Lawyer T Shirt Quotes

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All I could do was forlornly watch as he put what I was starting to consider his lawyer costume back on, while I sat on the edge of his bed wearing nothing but his ARMY T-shirt and some seriously tousled-sex hair.
Jay Crownover (Charged (Saints of Denver, #2))
Some called it a witch hunt, said she’s after him. I ask, starting when. Mark the day. Trace it back. I can almost guarantee that after the assault she tried to live her life. Ask her what she did the next day and she’d say, well, I went to work. She didn’t pick up a pitchfork, hire a lawyer. She made her bed, buttoned up her shirt, took shower after shower. She tried to believe she was unchanged, to move on until her legs gave out. Every woman who spoke out did so because she hit a point where she could no longer live another day in the life she tried to build. So she turned, slowly, back around to face it. Society thinks we live to come after him. When in fact, we live to live. That’s it. He upended that life, and we tried to keep going, but couldn’t. Each time a survivor resurfaced, people were quick to say what does she want, why did it take her so long, why now, why not then, why not faster. But damage does not stick to deadlines. If she emerges, why don’t we ask her how it was possible she lived with that hurt for so long, ask who taught her to never uncover it.
Chanel Miller (Know My Name)
The moms and dads and grandparents didn’t wear suits like the lawyers and judge. They wore sweatpants and stretchy pants and T-shirts. Their hair was a bit frizzy. And it was the first time I noticed “TV accents”—the neutral accent that so many news anchors had. The social workers and the judge and the lawyer all had TV accents. None of us did. The people who ran the courthouse were different from us. The people subjected to it were not.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Lincoln found himself in a stifling courtroom one hot summer day, pleading his client’s case. The opposing lawyer, in a concession to the oppressive heat, took off his coat and vest as the debate went on. The man’s shirt had its buttons in the back, a style which was unusual even then. Lincoln looked at his opponent and sized up the man’s apparel. Knowing that the rural jury disliked pretension of any kind, or any attempt to show superior social rank, he said: "Gentlemen of the jury, having justice on my side, I don't think you will be at all influenced by the gentleman's pretended knowledge of the law, when you see he does not even know which side of his shirt should be in front." The jury burst into laughter, and Lincoln won the case.
Rriiver Nyile (Abraham Lincoln: Abraham Lincoln Facts, Jokes and Quotes ( President's Day) (Black History Kids Series Book 3))
I walked him to the door. “Is there anything else you want me to do? Check your mail? Water your plants?” “My mail is being forwarded to my lawyer. And I’m watering my own plants.” “So, you feel safe in the Batcave?” The corners of his mouth curved into the hint of a smile. He leaned forward and kissed me at the base of my neck, just above my T-shirt collar. “Sweet dreams.” Before he left, he said good-night to Grandma, who was still in the kitchen. “What a nice, polite young man,” Grandma said. “And he’s got an excellent package.” I went straight to her closet, found the bottle of booze, and dumped some into my cocoa.
Janet Evanovich (Hot Six (Stephanie Plum, #6))
When fascism comes to America, it will not be in brown and black shirts. It will not be with jackboots. It will be Nike sneakers and smiley shirts. Smiley-smiley.” Goldberg reiterates this view in his book saying, “If there is ever a fascist takeover in America, it will come not in the form of storm troopers kicking down doors but with lawyers and social workers saying, ‘I'm from the government and I'm here to help.
Mark Dice (The Illuminati in Hollywood: Celebrities, Conspiracies, and Secret Societies in Pop Culture and the Entertainment Industry)
Nintendo not letting itself make a browser Mario game has not stopped a flash flood of in-browser Mario games. Super Mario Flash, New Super Mario Bros. Flash, Infinite Mario, and the amazing Super Mario Crossover, which lets you play the original SMB games using characters from Castlevania, Excitebike, Ninja Gaidan, and more. (If you like that, try Abobo's Big Adventure.) There are free (and unlicensed) Mario games where he rides a motorbike, takes a shotgun to the Mushroom Kingdom, decides to fight with his fists, is replaced by Sonic, replaces Pac-Man in a maze game, and plays dress-up. They receive no admonition from Nintendo's once-ferocious legal department. Why not? Iwata's explanation is commonsensical: "[I]t would not be appropriate if we treated people who did someone based on affection for Nintendo as criminals." This is also why no one has been told by lawyers to stop selling Wario-as-a-pimp T-shirts.
