“
I wanted solitude, but a treasure like that didn't exist in the city. I only found silence in Central Park, still littered with people of course, but the only place that held moments of calm. I breathed in that wonderful silence as my pace finally slowed, and nature delighted my senses.
”
”
Lee Matthew Goldberg (Slow Down)
“
I don't make threats," she said. "I make reality.
”
”
Lee Matthew Goldberg (Stalker Stalked)
“
Between the near-kiss with Percy and now goddamned pirates, my heart is certainly being put through its paces today.
”
”
Mackenzi Lee (The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1))
“
He laughed, then became serious once more. "Mary............"
The expression in his eyes set her heart pounding. "Yes?"
Twice he began to frame a sentence, and twice his voice seemed to fail him.
And she thought she understood. What could he possibly say to her now, when he was on the verge of leaving forever? Even something as simple as asking her to write to him carried a distinct sort of promis, the type of promise he was ten years and a half a world removed from being able to make.
She forced a polite smile and held out her hand. "Good luck, James."
Regret-and relief-flooded his eyes. he took her hand, cradling it for a long moment. "And to you."
It was foolish to linger. She slid her fingers from his grasp, turned, and began to walk away in the direction of the Academy. She'd gone about thirty paces when she heard his voice.
"Mary!"
She spun about. "What is it?"
"Stay out of wardrobes!"
She laughed, shook her head, and began to walk again. She was smiling this time.
”
”
Y.S. Lee (A Spy in the House (The Agency, #1))
“
I like the pace of my world. It's busy, but for me, the less I do the lazier I get.
”
”
Hoda Kotb (Hoda: How I Survived War Zones, Bad Hair, Cancer, and Kathie Lee)
“
What did I want?
I wanted a Roc's egg. I wanted a harem loaded with lovely odalisques less than the dust beneath my chariot wheels, the rust that never stained my sword,. I wanted raw red gold in nuggets the size of your fist and feed that lousy claim jumper to the huskies! I wanted to get u feeling brisk and go out and break some lances, then pick a like wench for my droit du seigneur--I wanted to stand up to the Baron and dare him to touch my wench! I wanted to hear the purple water chuckling against the skin of the Nancy Lee in the cool of the morning watch and not another sound, nor any movement save the slow tilting of the wings of the albatross that had been pacing us the last thousand miles.
I wanted the hurtling moons of Barsoom. I wanted Storisende and Poictesme, and Holmes shaking me awake to tell me, "The game's afoot!" I wanted to float down the Mississippi on a raft and elude a mob in company with the Duke of Bilgewater and the Lost Dauphin.
I wanted Prestor John, and Excalibur held by a moon-white arm out of a silent lake. I wanted to sail with Ulysses and with Tros of Samothrace and eat the lotus in a land that seemed always afternoon. I wanted the feeling of romance and the sense of wonder I had known as a kid. I wanted the world to be what they had promised me it was going to be--instead of the tawdry, lousy, fouled-up mess it is.
”
”
Robert A. Heinlein (Glory Road)
“
Her pace was measured, never hurried, and she held herself erect, confident of her time and place.
”
”
Ian Hamilton (The Disciple of Las Vegas (Ava Lee, #2))
“
While youth has its advantages, you are green to the ways of business.
”
”
Lee Matthew Goldberg (Immoral Origins (The Desire Card, #1))
“
he was keeping track of time. It was nearly two hours since he had last looked at his watch, but he knew what time it was to within about twenty seconds. It was an old skill, born of many long wakeful nights on active service. When you're waiting for something to happen, you close your body down like a beach house in winter and you let your mind lock onto the steady pace of the passing seconds. It's like suspended animation. It saves energy and it lifts the responsibility for your heartbeat away from your unconscious brain and passes it on to some kind of a hidden clock. Makes a huge black space for thinking in. But it keeps you just awake enough to be reach for whatever you need to be ready for. And it means you always know what time it is.
