Leaves Foliage Quotes

Are ye the ghosts of fallen leaves, O flakes of snow, For which, through naked trees, the winds A-mourning go?

the fallen leaves in the forest seemed to make even the ground glow and burn with light

Wind warns November’s done with. The blown leaves make bat-shapes, Web-winged and furious.

As artist Nature splashes color across the vast canvas of the sky with the radiance and splendor of sunrise and sunset. She arches rainbows against the passing storm, creates flowers and foliage, sets autumn woods on fire with the beauty of turning leaves and touches mountaintops with snow crystals.

I felt and saw the night outside deep within me. Wind and wetness, autumn, bitter smell of foliage, scattered leaves of the elm tree.

We were in the autumnlands. Dim as it was, the forest glowed. The golden leaves flashing by blazed like sparks caught in the updraft of a fire. A scarlet carpet unrolled before us, rich and flawless as velvet. Rising from the forest floor, the black, tangled roots breathed a bluish mist that reduced the farthest trees' trunks to ghostly silhouettes, yet left their foliage's luminous hues untouched. Vivid moss speckled the branches like tarnished copper. The crisp spice of pine sap infused the cool air over a musty perfume of dry leaves. A knot swelled in my throat. I couldn't look away. There was too much of it, too fast. I'd never be able to drink it all in...

Your growing antlers,' Bambi continued, 'are proof of your intimate place in the forest, for of all the things that live and grow only the trees and the deer shed their foliage each year and replace it more strongly, more magnificently, in the spring. Each year the trees grow larger and put on more leaves. And so you too increase in size and wear a larger, stronger crown.

If writing novels is like planting a forest, then writing short stories is more like planting a garden. The two processes complement each other, creating a complete landscape that I treasure. The green foliage of the trees casts a pleasant shade over the earth, and the wind rustles the leaves, which are sometimes dyed a brilliant gold. Meanwhile, in the garden, buds appear on the flowers, and colorful petals attract bees and butterflies, reminding us of the subtle transition from one season to the next.

This private estate was far enough away from the explosion so that its bamboos, pines, laurel, and maples were still alive, and the green place invited refugees—partly because they believed that if the Americans came back, they would bomb only buildings; partly because the foliage seemed a center of coolness and life, and the estate’s exquisitely precise rock gardens, with their quiet pools and arching bridges, were very Japanese, normal, secure; and also partly (according to some who were there) because of an irresistible, atavistic urge to hide under leaves.

The tree-lined streets formed golden archways of autumnal colour, and whatever foliage had already fallen formed a russet carpet that came alive and danced around our wheels as we drove over it.

It sharpened, it refined them, the yellow-blue evening light; and on the leaves in the square shone lurid, livid - they looked as if dipped in sea water - the foliage of a submerged city.

God help me now!’ I murmured, sinking on my knees among the damp weeds and brushwood that surrounded me, and looking up at the moonlit sky, through the scant foliage above. It seemed all dim and quivering now to my darkened sight. My burning, bursting heart strove to pour forth its agony to God, but could not frame its anguish into prayer; until a gust of wind swept over me, which, while it scattered the dead leaves, like blighted hopes, around, cooled my forehead, and seemed a little to revive my sinking frame. Then, while I lifted up my soul in speechless, earnest supplication, some heavenly influence seemed to strengthen me within: I breathed more freely; my vision cleared; I saw distinctly the pure moon shining on, and the light clouds skimming the clear, dark sky; and then I saw the eternal stars twinkling down upon me; I knew their God was mine, and He was strong to save and swift to hear. ‘I will never leave thee, nor forsake thee,’ seemed whispered from above their myriad orbs. No, no; I felt He would not leave me comfortless: in spite of earth and hell I should have strength for all my trials, and win a glorious rest at last!

She felt strong and blissfully empty gliding through the crisp November air, enjoying the intermittent warmth of the sun as it filtered down through the overhanging trees, which were mostly stripped of their foliage. It was that trashy, post-Halloween part of the fall, yellow and orange leaves littering the ground

I still don't know a place with lovelier Aprils. The mornings and nights are fresh and cool, and the sun pours down like spilled honey, warm without the thick wet weight of the coming summer. The damp earth is as red as flesh, or blood, and so fecund that you can almost hear the thrumming, rustling push of growth up through it. The new foliage is a thousand different shades of pink, red, gold, and green. I could not seem to stay indoors at night in that first spring; I was enraptured with the startling, ghostly white showfalls of dogwood in dusk-green woods, and with streetlights shining through new leaves. Azaleas rolled like surf through the wooded hills of the northwest.

A crack of a tree limb and falling foliage forced me to open my eyes. A tree fell right above my head, frightened birds flew out of the leaves and a cackle of laughter echoed across the ravine – extreme happiness mingled with the loathing hate. Selfishly, I prayed the fight would end in my favor and quickly. But then suddenly I heard something that sounded like a sizzling firework and felt someone’s surprise turned into fear… then nothing. The evil vanished. I breathed a sigh of relief too soon as the branch shifted in the earth next to me. “Hurry!” I cried, but it was too late. I screamed as I fell, knowing I was about to die.

At Swindon we turned off the main road and, as the sun mounted high, we were among dry-stone walls and ashlar houses. It was about eleven when Sebastian, without warning, turned the car into a cart track and stopped. It was hot enough now to make us seek the shade. On a sheep-cropped knoll under a clump of elms we ate the strawberries and drank the wine--as Sebastian promised, they were delicious together--and we lit fat, Turkish cigarettes and lay on our backs, Sebastian's eyes on the leaves above him, mine on his profile, while the blue-grey smoke rose, untroubled by any wind, to the blue-green shadows of foliage, and the sweet scent of the tobacco merged with the sweet summer scents around us and the fumes of the sweet, golden wine seemed to lift us a finger's breadth above the turf and hold us suspended. "Just the place to bury a crock of gold," said Sebastian. "I should like to bury something precious in every place where I've been happy and then, when I was old and ugly and miserable, I could come back and dig it up and remember.

The fire cackled musically. From it swelled light smoke. Overhead the foliage moved softly. The leaves, with their faces turned toward the blaze, were colored shifting hues of silver, often edged with red. Far off to the right, through a window in the forest could be seen a handful of stars lying, like glittering pebbles, on the black level of the night.

The generations of men are like the growth and fall of leaves. The wind shakes some to earth. The forest sprouts new foliage, and springtime comes. So too, one human generation comes to be, 150 200 another ends.

Jack was too absorbed in his work to hear the bell. He was mesmerized by the challenge of making soft, round shapes of hard rock. The stone had a will of its own, and if he tried to make it do something it did not want to do, it would fight him, and his chisel would slip, or dig in too deeply, spoiling the shapes. But once he had got to know the lump of rock in front of him he could transform it. The more difficult the task, the more fascinated he was. He was beginning to feel that the decorative carving demanded by Tom was too easy. Zigzags, lozenges, dogtooth, spirals and plain roll moldings bored him, and even these leaves were rather stiff and repetitive. He wanted to curve natural-looking foliage, pliable and irregular, and copy the different shapes of real leaves, oak and ash and birch.

In the lowest pools the Laminarias begin to appear, called variously the oarweeds, devil’s aprons, sea tangles, and kelps. The Laminarias belong to the brown algae, which flourish in the dimness of deep waters and polar seas. The horsetail kelp lives below the tidal zone with others of the group, but in deep pools also comes over the threshold, just above the line of the lowest tides. [...] To look into such a pool is to behold a dark forest, it’s foliage like the leaves of palm trees, the heavy stalks of the kelps also curiously like the trunks of palms. [...] One of these laminarian holdfasts is something like the roots of a forest tree, branching out, dividing, subdividing, in its very complexity a measure of the great seas that roar over this plant.

We'd never seen anything as green as these rice paddies. It was not just the paddies themselves: the surrounding vegetation - foliage so dense the trees lost track of whose leaves were whose - was a rainbow coalition of one colour: green. There was an infinity of greens, rendered all the greener by splashes of red hibiscus and the herons floating past, so white and big it seemed as if sheets hung out to dry had suddenly taken wing. All other colours - even purple and black - were shades of green. Light and shade were degrees of green. Greenness, here, was less a colour than a colonising impulse. Everything was either already green - like a snake, bright as a blade of grass, sidling across the footpath - or in the process of becoming so. Statues of the Buddha were mossy, furred with green.

Some people, some nations, are permanently in shade. Some people cast a shadow. Lengths of elongated darkness precede them, even in church or when the sun is in, as they say, mopped up by the dirty cloth of the could. A puddle of dark forms around their feet. It's very pine like. The pine and darkness are one. Eucalypts are unusual in this respect: set pendulously their leaves allow see-through foliage which in turn produces a frail patterned sort of shade, if at all. Clarity, lack of darkness-these might be called 'eucalyptus qualities'.

