Led Screen Quotes

[Patricia Greenfield] concluded that “every medium develops some cognitive skills at the expense of others.” Our growing use of the Net and other screen-based technologies has led to the “widespread and sophisticated development of visual-spatial skills.” We can, for example, rotate objects in our minds better than we used to be able to. But our “new strengths in visual-spatial intelligence” go hand in hand with a weakening of our capacities for the kind of “deep processing” that underpins “mindful knowledge acquisition, inductive analysis, critical thinking, imagination, and reflection.

Don't give me no 'but you're beautiful on the inside' bullshit." "No, you are beautiful on the outside," I say. "Don't give me that bullshit either. I'm beautiful when I say I'm beautiful. Let me own that shit," she says. Her eyes have not left the computer screen this whole time, but I know she's paying attention to everything I say. "Okay, then you are ugly." "Thanks for being honest." "Seriously. That's what we say in Haiti. 'Nou led, men nou la.' We are ugly, but we are here." "We are ugly, but we are here," she says, almost whispering. "I hear that.

On the TV screen right now, it's 1975, and Jimmy Page is playing like a man who answers to nobody. A man existing in that seductive state of extended adolescence that rock legends bask in, a man connected to something in the universe larger than even the sum total of the legendary Led Zeppelin, playing guitar because that is so clearly what he was put here to do. And it's wrong to expect that kind of divine moment to last forever, and to expect an artist to stay in 1975. Fact is, ten minutes ago I saw the guy onscreen right downstairs, coming off the trading floor of the stock exchange with a banker carrying his guitar cases for him. I sit cross-legged on the floor on a workday staring into my cereal bowl, thinking about how we all change. We all grow up. We all move on, one way or another, whether we want to or not.

Two minutes and fourteen seconds later, he’d somehow gotten trapped in a black hole on a site called Tumblr that led to porn of a most enthusiastic variety, if the faces of the six people on the screen had any measure. Gus may have shrieked slightly when one of the pornographic actors, a large Caucasian male with exuberant-looking nipples, glared at one of the females, gave a cocky smirk, and said, “I’m gonna get yo mouth pregnant.” Gus slammed the computer shut just as the large pornographic actor began to do just that. For the next four minutes and seventeen seconds, he stood in his kitchen, rocking back and forth, moaning, “But you can’t get her mouth pregnant, you just can’t.

When I try to reconstruct the place that I was, at that point in my life, to figure out how I got there, to that punch, to that bed, to that girl—I can't. I can see where some bad decisions led to some other bad decisions, but I can't get all the way there; it's like I imagine a curve, where I'm dropping lower and lower down, and then I'm off the radar screen, invisible, and then, after some time goes by, the line is rising, visible again, and I don't know what happened in between.

As students of the silver screen recall, Bogart's admonition about future regret led Bergman to board the plane and fly away with her husband. Had she stayed with Bogey in Casablanca, she would probably have felt just fine. Not right away, perhaps, but soon, and for the rest of her life.

Lizzie and I arrived in the polluted heat of a London summer. We stood frozen at street corners as a blur of pedestrians burst out of the subways and spilled like ants down the pavements. The crowed bars, the expensive shops, the fashionable clothes - to me it all seemed a population rushing about to no avail...I stared at a huge poster of a woman in her underwear staring down at her own breasts. HELLO BOYS, she said. At the movies we witnessed sickening violence, except that this time we held tubs of popcorn between our legs and the gunfire and screams were broadcast in digital Dolby. We had escaped a skull on a battlefield, only to arrive in London, where office workers led lines of such tedium and plenty that they had to entertain themselves with all the f****** and killing on the big screen. So here then was the prosperous, democratic and civilized Western world. A place of washing machines, reality TV, Armani, frequent-flier miles, mortgages. And this is what the Africans are supposed to hope for, if they're lucky.

So [Steve Jobs] had the Pixar building designed to promote encounters and unplanned collaborations ... "to make people get out of their offices and mingle in the central atrium with people they might not otherwise see." The front doors and main stairs and corridors all led to the atrium, the cafe and the mailboxes were there, the conference rooms had windows that looked out onto it, and the six-hundred-seat theater and two smaller screening rooms all spilled into it. "Steve's theory worked from day one, "Lasseter recalled. "I kept running into people I hadn't seen for months. I've never seen a building that promoted collaboration and creativity as well as this one.

From the pocket of her windbreaker he extracted what he falsely believed to be a portable marine radio, which along with two granola bars he'd pilfered from Honey's belongings after she was snatched by the club-handed lunatic. Shreave started pressing buttons on the compact gadget and barking, "Mayday! Mayday! There was no response from the Coast Guard pilot or any other human, and for a good reason. Except for its LED screen, the instrument in Shreave's possession was electronically dissimilar to a radio in all significant respects. Most crucial was the absence of either an audio receiver or a transmitter. "SOS! SOS!" he persisted. "Help!" The device was in fact a mobile GPS unit, as technogically impenetrable to Shreave as the Taser gun he'd found beneath Honey's bed.

That evening, after the fishing boy led her home through the marsh, Kya sat cross-legged on her porch bed. Mist from the downpour eased through the patched-up screen, touching her face. She thought about the boy. Kind yet strong, like Jodie.

Writing is finally about one thing: going into a room alone and doing it. Putting words on paper that have never been there in quite that way before. And although you are physically by yourself, the haunting Demon never leaves you, that Demon being the knowledge of your own terrible limitations, your hopeless inadequacy, the impossibility of ever getting it right. No matter how diamond-bright your ideas are dancing in your brain, on paper they are earthbound. If you’re trying a screenplay, you know it’s never going to be Bergman. If it’s a novel, well, what kind of a novelist can you hope to be when Dostoevski was there before you. And Dickens and Cervantes and all the other masters that led you to the prison of your desk. But if you’re a writer, that’s what you must do, and in order to accomplish anything at all, at the rock bottom of it all is your confidence. You tell yourself lies and you force them into belief: Hey, you suckers, I’m going to do it this one time. I’m going to tell you things you never knew. I’ve—got—secrets!

HOW ENGLISH BECAME A DOUBLE LANGUAGE After the Romans conquered England in the first century AD, they hired German and Scandinavian mercenaries from Anglia and Saxony to help fend off pirates and put down rebellions by the native Picts and Celts. When the Roman Empire abandoned England in 410 AD, more Anglo-Saxons migrated to the island, marginalizing the Gallic-speaking Celts, wiping out the Latin of the Romans, and imposing their Germanic tongue throughout England. But 600 years later Latin came back this roundabout way: In 911 AD Danish Vikings conquered territory along the north coast of France and named it after themselves, Normandy, land of the Norsemen. After 150 years of marriage to French women, these Danes spoke what their mothers spoke, a thousand-year-old French dialect of Latin. In 1066 King Wilhelm of Normandy (a.k.a. William the Conqueror) led his armies across the English Channel and defeated the English king. With that victory, French came to England. Throughout history, foreign conquests usually erase native languages. But England was the exception. For some mysterious reason, the Germanic language of the Anglo-Saxons and the Latinate French of the Normans merged. As a result, the vocabulary of what became modern English doubled. English has at least two words for everything. Compare, for example, the Germanic-rooted words “fire,” “hand,” “tip,” “ham,” and “flow” to the French-derived words “flame,” “palm,” “point,” “pork,” and “fluid.

obstacle to sleep that you should be aware of is the bright LED light of a computer screen, which should be turned off about an hour before bedtime to relax the overstimulated eyes and brain. In 2012 a study released by the Lighting Research Center at Rensselaer Polytechnic Institute in Troy, New York, found that just a two-hour exposure to the self-luminous backlit displays of smartphones, computers, and other LED devices suppressed melatonin by about 22 percent.

Barbara and I had arrived early, so I got to admire everyone’s entrance. We were seated at tables around a dance floor that had been set up on the lawn behind the house. Barbara and I shared a table with Deborah Kerr and her husband. Deborah, a lovely English redhead, had been brought to Hollywood to play opposite Clark Gable in The Hucksters. Louis B. Mayer needed a cool, refined beauty to replace the enormously popular redhead, Greer Garson, who had married a wealthy oil magnate and retired from the screen in the mid-fifties. Deborah, like her predecessor, had an ultra-ladylike air about her that was misleading. In fact, she was quick, sharp, and very funny. She and Barbara got along like old school chums. Jimmy Stewart was also there with his wife. It was the first time I’d seen him since we’d worked for Hitchcock. It was a treat talking to him, and I felt closer to him than I ever did on the set of Rope. He was so genuinely happy for my success in Strangers on a Train that I was quite moved. Clark Gable arrived late, and it was a star entrance to remember. He stopped for a moment at the top of the steps that led down to the garden. He was alone, tanned, and wearing a white suit. He radiated charisma. He really was the King. The party was elegant. Hot Polynesian hors d’oeuvres were passed around during drinks. Dinner was very French, with consommé madrilène as a first course followed by cold poached salmon and asparagus hollandaise. During dessert, a lemon soufflé, and coffee, the cocktail pianist by the pool, who had been playing through dinner, was discreetly augmented by a rhythm section, and they became a small combo for dancing. The dance floor was set up on the lawn near an open bar, and the whole garden glowed with colored paper lanterns. Later in the evening, I managed a subdued jitterbug with Deborah Kerr, who was much livelier than her cool on-screen image. She had not yet done From Here to Eternity, in which she and Burt Lancaster steamed up the screen with their love scene in the surf. I was, of course, extremely impressed to be there with Hollywood royalty that evening, but as far as parties go, I realized that I had a lot more fun at Gene Kelly’s open houses.

every résumé received from a female applicant automatically led to a phone screen. It’s important to say that this solution did not lower the hiring bar, nor did it favor unqualified candidates on the basis of gender. If the candidate did not pass the phone screen, they would not move forward to the next step in the process. This technique made it clear that when a candidate’s name implied the gender as female, an unconscious bias had been affecting the résumé screening. The result was that well-qualified female candidates were apparently being rejected too early in the process.

