapped in front of him, if he tugged a bit, I’d be in his embrace. “It’s so funny huh? I’m that bad? I’m a clown, I’m so funny!” I jerked my arm, trying to break free of his grip. “Let me go!” “No!” He squeezed tighter, pulling me closer. “Leave me alone!” I spit the words like venom, pulling my arm with all my might. “What’s your problem?” James demanded loudly. His hand tightened on my arm with each attempt to pull away. My energy was dwindling and I was mentally exhausted. I stopped jerking my arm back, deciding it was pointless because he was too strong; there was no way I could pull my arm back without first kneeing him in the balls. We were alone, standing in the dark of night in a neighborhood that didn’t see much traffic. “Fireball?” he murmured softly. “What?” I replied quietly, defeated. Hesitantly, he asked, “Did I say something to make you sad?” I wasn’t going to mention the boyfriend thing; there was no way. “Yes,” I whimpered. That’s just great, way to sound strong there, now he’ll have no reason not to pity you! “I’m sorry,” came his quiet reply. Well maybe ‘I’m sorry’ just isn’t good enough. The damage is already done! “Whatever.” “What can I do to make it all better?” “There’s nothing you could–” I began but was interrupted by him pulling me against his body. His arms encircled my waist, holding me tight. My arms instinctively bent upwards, hands firmly planted against his solid chest. Any resentment I had swiftly melted away as something brand new took its place: pleasure. Jesus! “What do you think you’re doing?” I asked him softly; his face was only a few inches from mine. “What do you think you’re doing?” James asked back, looking down at my hands on his chest. I slowly slid my arms up around his neck. I can’t believe I just did that! “That’s better.” Our bodies were plastered against one another; I felt a new kind of nervousness touch every single inch of my body, it prickled electrically. “James,” I murmured softly. “Fireball,” he whispered back. “What do you think you’re doing?” I repeated; my brain felt frozen. My heart had stopped beating a mile a minute instead issuing slow, heavy beats. James uncurled one of his arms from my waist and trailed it along my back to the base of my neck, holding it firmly yet delicately. Blood rushed to the very spot he was holding, heat filled my eyes as I stared at him. “What are you doing?” My bewilderment was audible in the hush. I wasn’t sure I had the capacity to speak anymore. That function had fled along with the bitch. Her replacement was a delicate flower that yearned to be touched and taken care of. I felt his hand shift on my neck, ever so slightly, causing my head to tilt up to him. Slowly, inch by inch, his face descended on mine, stopping just a breath away from my trembling lips. I wanted it. Badly. My lips parted a fraction, letting a thread of air escape. “Can I?” His breath was warm on my lips. Fuck it! “Yeah,” I whispered back. He closed the distance until his lush lips covered mine. My first kiss…damn! His lips moved softly over mine. I felt his grip on my neck squeeze as his lips pressed deeper into
Sarah Tork (Young Annabelle (Y.A #1))
His booted feet pounded out an insane, frantic rhythm underneath him as he raced into the cavern across from Baba Yaga’s den at a dead sprint. Pieces of dragon dung flew off him and hit the ground behind him in miniature chunks. He didn’t dare look behind him to see if the dragon had risen from the ground yet, but the deafening hiss that assaulted his ears meant she’d woken up. Icy claws of fear squeezed his heart with every breath as he ran, relying on the night vision goggles, the glimpse he’d gotten of the map, and his own instincts to figure out where to go. Jack raced around one corner too sharply and slipped on a piece of dung, crashing hard on his right side. He gasped as it knocked the wind out of him and gritted his teeth, his mind screaming at him to get up and run, run, run. He pushed onto his knees, nursing what felt like bruised ribs and a sprained wrist, and then paled as an unmistakable sensation traveled up the arm he’d used to push himself up. Impact tremors. Boom. Boom. Boom, boom, boom. Baba Yaga was coming. Baba Yaga was hunting him. Jack forced himself up onto his feet again, stumbling backwards and fumbling for the tracker. He got it switched on to see an ominous blob approaching from the right. He’d gotten a good lead on her—maybe a few hundred yards—but he had no way of knowing if he’d eventually run into a dead end. He couldn’t hide down here forever. He needed to get topside to join the others so they could take her down. Jack blocked out the rising crescendo of Baba Yaga’s hissing and pictured the map again. A mile up to the right had a man-made exit that spilled back up to the forest. The only problem was that it was a long passage. If Baba Yaga followed, there was a good chance she could catch up and roast him like a marshmallow. He could try to lose her in the twists and turns of the cave system, but there was a good chance he’d get lost, and Baba Yaga’s superior senses meant it would only be a matter of time before she found him. It came back to the most basic survival tactics: run or hide. Jack switched off the tracker and stuck it in his pocket, his voice ragged and shaking, but solid. “You aren’t about to die in this forest, Jackson. Move your ass.” He barreled forward into the passageway to the right in the wake of Baba Yaga’s ominous, bubbling warning, barely suppressing a groan as a spike of pain lanced through his chest from his bruised ribs. The adrenaline would only hold for so long. He could make it about halfway there before it ran out. Cold sweat plastered the mask to his face and ran down into his eyes. The tunnel stretched onward forever before him. No sunlight in sight. Had he been wrong? Jack ripped off the hood and cold air slapped his face, making his eyes water. He held his hands out to make sure he wouldn’t bounce off one of the cavern walls and squinted up ahead as he turned the corner into the straightaway. There, faintly, he could see the pale glow of the exit. Gasping for air, he collapsed against one wall and tried to catch his breath before the final marathon. He had to have put some amount of distance between himself and the dragon by now. “Who knows?” Jack panted. “Maybe she got annoyed and turned around.” An earth-shattering roar rocked the very walls of the cavern. Jack paled. Boom, boom, boom, boom! Boom, boom, boom, boomboomboomboom— Mother of God. The dragon had broken into a run. Jack shoved himself away from the wall, lowered his head, and ran as fast as his legs would carry him.