There is a certain shade of red brick--a dark, almost melodious red, sombre and riddled with blue--that is my childhood in St.Louis. Not the real childhood, but the false one that extends from the dawning of consciousness until the day that one leaves home for college. That one shade of red brick and green foliage is St. Louis in the summer (the winter is just a gray sky and a crowded school bus and the wet footprints on the brown linoleum floor at school), and that brick and a pale sky is spring. It's also loneliness and the queer, self-pitying wonder that children whose families are having catastrophes feel.

Sunlight was everywhere, glittering gold off the bright green leaves of the garden. A blackcap, concealed within the foliage of a nearby willow, sang a sweet fanfare and a pair of mallards fought over a particularly juicy snail. The orchestra was rehearsing a dance number and music skimmed across the surface of the lake. How lucky they were to get a day like this one! After weeks of agonizing, of their studying the dawn, of consulting Those Who Ought to Know, the sun had risen, burning off any lingering cloud, just as it should on Midsummer's Eve. The evening would be warm, the breeze light, the party as bewitching as ever.

A rural Venus, Selah rises from the gold foliage of the Sixhiboux River, sweeps petals of water from her skin. At once, clouds begin to sob for such beauty. Clothing drops like leaves. "No one makes poetry,my Mme. Butterfly, my Carmen, in Whylah,” I whisper. She smiles: “We’ll shape it with our souls.” Desire illuminates the dark manuscript of our skin with beetles and butterflies. After the lightning and rain has ceased, after the lightning and rain of lovemaking has ceased, Selah will dive again into the sunflower-open river.

It usually wears light green foliage with long thin leaves, it has Asian roots, it has quadruple 'U' for initials, it is a Weeping Willow.

Giant gold snowflakes Now the Trees are bare

Leaves gusted around me like decomposing confetti as the wind began to build, and great masses of foliage shuddered and bent as it whipped through the canopy above.

The sexual eagle exults he will gild the earth once more his descending wing his ascending wing sways imperceptibly the sleeves of the peppermint and all the water's adorable undress Days are counted so clearly that the mirror has yielded to a froth of fronds of the sky i see but one star now around us there is only the milk describing its dizzy ellipsis from which sometimes soft intuition with pupils of eyed agate rises to poke its umbrella tip in the mud of the electric light then great reaches cast anchor stretch out in the depths of my closed eyes icebergs radiating the customs of all the worlds yet to come bron from a fragment of you fragment unkown and iced on the wing your existence the giant bouquet escaping fr4om my arms is badly tied it didgs out walls unrolls the stairs of houses loses its leaves in the show windows of the street to gether the news i am always leaving to gather the news the newspaper is glass today and if letters no longer arrive it's that the train has been consumed the great incision of the emerald which gaave birth to the foliage is scarred for always the sawdust of blinding snow and the quarries of flesh are sounding along on the first shelf reversed on this shelf i take the impression of death and life to the liquid air

Jungle rain had no beginning or end; it grew like foliage from the sky, branching and arching to the earth, sometimes in solid thickets entangling the islands, and other times, in tendrils of blue mist curling out of coastal clouds. The jungle breathed an eternal green that fevered men until they dripped sweat the way rubbery jungle leaves dripped the monsoon rain.

I looked around the garden, the sun feeling warm on my back. "So why are you here? I would think you'd want to be as far away from a hurricane as possible." She looked at me as if I'd just suggested streaking down the beach. It took her a moment to answer. "Because this is home." She wanted to see if the words registered with me, but I just looked back at her, not understanding at all. After a deep breath, she looked up at a tall oak tree beyond the garden, its leaves still green against the early October sky, the limbs now thick with foliage. "Because the water recedes, and the sun comes out, and the trees grow back. Because" -she spread her hands, indicated the garden and the trees and, I imagined, the entire peninsula of Biloxi- "because we've learned that great tragedy gives us opportunities for great kindness. It's like a needed reminder that the human spirit is alive and well despite all evidence to the contrary." She lowered her hands to her sides. "I figured I wasn't dead, so I must not be done

The pitter patter of the rain raps against the jungle rock. No thunder, just a soft drizzle. Elena gazes out from her hood into the Mega City ruins, lost and forgotten, reclaimed by overgrowing foliage. Leaves battered by raindrops rustle around her. Soon I will have to go without him, she thinks. Hidden eyes seem to watch her, then she remembers her brother’s words: Never hunt alone, especially at night.

Midsummer of the year I ran away, Lia and I had discovered we liked to tan with our tops off in the old greenhouse. It was ripe with oxygen. Smashed pots everywhere. We dragged cushions from our own bedrooms to lie on, and opened up the panels in the glass roof for air. We were closed in but it was our own decision, for once. The glossy leaves of abandoned foliage sheltered our bodies. We had not yet learned that they were shameful.

Alas," the Spider Queen said softly, "life needs dark leaves in the wreath. There cannot be true joy without sorrow, or real happiness without loss. They come as a pair. It is simply how it must be, if one is to live a full life. Take my own wreath, for example." She pointed at a particularly striking one made up of foliage so dark it was almost purple and black in places, but brightened with spectacular bursts of scarlet poinsettia. "I first saw the poinsettia in Mexico," she said. "The Euphorbia pulcherrima, to give it its botanical name, but it's also known as a 'Christmas star' because of its red pigment, so vibrant and bold. I would not give up my dark leaves if it meant losing the poinsettia," she said.

The moral of the story, Son," Pun would say, "is Don't take more on your heart than you can shake off on your heels." Of all lessons, that one I never learned and I hope I never do. My heart daily grows new foliage, always adding people, picking up new heartaches like a wool coat collects cockleburs and beggar's-lice seeds. It gets fuller and fuller as I walk slow as a sloth, carrying all the pain Pun and Frank and so many others tried to walk from. Especially the pain of the lost forest. Sometimes there is no leaving, no looking westward for another promised land. We have to nail our shoes to the kitchen floor and unload the burden of our heart. We have to set to the task of repairing the damage done by and to us.

Let the foliage thrive on its banks, And abound too within the meadow Might the Lady of Leaves amass grain in great profusion O my Lady of Heaven and Earth, And queen of the entire Universe, May he for long hours find delight in your blessed lap!

Why do you ask about my ancestry? The generations of men are like the growth and fall of leaves. The wind shakes some to earth. The forest sprouts new foliage, and springtime comes. So to, one human generation comes to be, another ends. (trans. Emily Wilson)

all I could think of all that week was flowers for breath and flowers for eyes and mouths full of flowers, armpits of them, the backs of knees, laps, groins overflowing with flowers and all I could draw was leaves and flowers, the whorls of roses, the dark foliage.

Sleeping on the Ceiling" It is so peaceful on the ceiling! It is the Place de la Concorde. The little crystal chandelier is off, the fountain is in the dark. Not a soul is in the park. Below, where the wallpaper is peeling, the Jardin des Plantes has locked its gates. Those photographs are animals. The mighty flowers and foliage rustle; under the leaves the insects tunnel. We must go under the wallpaper to meet the insect-gladiator, to battle with a net and trident, and leave the fountain and the square. But oh, that we could sleep up there....

When building foliage, a tree must budget for each leaf individually and allocate for each position relative to the other leaves. A good business plan will allow our tree to triumph as the largest and longest-living being on your street. But it ain’t easy, and it ain’t cheap. The

The boughs of trees stretched high overhead, leaves of dappled green and black mottling the sky. It was called the black forest for more reasons than the inky-black foliage. The wise and cautious seldom travelled by night along its poorly-tended roads, and banditry wasn’t the main reason. In the minds of many, shadows of a threat lurked in wait, seeking an opportunity to strike during a moment of weakness. It was known among the old folk that not all who dwelled within the black forest were of human or animal-kind. Some beings were much older and believed far more dangerous.

The old oak, quite transfigured, spreading out a canopy of sappy dark-green foliage, stood rapt and slightly trembling in the rays of the evening sun. Neither gnarled fingers nor old scars nor old doubts and sorrows were any of them in evidence now. Through the hard century-old bark, even where there were no twigs, leaves had sprouted such as one could hardly believe the old veteran could have produced. ‘Yes, it is the same oak,’ thought Prince Andrei, and all at once he was seized by an unreasoning spring-time feeling of joy and renewal. All the best moments of his life suddenly rose to his memory. Austerlitz with the lofty heavens, his wife’s dead reproachful face, Pierre at the ferry, that girl thrilled by the beauty of the night, and that night itself and the moon, and … all this rushed suddenly to his mind. ‘No, life is not over at thirty-one!’ Prince Andrei suddenly decided finally and decisively. ‘It is not enough for me to know what I have in me—everyone must know it: Pierre, and that young girl who wanted to fly away into the sky, everyone must know me, so that my life may not be lived for myself alone while others live so apart from it, but so that it may be reflected in them all, and they and I may live in harmony.

A vast mirror hung above his desk, its gilt frame a horror of twisted vines and sharp leaves, angry looking foliage. I thought of it as Eden Lost. The first occasion I was alone in the room I stepped to the glass and touched my reflection with a finger. It was the only time I’d seen myself in a mirror, but the glass was so wavy I could have been staring into water. I was struck by how much my mouth tipped downward in a child’s pout, and I hadn’t realized I watched the world through my eyelashes. I didn’t observe myself for very long. My eyes were the same shape as my mother’s, curved like wings; watching them made me lonesome.