A slave in serving dress presented Kestrel with wine, then led the way to an open solarium with a low fountain and hothouse flowers. Musicians played discreetly behind an ebony screen as guests greeted each other, some chatting where they stood, others retreating for quiet conversations on the stone benches lining the fountain. Kestrel turned to face Arin. His eyes were dazed with anger, his hands clenched. “Arin,” she began, concerned, but his gaze flicked away and settled on some point across the room. “Your friends are here,” he said. She followed his line of sight to see Jess and Ronan laughing at something Benix had said. “Dismiss me,” Arin said. “What?” she said, though in fact he was the only escort in the room. The slaves who threaded through the crowd were servers, and Irex’s. “Join your friends. I don’t want to stay here anymore. Send me to the kitchens.” She took a breath, then nodded. He spun on his heel and was gone. She felt instantly alone. She hadn’t expected this. But when she asked herself what she had expected, she had a foolish image of her and Arin sitting on a bench together. Kestrel looked up at the glass roof, a pyramid of purple sky. She saw the sharp cut of the moon, and remembered Enai saying that it was best to recognize the things one cannot change. She crossed the room to greet her friends.

The internet itself led him from one word to the next, giving links, pointing out. When it didn’t know something it tactfully kept quiet or stubbornly showed him the same pages, ad nauseam. Then Kunicki had the impression that he had just landed at the border of the known world, at the wall, at the membrane of the heavenly firmament. There wasn’t any way to break through it with his head and look through. The internet is a fraud. It promises so much—that it will execute your every command, that it will find you what you’re looking for; execution, fulfillment, reward. But in essence that promise is a kind of bait, because you immediately fall into a trance, into hypnosis. The paths quickly diverge, double and multiply, and you go down them, still chasing an aim that will now get blurry and undergo some transformations. You lose the ground beneath your feet, the place where you started from just gets forgotten, and your aim finally vanishes from sight, disappears in the passage of more and more pages, businesses that always promise more than they can give, shamelessly pretending that under the flat plane of the screen there is some cosmos. But nothing could be more deceptive, dear Kunicki. What are you, Kunicki, looking for? What are you aiming at? You feel like spreading out your arms and plunging into it, into that abyss, but there is nothing more deceptive: the landscape turns out to be a wallpaper, you can’t go any farther.

The temperature was in the nineties, and on hot nights Chicagoans feel the city body and soul. The stockyards are gone, Chicago is no longer slaughter-city, but the old smells revive in the night heat. Miles of railroad siding along the streets once were filled with red cattle cars, the animals waiting to enter the yards lowing and reeking. The old stink still haunts the place. It returns at times, suspiring from the vacated soil, to remind us all that Chicago had once led the world in butcher-technology and that billions of animals had died here. And that night the windows were open wide and the familiar depressing multilayered stink of meat, tallow, blood-meal, pulverized bones, hides, soap, smoked slabs, and burnt hair came back. Old Chicago breathed again through leaves and screens. I heard fire trucks and the gulp and whoop of ambulances, bowel-deep and hysterical. In the surrounding black slums incendiarism shoots up in summer, an index, some say, of psychopathology. Although the love of flames is also religious. However, Denise was sitting nude on the bed rapidly and strongly brushing her hair. Over the lake, steel mills twinkled. Lamplight showed the soot already fallen on the leaves of the wall ivy. We had an early drought that year. Chicago, this night, was panting, the big urban engines going, tenements blazing in Oakwood with great shawls of flame, the sirens weirdly yelping, the fire engines, ambulances, and police cars – mad-dog, gashing-knife weather, a rape and murder night, thousands of hydrants open, spraying water from both breasts.

Cooger & Dark’s Pandemonium Shadow Show— Fantoccini, Marionette Circus, and Your Plain Meadow Carnival. Arriving Immediately! Here on Display, one of our many attractions: THE MOST BEAUTIFUL WOMAN IN THE WORLD! Halloway’s eyes leaped to the poster on the inside of the window. THE MOST BEAUTIFUL WOMAN IN THE WORLD! And back to the cold long block of ice. It was such a block of ice as he remembered from traveling magician’s shows when he was a boy, when the local ice company contributed a chunk of winter in which, for 12 hours on end, frost maidens lay embedded, on display while people watched and comedies toppled down the raw white screen and coming attractions came and went and at last the pale ladies slid forth all rimed, chipped free by perspiring sorcerers to be led off smiling into the dark behind the curtains

The road climbed higher into the mountains of Nikko National Park, the terraced farm fields giving way grudgingly to forests of tiny trees that seemed to be trimmed, the growth around them carefully cultivated. From a narrow defile the car was passed through a massive wooden gate that swung on a huge arch ornately carved with the figures of fierce dragons. From there a perfectly maintained road of crushed white gravel led up the valley to a broad forested ledge through which a narrow stream bubbled and plunged over the sheer edge. The view from the top was breathtaking. Perched on the far edge was a traditionally styled Japanese house, low to the ground and rambling in every direction. Tiled roofs, rice-paper screens and walls, carved beams, courtyards, broad verandas, gardens, ponds, and ancient statues and figures gave the spot an unreal air, as if it were a setting in a fairy tale

As Frances had learned to do in times of uncertainty, she created a project over which she had total control and began writing a book “Dedicated to the memory of Irving Thalberg as a tribute to his vision and genius.” How to Write and Sell Film Stories was written for “serious students of film technique.” She filled the straightforward textbook with anecdotes from her films and others’ to convey the lessons on the development of plot, motivation, and characters she had learned with Thalberg. She had come to believe that because of increased censorship and the limited number of adaptable plays and novels, “eighty percent of the motion pictures produced will be soon be stories written exclusively for the screen” and the time was right for a book on original screenplays. The audience for the book was immediate; universities ordered copies before it was published and it quickly went into several printings. The book led to her taking on an advice column on screen writing for Cinema Progress, a serious educational film magazine published by the American Institute of Cinematography based at the University of Southern California. She opened her house to roundtable discussions with students and sponsored a scenario contest with the winners serving as studio “apprentices.

Lynum had plenty of information to share. The FBI's files on Mario Savio, the brilliant philosophy student who was the spokesman for the Free Speech Movement, were especially detailed. Savio had a debilitating stutter when speaking to people in small groups, but when standing before a crowd and condemning his administration's latest injustice he spoke with divine fire. His words had inspired students to stage what was the largest campus protest in American history. Newspapers and magazines depicted him as the archetypal "angry young man," and it was true that he embodied a student movement fueled by anger at injustice, impatience for change, and a burning desire for personal freedom. Hoover ordered his agents to gather intelligence they could use to ruin his reputation or otherwise "neutralize" him, impatiently ordering them to expedite their efforts. Hoover's agents had also compiled a bulging dossier on the man Savio saw as his enemy: Clark Kerr. As campus dissent mounted, Hoover came to blame the university president more than anyone else for not putting an end to it. Kerr had led UC to new academic heights, and he had played a key role in establishing the system that guaranteed all Californians access to higher education, a model adopted nationally and internationally. But in Hoover's eyes, Kerr confused academic freedom with academic license, coddled Communist faculty members, and failed to crack down on "young punks" like Savio. Hoover directed his agents to undermine the esteemed educator in myriad ways. He wanted Kerr removed from his post as university president. As he bluntly put it in a memo to his top aides, Kerr was "no good." Reagan listened intently to Lynum's presentation, but he wanted more--much more. He asked for additional information on Kerr, for reports on liberal members of the Board of Regents who might oppose his policies, and for intelligence reports about any upcoming student protests. Just the week before, he had proposed charging tuition for the first time in the university's history, setting off a new wave of protests up and down the state. He told Lynum he feared subversives and liberals would attempt to misrepresent his efforts to establish fiscal responsibility, and that he hoped the FBI would share information about any upcoming demonstrations against him, whether on campus or at his press conferences. It was Reagan's fear, according to Lynum's subsequent report, "that some of his press conferences could be stacked with 'left wingers' who might make an attempt to embarrass him and the state government." Lynum said he understood his concerns, but following Hoover's instructions he made no promises. Then he and Harter wished the ailing governor a speedy recovery, departed the mansion, slipped into their dark four-door Ford, and drove back to the San Francisco field office, where Lynum sent an urgent report to the director. The bedside meeting was extraordinary, but so was the relationship between Reagan and Hoover. It had begun decades earlier, when the actor became an informer in the FBI's investigation of Hollywood Communists. When Reagan was elected president of the Screen Actors Guild, he secretly continued to help the FBI purge fellow actors from the union's rolls. Reagan's informing proved helpful to the House Un-American Activities Committee as well, since the bureau covertly passed along information that could help HUAC hold the hearings that wracked Hollywood and led to the blacklisting and ruin of many people in the film industry. Reagan took great satisfaction from his work with the FBI, which gave him a sense of security and mission during a period when his marriage to Jane Wyman was failing, his acting career faltering, and his faith in the Democratic Party of his father crumbling. In the following years, Reagan and FBI officials courted each other through a series of confidential contacts. (7-8)

He swore sharply, David Jones’s still-so-familiar voice coming out of that stranger’s body. “Do you have any idea how unbelievably hard it’s been to get you alone?” Had she finally started hallucinating? But he took off his glasses, and she could see his eyes more clearly and . . . “It’s you,” she breathed, tears welling. “It’s really you.” She reached for him, but he stepped back. Sisters Helen and Grace were hurrying across the compound, coming to see what the ruckus was, shading their eyes and peering so they could see in through the screens. “You can’t let on that you know me,” Jones told Molly quickly, his voice low, rough. “You can’t tell anyone—not even your friend the priest during confession, do you understand?” “Are you in some kind of danger?” she asked him. Dear God, he was so thin. And was the cane necessary or just a prop? “Stand still, will you, so I can—” “No. Don’t. We can’t . . .” He backed away again. “If you say anything, Mol, I swear, I’ll vanish, and I will not come back. Unless . . . if you don’t want me here—and I don’t blame you if you don’t—” “No!” was all she managed to say before Sister Helen opened the door and looked from the mess on the floor to Molly’s stricken expression. “Oh, dear.” “I’m afraid it’s my fault,” Jones said in a British accent, in a voice that was completely different from his own, as Helen rushed to Molly’s side. “My fault entirely. I brought Miss Anderson some bad news. I didn’t realize just how devastating it would be.” Molly started crying. It was more than just a good way to hide her laughter at that accent—those were real tears streaming down her face and she couldn’t stop them. Helen led her to one of the tables, helped her sit down. “Oh, my dear,” the nun said, kneeling in front of her, concern on her round face, holding her hand. “What happened?” “We have a mutual friend,” Jones answered for her. “Bill Bolten. He found out I was heading to Kenya, and he thought if I happened to run into Miss Anderson that she would want to know that a friend of theirs recently . . . well, passed. Cat’s out of the bag, right? Fellow name of Grady Morant, who went by the alias of Jones.” “Oh, dear,” Helen said again, hand to her mouth in genuine sympathy. Jones leaned closer to the nun, his voice low, but not low enough for Molly to miss hearing. “His plane went down—burned—gas tank exploded . . . Ghastly mess. Not a prayer that he survived.” Molly buried her face in her hands, hardly able to think. “Bill was worried that she might’ve heard it first from someone else,” he said. “But apparently she hadn’t.” Molly shook her head, no. News did travel fast via the grapevine. Relief workers tended to know other relief workers and . . . She could well have heard about Jones’s death without him standing right in front of her. Wouldn’t that have been awful?