”
”
Lee Child (Die Trying (Jack Reacher, #2))
“
There were perhaps fifteen students in varying stages of desperation, each moving with frenetic pace in the circle of hell reserved for procrastinators.
”
”
Lee Doty (Out of the Black)
“
It grated on me. That no one would question him moving on. Him marrying and impregnating someone more than ten years his junior. Because that’s what divorced men in their forties did. His stock was still rising. His power still intact. Daniel had become more desirable, and I somehow less so. As if time were paced differently for each of us.
”
”
Robinne Lee (The Idea of You)
“
Or if she rejected me again, then I could take pictures of her fucking in a horse costume and blackmail her into loving me like she should.
”
”
Lee Matthew Goldberg (Stalker Stalked)
“
I dream about having a house by the water and not doing anything, not feeling ambitious, nor having the need to make money.
”
”
Lee Pace
“
The 'what' of life is immediate, but the 'why' trails along at its own pace.
”
”
Garry Lee Wright (Happiness for Beginners)
“
On an unseasonably warm winter's morning, I took my first life.
”
”
Lee Matthew Goldberg (Immoral Origins (The Desire Card, #1))
“
Josie
Now, I have never understood all that
he’s-my-other-half
soul mate stuff
or when people sometimes talk about
having an empty pace inside
or that they’re missing pieces or something.
But then
he walked over
and fit himself
right into my puzzle.
Nicolette
It never occurred to me I couldn’t change
the way things are
whenever I wanted to.
I mean, I’ve always been the one calling the shots…
Avivia
He has a way of sliding out of trouble,
plays the innocent really well.
Grown-ups seem to think he’s such a good boy.
They are so wrong.
This boy gets any girl he wants.
Why does he want me?
”
”
Tanya Lee Stone (A Bad Boy Can Be Good for a Girl)
“
Bruce had me up to three miles a day, really at a good pace. We’d run the three miles in twenty-one or twenty-two minutes. Just under eight minutes a mile [Note: when running on his own in 1968, Lee would get his time down to six-and-a-half minutes per mile]. So this morning he said to me “We’re going to go five.” I said, “Bruce, I can’t go five. I’m a helluva lot older than you are, and I can’t do five.” He said, “When we get to three, we’ll shift gears and it’s only two more and you’ll do it. ” I said “Okay, hell, I’ll go for it.” So we get to three, we go into the fourth mile and I’m okay for three or four minutes, and then I really begin to give out. I’m tired, my heart’s pounding, I can’t go any more and so I say to him, “Bruce if I run any more,”—and we’re still running—“if I run any more I’m liable to have a heart attack and die.” He said, “Then die.” It made me so mad that I went the full five miles. Afterward I went to the shower and then I wanted to talk to him about it. I said, you know, ‘“Why did you say that?” He said, “Because you might as well be dead. Seriously, if you always put limits on what you can do, physical or anything else, it’ll spread over into the rest of your life. It’ll spread into your work, into your morality, into your entire being. There are no limits. There are plateaus, but you must not stay there, you must go beyond them. If it kills you, it kills you. A man must constantly exceed his level.
”
”
Bruce Lee (Bruce Lee: The Art of Expressing the Human Body)
“
Call me Ishmael. Some years ago--never mind how long precisely--having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this.
If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs--commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?--Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster--tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?
But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand--miles of them--leagues. Inlanders all, they come from lanes and alleys, streets and avenues--north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither?
Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries--stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
She's two personas. Kinda like me. Kinda like everyone. The self we keep hidden and the one we reveal to the world.
”
”
Lee Matthew Goldberg (Immoral Origins (The Desire Card, #1))
“
She bent over me like a hovering angel, gave one last tear-filled kiss before sticking the gun between my eyes.