He was a very tall, very thin creature that could only be described as a wood elf. His long, ponytailed hair was every color of autumn leaves; his skin was the hue of fresh-cut pine boards; and his eyes were the vibrant color of fresh spring foliage. He also wore blue jeans and brown loafers and a ragged t-shirt that read, "Choose your Weapon!" under which sat a line of Dungeons and Dragons dice of various shapes and denominations. Kay could barely believe it. For one, where did he get that shirt? These Otherworld people LIVED Dungeons and Dragons--they played it too? For a second Kay thought she might be looking at the most ironic t-shirt and t-shirt wearer combination ever.

There is one in this tribe too often miserable - a child bereaved of both parents. None cares for this child: she is fed sometimes, but oftener forgotten: a hut rarely receives her: the hollow tree and chill cavern are her home. Forsaken, lost, and wandering, she lives more with the wild beast and bird than with her own kind. Hunger and cold are her comrades: sadness hovers over, and solitude besets her round. Unheeded and unvalued, she should die: but she both lives and grows: the green wilderness nurses her, and becomes to her a mother: feeds her on juicy berry, on saccharine root and nut. There is something in the air of this clime which fosters life kindly: there must be something, too, in its dews, which heals with sovereign balm. Its gentle seasons exaggerate no passion, no sense; its temperature tends to harmony; its breezes, you would say, bring down from heaven the germ of pure thought, and purer feeling. Not grotesquely fantastic are the forms of cliff and foliage; not violently vivid the colouring of flower and bird: in all the grandeur of these forests there is repose; in all their freshness there is tenderness. The gentle charm vouchsafed to flower and tree, - bestowed on deer and dove, - has not been denied to the human nursling. All solitary, she has sprung up straight and graceful. Nature cast her features in a fine mould; they have matured in their pure, accurate first lines, unaltered by the shocks of disease. No fierce dry blast has dealt rudely with the surface of her frame; no burning sun has crisped or withered her tresses: her form gleams ivory-white through the trees; her hair flows plenteous, long, and glossy; her eyes, not dazzled by vertical fires, beam in the shade large and open, and full and dewy: above those eyes, when the breeze bares her forehead, shines an expanse fair and ample, - a clear, candid page, whereon knowledge, should knowledge ever come, might write a golden record. You see in the desolate young savage nothing vicious or vacant; she haunts the wood harmless and thoughtful: though of what one so untaught can think, it is not easy to divine. On the evening of one summer day, before the Flood, being utterly alone - for she had lost all trace of her tribe, who had wandered leagues away, she knew not where, - she went up from the vale, to watch Day take leave and Night arrive. A crag, overspread by a tree, was her station: the oak-roots, turfed and mossed, gave a seat: the oak-boughs, thick-leaved, wove a canopy. Slow and grand the Day withdrew, passing in purple fire, and parting to the farewell of a wild, low chorus from the woodlands. Then Night entered, quiet as death: the wind fell, the birds ceased singing. Now every nest held happy mates, and hart and hind slumbered blissfully safe in their lair. The girl sat, her body still, her soul astir; occupied, however, rather in feeling than in thinking, - in wishing, than hoping, - in imagining, than projecting. She felt the world, the sky, the night, boundlessly mighty. Of all things, herself seemed to herself the centre, - a small, forgotten atom of life, a spark of soul, emitted inadvertent from the great creative source, and now burning unmarked to waste in the heart of a black hollow. She asked, was she thus to burn out and perish, her living light doing no good, never seen, never needed, - a star in an else starless firmament, - which nor shepherd, nor wanderer, nor sage, nor priest, tracked as a guide, or read as a prophecy? Could this be, she demanded, when the flame of her intelligence burned so vivid; when her life beat so true, and real, and potent; when something within her stirred disquieted, and restlessly asserted a God-given strength, for which it insisted she should find exercise?

One morning she at last succeeded in helping him to the foot of the steps, trampling down the grass before him with her feet, and clearing a way for him through the briars, whose supple arms barred the last few yards. Then they slowly entered the wood of roses. It was indeed a very wood, with thickets of tall standard roses throwing out leafy clumps as big as trees, and enormous rose bushes impenetrable as copses of young oaks. Here, formerly, there had been a most marvellous collection of plants. But since the flower garden had been left in abandonment, everything had run wild, and a virgin forest had arisen, a forest of roses over-running the paths, crowded with wild offshoots, so mingled, so blended, that roses of every scent and hue seemed to blossom on the same stem. Creeping roses formed mossy carpets on the ground, while climbing roses clung to others like greedy ivy plants, and ascended in spindles of verdure, letting a shower of their loosened petals fall at the lightest breeze. Natural paths coursed through the wood — narrow footways, broad avenues, enchanting covered walks in which one strolled in the shade and scent. These led to glades and clearings, under bowers of small red roses, and between walls hung with tiny yellow ones. Some sunny nooks gleamed like green silken stuff embroidered with bright patterns; other shadier corners offered the seclusion of alcoves and an aroma of love, the balmy warmth, as it were, of a posy languishing on a woman’s bosom. The rose bushes had whispering voices too. And the rose bushes were full of songbirds’ nests. ‘We must take care not to lose ourselves,’ said Albine, as she entered the wood. ‘I did lose myself once, and the sun had set before I was able to free myself from the rose bushes which caught me by the skirt at every step.’ They had barely walked a few minutes, however, before Serge, worn out with fatigue, wished to sit down. He stretched himself upon the ground, and fell into deep slumber. Albine sat musing by his side. They were on the edge of a glade, near a narrow path which stretched away through the wood, streaked with flashes of sunlight, and, through a small round blue gap at its far end, revealed the sky. Other little paths led from the clearing into leafy recesses. The glade was formed of tall rose bushes rising one above the other with such a wealth of branches, such a tangle of thorny shoots, that big patches of foliage were caught aloft, and hung there tent-like, stretching out from bush to bush. Through the tiny apertures in the patches of leaves, which were suggestive of fine lace, the light

Before his and Pushkin's advent Russian literature was purblind. What form it perceived was an outline directed by reason: it did not see color for itself but merely used the hackneyed combinations of blind noun and dog-like adjective that Europe had inherited from the ancients. The sky was blue, the dawn red, the foliage green, the eyes of beauty black, the clouds grey, and so on. It was Gogol (and after him Lermontov and Tolstoy) who first saw yellow and violet at all. That the sky could be pale green at sunrise, or the snow a rich blue on a cloudless day, would have sounded like heretical nonsense to your so-called "classical" writer, accustomed as he was to the rigid conventional color-schemes of the Eighteenth Century French school of literature. Thus the development of the art of description throughout the centuries may be profitably treated in terms of vision, the faceted eye becoming a unified and prodigiously complex organ and the dead dim "accepted colors" (in the sense of "idées reçues") yielding gradually their subtle shades and allowing new wonders of application. I doubt whether any writer, and certainly not in Russia, had ever noticed before, to give the most striking instance, the moving pattern of light and shade on the ground under trees or the tricks of color played by sunlight with leaves.

In Green Grandeur by Stewart Stafford Under towers of green pillars, Grow those leafed palaces, Stretching out their tall limbs, Up skyward in thanksgiving. Saplings with peacock foliage, A forest floor carpeted thickly, With dead leaves, kindling and, Subterranean roots peeking out. Storm-crooked trunks stooping, To the lightning-shattered bows, Fingers of dying sunlight reach, To caress the ivy-entwined bark. © Stewart Stafford, 2022. All rights reserved

If you close your mind to the endless possibilities of dreams yet to be fulfilled, and allow your heart to grow cold, merely due to the fear of it being broken yet again . . . When the time is right, how will one then be able to see you for you & accept you for all that you are? You will not know from where, exactly when, or even how. When it comes to happiness, it is what it is! It will be there without any notice at all ~ If you open your eyes & seek out that strength within you to continue forever forward, will yourself to carry on & allow yourself to be vulnerable, imagine the possibilities! The pale colors of the horizon just prior to that evening storm will suddenly appear brighter! And as you find yourself gazing upon the leaves dancing in a whirlwind with all the debris and foliage amongst the trees . . . in that single moment, it's almost as if you could actually hear the wind whispering to your soul 'Let me in, I'm wanting only to warm your heart.

The track led into a sort of tunnel made of forest. They left daylight behind, a thousand leaves hemming them into dusky shade. As she traipsed behind Jack's torn blue jacket, he squinted into the foliage, hearkening to every cracking twig or bird-chirrup. After what seemed an age, they came out into blessed sunshine again. They were in a clearing, their ears filled with a thundering wind, the air itself trembling. A few paces further they came upon the source: above them, a waterfall tumbled from a clifftop as high as a church steeple. The water fell in milky blue strands, shooting spray in the air that danced in rainbows of gold, pink and blue. At their feet was a deep and inviting lagoon. It fair took her breath away. Jack crouched to look at the pool's edge, where a mud bank was scrabbled with marks. "We should go back," he said. "Something drinks here." She didn't care. She was spellbound. "Look, a cave!" Across the lagoon stood a dark entrance hung with pretty mosses, like a fairy grotto. "Just one peep," she whispered, for there was something powerful and secret about the place. "Then we can go back." But Jack was still peering at the tracks around the water's edge. "Whatever drinks here, it's not here now. I dare you, Jack. A quick look around the cave and then we'll be on our way." She had a notion, from some story or other, that caves were places where treasure was hidden; she reckoned pirates might have left jewels and plunder behind long ago. "It's the end of the rainbow," she laughed. "Let's find our crock of gold.

