Lazy Monday Quotes

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No! I'm not ready, this is still my first cup of coffee!
Anthony Liccione
It‘s a curious fact, because Friday is a day of work and Sunday is a day for pleasure, so you would expect people to enjoy Sunday more, right? But we don’t. It’s not because we really like being in the office and can’t stand strolling in the park and having a lazy brunch. We prefer Friday to Sunday because Friday brings with it the thrill of anticipating the weekend ahead. In contrast, on Sunday the only thing to look forward to is work on Monday.
Tali Sharot (The Science of Optimism: Why We're Hard-Wired for Hope)
God is not merely at your fingertips but within your grasp. Live each day like a child digging through a treasure chest, rifling for the next discovery. Open your arms and your eyes to the God who stands in plain sight and works miracles in your midst. Look for him in your workdays and weekends, in your meeting-filled Mondays and your lazy Saturdays. Search for him in the snowy sunsets and Sabbaths, seasons of Lent and sitting at your table. Pray for—and expect—wonder. For when you search for God, you will discover him.
Margaret Feinberg (Wonderstruck: Awaken to the Nearness of God)
I hated the pressure of Mondays because I felt like every decision reset to zero.
Kendra Adachi (The Lazy Genius Way: Embrace What Matters, Ditch What Doesn't, and Get Stuff Done)
Tell me all about your week,” I said to the boyfriend. “Well, Monday I woke up at eleven thirty a.m.,” he’d start. He could go on all day. He was from Chattanooga. He had a nice, soft voice. It had a nice sound to it, like an old radio. I got up and filled a mug with wine and sat on the bed. “The line at the grocery store was average,” he was saying. Later: “But I don’t like Lacan. When people are so incoherent, it means they’re arrogant.” “Lazy,” I said. “Yeah.” By the time he was done talking we could go out for dinner. We could get drinks. All I had to do was walk around and sit down and tell him what to order. He took care of me that way.
Ottessa Moshfegh (Homesick for Another World)
Before leaving the earth altogether, let us as: How does Music stand with respect to its instruments, their pitches, the scales, modes and rows, repeating themselves from octave to octave, the chords, harmonies, and tonalities, the beats, meters, and rhythms, the degrees of amplitude (pianissimo, piano, mezzo-piano, mezzo-forte, forte, fortissimo)? Though the majority go each day to the schools where these matters are taught, they read when time permits of Cape Canaveral, Ghana, and Seoul. And they’ve heard tell of the music synthesizer, magnetic tape. They take for granted the dials on radios and television sets. A tardy art, the art of Music. And why so slow? Is it because, once having learned a notation of pitches and durations, musicians will not give up their Greek? Children have been modern artists for years now. What is it about Music that sends not only the young but adults too as far into the past as they can conveniently go? The module? But our choices never reached around the globe, and in our laziness, when we changed over to the twelve-tone system, we just took the pitches of the previous music as though we were moving into a furnished apartment and had no time to even take the pictures off the walls. What excuse? That nowadays things are happening so quickly that we become thoughtless? Or were we clairvoyant and knew ahead of time that the need for furniture of any kind would disappear? (Whatever you place there in front of you sits established in the air.) The thing that was irrelevant to the structures we formerly made, and this was what kept us breathing, was what took place within them. Their emptiness we took for what it was – a place where anything could happen. That was one of the reasons we were able when circumstances became inviting (chances in consciousness, etc.) to go outside, where breathing is child’s play: no walls, not even the glass ones which, though we could see through them, killed the birds while they were flying.
John Cage (A Year from Monday: New Lectures and Writings)
Create a Meal Matrix A meal matrix is a way to decide once what you’ll eat on certain days of the week. Meatless Monday, Taco Tuesday, and Instant Pot Wednesday are all forms of deciding once. At my house, we always have Pasta Monday, Pizza Friday, and Leftovers Saturday. My choices within those categories are open, but I’ve already made a helpful choice. The nice thing about a meal matrix is that it’s completely customizable. You don’t need me to tell you what to decide once; you can make your own choices and plug them in where they make sense. You don’t have to be overly specific with any day or even have every day filled. Three days are enough for me; fewer or more might work better for you. Regardless, deciding your meal matrix once creates an easy, actionable meal planning system that’s the perfect combination of lazy and genius.