”
”
Lee Matthew Goldberg (Immoral Origins (The Desire Card, #1))
“
But the engine started, eventually, after a bunch of popping and churning, and then it idled, wet and lumpy. The transmission was slower than the postal service. She rattled the selector into reverse, and all the mechanical parts inside called the roll and counted a quorum and set about deciding what to do. Which required a lengthy debate, apparently, because it was whole seconds before the truck lurched backward. She turned the wheel, which looked like hard work, and then she jammed the selector into a forward gear, and first of all the reversing committee wound up its business and approved its minutes and exited the room, and then the forward crew signed on and got comfortable, and a motion was tabled and seconded and discussed. More whole seconds passed, and then the truck slouched forward, slow and stuttering at first, before picking up its pace and rolling implacably toward the exit gate.
”
”
Lee Child (Personal (Jack Reacher, #19))
“
But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand—miles of them—leagues. Inlanders all, they come from lanes and alleys, streets and avenues,— north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither?
”
”
Herman Melville (Moby-Dick or, The Whale)
“
Robotics, however, is much more difficult. It requires a delicate interplay of mechanical engineering, perception AI, and fine-motor manipulation. These are all solvable problems, but not at nearly the speed at which pure software is being built to handle white-collar cognitive tasks. Once that robot is built, it must also be tested, sold, shipped, installed, and maintained on-site. Adjustments to the robot’s underlying algorithms can sometimes be made remotely, but any mechanical hiccups require hands-on work with the machine. All these frictions will slow down the pace of robotic automation.
”
”
Kai-Fu Lee (AI Superpowers: China, Silicon Valley, and the New World Order)
“
Exactly. If you keep up this pace much longer, you’ll burn out, one way or another. Your body will quit on you, or you’ll make a big mistake or take a foolish risk that either kills you, kills your career, kills somebody else, or all of the above. You’ve come pretty damn close to that twice already.
”
”
Lee Goldberg (Gated Prey (Eve Ronin, #3))
“
What did I want? I wanted a Roc's egg. I wanted a harem loaded with lovely odalisques less than the dust beneath my chariot wheels, the rust that never stained my sword. I wanted raw red gold in nuggets the size of your fist, and feed that lousy claim jumper to the huskies! I wanted to get up feeling brisk and go out and break some lances, then pick a likely wench for my droit du seigneur - I wanted to stand up to the Baron and dare him to touch my wench! I wanted to hear the purple water chuckling against the skin of the Nancy Lee in the cool of the morning watch and not another sound, nor any movement save the slow tilting of the wings of the albatross that had been pacing us the last thousand miles. I wanted the hurtling moons of Barsoom. I wanted Storisende and Poictesme, and Holmes shaking me awake to tell me, "The game's afoot!" I wanted to float down the Mississippi on a raft and elude a mob in company with the Duke of Bilgewater and Lost Dauphin. I wanted Prester John, and Excalibur held by a moon-white arm out of a silent lake. I wanted to sail with Ulysses and with Tros of Samothrace and to eat the lotus in a land that seemed always afternoon. I wanted the feeling of romance and the sense of wonder I had known as a kid. I wanted the world to be the way they had promised me it was going to be, instead of the tawdry, lousy, fouled-up mess it is. I had had one chance - for ten minutes yesterday afternoon. Helen of Troy, whatever your true name may be - and I had known it and I had let it slip away. Maybe one chance is all you ever get.
”
”
Robert A. Heinlein (Glory Road)
“
Tim Johnson was advancing at a snail’s pace, but he was not playing or sniffing at foliage: he seemed dedicated to one course and motivated by an invisible force that was inching him toward us. We could see him shiver like a horse shedding flies; his jaw opened and shut; he was alist, but he was being pulled gradually toward us.
”
”
Harper Lee (To Kill a Mockingbird)
“
Paul
He paces the hallway getting more and more impatient with every stride. Having decided to go into work late today, he didn’t expect his flatmate, Lee, to make him even later.