It [the charcuterie] was almost on the corner of the Rue Pirouette and was a joy to behold. It was bright and inviting, with touches of brilliant colour standing out amidst white marble. The signboard, on which the name QUENU-GRADELLE glittered in fat gilt letter encircled by leaves and branches painted on a soft-hued background, was protected by a sheet of glass. On the two side panels of the shop front, similarly painted and under glass, were chubby little Cupids playing in the midst of boars' heads, pork chops, and strings of sausages; and these still lifes, adorned with scrolls and rosettes, had been designed in so pretty and tender a style that the raw meat lying there assumed the reddish tint of raspberry jam. Within this delightful frame, the window display was arranged. It was set out on a bed of fine shavings of blue paper; a few cleverly positioned fern leaves transformed some of the plates into bouquets of flowers fringed with foliage. There were vast quantities of rich, succulent things, things that melted in the mouth. Down below, quite close to the window, jars of rillettes were interspersed with pots of mustard. Above these were some boned hams, nicely rounded, golden with breadcrumbs, and adorned at the knuckles with green rosettes. Then came the larger dishes--stuffed Strasbourg tongues, with their red, varnished look, the colour of blood next to the pallor of the sausages and pigs' trotters; strings of black pudding coiled like harmless snakes; andouilles piled up in twos and bursting with health; saucissons in little silver copes that made them look like choristers; pies, hot from the oven, with little banner-like tickets stuck in them; big hams, and great cuts of veal and pork, whose jelly was as limpid as crystallized sugar. Towards the back were large tureens in which the meats and minces lay asleep in lakes of solidified fat. Strewn between the various plates and sishes, on the bed of blue shavings, were bottles of relish, sauce, and preserved truffles, pots of foie gras, and tins of sardines and tuna fish. A box of creamy cheeses and one full of snails stuffed with butter and parsley had been dropped in each corner. Finally, at the very top of the display, falling from a bar with sharp prongs, strings of sausages and saveloys hung down symmetrically like the cords and tassels of some opulent tapestry, while behind, threads of caul were stretched out like white lacework. There, on the highest tier of this temple of gluttony, amid the caul and between two bunches of purple gladioli, the alter display was crowned by a small, square fish tank with a little ornamental rockery, in which two goldfish swam in endless circles.

Across the road, under the willows, Rose Thorn saw a tangle of purple waterleaf, edible. The May apples had opened their umbrellas over creamy flowers, and a clump of white trillium waved flags of truce, a few of them blushing pink. The foliage between them and the island--- elderberry bushes and silky dogwood--- was already so thick that Rosie could barely see the cottage perched just above the bridge. She didn't understand why she'd wanted to leave this lovely, lush, watery place; at this time of year, she was always sure she'd never want to leave again.

In the morning light the scene was beyond compare. The mountains and the hills were bathed in the soft light of the coming day, and the glowing, richly tinted clouds that encircled them. The lighter green of the hillsides contrasted with the deeper shades of the valleys and the graceful foliage of the waving palms that extended around the beach. The groves of orange trees bending with their golden fruit, mingled with the breadfruit trees, and the banana with its great green leaves, while the morning breeze, laden with the breath of flowers, came from the shore, distilling a fragrance rarely inhaled in other lands.

Hyla Brook" By June our brook's run out of song and speed. Sought for much after that, it will be found Either to have gone groping underground (And taken with it all the Hyla breed That shouted in the mist a month ago, Like ghost of sleigh bells in a ghost of snow)— Or flourished and come up in jewelweed, Weak foliage that is blown upon and bent, Even against the way its waters went. Its bed is left a faded paper sheet Of dead leaves stuck together by the heat— A brook to none but who remember long. This as it will be seen is other far Than with brooks taken otherwhere in song. We love the things we love for what they are.

Ode to the West Wind I O wild West Wind, thou breath of Autumn’s being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: O thou, Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o’er the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) With living hues and odours plain and hill: Wild Spirit, which art moving everywhere; Destroyer and preserver; hear, oh hear! II Thou on whose stream, mid the steep sky’s commotion, Loose clouds like earth’s decaying leaves are shed, Shook from the tangled boughs of Heaven and Ocean, Angels of rain and lightning: there are spread On the blue surface of thine aëry surge, Like the bright hair uplifted from the head Of some fierce Maenad, even from the dim verge Of the horizon to the zenith’s height, The locks of the approaching storm. Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre, Vaulted with all thy congregated might Of vapours, from whose solid atmosphere Black rain, and fire, and hail will burst: oh hear! III Thou who didst waken from his summer dreams The blue Mediterranean, where he lay, Lull’d by the coil of his crystàlline streams, Beside a pumice isle in Baiae’s bay, And saw in sleep old palaces and towers Quivering within the wave’s intenser day, All overgrown with azure moss and flowers So sweet, the sense faints picturing them! Thou For whose path the Atlantic’s level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know Thy voice, and suddenly grow gray with fear, And tremble and despoil themselves: oh hear! IV If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share The impulse of thy strength, only less free Than thou, O uncontrollable! If even I were as in my boyhood, and could be The comrade of thy wanderings over Heaven, As then, when to outstrip thy skiey speed Scarce seem’d a vision; I would ne’er have striven As thus with thee in prayer in my sore need. Oh, lift me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chain’d and bow’d One too like thee: tameless, and swift, and proud. V Make me thy lyre, even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Drive my dead thoughts over the universe Like wither’d leaves to quicken a new birth! And, by the incantation of this verse, Scatter, as from an unextinguish’d hearth Ashes and sparks, my words among mankind! Be through my lips to unawaken’d earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind?

Finally, I have come to realise that an imperfect Life is actually the most perfect Life. I have come to see how Life is beautiful in all its colours, more so because the shades of grey bind them and paint them with even more radiance. A clear sky is always beautiful but what if we never have rain or storm? Sunshine is always wonderful but what if we never have the soothing dusk or the cold night to coil in our own misty self? Storms that come to jolt us often leave us with more courage as we sail along the gust to chase a silver lining. The scorching heat that chokes us often makes us wait more eagerly for that balm of rain. So is Life, in all those moments of sunset we have the hope of the following sunrise, and if we may wait and absorb all that crumbling ray of that sunset we would be able to paint our sunrise with even more crimson smile. Because just like a story, nothing in Life is really concrete without patience. We cannot skip pages of a book because each line contains just so much to seep in, and to have the story fully lived inside our heart and soul we have to keep reading until the very end to feel that sense of peaceful happiness, that always clutches us no matter how the ending is drafted. In the same manner, we have to keep walking through Life, as each and every step of ours leads us to the destination of our Life, the destination of peace, the destination of knowledge of self. The best part of this walk is that it is never a straight line, but is always filled with curves and turns, making us aware of our spirit, laughing loud at times while mourning deep at times. But that is what Life is all about, a bunch of imperfect moments to smile as perfect memories sailing through the potholes of Life, because a straight line even in the world of science means death, after all monotony of perfection is the most cold imperfection. So as we walk through difficult times, may we realise that this sunset is not forever's and that the winter often makes us more aware of the spring. As we drive through a dark night, may we halt for a moment and watch for the stars, the smile of the very stars of gratitude and love that is always there even in the darkest sky of the gloomiest night. As we sail along the ship of Life, may we remember that the winds often guide us to our destination and the storms only come to make our voyage even more adventurous, while the rain clears the cloud so that we may gaze at the full glory of the sky above, with a perfect smile through a voyage of imperfect moments of forever's shine. And so as we keep turning the pages of Life, may we remember to wear that Smile, through every leaf of Life, for Life is rooted in the blooming foliage of its imperfect perfection.