The Memory Business Steven Sasson is a tall man with a lantern jaw. In 1973, he was a freshly minted graduate of the Rensselaer Polytechnic Institute. His degree in electrical engineering led to a job with Kodak’s Apparatus Division research lab, where, a few months into his employment, Sasson’s supervisor, Gareth Lloyd, approached him with a “small” request. Fairchild Semiconductor had just invented the first “charge-coupled device” (or CCD)—an easy way to move an electronic charge around a transistor—and Kodak needed to know if these devices could be used for imaging.4 Could they ever. By 1975, working with a small team of talented technicians, Sasson used CCDs to create the world’s first digital still camera and digital recording device. Looking, as Fast Company once explained, “like a ’70s Polaroid crossed with a Speak-and-Spell,”5 the camera was the size of a toaster, weighed in at 8.5 pounds, had a resolution of 0.01 megapixel, and took up to thirty black-and-white digital images—a number chosen because it fell between twenty-four and thirty-six and was thus in alignment with the exposures available in Kodak’s roll film. It also stored shots on the only permanent storage device available back then—a cassette tape. Still, it was an astounding achievement and an incredible learning experience. Portrait of Steven Sasson with first digital camera, 2009 Source: Harvey Wang, From Darkroom to Daylight “When you demonstrate such a system,” Sasson later said, “that is, taking pictures without film and showing them on an electronic screen without printing them on paper, inside a company like Kodak in 1976, you have to get ready for a lot of questions. I thought people would ask me questions about the technology: How’d you do this? How’d you make that work? I didn’t get any of that. They asked me when it was going to be ready for prime time? When is it going to be realistic to use this? Why would anybody want to look at their pictures on an electronic screen?”6 In 1996, twenty years after this meeting took place, Kodak had 140,000 employees and a $28 billion market cap. They were effectively a category monopoly. In the United States, they controlled 90 percent of the film market and 85 percent of the camera market.7 But they had forgotten their business model. Kodak had started out in the chemistry and paper goods business, for sure, but they came to dominance by being in the convenience business. Even that doesn’t go far enough. There is still the question of what exactly Kodak was making more convenient. Was it just photography? Not even close. Photography was simply the medium of expression—but what was being expressed? The “Kodak Moment,” of course—our desire to document our lives, to capture the fleeting, to record the ephemeral. Kodak was in the business of recording memories. And what made recording memories more convenient than a digital camera? But that wasn’t how the Kodak Corporation of the late twentieth century saw it. They thought that the digital camera would undercut their chemical business and photographic paper business, essentially forcing the company into competing against itself. So they buried the technology. Nor did the executives understand how a low-resolution 0.01 megapixel image camera could hop on an exponential growth curve and eventually provide high-resolution images. So they ignored it. Instead of using their weighty position to corner the market, they were instead cornered by the market.

You act like a normal human and you’ll win an Oscar,” Marco said. He led the way up to his house and opened the door. “Okay, look, you wait right there by that table. Don’t go anywhere. If my dad comes in and talks to you, just say ‘yes’ and ‘no.’ Got it? Yes and no answers only. I’ll run up to my room. I’m gonna call one of the others to meet us at the bookstore. You’re already driving me nuts.” I stood by the table. There was a primitive computer on the table. It even had a solid, two-dimensional screen. And a keyboard! An actual keyboard. I touched the keyboard. It was amazing. Andalite computers once had keyboards, too. Although ours were very different. And it had been centuries since we’d used them. On the screen of the computer was a game. The object of the game was to spot the errors in a primitive symbolic language and correct them. Of course, before I could play I had to make sense of the system. But that was simple enough. Once I understood the system, it was easy to spot the errors. I quickly rewrote it to make sense out of it. I said to myself. “Hello?” I turned around. It was an older human. He was paler than Marco, but other features were similar. Marco had warned me to say nothing to his father but “yes” and “no.” “No,” I said to Marco’s father. “I’m Marco’s dad. Are you a friend of his?” “Yes.” “What’s your name?” “No,” I answered. “Your name is ‘No’?” “Yes.” “That’s an unusual name, isn’t it?” “No.” “It’s not?” “Yes.” “Yes, it’s not an unusual name?” “No.” “Now I’m totally confused.” “Yes.” Marco’s father stared at me. Then, in a loud voice, he yelled, “Hey, Marco? Marco? Would you . . . um . . . your friend is here. Your friend ‘No’ is here.” “No,” I said. “Yes, that’s what I said.” Marco came running down the stairs. “Whoa!” he cried. “Um, Dad! You met my friend?” “No?” Marco’s father said. “What?” Marco asked. Marco’s father shook his head. “I must be getting old. I don’t understand you kids.” “Yes,” I offered.

The Pakistani film International Gorillay (International guerillas), produced by Sajjad Gul, told the story of a group of local heroes - of the type that would, in the language of a later age, come to be known as jihadis, or terrorists - who vowed to find and kill an author called "Salman Rushdie" . The quest for "Rushdie" formed the main action of the film and "his" death was the film's version of happy ending. "Rushdie" himself was depicted as a drunk, constantly swigging from a bottle, and a sadist. He lived in what looked very like a palace on what looked very like an island in the Philippines (clearly all novelists had second homes of this kind), being protected by what looked very like the Israeli Army (this presumably being a service offered by Israel to all novelists), and he was plotting the overthrow of Pakistan by the fiendish means of opening chains of discotheques and gambling dens across that pure and virtuous land, a perfidious notion for which, as the British Muslim "leader" Iqbal Sacranie might have said, death was too light a punishment. "Rushdie" was dressed exclusively in a series of hideously coloured safari suits - vermilion safari suits, aubergine safari suits, cerise safari suits - and the camera, whenever it fell upon the figure of this vile personage, invariably started at his feet and then panned [sic] with slow menace up to his face. So the safari suits got a lot of screen time, and when he saw a videotape of the film the fashion insult wounded him deeply. It was, however, oddly satisfying to read that one result of the film's popularity in Pakistan was that the actor playing "Rushdie" became so hated by the film-going public that he had to go into hiding. At a certain point in the film one of the international gorillay was captured by the Israeli Army and tied to a tree in the garden of the palace in the Philippines so that "Rushdie" could have his evil way with him. Once "Rushdie" had finished drinking form his bottle and lashing the poor terrorist with a whip, once he had slaked his filthy lust for violence upon the young man's body, he handed the innocent would-be murderer over to the Israeli soldiers and uttered the only genuinely funny line in the film. "Take him away," he cried, "and read to him from The Satanic Verses all night!" Well, of course, the poor fellow cracked completely. Not that, anything but that, he blubbered as the Israelis led him away. At the end of the film "Rushdie" was indeed killed - not by the international gorillay, but by the Word itself, by thunderbolts unleashed by three large Qurans hanging in the sky over his head, which reduced the monster to ash. Personally fried by the Book of the Almighty: there was dignity in that.

Wyatt." She tore it open and stood there, drinking him in.Just the sight of him had her heart doing a happy dance in her chest. "Don't throw me out." He lifted a hand. "I come in peace.With food." When she didn't say a word he added, "Pizza.With all your favorite toppings.Sausage, mushrooms, green..." "Well,then." To hide the unexpected tears that sprang to her eyes,she turned away quickly. "Since you went to so much trouble,you may as well come in." "It was no trouble.I just rode a hundred miles on my Harley,fought my way through the smoke screen at the Fortune Saloon,had to fend off Daffy's attempts to have her way with me, and discovered that I'd left my wallet back at the ranch,which meant I had to sign away my life before Vi would turn over this pizza,wine,and dessert. But hey, no trouble at all.It's the sort of thing I do nearly every day." He followed her to the kitchen, where he set down the pizza box and a brown bag. He glanced over at the stove. "Are you going to lift that kettle, or did I interrupt you making a recording of you whistling along with it in harmony?" Despite her tears,she found herself laughing hysterically at his silly banter. Oh,how she'd missed it. He set the kettle aside.The sudden silence was shocking. Because she had her back to him, he fought the urge to touch her.Instead he studied the way her shoulders were shaking. Troubled,he realized he'd made her cry. "Sorry." Deflated,his tone lowered. "I guess this was a bad idea." "Wyatt." He paused. "It was a good idea.A very good idea." She turned,and he saw the tears coursing down her cheeks. "Oh,God,Marilee,I'm sorry.I didn't mean to make you..." "I'm not crying." She brushed furiously at the tears. "I mean I was,but then you made me laugh and..." "This is how you laugh?" He caught her by the shoulders and held her a little away. "Woman,I didn't realize just how weird you are. Wait a minute.Do you think being weird might be contagious? Maybe I ought to get out of here before I turn weird,too." The more she laughed,the harder the tears fell. Through a torrent of tears she wrapped her arms around his waist and held on, burying her face in his neck. "You can't leave.I won't let you." He tipped up her face,wiping her tears with his thumbs. "You mean that? You really don't want me to go?" "I don't.I really want you to stay, Wyatt." "For dinner?" "And more." "Dessert?" "And more." His smile was quick and dangerous. "I'm beginning to like the 'and more.'" She smiled through her tears. "Me,too." "Maybe we could have the 'and more' as an appetizer, before the pizza." Her laughter bubbled up and over, wrapping itself around his heart. "Oh, how I've missed your silly sense of humor." "You have?" "I have.I've missed everything about you." "Everything?" He leaned close to nibble her ear,sending a series of delicious shivers along her spine. "Everything." Catching his hand,she led him to the bedroom. "I worked very hard today making up the bed with fresh linens. Want to be the first to mess it up?" He looked from the bed to her and then back again. "Oh,yeah." He drew her close and brushed her mouth with his. Just a soft,butterfly kiss, but she felt it all the way to her toes. "I mean I want to really, really mess it up." "Me,t..." And then there was no need for words.