Kyoko M. (Of Blood & Ashes (Of Cinder & Bone, #2))
Willow gazed up at him, her silly grin still in place. "You know wha'? You're kinda cute when you crook your eyebrows down like tha'." Rider muttered a curse, lifted her off the floor, and tossed her over his shoulder. "Juan, you and Hicks help Mrs. Brigham to her room. I'll take care of this little hellion." Willow lifted her head from where she dangled over Rider's shoulder. "See yuh later, Mrs. B." Miriam smiled and waved. "i think Mrs. B is pickled," Rider's passenger said in a loud whisper as he hauled her out the door. "No thanks to you,hellion," he growled, and smacked her bottom. "Ow!" As he carried Willow into the house, Rider was hard pressed to quell a sudden urge to laugh. In her bedroom, he unceremoniously dumped her on her bed, but when he turned to leave, her pitiful sounding voice halted his exit. "Rider,come here a min-it." "Oh,hell, I suppose you're going to be sick." Grabbing a basin off her dresser, he shoved it under her chin. "It serves you right, you know." He watched nervously as she knocked the bowl aside. "Dun...don't be mad." She held her arms out to him. "Come closer. Gimme a kiss and we'll make up. I like your kisses so-o-o-o much." This time Rider couldn't stall his grin and inadvertently leaned closer. She was on him like a duck on a June bug. With two hearty handfuls of his shirt, she yanked him down on top of her and plastered her mouth against his. Talking against his lips, the tipsy girl had the audacity to complain, "Not like this. Do it like before. You know, with your tongue." Rider squeezed his eyes shut and groaned. This isn't fair, he bemoaned silently. He tried to rise but Willow held tight, squirming her voluptuous little body against his. Sweat broke out on his forehead. If he didn't put a stop to this soon...He lifted his mouth from hers. "If I promise to kiss you with my tongue, will you let go of me and go to sleep?" "Uh-huh." Willow's eyes drooped, but the affect appeared more seductive than drunken. Lifting her shoulders slightly off the bed, he wound his arms around her and covered her mouth with his. His tongue explored hers in a long, liquid kiss, tasting of wine and desire. Rider savored its promise, wishing just this once, he could be less a gentleman. Willow wrapped one of her legs over his and shifted her hips, innocently aligning his swelling heat with hers. He started and bolted off the bed. "Holy hell! You did it again!" "What?" Her voice was sluggish and sleepy now. Disgusted with himself, Rider stomped to the door. "Sleep it off, Freckles." Outside Willow's door, Rider slumped against the wall and shook his head. Willow Vaughn was a constant surprise, and he loved the girl so bad it hurt.
Charlotte McPherren (Song of the Willow)
Marilee lay perfectly still,waiting for her world to settle.She had to fight the unreasonable urge to weep. Wyatt's face was pressed to the hollow of her throat,his breathing rough, his damp body plastered to hers. He nuzzled her neck. "Am I too heavy?" "Umm." It was all she could manage. "You all right?" "Umm." "Did anybody ever tell you that you talk too much?" "Umm." He brushed his mouth over hers. "If you hum a bit more,I might be able to name that tune." That broke the spell of tears that had been threatening and caused her to laugh. She wrapped her arms around his neck and kissed him back. "Have I told you how much I like your silly sense of humor?" "No,you haven't." He rolled to his side and gathered her into his arms,nuzzling her cheek,while his big hands moved over her hip,her back,her waist, as though measuring every inch of her. "What else do you like about me?" "You fishing for compliments?" "Of course I am." "Glutton. Your sense of humor isn't enough?" "Not nearly enough.How about my looks?" "They're okay,for a footloose rebel." "Stop.All these mushy remarks will inflate my ego." He gave a mock frown. "How about the way I kiss?" "You're not bad." "Not bad?" His hands stopped their movement. He drew a little away. "That's all you can say?" "If you recall,tonight was the first time we've kissed.I haven't had nearly enough practice to be a really good judge of your talent." "Then we'd better take care of that right now." He framed her face. With his eyes steady on hers, he lowered his mouth to claim her lips. Marilee's eyelids fluttered and she felt an explosion of color behind them. As though the moon and stars had collided while she rocketed through space. It was the most amazing sensation, and, as his lips continued moving over hers,she found herself wishing it could go on forever. When at last they came up for air, she took in a long,deep breath before opening her eyes. "Oh,yes,rebel.I have to say,I do like the way you kiss." "That's good,because I intend to do a whole lot more of it." He lay back in the grass,one hand beneath his head. "Now it's my turn.Want to know all the things I like about you?" "I'm afraid to hear it." Marilee lay on her side,her hand splayed across his chest. "Besides your freckles,which I've already mentioned,the thing about you I like best is your take-charge attitude." She chuckled. "A lot of guys feel intimidated by that." "They're idiots.Don't they know there's something sexy about a woman who knows what to do and how to do it? I've watched you as a medic and as a pilot, and I haven't decided which one turns me on more." "Really?" She sat up. "Want me to fetch my first-aid kit from the plane? I could always splint your arm or leg and really turn you on." He dragged her down into his arms and growled against her mouth, "You don't need to do a single thing to turn me on. All I need to do is look at you and I want you." "You mean now? Again? So soon?" "Oh,yeah." "Liar.I don't believe it's possible." "You ought to know by now that I never say anything I can't back up with action." "Prove it,rebel." "My pleasure." There was a wicked smile on his lips as he rolled over her and began to kiss her breathless,all the while taking her on a slow,delicious ride to paradise.