Paul has known Lee for five years. They first met whilst attending an interview for an IT support role. On the day of the interview the company decided to do a group interview with all the candidates for the positions that were available. Paul was paired with Lee and instantly disliked him as, only a few seconds after being introduced, Lee stole his pen. During the interview process, several technical questions were asked which Paul had answered correctly, but Lee’s answers were always incorrect with Paul having a feeling that Lee was making things up as he went along. The interview stages went well for Paul and, after being told that he had got the job, on his first day at the company, he was surprised to see Lee start work as well. Puzzled, Paul put it down to fact that Lee’s flirting with the HR lady that day had helped him get the job.
”
”
Ross Lennon (The Long Weekend)
“
Two men, I think. A driver and a passenger.” Reacher didn’t want to turn around to look. Didn’t want to show either guy the pale flash of a concerned face in the rear window. So he hunched down a little and moved sideways until he could see the image in Chang’s door mirror. A pick-up truck, about a hundred yards back. A Ford, he thought. A serious machine, big and obvious, keeping pace. It was dull red, like the general store. There were two guys in it, side by side, but far from each other, because of the vehicle’s extravagant width.
”
”
Lee Child (Make Me (Jack Reacher, #20))
“
COMMITMENT is like rain in Oregon. You wake up every morning and there it is. It cups your house in its liquid hands and fills your gutters to overflowing. It makes green things grow tall and lush, rivers run deep and invincible. On sunny days it seeps up through petals and pine needles, roots and aqueducts.
Other days, it makes mud too thick for walking, and you cannot leave the house. You pace the house, restless and lonely. Then you smell its perfume in a dry, empty room and part the curtains, watch it finger the window with long, slow rivulets.
From 'A Compendium of Miniatures
”
”
Tiffany Lee Brown
“
cars.” W. Keith Davidson paced in front of the jury box. Turning to face the twelve men and women, he thanked them for their time and attention and provided a brief lecture on the nature of reasonable doubt. The prosecution, he reminded them, had the burden of proving Larry Lee Smith’s guilt beyond a reasonable doubt. Then he launched into an attack on the state’s case. Davidson did his best to frame the facts presented and events described as reflective of Larry Lee’s innocence rather than his guilt. Davidson accused the police of “filtering” and condensing the police interview into a one-page statement. Amanda
”
”
S.R. Reynolds (Similar Transactions: A True Story)
“
He walked to the exit, skirting the pools of vapor light purely out of habit, but he saw that the last lamp was unavoidable, because it was set directly above the exit gate. So he saved himself a further perimeter diversion by walking through the next-to-last pool of light, too. At which point a woman stepped out of the shadows. She came toward him with a distinctive burst of energy, two fast paces, eager, like she was pleased to see him. Her body language was all about relief. Then it wasn’t. Then it was all about disappointment. She stopped dead, and she said, “Oh.” She was Asian. But not petite. Five-nine, maybe, or even five-ten. And built to match. Not a bone in sight. No kind of a willowy waif. She was about forty, Reacher guessed, with black hair worn long, jeans and a T-shirt under a short cotton coat. She had lace-up shoes on her feet. He said, “Good evening, ma’am.” She was looking past his shoulder. He said, “I’m the only passenger.
