“
Even the Inquisitor's eyebrows shot up when Magnus strode through the gate. The High Warlock was wearing black leather pants, a belt with a buckle in the shape of a jeweled M, and a cobalt-blue Prussian military jacket open over a white lace shirt. He shimmered with layers of glitter. His gaze rested for a moment on Alec's face with amusement and a hint of something else before moving on to Jace, prone on the ground.
"Is he dead?" he inquired. "He looks dead."
"No," snapped Maryse. "He's not dead."
"Have you checked? I could kick him if you want." Magnus moved toward Jace.
"Stop that!" the Inquisitor snapped, sounding like Clary's third-grade teacher demanding that she stop doodling on her desk with a marker.
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
He pats his way around the the bed and slides back in. "Ow," he says.
"yes?"
"My belt. Would it be weird..."
I'm thankful he can't see me blush."Of course not." And I listen to the slap of leather, s he pulls it out of his belt loops. He lays it gently on my hardwood floor.
"Um," he says. "Would it be weird-"
"yes"
"Oh, piss off. I'm not talking trousers. I only want under the blankets. That breeze is horrible." He slides underneath, and now we're lying side-by-side. In my narrow bed. Funny, but I never never imagined my first sleepover with a guy being, well, a sleepover.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
The bad boy, the good girl and a leather belt.
”
”
V. Theia (Finally Winter (Renegade Souls MC Romance Saga #5))
“
And at midnight there came an apparition in hell. A handsome dark-eyed man with a dagger-like beard, in a tailcoat, stepped onto the veranda and cast a regal glance over his domain. They used to say, the mystics used to say, that there was a time when the handsome man wore not a tailcoat but a wide leather belt with pistol butts sticking out from it, and his raven hair was tied with scarlet silk, and under his command a brig sailed the Caribbean under a black death flag with a skull and crossbones.
But no, no! The seductive mystics are lying, there are no Caribbean Seas in the world, no desperate freebooters to sail them, no corvette chases after them, no cannon smoke drifts across the waves. There is nothing, and there was nothing! There is that sickly linden over there, there is the cast-iron fence, and the boulevard beyond it…And the ice is melting in the bowl, and at the next table you see someone’s bloodshot, bovine eyes, and you’re afraid, afraid…Oh, gods, my gods, poison, bring me poison!...
”
”
Mikhail Bulgakov (The Master and Margarita)
“
All of them had been give a makeover. Leo was wearing pinstriped pants, black leather shoes, a white collarless shirt with suspenders, and his tool
belt, Ray-Ban sunglasses, and a porkpie hat.
“God, Leo.” Piper tried not to laugh. “I think my dad wore that to his last premiere, minus the tool belt.”
“Hey, shut up!”
“I think he looks good,” said Coach Hedge. “’Course, I look better.”
The satyr was a pastel nightmare. Aphrodite had given him a baggy canary yellow zoot suit with two-tone shoes that fit over his hooves. He had a
matching yellow broad-brimmed hat, a rose-colored shirt, a baby blue tie, and a blue carnation in his lapel, which Hedge sniffed and then ate.
“Well,” Jason said, “at least your mom overlooked me.”
Piper knew that wasn’t exactly true. Looking at him, her heart did a little tap dance. Jason was dressed simply in jeans and a clean purple T-shirt, like
he’d worn at the Grand Canyon. He had new track shoes on, and his hair was newly trimmed. His eyes were the same color as the sky. Aphrodite’s
message was clear: This one needs no improvement.
And Piper agreed.
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
And Cormia will be okay, I mean, she's not kicked out of here, correct?"
"She shall be welcomed back herein. She is a fine female. Just not...as well suited to this life as some of us are."
In the quiet heartbeats that followed, he had an image of her undressing him for the shower, her guileless, innocent green eyes looking up at him as she fumbled with his belt and his leathers.
She only wanted to do what was right. Back when this whole mess had gotten started, even though she'd been terrified, she would have done the right thing by her tradition and taken him in her. Which made her stronger than him, didn't it. She wasn't running. He was the one with the track shoes on.
"You tell the others I was not worthy of her." As the Directrix's mouth fell open, he pointed a finger at her. "That's a goddamned order. You tell them...she is too good for me. I want her elevated to a special rank.... I want her fucking enshrined, do you understand me? You do right by her or I'll bust this place into ruins.
”
”
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
“
I'm something of a bastard on the best of days. And that day was hardly my best.'
Jean-François's gaze roamed Gabriel, toe to crown. 'Nor this one, I fear?'
Gabriel tapped an empty leather pouch at his belt. 'Behold the purse in which I keep my fucks for what you think of me.
”
”
Jay Kristoff (Empire of the Vampire (Empire of the Vampire, #1))
“
License and registration, please". The voice was vaguely familiar, but she was too in her own thoughts to care.
"Here you go".
Silence. Diane saw khaki pants, khaki shirt, a black leather belt, and elbows as he read her documentation, and elbows as he wrote out a ticket.
This took several minutes because, by law, police are required to describe the nature of the sunlight at the time of the infraction in verse, although meter and rhyme are optional.
”
”
Jeffrey Cranor (Welcome to Night Vale (Welcome to Night Vale, #1))
“
The strangest figures we saw were the Slovaks, who were more barbarian than the rest, with their big cow-boy hats, great baggy dirty-white trousers, white linen shirts, and enormous heavy leather belts, nearly a foot wide, all studded over with brass nails. They wore high boots, with their trousers tucked into them, and had long black hair and heavy black moustaches. They are very picturesque, but do not look prepossessing. On the stage they would be set down at once as some old Oriental band of brigands. They are, however, I am told, very harmless and rather wanting in natural self-assertion.
”
”
Bram Stoker (Dracula)
“
A shapeless figure bent over him, he smelt the fresh leather of the revolver belt; but what insignia did the figure wear on the sleeves and shoulder straps of its uniform—and in whose name did it raise the dark pistol barrel?
A second, smashing blow hit him on the ear. Then all became quiet. There was the sea again with its sounds. A wave slowly lifted him up. It came from afar and travelled sedately on, a shrug of eternity.
”
”
Arthur Koestler (Darkness at Noon)
“
Bob was not a jokester, and his severe demeanor intimidated most people. Word at the Bureau was that he had knee surgery not long after 9/11 and declined anesthesia in favor of biting on a leather belt.
”
”
James B. Comey (A Higher Loyalty: Truth, Lies, and Leadership)
“
I was supposed to be having the time of my life. I was supposed to be the envy of thousands of other college girls jut like me all over America who wanted nothing more than to be tripping bout in those same size seven patent leather shoes I'd bought in Bloomingdale's one lunch hour with a black patent leather belt and black patent leather pocket-book to match. And when my picture came out in the magazine the twelve of us were working on - drinking martinis in a skimpy, imitation silver-lamé bodice stuck on to a big, fat cloud of white tulle, on some Starlight Roof, in the company of several anonymous young men with all-American bone structures hired or loaned for the occasion - everybody would think I must be having a real whirl
”
”
Sylvia Plath (The Bell Jar)
“
Puss hopped down from the couch and rummaged in Mark’s closet until he found a black leather belt. This he looped along his shoulder, around his waist, and then clasped together. “I’m off to make war, so that you may have love.
”
”
Zechariah Barrett (The Feline Inheritance)
“
I looked him over for a second and suddenly it clicked. "Still want me to be mean to you?"
His eyes widened. "Yeah?"
"Well, come on then."
A minute later I had an oversized T-shirt that worked as a dress, a belt to shove my weapons into and a too-large leather jacket to toss over it all. I slammed out into the hall, leaving the guy tied to the desk chair by his underwear. Judging by his expression, he'd just leaned a valuable lesson about screwing with strange women.
”
”
Karen Chance (Death's Mistress (Dorina Basarab, #2))
“
Close up she saw that Molina's eyes were beautiful and dark thik eye lashed the way Lisette's mother tried to make hers with a mascara brush. The skin beneath Molina's eyes were soft and bruised looking and on her throat were tiny dark moles. It did not seem right that a woman like Molina, who you could tell was a mother-her body was a mother's body for sure, wide hips-could be a cop;it did not seem right that this person was carrying a gun, in a holster attached to leather belt, and that she could use it, if she wanted to.
”
”
Joyce Carol Oates
“
Grandmother called my attention to a stout hickory cane, tipped with copper, which hung by a leather thong from her belt. This, she said, was her rattlesnake cane.
”
”
Willa Cather (My Antonia)
“
My leather belt snarled and snapped at Victoria's silky smooth bottom, leaving sexy red love bites all over her milky white buttocks.
”
”
John Key (Sexy Erotic Spanking Tales Of Naughty Wives)
“
They all dressed like crack addicts. A boy wore a white leather belt as a tie.
”
”
Heather O'Neill (Lullabies for Little Criminals)
“
The strangest figures we saw were the Slovaks, who were more barbarian than the rest, with their big cow-boy hats, great baggy dirty-white trousers, white linen shirts, and enormous heavy leather belts, nearly a foot wide, all studded over with brass nails. They wore high boots, with their trousers tucked into them, and had long black hair and heavy black moustaches. They are very picturesque, but do not look prepossessing. On
”
”
Bram Stoker (Dracula)
“
He pats his way around the bed and slides back in. 'Ow,' he says.
'Yes?'
'My belt. Would it be weird...'
I’m thankful he can’t see me blush. 'Of course not.' And I listen to the slap of leather as he pulls it out of his belt loops. He lays it gently on my hardwood floor.
'Um,' he says. 'Would it be weird—'
'YES.'
'Oh, piss off. I’m not talking trousers. I only want under the blankets.That breeze is horrible.' He slides underneath, and now we’re lying side by side. In my narrow bed. Funny, but I never imagined my first sleepover with a guy being, well, a sleepover.
'All we need now are 'Sixteen Candles' and a game of Truth or Dare.'
He coughs. 'Wh-what?'
'The movie, pervert. I was just thinking it’s been a while since I’ve had a sleepover.'
A pause. 'Oh.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Salander was dressed for the day in a black T-shirt with a picture on it of E.T. with fangs, and the words I AM ALSO AN ALIEN. She had on a black skirt that was frayed at the hem, a worn-out black, mid-length leather jacket, rivet belt, heavy Doc Marten boots, and horizontally striped, green-and-red knee socks. She had put on make-up in a colour scheme that indicated she might be colourblind. In other words, she was exceptionally decked out.
”
”
Stieg Larsson (The Girl with the Dragon Tattoo Trilogy)
“
Do it, Octavian” She ghosted the tips of her fingers along the hem of his shirt. “Touch me.”
He growled low in his throat, his forehead dropping another inch toward her shoulder, his hair tickling the side of her face. “Be my angel, Riley, not my siren. Don’t tempt me.”