R.C. Ryan (Montana Destiny)
To her astonishment, he did not bear her to the floor, but lifted her in his arms instead, so that her legs wrapped around his waist. He held her weight easily, bracing her against the wall for balance, one arm protecting her from the roughness of the plaster. Her eyes widened as she felt the hard, blunt shape of his sex nudging, probing, sliding easily inside her. She was filled, impaled, her body open and helpless against the heavy intrusion. Gasping in pleasure, she clutched at the backs of his shoulders, her fingers clinging into the soft wool of his coat. It felt strangely erotic to be clasped against his fully clothed body, her bare skin tingling from the abrasion of fabric. Hungering for a taste of his skin, she tugged at his black stock and buried her mouth against the damp side of his neck. "Do you love me?" he smattered, deliberately allowing her weight to press downward, forcing her even harder onto his stiff erection. "Yes... oh, Grant..." She arched and cried out as pleasure crested inside her, spreading through her in deep, rolling waves. "Tell me," he said harshly, moving in deeper, slower thrusts that drove straight into the core of her body. She writhed, her legs flexing as she felt the ebbing sensation build again. "I love you," she gasped. "Love you... love you..." The words sent him over the dizzying edge of rapture, and he drove inside her with a groan, all his senses dissolving in blissful release.
Lisa Kleypas (Someone to Watch Over Me (Bow Street Runners, #1))
Inching into the room, it’s clear something is wrong here. There’s a tingling sensation up my legs and back before I can even really focus on the parlor’s details. There are silhouettes of people, but I can see through them. It’s like shadows were cast and left behind to do as they please. Lost in the surreal sight of them for a moment, I inch further into the room without noticing that some were now moving behind me. There is no warning. I’m suddenly in the air, and moving backward rapidly toward the wall. It’s almost a full second before my body registers the actual pain of the blow my stomach just took. Being hit by a car doesn't even compare to this, and I didn't even see it coming. “For a shadow, you hit like a sledgehammer!” The words barely escape before something else slams into the base of my skull embedding most of my upper body in the wall and all but removing my head. These things are like Lucy; the disembodied dead who haven’t moved on. I've never met others that can actually touch things physically, they must be fairly potent. I pull my face out of the hole it had been planted in, letting plaster dust fall, coating my chest and legs like snow. Looking around quickly I try to gauge my surroundings. I can’t see them, but I know they’re there. Is one easy night, without a huge dry-cleaning bill, too much to ask for these days? I only have time to dwell on it a moment before my head is bouncing off the hardwood floor; once, twice, and then a third time in quick succession. Now ‘pick splinters out of my forehead’ can be added to my Saturday night to-do list. Damn it, this is not going as planned.
Dennis Sharpe (Blood & Spirits (The Coming Storm, #1))
But nothing has ever expressed the general, gut-felt moral revulsion against city-bombing better than a virtually unknown article, from firsthand experience, by America’s most famous writer at the time, Ernest Hemingway, in July 1938. It’s still little known because he wrote it, by request, for the Soviet newspaper Pravda, which published it in Russian; his manuscript in English didn’t surface143 for forty-four years. It conveys in words the same surreal images that Picasso had rendered on canvas the year before. His lead sentence: “During the last fifteen months I saw murder done in Spain by the Fascist invaders. Murder is different from war.” Hemingway was describing what he had seen of fascist bombing of workers’ housing in Barcelona and shelling of civilian cinemagoers in Madrid. You see the murdered children with their twisted legs, their arms that bend in wrong directions, and their plaster powdered faces. You see the women, sometimes unmarked when they die from concussion, their faces grey, green matter running out of their mouths from bursted gall bladders. You see them sometimes looking like bloodied bundles of rags. You see them sometimes blown capriciously into fragments as an insane butcher might sever a carcass. And you hate the Italian and German murderers who do this as you hate no other people. … When they shell the cinema crowds, concentrating on the squares where the people will be coming out at six o’clock, it is murder. … You see a shell hit a queue of women standing in line to buy soap. There are only four women killed but a part of one woman’s torso is driven against a stone wall so that blood is driven into the stone with such force that sandblasting later fails to clean it. The other dead lie like scattered black bundles and the wounded are moaning or screaming.