”
”
Lee Child (Make Me (Jack Reacher, #20))
“
The fascination with automation in part reflected the country’s mood in the immediate postwar period, including a solid ideological commitment to technological progress. Representatives of industry (along with their counterparts in science and engineering) captured this mood by championing automation as the next step in the development of new production machinery and American industrial prowess. These boosters quickly built up automation into “a new gospel of postwar economics,” lauding it as “a universal ideal” that would “revolutionize every area of industry.” 98 For example, the November 1946 issue of Fortune magazine focused on the prospects for “The Automatic Factory.” The issue included an article titled “Machines without Men” that envisioned a completely automated factory where virtually no human labor would be needed. 99 With visions of “transforming the entire manufacturing sector into a virtually labor-free enterprise,” factory owners in a range of industries began to introduce automation in the postwar period. 100 The auto industry moved with particular haste. After the massive wave of strikes in 1945–46, automakers seized on automation as a way to replace workers with machines. 101 As they converted back to civilian auto production after World War II, they took the opportunity to install new labor-saving automatic production equipment. The two largest automakers, Ford and General Motors, set the pace. General Motors introduced the first successful automated transfer line at its Buick engine plant in Flint in 1946 (shortly after a 113-day strike, the longest in the industry’s history). The next year Ford established an automation department (a Ford executive, Del S. Harder, is credited with coining the word “automation”). By October 1948 the department had approved $ 3 million in spending on 500 automated devices, with early company estimates predicting that these devices would result in a 20 percent productivity increase and the elimination of 1,000 jobs. Through the late 1940s and 1950s Ford led the way in what became known as “Detroit automation,” undertaking an expensive automation program, which it carried out in concert with the company’s plans to decentralize operations away from the city. A major component of this effort was the Ford plant in the Cleveland suburb of Brook Park, a $ 2 billion engine-making complex that attracted visitors from government, industry, and labor and became a national symbol of automation in the 1950s. 102
”
”
Stephen M. Ward (In Love and Struggle: The Revolutionary Lives of James and Grace Lee Boggs (Justice, Power, and Politics))
“
Corporate interests raised a nearly unified voice heralding automation as a certain and universal beneficial advancement. However, some observers saw the new technology as a cause for concern and cautioned that the final word on automation would depend on the choices that industry and the nation made in the face of difficult questions regarding the pace of automation’s implementation, the uses of the new productivity, and the fate of displaced workers as well as depleted or eliminated job classifications, communities, and even industries. Norbert Wiener, for example, a prominent MIT mathematician and pioneer in the science of cybernetics, emphasized the potentially calamitous economic and social consequences of the new production technology. Wiener had begun to express concerns about the impacts of automation on labor and the entire society during World War II, and he authored two books in the immediate Cold War years warning that potentially disastrous unemployment and related social problems may come from industry’s drive toward automation. He characterized automation and computer controls in the production process as the “modern” or “second” industrial revolution, which even more than the first held “unbounded possibilities for good and evil.” 104 In particular, Wiener feared that the larger impact of the changes caused by automation would be a massive displacement of workers, compounded by the profit-driven indifference of industry. “The automatic machine … will produce an unemployment situation, in comparison with which the present recession and even the depression of the thirties will seem a pleasant joke.” 105
”
”
Stephen M. Ward (In Love and Struggle: The Revolutionary Lives of James and Grace Lee Boggs (Justice, Power, and Politics))
“
Let me get this straight." Gabel paced in a small circle. "Never Dead Ned may actually be a secret wizard because secret wizards don't go around showing off their power in public, except to convince people that they aren't really secret wizards, which very few people suspect even exist in the first place."
"It's a very clever ploy," said Frank.
"Ingenious," agreed Regina.
”
”
A. Lee Martinez (In the Company of Ogres)
“
The town was relatively small. Beyond the sad side was a side maybe five years from going sad. Maybe more. Maybe ten. There was hope. There were some boarded-up enterprises, but not many. Most stores were still doing business, at a leisurely rural pace. Big pick-up trucks rolled through, slowly. There was a billiard hall. Not many street lights. It was getting dark. Something about the architecture made it clear it was dairy country. The shape of the stores looked like old-fashioned milking barns. The same DNA was in there somewhere.
”
”
Lee Child (The Midnight Line (Jack Reacher, #22))
“
Whenever they finished a section they would pass it to Constance, who glanced at the headlines and drew mustaches and devil horns on people in the photographs. The children were allowed to linger over the papers as long as they wished, but they seldom lingered long, for the older ones looked forward to their exercises and lessons, which offered a welcome change of pace, and Constance ran out of pictures to deface.
”
”
Trenton Lee Stewart (The Mysterious Benedict Society and the Prisoner's Dilemma (The Mysterious Benedict Society, #3))
“
Running this race at my own God damned pace.
Prepared to cut off my nose, to spite my own fucking face.
”
”
Renee' A. Lee
“
Remember, climbing is about establishing a pace and a rhythm that will get you to the top. You do not want to be in oxygen debt as it will be hard to come back from that.