Moistening her lips with a sweep of her tongue, Riley glided her fingers over his belt, tracing the strip of leather to the silver buckle in the center. She felt rather than heard his deep inhalation and the tremor that raked his powerful body. Driven by his surrender, she used two fingers to walk over the square carvings etched into his abdomen, biting her lip to stop the grin that pulled when he groaned.
“I want to be both for you, Octavian,” she whispered, letting her lips brush the curve of his shoulder.
”
”
Airicka Phoenix (Octavian's Undoing)
“
Ah, adventure! Ah, romance! Ah, courtly graces and the noble gestures! Don't you wish you knew people like that? Don't you wish we could still walk around in cloaks and boots and breeches, with leather doublets and flowing white dueling shirts and swords strapped around our waists? Of course, if we did, given the way things are today, there'd be people out there lobbying for sword control, and we'd need a National Sword Association and bumper stickers that would read "Swords don't kill people, knights kill people," and there would be a five-day waiting period and background check before you could buy a rapier. We'd have drive-by lungings and people would be afraid of children carrying broadswords to school. "Milady" would be regard as a sexist term and feminists would go absolutely berserk if any woman called a man "Milord." Ralph Nader would probably get quarter horses banned because they are too small and unsafe in a collision and someone would figure out a way to put seat belts and air bags on our saddles. That's why people join the SCA and read fantasy novels, because the real world sucks.
”
”
Simon Hawke (The Ambivalent Magician (Reluctant Sorcerer #3))
“
AN EMPTY GARLIC
"You miss the garden,
because you want a small fig from a random tree.
You don't meet the beautiful woman. You're joking with an old crone.
It makes me want to cry how she detains you,
stinking mouthed, with a hundred talons,
putting her head over the roof edge to call down,
tasteless fig, fold over fold, empty
as dry-rotten garlic.
She has you tight by the belt,
even though there's no flower and no milk inside her body.
Death will open your eyes
to what her face is: leather spine
of a black lizard. No more advice.
Let yourself be silently drawn
by the stronger pull of what you really love.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
“
They are approaching now a lengthy brick improvisation, a Victorian paraphrase of what once, long ago, resulted in Gothic cathedrals—but which, in its own time, arose not from any need to climb through the fashioning of suitable confusions toward any apical God, but more in a derangement of aim, a doubt as to the God’s actual locus (or, in some, as to its very existence), out of a cruel network of sensuous moments that could not be transcended and so bent the intentions of the builders not on any zenith, but back to fright, to simple escape, in whatever direction, from what the industrial smoke, street excrement, windowless warrens, shrugging leather forests of drive belts, flowing and patient shadow states of the rats and flies, were saying about the chances for mercy that year.
”
”
Thomas Pynchon (Gravity’s Rainbow)
“
So,” I said. “Exactly how long have the two of you been together? I assume that you’ve been going hot and heavy ever since that night at Fletcher’s house when the bounty hunters interrupted you. Am I right?”
Finn and Bria didn’t look at me or each other.
“Right,” Bria mumbled. “Although if it makes you uncomfortable—”
“Then Gin’s just going to have to deal with it,” Finn cut her off.
Bria stared at him in surprise.
“What?” Finn said. “I worked too hard and too long to get you into my bed to just cut you loose now, cupcake.”
Bria’s eyes narrowed. “Cupcake?”
“Cupcake.” Finn grinned at her. “Or would you prefer snuggle bunny?”
Bria’s hand drifted down to the gun on her leather belt, as though she wanted to pull it out and shoot Finn with it. Well, it was good to know I wasn’t the only one who occasionally had that reaction to him.
...
Then I fixed them both with a hard stare. “Just don’t ask me to take sides when the two of you go at each other. Okay?”
They nodded, then looked at each other. Finn waggled his eyebrows in a suggestive manner, and Bria snorted. But she couldn’t stop a grin from curving her lips.
”
”
Jennifer Estep (Spider’s Revenge (Elemental Assassin, #5))
“
Aubade to Langston"
When the light wakes & finds again
the music of brooms in Mexico,
when daylight pulls our hands from grief,
& hearts cleaned raw with sawdust
& saltwater flood their dazzling vessels,
when the catfish in the river
raise their eyelids towards your face,
when sweetgrass bends in waves
across battlefields where sweat
& sugar marry, when we hear our people
wearing tongues fine with plain
greeting: How You Doing, Good Morning
when I pour coffee & remember
my mother’s love of buttered grits,
when the trains far away in memory
begin to turn their engines toward
a deep past of knowing,
when all I want to do is burn
my masks, when I see a woman
walking down the street holding her mind
like a leather belt, when I pluck a blues note
for my lazy shadow & cast its soul from my page,
when I see God’s eyes looking up at black folks
flying between moonlight & museum,
when I see a good-looking people
who are my truest poetry,
when I pick up this pencil like a flute
& blow myself away from my death,
I listen to you again beneath the mercy
of a blue morning’s grammar.
Originally published in the Southern Humanities Review, Vol. 49.3
”
”
Rachel Eliza Griffiths
“
What's it like feeling the smooth heat of that arm, tracing the supernatural muscles bunched in his arms and chest, teasing anyone with a pulse and hormones to lick their way down the divots and planes of that skin, to unbutton the leather shielding his body and taste all the way down to that silver buckle on his belt.
”
”
Poppet (Sveta (Neuri, #1))
“
The man was possibly the most intimidating person she’d ever seen, and he was walking their way. Tall and burly, he had short-cropped hair which added to his military appearance. But it was his clothes that really caught her attention, since he was wearing some kind of leather armour and… was that a sword strapped to his belt?
”
”
Lynette Noni (Akarnae (The Medoran Chronicles, #1))
“
Below the waterbag were his guns,finely weighted to his hand. The two belts crisscrossed above his crotch. The holsters were oiled too deeply for even this Philistine sun to crack. The stocks of the guns were sandalwood, yellow and finely grained. The holsters were tied down with
raw hide cord, and they swung heavily against his hips. The brass casings of the cartridges looped into the gun belts twinkled and flashed and heliographed in the sun. The leather made subtle
creaking noises. The guns themselves made no noise.
”
”
Stephen King (The Gunslinger (The Dark Tower, #1))
“
Cowboys in the old days wore guns on their belts' my dad whips his cell phone out of a leather case clipped to his belt, like his very own six-shooter.
”
”
Alecia Whitaker (The Queen of Kentucky)
“
Gabriel tapped an empty leather pouch at his belt. “Behold the purse in which I keep my fucks for what you think of me.
”
”
Jay Kristoff (Empire of the Vampire (Empire of the Vampire, #1))
“
Lately the commandant speaks more and more intimately of the führer and the latest thing- prayers, petroleum, loyalty- that he requires. The führer requires trustworthiness, electricity, boot leather. Werner is beginning to see, approaching his sixteenth birthday, that what the führer really requires is boys. Great rows of them walking to the conveyor belt to climb on. Give up cream for the führer, sleep for the führer, aluminum for the führer. Give up Reinhard Wöhlmann's father and Karl Westerholzer's father and Martin Burkhard's father.
”
”
Anthony Doerr (All the Light We Cannot See)
“
Several pallets had been pulled to the middle of the open space and stacked two high with a large blanket over them. The implication stunned her – it was so unexpected, so unlike what she believed about him – her mind only registered denial.
She heard Ash bolt the door and remove his leather jacket, felt his hands on her shoulders as he turned her around to face him. He stroked her cheek with one hand while the other reached for his belt. “My sweet, innocent Sage,” he whispered, and still her thoughts could gain no traction.
There was the snap of a release from his belt, and though she continued to meet his eyes, she saw a sheathed dagger in the hand he raised between them.
“Tonight I must teach you how to kill a man.
”
”
Erin Beaty (The Traitor's Kiss (The Traitor's Circle, #1))
“
Graham and the undertaker's assistants strapped the body to a wide board with a rope that crossed under his right shoulder and again over his groin, then they tilted the man until he was nearly vertical and let the camera lens accept the scene for a minute. The man's eyes were shut, the skin around them was slightly green, and the sockets themselves seemed so cavernous that photographic copies were later repainted with two blue eyes looking serenely at some vista in the middle distance. Likewise missing in the keepsake photographs was the mean contusion over his left eyebrow that wound convince some reporters that it was the gunshot's exit wound and others that it showed the incidence of Bob Ford's smashing the stricken man with a timber. The body's cheeks and chest and belly were somewhat inflated with preservatives, necessitating the removal of the man's thirty-two-inch brown leather belt, and making his weight seem closer to one hundred eighty-five pounds than the one hundred sixty it was. His height was misjudged by four inches, being recorded as six feet or more by those who wrote about him.
”
”
Ron Hansen (The Assassination of Jesse James by the Coward Robert Ford)
“
she said, when I wear these boots no one fucks with me
when I tie my past like a scarf around my throat
I can freeze the blood
of every naive and unabashed up-and-comer
when I slide on my desire like glowing black stockings
I can make the uninitiated beg
for the feel of raw and stinging wood
and when I slip my angry black leather belt
from its rusty hook
the ambitious and guileless cower
like a thousand condemned souls
when I close my fist, my rings golden
with a youth well spent
the warriors of Gilead surrender
with a breathless whimper
and when my shoulders
feel the rough comfort of my serape woven with the fibers
of a fierce and relentless vengeance
you will soon realize
these are not my clothes after all, she says,
they are warning signs
”
”
Daniel Ames
“
Belt leather. Black pepper. Fine lace and bright feather. Tinker in town tonight, gone tomorrow. Working through the evening light. Come wife. Come daughter, I’ve small cloth and rose water.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
Like most things in life, there’s also a spiritual side to my beard. Look at John the Baptist, one of the most important people in the New Testament. According to Matthew 3:4, “John’s clothes were made of camel’s hair, and he had a leather belt around his waist. His food was locusts and wild honey.” He baptized Jesus, who was God in human body, despite his appearance being that of a deranged vagrant. When I try to visualize John the Baptist, I see a bearded hunter who had to have some sort of weaponry to function in the wild. I would also assume he dipped the locusts in wild honey before he ate them. Based on what I read in the Bible about John the Baptist, I actually tried to eat a locust once, but it tasted terrible, which gave me the idea that John the Baptist probably dipped them in honey first. Then again, almost everything tastes good with honey.
”
”
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
“
Thank you,” I managed to say.
Replying with a nod, he approached my horse. “Here, let me help you—”
I slipped down myself before he could lend a hand, keeping the fur hide in my possession. “I’m not suddenly incapable because I wear a dress, Thaddeus.”
“I wasn’t suggesting…” Wisely, he let the issue drop.
Lifting an arm, he offered it to me. That’s when I noticed my sword in sheath belted to his waist.
“That’s mine!” I declared, reaching for the hilt.
Thaddeus managed a quick side-step. He hardened his jaw at my look of incredulity. I would only wait momentarily for an explanation.