I sip something called the Blue Screen of Death, which is in fact neon-blue, with a bright LED winking inside one of the ice cubes.

for such nuance, and he knew that being dissociated from schizophrenia merely by degree could be fatal for his credibility. There was nothing he could do, though, so he rose again from the couch, muted the TV, and elected to do the only productive thing he could think of. With a new-found determination, Dan fetched the folder from under his bed and lifted out the unreadable German letter. All of the talk about wartime activity led Dan to think that this letter might be from the 1940s. It would almost explain the stupid writing, he thought. With that in mind he ran each of the letter’s pages through his scanner and looked at the images on his computer, zoomed to a size that helped him identify some of the calligraphic touches as particular letters. The first complete word Dan found — aided initially by the umlaut — was, ominously, Führer. He then successfully identified a few more words from the first page, becoming quite good at spotting instances of “ein” and “eine”. Further progress was hard to come by, though, and Dan soon couldn’t help but feel like he was running through treacle; getting nowhere despite applying himself totally. Dan looked at the time in the top corner of his computer’s screen and did a double take when he saw that more than 90 minutes had passed since he turned it on. He saved his annotated progress and decided to call it a night. The computer chimed as it powered off, which struck Dan as odd, but he shrugged it off. As he walked to turn off the TV — now replaying Billy Kendrick’s tenacious interview from immediately after Richard’s press conference — Dan heard the chime again. Doorbell, he realised. Dan stayed still. In the unlikely event that Mr Byrd had come to check on him this late, he would say so. He usually called through the door. No voice came. After a long gap that left Dan thinking that the caller had gone, he heard three rushed knocks on the window. “Dan McCarthy,” the visitor shouted at the glass. The high-pitched voice sounded vaguely familiar but was heavily muffled by the window. Beginning to realise that the visitor wasn’t going away any time soon, Dan walked towards the door. When he got there he heard footsteps on the other side, and then someone lowering themselves to the ground. “Dan McCarthy!” a chirpy voice called through the gap at the bottom of his door. He recognised it now. After a few seconds, Dan opened the door and saw a smartly dressed young woman crouched to the ground with her head on his doormat. She jumped to her feet, smiling warmly. “Dan McCarthy,” she said, holding out her hand. “Emma Ford. From the phone, remember?

Brian Chesky sends to all Airbnb employees is a powerful one. “You have to continue to repeat things” Brian told our class at Stanford. “Culture is about repeating, over and over again, the things that really matter for your company.” Airbnb reinforces these verbal messages with visual impact as well. Brian hired an artist from Pixar to create a storyboard of the entire experience of an Airbnb guest, from start to finish, emphasizing the customer-centered design thinking that is a hallmark of its culture. Even Airbnb conference rooms tell a story; each one is a replica of a room that’s available for rent on the service. Every time Airbnb team members hold a meeting in one of those rooms, they are reminded of how guests feel when they stay there. At Amazon, Jeff Bezos famously bans PowerPoint decks and insists on written memos, which are read in silence at the beginning of each meeting. This memo policy is one of the ways that Amazon encourages a culture of truth telling. Memos have to be specific and comprehensive, and those who read the memos have to respond in kind rather than simply sit through some broad bullet points on a PowerPoint deck and nod vague agreement. Bezos believes that memos encourage smarter questions and deeper thinking. Plus, because they’re self-contained (rather than requiring a person to present a deck), they are more easily distributed and consumed by a wider population within Amazon. The late Steve Jobs used architecture as a core part of his deliberate communications strategy at Pixar. He designed Pixar headquarters so that the front doors, main stairs, main theater, and screening rooms all led to the atrium, which contained the café and mailboxes, ensuring that employees from all departments and specialties would see people from other groups on a regular basis, thus reinforcing Pixar’s collaborative, inclusive culture.

hundred mile journey. He had little cash left. No ATMs were working and nothing was open anyway. They approached a motel, its sign said ‘Vacancies’. His mood lifted. Hungry and tired, they approached a door which hung askew, hanging on just one hinge. Bill walked into a deserted reception area. A few keys hung on hooks behind the desk. He grabbed a couple and walked through to a small dining area. It too was deserted. A door at the back led through to a kitchen. Its doors were wide open. Not a morsel of food was left. They walked through and out into the courtyard. The keys were surplus to requirements, every door was wide open. Each room had been picked bare. The flat screen TVs that were advertised were nowhere to be seen, likewise the coffee makers and radios. However, the beds were still there. What the thieves could have done with the electrical equipment without power seemed irrelevant. They would sleep in a bed, hungry, but a lot more comfortable than they had been for the previous two nights. Bill settled Mike and Lauren into one room and told them to keep the door closed. He couldn’t buy food but he could damn well hunt for it. He walked out of the motel, across the almost desolate highway and with a vast expanse of open ground before him, settled down and waited for a target. It wasn’t long in coming. A deer came into his sights, over eight hundred yards away, but well within his range. He heard a rustle behind him but remained on target and fired. The deer went down, an instant kill. “That’s damn fine shooting, sir,” said a voice from behind. Bill had heard the two men approach but hadn’t wanted to turn and risk missing the deer. They had been almost silent in their approach, understanding what he was doing. They were hunters themselves. “Thanks,” he said, turning to greet them. “Too much for us though, happy to share.” “No that’s okay, friend, we’re fine,” they said, much to his astonishment. He was actually wondering if they would have let him have any without a fight. “Are you sure? It’s too big for me to carry all this way. I’m afraid I’m just going to cut what I need and leave the rest. By the time I come back, I imagine it’ll be picked clean.” “We were just driving past and saw you line up that shot. That is really impressive shooting.” “You’ve got gas?” asked Bill, surprised. “Friend, we have everything you can imagine, food, gas, what we don’t have much of is folks that shoot as fine as that over that distance.” “Okay,” said Bill suspiciously. “We’re a couple of miles ahead of our main party, how’d you fancy joining us?” “Joining you for what?” “Teaching these Chinese bastards that they fucked with the wrong country!” spat the one that had remained quiet up until then. Bill could see why the other one had done most of the talking. He had also probably done his fair share of teaching the Chinese or at least their president that they had messed with the wrong country. “I’ve got a niece who’d have to come with us, and her boyfriend,” he said. He wouldn’t miss the chance of helping in any way he could, but he wouldn’t leave Lauren to fend for herself. “What age?” “They’re in their twenties.” “Can they shoot?” “Absolutely!” “Welcome to the Patriotic Guard of America, friend, Montana Division,” said the man smiling widely. “Next stop, Washington!” Chapter 77 General Petlin’s desk was littered with updates from across America.

I surface from the simulation with a heavy feeling in the pit of my stomach. I detach from the wires and get up. She’s still recovering from the sensation of almost drowning, shaking her hands and taking deep breaths. I watch her for a moment, not sure how to say what I need to say. “What?” she says. “How did you do that?” “Do what?” “Crack the glass.” “I don’t know.” I nod, and offer her my hand. She gets up without any trouble, but she avoids my eyes. I check the corners of the room for cameras. There is one, just where I thought it would be, right across from us. I take her elbow and lead her out of the room, to a place where I know we won’t be observed, in the blind spot between two surveillance points. “What?” she says irritably. “You’re Divergent,” I say. I haven’t been very nice to her today. Last night I saw her and her friends by the chasm, and a lapse in judgment--or sobriety--led me to lean in too close, to tell her she looked good. I’m worried that I went too far. Now I’m even more worried, but for different reasons. She cracked the glass. She’s Divergent. She’s in danger. She stares. Then she sinks against the wall, adopting an almost-convincing aura of casualness. “What’s Divergent?” “Don’t play stupid,” I say. “I suspected it last time, but this time it’s obvious. You manipulated the simulation; you’re Divergent. I’ll delete the footage, but unless you want to wind up dead at the bottom of the chasm, you’ll figure out how to hide it during the simulations! Now, if you’ll excuse me.” I walk back to the simulation room, pulling the door closed behind me. It’s easy to delete the footage--just a few keystrokes and it’s done, the record clean. I double-check her file, making sure the only thing that’s in there is the data from the first simulation. I’ll have to come up with a way to explain where the data from this session went. A good lie, one that Eric and Max will actually believe. In a hurry, I take out my pocketknife and wedge it between the panels covering the motherboard of the computer, prying them apart. Then I go into the hallway, to the drinking fountain, and fill my mouth with water. When I return to the simulation room, I spit some of the water into the gap between the panels. I put my knife away and wait. A minute or so later, the screen goes dark. Dauntless headquarters is basically a leaky cave--water damage happens all the time.

The teams followed her from the third-floor railing to the nearby Electronic Learning Center. All the video games and flight simulators were dark. The arcade was eerily quiet. Kyle noticed something new in what had always been his favorite room in the library: One whole wall was covered, floor to ceiling, with a panoramic (but blank) video screen. As Kyle squinted at the wide swath of shiny white, he noticed a series of evenly spaced glowing green LEDs at eye level on the wall.

The screen is encroaching on the eye, from TVs to computer monitors to phone screens to smart watches to VR goggles to tiny LEDs that project images onto the retina to neural implants that communicate directly with the optic nerve.