This is textbook Bad Idea. We're driving with a stranger, no one knows where we are, and we have no way of getting in touch with anyone. This is exactly how people become statistics." "Exactly?" I asked, thinking of all the bizarre twists and turns that had led us to this place. Ben ceded the point with a sideways shrug. "Maybe not exactly. But still..." He let it go, and the cab eventually stopped at the edge of a remote, forested area. Sage got out and paid. "Everybody out!" Ben looked at me, one eyebrow raised. He was leaving the choice to me. I gave his knee a quick squeeze before I opened the door and we piled out of the car. Sage waited for the cab to drive away, then ducked onto a forest path, clearly assuming we'd follow. The path through the thick foliage was stunning in the moonlight, and I automatically released my camera from its bag. "I wish you wouldn't," Sage said without turning around. "You know I'm not one for visitors." "I'll refrain from selling the pictures to Travel and Leisure, then," I said, already snapping away. "Besides, I need something to take my mind off my feet." My shoes were still on the beach, where I'd kicked them off to dance. "Hey, I offered to carry you," Sage offered. "No, thank you." I suppose I should have been able to move swiftly and silently without my shoes, but I only managed to stab myself on something with every other footfall, giving me a sideways, hopping gait. Every few minutes Sage would hold out his arms, offering to carry me again. I grimaced and denied him each time. After what felt like about ten miles, even the photos weren't distracting enough. "How much farther?" I asked. "We're here." There was nothing in front of us but more trees. "Wow," Ben said, and I followed his eyes upward to see that several of the tree trunks were actually stilts supporting a beautifully hidden wood-and-glass cabin, set high among the branches. I was immediately charmed. "You live in a tree house," I said. I aimed my camera the façade, answering Sage's objection before he even said it. "For me, not for Architectural Digest." "Thank you," Sage said.

Within a week, I understood that in the wild, time moves much more slowly. A wind is never just a wind—it’s the email system of the natural world, bringing in new information about weather patterns, animals coming into and leaving the area, potential predators. Rain isn’t a nuisance—it’s a respite from bugs and fresh water for drinking. A snowfall isn’t an inconvenience—it’s a new source for tracks and animals that might become a meal. The rustling of the trees or the song of a bird or the scrabble of a rodent is the key to your survival; being able to spot a flicker of movement through the dense block of foliage is essential. When it is a matter of life and death, the volume of nature gets turned up loud.

There was no doubt that the tree before us was the tree; it could have stepped from the tales into the forest. It was centered in an oddly round clearing, as if the other trees had all felt inclined to back away, and was towering but skeletal, its trunk only a little wider than I was and its many, many branches arching and tangling overhead, like a small person propping up a tremendous, many-layered umbrella. But the strangest thing about the tree was its foliage. There were leaves of summer-green mixed in with the fire and gold of autumn; tidy buds just opening their pink mouths, and, here and there, red fruits dangling in clusters, heavy with ripeness. These fruits could not be easily identified; they were roughly the size of apples, but furred like peaches.

Lights Out" I have come to the borders of sleep, The unfathomable deep Forest where all must lose Their way, however straight, Or winding, soon or late; They cannot choose. Many a road and track That, since the dawn’s first crack, Up to the forest brink, Deceived the travellers, Suddenly now blurs, And in they sink. Here love ends, Despair, ambition ends; All pleasure and all trouble, Although most sweet or bitter, Here ends in sleep that is sweeter Than tasks most noble. There is not any book Or face of dearest look That I would not turn from now To go into the unknown I must enter, and leave, alone, I know not how. The tall forest towers; Its cloudy foliage lowers Ahead, shelf above shelf; Its silence I hear and obey That I may lose my way And myself.

Trees, trees, millions of trees, massive, immense, running up high; and at their foot, hugging the bank against the stream, crept the little begrimed steamboat, like a sluggish beetle crawling on the floor of a lofty portico. It made you feel very small, very lost, and yet it was not altogether depressing, that feeling. After all, if you were small, the grimy beetle crawled on--which was just what you wanted it to do. Where the pilgrims imagined it crawled to I don't know. To some place where they expected to get something, I bet! For me it crawled toward Kurtz--exclusively; but when the steam-pipes started leaking we crawled very slow. The reaches opened before us and closed behind, as if the forest had stepped leisurely across the water to bar the way for our return. We penetrated deeper and deeper into the heart of darkness. It was very quiet there. At night sometimes the roll of drums behind the curtain of trees would run up the river and remain sustained faintly, as if hovering in the air high over our heads, till the first break of day. Whether it meant war, peace, or prayer we could not tell. The dawns were heralded by the descent of a chill stillness; the woodcutters slept, their fires burned low; the snapping of a twig would make you start. We were wanderers on a prehistoric earth, on an earth that wore the aspect of an unknown planet. We could have fancied ourselves the first of men taking possession of an accursed inheritance, to be subdued at the cost of profound anguish and of excessive toil. But suddenly, as we struggled round a bend, there would be a glimpse of rush walls, of peaked grass-roofs, a burst of yells, a whirl of black limbs, a mass of hands clapping, of feet stamping, of bodies swaying, of eyes rolling, under the droop of heavy and motionless foliage. The steamer toiled along slowly on the edge of a black and incomprehensible frenzy. The prehistoric man was cursing us, praying to us, welcoming us--who could tell? We were cut off from the comprehension of our surroundings; we glided past like phantoms, wondering and secretly appalled, as sane men would be before an enthusiastic outbreak in a madhouse. We could not understand, because we were too far and could not remember, because we were traveling in the night of first ages, of those ages that are gone, leaving hardly a sign--and no memories.

In these myriad ways, we carved out our lives in Los Angeles. Yet falling asleep was often an act of travel, taking me quickly by the hand so that I am instantly surrounded by verdant foliage, the ocean's emerald roar, the voices of Alice, Mala, our grandmother. Those most familiar and beloved of women. But there are also nightmares. Over and over I dream of a small house, a glittering lagoon, a mango tree, and a young girl. She stands before me and her large bruised eyes do not leave mine. When she unpins the sari fold at her shoulder and pulls it away from her, I see sunset-colored bruises on her delicate clavicles. When she undoes her sari blouse, I see the grenades tucked like extra breasts under her own. It is grotesque. I wake trembling, and her eyes stays with me for hours.

My eye keeps escaping towards the big blue lacquered door that I've had painted in a trompe-l'oeil on the back wall. I would like to call Mrs. Cohen back and tell her there's no problem for her son's bar mitzvah, everything's ready: I would like to go through that door and disappear into the garden my mind's eye has painted behind it. The grass there is soft and sweet, there are bulrushes bowing along the banks of a river. I put lime trees in it, hornbeams, weeping elms, blossoming cherries and liquidambars. I plant it with ancient roses, daffodils, dahlias with their melancholy heavy heads, and flowerbeds of forget-me-nots. Pimpernels, armed with all the courage peculiar to such tiny entities, follow the twists and turns between the stones of a rockery. Triumphant artichokes raise their astonished arrows towards the sky. Apple trees and lilacs blossom at the same time as hellebores and winter magnolias. My garden knows no seasons. It is both hot and cool. Frost goes hand in hand with a shimmering heat haze. The leaves fall and grow again. row and fall again. Wisteria climbs voraciously over tumbledown walls and ancient porches leading to a boxwood alley with a poignant fragrance. The heady smell of fruit hangs in the air. Huge peaches, chubby-cheeked apricots, jewel-like cherries, redcurrants, raspberries, spanking red tomatoes and bristly cardoons feast on sunlight and water, because between the sunbeams it rains in rainbow-colored droplets. At the very end, beyond a painted wooden fence, is a woodland path strewn with brown leaves, protected from the heat of the skies by a wide parasol of foliage fluttering in the breeze. You can't see the end of it, just keep walking, and breathe.

I’ll tell you what,” she said, prepared to make a deal. “Let’s see how your ‘diplomacy’ would profit us. If you can give me a decent solution to a pretend situation, I’ll agree to have you accompany me instead of Shanks. Although, I don’t know how wise it is to leave a Viidun captain on the Kemeniroc in your absence.” Derian agreed to the test. “Okay, what’s your question?” She thought hard for a moment; her eyes scrunching in concentration, lips pulled down to one side. Then, as a crooked grin spread across her lips, she set up an imagined scenario. “Pretend we’re down on the planet with this King Wennergren when he graciously offers to walk us through his cherished garden. While we’re there he begs me to touch his favorite, award-winning flower, hoping my powers will make it thrive and blossom. But for some strange reason it doesn’t respond to me the way plants do on our world. Instead of thriving, the flower withers and dies right before his shocked and furious eyes. Now pretend he’s easily offended and has a horrible temper…” Derian cut it. “You have no idea what his temperament is like.” “I know. That’s not the point.” Her eyes scolded him for interrupting. “Just pretend that he becomes outraged by my actions, assuming that I purposefully destroyed his prized plant. The angry king orders both of us to be seized and thrown into his deep, dark, inescapable dungeon. But, somehow we manage to dodge his line of soldiers and run into a nearby congested jungle, hiding beneath the foliage from our determined pursuers. “Finally, pretend that we trudge along for hours, so deep within the trees that we begin to hear howling in the distance from dangerous, hungry beasts. They seem to sound off all around us. Every now and then we hear weapon’s fire as King Wennergren’s men fend off these wild animals. This only reminds us that the soldiers are still in pursuit. Far, far buried within the dark jungle we spot a clearing and head for it. Unfortunately, once we reach it we come across an entire pack of ferocious animals who begin to stalk us. So we turn around, only to face a line of soldiers from behind, pointing their weapons our direction. We’re surrounded by danger on both sides, Derian! Now, what do you do?” She looked at him, wide-eyed and expectant. “Eena, you have a terribly overactive imagination,” he said flatly. She rolled her eyes, then impatiently asked him again, “Well? What would you do?” “I’d stop pretending." She fell back in her chair, groaning. “You’re still not going.” “Try and stop me,” he dared. “You know I can,” she reminded him. He glared at her. “When the time comes, we’ll see.