Jeff Ryan (Super Mario: How Nintendo Conquered America)
Furthermore, I refuse to wear a burqa. Of all the burdens they've put on us, that's the most degrading. The Shirt of Nessus woudn't do as much damage to my dignity as that wretched getup. It cancels my face and takes away my identity and turns me into an object. Here, at least, I'm me Zunaira, Mohsen Ramat's wife, age thirty-two, former magistrate, dismissed by obscurantists without a hearing and without compensation, but with enough self-respect left to brush my hair every day and pay attention to my clothes. If I put that damned veil on, I'm neither a human being nor an animal, I'm just an affront, a disgrace, a blemish that has to be hidden. That's too hard to deal with. Especially for someone who was a lawyer, who worked for women's rights. Please, I don't want you to think for a minute that I'm putting on some sort of act. I'd like to, you know, but unfortunately my heart's not in it anymore. Don't ask me to give up my name, my features, the color of my eyes, and the shape of my lips so I can take a walk through squalor and desolation. Don't ask me to become something less than a shadow, an anonymus thing rustling around in a hostile place.
Yasmina Khadra (Swallows of Kabul)
walked him to the door. “Is there anything else you want me to do? Check your mail? Water your plants?” “My mail is being forwarded to my lawyer. And I’m watering my own plants.” “So, you feel safe in the Batcave?” The corners of his mouth curved into the hint of a smile. He leaned forward and kissed me at the base of my neck, just above my T-shirt collar. “Sweet dreams.” Before he left, he said good-night to Grandma, who was still in the kitchen. “What a nice, polite young man,” Grandma said. “And he’s got an excellent package.” I went straight to her closet, found the bottle of booze, and dumped some into my cocoa.
Janet Evanovich (Hot Six (Stephanie Plum, #6))
Fitz sat in a green leather armchair. To Ethel’s surprise, Albert Solman was there, too, in a black suit and a stiff-collared shirt. A lawyer by training, Solman was what Edwardian gentlemen called a man of business. He managed Fitz’s money, checking his income from coal royalties and rents, paying the bills, and issuing cash for staff wages. He also dealt with leases and other contracts, and occasionally brought lawsuits against people who tried to cheat Fitz. Ethel had met him before and did not like him. She thought he was a know-all. Perhaps all lawyers were; she did not know: he was the only one she had ever met.
Ken Follett (Fall of Giants (The Century Trilogy #1))
Mark the day. Trace it back. I can almost guarantee that after the assault she tried to live her life. Ask her what she did the next day and she’d say, well, I went to work. She didn’t pick up a pitchfork, hire a lawyer. She made her bed, buttoned up her shirt, took shower after shower. She tried to believe she was unchanged, to move on until her legs gave out. Every woman who spoke out did so because she hit a point where she could no longer live another day in the life she tried to build. So she turned, slowly, back around to face it. Society thinks we live to come after him. When in fact, we live to live. That’s it.