The agent that exhibited human social behaviors such as gestures and changes in facial expressions promoted best learning. The static agent actually led to less learning than no agent. Perhaps the static agent became a distracting screen element?

But luck came Prannoy Roy’s way, when his longtime friend Arun Jaitley became the Information and Broadcasting Minister in October 1999 in the Vajpayee Government. All CBI moves to act against NDTV and Prannoy Roy for looting Doordarshan were put in the deep freezer. CBI could not move an inch because Jaitley as MIB totally blocked the actions of the investigating agency and it could not file a charge sheet in the case. And after 14 years, the CBI in 2013, during Sonia Gandhi led UPA regime filed closure report in trial court. The rest is history-The savior Jaitley continued to be present in NDTV screens with his off and on exclusive interviews.

trying to get their stories filed without getting stuck here on OT.” A few of Sarah’s coworkers glanced up from their screens as she guided Dez and Sully through the newsroom, a couple of the women offering gleeful waves. Dez imagined Sully was a regular topic of conversation amongst some of the staff around here these days. Sarah led them into a large room filled with shelves and cabinets, then through to a row of microfiche machines and a lone computer. Dez eyed the microfiche

Enhancing our memory is just the beginning. When you express an idea in writing, it’s not just a matter of transferring the exact contents of your mind into paper or digital form. Writing creates new knowledge that wasn’t there before. Each word you write triggers mental cascades and internal associations, leading to further ideas, all of which can come tumbling out onto the page or screen.V Thinking doesn’t just produce writing; writing also enriches thinking. There is even significant evidence that expressing our thoughts in writing can lead to benefits for our health and well-being.11 One of the most cited psychology papers of the 1990s found that “translating emotional events into words leads to profound social, psychological, and neural changes.” In a wide range of controlled studies, writing about one’s inner experiences led to a drop in visits to the doctor, improved immune systems, and reductions in distress. Students who wrote about emotional topics showed improvements in their grades, professionals who had been laid off found new jobs more quickly, and staff members were absent from work at lower rates. The most amazing thing about these findings is that they didn’t rely on input from others. No one had to read or respond to what these people wrote down—the benefits came just from the act of writing.

In a small, stuffy, perpetually dark, hot-plastic-scented wiring closet, in a cubicled office suite leased by Novus Ordo Seclorum Systems Incorporated, sandwiched between an escrow company and a discount travel agent in the most banal imaginable disco-era office building in Los Altos, California, a modem wakes up and spews noise down a wire. The noise eventually travels under the Pacific as a pattern of scintillations in a filament of glass so transparent that if the ocean itself were made out of the same stuff, you’d be able to see Hawaii from California. Eventually the information reaches Randy’s computer, which spews noise back. The modem in Los Altos is one of half a dozen that are all connected to the back of the same computer, an entirely typical looking tower PC of a generic brand, which has been running, night and day, for about eight months now. They turned its monitor off about seven months ago because it was just wasting electricity. Then John Cantrell (who is on the board of Novus Ordo Seclorum Systems Inc., and made arrangements to put it in the company’s closet) borrowed the monitor because one of the coders who was working on the latest upgrade of Ordo needed a second screen. Later, Randy disconnected the keyboard and mouse because, without a monitor, only bad information could be fed into the system. Now it is just a faintly hissing off-white obelisk with no human interface other than a cyclopean green LED staring out over a dark landscape of empty pizza boxes. But there is a thick coaxial cable connecting it to the Internet. Randy’s computer talks to it for a few moments, negotiating the terms of a Point-to-Point Protocol, or PPP connection, and then Randy’s little laptop is part of the Internet, too; he can send data to Los Altos, and the lonely computer there, which is named Tombstone, will route it in the general direction of any of several tens of millions of other Internet machines.

In 2018 a group of psychologists led by J. D. W. Clifton published the results of a five-year study, for which they analyzed enormous amounts of internet data looking for major trends in human attitudes. They found that our culture is divided between people who see the universe as dangerous, frightening, and meaningless, and those who see it as “safe, enticing, and alive.” The researchers called these two perspectives “primal world beliefs.” They described how, because perception is selectively screened and interpreted according to belief systems, people in either camp can find abundant evidence to support their worldviews.

MY LOVE, The day Prometheus breathed life into the new me, was the day you arrived in a little box. A shiny, futuristic black box, Pandora's box, despite my doubts I couldn't help but open it to finally meet you. Doubts, because I was happy with who I was, with who I saw looking at me through the eyes of others I presented myself to in everyday life. But I was seduced by the worlds that were promised to me if I let you into my life, who I would be with you in my pocket. As soon as the lid came off and I swiped my fingers over your radiant surface for the first time, the world and I were bursting at the seams. What a creation we were together, to what sized we grew! My brain an encyclopedia, my body an unerring compass, my eyes and ears reaching infinitely with you as an extension of myself. Through you, I, the cyborg, could enter bewilderingly virtual spaces in which I was presently absent, meanwhile absently present in the material world of boring train rides, waiting lines, and mindless chit chats with others. I felt invincible, transformed into a citizen of the world because of you, an intellectual of unimaginable proportions for the vast sea of knowledge you allowed me to surf on, a public speaker and influencer of significance because my words and visual snippets of my days could be launched into the world with the flick of a finger, likes enticing and confirming me. How intoxicating! How wonderfully, pleasantly, intoxicating! But I can't help but sometimes lie awake at night, my internal clock slowing down with your seductive blue light illuminating my face with 2, 457, 600 (1920×1080) LED suns. In those moments, as my eyes are captivated by your glow, I can't help thinking about the time before you arrived, and how I sometimes miss my low definition self. You were always there, sometimes it feels like we are in fact one — finally reunited with my other Plato's half, fused into not a circle but a perfect black rectangle. Through your eyes I see the world and myself in Ultra-HD, my pixel density has never been so high. But you are sometimes vicious, my dear — a viper, a temptress, when then again with sweet codes you reflect my most beautiful self, and I cannot help but love me through your gaze, then again with suffocating algorithms you fragment my self and blow it up to grotesque self-distortions, hurling me into an endless me-loop, that eventually disgusts and alienates me. In those moments you are a distorting mirror, a frightening black box, a black hole that swallows my attention in ways I can't see through. I see my old self disappearing in the vague, dark reflection of myself, with double chin and dull eyes, which I sometimes catch in your black glass when your suns stop dazzling me for a split second. And I can't help but wonder if my 'self' in times of its digital recombination, in which the 'I' is a fragmented multitude of pixels that never fully touch at their sides, a simulacrum, maybe has lost some of its aura. But in the morning all is forgotten, my love, all is well. As soon as we merge back into one, as soon as I, panicked, reach for my pocket on the train, only to discover with a glow of relief that you were there after all, I can't imagine an "I" without you. Artificial by nature my self resides within your screen, I would be lost without you.

There were three small thirty-inch televisions in his office, all fastened to the wall above the desk, so he could work on the iMac and watch C-SPAN, Fox, and CNN all at once. A sixty-inch LED screen hung on the living room wall opposite the couch where he’d been napping.

I focus just fine.” Alec slowed as they entered the small university town, took the turns that led him past Washington State University and onto the highway that led to the neighboring town of Moscow. “Nobody who’s spent as many hours in front of a computer screen and drunk as much Dr. Pepper as I have in my life can be accused of not being able to focus.” “You need to focus on what matters,” Gabe said quietly, serious now. “Your inner life.” “Thank you, Deepak Chopra,” Alec said tersely. “I don’t have a whole lot of desire right now to look at my inner life.

Open your eyes Harper.” The first thing I saw was his anxious expression in the mirror. He was worrying his lip waiting for my reaction. I inhaled quickly and his body locked up when I looked down to my left side. It was beautiful. There were four large orange lilies wrapped around my hip, and I couldn’t believe how amazing they looked. I stepped closer and took in the perfect shading and detail to each flower. From the sketches I’d looked at and his drawing of me, I had known Chase was amazing, but I’d never thought he could make something like this look so real. His forced swallow was audible, and I realized I still hadn’t said anything. But there were absolutely no words. First my ring, and now this? Did anything get past him? I turned to face him and ran a hand through his messy hair. “Please tell me what you’re thinking.” Unfortunately, I wasn’t. I crushed my mouth to his and he quickly deepened the kiss. Right away the other tattoo artists started hooting and yelling for us to get a room. I pulled back and knew there was nothing I could do about the deep blush on my face. Chase led me back to his table and put ointment and a wrap over my tattoo before fixing my shirt, he was all smiles. “What made you choose those?” He beamed his white smile at me, “I heard you talking to Bree and Mom about them being your favorite. And ever since that day all I’ve wanted to do was get you orange lilies, but I knew I’d probably get punched again. This was my way around it.” “It looks amazing Chase, thank you.” He shrugged, but he still couldn’t contain that smile. “I’m serious.” I grabbed his face with both hands and brought him close, “I love it, thank you.” Chase kissed me once and skimmed his nose across my cheek. “God, you’re beautiful Harper.” My phone rang then, Brandon’s name flashed on the screen. “Hey babe.” “Hey, how’s the tattoo look?” “Um, it’s not done yet, can I call you after?” “I’m going out with some buddies from high school, I’ll just talk to you tomorrow, kay? But send me a picture when it’s done. I love you.” My stomach clenched, “I love you too. Have fun tonight.” I pressed the end button and looked up at Chase’s closed off expression. “Chase –” “So you’ll need to go buy some anti-bacterial soap to clean it.” “Please talk to me.” “I’m trying. Look, here are some aftercare instructions. Don’t take the wrap off for at least an hour. If anything looks wrong give me a call.” He dropped the paper on my stomach and stepped back. “Chase!” “I have another appointment, and he’s waiting. I’ll see you later.” I looked into his guarded eyes and exhaled deeply, “What do I owe you?” “Nothing. It was a gift. But I’m busy, please go.