“I know the sword is yours, Catherine, everyone knows that. But you’re too beautiful tonight to ruin that radiant look with an ugly, leather belt strapped about you.”
I was starting to think the man was using compliments as a weapon to defend himself against me. It did work to temper my anger somewhat.
“I brought the sword as a cautionary act in case those nasty werewolves show up. Seeing how I’ll be standing beside you all evening, the blade will be at your disposal if needed.”
I accepted his reasoning and stood down.
“Besides,” Thaddeus added, apparently feeling safe, “what’s yours is mine now anyway.”
I glared at the fool. “That works both ways, you know.”
He rolled his eyes and shrugged. “If it must.”
Again, he offered me his arm which I grudgingly accepted.
”
”
Richelle E. Goodrich (The Tarishe Curse)
“
There were mists over the river and clouds on the mountain and the trucks splashed mud on the road and the troops were muddy and wet in their capes; their rifles were wet and under their capes the two leather cartridge-boxes on the front of the belts, gray leather boxes heavy with the packs of clips of thin, long 6.5 mm. cartridges, bulged forward under the capes so that the men, passing on the road, marched as though they were six months gone with child.
”
”
Ernest Hemingway (A Farewell to Arms)
“
Carol reached for her coat on the armchair, and again Therese noticed the long line from her shoulder to the wide leather belt, continued in her leg. It was beautiful, like a chord of music or a whole ballet. She was beautiful, and why should her days be so empty now, Therese wondered, when she was made to live with people who loved her, to walk in a beautiful house, in beautiful cities, along blue seacoasts with a long horizon and a blue sky to background her.
”
”
Patricia Highsmith (The Price of Salt)
“
The führer requires trustworthiness, electricity, boot leather. Werner is beginning to see, approaching his sixteenth birthday, that what the führer really requires is boys. Great rows of them walking to the conveyor belt to climb on. Give
”
”
Anthony Doerr (All the Light We Cannot See)
“
He came forward, holding his belt by one hand. The holes in it marked the progress of his emaciation and the leather at one side had a lacquered look to it where he was used to stropping the blade of his knife. He stepped down into the roadcut and he looked at the gun and he looked at the boy. Eyes collared in cups of grime and deeply sunk. Like an animal inside a skull looking out the eyeholes. He wore a beard that had been cut square across the bottom with shears and he had a tattoo of a bird on his neck done by someone with an illformed notion of their appearance. He was lean, wiry, rachitic. Dressed in a pair of filthy blue coveralls and a black billcap with the logo of some vanished enterprise embroidered across the front of it.
”
”
Cormac McCarthy (The Road)
“
She imagined Jack standing among the bins of nails and tool belts and the ranks of crowbars, unspoken to beyond the ordinary courtesies, seeming unaware of their awareness of him, watching flickering television in that cave full of the smells of leather and wood and oily metal, idle among all those implements of force and purpose, citified among the steel-toed boots and the work shirts. An odd place for a man to loiter who was so alive to embarrassment, so predisposed to sensing even the thought of rebuke.
”
”
Marilynne Robinson (Home (Gilead, #2))
“
His weight is on me; he is pushing me down. I turn my head away but his mouth is on my neck, my breast; I am panting with desire, and then I feel, unexpectedly, a sudden rush of anger at the realization that he is no longer embracing me but forcing me, holding me down as if I were some slut behind a haystack. He is pulling up my gown as if I were a whore; he is pushing his knee between my legs as if I have consented, and my temper makes me so furiously strong that I thrust him away again and then, on his thick leather belt, I feel the hilt of his dagger.
”
”
Philippa Gregory (The White Queen (The Plantagenet and Tudor Novels, #2))
“
Only somebody with a mind like a rock could go on with the idea that we on our little island are separate from those other places — that great world is rainbow threads woven into our greys and greens. Where did this leather belt come from? he asked me, of a belt I couldn’t see. Not English goats, but Norwegian ones. And the flour for baking bread that feeds our great cities? From Baltic grain, high up in the north. And the ironwork on our new weathervane? Spanish iron. Our little land is flecked with foreignness, the Lord wants our colourful commingling.
”
”
Samantha Harvey (The Western Wind)
“
Glaring coldly at us, the small crowd got out of their hard back chairs and zombied down the hall until the closing clanks of the big iron doors began. The expressionless men that wore drooling towels like bibs walked even slower but the burly attendants hurried them with a stinging crack of the wide leather belts, allowing them no dignity whatsoever. Thorazine, Prolixion, Haldol and any other psychotropic drug on the market maintained and assured obedience of the strictest kind, so it was fed like candy. No humanity, but I almost forgot. We are not human. Clank!
”
”
Daniel Keyes (The Minds of Billy Milligan)
“
At this period, too, Leningraders resorted to their most desperate food substitutes, scraping dried glue from the underside of wallpaper and boiling up shoes and belts. (Tannery processes had changed, they discovered, since the days of Amundsen and Nansen, and the leather remained tough and inedible.)
”
”
Anna Reid (Leningrad: The Epic Siege of World War II, 1941-1944)
“
She's probably just tired of seeing you miserable.Like we all are," I add. "I'm sure...I'm sure she's as crazy about you as ever."
"Hmm." He watches me put away my own shoes and empty the contents of my pockets. "What about you?" he asks, after a minute.
"What about me?"
St. Clair examines his watch. "Sideburns. You'll be seeing him next month."
He's reestablishing...what? The boundary line? That he's taken, and I'm spoken for? Except I'm not. Not really.
But I can't bear to say this now that he's mentioned Ellie. "Yeah,I can't wait to see him again. He's a funny guy, you'd like him.I'm gonna see his band play at Christmas. Toph's a great guy, you'd really like him. Oh. I already said that,didn't I? But you would. He's really...funny."
Shut up,Anna. Shut.Up.
St. Clair unbuckles and rebuckles and unbuckles his watchband.
"I'm beat," I say. And it's the truth. As always, our conversation has exhausted me. I crawl into bed and wonder what he'll do.Lie on my floor? Go back to his room? But he places his watch on my desk and climbs onto my bed. He slides up next to me. He's on top of the covers, and I'm underneath. We're still fully dressed,minus our shoes, and the whole situation is beyond awkward.
He hops up.I'm sure he's about to leave,and I don't know whether to be relieved or disappointed,but...he flips off my light.My room is pitch-black. He shuffles back toward my bed and smacks into it.
"Oof," he says.
"Hey,there's a bed there."
"Thanks for the warning."
"No problem."
"It's freezing in here.Do you have a fan on or something?"
"It's the wind.My window won't shut all the way.I have a towel stuffed under it, but it doesn't really help."
He pats his way around the bed and slides back in. "Ow," he says.
"Yes?"
"My belt.Would it be weird..."
I'm thankful he can't see my blush. "Of course not." And I listen to the slap of leather as he pulls it out of his belt loops.He lays it gently on my hardwood floor.
"Um," he says. "Would it be weird-"
"Yes."
"Oh,piss off.I'm not talking trousers. I only want under the blankets. That breeze is horrible." He slides underneath,and now we're lying side by side. In my narrow bed. Funny,but I never imagined my first sleepover with a guy being,well,a sleepover.
"All we need now are Sixteen Candles and a game of Truth or Dare."
He coughs. "Wh-what?"
"The movie,pervert.I was just thinking it's been a while since I've had a sleepover."
A pause. "Oh."
"..."
"..."
"St. Clair?"
"Yeah?"
"Your elbow is murdering my back."
"Bollocks.Sorry." He shifts,and then shifts again,and then again,until we're comfortable.One of his legs rests against mine.Despite the two layers of pants between us,I feel naked and vulnerable. He shifts again and now my entire leg, from calf to thigh, rests against his. I smell his hair. Mmm.
NO!
I swallow,and it's so loud.He coughs again. I'm trying not to squirm. After what feels like hours but is surely only minutes,his breath slows and his body relaxes.I finally begin to relax, too. I want to memorize his scent and the touch of his skin-one of his arms, now against mine-and the solidness os his body.No matter what happens,I'll remember this for the rest of my life.
I study his profile.His lips,his nose, his eyelashes.He's so beautiful.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
He found a grommet on one belt half-wrenched from its place and twisted it, grimacing, trying to force the iron ring back into the leather. He supposed the Suebi tribes were a bit like that — hard to force, tough to bend, and once driven in they were difficult to move. But the Romans had a talent for metallurgy, and Germania was one of its most productive forges.
”
”
Heather Domin (The Heirs of Fortune (Valerian's Legion, #2))
“
I was supposed to be having the time of my life. I was supposed to be the envy of thousands of other college girls just like me all over America who wanted nothing more than to be tripping about in those same size-seven patent leather shoes I’d bought in Bloomingdale’s one lunch hour with a black patent leather belt and black patent leather pocketbook to match. And when my picture came out in the magazine the twelve of us were working on—drinking martinis in a skimpy, imitation silver-lamé bodice stuck on to a big, fat cloud of white tulle, on some Starlight Roof, in the company of several anonymous young men with all-American bone structures hired or loaned for the occasion—everybody would think I must be having a real whirl.
”
”
Sylvia Plath (The Bell Jar)
“
There was a scavenging peasant moving about, whistling as he worked, with an outsize gunny sack on his back. The whitened knuckles of the hand which gripped the sack revealed his determined frame of mind; the whistling, which was piercing but tuneful, showed that he was keeping his spirits up. The whistle echoed around the field, bouncing off fallen helmets, resounding hollowly from the barrels of mud-blocked rifles, sinking without trace into the fallen boots of the strange, strange crops, whose smell, like the smell of unfairness, was capable of bringing tears to the buddha's eyes. The crops were dead, having been hit by some unknown blight... and most of them, but not all, wore the uniforms of the West Pakistani Army. Apart from the whistling, the only noises to be heard were the sounds of objects dropping into the peasant's treasure-sack: leather belts, watches, gold tooth-fillings, spectacle frames, tiffin-carriers, water flasks, boots.
”
”
Salman Rushdie (Midnight’s Children)
“
The reason was not hard to discern. The head of the body was also shaven with the tonsure of Columba. What remained of his clothing proclaimed it to have once consisted of the habit of a religieux, though there was no sign of the crucifix, leather belt and satchel that a peregrinus pro Christo would have carried. The leading traveller had drawn near on his mule and gazed up with a terrified expression on his white features. Another of the party, one of the two women, urged her mount nearer and gazed up at the corpse with a steady eye. She rode a horse, a fact that signified that she was no ordinary religieuse but a woman of rank. There was no fear on her pale features, just a slight expression of repulsion and curiosity. She was a young woman, tall but well proportioned, a fact scarcely concealed by her sombre dress. Rebellious strands of red hair streaked from beneath her headdress. Her pale-skinned features were attractive and her eyes were bright and it was difficult to discern whether they were blue or green, so changeable with emotion were they. ‘Come away, Sister Fidelma,’ muttered her male companion in agitation. ‘This is not a sight for your eyes.