Chanel Miller (Know My Name: A Memoir)
During all that time I didn't see Willie. I didn't see him again until he announced in the Democratic primary in 1930. But it wasn't a primary. It was hell among the yearlings and the Charge of the Light Brigade and Saturday night in the back room of Casey's saloon rolled into one, and when the dust cleared away not a picture still hung on the walls. And there wasn't any Democratic party. There was just Willie, with his hair in his eyes and his shirt sticking to his stomach with sweat. And he had a meat ax in his hand and was screaming for blood. In the background of the picture, under a purplish tumbled sky flecked with sinister white like driven foam, flanking Willie, one on each side, were two figures, Sadie Burke and a tallish, stooped, slow-spoken man with a sad, tanned face and what they call the eyes of a dreamer. The man was Hugh Miller, Harvard Law School, Lafayette Escadrille, Croix de Guerre, clean hands, pure heart, and no political past. He was a fellow who had sat still for years, and then somebody (Willie Stark) handed him a baseball bat and he felt his fingers close on the tape. He was a man and was Attorney General. And Sadie Burke was just Sadie Burke. Over the brow of the hill, there were, of course, some other people. There were, for instance, certain gentlemen who had been devoted to Joe Harrison, but who, when they discovered there wasn't going to be any more Joe Harrison politically speaking, had had to hunt up a new friend. The new friend happened to be Willie. He was the only place for them to go. They figured they would sign on with Willie and grow up with the country. Willie signed them on all right, and as a result got quite a few votes not of the wool-hat and cocklebur variety. After a while Willie even signed on Tiny Duffy, who became Highway Commissioner and, later, Lieutenant Governor in Willie's last term. I used to wonder why Willie kept him around. Sometimes I used to ask the Boss, "What do you keep that lunk-head for?" Sometimes he would just laugh and say nothing. Sometimes he would say, "Hell, somebody's got to be Lieutenant Governor, and they all look alike." But once he said: "I keep him because he reminds me of something." "What?" "Something I don't ever want to forget," he said. "What's that?" "That when they come to you sweet talking you better not listen to anything they say. I don't aim to forget that." So that was it. Tiny was the fellow who had come in a big automobile and had talked sweet to Willie back when Willie was a little country lawyer.
Robert Penn Warren (All the King's Men)
two Florida Highway Patrol cars and a third, black car pulled up in front of the house, and several white men emerged, among them the deputies Campbell and Yates. “Where is the guy that was with you last night?” Yates asked Shepherd, and what began with that question led to the beatings he and Irvin endured on the deserted clay road outside of Groveland. “They must have beat us about a half hour,” Shepherd told the lawyers, who were at once riveted and appalled by his testimony. After the beating, he and Irvin were shoved back into the patrol car. Irvin’s shirt was drenched in blood, and when he reached his hand up to his head he felt “a big chunk knocked out of it.” A patrolman told them to scoot up to the edge of the seat so their blood wouldn’t drip onto the upholstery.
Gilbert King (Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America)
Forbes cost of living extremely well index (CLEWI) An amazing thing I came across while researching the question of just what it is that very very rich people do with their money. As Forbes says, the CLEWI is to the very rich what the CPI is to “ordinary people.” There are forty items on it, and they are hilarious, though perhaps you shouldn’t show them to your left-wing aunt if she’s suffering from high blood pressure: Russian sable fur coats from Bloomingdale’s, shirts from Turnbull and Asser, Gucci loafers, handmade John Lobb shoes, a year at Groton boarding school, a yacht, a horse, a pool, a Learjet, a Roller, a case of Dom Perignon, forty-five minutes at a psychiatrist’s on the Upper East Side (!), an hour’s estate planning with a lawyer, and, amusingly/annoyingly, a year at Harvard.36 In 2012, the CLEWI went up 2.6 percent but the CPI went up only 1.4 percent.