Steps led up to the sanctuary, its two side chapels obscured by wooden screens elaborately adorned with carvings in wood and ivory. He could barely discern the canopied high altar or the apse with worn steps on which the priests of ancient times used to sit. Somewhere below his feet, beneath the cool flagstones, was the flooded crypt where it was believed the infant Jesus had taken shelter.

Their era was ending when Jim Clyman got to Independence in ’44 and found Bill Sublette, who had first taken wagons up the Platte Valley in 1830, now taking invalids to Brown’s Hole for a summer’s outing. It was twenty-one years since Jim had first gone up the Missouri, forty years since Lewis and Clark wintered at the Mandan villages, thirty-three years since Wilson Hunt led the Astorians westward, twenty years since Clyman with Smith and Fitzpatrick crossed South Pass, eighteen years since Ashley, in the Wasatch Mountains, sold his fur company to Smith, Sublette, and Jackson. Thirty-two years ago Robert McKnight had been imprisoned by the Spanish for taking goods to Santa Fe. Twenty-three years ago William Becknell had defied the prohibition and returned from Santa Fe in triumph. Eighteen years ago the Patties had got to San Diego by the Gila route and Jed Smith had blazed the desert trail to San Bernardino Valley; fourteen years ago Ewing Young, with Kit Carson, had come over the San Bernardino Mountains, making for the San Joaquin. There had been a trading post at the mouth of Laramie Creek for just ten years. Bent’s Fort was fifteen years old. Now the streams were trapped out, and even if beaver should come back, the price of plews would never rise again. There were two or three thousand Americans in Oregon, a couple of hundred in California, and in Independence hundreds of wagons were yoking up. Bill Sublette and Black Harris were guiding movers. Carson and Fitzpatrick were completing the education of John Charles Frémont. Forty years since Lewis and Clark. Think back to that blank paper with some names sketched in, the Wind River peaks, the Tetons, the Picketwire River, the Siskidee, names which, mostly, the mountain men sketched in — something under a million square miles, the fundamental watershed, a thousand mountain men scalped in this wilderness, the deserts crossed, the trails blazed and packed down, the mountains made known, the caravans carrying freight to Santa Fe, Bill Bowen selling his place to go to Oregon, half a dozen wagonwrights setting up at Independence … and, far off, like a fly buzzing against a screen, Joe Meek’s cousin, Mr. Polk, preparing war. Whose country was it? III Pillar of Cloud ALL through February Congress debated the resolution to terminate the joint occupancy of Oregon, and by its deliberation, Polk thought, informed the British that we were irresolute.

We didn’t expect children are using the devices from the age of 6 months,” Dr. Hilda Kabali, a pediatrics resident who led the study, said in a statement. “Some of the children were using the screen for as long as 30 minutes.

Far from the political limelight, however, on the National Security Council, a handful of discreet officials led by Matt Pottinger, a former journalist and Marine, who eventually rose to become Trump’s deputy national security advisor, were transforming America’s policy toward China, casting off several decades of technology policy in the process. Rather than tariffs, the China hawks on the NSC were fixated on Beijing’s geopolitical agenda and its technological foundation. They thought America’s position had weakened dangerously and Washington’s inaction was to blame. “This is really important,” one Trump appointee reported an Obama official telling him during the presidential transition, regarding China’s technological advances, “but there’s nothing you can do.” The new administration’s China team didn’t agree. They concluded, as one senior official put it, “that everything we’re competing on in the twenty-first century… all of it rests on the cornerstone of semiconductor mastery.” Inaction wasn’t a viable option, they believed. Nor was “running faster”—which they saw as code for inaction. “It would be great for us to run faster,” one NSC official put it, but the strategy didn’t work because of China’s “enormous leverage in forcing the turnover of technology.” The new NSC adopted a much more combative, zero-sum approach to technology policy. From the officials in the Treasury Department’s investment screening unit to those managing the Pentagon’s supply chains for military systems, key elements of the government began focusing on semiconductors as part of their strategy for dealing with China.

Rogers's embrace of reality also included breaking one of the established rules of television, a prohibition against footage that is essentially empty. While Sesame Street used fast pacing and quick-cut technique to excite and engage young viewers and keep them glued to the screen, Fred Rogers deliberately headed in the opposite direction, creating his own quiet, slow-paced, thoughtful world, which led to real learning in his view...Silence - Fred's willingness, as a producer and as a person, to embrace quiet, inactivity, and empty space -- and his calm demeanor were completely unexpected...They were qualities that captivated children and their parents.

but not in the way it is intended to be.3 For an example of a chain of unintended uses, let us start with Phase One, the computer. The mathematical discipline of combinatorics, here basic science, derived from propositional knowledge, led to the building of computers, or so the story goes. (And, of course, to remind the reader of cherry-picking, we need to take into account the body of theoretical knowledge that went nowhere.) But at first, nobody had an idea what to do with these enormous boxes full of circuits as they were cumbersome, expensive, and their applications were not too widespread, outside of database management, only good to process quantities of data. It is as if one needed to invent an application for the thrill of technology. Baby boomers will remember those mysterious punch cards. Then someone introduced the console to input with the aid of a screen monitor, using a keyboard. This led, of course, to word processing, and the computer took off because of its fitness to word processing, particularly with the microcomputer in the early 1980s. It was convenient, but not much more than that until some other unintended consequence came to be mixed into it. Now Phase Two, the Internet. It had been set up as a resilient military communication network device, developed by a research unit of the Department of Defense called DARPA and got a boost in the days when Ronald Reagan was obsessed with the Soviets. It was meant to allow the United States to survive a generalized military attack. Great idea, but add the personal computer plus Internet and we get social networks, broken marriages, a rise in nerdiness, the ability for a post-Soviet person with social difficulties to find a matching spouse. All that thanks to initial U.S. tax dollars (or rather budget deficit) during Reagan’s anti-Soviet crusade.

Not meaning to disrespect the Lincolns in any way, but they’re looking into this because they’re paid to look into it. Not because they necessarily think there’s anything to go on.” He paused. “However, if they come up with something solid. I mean solid. Real proof a crime has been committed here. Something that will stand up in court, then we’ll take another look. But until then …” He closed the file folder in front of him with a swish, sat back, adjusted his navy-blue tie, and looked at Hank. Hank studied Diego a moment and then finally stood. “All right. Thanks, Captain,” he said reluctantly as he turned and left the room. Hank knew Diego had done the logical thing. As head of the Richmond Hill Police Department, Captain Diego had worked his way up through the ranks and was well respected by the men under him. That wasn’t to say Diego was always right, of course, but he was the captain. He sighed and stabbed speed dial on his cell phone. “Jake here.” “Hey, Jake, the captain closed the file. Mrs. Macy’s death has officially been labeled a suicide by the coroner.” “So the investigators found nothing either?” Jake asked. “Nope. I have all the reports right here. If you guys are going to be home for a while, I’ll drop them over.” “Sure,” Jake said. “We’re here now. Come on over.” “Be right there.” Hank touched the cell phone and ended the call, shoving it into his pocket. He made photocopies of the papers, went to his desk, and slipped them into his briefcase. Before leaving, he poked his head back into Diego’s office. “Can we at least have an autopsy done?” he asked. Diego sighed. “All right. I’ll get the coroner to do a full autopsy. Then we’ll close the case.” “Thanks, Captain,” Hank said. He turned and left the precinct. Thursday, August 18th, 9:22 a.m. JAKE SWUNG the front door open when Hank knocked. “Come on in. Annie’s in the kitchen. There’s some fresh coffee on.” He led the way and Hank followed. Annie greeted Hank with a smile as he and Jake dropped into chairs at the kitchen table. Jake slouched back, using another chair to prop up his feet, while Annie poured three steaming mugs of coffee. She set them on the table with cream and sugar and sat at the end. Hank opened his briefcase and removed the folder of reports. He dropped them on the table in front of Annie. “It’s all here,” he said. “Police report. Coroner’s report. Doctor’s report. Drug screen.” Annie flipped open the folder and browsed the papers while Hank and Jake prepared their coffee. Lots of sugar in

A video wall is a multi-display wall that’s created by joining multiple screens together to display a larger image or windows of multiple images. The display technology can be LCD or LED panels, tiles, cubes, or projection screens.

Look, sir,” Franchesca said, her cheeks still flaming. “We just slipped away from the party and got carried away. Aiden stepped in front of her. He couldn’t tell exactly where the guard’s gaze was falling, but he imagined it had to be somewhere around Frankie’s heaving chest. “It’s my fault. I got carried away,” he said, offering the man a chagrined smiled. “I’m sure it’s not the worst you’ve seen tonight.” The guard stared blankly for another moment. Aiden felt Frankie grab the back of his jacket with both hands. “I just caught two girls skinny-dipping in the lobby fountain ten minutes ago,” the guard announced. “Go on back to the party, and keep your clothes on.” “Will do,” Aiden promised. Frankie’s eyes were as wide as big screen TVs as they hurried past the guard onto a path that led to the crowded terrace that served as a dancefloor. “Well that was easy,” he said. He reached up and picked a leaf out of Frankie’s hair. He was starting to wonder if he was obsessed with her hair. The thick, dark curtain that fell in curling waves. He wanted to bury his face in it. “Easy?” she hissed, slapping his hand away. “Well, you didn’t have to flash anyone this time,” Aiden pointed out. Her gasp was worth the anticipation. “You saw me?