He hopes at least after pulling himself up from one branch to another he will be able to see farther, discover where the roads lead; but the foliage beneath him is dense, the ground is soon out of sight, and if he raises his eyes toward the top of the tree he is blinded by The Sun, whose piercing rays make the leaves gleam with every colour against the light. However, the meaning of those two children seen in the tarot should also be explained: they must indicate that, looking up, the young man has realized he is no longer alone in the tree; two urchins have preceeded him, scrambling up the boughs. They seem twins: identical, barefoot, golden blond. At this point the young man spoke, asked: “what are you two doing here?” or else: “how far is it to the top?” And the twins replied, indicating with confused gesticulation toward something seen on the horizon of the drawing, beneath the sun’s rays: the walls of a city. But where are these walls located, with respect to the tree? The Ace of Cups portrays, in fact, a city, with many towers and spires and minarets and domes rising above the walls. And also palm fronds, pheasants’ wings, fins of blue moonfish which certainly jut from the city’s gardens, aviaries, aquariums, among which we can imagine the two urchins, chasing each other and vanishing. And this city seems balanced on top of a pyramid, which could also be the top of a great tree; in other words, it would be a city suspended on the highest branches like a bird’s nest, with hanging foundations like the aerial roots of certain plants.

It is easy for the student to feel that with all his labour he is collecting only a few leaves, many of them now torn or decayed, from the countless foliage of the Tree of Tales, with which the Forest of Days is carpeted. It seems vain to add to the litter. Who can design a new leaf? The patterns from bud to unfolding, and the colours from spring to autumn were all discovered by men long ago. But that is not true. The seed of the tree can be replanted in almost any soil, even in one so smoke-ridden (as Lang said) as that of England. Spring is, of course, not really less beautiful because we have seen or heard of other like events: like events, never from world's beginning to world's end the same event. Each leaf, of oak and ash and thorn, is a unique embodiment of the pattern, and for some this very year may be the embodiment, the first ever seen and recognized, though oaks have put forth leaves for countless generations of men. We do not, or need not, despair of drawing because all lines must be either curved or straight, nor of painting because there are only three 'primary' colours. We may indeed be older now, in so far as we are heirs in enjoyment or in practice of many generations of ancestors in the arts. In this inheritance of wealth there may be a danger of boredom or of anxiety to be original, and that may lead to a distaste for fine drawing, delicate pattern, and 'pretty' colours, or else to mere manipulation and over-elaboration of old material, clever and heartless. But the true road of escape from such weariness is not to be found in the willfully awkward, clumsy, or misshapen, not in making all things dark or unremittingly violent; nor in the mixing of colours on through subtlety to drabness, and the fantastical complication of shapes to the point of silliness and on towards delirium. Before we reach such states we need recovery. We should look at green again, and be startled anew (but not blinded) by blue and yellow and red. We should meet the centaur and the dragon, and then perhaps suddenly behold, like the ancient shepherds, sheep, and dogs, and horses – and wolves. This recovery fairy-stories help us to make. In that sense only a taste for them may make us, or keep us, childish.

Fire and ice dueled in his throat until his belly heaved and a loud thump rumbled forth from his chest. He felt every nerve in his body twitch, every pore gasp and every follicle surge with electricity. There was no pain but he felt his entire body expand and contract as crackles and slithers wisped in and out of his hearing. Rustles of leaves slowly morphed into distrusting whispers at first and then audible speech. His eyes flashed a calliope of colors and what had been outlines and curves with no tangible meaning, started to curl and curve, until he could see eyes among the foliage, lips on the bark of the trees and much more than just simple greenery. It was a full council discussing his case. “…

The sunlight is catching the leaves at different angles, so that my eye flickers from one patch of colour to the next, the verdant foliage displaying a host of verdant hues. (I thought I would try to get “verdant,” “hues” and “foliage” into this paragraph, as my English teachers always believed that they were signs of creative talent. Though I probably shouldn’t have used “verdant” twice.)

Old foliage ignores the anxious sun / since dismal winds convince each brittle branch / to hold no moment closely or too long / now shadows spread and all turns silhouette. / But then she smiles, reviving life with light, / and hope may spring eternal one more night. (from April, Autumnal)

a tree in the village of Brent Knoll, a few miles away, under whose shade I recall lying, while I looked through its branches to the bright blue sky above. The sunlight is catching the leaves at different angles, so that my eye flickers from one patch of colour to the next, the verdant foliage displaying a host of verdant hues. (I thought I would try to get “verdant,” “hues” and “foliage” into this paragraph, as my English teachers always believed that they were signs of creative talent. Though I probably shouldn’t have used “verdant” twice.)

He had to get away—no matter what, he had to escape. He ducked into a yard and effortlessly vaulted a six-foot fence. Running for all his life was worth, he headed toward the Santa Ana Freeway, leaving his black knapsack in the yard of a house that abutted the highway. He went over another fence and ran down a hill covered with thick foliage to the freeway. Cars zoomed by at seventy miles per hour. Breathing hard, his heart pumping blood furiously, his legs weak, so covered by sweat it looked as if he’d just stepped from a shower, Richard waited for the right moment and darted across the freeway, nearly getting run over. Once on the east side of the freeway, he made his way up another hill, vaulted yet another fence, and grabbed a bus going south, paid his fare, and sat down.

To show up the vine-clusters to the eye, so they can be seen, and yet leave enough foliage to prevent the sun scorching the fruit, without leaving too much, is a delicate work.

They’re talking about plants,’ Shallan said. Balat and Jushu looked at her. Wikim continued staring at the fire. ‘Plants,’ Balat said flatly. ‘Yes. I can hear them faintly.’ ‘I can’t hear a thing.’ Shallan shrugged from within her too-enveloping dress. ‘My ears are better than yours. Yes, plants. Father is complaining that the trees in his gardens never listen when he tells them to obey. “They have been dropping their leaves because of a sickness,” he says, “and they refuse to grow new ones.” ‘“Have you tried beating them for their disobedience?” the messenger asks. ‘“All the time,” Father replies. “I even break off their limbs, yet they still do not obey! It is untidy. At the very least, they should clean up after themselves.” ‘“A problem,” the messenger says, “as trees without foliage are hardly worth keeping. Fortunately, I have the solution. My cousin once had trees that acted this way, and he found that all he needed to do was sing to them and their leaves popped right back out.” ‘“Ah, of course,” Father says. “I will try that immediately.

The roads were still a slough, and he trod the soft mud as if it were quicksand pulling him under—yet the foliage was bold enough to pass for art, and the woods exuded the pleasant smell of wet leaves, such that the entire walk felt so refreshing he would’ve considered his arrival in town enough activity to turn around and go home if he’d had no obligations to attend to.

Angela and Tracy approached with the foliage they’d collected. Silently they started to cover James’ body. Chris, Donna and Billy also fell silent out of respect. For now this was the only burial James would be getting, until they knew for sure whether they were really alone or not. Only when the body was covered did Chris break the silence. He asked, ‘Should we prepare leaves for the rest of us too?

At the Galapagos Islands, the cook wanted fresh wild pigs. He said we needed fresh meat to last until San Francisco. We tried. We heard pigs squealing on the island, running, large leaves moving as they ran underneath the foliage. Merihim said we’ve no time. So, we killed two large turtles, the biggest I’ve ever seen. The cook dried and cured the meat into jerky.

Mosscap pointed. "Crown shyness is so striking, don't you think?" Dex had no idea what Mosscap meant. "Sorry, what's striking?" "Stop," Mosscap said. "Look." Dex sighed, but they hit the brakes, put their feet on the paving below, and looked up. Mosscap continued to point, tracing lines in the air. "Look at the treetops," it said. "What do you notice?" "Uh," Dex said. They frowned, not knowing what Mosscap was getting at. There were branches, obviously, and leaves, and... "Oh, they're..." They fell quiet as their perspective of the surrounding landscape shifted in a way they'd never unsee. Despite their number and close proximity, none of the treetops were touching one another. It was as though someone had taken an eraser and run it cleanly through the canopy, transforming each tree into its own small island contained within a definitive border of blue sky. The effect reminded Dex of puzzle pieces laid out on the table, each in their own place yet still unconnected. It wasn't that the trees were unhealthy or their foliage sparse. On the contrary, every tree was lush and full, bursting with green life. Yet somehow, in the absence of contact, they knew exactly where to stop growing outward so they might give their neighbors space to thrive.

People often picture the cover of a book to be a doorway into another world; I’m no different. I also find the first few pages of a novel to be a thicket of branches and leaves hiding what’s inside. Some books start slow, which means I have to struggle through this bramble before I get my first clear glimpse at the landscape, before I can determine if I even want to stay. If the effort is too hard, I might give up and try another door. I’ve always preferred books that are so inviting as to run downhill from the moment you enter, and have but a tiny bit of foliage to get through. So when I write I don’t want my readers to climb, I want them to step forward and fall in, and get sucked down, unable to escape.