”
”
Peter Tremayne (Absolution By Murder (Sister Fidelma, #1))
“
Already it is twilight down in the Laredito. Bats fly forth from their roostings in courthouse and tower and circle the quarter. The air is full of the smell of burning charcoal. Children and dogs squat by the mud stoops and gamecocks flap and settle in the branches of the fruit trees. They go afoot, these comrades, down along a bare adobe wall. Band music carries dimly from the square. They pass a watercart in the street and they pass a hole in the wall where by the light of a small forgefire an old man beats out shapes of metal. They pass in a doorway a young girl whose beauty becomes the flowers about.
They arrive at last before a wooden door. It is hinged into a larger door or gate and all must step over the foot-high sill where a thousand boots have scuffled away the wood, where fools in their hundreds have tripped or fallen or tottered drunkenly into the street. They pass along a ramada in a courtyard by an old grape arbor where small fowl nod in the dusk among the gnarled and barren vines and they enter a cantina where the lamps are lit and they cross stooping under a low beam to a bar and belly up one two three.
There is an old disordered Mennonite in this place and he turns to study them. A thin man in a leather weskit, a black and straightbrim hat set square on his head, a thin rim of whiskers. The recruits order glasses of whiskey and drink them down and order more. There are monte games at tables by the wall and there are whores at another table who look the recruits over. The recruits stand sideways along the bar with their thumbs in their belts and watch the room. They talk among themselves of the expedition in loud voices and the old Mennonite shakes a rueful head and sips his drink and mutters.
They'll stop you at the river, he says.
The second corporal looks past his comrades. Are you talking to me?
At the river. Be told. They'll jail you to a man.
Who will?
The United States Army. General Worth.
They hell they will.
Pray that they will.
He looks at his comrades. He leans toward the Mennonite. What does that mean, old man?
Do ye cross that river with yon filibuster armed ye'll not cross it back.
Don't aim to cross it back. We goin to Sonora.
What's it to you, old man?
The Mennonite watches the enshadowed dark before them as it is reflected to him in the mirror over the bar. He turns to them. His eyes are wet, he speaks slowly. The wrath of God lies sleeping. It was hid a million years before men were and only men have power to wake it. Hell aint half full. Hear me. Ye carry war of a madman's making into a foreign land. Ye'll wake more than the dogs.
But they berated the old man and swore at him until he moved off down the bar muttering, and how else could it be?
How these things end. In confusion and curses and blood. They drank on and the wind blew in the streets and the stars that had been overhead lay low in the west and these young men fell afoul of others and words were said that could not be put right again and in the dawn the kid and the second corporal knelt over the boy from Missouri who had been named Earl and they spoke his name but he never spoke back. He lay on his side in the dust of the courtyard. The men were gone, the whores were gone. An old man swept the clay floor within the cantina. The boy lay with his skull broken in a pool of blood, none knew by whom. A third one came to be with them in the courtyard. It was the Mennonite. A warm wind was blowing and the east held a gray light. The fowls roosting among the grapevines had begun to stir and call.
There is no such joy in the tavern as upon the road thereto, said the Mennonite. He had been holding his hat in his hands and now he set it upon his head again and turned and went out the gate.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
“
This is just one version of how the world of successful people actually works. But social capital is all around us. Those who tap into it and use it prosper. Those who don’t are running life’s race with a major handicap. This is a serious problem for kids like me. Here’s a non-exhaustive list of things I didn’t know when I got to Yale Law School: That you needed to wear a suit to a job interview. That wearing a suit large enough to fit a silverback gorilla was inappropriate. That a butter knife wasn’t just decorative (after all, anything that requires a butter knife can be done better with a spoon or an index finger). That pleather and leather were different substances. That your shoes and belt should match. That certain cities and states had better job prospects. That going to a nicer college brought benefits outside of bragging rights. That finance was an industry that people worked in. Mamaw always resented the hillbilly stereotype—the idea that our people were a bunch of slobbering morons. But the fact is that I was remarkably ignorant of how to get ahead. Not knowing things that many others do often has serious economic consequences. It cost me a job in college (apparently Marine Corps combat boots and khaki pants aren’t proper interview attire) and could have cost me a lot more in law school if I hadn’t had a few people helping me every step of the way.
”
”
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
“
The light dimmed a little as Chase’s form filled the doorway. Kahlan gave a start when she saw him. He was wearing a chain-mail shirt over a tan leather tunic, heavy black pants, boots, and cloak. Black gauntlets were tucked behind a wide black belt set with a large silver buckle emblazoned with the emblem of the boundary wardens. Strapped everywhere were enough armaments to outfit a small army. On an ordinary man the effect would have been silly; on Chase it was frightening. He was an image of overt threat, deadly with every weapon he carried. Chase had two basic expressions he wore most of the time, the first a look of feigned ignorant disinterest, the second, one that made him seem as if he was about to participate in a slaughter. He wore the second this day.
”
”
Terry Goodkind (Wizard's First Rule (Sword of Truth, #1))
“
I didn’t know what to say; he was right; but all I wanted to do was sneak out into the night and disappear somewhere, and go and find out what everybody was doing all over the country. The other cop, Sledge, was tall, muscular, with a black-haired crew-cut and a nervous twitch in his neck—like a boxer who’s always punching one fist into another. He rigged himself out like a Texas Ranger of old. He wore a revolver down low, with ammunition belt, and carried a small quirt of some kind, and pieces of leather hanging everywhere, like a walking torture chamber: shiny shoes, low-hanging jacket, cocky hat, everything but boots. He was always showing me holds—reaching down under my crotch and lifting me up nimbly. In point of strength I could have thrown him clear to the ceiling with the same hold, and I knew it well; but I never let him know for fear he’d want a wrestling match.
”
”
Jack Kerouac (On the Road)
“
I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys who stood out on Garrison and Liberty up on Park Heights loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much. “Keep my name out your mouth,” they would say. I would watch them after school, how they squared off like boxers, vaselined up, earrings off, Reeboks on, and leaped at each other.
I felt the fear in the visits to my Nana’s home in Philadelphia. You never knew her. I barely knew her, but what I remember is her hard manner, her rough voice. And I knew that my father’s father was dead and that my uncle Oscar was dead and that my uncle David was dead and that each of these instances was unnatural. And I saw it in my own father, who loves you, who counsels you, who slipped me money to care for you. My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that is exactly what was happening all around us. Everyone had lost a child, somehow, to the streets, to jail, to drugs, to guns. It was said that these lost girls were sweet as honey and would not hurt a fly. It was said that these lost boys had just received a GED and had begun to turn their lives around. And now they were gone, and their legacy was a great fear.
Have they told you this story? When your grandmother was sixteen years old a young man knocked on her door. The young man was your Nana Jo’s boyfriend. No one else was home. Ma allowed this young man to sit and wait until your Nana Jo returned. But your great-grandmother got there first. She asked the young man to leave. Then she beat your grandmother terrifically, one last time, so that she might remember how easily she could lose her body. Ma never forgot. I remember her clutching my small hand tightly as we crossed the street. She would tell me that if I ever let go and were killed by an onrushing car, she would beat me back to life. When I was six, Ma and Dad took me to a local park. I slipped from their gaze and found a playground. Your grandparents spent anxious minutes looking for me. When they found me, Dad did what every parent I knew would have done—he reached for his belt. I remember watching him in a kind of daze, awed at the distance between punishment and offense. Later, I would hear it in Dad’s voice—“Either I can beat him, or the police.” Maybe that saved me. Maybe it didn’t. All I know is, the violence rose from the fear like smoke from a fire, and I cannot say whether that violence, even administered in fear and love, sounded the alarm or choked us at the exit. What I know is that fathers who slammed their teenage boys for sass would then release them to streets where their boys employed, and were subject to, the same justice. And I knew mothers who belted their girls, but the belt could not save these girls from drug dealers twice their age. We, the children, employed our darkest humor to cope. We stood in the alley where we shot basketballs through hollowed crates and cracked jokes on the boy whose mother wore him out with a beating in front of his entire fifth-grade class. We sat on the number five bus, headed downtown, laughing at some girl whose mother was known to reach for anything—cable wires, extension cords, pots, pans. We were laughing, but I know that we were afraid of those who loved us most. Our parents resorted to the lash the way flagellants in the plague years resorted to the scourge.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
It was late; I’d been sleeping. I woke up to the sound of him crying. The ward was dark, with only the light from the nurses’ station bleeding in. ‘Kid,’ he said to me, and his voice… his voice was like a ghost. Like that part of him had already died and had come back for the rest. ‘Kid, this is worse than Topeka.’ He told me that once, in the war, he’d come upon a German soldier in the grass with his insides falling out; he was just lying there in agony. The soldier had looked up at Sergeant Leonard, and even though they didn’t speak the same language, they understood each other with just a look. The German lying on the ground; the American standing over him. He put a bullet in the soldier’s head. He didn’t do it with anger, as an enemy, but as a fellow man, one soldier helping another. ‘One soldier helping another.’ That’s how he put it.” Again, Jericho fell quiet for a moment. “He told me what he needed me to do. Told me I didn’t have to. Told me that if I did, he’d make sure God would forgive me, if that’s what I was worried about. One soldier helping another.”
Jericho fell quiet. Evie held so still she thought she might break.
“I found his belt in the dresser and helped him into the wheelchair. The hall was quiet on the way to the shower. I remember how clean the floor was, like a mirror. I had to make a new hole in the leather to tighten it around his neck. Even without his arms and legs, he was heavy. But I was strong. Just before, he looked at me, and I’ll never forget his face as long as I live—like he’d just realized some great secret, but it was too late to do anything about it. ‘Some craps game, this life, kid. Don’t let ’em take you without a fight,’ he said.”
Silence. A dog barking in the distance. A puff of wind against the glass, wanting to be let in.
“After, I took the wheelchair back and parked it in the same spot. Then I slipped under the covers and pretended to sleep until it was morning and they found him. Then I did sleep. For twelve hours straight.
”
”
Libba Bray (The Diviners (The Diviners, #1))
“
The sailors, goaded by the remorseless pangs of hunger, had eaten their leather belts, their shoes, the sweatbands from their caps, although both Clayton and Monsieur Thuran had done their best to convince them that these would only add to the suffering they were enduring.
Weak and hopeless, the entire party lay beneath the pitiless tropic sun, with parched lips and swollen tongues, waiting for the death they were beginning to crave. The intense suffering of the first few days had become deadened for the three passengers who had eaten nothing, but the agony of the sailors was pitiful, as their weak and impoverished stomachs attempted to cope with the bits of leather with which they had filled them. Tompkins was the first to succumb. Just a week from the day the LADY ALICE went down the sailor died horribly in frightful convulsions.
