β
Love doesn't just sit there, like a stone, it has to be made, like bread; remade all the time, made new.
β
β
Ursula K. Le Guin (The Lathe of Heaven)
β
People who deny the existence of dragons are often eaten by dragons. From within.
β
β
Ursula K. Le Guin (The Wave in the Mind: Talks and Essays on the Writer, the Reader and the Imagination)
β
It is good to have an end to journey toward; but it is the journey that matters, in the end.
β
β
Ursula K. Le Guin (The Left Hand of Darkness)
β
We read books to find out who we are. What other people, real or imaginary, do and think and feel... is an essential guide to our understanding of what we ourselves are and may become.
β
β
Ursula K. Le Guin
β
We're each of us alone, to be sure. What can you do but hold your hand out in the dark?
β
β
Ursula K. Le Guin (The Wind's Twelve Quarters, Volume 1)
β
When you light a candle, you also cast a shadow.
β
β
Ursula K. Le Guin
β
You cannot buy the revolution. You cannot make the revolution. You can only be the revolution. It is in your spirit, or it is nowhere.
β
β
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
β
To learn which questions are unanswerable, and not to answer them: this skill is most needful in times of stress and darkness.
β
β
Ursula K. Le Guin (The Left Hand of Darkness)
β
The trouble is that we have a bad habit, encouraged by pedants and sophisticates, of considering happiness as something rather stupid. Only pain is intellectual, only evil interesting. This is the treason of the artist; a refusal to admit the banality of evil and the terrible boredom of pain.
β
β
Ursula K. Le Guin (The Ones Who Walk Away from Omelas)
β
What sane person could live in this world and not be crazy?
β
β
Ursula K. Le Guin
β
The only thing that makes life possible is permanent, intolerable uncertainty: not knowing what comes next.
β
β
Ursula K. Le Guin (The Left Hand of Darkness)
β
My imagination makes me human and makes me a fool; it gives me all the world and exiles me from it.
β
β
Ursula K. Le Guin
β
Nobody who says, βI told you soβ has ever been, or will ever be, a hero.
β
β
Ursula K. Le Guin
β
We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art, and very often in our art, the art of words.
β
β
Ursula K. Le Guin
β
It is very hard for evil to take hold of the unconsenting soul.
β
β
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
β
Light is the left hand of darkness
and darkness the right hand of light.
Two are one, life and death, lying
together like lovers in kemmer,
like hands joined together,
like the end and the way.
β
β
Ursula K. Le Guin (The Left Hand of Darkness)
β
Only in silence the word,
Only in dark the light,
Only in dying life:
Bright the hawk's flight
On the empty sky.
βThe Creation of Γa
β
β
Ursula K. Le Guin
β
But it is one thing to read about dragons and another to meet them.
β
β
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
β
To light a candle is to cast a shadow...
β
β
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
β
There's a point, around the age of twenty, when you have to choose whether to be like everybody else the rest of your life, or to make a virtue of your peculiarities.
β
β
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
β
A profound love between two people involves, after all, the power and chance of doing profound hurt.
β
β
Ursula K. Le Guin (The Left Hand of Darkness)
β
I do not care what comes after; I have seen the dragons on the wind of morning.
β
β
Ursula K. Le Guin (The Farthest Shore (Earthsea Cycle, #3))
β
Truth is a matter of the imagination.
β
β
Ursula K. Le Guin (The Left Hand of Darkness)
β
I am living in a nightmare, from which from time to time I wake in sleep.
β
β
Ursula K. Le Guin
β
A writer is a person who cares what words mean, what they say, how they say it. Writers know words are their way towards truth and freedom, and so they use them with care, with thought, with fear, with delight. By using words well they strengthen their souls. Story-tellers and poets spend their lives learning that skill and art of using words well. And their words make the souls of their readers stronger, brighter, deeper.
β
β
Ursula K. Le Guin
β
Freedom is a heavy load, a great and strange burden for the spirit to undertake. It is not easy. It is not a gift given, but a choice made, and the choice may be a hard one. The road goes upward towards the light; but the laden traveler may never reach the end of it.