We will not leave without a fight! We will burst, first! You will see us! Hear us! Burning trees, burning bushes. We speak God’s words!

Poem Out of the overlapping Leaves of my brain came tapping… Tapping… a voice that is not mine alone: Nor can the woodpecker Claim it as his own: the flicker Deep in the foliage belongs to neither Birds, men or dreams. It is as far away as childhood seems.

I remember too how spring came, just when I thought it might stay winter forever, at first in little touches and strokes of green lighting up the bare mud like candle flames, and then it covered the whole place with a light pelt of shadowy grass blades and leaves. And I remember how, as the days and the winds passed over, the foliage shifted and sang.

The silence awed me. I no longer suffered. My friends attended to me in silence. The job was finished, and my conscience was clear. Gathering together the last shreds of energy, in one last long prayer, I implored death to come and deliver me. I had lost the will to live, and I was giving up—the ultimate humiliation for a man, who, up till then, had always taken a pride in himself. This was no time for questions nor for regrets. I looked death straight in the face, besought it with all my strength. Then abruptly I had a vision of the life of men. Those who are leaving it for ever are never alone. Resting against the mountain, which was watching over me, I discovered horizons I had never seen. There at my feet, on those vast plains, millions of beings were following a destiny they had not chosen. There is a supernatural power in those close to death. Strange intuitions identify one with the whole world. The mountain spoke with the wind as it whistled over the ridges or ruffled the foliage. All would end well. I should remain there, forever, beneath a few stones and a cross. They had given me my ice-axe. The breeze was gentle and sweetly scented. My friends departed, knowing that I was now safe. I watched them go their way with slow, sad steps. The procession withdrew along the narrow path. They would regain the plains and the wide horizons. For me, silence.

Close your eyes and imagine a vast, open space, perhaps a meadow or a clearing in a forest. In the center of this space stands a young tree, still delicate and small. This tree represents you at the beginning of your smoking journey. Its brown and withered leaves symbolize the harmful effects of smoking on your health and life. With each cigarette you’ve smoked, the tree has suffered another blow. Its leaves have turned browner, its bark has become more cracked, and its branches more brittle. But then, you make the decision to quit smoking. As soon as you make this decision, the tree begins to change. With each smoke-free day, new green leaves sprout. Its bark becomes smoother, its branches sturdier. It grows and extends its roots deep into the earth, absorbing nutrients and reaching for the sky. With each passing day, the tree becomes larger, stronger, and more vibrant. Months and years go by, and the tree becomes a monumental testament to your determination and willpower. Its dense foliage offers shelter and shade, and its sturdy trunk withstands the fiercest storms. It is a symbol of health, growth, and longevity. This tree represents your life without cigarettes. It shows that from a decision, from a first step, powerful change can arise. Every time you feel the urge to smoke, remember your Tree of Life and see how it continues to evolve, bloom, and thrive. Use this image as inspiration and a reminder that you have the power to change yourself and your life for the better.

Kulfi was beginning to feel a little tired of what she had been finding in the forest. She looked under a rock, by a tulip tree, along a stream. She needed a new ingredient, she thought, sniffing the air, something exciting and fresh to inspire her to an undiscovered dish, a new invention. She looked up into the sky. Already she had cooked a pigeon and a sparrow, a woodpecker, a hoopoe, a magpie, a shrike, an oriole, a Himalayan nightingale, a parrot … She had cooked a squirrel, a porcupine, a mongoose, all the wildfowl that could be found in those parts, the small fish in the stream, the round-shelled snails that crisscrossed the leaves with silver, the grasshoppers that leapt and jumped, landing with loud raindrop-like plops upon the foliage. Diligently, she searched for a new plant, a new berry, a new mushroom or lichen, fungus or flower, but everything about her looked familiar and dull. No new scents enlivened the air and she wandered farther and farther away.

There was something behind the glass, behind her reflection and the wash of clouded sky above her. She gazed past the surface, as though she were looking deep into clear water, ignoring the ripples and movements on the surface to search out what lived beneath. A tree, she realized, bending in a faint breeze, draped with purple leaves like streamers. Pure-silver flowers winked and sparkled in the deep foliage, swinging gently like bells, though Alaine couldn't hear anything. She gazed deeper, drinking in the beauty of a silver mist of moss on the ground, of a tangle of pale branches woven into knot-work unnaturally symmetrical, down to thorns bowing deeply to one another in vine-wrought curls. Something moved in the purple-and-silver forest, a figure, sliding like mist through the boughs. A woman--- Alaine started. She was tall and slim, shaped more than anything like a birch tree, with the same silver-pale gleam. Her hair was loose behind her, wound through with purple flowers, painfully bright against her fair waves. She looked up, gazing right at Alaine, almost meeting her eyes--- And then the mirror shattered in her hands.

Every language is a way of imagining the world. English, for example, is sharp and precise. Spanish tends to be baroque. It is obvious that they have adapted to the needs of the peoples who speak them, because both have stood the test of time. From time to time, academics accept new words that have already been tested in everyday speech, or accept as correct constructions they previously considered ungrammatical. These new words are leaves on a tree that is already lush with foliage, and the new constructions are the pruning, which helps it to grow; but the tree is still the same tree.

After traversing the open plain, the road led through a grove of young ebony trees, where guinea-fowls and a hartebeest were seen; it then wound, with all the characteristic eccentric curves of a goat-path, up and down a succession of land-waves crested by the dark green foliage of the mango, and the scantier and lighter-coloured leaves of the enormous calabash. The depressions were filled with jungle of more or less density, while here and there opened glades, shadowed even during noon by thin groves of towering trees.

After traversing the open plain, the road led through a grove of young ebony trees, where guinea-fowls and a hartebeest were seen; it then wound, with all the characteristic eccentric curves of a goat-path, up and down a succession of land-waves crested by the dark green foliage of the mango, and the scantier and lighter-coloured leaves of the enormous calabash. The depressions were filled with jungle of more or less density, while here and there opened glades, shadowed even during noon by thin groves of towering trees. At our approach fled in terror flocks of green pigeons, jays, ibis, turtledoves, golden pheasants, quails and moorhens, with crows and hawks, while now and then a solitary pelican winged its way to the distance.

After traversing the open plain, the road led through a grove of young ebony trees, where guinea-fowls and a hartebeest were seen; it then wound, with all the characteristic eccentric curves of a goat-path, up and down a succession of land-waves crested by the dark green foliage of the mango, and the scantier and lighter-coloured leaves of the enormous calabash. The depressions were filled with jungle of more or less density, while here and there opened glades, shadowed even during noon by thin groves of towering trees. At our approach fled in terror flocks of green pigeons, jays, ibis, turtledoves, golden pheasants, quails and moorhens, with crows and hawks, while now and then a solitary pelican winged its way to the distance. Nor was this enlivening prospect without its pairs of antelope, and monkeys which hopped away like Australian kangaroos; these latter were of good size, with round bullet heads, white breasts, and long tails tufted at the end. We arrived at Kikoka by 5 P.M., having loaded and unloaded our pack animals four times, crossing one deep puddle, a mud sluice, and a river, and performed a journey of eleven miles. The settlement of Kikoka is a collection of straw huts; not built after any architectural style, but after a bastard form, invented by indolent settlers from the Mrima and Zanzibar for the purpose of excluding as much sunshine as possible from the eaves and interior. A sluice and some wells provide them with water, which though sweet is not particularly wholesome or appetizing, owing to the large quantities of decayed matter which is washed into it by the rains, and is then left to corrupt in it. A

October mornings peeled the night cloud back to its subcutaneous lilac tissue. The leaves earned their name by leaving the trees. Browned and blistered foliage cascaded from the sycamore, swilling into the exterior nooks of the house, ruffling the gravel, snagging on the tortured remains of the thistle, bottlenecking and compacting in the corner where the wheelie bin was kept, so that when it was taken off for collection, its absence created a rectangular hollow the shape of a short, stocky pillar that held its shape for several seconds before crumbling.

But the forest elder lifted me higher still, and I saw the road not as a single stripe of death, but as a feeler reaching out from a foreign organism. The road was to that system, not a stripe of death but a root, securing it in new soil. And just as I had imagined the pathways and byways that would spread out from it as small rootlets, so they were. And if I followed that root back to its source, I saw the Kingdom of Gernia, growing and spreading just as organically as a vine crawling up a tree. The vine that used a tree to reach the sunlight did not intend evil to the tree; it was incidental that it sucked all life from the tree as it climbed and spread, shading the tree’s leaves with its own tendrils and foliage. The roads fed Gernia, and were focused only on sustaining their own organism. For Gernia to live, the road must grow. It could not survive without its growing, spreading roots. My civilization and the forest were two organisms, competing for resources. One would shade out the other.