Daniel Ellsberg (The Doomsday Machine: Confessions of a Nuclear War Planner)
Splatters of mud stained Rothbury's fine lawn shirt, which clung slickly to the broad expanse of his back like a second skin. Having rolled up his sleeves at the onset of his task, his muscled arms were now streaked with mud and rain as were the tall boots and tight black breeches that hugged the sinewy muscles of his long, undoubtedly strong legs. Her admiring gaze alighted upon his golden-brown hair, which now looked more brown than golden as it was wet with perspiration and mist. A few locks lay plastered to his neck in wispy whorls. Charlotte suddenly felt overly warm. Seeing him... wet... somehow embarrassed her. It felt dark, intimate. Truly, if it weren't for the mud- and clothes- she rather thought this would be what he looked like after a bath. A shiver ran down her arms as her eyes drifted to the dewy trails of rain droplets that ran over his slightly bristled jaw and neck, disappearing in the nest of his loosely tied cravat. And then her hungry gaze raised... and connected with Rothbury's. All thoughts flew straight out of her head. Looking at her from over his shoulder, he straightened, his smile twisting with arrogance. Despite the chill in the air, her cheeks felt as if they were on fire. How long had he been watching her in-depth perusal? Long enough, she supposed, if the heated gleam in his eyes was any indication at all. She blinked, shaking her head hurriedly, hoping by that action she was silently telling him, "No, I definitely was not looking at you." He answered her gesture by nodding slowly, telling her he knew exactly what she had been doing and that he had caught her in the act. She gave her head another insistent shake. Still looking at her from over his shoulder, he sauntered back to the carriage, his smile broadening. He lifted his shoulder as if to say, "I don't care. Look all you want." She shook her head again, tightly. He winked. She gulped. And then he set back to work with the other men to free the carriage.
Olivia Parker (To Wed a Wicked Earl (Devine & Friends, #2))
Grigory wraps plaster of Paris around its pelvis, dipping the swatches in the bowl of water before he does so, then has Artyom help him fold the dog’s legs into its body, so it can drag itself along while it recovers. They both take pleasure in their actions: healing something that contains no mystery; a broken bone that will be fixed, that is definable, a medical problem that has a resolution.
Darragh McKeon (All That Is Solid Melts Into Air)
Is there a problem? I mean, I wasn't expecting you, or anyone, tonight." Drew held out a hand to help her from the car, snatching it back when she got out on her own. "There is a problem." "What?" He tensed. "Did M.J. come back? Is he giving you trouble?" "I can handle my brother." Tyler moved closer. Drew stepped back, his eyes suddenly wary. Sighing she grabbed the front of his t-shirt, the fingers of her other hand threading through his thick, dark hair. Soft. She remembered the feel like it was yesterday. Her hope had been that he would as eager as she was. The attraction was still there, it was time to do something about it. Apparently he wasn't going to make this easy. So she did what she had all those years ago when he wouldn't make the first move—she kissed him first. Prime rib to a starving man. Ten years without even a taste, Drew couldn't help but devour her. The kiss was primal, out of control. Mouths seeking the angle after angle, tongues duelings. And the way Tyler tasted. Sweet and spicy and utterly delicious. In his dreams, he imagined this differently. Slower. He would show her how a man kissed as opposed to the boy he had been. One touch of her lips on his and all those grand plans flew out the window along with any common sense he ever possessed. Tyler was in his arms. Familiar yet new. He needed her and he was never letting go. Drew's hands went under the hem of her shirt slowly sliding up her smooth, hot skin. He could feel the erotic combination of vulnerability and strength in the subtle muscles of her back. She had filled out, they both had. He wanted to spend days discovering all the differences then start all over again, just in case he missed something the first time. The kiss was neverending though the desperation, instead of lessening, scaled higher. He could lift her into his arms, carry her into the house, rip every scrap of clothing from her delicious body and fuck for hours. Fuck. Well, fuck. The word wasn't exactly a bucket of cold water, the desperate heat running through his veins needed more than that. But it did lift the haze. If he didn't stop this right now, there would be no turning back. "Tyler." The word sounded foreign, all guttural. His voice was hoarse with passion and his body was calling every swear word known to man. Why are you stopping? Beautiful woman. Willing. Her hands all over you. Right now she was reaching between his legs. The first caress was almost his undoing. It felt so good, so right. No could touch him like Tyler. The sexual haze enveloped him again. Don't fight it, his body urged. Feel her lips on your jaw, your neck. God. Her teeth biting your earlobe. That alone brought him close to going over the top. Damn his good intentions. Talking was way overrated. Pulling her in until their bodies were flush and he could feel every long, luscious inch of her—plastered against him. Drew was going in for another kiss when her words did what his own reasoning couldn't. It wasn't a bucket of cold water, it was a fire hose—turned on full blast. "Fuck me, Drew. Right here, up against my car. Let's get this thing done, once and for all.