For hours his contorted and hideous features lay grinning back at those in the stern of the little boat, until Jane Porter could endure the sight no longer. "Can you not drop his body overboard, William?" she asked.
Clayton rose and staggered toward the corpse. The two remaining sailors eyed him with a strange, baleful light in their sunken orbs. Futilely the Englishman tried to lift the corpse over the side of the boat, but his strength was not equal to the task.
"Lend me a hand here, please," he said to Wilson, who lay nearest him.
"Wot do you want to throw 'im over for?" questioned the sailor, in a querulous voice.
"We've got to before we're too weak to do it," replied Clayton. "He'd be awful by tomorrow, after a day under that broiling sun."
"Better leave well enough alone," grumbled Wilson. "We may need him before tomorrow."
Slowly the meaning of the man's words percolated into Clayton's understanding. At last he realized the fellow's reason for objecting to the disposal of the dead man.
"God!" whispered Clayton, in a horrified tone. "You don't mean—"
"W'y not?" growled Wilson. "Ain't we gotta live? He's dead," he added, jerking his thumb in the direction of the corpse. "He won't care.
”
”
Edgar Rice Burroughs (The Return of Tarzan (Tarzan, #2))
“
I am your wife, but I will do as I please, I raged, and the spell rose in my head without effort.
Belt that holds my husband’s pants,
Loosen now and make him dance.
Tiras’s belt flew from his breeches like a sea serpent, slithering through the air only to strike at him with its tail. He stepped back from me, his eyes growing wide as he gripped the gyrating length of leather, holding it at arm’s length with one hand as he held up his pants with the other. But I wasn’t finished.
Boots upon my husband’s feet,
Kick him so he’ll take a seat.
Tiras fell flat on his behind as his boots shimmied and wriggled free, throwing him off balance. His boots then proceeded to kick him on his back and his thighs as he yowled in stunned outrage. “Lark!”
Shirt upon my husband’s chest,
Wrap yourself around his head.
His tunic promptly rose like Tiras was shrugging it off, only it wrapped itself around him, obscuring his angry face. I started to laugh then. I couldn’t help it. He looked so ridiculous sitting on the floor of the library, his socks hanging from his feet, his breeches falling around his hips, his shirt over his head, and his boots and belt attacking him.
Tiras lashed out and grabbed my skirts, yanking me down beside him. “Call off the hounds, Lark!” he bellowed, and I laughed even harder, shaking with mirth even as he rolled himself on top of me and valiantly fought the tunic that kept wrapping itself around his face. The tunic was slightly dangerous, the boots weren’t very accurate, and the tail end of the belt had made a welt across my cheek. I decided enough was enough.
I performed a sloppy rhyme, and Tiras let out a stream of profanities as the shirt ceased its murderous attempts and the belt and boots fell to the floor, inanimate once again.
Tiras’s breathing was harsh and fast, his hair mussed and falling over his eyes as he braced his forearms on either side of my head. His big body pressed me into the floor, making it hard to draw breath. I was well and truly trapped, but I felt like the victor regardless.
Are you injured, husband?
He was glaring and angry for all of three seconds. Then the lines around his eyes deepened and a smile broke out across his face. He laughed with me, but he kept me pinned beneath him, his face inches from mine.
“You enjoyed that, didn’t you?”
Immensely.
“Tell me this, wife. Is there a spell to quickly remove your dress?” he whispered, still smiling, his breath tickling my mouth.
I felt my face grow hot, and I closed my eyes, trying to retreat, even as I immediately considered a spell to render us both naked.
”
”
Amy Harmon (The Bird and the Sword (The Bird and the Sword Chronicles, #1))
“
Here the genie of fire showed me in a crimson tableau the booth of a chestnut-seller where a pair of non-commissioned officers, their belts abandoned on chairs, were playing cards, without suspecting that they had been conjured out of the darkness by a magician, like a stage apparition, and presented as they actually were at that very moment to the eyes of a stopping passer-by who was invisible to them. In a little junk shop, a half-spent candle projected its red glow on to an engraving and turned it to the colour of blood, while the light cast by a big lamp, struggling with the darkness, bronzed a fragment of leather, nielloed a dagger with glittering spangles, spread a sheen of precious gold like the patina of the past or the varnish of a master over pictures which were only bad copies, and turned this whole hovel, in which there was nothing but cheap imitations and cast-off rubbish, into a marvellous Rembrandt painting. Occasionally I looked up towards some vast old apartment with its shutters still open and where amphibious men and women, adapting themselves each evening to living in an element different from their daytime one, swam about slowly in the dense liquid which at nightfall rises incessantly from the wells of lamps and fills the rooms to the brink of their walls of stone and glass, and as they moved about in it, their bodies sent forth unctuous golden ripples.
”
”
Marcel Proust (The Guermantes Way)
“
Air swirled over her shoulders leaving a wake of chilled skin. To her left something stirred in the shadows. She blinked. The swordsman stood by the fire, as clear and solid as day. Her heart thundered in her ears so loud he must surely hear. She started to sit up, then remembered her naked state. Water sloshed in the tub. "I beg your pardon."
He inclined his head. Steam from the water swirled, but Olivia saw his dark hair. He was tall and wore a tunic worked with red and gold. A leather strap crossed from right shoulder to left waist and held the scabbard fastened across his back. A jeweled belt circled his waist. His eyes matched the blue of the sky. The way he stood struck her as familiar. She closed her eyes. He was still there when she opened them again. "I am not mad," she said. "Is that you? Edith?"
Even with the distance between them and the mist swirling in the air, she saw his blue eyes, the arrogant set to his shoulders that came of years of wealth and breeding. His grin sent a flare of alarm up her spine. He took a step toward her, and for one dreadful moment, she was convinced he was as real as she was. He tipped his head and spread his arms wide, as if to prove himself harmless. "Go away." She wasn't afraid of him precisely. She was afraid of being mad. "Please, just go away."
He shook his head.
"I am not mad," she whispered.
He shook his head again. "I wish you were real.
”
”
Carolyn Jewel (The Spare)
“
The loud rasp of leather yanked through Carson’s belt loops sent her attention to his torso.
“What are you doing?” London’s panicked gaze shot to his face.
“I don’t have a collar on me.”
“I am wholly disinterested in being collared.”
“One weekend, London.” He grasped one of her hips with his free hand. “If you’re disappointed at any time, you can walk. I’ll never speak of it again. Our work together will go unaffected. No one—and I mean no one—but us will know.”
“Would you put that in writing?” Her eyes filled with mischief.
Priceless. London lured him toward a lightning storm. He could play. Hell, nothing appealed in the moment more than a weekend playing with London. Yes, this is what he wanted. Now he needed to know if she was willing.
“I’ll do one better.” He snaked the belt around her waist until the leather rested against her hips.
“I’m not a notch on a belt.”
“You could never be a notch, London Chantelle. You’re the whole belt, sugar.”
Her face softened, and the playfulness in her eyes died. He recognized the deliberation behind them, the wonder if she’d be safe, here and at work. London needn’t have worried. She might get scared, but mutual satisfaction was the only way his brand of sexual fulfillment worked.
“Say yes or no.” He pressed his torso to her corseted body, the last space between her body and his obliterated. “But say yes.”
“What will happen if I say yes?”
“What you want. What you’ve probably always wanted.”
Her eyes misted with a surprising vulnerability. “Yes.
”
”
Elizabeth SaFleur (Untouchable (Elite Doms of Washington, #2))
“
remember the evening as a wonderful blur of warm emotion, tinged in bitter. Fiddles, lutes, and drums, everyone played and danced and sang as they wished. I dare say we rivaled any faerie revel you can bring to mind. I got presents. Trip gave me a belt knife with a leather grip, claiming that all boys should have something they can hurt themselves with. Shandi gave me a lovely cloak she had made, scattered with little pockets for a boy’s treasures. My parents gave me a lute, a beautiful thing of smooth dark wood. I had to play a song of course, and Ben sang with me. I slipped a little on the strings of the unfamiliar instrument, and Ben wandered off looking for notes once or twice, but it was nice. Ben opened up a small keg of mead he had been saving for “just such an occasion.” I remember it tasting the way I felt, sweet and bitter and sullen. Several people had collaborated to write “The Ballad of Ben, Brewer Supreme.” My father recited it as gravely as if it were the Modegan royal lineage while accompanying himself on a half harp. Everyone laughed until they hurt, and Ben twice as much as everyone else. At some point in the night, my mother swept me up and danced around in a great spinning circle. Her laughter sang out like music trailing in the wind. Her hair and skirt spun around me as she twirled. She smelled comforting, the way only mothers do. That smell, and the quick laughing kiss she gave me did more to ease the dull ache of Ben’s leaving than all the entertainments combined.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
checked the load, and slipped it under my belt behind my right hip. “Are you supposed to be wearing a bulletproof vest, are you supposed to be carrying a gun?” a guard asked. “Isn’t that against the rules?” “What rules?” I said. He didn’t have an answer for that. I put on my leather coat. The money was still packed in the gym bags, the gym bags strapped to the dolly in the center of my living room. I grabbed the handle and started wheeling it to the back door of my house. I had a remote control hanging from the lock on the window overlooking my unattached garage. I used it to open the garage door. “There’s no reason for you guys to hang around anymore,” I said. The guards followed me out of my back door, across the driveway, and into the garage just the same. They stood by and watched while I loaded the dolly and the gym bags into the trunk of the Audi. “Nice car,” one of them said. If he had offered me ten bucks, I would have sold the Audi and all of its contents to him right then and there. Because he didn’t, I unlocked the driver’s door and slid behind the wheel. “Good luck,” the guard said and closed the door for me. He smiled like I was a patient about to be wheeled into surgery; smiled like he felt sorry for me. I put the key in the ignition, started up the car, depressed the clutch, put the transmission in reverse, and—sat there for five seconds, ten, fifteen … Why are you doing this? my inner voice asked. Are you crazy? The guard watched me through the window, an expression of concern mixed with puzzlement on his face. “McKenzie, are you okay?” he asked. “Never better,” I said. I slowly released the clutch and backed the Audi out of my driveway
”
”
David Housewright (Curse of the Jade Lily (Mac McKenzie, #9))
“
I could use a nice bath down at the river tonight. Guess I'll just have to settle for a spit bath." She smiled good-naturedly and picked up the bucket. "Come on up to the house when you're finished and I'll show you to a room."
As she turned to leave, Rider nonchalantly stretched out his arm and grabbed her belt, pulling her up short. "I could walk you to the swimming hole and stand guard if you like." His grin was devilish.
Willow smiled and pried loose the long fingers on her waist. "I thank you for the offer, but I like my privacy."
"Are you suggesting that I would be like the fox guarding the henhouse?" he teased, wiggling his brows up and down. "Don't forget, we are supposed to be lovers."