John Lanchester (How to Speak Money: What the Money People Say-And What It Really Means: What the Money People Say―And What It Really Means)
The weight room is empty except for Peter. He’s at the bench press, lifting weights. When he sees me, he smiles. “Are you here to spot me?” He sits up and wipes sweat off his face with the collar of his T-shirt. My heart squeezes painfully. “I’m here to break up. To fake break up, I mean.” Peter does a double take. “Wait. What?” “There’s no need to keep it going. You got what you wanted, right? You saved face, and so did I. I talked to Josh, and everything’s back to normal with us again. And my sister will be home soon. So…mission accomplished.” Slowly he nods. “Yeah, I guess.” My heart is breaking even as I smile. “So okay, then.” With a flourish I whip our contract out of my bag. “Null and void. Both parties have hereby fulfilled their obligations to each other in perpetuity.” I’m just rattling off lawyer words. “You carry that around with you?” “Of course! Kitty’s such a snoop. She’d find it in two seconds.” I hold up the piece of paper, poised to rip it in half, but Peter grabs it from me. “Wait! What about the ski trip?” “What about it?” “You’re still coming, right?” I hadn’t thought of that. The only reason I was going to go was for Peter. I can’t go now. I can’t be a witness to Peter and Genevieve’s reunion, I just can’t. I want them to come back from the trip magically together again, and it will be like this whole thing was just something I dreamed up. “I’m not going to go.” His eyes widen. “Come on, Covey! Don’t bail on me now. We already signed up and gave the deposits and everything. Let’s just go, and have that be our final hurrah.” When I start to protest, Peter shakes his head. “You’re going, so take this contract back.” Peter refolds it and carefully puts it back in my bag. Why is it so hard to say no to him? Is this what it’s like to be in love with somebody?
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
You wonder what had happened, when a feller like that, in a place like that, talked of a childhood that might have as easily belonged to a millionaire, a lawyer, a schoolteacher, you. You had to think he was defective somehow, or had fucked up not once, not twice, but again and again, a peculiar resolve to his life. That was the thing, that resolve. We didn’t credit it. You looked at him and your brain said he was on the losing end of one of the two bargains that America made with you. There was the romantic one, that of the rambler, the man out seeking his destiny, living by his wits, all that horseshit. Then there was the classical American dare, that you could risk all, take an internal grudge and make of it a billion dollars and get a monumental tomb in the bargain. But the truth was neither. America was a grindstone. She used those notions as twin abrasives to wear you down into a dutiful drudge walking the straight and narrow. But there was something in the hearts of the some men, some of whom became Fritz, that wouldn’t accept that. These men in crummy bars, some of them, most of them, they were main-chance fellers. You could take ten of these wrecks and offer them a salesman’s job, a dozen white shirts and ties, forty Gs a year and perks, a neat house on a quiet street, a yard, a car, a dog, a wife, an expense account, a Chinese laundryman, membership in a church, grandkids who’d bounce on their knees, and you’d be lucky if one or two took you up on it. And those two would be the most defeated, the most broken and worn down. Take the same ten and offer them eight dollars a day to be litter bearers on a great adventure, a hike after a lost civilization, a one in hundred shot at survival, a one in thousand shot at a fabulous fortune of jewels and gold, and if you provided rum along the way, nine of the ten would sign up. I guarantee it. I guarantee too that the one or two who took the salesman’s job—within a year or two or three, he’d be fucking up again and again, no matter how many chances you gave him. He’s a main-chance feller, and even if he didn’t have the brains or the luck to make it work, he still couldn’t abide the line others toed, even if he couldn’t think of anything else to do with his life but the miserable American two step—toe the line, fuck up, toe the line, fuck up....