Mary J. Williams (If You Only Knew (Harper Falls #3))
Breaking the surface, he gulped in a breath, released his hold on the hair, and taking a firm grip on the man’s arm, tried to tow him to shore. Unfortunately, the man didn’t seem to be receptive to that idea and immediately began fighting him, which had Bram tightening his grip. “Stop . . . trying . . . to drown me,” he heard the man rasp in an unexpectedly high voice between bobs of his head lifting and sinking through the water. “I’m trying to save you.” “Is that what you call this?” Intending to reassure the obviously distressed and certainly panicked man, Bram opened his mouth, but soon found himself incapable of speech, a direct result of suddenly finding himself underneath the water. Taken completely by surprise by the idea the man had dunked him, he dodged the man’s kicking legs, as well as a few dog paws, and sputtered his way back to the surface, discovering as he did so that the man he’d thought was drowning was swimming his way quite competently to shore. Striking out after him with his dogs paddling on either side of him, Bram soon reached the side of the moat. Clawing his way up the dirt bank, he flopped onto the grass and turned his head, his attention settling on the man he’d been trying to save. That man was already on his feet, but the longer Bram watched the man, the more it became clear he was no man at all. He, or rather she, had lost her greatcoat in the moat, and her wet clothing was currently plastered against a form that was . . . curvaceous. When she shoved a hunk of long hair away from her face, exposing whiskers, of all things, Bram suddenly found it very difficult to breath because . . . Standing only feet away from him was none other than Miss Lucetta Plum, one of the most intriguing ladies to ever grace the stage, and a lady who had captured his very great esteem. She was looking a little worse for wear, especially since she had mud on her face mixed in with the whiskers, and she also had clumps of algae in her hair, but even in such a sorry state, she was beautiful. She was also the lady he’d been slightly in love with ever since he’d first seen her take to the stage a few years back. Her delicate and refined nature had pulled at his very soul, and the very idea that such a fragile creature was forced to eke out a living on her own had been unfathomable. That was what had prompted Bram to set into motion ways to improve Miss Plum’s circumstance in life, those ways including . . . A
Jen Turano (Playing the Part (A Class of Their Own, #3))
A couple of years ago she used to have fantasies about being in hospital, leg in plaster after perhaps a car crash, or an incident in which she had rescued a baby from a burning building or something. In her imagination she would lie there while all her friends and family crowded around her bed, cooing with sympathy. One Direction would come and visit her themselves, in person, and bring flowers because she was a heroine. Zayn would fall in love with her and they’d become a couple. She’d be in the papers.
Louise Voss (From the Cradle (Detective Lennon Thriller, #1))
Other rituals Mum performed on me at night were exercising my legs by gripping my knee and ankle and circling one leg at a time so I wouldn't be bow-legged, weaving plaster in and out of my toes so they wouldn't be crooked, and taping a penny onto my stomach so I'd have a flat navel, all of which worked.
Viv Albertine (To Throw Away Unopened)
I, neutral cockroach body, I with a life that at last is not eluding me because I finally see it outside of myself -- I am the cockroach, I am my leg, I am my hair, I am the section of brightest light on the wall plaster -- I am every Hellish piece of myself -- life is so pervasive in me that if they divide me in pieces like a lizard, the pieces will keep on shaking and writhing.
Clarice Lispector (The Passion According to G.H.)
Now look,” he said. He felt the back collar of his shirt and jacket clutched in an iron grip and he whirled on the giant, hitting him square in the jaw with his fist. He suspected he’d broken his hand, but no way was he letting on. He did wince in pain, however, while the very large man merely turned his brick of a face to the side. “You shouldn’t’a done that, little man,” the guy said. It took him roughly one second to draw back his fist and plaster Sean in the face hard enough to send him reeling into the melons. Then to the floor. Sean saw a lot of stars and was aware of the melons as they began to bounce around the produce section. And there was blood—he wasn’t sure where from since his entire face felt as if it had been through a meat grinder. “Hey!” Franci shouted. “What’s the matter with you? I told you to leave it alone, he’s harmless!” “No good deed goes unpunished, I guess,” the big man said. “It looked like you needed help. Maybe you like being grabbed like that in the grocery store, huh, babe?” Sean muttered something about not being harmless and tried to get to his feet, without success. The big man said, “Just stay down where you are, buster.” But Sean was intent on getting up and he’d just about made it to his feet when the man took two giant steps in his direction. That was all it took for Franci to launch herself on the lumberjack with a cry of outrage. She had her arms around his neck, her legs around his waist and screamed bloody murder while pummeling him on the back. “I. Told. You. To. Leave. Him. Alone!” she shrieked. Paul Bunyan whirled around and around, trying to shake her loose, but she was on him like a tick on a hound. Then the scene got a lot more interesting. “No! No! No! No! No!” screamed a store manager, running up to them, followed closely by another man and a couple of young bag boys. A crowd gathered and the grocery employees peeled Franci off the lumberjack, but she was kicking her heart out the whole time. “The police are coming!” the store manager yelled. “Stop this at once! Stop!” And Sean absently thought, This really isn’t going how I planned. Right
Robyn Carr (Angel's Peak (Virgin River #10))
The ride is nearly at an end, the operator is helping the people below us off and then it’s our turn, and Travis breathes a huge sigh of relief. “It wasn’t that bad was it?” I tease him. He looks over my face before grinning. “It could have been worse.” “Oh really?” I ask. The Ferris Wheel starts again, but the operator must have pressed the wrong key because our seat suddenly drops a foot down before smoothly coming to a stop in front of him. Travis is plastered all over me: his legs stretched across the floor, his left arm across my chest, and he has the most adorable, panicked look on his face. And I can’t help it, I throw my head back and laugh. It was a foot. He dropped a foot when he was five feet off the ground to begin with, and he now looks like a cat when you try and throw it in the bath. And he gave me a hard time about the spiders. “Smile!” I hear someone yell and see a bright flash. “I was worried about you,” Travis says, fighting the grin on his face. “My hero,” I say, putting my hand on his chest before standing up and getting off of the ride.