β
β
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
β
When action grows unprofitable, gather information; when information grows unprofitable, sleep.
β
β
Ursula K. Le Guin (The Left Hand of Darkness)
β
I had forgotten how much light there is in the world, till you gave it back to me.
β
β
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
β
Children know perfectly well that unicorns arenβt real, but they also know that books about unicorns, if they are good books, are true books.
β
β
Ursula K. Le Guin (The Language of the Night: Essays on Fantasy and Science Fiction)
β
Belief is the wound that knowledge heals.
β
β
Ursula K. Le Guin (The Telling)
β
If you evade suffering you also evade the chance of joy. Pleasure you may get, or pleasures, but you will not be fulfilled. You will not know what it is to come home.
β
β
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
β
What is an anarchist? One who, choosing, accepts the responsibility of choice.
β
β
Ursula K. Le Guin
β
While we read a novel, we are insaneβbonkers. We believe in the existence of people who aren't there, we hear their voices... Sanity returns (in most cases) when the book is closed.
β
β
Ursula K. Le Guin
β
You canβt crush ideas by suppressing them. You can only crush them by ignoring them. By refusing to think, refusing to change.
β
β
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
β
The unread story is not a story; it is little black marks on wood pulp. The reader, reading it, makes it live: a live thing, a story.
β
β
Ursula K. Le Guin (Dancing at the Edge of the World: Thoughts on Words, Women, Places)
β
The individual cannot bargain with the State. The State recognizes no coinage but power: and it issues the coins itself.
β
β
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
β
The law of evolution is that the strongest survives!' 'Yes, and the strongest, in the existence of any social species, are those who are most social. In human terms, most ethical...There is no strength to be gained from hurting one another. Only weakness.
β
β
Ursula K. Le Guin
β
For a word to be spoken, there must be silence. Before, and after.
β
β
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
β
For we each of us deserve everything, every luxury that was ever piled in the tombs of the dead kings, and we each of us deserve nothing, not a mouthful of bread in hunger. Have we not eaten while another starved? Will you punish us for that? Will you reward us for the virtue of starving while others ate? No man earns punishment, no man earns reward. Free your mind of the idea of deserving, the idea of earning, and you will begin to be able to think.
β
β
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
β
The end justifies the means. But what if there never is an end? All we have is means.
β
β
Ursula K. Le Guin (The Lathe of Heaven)
β
Go to bed; tired is stupid.
β
β
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
β
To make a thief, make an owner; to create crime, create laws.
β
β
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
β
This is. And thou art. There is no safety. There is no end. The word must be heard in silence. There must be darkness to see the stars. The dance is always danced above the hollow place, above the terrible abyss.
β
β
Ursula K. Le Guin (The Farthest Shore (Earthsea Cycle, #3))
β
We all have forests in our minds. Forests unexplored, unending. Each one of us gets lost in the forest, every night, alone.
β
β
Ursula K. Le Guin (The Wind's Twelve Quarters)
β
No, I don't mean love, when I say patriotism. I mean fear. The fear of the other. And its expressions are political, not poetical: hate, rivalry, aggression.
β
β
Ursula K. Le Guin (The Left Hand of Darkness)
β
There have been great societies that did not use the wheel, but there have been no societies that did not tell stories.
β
β
Ursula K. Le Guin
β
It is our suffering that brings us together. It is not love. Love does not obey the mind, and turns to hate when forced. The bond that binds us is beyond choice. We are brothers. We are brothers in what we share. In pain, which each of us must suffer alone, in hunger, in poverty, in hope, we know our brotherhood. We know it, because we have had to learn it. We know that there is no help for us but from one another, that no hand will save us if we do not reach out our hand. And the hand that you reach out is empty, as mine is. You have nothing. You possess nothing. You own nothing. You are free. All you have is what you are, and what you give.
β
β
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
β
Do nothing because it is righteous or praiseworthy or noble to do so; do nothing because it seems good to do so; do only that which you must do and which you cannot do in any other way.
β
β
Ursula K. Le Guin (The Farthest Shore (Earthsea Cycle, #3))
β
I talk about the gods, I am an atheist. But I am an artist too, and therefore a liar. Distrust everything I say. I am telling the truth. The only truth I can understand or express is, logically defined, a lie. Psychologically defined, a symbol. Aesthetically defined, a metaphor.