”
”
Brett Lee Scott (How to Climb Hills Like a Pro: Tips on How to Improve Speed and Efficiency for Triathletes and Cyclists (Iron Training Tips))
“
DUTCH MASTERS: Historic Olympic Dominance AP SOCHI, Russia (AP) — Jorrit Bergsma set an Olympic record and led another Dutch speedskating sweep Tuesday, winning the 10,000 meters with an upset of countryman Sven Kramer. Kramer wanted this gold more than any other after giving away the longest race with an inexplicable mistake at the 2010 Vancouver Games. But Bergsma's finishing kick was a stunner, giving him a winning time of 12 minutes, 44.45 seconds. It was the fastest sea-level time ever and shattered the Olympic record of 12:58.55 set by South Korea's Lee Seung-hoon four years ago. Kramer settled for silver in 12:49.02. The bronze went to 37-year-old Bob de Jong. It was the fourth Dutch sweep of the podium at Adler Arena, giving them 19 speedskating medals in all. Bergsma's last five laps were all under 30 seconds, a pace Kramer simply couldn't match. Grimacing in a desperate search for more speed, his lap times climbed steadily higher. When the bell rang for the final lap, Bergsma already was celebrating in the infield. On his cool-down lap, Kramer stopped to shake hands with his countryman. Yet this was a bitter disappointment for the world's greatest distance skater, who already had captured his second straight 5,000 gold but really wanted to make up for the victory that got away in Vancouver. During a routine crossover on the backstretch four years ago, Kramer's coach, Gerard Kemkers, inexplicably directed him to the wrong lane. The skater dutifully followed the instructions, leading
”
”
Anonymous
“
What did I want? I wanted a Roc’s egg. I wanted a harem loaded with lovely odalisques less than the dust beneath my chariot wheels, the rust that never stained my sword. I wanted raw red gold in nuggets the size of your fist, and feed that lousy claim jumper to the huskies! I wanted to get up feeling brisk and go out and break some lances, then pick a likely wench for my droit du seigneur – I wanted to stand up to the Baron and dare him to touch my wench! I wanted to hear the purple water chuckling against the skin of the Nancy Lee in the cool of the morning watch and not another sound, nor any movement save the slow tilting of the wings of the albatross that had been pacing us the last thousand miles.
I wanted the hurtling moons of Barsoom. I wanted Storisende and Poictesme, and Holmes shaking me awake to tell me, “The game’s afoot!” I wanted to float down the Mississippi on a raft and elude a mob in company with the Duke of Bilgewater and Lost Dauphin. I wanted Prester John, and Excalibur held by a moon-white arm out of a silent lake. I wanted to sail with Ulysses and with Tros of Samothrace and to eat the lotus in a land that seemed always afternoon. I wanted the feeling of romance and the sense of wonder I had known as a kid. I wanted the world to be the way they had promised me it was going to be, instead of the tawdry, lousy, fouled-up mess it is.
”
”
Robert A. Heinlein (Glory Road)
“
I'd also advise that there is no need to invest all your equity allocation in one splurge. Take time over it, build up the portfolio at a pace that you feel happy with as and when you go 'nap' on (select) a particular share.
”
”
John Lee (How to Make a Million – Slowly: Guiding Principles from a Lifetime of Investing (Financial Times Series))
“
If you had more money than you knew what to do with, what would you desire?
”
”
Lee Matthew Goldberg (Immoral Origins (The Desire Card, #1))
“
Phoebe’s pace hastened as she approached her truck parked in the lee of the building near the big trash compactor. She’d had to find a spot away from prying eyes because she couldn’t trust Maydean and Willie-Boy to behave without her standing over them. Like now, she noted, discovering Willie-Boy hanging out the window.