Emily Harper (My Sort-of, Kind-of Hero)
I must have done something wrong. It’s probably my fault.” Sim unwraps the makeshift bandages George and I fastened around Monty’s leg. “Did you break his leg?” I frown. “What?” “No one who’s spent more than an hour with Monty could blame you if you hit him with a hammer.” It’s hard to tell if she’s jesting. “I . . . no.” “Then it isn’t your fault.” “I should have done—I could have done more.” I try not to stare at Monty’s labored breathing, the way his shirt is plastered to his chest with sweat. “Or something different. I could have done more to help him.” “Such as?” When I can’t come up with anything, she glances at me, then says, “Eyes forward. Looking back never did anyone any good.
Mackenzi Lee (The Nobleman's Guide to Scandal and Shipwrecks (Montague Siblings, #3))
Dallas latched on to the forearm of my hand curled around her throat and plastered her back against the hood of the car as I continued fucking her hard. The door behind us opened, and Jared walked in. “Oh, sorry. I didn’t mean to—” “Get the fuck out,” I roared. My demand shook the walls so hard I was surprised they hadn’t cracked. The door promptly closed. Perhaps because it was, by far, the most pleasurable experience I’d ever had, the orgasm wasn’t instant. It skulked forward, gripping each of my limbs with its claws, taking over me like a drug. I knew I’d regret what was about to happen. Yet, I could not even entertain the idea of stopping. Dallas quaked beneath me. The muscles of her thighs strained. Sliding into her hot tightness a few more times, I finally erupted inside her. It was glorious. And at the same time, felt as if someone had sucked my chest empty. I came, and I came, and I came into Dallas’s cunt. When I finally pulled out, everything between us was sticky. I peered down between her legs. My thick white cum dripped from her swollen red slit to the hood of my car. Pink flakes of blood scattered inside the cloudy, milky liquid. Panting and out of breath, I realized this marked the first time that I’d lost myself to a moment. That I’d forgotten everything. Including the fact that she was present. My gaze rode up her bruised pussy to her torso. Sometime during sex, I’d torn the top of her dress without even noticing. Red marks covered her exposed breasts. Full of scratches and bites. Her neck still bore the imprints of my fingers—how hard had I grabbed her? And though I dreaded seeing the aftermath on her face, I couldn’t stop myself. I looked up and nearly keeled over to vomit. Flushed pink cloaked her face. A single silent tear traveled down her cheek. A glossy sheen coated her hazel eyes, almost golden in their tone and empty as my chest. The corner of her lips had produced a thin line of blood. Her doing. Not mine. She’d bitten them to tamp down her pained cries. Shortbread wanted me to fuck her bareback so badly, she’d suffered through the entire ordeal. Incomparable guilt slammed into me. Bitterness hit the back of my throat. I’d taken her without considering her pleasure. Against my better judgment. And in the process, I’d ruined her first genuine experience of sex. “Sorry.” I jerked away from Dallas, shoved my dripping half-mast cock back into my pants, and zipped up. “Jesus. Fuck. I’m so—” The rest of the sentence vanished in my throat. I shook my head, still in disbelief that I’d fucked her to the point of blood and tears. Without even sparing her a glance. She sat up. That lone tear still shimmered from her cheek, somehow even worse than a loud sob. “Do you have any gum?” The perfect, even composure braided into her voice rattled me. In fact, everything about Dallas rattled me. On autopilot, I produced two pieces of gum from my tin container, forking them over to her. She tucked both into her pretty pink mouth that I would never kiss and fuck again. “Shortbread…” I stopped. An apology wouldn’t even begin to cover it. “No. It’s my time to speak.” She made no move to flee. To slap me. To call the police, her parents, her sister. My cum still dripped fat white drops through her exposed pussy. A single streak of blood smeared across the hood of my car. I stood far enough from her that I wasn’t a threat and listened.(Chapter 44)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
You want me to fuck you?” I leaned down, bringing her face to mine so our noses crushed together. I grabbed the front of her dress, twisting, tightening it against her skin until the fabric began pulling apart and tearing. “You want me to knock you up?” “Yes,” she breathed out. “Yes.” I dropped to the marble, resting my back against the vanity. “Ask nicely.” “Please.” “Nicer.” She crawled toward me on all fours, straddled my lap, and grabbed my hand, bringing it between her legs. Her fingers guided mine into her slick pussy, two of hers joining mine inside her warmth. My lips found her nipple, biting down through her dress. Together, we fucked her cunt down to our knuckles, curling until her walls pulsed. I watched our fingers disappear inside her. She arched her back, trying to accommodate as much of us as she could. Her lips drifted to the shell of my