β
β
Ursula K. Le Guin (The Left Hand of Darkness)
β
A man does not make his destiny: he accepts it or denies it.
β
β
Ursula K. Le Guin (The Farthest Shore (Earthsea Cycle, #3))
β
It is a terrible thing, this kindess that human beings do not lose. Terrible, because when we are finally naked in the dark and cold, it is all we have. We who are so rich, so full of strength, we end up with that small change. We have nothing else to give.
β
β
Ursula K. Le Guin (The Left Hand of Darkness)
β
To see that your life is a story while you're in the middle of living it may be a help to living it well.
β
β
Ursula K. Le Guin (Gifts (Annals of the Western Shore, #1))
β
If civilization has an opposite, it is war.
β
β
Ursula K. Le Guin (The Left Hand of Darkness)
β
The artist deals with what cannot be said in words.
The artist whose medium is fiction does this in words. The novelist says in words what cannot be said in words.
β
β
Ursula K. Le Guin (The Left Hand of Darkness)
β
As you read a book word by word and page by page, you participate in its creation, just as a cellist playing a Bach suite participates, note by note, in the creation, the coming-to-be, the existence, of the music. And, as you read and re-read, the book of course participates in the creation of you, your thoughts and feelings, the size and temper of your soul.
β
β
Ursula K. Le Guin
β
No darkness lasts forever. And even there, there are stars.
β
β
Ursula K. Le Guin (The Farthest Shore (Earthsea Cycle, #3))
β
My world, my Earth is a ruin. A planet spoiled by the human species. We multiplied and fought and gobbled until there was nothing left, and then we died. We controlled neither appetite nor violence; we did not adapt. We destroyed ourselves. But we destroyed the world first.
β
β
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
β
And though I came to forget or regret all I have ever done, yet I would remember that once I saw the dragons aloft on the wind at sunset above the western isles; and I would be content.
β
β
Ursula K. Le Guin (The Farthest Shore (Earthsea Cycle, #3))
β
It's a rare gift, to know where you need to be, before you've been to all the places you don't need to be.
β
β
Ursula K. Le Guin (Tales from Earthsea (Earthsea Cycle, #5))
β
How does one hate a country, or love one? Tibe talks about it; I lack the trick of it. I know people, I know towns, farms, hills and rivers and rocks, I know how the sun at sunset in autumn falls on the side of a certain plowland in the hills; but what is the sense of giving a boundary to all that, of giving it a name and ceasing to love where the name ceases to apply? What is love of one's country; is it hate of one's uncountry? Then it's not a good thing. Is it simply self-love? That's a good thing, but one mustn't make a virtue of it, or a profession... Insofar as I love life, I love the hills of the Domain of Estre, but that sort of love does not have a boundary-line of hate. And beyond that, I am ignorant, I hope.
β
β
Ursula K. Le Guin (The Left Hand of Darkness)
β
To be whole is to be part; true voyage is return.
β
β
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
β
I certainly wasn't happy. Happiness has to do with reason, and only reason earns it. What I was given was the thing you can't earn, and can't keep, and often don't even recognize at the time; I mean joy.
β
β
Ursula K. Le Guin (The Left Hand of Darkness)
β
But need alone is not enough to set power free: there must be knowledge.
β
β
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
β
And day to day, life's a hard job, you get tired, you lose the pattern. You need distance, interval. The way to see how beautiful the earth is, is to see it as the moon. The way to see how beautiful life is, is from the vantage point of death.
β
β
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
β
Nothing is yours. It is to use. It is to share. If you will not share it, you cannot use it.
β
β
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
β
From that time forth he believed that the wise man is one who never sets himself apart from other living things, whether they have speech or not, and in later years he strove long to learn what can be learned, in silence, from the eyes of animals, the flight of birds, the great slow gestures of trees.
β
β
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
β
A scientist can pretend that his work isn't himself, it's merely the impersonal truth. An artist can't hide behind the truth. He can't hide anywhere.