”
”
Jackie Weger (Finding Home)
“
It seemed that across some thirty paces of mosaic, candle wax and human forms, Leopardo had singled him out. The observation was not actually a threat, more a calculation. Romulan, sensing himself weighed, would neither glance away nor move. At risk of dislocation of the neck, he gave Leopardo back watch for watch. The tableau was ended suddenly by a blast of tenor trumpets from the head of the banner-draped stairway.
”
”
Tanith Lee (Sung in Shadow)
“
freeze freeze freeze makes me a little self-conscious too. The words come out a little tentative. Almost like a request. But I had with me the greatest conversation-stopper ever made: a pump-action shotgun. At the cost of one unfired shell, I could make the kind of sound that would freeze any three men to any three spots in the world. The most intimidating noise ever heard. Crunch crunch. My ejected shell hit the leaves at my feet and the three guys froze solid. I said, “Now the rifles hit the deck.” Normal voice, normal pitch, normal tone. The sandy-haired guy dropped his rifle first. He was pretty damn quick about it. Then went the older guy, and last of the three came the wiry one. “Stand still now,” I said. “Don’t give me a reason.” Normal voice, normal pitch, normal tone. They stood reasonably still. Their arms came up a little, out from their sides, slowly, and they ended up a small distance from their bodies, where they held them. They spread their fingers. No doubt they spread their toes inside their boots and sneakers and shoes. Anything to appear unarmed and undangerous. I said, “And now you take three big paces backward.” They complied, all three guys, all three taking exaggerated stumbling steps, and all three ending up more than a body’s length from their rifles. I said, “And now you turn around.” Chapter 52 I had never seen any of them before. After the slow spin the older guy had ended up facing me on my left. He was completely unknown to me. He was just a guy, not very significant, a little pouchy and worn. The guy in the middle was the sandy-haired one. He was like the older man would have been, had he grown up twenty years later and
”
”
Lee Child (The Affair (Jack Reacher, #16))
“
Ubeli isn’t foolish enough to attack a police station. That’s not how his kind works. Now you just rest up while I make some calls and we’ll see about a more permanent situation for you.” But Cora hadn’t been able to do anything other than pace back and forth in the small room and then finally curl up into a ball on the chair while waiting for any news. Whenever she shifted on the chair, she was reminded of last night. Of what it felt like when Marcus had finally… Taken the last of your innocence.
”
”
Lee Savino (Innocence (Tales of Olympus, #1))
“
lines higher and just ducked underneath. No need to drop to one knee. No need to scuff a pair of jeans. No need to leave a mess of fibres. Not even for a guy six inches taller than Barr, and not even with a new line of tape six inches lower than the one Barr had encountered. He was literally going out of his way to leave every last piece of evidence he could. Reacher walked on into the gloom. The new construction was rectangular in shape. Maybe forty yards south to north, maybe two hundred east to west. Which meant Reacher arrived at the new northeast corner after thirty-five paces. He stood six feet back from the perimeter wall and looked down and
”
”
Lee Child (One Shot (Jack Reacher, #9))
“
I remember what it was like to express love and to show care toward others. I remember how liberating it felt to put others before myself. Despite how fresh on my mind those great feelings of sharing and caring for others were, though, I couldn't bring myself to reunite with them.
”
”
Alex Cage (Carolina Dance: A Fast-Paced Orlando Black Action Thriller (Book 1) (An Orlando Black Action-Packed Thriller))
“
Maybe Anna needed to accept that mourning could be a slow process and that clock of grief ran at its own pace.
”
”
Jenny Lee (Anna K: Away (Anna K, #2))
“
Get real,” Constance was saying. “Mr. Curtain is the big deceiver, remember? We can beat him at his own game!” Kate and Sticky had their doubts, but they were less adamant now. Sticky was polishing his glasses, saying he supposed it might be all right, and Kate had begun to pace, saying, “It’s just that I never imagined myself… I don’t know, it’s just hard for me to think that way. Reynie, do you really think that’s what Mr. Benedict is suggesting?” “There’s
”
”
Trenton Lee Stewart (The Mysterious Benedict Society (The Mysterious Benedict Society, #1))