ear. “Please, please, please.” I tore my fingers out of her, ripped her dress down the middle, and captured both sides of her waist, sinking her onto my cock, down to the hilt. Her head fell forward. She bit my shoulder, drawing blood, her hips bucking. She was so tight it felt like I was fucking her ass. Her walls squeezed around me, milking my dick for cum. I let her ride my length until my impatience won over, and I pulled her off me, flipped her over, and lowered her on all fours. The marble was cold and hard against her knees. I love seeing that spoiled little brat take all of my cock, feeling the discomfort of it. My silver-spooned nymph. I entered her from behind. She drove back, meeting each of my thrusts. My fingers curled around her neck and steered her upward until her back plastered against my front. She craned her head around and captured my lips, slipping her tongue past my teeth. Her back arched, fingers dipping between her legs, searching for her clit. I smacked them away, then landed a palm on her ass. “Rom,” she whined. “I need to come.” “What you need is to be fucking grateful.” My blood brought my point home, covering every inch of her back, arms, and tits, matting her hair in clumps. I released her throat and pet the crown of her head, whispering praises into her ear. “Such a good girl.” Words I never thought I’d say. Especially to this particular girl, who was anything but good two hundred percent of the time. “If only you took directions so well when you’re not filled with my cock.” I reached around her and found her clit, rewarding her with a single flick. She cried out and fell forward, on her hands and knees again, pushing onto my cock. More crimson drops splattered onto her back. I’d reopened my wound, and fresh red painted her spine. I dipped a finger into it, then spelled my name across her back dimples. “Who owns your ass?” I growled. “You.” “Louder.” “You.” “Now crawl forward and show me your cunt from behind. I want to see if it’s worth my cum.” With a reluctant moan, she inched away from my cock, writhing about two feet away. She started to turn when I hissed, “I don’t want to see your face, Mrs. Costa. Just the cunt I stole from my enemy.” She spread her thighs apart, exposing her pussy. It dripped on my floor, her juices mixing with my blood, creating a pink puddle at her feet. I stroked my cock, coated with her wetness, scented by the wife I couldn’t get enough of. I grinned, the release tickling my shaft. “Embarrassed?” “No. Empty.” Fuck me sideways. How this woman would ever end up with a wuss like Madison, I had no idea. She would make meatballs out of him before the reception. (Chapter 55)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
She tapped on the bathroom door. “Ready for clothes?” The door swung inward. Leah stared. “Holy crap.” Seth was naked, save for a towel he had wrapped around his hips. And his body was pure perfection. His arms and legs both bore beautiful, thick muscle. But not too thick like some of the bodybuilders she’d seen whose arms and legs were so bulky they couldn’t rest their arms against their sides and seemed to walk bowlegged. Seth was built more like a professional basketball player. Broad shoulders. A well-developed chest. Even his abs rippled with muscle and begged to be touched. Realizing she had been staring—aka drooling—she looked up at him. “Seriously, how are you still single?” But Seth wasn’t looking at her face. His eyes were fastened on her body. Her breath caught when a faint golden glow illuminated his dark brown irises. “I was going to ask you the same thing,” he murmured, his voice deeper than usual and husky with what she thought might be desire. A thrill rippling through her, Leah glanced down. Her eyes widened. The rain that had found its way past the awning out front had plastered her pajamas to her skin, rendering them nearly transparent.
Dianne Duvall (Death of Darkness (Immortal Guardians, #9))
If only we could put our minds in plaster casts like our legs! But I cannot keep from thinking from speaking; no director is there to interrupt the interior movie I keep making of myself, someone to shout *Cut!* Volubility is a specifically human misery; I am language mad; no one listens to me, no one looks at me, but...I go on talking
Roland Barthes (A Lover's Discourse: Fragments)
The wind gusts through the narrow street, plastering the women's clothes against their bodies, ruffling their hair. There is so much hate and despair in the street, as if it kept drifting endlessly down through the different degrees of hell, without ever reaching the bottom, without ever stopping. There is so much hunger, unsatisfied desire, violence. The silent men look on, standing motionless on the curb like lead soldiers, their eyes glued to the women's abdomens, to their breasts, to the curve of their hips, to the pale flesh of their throats, to their bare legs. Perhaps there is no love anywhere, no pity, no gentleness. Perhaps the white veil separating the earth from the sky has smothered all men, stopping the palpitations of their hearts, made all of their memories, all of their old deisres, all of the beauty die?