β
β
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
β
You cannot take what you have not given, and you must give yourself. You cannot buy the Revolution. You cannot make the Revolution. You can only be the Revolution. It is in your spirit, or it is nowhere.
β
β
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
β
The thing about working with time, instead of against it, he thought, is that it is not wasted. Even pain counts.
β
β
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
β
Only in silence the word, only in dark the light, only in dying life: bright the hawk's flight on the empty sky.
β
β
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
β
You thought, as a boy, that a mage is one who can do anything. So I thought, once. So did we all. And the truth is that as a man's real power grows and his knowledge widens, ever the way he can follow grows narrower: until at last he chooses nothing, but does only and wholly what he must do. . . .
β
β
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
β
I never knew anybody . . . who found life simple. I think a life or a time looks simple when you leave out the details.
β
β
Ursula K. Le Guin (The Birthday of the World and Other Stories)
β
What good is power when you're too wise to use it?
β
β
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
β
To hear, one must be silent.
β
β
Ursula K. Le Guin (The Earthsea Trilogy (Earthsea Cycle, #1-3))
β
To oppose something is to maintain it.
β
β
Ursula K. Le Guin (The Left Hand of Darkness)
β
Gradually the healing took place, seeming as it always does that it wasn't taking place.
β
β
Ursula K. Le Guin
β
Science fiction is not prescriptive; it is descriptive.
β
β
Ursula K. Le Guin (The Left Hand of Darkness)
β
To oppose something is to maintain it... You must go somewhere else; you must have another goal; then you walk a different road.
β
β
Ursula K. Le Guin
β
Distrust everything I say. I am telling the truth.
β
β
Ursula K. Le Guin (The Left Hand of Darkness)
β
I'll make my report as if I told a story, for I was taught as a child on my homeworld that Truth is a matter of the imagination.
β
β
Ursula K. Le Guin (The Left Hand of Darkness)
β
When I was young, I had to choose between the life of being and the life of doing. And I leapt at the latter like a trout to a fly. But each deed you do, each act, binds you to itself and to its consequences, and makes you act again and yet again. Then very seldom do you come upon a space, a time like this, between act and act, when you may stop and simply be. Or wonder who, after all, you are.
β
β
Ursula K. Le Guin (The Farthest Shore (Earthsea Cycle, #3))
β
The book itself is a curious artifact, not showy in its technology but complex and extremely efficient: a really neat little device, compact, often very pleasant to look at and handle, that can last decades, even centuries. It doesn't have to be plugged in, activated, or performed by a machine; all it needs is light, a human eye, and a human mind. It is not one of a kind, and it is not ephemeral. It lasts. It is reliable. If a book told you something when you were fifteen, it will tell it to you again when you're fifty, though you may understand it so differently that it seems you're reading a whole new book."
(Staying Awake: Notes on the alleged decline of reading, Harper's Magazine, February 2008)
β
β
Ursula K. Le Guin
β
I think," Tehanu said in her soft, strange voice, "that when I die, I can breathe back the breath that made me live. I can give back to the world all that I didn't do. All that I might have been and couldn't be. All the choices I didn't make. All the things I lost and spent and wasted. I can give them back to the world. To the lives that haven't been lived yet. That will be my gift back to the world that gave me the life I did live, the love I loved, the breath I breathed.
β
β
Ursula K. Le Guin (The Other Wind (Earthsea Cycle, #6))
β
Change is freedom, change is life.
It's always easier not to think for oneself. Find a nice safe hierarchy and settle in. Don't make changes, don't risk disapproval, don't upset your syndics. It's always easiest to let yourself be governed.
There's a point, around age twenty, when you have to choose whether to be like everybody else the rest of your life, or to make a virtue of your peculiarities.
Those who build walls are their own prisoners. I'm going to go fulfil my proper function in the social organism. I'm going to go unbuild walls.
β
β
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
β
A man wants his virility regarded. A woman wants her femininity appreciated, however indirect and subtle the indications of regard and appreciation. [Here] one is respected and judged only as a human being. It is an appalling experience.