"We're only playacting that we're lovers." She laughed and headed torward the door.
His chair tipped over as Rider beat her there and stretched an arm across the doorway to block her passage. "All good plays are well-rehearsed,Willow." His deep baritone was tantalizing in its implication.
Her cheeks pinked and she uttered a nervous little laugh. "Let me through, you big galoot."
Instead,he leaned closer. He smelled of leather,outdoors, and a familiar male scent she now realized was his alone. The heady combination aroused her desire to be closer, to be touched. Warning bells went off.
Willow tried stepping back, but his other arm came up behind her and cut off her retreat. Her hammering heart skipped a beat as his desire-laden eyes touched where his hands dared not.
"Let's rehearse, sweetheart."
"Rehearse," she repeated in a dreamy whisper. She dropped the bucket, all thoughts of escape gone. Her body leaned into his of its own volition. What do I know of lovers? she asked herself. Practice, yes. I need practice. Hicks must be convinced. She tilted her head back for Rider's kiss. Rehearsal, that's all it is. Her lips met his.
”
”
Charlotte McPherren (Song of the Willow)
“
She said, “Why can’t you see that people care for you?”
She said, “I care for you.”
“I know that you care. But…” He searched her face. “Anyone would, for a friend.”
“You’re more than a friend.”
“On the battlefield, you stayed--”
“Of course I did.”
“You have a strong sense of honor. You always have. I think you think you owe me something.”
“I stayed because I love you.”
He flinched and looked away. “You don’t mean that.”
“Yes, I do.”
The night outside seemed to swell against the tent. The lamp smelled like a hot stone. His face slowly opened. He touched her hand as it pressed against his heart. His caress was light, secret, almost unsure of her knuckles, the thin tendons as strong as bone. She felt him become sure.
There was no sound when he kissed her. None when she unthreaded the ties of his shirt and found his skin.
He grasped her dagger belt, flexed his fingers once around the leather, then simply held on. He whispered something into her mouth that was almost a word. It lost its shape, became something else.
He let go. She heard the brush of linen as he drew the shirt over his head, his fingertips grazing the tent’s sloped ceiling as if for balance. His ribs were bound with gauze, his body marked by scars. Old ones, badly healed and raised. Others, pink and fresh. His shoulders bore pale gouges; they looked like sets of claws, almost deliberate, like tattoos. Curious, she touched them.
He bit his lip.
“That hurts?”
“No.”
“What is this? What happened?”
“I’ll tell you,” he said. “Later.”
His hand strayed over her shirt, which was eastern, as Arin’s was, with no collar. Threadbare in places. Frayed at the neck. He worried the cloth there, rubbing it between fingers and thumb. Then he drew her shirt open, and she felt as if reality had grown larger and tremulous: a drop of water on the point of a pin.
“Kestrel…I’ve never--”
She whispered that this was new for her, too.
There was a long pause. “Are you certain you want--”
“Yes.”
“Because…”
“Arin.”
“Maybe you--”
“Arin.” She laughed, and then so did he, aware that they’d already found the bed. Words had fallen away. Maybe the words lay on the earth, nestled among clothes, curled into the undone dagger belt. Maybe later, language would be recovered and pieced together. Made to make sense. But not now. Now there was touch and taste and sound.
When he eased into her, she was glad for the burning lamp, the fuzzy glow of it on his skin. The way it showed the black fall of his wet hair, the flesh and scars that made him. She didn’t look away.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
In the tumultuous business of cutting-in and attending to a whale, there is much running backwards and forwards among the crew. Now hands are wanted here, and then again hands are wanted there. There is no staying in any one place; for at one and the same time everything has to be done everywhere. It is much the same with him who endeavors the description of the scene. We must now retrace our way a little. It was mentioned that upon first breaking ground in the whale’s back, the blubber-hook was inserted into the original hole there cut by the spades of the mates. But how did so clumsy and weighty a mass as that same hook get fixed in that hole? It was inserted there by my particular friend Queequeg, whose duty it was, as harpooneer, to descend upon the monster’s back for the special purpose referred to. But in very many cases, circumstances require that the harpooneer shall remain on the whale till the whole flensing or stripping operation is concluded. The whale, be it observed, lies almost entirely submerged, excepting the immediate parts operated upon. So down there, some ten feet below the level of the deck, the poor harpooneer flounders about, half on the whale and half in the water, as the vast mass revolves like a tread-mill beneath him. On the occasion in question, Queequeg figured in the Highland costume—a shirt and socks—in which to my eyes, at least, he appeared to uncommon advantage; and no one had a better chance to observe him, as will presently be seen.
Being the savage’s bowsman, that is, the person who pulled the bow-oar in his boat (the second one from forward), it was my cheerful duty to attend upon him while taking that hard-scrabble scramble upon the dead whale’s back. You have seen Italian organ-boys holding a dancing-ape by a long cord. Just so, from the ship’s steep side, did I hold Queequeg down there in the sea, by what is technically called in the fishery a monkey-rope, attached to a strong strip of canvas belted round his waist.
It was a humorously perilous business for both of us. For, before we proceed further, it must be said that the monkey-rope was fast at both ends; fast to Queequeg’s broad canvas belt, and fast to my narrow leather one. So that for better or for worse, we two, for the time, were wedded; and should poor Queequeg sink to rise no more, then both usage and honor demanded, that instead of cutting the cord, it should drag me down in his wake. So, then, an elongated Siamese ligature united us. Queequeg was my own inseparable twin brother; nor could I any way get rid of the dangerous liabilities which the hempen bond entailed.
So strongly and metaphysically did I conceive of my situation then, that while earnestly watching his motions, I seemed distinctly to perceive that my own individuality was now merged in a joint stock company of two; that my free will had received a mortal wound; and that another’s mistake or misfortune might plunge innocent me into unmerited disaster and death. Therefore, I saw that here was a sort of interregnum in Providence; for its even-handed equity never could have so gross an injustice. And yet still further pondering—while I jerked him now and then from between the whale and ship, which would threaten to jam him—still further pondering, I say, I saw that this situation of mine was the precise situation of every mortal that breathes; only, in most cases, he, one way or other, has this Siamese connexion with a plurality of other mortals. If your banker breaks, you snap; if your apothecary by mistake sends you poison in your pills, you die. True, you may say that, by exceeding caution, you may possibly escape these and the multitudinous other evil chances of life. But handle Queequeg’s monkey-rope heedfully as I would, sometimes he jerked it so, that I came very near sliding overboard. Nor could I possibly forget that, do what I would, I only had the management of one end of it.
”
”
Herman Melville (Moby-Dick or, The Whale)
“
The princess was dressed in one of the girl’s modest gray frocks, a leather belt secured snugly at her waist. Somehow, the lady managed to make even the simple garment look regal.
”
”
Micheline Ryckman (The Maiden Ship (The Maiden Ship, #1))
“
I ultimately bought two of the five items—the high-top sneakers and the leather jacket—and for days after the purchase, I was in turmoil. Not just because I’d still spent over a thousand dollars, an insane amount, in my view. But also because I should’ve gotten that belt.
”
”
Alicia Keys (More Myself: A Journey)
“
This is the time of my life I have been waiting for, for as long as before I was ever even alive
to be here now in this two-seat, no-roof car
with bare-chested Trip in the seat at the wheel beside me, calling me “My Amnesia Girl,”
doing sixty, sixty-five, seventy down a bent-out-of-whack coastal cliff road, bump-pressed against the belt buckle of the Hitchhiker’s leather pants I have been sitting on since the last gas tank fill-up at the freeway detour off-ramp.
”
”
Jennifer Allen (Better Get Your Angel On)
“
Breaking our kiss, he breathed a curse, then dropped his head to my chest. He yanked the soft cups of my bra down, then latched his mouth onto one of my rock hard, aching nipples, flicking them with his piercing. I moaned as he sucked and nipped, the throbbing need in my core growing hotter by the second. It was an itch that so damn badly needed to be scratched. Hard. I reached for Steele's belt, unbuckling the supple leather from the warm metal of his buckle.
”
”
Tate James (Hate (Madison Kate, #1))
“
The soldiers around Chongjin were a ragtag bunch with fake leather belts cinching tight the uniforms that no longer fit their skinny frames. Their complexions were sallow from malnutrition and many of them were only five feet tall. (The North Korean army had to lower its height requirement from five feet three in the early 1990s because of the stunting of the younger generation.)
”
”
Barbara Demick (Nothing to Envy: Ordinary Lives in North Korea)
“
He stood up again decisively, and I noticed that his leather uniform belt was too short to encompass his enormous belly. Out of shame this belly was trying to hide itself lower down, in the uncomfortable, forgotten vicinity of his genitals. His shoelaces were undone; he must have kicked his shoes off under his desk. Now he had to squeeze into them at high speed.
”
”
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
“
The wind stirred his loose hair and Sorasa assessed him for the first time since her memory failed. Since the deck of the Tyri ship caught fire, and someone seized her around the middle, plunging them both into the dark waves.
She did not need to guess to know who.
Dom’s clothing was torn but long dry. He still wore the leather jerkin with the undershirt, but his borrowed cloak had been left to feed the sea serpents. The rest of him looked intact. He had only a few fresh cuts across the backs of his hands, like a terrible rope burn. Scales, Sorasa knew. The sea serpent coiled in her head, bigger than the mast, its scales flashing a dark rainbow.
Her breath caught when she realized he wore no sword belt, nor sheath. Nor sword.
“Dom,” she bit out, reaching between them. Only her instincts caught her, her hand freezing inches above his hip.
His brow furrowed again, carving a line of concern.
“Your sword.”
The line deepened, and Sorasa understood. She mourned her own dagger, earned so many decades ago, now lost to a burning palace. She could not imagine what Dom felt for a blade centuries old.
“It is done,” he finally said, fishing into his shirt.
The collar pulled, showing a line of white flesh, the planes of hard muscle rippling beneath. Sorasa dropped her eyes, letting him fuss.
Only when something soft touched her temple did she look up again.
Her heart thumped.
Dom did not meet her gaze, focused on his work, cleaning her wound with a length of cloth.
It was the fabric that made her breath catch.
Little more than a scrap of gray green. Thin but finely made by master hands. Embroidered with silver antlers.
It was a piece of Dom’s old cloak, the last remnant of Iona. It survived a kraken, an undead army, a dragon, and the dungeons of a mad queen.
But it would not survive Sorasa Sarn.
She let him work, her skin aflame beneath his fingers. Until the last bits of blood were gone, and the last piece of his home tossed away.
“Thank you,” she finally said to no reply.