J.M.G. Le Clézio (Desert)
SO TELL ME honestly.” I glanced over at Rachel, who was lying down beside me, and raised an eyebrow. “Can you feel it, Kash?” Her eyes widened and she slapped down on the mattress. “Can you feel the difference this mattress makes?” The saleswoman kept rambling on about the statistics of this bed and I tried not to laugh as Rachel acted as if what she was saying was from the Bible. “Isn’t this one just great?” The woman leaned over the bed to look at us. Her drawl was so thick that her great sounded more like gright. “Feels just like a cloud, you were so right!” Rachel smiled sweetly at her. “Oh, I knew y’all would just love this one! But c’mon over to the other side of the store, I have a few more to show you. And they just blow this one right out of the water,” she said, and walked away to the next set of mattresses. Rachel swung her legs over to the side and looked back at me, that same sweet smile plastered on her face. “It feels exactly like the last six except it’s an extra two thousand dollars. So that just makes it so much better!” She scrunched up her nose on the last few words and smacked her hand down on the mattress again. I rolled off the mattress and pulled her with me as I followed the saleswoman. “You look like a Miss America contestant on shrooms,” I whispered to Rachel, and she snorted. She began waving at no one in particular like she was in a pageant, and her smile widened.
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
He kept his consciousness just barely through the sickening pain in his shoulder, only to regret it when his eyes opened to look up at bitter defeat. She stood over him, sword-point poised at his throat, boot on his chest, and enough light on her face to bring the humiliation home. A war of beauty and ugliness waged on her face – homely and stern, some misalignment of the features preventing the beauty that her eyes and mouth promised. Black hair plastered against her flushed cheeks and she breathed heavily. “Has my lord had… enough of my… womanly comfort?” she huffed. And there was no mistaking the light of triumph on her face. Her eyes flicked down at Ranulf again. “I’ll not demand you to yield. I ask no more than you are beneath me, with legs spread.” The men laughed – her men, he realized with another dull shock.
Elizabeth Kingston (The King's Man (Welsh Blades, #1))
It’s nice to see you.” Stupid, silly, banal little words. Luca smiles, his dark blue eyes sparking. “Nice?” he says, and he starts to take off his shoes. “This is a very strong word in English, non è vero?” “No,” I say quickly. “It’s not a strong word at all.” “Oh, peccato,” he says cheerfully, which means “what a shame.” He’s pulling off his socks. “What are you doing?” I ask, which is stupid too, as it’s obvious; he’s standing up now, his hands at his waistband, unbuckling his belt. The sight is incredibly disconcerting. I back away, into deeper water, on the tips of my toes now. “Luca--” “I am hot,” he says. “That’s correct, isn’t it? Not ‘I have hot.’” I know what he means: in Italian, you say you “have” hot or cold, not that you “are.” It takes a bit of getting used to. Especially with the double meaning, which I’m certainly not going to explain to him now. “Yes,” I say even more feebly as Luca’s jeans drop to the ground and he steps out of them. Thank goodness he’s wearing boxers! His legs are long and almost too thin, a bit stork-like. I’m ridiculously glad to have found a defect in him. As he starts to unbutton his shirt, I take another step back and find myself treading water frantically, out of my depth now. I can’t look at his mostly bare body: I turn away, feeling a blush suffusing my cheeks. So I hear, rather than see, him dive into the river. He surfaces next to me, shaking his wet hair back from his face. It plasters down to his skull, and that makes his bone structure much more pronounced, his cheekbones sharp as knives. I stare at him, tongue-tied, as he treads water easily next to me. “Now you must be cross with me,” he says, a thread of laughter in his voice. “You must tell me that I’m wrong, that we must not be alone together.” “We mustn’t,” I say, suddenly angry. “You know we mustn’t.” I can’t keep treading water; my legs feel too wobbly. I put my head down and swim away from him, a couple of strokes to the far bank, where I can stand. He follows me; he swims right to me, and when he comes up, he’s so close, so tall, that he blocks out the moon. His bare chest is dappled with drops of water clinging to his skin. I can’t look anymore, so I raise my eyes, and then I’m looking into his, and oh no, that’s a really terrible idea, that’s the worst idea in the world… “Se scorre un fiume dentro ad ogni cuore, arriveremo al mare prima o poi,” he says, looking down at me. “More Jovanotti,” he adds, smiling, as he sees me staring at him in confusion. Jovanotti is Luca’s favorite singer; he’s quoted songs of his before to me. But I don’t know this one. “‘If a river runs inside every heart, we will arrive at the sea,’” he translates. “I think of this because we are in a river.” “It’s very pretty,” I mumble. “The rest of the song is maybe not so pretty,” he says. “It is a love song, but Jovanotti tells the truth about love. That it is sometimes not pretty at all.” I nod, even though hearing the word “love” spoken by Luca is enough to make me feel as if I’m blushing all over.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))