Above all, there was a belief in the revolution and the future, a feeling of having suddenly emerged into an era of equality and freedom. This is what we’re after. This is worth giving up the rooting-tooting boots for: belief, togetherness, equality. This is why people get obsessed with festivals, or clubs, or drugs, or football, or other temporal approximations of togetherness; these distilled vials of the elixir are craved by our starved souls. I’m as materialistic as the next man, probably more, given that the next man is George Orwell, and I am prepared to relinquish my trinkets for a shot at living in that ramshackle paradise. Human beings were trying to behave as human beings and not as cogs in the capitalist machine. Orwell wrote this in the mid-thirties. Consider how radically capitalism has advanced since then. In his great dystopian fiction 1984, Orwell described a totalitarian regime where humans were constantly observed, scrutinized, and manipulated, where freedom had been entirely eroded, omnipotent institutions dominated, and every home glowed with the mandatory TV screen streaming state-sponsored data. Well, he was spot on, aside from a bit of glitter and the fact that we voluntarily install our own screens. Orwell saw this brief period in Spanish history as a potential template for an alternative future. Ordinary workers took over their businesses and factories and ran them democratically. Naturally, they were brutally massacred by a multitude of enemies—the fascists, communists, and liberal democracies all coiled about them in a terrified asphyxiating clench. I’d never heard of this Revolution. The reason for this is, of course, that it’s so fucking inspiring. The Revolutions that we’re taught about are ones that wind neatly back to repression of one flavor or another and convey the bleak, despairing narrative that makes the forms of impoverishment we live with now, whether financial or spiritual, seem preferable. No one, absolutely no one, will tell you that an alternative is possible, and the ways and means are strewn all about us. A lot of other political struggles and social uprisings labeled “Revolutions” are, in my mind, unworthy of the term, in that they were simply a hegemonic exchange. Whether it’s the Russian Revolution, which led to Stalinism, or the American Revolution, which led to corporate oligarchy. The Revolution we advocate ought to have two irrefutable components: 1) nonviolence, and 2) the radical improvement of the quality of life for ordinary people.

Such interoceptive prodding was visible during a gambling game that formed the basis of an experiment led by neuroscientist Antonio Damasio, a professor at the University of Southern California. In the game, presented on a computer screen, players were given a starting purse of two thousand “dollars” and were shown four decks of digital cards. Their task, they were told, was to turn the cards in the decks face-up, choosing which decks to draw from such that they would lose the least amount of money and win the most. As they started clicking to turn over cards, players began encountering rewards—bonuses of $50 here, $100 there—and also penalties, in which small or large amounts of money were taken away. What the experimenters had arranged, but the players were not told, was that decks A and B were “bad”—they held lots of large penalties in store—and decks C and D were “good,” bestowing more rewards than penalties over time.

Before entering politics, Reagan was president of the Screen Actors Guild six times between 1947 and 1960. Holden was vice president of the Guild during Reagan’s third term in 1949, when mainland China fell to Communism, and growing tensions led to the Korean War. The two men formed a close bond. On March 4, 1952, Holden was best man and Ardis Ankerson was matron of honor at the wedding of Ronald Reagan and Nancy Davis at Little Brown Church in the San Fernando Valley, Los Angeles.

The résumé-screening model was a failure, but the process that led to its analysis, attempted repair, and eventual abandonment was not.

She felt that, before she went back, she must slip along the pasture fence and explore a certain path which she saw entering the grove of spruce and maple further down. She did—and found that it led straight into Fairyland,—along the bank of a wide, lovely brook—a wild, dear, little path with lady-ferns beckoning and blowing along it, the shyest of elfin June-bells under the firs, and little whims of loveliness at every curve. She breathed in the tang of fir-balsam and saw the shimmer of gossamers high up in the boughs, and everywhere the frolic of elfin lights and shadows. Here and there the young maple branches interlaced as if to make a screen for dryad faces—Emily knew all about dryads, thanks to her father—and the great sheets of moss under the trees were meet for Titania’s couch. “This is one of the places where dreams grow,” said Emily happily.

What’s Slipping Under Your Radar? Word Count: 1096 Summary: Ben, a high-level leader in a multi-national firm, recently confessed that he felt like a bad father. That weekend he had messed up his Saturday daddy duties. When he took his son to soccer practice, Ben stayed for a while to support him. In the process, though, he forgot to take his daughter to her piano lesson. By the time they got to the piano teacher’s house, the next student was already playing. This extremely successful businessman felt like a failure. Keywords: Dr. Karen Otazo, Global Executive Coaching, Leadership Article Body: Ben, a high-level leader in a multi-national firm, recently confessed that he felt like a bad father. That weekend he had messed up his Saturday daddy duties. When he took his son to soccer practice, Ben stayed for a while to support him. In the process, though, he forgot to take his daughter to her piano lesson. By the time they got to the piano teacher’s house, the next student was already playing. This extremely successful businessman felt like a failure. At work, one of Ben’s greatest strengths is keeping his focus no matter what. As a strategic visionary, he keeps his eyes on the ongoing strategy, the high-profile projects and the high-level commitments of his group. Even on weekends Ben spends time on email, reading and writing so he can attend the many meetings in his busy work schedule. Since he is so good at multi-processing in his work environment, he assumed he could do that at home too. But when we talked, Ben was surprised to realize that he is missing a crucial skill: keeping people on his radar. Ben is great at holding tasks and strategies in the forefront of his mind, but he has trouble thinking of people and their priorities in the same way. To succeed at home, Ben needs to keep track of his family members’ needs in the same way he tracks key business commitments. He also needs to consider what’s on their radar screens. In my field of executive coaching, I keep every client on my radar screen by holding them in my thinking on a daily and weekly basis. That way, I can ask the right questions and remind them of what matters in their work lives. No matter what your field is, though, keeping people on your radar is essential. Consider Roger, who led a team of gung-ho sales people. His guys and gals loved working with him because his gut instincts were superb. He could look at most situations and immediately know how to make them work. His gut was great, almost a sixth sense. But when Sidney, one of his team of sales managers, wanted to move quickly to hire a new salesperson, Roger was busy. He was managing a new sales campaign and wrangling with marketing and headquarters bigwigs on how to position the company’s consumer products. Those projects were the only things on his radar screen. He didn’t realize that Sidney was counting on hiring someone fast. Roger reviewed the paperwork for the new hire. It was apparent to Roger that the prospective recruit didn’t have the right background for the role. He was too green in his experience with the senior people he’d be exposed to in the job. Roger saw that there would be political hassles down the road which would stymie someone without enough political savvy or experience with other parts of the organization. He wanted an insider or a seasoned outside hire with great political skills. To get the issue off his radar screen quickly, Roger told Human Resources to give the potential recruit a rejection letter. In his haste, he didn’t consult with Sidney first. It seemed obvious from the resume that this was the wrong person. Roger rushed off to deal with the top tasks on his radar screen. In the process, Sidney was hurt and became angry. Roger was taken by surprise since he thought he had done the right thing, but he could have seen this coming.

The village in fact was like a deep-running cave still linked to its antic past, a cave whose shadows were cluttered by spirits and by laws still vaguely ancestral. This cave that we inhabited looked backwards through chambers that led to our ghostly beginnings; and had not, as yet, been tidied up, or scrubbed clean by electric light, or suburbanized by a Victorian church, or papered by cinema screens. It was something we just had time to inherit, to inherit and dimly know - the blood and beliefs of generations who had been in this valley since the Stone Age. That continuous contact has at last been broken, the deeper caves sealed off forever. But arriving, as I did, at the end of that age, I caught whiffs of something old as the glaciers. There were ghosts in the stones, in the trees, and the walls, and each field and hill had several. The elder people knew about these things and would refer to them in personal terms, and there were certain landmarks about the valley - tree clumps, corners in the woods - that bore separate, antique, half-muttered names that were certainly older than Christian.

Twenty-one years after the release of Kubrick’s film, a strangely similar scene played out in a University of California laboratory—with one major difference. In Alex’s place was an adult cat. Researchers led by Dr. Yang Dan, an assistant professor of neurobiology, anesthetized a cat with Sodium Pentothal, chemically paralyzed it with Norcuron, and secured it tightly in a surgical frame. They then glued metal posts to the whites of its eyes, forcing it to look at a screen. Scene after scene played on the screen, but instead of images of graphic violence, the cat had to watch something almost as terrifying—swaying trees and turtleneck-wearing men. This was not a form of Clockwork Orange–style aversion therapy for cats. Instead, it was a remarkable attempt to tap into another creature’s brain and see directly through its eyes. The researchers had inserted fiber electrodes into the vision-processing center of the cat’s brain, a small group of cells called the lateral geniculate nucleus. The electrodes measured the electrical activity of the cells and transmitted this information to a nearby computer. Software then decoded the information and transformed it into a visual image.

I returned home the evening before Adelaide Modine’s body was found and I attended the autopsy. Call it gruesome curiosity. Now, I’m sorry, Mr. Parker, but I have nothing more to say and a great deal of work to do.” He led me to the door and pushed open the screen to let me out. “You don’t seem particularly anxious to help me find Catherine Demeter, Mr. Hyams.” He breathed in heavily. “Who suggested that you talk to me, Mr. Parker?” “Alvin Martin mentioned your name.” “Mr. Martin is a good, conscientious deputy and an asset to this town, but he is still a comparatively recent arrival,” said Hyams. “The reason why I am reluctant to talk is a matter of client confidentiality. Mr. Parker, I am the only lawyer in this town. At some point, nearly everyone who lives here, regardless of color, income, religious or political belief, has passed through the door of my office. That includes the parents of the children who died. I know a great deal about what happened here, Mr. Parker, more than I might wish to know and certainly much more than I plan to share with you. I’m sorry, but that’s the end of the matter.” “I see. One more thing, Mr. Hyams.” “Yes?” he asked, wearily. “Sheriff Granger lives on this road too, doesn’t he?” “Sheriff Granger lives next door, the house on the right here. This house has never been burgled, Mr. Parker, a fact that is surely not unconnected. Good night.” He stood at the screen door as I drove away. I cast a glance at the sheriff’s house as I passed but there were no lights within and there was no car in the yard. As I drove back to Haven, raindrops began to strike the windshield and by the time I reached the outskirts of the town it had turned into a harsh, ceaseless downpour. The lights of the motel appeared through the rain. I could see Rudy Fry standing at the door, staring out into the woods and the gathering darkness beyond. By the time I had parked, Fry had resumed his position behind the reception desk. “What do folks do around here for fun, apart from trying to run other folks out of town?” I asked. Fry grimaced as he tried to separate the sarcasm from the substance of the question. “There ain’t much to do around here outside of drinking at the Inn,” he replied,

sparkle is on the decline in our lives. “I think there’s a very close connection between sparkle and glare, as there is between love and hate,” he said. Both glare and sparkle come from shiny, reflective surfaces, but while glare feels harsh and distracting, sparkle is more delicate and alive. “With LEDs and screens there’s a tendency for environments to read very flatly,” he said. “I think the world has become seamless in a way that has eliminated glare, but it has also eliminated sparkle.” He believes that this is a subtle reason that it’s hard for digital experiences to feel as celebratory as in-person ones. “Sparkle doesn’t exist in this world,” he said, gesturing to his phone, “because it’s processed through a screen.