Kendra Adachi (The Lazy Genius Way: Embrace What Matters, Ditch What Doesn't, and Get Stuff Done)
One spring day, when the daffodils were blowing on the Ingleside lawn, and the banks of the brook in Rainbow Valley were sweet with white and purple violets, the little, lazy afternoon accommodation train pulled into the Glen station. It was very seldom that passengers for the Glen came by that train, so nobody was there to meet it except the new station agent and a small black-and-yellow dog, who for four and a half years had met every train that had steamed into Glen St. Mary. Thousands of trains had Dog Monday met and never had the boy he waited and watched for returned. Yet still Dog Monday watched on with eyes that never quite lost hope. Perhaps his dog-heart failed him at times; he was growing old and rheumatic; when he walked back to his kennel after each train had gone his gait was very sober now—he never trotted but went slowly with a drooping head and a depressed tail that had quite lost its old saucy uplift. One passenger stepped off the train—a tall fellow in a faded lieutenant’s uniform, who walked with a barely perceptible limp. He had a bronzed face and there were some grey hairs in the ruddy curls that clustered around his forehead. The new station agent looked at him anxiously. He was used to seeing the khaki-clad figures come off the train, some met by a tumultuous crowd, others, who had sent no word of their coming, stepping off quietly like this one. But there was a certain distinction of bearing and features in this soldier that caught his attention and made him wonder a little more interestedly who he was. A black-and-yellow streak shot past the station agent. Dog Monday stiff? Dog Monday rheumatic? Dog Monday old? Never believe it. Dog Monday was a young pup, gone clean mad with rejuvenating joy. He flung himself against the tall soldier, with a bark that choked in his throat from sheer rapture. He flung himself on the ground and writhed in a frenzy of welcome. He tried to climb the soldier’s khaki legs and slipped down and groveled in an ecstasy that seemed as if it must tear his little body in pieces. He licked his boots and when the lieutenant had, with laughter on his lips and tears in his eyes, succeeded in gathering the little creature up in his arms Dog Monday laid his head on the khaki shoulder and licked the sunburned neck, making queer sounds between barks and sobs. The station agent had heard the story of Dog Monday. He knew now who the returned soldier was. Dog Monday’s long vigil was ended. Jem Blythe had come home.
L.M. Montgomery (Rilla of Ingleside (Unabridged Start Publishing LLC))
One spring day, when the daffodils were blowing on the Ingleside lawn, and the banks of the brook in Rainbow Valley were sweet with white and purple violets, the little, lazy afternoon accommodation train pulled into the Glen station. It was very seldom that passengers for the Glen came by that train, so nobody was there to meet it except the new station agent and a small black and yellow dog, who for four and a half long years had met every train that had steamed into Glen St. Mary. Thousands of trains had Dog Monday met and never had the boy he waited and watched for returned. Yet still Dog Monday watched on with eyes that never quite lost hope. Perhaps his dog-heart failed him at times; he was growing old and rheumatic; when he walked back to his kennel after each train had gone his gait was very sober now—he never trotted but went slowly with a drooping head and a depressed tail that had quite lost its old saucy uplift. One passenger stepped off the train—a tall fellow in a faded lieutenant’s uniform, who walked with a barely perceptible limp. He had a bronzed face and there were some grey hairs in the ruddy curls that clustered around his forehead. The new station agent looked at him anxiously. He was used to seeing the khaki-clad figures come off the train, some met by a tumultuous crowd, others, who had sent no word of their coming, stepping off quietly like this one. But there was a certain distinction of bearing and features in this soldier that caught his attention and made him wonder a little more interestedly who he was. A black and yellow streak shot past the station agent. Dog Monday stiff? Dog Monday rheumatic? Dog Monday old? Never believe it. Dog Monday was a young pup, gone clean mad with rejuvenating joy. He flung himself against the tall soldier, with a bark that choked in his throat from sheer rapture. He flung himself on the ground and writhed in a frenzy of welcome. He tried to climb the soldier’s khaki legs and slipped down and grovelled in an ecstasy that seemed as if it must tear his little body in pieces. He licked his boots and when the lieutenant had, with laughter on his lips and tears in his eyes, succeeded in gathering the little creature up in his arms Dog Monday laid his head on the khaki shoulder and licked the sunburned neck, making queer sounds between barks and sobs. The station agent had heard the story of Dog Monday. He knew now who the returned soldier was. Dog Monday’s long vigil was ended. Jem Blythe had come home.
L.M. Montgomery (Rilla of Ingleside)
Then I asked, “Are you coming to the party tomorrow?” because it was, at the moment, the only change of subject I could come up with. “Daniel’s party?” Rafe looked confused, as if he couldn’t imagine why I’d think he was going to the party of a guy who obviously didn’t like him. “Well, it’s at Daniel’s place, but it’s really--” “Your birthday party. I know.” He kept giving me that look, and I didn’t blame him--I was as unlikely to invite him as Daniel was. “Everyone goes,” I said. “The whole class.” “Yeah, I know. Hayley asked if I was going, but I kind of figured that didn’t exactly count as an invitation. Unless I went with her, which I’d really rather not.” I had to laugh at his expression. “Don’t blame you. But you can now consider yourself officially invited by the birthday girl. It’s an easier way to meet people than hanging out at the smoking pit. Healthier, too.” That got a smile from him. Not that lazy grin I’d seen so often, but something as different from his usual self as that ice-cold anger I’d seen him show to Sam and, later, to me. A crooked smile. Hesitant. Not quite shy, but close enough to do more to my insides than that sexy one he tossed around so casually. When I felt that, I felt a faint pang of panic, too--something in my gut that said falling for Rafe Martinez was a bad idea. When he said, “I’ll see,” in a tone that said he wasn’t likely to show up, I was relieved. “It depends on Annie,” he said. “It’s Saturday, so she’ll expect me to stick around.” “Understandable,” I said. “Have a good weekend, then, and I’ll see you Monday.” I hurried off before he could reply.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
I see capital through the flurry On this Monday night twenty-first. Some do-nothing has made up the story That love exists on the earth. And from laziness or from boredom All believed, and thus they live: Wait for meeting, fear the parting, And sing songs of love. But to others opens a secret And upon them descends a still. I by accident came upon this And since then am as if I'm ill.
Anna Akhmatova