β
β
Ursula K. Le Guin (The Left Hand of Darkness)
β
Things don't have purposes, as if the universe were a machine, where every part has a useful function. What's the function of a galaxy? I don't know if our life has a purpose and I don't see that it matters. What does matter is that we're a part. Like a thread in a cloth or a grass-blade in a field. It is and we are. What we do is like wind blowing on the grass.
β
β
Ursula K. Le Guin (The Lathe of Heaven)
β
And I speak of spiritual suffering! Of people seeing their talent, their work, their lives wasted. Of good minds submitting to stupid ones. Of strength and courage strangled by envy, greed for power, fear of change. Change is freedom, change is life
β
β
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
β
Ged had neither lost nor won but, naming the shadow of his death with his own name, had made himself whole: a man: who, knowing his whole true self, cannot be used or possessed by any power other than himself, and whose life therefore is lived for life's sake and never in the service of ruin, or pain, or hatred, or the dark.
β
β
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
β
It is no secret. All power is one in source and end, I think. Years and distances, stars and candles, water and wind and wizardry, the craft in a man's hand and the wisdom in a tree's root: they all arise together. My name, and yours, and the true name of the sun, or a spring of water, or an unborn child, all are syllables of the great word that is very slowly spoken by the shining of the stars. There is no other power. No other name.
β
β
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
β
A child free from the guilt of ownership and the burden of economic competition will grow up with the will to do what needs doing and the capacity for joy in doing it. It is useless work that darkens the heart. The delight of the nursing mother, of the scholar, of the successful hunter, of the good cook, of the skilful maker, of anyone doing needed work and doing it well, - this durable joy is perhaps the deepest source of human affection and of sociality as a whole.
β
β
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
β
Life rises out of death, death rises out of life; in being opposite they yearn to each other, they give birth to each other and are forever reborn. And with them, all is reborn, the flower of the apple tree, the light of the stars. In life is death. In death is rebirth. What then is life without death? Life unchanging, everlasting, eternal?-What is it but death-death without rebirth?
β
β
Ursula K. Le Guin (The Farthest Shore (Earthsea Cycle, #3))
β
When I take you to the Valley, youβll see the blue hills on the left and the blue hills on the right, the rainbow and the vineyards under the rainbow late in the rainy season, and maybe youβll say, βThere it is, thatβs it!β But Iβll say. βA little farther.β Weβll go on, I hope, and youβll see the roofs of the little towns and the hillsides yellow with wild oats, a buzzard soaring and a woman singing by the shadows of a creek in the dry season, and maybe youβll say, βLetβs stop here, this is it!β But Iβll say, βA little farther yet.β Weβll go on, and youβll hear the quail calling on the mountain by the springs of the river, and looking back youβll see the river running downward through the wild hills behind, below, and youβll say, βIsnβt that the Valley?β And all I will be able to say is βDrink this water of the spring, rest here awhile, we have a long way yet to go and I canβt go without you.
β
β
Ursula K. Le Guin (Always Coming Home)
β
You will die. You will not live forever. Nor will any man nor any thing. Nothing is immortal. But only to us is it given to know that we must die. And that is a great gift: the gift of selfhood. For we have only what we know we must lose, what we are willing to lose... That selfhood which is our torment, and our treasure, and our humanity, does not endure. It changes; it is gone, a wave on the sea. Would you have the sea grow still and the tides cease, to save one wave, to save yourself?
β
β
Ursula K. Le Guin (The Farthest Shore (Earthsea Cycle, #3))
β
How does one hate a country, or love one?... I know people, I know towns, farms, hills and rivers and rocks, I know how the sun at sunset in autumn falls on the side of a certain plowland in the hills; but what is the sense of giving a boundary to all that, of giving a name and ceasing to love where the name ceases to apply? What is the love of one's country; is it hate of one's uncountry? Then it's not a good thing.
β
β
Ursula K. Le Guin (The Left Hand of Darkness)
β
He tried to read an elementary economics text; it bored him past endurance, it was like listening to somebody interminably recounting a long and stupid dream. He could not force himself to understand how banks functioned and so forth, because all the operations of capitalism were as meaningless to him as the rites of a primitive religion, as barbaric, as elaborate, and as unnecessary. In a human sacrifice to deity there might be at least a mistaken and terrible beauty; in the rites of the moneychangers, where greed, laziness, and envy were assumed to move all men's acts, even the terrible became banal.