A farmer’s crops weren’t doing well. He had tried everything he could with the land and soil he had, but no matter what he did, year after year, his harvest grew smaller, his bounty less plentiful. So, he up and moved, searching for a new land, a new beginning. After a long journey, he came upon the most ideal, freshest, nutrient-rich soil on earth. Living there in prosperity, he felt the urge to plant something to pass onto future generations so they could see what he was blessed with. He tilled the soil, and with tender love and care, he planted an acorn. He watched as the tree broke the soil, making its way upward. Young, healthy, and free. Year after year, he saw it expand, stretching its branches in all directions, letting it be, never pruning it, never tending to it. Under its own direction, it took off, soaring upward and outward, becoming the mighty oak seen from all directions. “People traveled from far and wide to admire the tree, wanting one for themselves. They all asked the farmer, ‘What did you do to grow such a majestic oak tree?’ “His answer, always the same. ‘I don’t do a thing, I just let it grow on its own.’ “Most turned away, perplexed by his explanation, convinced he was hiding something from them. Others, however, listened, reproducing the same results. “Time passed and eventually the farmer was no longer, but the tree remained a steadfast fixture on the farmer’s land. Eventually, more people moved into the area. They were different from the man. They considered themselves to be more educated, more advanced than a simple farmer. They disliked his gigantic symbol of individual success. “So they hatched a plan. They conspired with each other and decided to stop making it about the tree. Why don’t they turn the people’s attention to the branches? Brilliant. So, year after year, they would rev up the citizens over a blemish on a branch. One was crooked, another’s bark was too thick, some had too many leaves, others didn’t have enough. The people who cared passionately about more foliage fought with those who wanted less. Citizens who wouldn’t stand for crooked branches ganged up on those who only wanted them to be straight. All the while, the elites stood back, stirring the pot, and achieving their plan to eliminate the tree. Every once in a while a side would win, and a branch would be cut off. Others would chop one off from spite and anger. As the years passed, branch after branch not escaping the scourge of the bickering groups, the tree finally was nothing more than a trunk. The people who were so used to fighting with each other gazed upon one another from either side of the pathetic, devoured symbol. They realized they had destroyed the once extraordinary, grand oak. But it was too late. The elites got what they wanted.

as the acorn is nourished by the dead leaves of the oak, the hope strengthens that the rise and fall of men and their movements are only the changing foliage of the ever-growing tree of life,

HOW TO MAKE A HAND-TIED BOUQUET This bouquet has a lush, loose, casual feel. You make it by holding a stem in one hand and adding other stems around it in a spiral fashion. Because it’s not tightly wrapped in ribbon, it can easily be stored in a glass of water until showtime. (Do make sure it’s dry before it gets anywhere near your dress!) MATERIALS: • 15 to 20 stems of fairly long-stemmed flowers (no more than 3 or 4 varieties for a mixed bouquet; if using a variety of colors make sure they are evenly distributed) • Florist’s knife • 5 to 10 stems of greenery • 26-gauge florist’s wire or ordinary twine • Floral shears • Ribbon for finishing 1. Cut each of the stems on the diagonal and place in water while you work. Remove any thorns by gently scraping them off with a florist’s knife (take care not to gouge too deeply) and any foliage from the bottom half of the stem. 2. Take the largest flower in the bunch—this will form the center of the bouquet. Hold its stem in your left hand, between your thumb and first finger, about 6 to 8 inches from the base of the flower head. 3. With your right hand, add 4 to 6 clusters of greenery evenly around the center flower, tucking them in just below the head, allowing the stems to cross at the bottom and turning the bouquet clockwise as you work. 4. Tuck the end of a long piece of wire or twine in between two of the stems, and then wind it around the whole bunch of stems a couple of times to begin to hold everything together. Do not cut the wire. 5. Holding the bouquet in your left hand as in step 2, place 5 or 6 more flowers around the greenery, turning the bouquet clockwise as you work. Secure this next layer of stems with a couple of twists of wire in the same place as before. Continue adding greenery, flowers, or whatever you like to add mass to the bouquet until it reaches the desired size and shape. (Look at it from all angles to make sure you like the silhouette.) 6. Finish with a ring of greenery to give it a nice decorative cuff (optional). 7. Secure all the stems together one last time by winding the wire gently but firmly around several times, and then cut it off and tuck it in. 8. Using floral shears, cut the stems to the desired length, all at the same level. (Don’t chop them too short or your bouquet will look top heavy.) 9. Wrap ribbon around the stems to cover the wire, and tie in a droopy bow. If your ribbon is narrow, wrap it around several times before tying a bow to ensure that you’ve covered all your work. Leave the ends of the bow long and trim them at an angle.

Eve was beside herself. Whatever this is, Deene had best appreciate—why are you staring at me like that?” He closed the door and stepped closer. The room was unusual, built with a small balcony overlooking a conservatory that might have been added as an afterthought, hence its relative warmth and humidity, and the lush scent of foliage blending with all the other fragrances wafting through the house. “Looking at you like what?” “Like… you just lost your best friend? Won’t it be wonderful to go home to Flint Hall, Elijah?” Elijah was better than my lord, and because she seemed to need it, he lied for her. “Wonderful, indeed. Have you told your parents yet that you’re going to Paris?” He had the sense she was waiting for him to leave Morelands first, unwilling to have his support even tacitly. “Not… not yet.” She set the perfect little gift down. “Louisa says I must, and she grasps tactics with an intuition I can only admire. I wish…” Her gaze went to the elegant little parcel. “I wish…” While Elijah watched, Jenny lost some of that distant, preoccupied quality that had characterized her since they’d finished their paintings. She gazed on that parcel as if it held secrets and treats and even a happy ending or two. Once they completed the twenty-minute walk back to Morelands, they’d have no more private moments ever. He’d leave for London at first light; she’d sail for Paris, probably before the New Year. “What do you wish, Genevieve?” Because whatever it was, he’d give it to her. His heart, his soul, his hands, passage to Paris—passage home from Paris. How he wished she’d ask him for that, but passage home was something she could only give herself. “Will you make love with me, Elijah? You’re leaving tomorrow, I know that, and I shouldn’t ask it. I shouldn’t want it, but I do. I want you, so much. Please?

The woods are lovely, dark, and deep," Jess intoned as they took the path down from the parking lot. She had imagined finding a spot to read and meditate, leaving Emily to walk alone for half an hour, but the trees were so tall, and the light filtering down so green that she forgot her stratagem, and her troubles as well. The saplings here were three hundred years old, their bark still purple, their branches supple, foliage feathery in the gloaming. They rose up together with their ancestors, millennia-old redwoods outlasting storms, regenerating after lightning, sending forth new spires from blasted crowns. What did Hegel matter when it came to old-growth? Who cared about world-historical individuals? Not the salamanders or the moss. Not the redwoods, which were prehistoric. Potentially post-historic too.

On the top rack is a cooled and decorated seven-layered 'opera' cake. Her client- the Peruvian ambassador- had requested a "tropical" theme for a dinner party dessert. Avis had based the decoration on the view through the kitchen window, re-creating in lime, lemongrass, and mint frostings the curling backyard flora, curving foliage shaped like tongues and hearts, fat spines bisecting the leaves.

The deeper I went into the valley, the greater the rewards. First, it was a clump of birches, the bottoms wrapped in thick fog, the uppermost branches clear now, nesting birds waking with bright-eyed songs. Next, I passed under the pines, browned needles underfoot, and was transported to the quiet moments of rapture under such branches throughout my life. The last, and worth all other gifts combined, was that moment when the valley inhaled, taking with it the fog. In its place, so close to where I was standing, there they were, the year's first flowers, the pure white snowdrops springing from the dark-green foliage under the elms. It was as if the clouds were swept in an instant from the sky leaving only the quiet delicacy of the stars.

You're in the woods, You're alone. You've never known aloneness like this before, but now that you do, it will remain beside you like an unshakable shadow for the rest of your life. So much will be lost in the far recesses of your mind; no life can ever be retained in all of its moments, but you will remember this - the bitter, sickly taste of blood in your mouth, the thousand shades of green enveloping you, the taste, and color, of death. The deafening rumble of your heart echoing through your blood. The sharp-edged leaves knifing your arms and face as you crash through the foliage. Your fear - this vast and uncontrollable fear, as black and deep as a Norwegian forest lake.  It will surge through you forever, prompted by big and small triggers entirely unrelated to these moments, and you'll learn to live with it; you'll have to.

us. And why must vines be pruned, my friend?” I considered his question. Surely there was a trap set for me. “First, the dead canes must be cut off in this season when the vine is sleeping. This season … you see the workers there … the pruning is severe. Down to the trunk of the vine. Dead canes will not bear fruit and so must be cut off first. In another month or so, depending on the weather, there will be bud break. The vine will produce new, healthy shoots. New growth will bear fruit.” Jesus asked, as though he did not know, “Is the job of the vinedresser finished when he cuts away these dead branches?” “Well … no. Through the growing season, we train the branches. Set them in the best position to expose fruit to the sun. Thin the leaves that block the sun from the berries; break off clusters that will never ripen evenly. They only steal the life of the vine from the good clusters. The vinedresser cuts away excess foliage to concentrate the life of the vine into the best berries that will make the finest quality wine. The vine can’t nourish the new growth properly … the quality of the grapes is not as good