”
”
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
“
It seemed stupid that I had stayed in the cold stone room, knowing that as soon as the new day had crested, I was no longer in the Inquisitor’s service and no longer had to follow his orders. I finished eating and opened the package, revealing the complicated sections of leather pieces that somehow made up an outfit. Some of the sections were hardened with inlaid metal, a tarnished golden colour peeking through the stitching. I finally discerned something resembling the usual bodysuits worn beneath sectorian women’s clothing, though this one was different. It was thick brown leather, a silk underlining hidden on the inside. It moulded tightly to the body, two ovals cut into the sides, exposing the hips and the sides of the stomach and back. Some sort of covering fit over the top of the bodysuit, ending a few inches above the waist. The metal-inlaid patterns curved around the front of my chest and the top of my spine, connected with brown, buckled straps along my sides. A belted skirt slid over the hips, the belt pulling along the cut of the bodysuit, above my hips, another band looping around my hips. The skirt had two short layers. Yet another section of the outfit fit over my shoulders, metallic glimpses peering out from the leather that cupped my shoulders, attaching to the upper chest armour with straps. Another set of wraps covered my wrists and forearms, and I was glad to see the Inquisitor’s mark and the Spider’s mark disappearing from view. I was able to re-wear the same footwear, as there were also knee and thigh wraps in the same boiled brown leather that complemented the knee-high boots. The outfit was clearly some kind of warrior’s uniform. The Vold—and the Sentinels in particular—often wore revealing, scant clothing to show off their impressive physiques. With Calder’s cloak still on the ground, I could see half of his bare back above the golden armour that wrapped his torso. The muscles bunched and stretched as he pulled his forearm up for investigation. He had clearly stitched and re-dressed his wound after my dismal attempt at caring for it the night before. Despite my outfit showing so much skin, it was by far the heaviest thing I had ever worn, and I started to truly appreciate how quickly and silently Calder moved, weighed down as he must have been by so much armour. I tugged my hair over my shoulders, arranging the strands so that they might hide my face better. There was a lump in my throat when I stuffed everything back into my pack and muttered, “Done.
”
”
Jane Washington (A Tempest of Shadows (A Tempest of Shadows, #1))
“
I gripped the edge of the mottled mattress as a leather belt whipped across my bare back. My punishment was ten lashes and an early bedtime with no supper. My crime? Love. I loved more than I should have. I loved all things, big and small.
”
”
Jennifer Hartmann (Older)
“
When I reach Pan, he opens his legs for me so I can crawl up between them. His gaze is bright and satisfied as I unlatch his belt buckle and pull the leather through the clasp. The metal clanks. Pan watches. He’s straining against his pants as I undo the button and seeing the bulge of him lights a fire in my chest. When I have the zipper open, I yank his clothes down, letting his cock spring free. Rising up, I position my mouth over the swollen head of his cock and his body tenses up, waiting.
”
”
Nikki St. Crowe (The Dark One (Vicious Lost Boys, #2))
“
I eased Sapphire to her feet and strolled to grab a lever sitting in a cradle against the wall. Hitting a green button, the equipment of choice whirred, descending from above us, and I stopped it once it reached Sapphire’s height. A single metal beam with a leather belt attached—intended to retrain her throat while keeping her body unobstructed from me, unlike the other equipment in the room.
”
”
Stephanie Nicole Norris (STROKE (Heavy On The D Book 3))
“
Women who wear black lead colorful lives," Neiman Marcus once said, and those words stuck to me like glue on glitter. Black rules my wardrobe like a stern, fashionable monarch. There I was, on a night grander than a royal ball, adorning myself in a black PVC sleeveless top that hugged my figure like a second skin. My ultra-short black leather skirt was more akin to a wide belt. And to complete the ensemble, I sentenced my feet to an evening of harsh labor in towering black stilettos. An Asian version of Will and Grace we were, your average straight couple we were not.
-Kim Lee
‘The Big Apple Took a Bite Off Me’
Now on Amazon Books and Kindle
”
”
Kim Lee
“
Tinker,” the old man’s voice rang out like a bell. “Pot mender. Knife grinder. Willow-wand water-finder. Cut cork. Motherleaf. Silk scarves off the city streets. Writing paper. Sweetmeats.” This drew the attention of the children. They flocked back to him, making a small parade as he walked down the street, singing. “Belt leather. Black pepper. Fine lace and bright feather. Tinker in town tonight, gone tomorrow. Working through the evening light. Come wife. Come daughter, I’ve small cloth and rose water.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
unbuttoning a cream trench coat of martial cut embellished with epaulettes, buckles, a belt of highly polished leather and pockets so wide and deep they could well have contained reinforcements from the US cavalry.
”
”
Caroline Graham (Written in Blood: Inspector Barnaby #4 (Inspector Barnaby Mysteries) (Volume 4))
“
Although some people think women are inferior to men, I think it's a privilege to be a woman. There are so many fun things afforded to the female gender such as adornment of self, the freedom to communicate with gestures, and the freedom to express one's emotions.
I don't know what I'd do without my red backpack purse, and I am attached to my PDA with the pink monogrammed leather case. I've developed favorites among the many items in my wardrobe, and I like experimenting with accessories like hats, scarves, watches and belts.
I've become fairly proficient at applying make-up, and I now know the importance of a good facial cleanser and moisturizer.
”
”
Jessica Angelina Birch (Confessions of a Transsexual Physician)
“
Every day Fu-shee, the smaller children, and I fan out in the hills around Green Dragon to strip trees of their bark and leaves, dig up roots and search for wild grass. We'll eat anything, and we have. But you can't eat a leather belt like it's a crisp cucumber. You soak it, boil it, and chew on it for days.
”
”
Lisa See
“
As the Living Room made contact with a steady stream of hippies and the big house bulged at the seams with runaway teens, Evangelical Concerns began to promote the group among the churches in the Bay Area. Ted Wise and a revolving mix of the Living Room men were frequently slated for guest appearances at Sunday night services and pastors’ meetings. As exotic to the audience as any missionary returned from New Guinea, they would give their testimonies, tell about their work with the hippies, and field questions from teens and adults alike. A January 1968 appearance at Thornton Avenue Baptist Church in Fremont, California, was described in a local newspaper: Ted Wise . . . was accompanied . . . by two more converts, “Steve” and “Dan.” All three wore typical hippie garb—corduroy trousers, wide belts, casual shirts without ties, and black boots. Dan added a leather jacket decorated with long fringe, and Ted sported a wooden ornament on a long leather thong around his neck. The trio also wore their hair long and had over-sized moustaches.
”
”
Larry Eskridge (God's Forever Family: The Jesus People Movement in America)
“
Lexi stepped from the darkness. She wore a skin-tight black leather jacket, black leather pants that might have been painted on, and black leather boots. Strapped around her waist and thigh was a bright yellow utility belt. But it was the signature mask, cape, and emblem on her chest that gave it away. “Batgirl...” Cate whispered.
”
”
Giselle Fox (Sun Catcher: Book One)
“
He wasn’t even sure; his own head was probably spinning as hard as the man he held. He hadn’t noticed Michaels had taken his hands off the wall until he felt them pulling at his belt, quickly unbuckling it and pulling at the button on his leathers. He should’ve stopped him, but something beyond his comprehension held him back from doing so. Michaels may be drunk and doped up on rage, but he was focused on what he wanted. The way those fingers were working, he wanted Judge’s dick… now. With one hand he worked to free Judge and with his other hand he pulled the back of his jeans and briefs down, revealing a pale, round, furry ass to Judge’s already hazy vision. Oh my god. With his forehead on Michaels’ shoulder he watched his zipper get pulled down and his cock yanked free. Damn if the warmth from Michaels’ calloused palm didn’t make him stagger. They both moaned in ecstasy while he fought to regain control, pushing forward again, flushing them back against the wall. Michaels didn’t stroke Judge’s cock for long, but what he did to him next made his eyes cross. Michaels arched his back and nestled Judge’s hard, pulsing length in the crack of his ass and rocked back and forth, aggressively grinding him extremely close to orgasm while he alternated thrusting his cock into Judge’s palm. Strong arms snaked behind his head, clasping around his neck, using him as leverage. How
”
”
A.E. Via (Don't Judge (Nothing Special, #4))
“
Stitch tucked his knife into the utility belt he always wore around his waist. "Jerin, I'm going to miss practicing with you. Playing Knights and letting you win." He patted the man on the shoulder. "And filling your boots with slugs. Such great times."
"That was you!" Jerin roared, his fingers wrapping around the leather covered hilt.
”
”
Jackie Castle (Luminosity (White Road Chronicles #2))
“
John the Baptist wore rough clothes woven from camel's hair and a leather belt. He ate dried grasshoppers and wild honey from the trees. John's words were different too. He said: "Turn from sin and do right. The kingdom of heaven is nearby. Its king will soon be here.
”
”
Daniel Partner (365 Read-Aloud Bedtime Bible Stories)
“
The women of the Plains tribes made their clothing of soft, tanned elk skin. Their principal garment was a simple, sleeveless dress made from two hides. The style of the garment followed the natural shape of the skins with little change from tribe to tribe. These dresses usually hung loose from the shoulders. Belts were sometimes worn to draw them in at the waist.
Cowrie and other shells were used for decorations by the Crow, Sioux, and Blackfoot tribes. The shells were obtained by barter. Elk and buffalo teeth, leather thongs, bead and quill work, and tin cones were also used.
Originally, Indian women wore their hair straight or in braids.
”
”
W. Ben Hunt (Indian Crafts & Lore)
“
The outcome of their battle was a foregone conclusion, and Loretta knew it. His friends encouraged him, whooping with ribald laughter each time her ruffles flashed. She snatched the dirty peace flag from the wooden shaft and threw it to the earth, grinding it beneath the heel of her shoe.
After fending off several more passes, exhaustion claimed its victory, and Loretta realized the folly in fighting. She stood motionless, breasts heaving, her eyes staring fixedly at nothing, head lifted. The warrior circled her, guiding his stallion’s flashing hooves so close to her feet that her toes tingled. When she didn’t move, he reined the horse to a halt and studied her for several seconds before he leaned forward to finger the bodice of her dress. Her breath snagged when he slid a palm over her bosom to the indentation of her waist.
“Ai-ee,” he whispered. “You learn quick.”
Raising tear-filled eyes to his, she again spat in his face. This time he felt the spray and wiped his cheek, his lips quivering with something that looked suspiciously like suppressed laughter, friendly laughter this time. “Maybe not so quick. But I am a good teacher. You will learn not to fight me, Yellow Hair. It is a promise I make for you.”
In that moment, what she felt for him went beyond hate, a black, churning ugliness that made her want to seize the lance he brandished and skewer him with it. I claim her. He planned to take her, then? Her gaze traveled from his woven wool belt of army blue to the muscular tracks that rippled in his belly. The hilt of his knife protruded from a leather scabbard on his hip. How many soldiers had he killed? One, a hundred, perhaps a thousand?