T.D. Badyna (Flick)
The muscles of Sue’s legs tensed, and the saddle lurched. One of the little girls screamed. And then the Tyrannosaur came down from the leap that had carried her over the besieged Wardens. Sue landed with one clawed foot on the street, and the other came down squarely on the Caddy’s hood, like a falcon descending upon a rabbit. There was an enormous sound of shrieking metal and breaking glass, and the saddle lurched wildly again. I leaned over to see what had happened. The car’s hood and engine block had been compacted into a two-foot-thick section of twisted metal. Even as I looked, Sue leaned over the car in a curiously birdlike movement, opened her enormous jaws, and ripped the roof off. Inside was Li Xian, dressed in a black shirt and trousers. The ghoul’s forehead had a nasty gash in it, and green-black blood had sheeted over one side of his face. His eyes were blank and a little vague, and I figured he’d clipped his head on the steering wheel or window when Sue brought his sliding car to an abrupt halt. Li Xian shook his head and then started to scramble out of the car. Sue roared again, and the sound must have terrified Li Xian, because all of his limbs jerked in spasm and he fell on his face to the street. Sue leaned down again, her jaws gaping, but the ghoul rolled under the car to get away from them. So Sue kicked the car, and sent it tumbling end over end three or four times down the street. The ghoul let out a scream and stared up at Sue in naked terror, covering his head with his arms. Sue ate him. Snap. Gulp. No more ghoul. “What’s with that?” Butters screamed, his voice high and frightened. “Just covering his head with his arms? Didn’t he see the lawyer in the movie?” “Those who do not learn the lessons of history are doomed to repeat them,” I replied, turning Sue around. “Hang on!” I rode the dinosaur into the stream of zombies following in the Wardens’ wake and let her go to town. Sue chomped and stomped and smacked zombies fifty feet through the air with swinging blows of her snout. Her tail batted one particularly vile-looking zombie into the brick wall of the nearest building, and the zombie hit so hard and so squishily that it just stuck to the wall like a refrigerator magnet, arms and legs spread in a sprawl.
Anonymous
Back in the early days of his career as a frontier lawyer, Lincoln was engaged in an important trial. It was a really hot day. His opponent was arguing his case, and as he paced around he was starting to sweat, so the man removed his jacket and vest. The lawyer’s shirt buttoned in the back, not in the front, as was customary. Lincoln was quick to notice the discrepancy, and said to the jury – “Gentlemen of the jury, having justice on my side, I don’t think you will at all be influenced by the gentleman’s pretended knowledge of law, when you see he does not even know which side of his shirt should be in front.” Lincoln’s story drew a laugh from the jury and the audience, and won him the case.
Nicholas L Vulich (Manage Like Abraham Lincoln)
tall man in his thirties wearing jeans with rolled bottoms, a tiny-collared white shirt, and a red paisley tie appeared. Longish dark hair was combed to look careless. Black-rimmed glasses and red-brown saddle shoes added up to hipster, not corporate lawyer.
Jonathan Kellerman (Motive (Alex Delaware #30))
She ran her hands under his shirt, over his chest, her cool touch igniting shivers over his skin. “Is this a ploy to get another song out of me?” she asked. “It’s a ploy to get you out of your pants.” “And what, exactly, are you planning on doing once you get me out of my pants?” Will felt his lips curving up again. “Darlin’, you leave the details to me.
Jamie Farrell (Matched (Misfit Brides, #2))
Some called it a witch hunt., said she's after him. I ask, starting when. Mark the day. Trace it back. I can almost guarantee that after the assault she tried to live her life. Ask her what she did the next day and she'd say, well, I went to work. She didn't pick up a pitchfork, hire a lawyer. She made her bed, buttoned up her shirt, took shower after shower. She tried to believe she was unchanged, to move on until her legs gave out. Every woman who spoke out did so because she hit a point where she could no longer live another day in the life she tried to build. So she turned, slowly, back around to face it. Society thinks we live to come after him. When in fact, we live to live. That's it. He upended that life, and we tried to keep going, but couldn't. Each time a survivor resurfaced, people were quick to say what does she want, why did it take her so long, why now, why not then, why not faster. But damage does not stick to deadlines. If she emerges, why don't we ask her how it was possible she lived with that hurt for so long, ask who taught her to never uncover it.