β
β
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
β
We have nothing but our freedom. We have nothing to give you but your own freedom. We have no law but the single principle of mutual aid between individuals. We have no government but the single principle of free association. We have no states, no nations, no presidents, no premiers, no chiefs, no generals, no bosses, no bankers, no landlords, no wages, no charity, no police, no soldiers, no wars. Nor do we have much else. We are sharers, not owners. We are not prosperous. None of us is rich. None of us is powerful. If it is Anarres you want, if it is the future you seek, then I tell you that you must come to it with empty hands. You must come to it alone, and naked, as the child comes into the world, into his future, without any past, without any property, wholly dependent on other people for his life. You cannot take what you have not given, and you must give yourself. You cannot buy the Revolution. You cannot make the Revolution. You can only be the Revolution. It is in your spirit, or it is nowhere.
β
β
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
β
War as a moral metaphor is limited, limiting, and dangerous. By reducing the choices of action to βa war againstβ whatever-it-is, you divide the world into Me or Us (good) and Them or It (bad) and reduce the ethical complexity and moral richness of our life to Yes/No, On/Off. This is puerile, misleading, and degrading. In stories, it evades any solution but violence and offers the reader mere infantile reassurance. All too often the heroes of such fantasies behave exactly as the villains do, acting with mindless violence, but the hero is on the βrightβ side and therefore will win. Right makes might.
β
β
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
β
For it seemed to me, and I think to him, that it was from that sexual tension between us, admitted now and understood but not assuaged, that the great and sudden assurance of friendship between us rose: a friendship so much needed by us both in our exile, and already so well proved in the days and nights of our better journey, that it might as well be called, now as later, love. But it was from the difference between us, not from the affinities and likenesses, but from the difference, that that love came: and it was itself the bridge, the only bridge, across what divided us. For us to meet sexually would be for us to meet once more as aliens. We had touched, in the only way we could touch. We left it at that. I do not know if we were right.
β
β
Ursula K. Le Guin (The Left Hand of Darkness)
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Do you see how an act is not, as young men think, like a rock that one picks up and throws, and it hits or misses, and that's the end of it. When that rock is lifted, the earth is lighter; the hand that bears it heavier. When it is thrown, the circuits of the stars respond, and where it strikes or falls, the universe is changed. On every act the balance of the whole depends. The winds and seas, the powers of water and earth and light, all that these do, and all that the beasts and green things do, is well done, and rightly done. All these act within the Equilibrium. From the hurricane and the great whale's sounding to the fall of a dry leaf and the gnat's flight, all they do is done within the balance of the whole.
But we, insofar as we have power over the world and over one another, we must learn to do what the leaf and the whale and the wind do of their own nature. We must learn to keep the balance. Having intelligence, we must not act in ignorance. Having choice, we must not act without responsibility.
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Ursula K. Le Guin (The Farthest Shore (Earthsea Cycle, #3))
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They have nothing to give. They have no power of making. All their power is to darken and destroy. They cannot leave this place; they are this place; and it should be left to them. They should not be denied nor forgotten, but neither should they be worshiped. The Earth is beautiful, and bright, and kindly, but that is not all. The Earth is also terrible, and dark, and cruel. The rabbit shrieks dying in the green meadows. The mountains clench their great hands full of hidden fire. There are sharks in the sea, and there is cruelty in menβs eyes. And where men worship these things and abase themselves before them, there evil breeds; there places are made in the world where darkness gathers, places given over wholly to the Ones whom we call Nameless, the ancient and holy Powers of the Earth before the Light, the powers of the dark, of ruin, of madnessβ¦ I think they drove your priestess Kossil mad a long time ago; I think she has prowled these caverns as she prowls the labyrinth of her own self, and now she cannot see the daylight any more. She tells you that the Nameless Ones are dead; only a lost soul, lost to truth, could believe that. They exist. But they are not your Masters. They never were. You are free, Tenar. You were taught to be a slave, but you have broken free.
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Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))