Give the people what they want" is only half sound. What they want and what they get are fused by some mysterious alchemy. The press, the lecturer, the screen and the public lead and are led by each other.

Stay right where you are,’ he commanded. ‘Don’t move. Don’t cover yourself.’ Megan’s hands curled into fists by her sides as she watched him slide back the shower screen and step inside to turn on the taps, taking his time to adjust the temperature and the twin shower heads to his satisfaction till he returned to her. ‘Come,’ he said, and took her hand in his. He led her into the middle of the stall, where the streams of water met, positioning her so that the shower rained down like a tropical storm over her, front and back, plastering her hair to her head and travelling over her curves in erotic rivulets. Her gasp was one of surprise, for she’d never imagined water could be so erotic. When she closed her eyes and tipped her head back to clear her hair from her face, the hot spray beat even harder on her uplifted

When asked how they did it, the team revealed their very simple solution: every résumé received from a female applicant automatically led to a phone screen.

That same year, Will Smith returned to the big screen after a hiatus, following 2008’s surprise disappointment, Seven Pounds. He starred in a sequel that Sony had been dying to make for many years. Men in Black 3 was a challenging movie to produce with a mature Will Smith. Now used to being the dominant creative force in his productions, he often demanded repeated changes to scripts and never worked with directors who could wield more power than he did. That was fine for Overbrook-led productions, but it became a challenge on the third Men in Black offering, which was made in a rush, to take advantage of New York tax credits. The production was a nightmare. The unhappy Smith holed up in his fifty-three-foot-long trailer, which featured a screening room, offices for assistants, and an all-granite bathroom, while multiple screenwriters reworked the script again and again. The creative conflicts between the star, his producers, and the studio were so severe that production was halted for three months to resolve them. Greenlit with a budget of $210 million, Men in Black 3 ended up costing $250 million and barely broke even.

In business studies, value is understood as being created inside the company by bringing together managerial expertise, strategic thinking and a dynamic (changing with circumstances) division of labour between workers.3 All this ignores the massive role of government in creating value, and taking risk in the process. In The Entrepreneurial State I argued that Silicon Valley itself is an outcome of such high-risk investments by the state, willing to take risks in the early stages of development of high-risk technologies which the private sector usually shies away from.4 This is the case with the investments that led to the internet, where a critical role was played by DARPA, the Defence Advanced Research Projects Agency inside the US Department of Defense – and also by CERN in Europe with its invention of the World Wide Web. Indeed, not only the internet but nearly every other technology that makes our smart products smart was funded by public actors, such as GPS (funded by the US Navy), Siri (also funded by DARPA) and touch-screen display (funded initially by the CIA). It is also true of the high-risk, early-stage investments made in the pharmaceutical industry by public actors like the National Institutes of Health (NIH) – without which most blockbuster drugs would not have been developed. And the renewable energy industry has been greatly aided by investments made by public banks like the European Investment Bank or the KfW in Germany, with private finance often too risk-averse and focused on short-term returns.

John had recently appeared in the Stones’ Rock and Roll Circus in a supergroup that was an unlikely combination of him, Keith Richards, Eric Clapton, and Mitch Mitchell. It was unrehearsed, and the performance was just a bit of fun really. I was in my booth, way up in the gods, recording the sound for the show, and the area on the set where they were playing was obscured from my view. All was going well until I heard this extraordinary noise that sounded like someone stepping on the cat. I panicked, thinking that a piece of equipment might be malfunctioning, while peering at the screen trying to see if it was adversely affecting the guys onstage. All of a sudden a picture appeared of a small figure with a black bag over its head with a mic cable disappearing into it. It turned out to be Yoko, who had decided to contribute to the proceedings. How anyone could have considered her intrusion to be in any way musical is a complete mystery to me.

Angela Liberatore” Says, Creating a professional website for your therapy center is not just about establishing an online presence; it’s about crafting a digital space that reflects your expertise, cares for your clients, and drives your business forward. In this comprehensive guide, we’ll explore the essential steps and considerations for building and maintaining a professional website that resonates with your audience and supports your therapeutic practice. 1. The Foundation: Understanding Your Audience and Goals Before diving into website design and development, take the time to understand your target audience and define your goals. Who are your ideal clients? What services do you offer, and how do you want them to perceive your therapy center? These foundational questions will shape every aspect of your website. Finding Our Focus When I first started designing the website for my therapy center, I struggled with clarity. I wanted to appeal to everyone seeking therapy, from individuals dealing with anxiety to couples seeking counseling. It wasn’t until I conducted client surveys and consultations that I realized the importance of niching down. By focusing on a specific niche—couples therapy—I was able to tailor my website content and design to attract and engage my target audience effectively. Define Your Unique Selling Proposition (USP) Your Unique Selling Proposition (USP) defines what sets your therapy center apart from others. It could be your specialized expertise, a unique therapeutic approach, or a commitment to client care. Clearly communicate your USP throughout your website to differentiate yourself and attract clients who resonate with your values and offerings. 2. Designing for User Experience (UX): Navigating with Ease A seamless user experience is crucial for keeping visitors engaged and guiding them towards taking action, such as scheduling an appointment or contacting you for more information. Focus on intuitive navigation, clear information hierarchy, and a visually appealing design. Simplifying Navigation Early on, our website had complex navigation that confused visitors. Clients would often struggle to find essential information, such as our services or how to book an appointment. After conducting usability tests and analyzing user behavior, we simplified our navigation menu to include clear sections like “Services,” “About Us,” and “Contact.” This simple change led to a significant increase in engagement and reduced bounce rates. Mobile Responsiveness Matters Ensure your website is fully responsive across all devices, especially mobile phones and tablets. Many potential clients will access your website on their smartphones, so a seamless mobile experience is non-negotiable. Test your website on different devices and screen sizes to ensure it looks and functions flawlessly everywhere. 3. Crafting Compelling Content: Educate and Connect Content is king when it comes to engaging your audience and showcasing your expertise. Your website content should educate visitors about your services, establish your authority in the field, and build trust with potential clients. Sharing Client Success Stories One of the most powerful ways to connect with potential clients is through client success stories. We started a blog where we share anonymized case studies of clients who have benefited from our therapy services. These stories not only demonstrate our expertise but also reassure new clients that they are in capable hands. SEO-Optimized Content Incorporate relevant keywords and phrases throughout your website content to improve your search engine rankings. Consider what potential clients might search for when looking for therapy services in your area. Blogging regularly about topics related to mental health, therapy techniques, and self-care can also boost your website’s visibility in search results.

WhatsApp: +1 (443) 859 - 2886 Email @ digitaltechguard.com Telegram: digitaltechguard.com Website link: digitaltechguard.com The scent of freshly brewed espresso and vintage Led Zeppelin records should have been my retirement anthem. But I was hunched over a computer in my still-under-construction vinyl record cafe, screaming at a blockchain explorer as if it just ridiculed my acoustic session. My life savings, $430,000 worth of Bitcoin, carefully earned over a decade of writing alt-rock ballads for car commercials, vanished into thin air. The culprit? Some smooth "investment manager" who'd promised me "Taylor Swift-level returns" on crypto staking, then bailed faster than my band's 2008 reunion tour.  The scam was a cringe symphony.Guy had a LinkedIn profile dotted with adjectives such as "Web3 maestro" and "DeFi virtuoso," an autotuned elevator jazz playing website, and a contractual loophole big enough to drive a tour bus through. I signed over access like a groupie handing over backstage passes. Poof. Gone. Money. My café's espresso machine sat in its box, accusatorially. My spouse said I needed to "get a real job again." Even my dog gave me the side eye. Enter my drummer, Chad, a guy who had escaped a festival pyro tragedy by jumping into a kiddie pool. He texted me: "Bro, look at Digital Tech Guard Recovery. They're crypto Roadies." I pictured a group of pierced hackers in black hoodies, blowing gum and cracking firewalls. Good enough. Digitals crew followed the scambot's trail with the ferocity of a producer hunting for the perfect bassline. The crook had routed my Bitcoin through privacy coins, obscured wallets, and exchanges located in countries that I couldn't spell. Their engineers stalked his path like a creep watching a pop star's concert tour schedule, in cooperation with Interpol and a Cypriot bank used also as a hub for meme stocks. As it turns out, my "maestro" had become careless, stashing money in a wallet associated with a failed NFT venture named "Aping for Jesus." Typical. Sixteen days later, my wallet beeped. Balance returned. No taunting, only a curt email: "Scammer's assets frozen. Your money's back. Buy better speakers." I blasted "Eye of the Tiger" through the café sound system, shocking a hipster with oat milk. The espresso machine finally came online. Digital Tech Guard Recovery didn't just restore my cryptocurrency; they wrote the encore for my midlife crisis. My café exists today, littered with grail-worthy records on the walls and a tip cup emblazoned "ETH accepted." Chad's no longer on the espresso machine, but he's got free coffee for life. If your cryptocurrency is ever swindled by a cyber rockstar, don't go into existential tailspin. Call the Digitals. They'll turn your faceplant into a victory lap. Just maybe screen your "maestros" harder than your band's setlist.

But Auden was not prepared for the viewers’ reactions to this film. Whenever the Poles appeared on the screen—always as prisoners of the Wehrmacht—the audience would shout, “Kill them! Kill them!” Auden was utterly taken aback. “There was no hypocrisy,” he recalled many years later: these people were unashamed of their feelings and attempted to put no “civilized” face upon them. “I wondered, then, why I reacted as I did against this denial of every humanistic value.” On what grounds did he have a right to demand, or even a reason to expect, a more “humanistic” response? His inability to answer this question, he explained, led him by a circuitous yet sure route back to the Christian faith in which he had been raised.