Her hair hung from his belt, trailing in a spray of gold down the dark leather on his pants. She felt certain she had never seen him before. Yet he had her hair. The Indian down by the river must have given it to him, and he had come from God only knew where to get her.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
When at last he sprang to his feet, she retreated a step, lifting her chin so the lapping water couldn’t reach her mouth. He bent to retrieve the buffalo robe and beckoned for her.
“Keemah.”
She knew by now that the word meant “come.” She shuddered and looked longingly at the fur he held.
“Keemah,” he repeated. When she made no move to obey, he sighed.
Sinking lower into the water, Loretta accidentally took a mouthful and choked.
He glanced skyward, clearly exasperated. “This Comanche is not stupid. You would run like the wind if I took my eyes from you.”
She shook her head. Frowning, he studied her for a long moment.
“This is not pe-nan-de taquoip, the honey talk. It is a promise you make?”
She nodded, her teeth chattering.
“And you will not make a lie of it?”
When he assured him she wouldn’t with another shake of her head, he dropped the fur to the ground and pivoted on one foot. She could scarcely believe he truly meant to keep his back to her. She stared at the broad expanse of his shoulders, at the curve of his spine, at his long, leather-clad legs. Like the wild animals he hunted, he was lithe and lean, his large frame padded with sleek, powerful muscle. If she tried to run, he would be upon her before she had gone more than a few steps.
Plowing her way through the water to shore, she kept her eyes riveted to his back. A small rock cut into the sole of her foot as she scrambled up the bank. She bit her lip and kept going, afraid to hesitate even for a second. By the time she reached him, her heart was slamming. She grabbed up the fur and slung it around her shoulders, clasping the edges tightly to her chest.
Standing this close to him, she could see the sheen of oil on his skin, the dark hair that dusted the crease of his armpits. She didn’t want to touch him. The seconds ticked past. Was his hearing so keen that he knew she was still behind him? She sensed he was waiting her out, testing her in some way she couldn’t fathom, proving his mastery over her. She worked one hand free from the heavy robe. So fast that she scarcely felt her fingertips graze his skin, she tapped his shoulder and snatched her hand back.
He turned to look at her, his gaze lingering a moment on her bare feet and legs. Humiliation scorched her cheeks. He stepped toward her, stooping as he did to catch her behind the knees and toss her over his shoulder. As Loretta grabbed his belt for support, she realized two things: the cold water had eased her headache, and the hilt of the Comanche’s knife was within her reach…
Without stopping to think of the possible consequences, she reached out, imagining how it would feel to bury the blade into his back, to be free of him. Just as her fingers curled around the knife handle, he spoke.
“Kill me, Yellow Hair, and my friends will avenge me. The blood of your loved ones will be spilled as slowly as sap drips from a wounded tree.” He kept walking and made no move to grab her hand. “My friends know the way to your wooden walls, eh? Make no grief behind you. It is wisdom.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
The outcome of their battle was a foregone conclusion, and Loretta knew it. His friends encouraged him, whooping with ribald laughter each time her ruffles flashed. She snatched the dirty peace flag from the wooden shaft and threw it to the earth, grinding it beneath the heel of her shoe.
After fending off several more passes, exhaustion claimed its victory, and Loretta realized the folly in fighting. She stood motionless, breasts heaving, her eyes staring fixedly at nothing, head lifted. The warrior circled her, guiding his stallion’s flashing hooves so close to her feet that her toes tingled. When she didn’t move, he reined the horse to a halt and studied her for several seconds before he leaned forward to finger the bodice of her dress. Her breath snagged when he slid a palm over her bosom to the indentation of her waist.
“Ai-ee,” he whispered. “You learn quick.”
Raising tear-filled eyes to his, she again spat in his face. This time he felt the spray and wiped his cheek, his lips quivering with something that looked suspiciously like suppressed laughter, friendly laughter this time. “Maybe not so quick. But I am a good teacher. You will learn not to fight me, Yellow Hair. It is a promise I make for you.”
In that moment, what she felt for him went beyond hate, a black, churning ugliness that made her want to seize the lance he brandished and skewer him with it. I claim her. He planned to take her, then? Her gaze traveled from his woven wool belt of army blue to the muscular tracks that rippled in his belly. The hilt of his knife protruded from a leather scabbard on his hip. How many soldiers had he killed? One, a hundred, perhaps a thousand?
Her hair hung from his belt, trailing in a spray of gold down the dark leather on his pants. She felt certain she had never seen him before. Yet he had her hair. The Indian down by the river must have given it to him, and he had come from God only knew where to get her.
With a start, she noticed the warrior had stretched out a hand to her. A wide leather band encircled his wrist to protect him from his bowstring. Staring at his dark palm and strong fingers, she shook her head in denial.
“Hi, tai,” he said in a low voice. Guiding his stallion closer, he bent to touch her chin. Her eyelid quivered when he brushed at a tear on her cheek. “Ka taikay, ka taikay, Tohobt Nabituh,” he whispered.
The words made no sense. Puzzled, she met his gaze.
“Tosa ehr-mahr.” Raising his hand, he showed her the glistening wetness on his fingertips. “Silver rain, tosa ehr-mahr.”
He compared her tears to silver rain? She searched his eyes for some trace of humanity and found none. After a moment he straightened, raising his lance in what looked like a salute.
“Suvate!” he yelled, his glittering eyes sweeping the line of encircling riders.
A low rumble of answering voices replied, “Suvate!
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Say you’ll go caving this weekend.” The leather coat crinkled and moved as he tried to move closer to me than the seat belt would allow. He could have reached out and touched me. Part of me wanted him to, which was sort of embarrassing all on its own. I started to say no, then realized I wanted to say yes. Which was silly. But I was enjoying sitting in the dark with the smell of leather and cologne. Call it chemistry, instant lust, whatever. I liked Richard. He flipped my switch. It had been a long time since I had liked anybody. Jean-Claude
”
”
Laurell K. Hamilton (Circus of the Damned (Anita Blake, Vampire Hunter, #3))
“
The smaller Hellion was in sleeveless black robes. Every inch of visible skin was tattooed in sacred Hellion script, like he’d been mugged by the tiniest graffiti crew in the universe. Big Boy looked like the Hulk’s runt cousin in rubber overalls. Dangling from his thick leather belt were enough vicious-looking tools to give Torquemada the vapors.
”
”
Richard Kadrey (The Kill Society (Sandman Slim, #9))
“
As a professional speaker, Susanne travels all over the country and practically lives on airplanes. One day as she entered security to board yet another flight, she was struck by the poise, posture, and gestures of the man in front of her in line. As a communications expert, she observed his excellent presentation with appreciation and awe.
The gentleman was dressed impeccably in a crisp white shirt and well-fitted suit and he sported a new haircut. She watched him as he removed his flawless leather belt, his gold money clip, and well-polished shoes. (And of course, he had Listerine in a baggie to ensure fresh breath!) The care with which he dismantled was impressive. His poised and fluid movements were deliberate and respectful of his personal possessions. As he regrouped and proceeded down the concourse, she was struck by how his stance and carriage intrigued and impressed her. His projection of elegance created a presence of pride and dignity. He left a remarkable impression.
”
”
Susan C. Young (The Art of Body Language: 8 Ways to Optimize Non-Verbal Communication for Positive Impact (The Art of First Impressions for Positive Impact, #3))
“
the time I got back to my room, I had thoroughly envisioned every wretched scenario imaginable . . . only to find a new, neatly folded tunic lying on the lid of my trunk. Beside the tunic, there was a broad crimson leather belt that cinched tight with fine bronze buckles, and a pair of red-dyed leather sandals that laced all the way up to the knee. There was also a lamp—a fine new oil lamp to replace the dim little lump of tallow candle that sat in a clay dish on my windowsill. I remembered the lamp the Lanista had lowered into the grave of the gladiatrix Ismene, and a shiver ran up my spine. I had been chosen to swear the oath. The lamp would light my cell until the day I won my freedom. Or died.
”
”
Lesley Livingston (The Valiant (The Valiant, #1))
“
And then it was my turn. I stood there, shoulders back, head high, eyes focused somewhere over Sorcha’s left shoulder as, wordlessly, she stalked back from retrieving my oath gift from the chariot. And what she gave me . . . was already mine. My sword. The only thing other than me that had survived the long journey from Durovernum. The thing that had convinced Charon that I had value and had prompted my sister to buy my life for a ridiculous amount of money. It seemed that she had commissioned a new leather sheath for it, dyed black and embossed with the intricate, tortuously beautiful artwork of our people. Sorcha belted the sword around my waist and, as its comforting weight settled against my left hip, my hand dropped reflexively to rest on the hilt. It felt as though a severed limb had suddenly been sewn back onto my body. But then I noticed that on my right hip there hung a second—empty—sheath. I frowned in confusion, then glanced up into my sister’s face. With a start, I saw that there was the thin line of a scar, beneath the blue-painted designs on her forehead, running from the shock of silver in her hair down to her over-dark eye. She stared down at me, her expression fierce and hard, as her right hand crossed her body to her own left hip, and she drew the sword she wore. It was a twin to my blade. The sword she had carried into battle the last time I’d seen her. With a swift, brief-as-lightning flourish, she resheathed the blade in the empty scabbard on my hip. A murmur rippled through the watchers beneath the portico. The dimachaerus technique—fighting with two swords—was a rare choice among gladiatrices, and so the second sword was a rare gift. Of course, no one there watching would come close to understanding the true significance of Sorcha’s gift to me. I wasn’t even sure if I understood it.
”
”
Lesley Livingston (The Valiant (The Valiant, #1))
“
SEEING HER
Time stands still in a swelling moment where my curiosity draws me to be still in thought as the breaking speed of sound causes my heart to ascend to where I now know. An almost desperate attempt is made to catch my breath. In all I recognize that she is the first to seduce me with an absolute fascination. I make note of the incredible lines that veer beyond the vantage of what beauty I can absorb. It’s as if to say I’ve come upon an undiscovered passage at the center of nature’s secret that has led me to wonder. She is a woman, if whose flaws were to unveil would only make her even more distinctly unique with beauty. Her ivory-colored complexion bears the brilliance of champagne balanced by a hint of ochre. Ringlets of black thread and pearl lay gracefully alongside her charming features. Her lips look as if they speak of love often but only to herself. Her style, grace, elegance, and posture display the pure determination that she has made clear in her mind. The slight indent on the bridge of her adorable nose complements her slender face and endearing qualities. Her elegance alone surpasses any expression I’ve ever encountered. There she sits in long black dress pants with the perfect crease down the front. Her small feet show through her black sandal heels that wrap around her thin ankles. Her pants waistline reaches up passed her hips secured by a leather belt and designer buckle. She wears her grey-collared dress shirt tucked in, allowing only me to make note of those lines that press firmly and loosely against her body.
”
”
Luccini Shurod