Chanel Miller (Know My Name)
We don’t do superstars in our Tough Mudder world—but if we were to, it would be hard to ignore the claims of Amelia Boone, an athlete who now features regularly on the cover of Runner’s World and who has been the women’s champion at World’s Toughest three times. An in-house lawyer for Apple in Silicon Valley, Amelia is among the only competitors to keep running for twenty-four hours in the desert without a rest. She keeps coming back not for the glory of “winning” but because, she says, “you will never find a race like World’s Toughest Mudder—where you are technically running against other people but where you will still see the leader out there stopping to help people up over walls or out of the water. It is just this unwritten rule; no one questions it, that is how it is.” Amelia studied social anthropology before she became a lawyer, with an interest in the way that social norms and gossip were used by indigenous tribes to create and maintain healthy and coherent cultures. Tough Mudder, she suggests, is the closest she has come to seeing that tribal spirit in action in the contemporary world. “If I am out for a run and I see someone wearing a Tough Mudder headband or T-Shirt, there is always a big smile and a nod of recognition between us,” she says, as if she is speaking of a pair of Yanomami natives coming across each other on a forest trail. It’s a nod, she suggests, that communicates a great many things—not only shared philosophies and kinship but also the recognition that “I may well have pushed your wet ass over a wall at some point last year.
Will Dean (It Takes a Tribe: Building the Tough Mudder Movement)
All told, there must have been more than a hundred people there, milling about between the makeshift tricycle track in the parking lot and the fraternity house. The freshmen had come sporting a variety of attire, from the East Coasters in polos to Southern Californians in tank tops, most trying too hard to look cool and casual at the same time. All the brothers were wearing yellow t-shirts for rush; the front depicted Curious George passed out next to a tipped-over bottle of ether. The lower right side of the back showed a small anchor with the fraternity’s letters, KΣ, on each side—it was Evan’s signature. The anchor was his way of saying, “This is an Evan Spiegel production.” Evan was born on June 4, 1990, to a pair of highly successful lawyers. His mother, Melissa Thomas, graduated from Harvard Law School and practiced tax law as a partner at a prominent Los Angeles firm before resigning to become a stay-at-home mother when Evan was young. His father, John Spiegel, graduated from Stanford and Yale Law School and became a partner at Munger, Tolles & Olson, an elite firm started by Berkshire Hathaway’s Charlie Munger. His clients included Warner Bros. and Sergey Brin.
Billy Gallagher (How to Turn Down a Billion Dollars: The Snapchat Story)
Time to change, ladies." The stranger's deep, penetrating voice rumbled through Zara's body. Rich and full, it was the kind of voice that made lawyers spill milkshakes and babble incoherently as they thrust sticky business cards into celebrity hands. "Is there a problem?" Parvati made a show of inspecting her weapon while Zara tried to untie her tongue. Although she couldn't see the dude's face, he was tall---at least six-two---and powerfully built, the top of his coveralls unzipped and tied around his narrow waist. His black T-shirt clung to his broad shoulders and magnificent pecs as if it had been painted on his muscular body. One thick, deeply tanned forearm bunched and flexed as he unholstered his weapon in one smooth practiced motion.
Sara Desai (The Singles Table (Marriage Game, #3))
And our own beloved Carl Sandburg had this to say about the fire-belching evangelist Billy Sunday: You come along—tearing your shirt—yelling about Jesus. I want to know what the hell you know about Jesus. Jesus had a way of talking soft, and everybody except a few bankers and higher-ups among the con men of Jerusalem liked to have Jesus around because he never made any fake passes, and he helped the sick and gave people hope. You come along calling us all damn fools—so fierce the froth of your own spit slobbers over your lips—always blabbering we’re all going to hell straight off and you know all about it. I’ve read Jesus’s words. I know what he said. You don’t throw any scare into me. I’ve got your number. I know how much you know about Jesus. You tell people living in shanties Jesus is going to fix it up all right with them by giving them mansions in the skies after they’re dead and the worms have eaten ’em. You tell $6-a-week department store girls all they need is Jesus. You take a steel trust wop, dead without having lived, gray and shrunken at forty years of age, and you tell him to look at Jesus on the cross and he’ll be all right. You tell poor people they don’t need any more money on pay day, and even if it’s fierce to be out of a job, Jesus’ll fix that all right, all right—all they gotta do is take Jesus the way you say. Jesus played it different. The bankers and corporation lawyers of Jerusalem got their murderers to go after Jesus because Jesus wouldn’t play their game. I don’t want a lot of gab from a bunkshooter in my religion.
Kurt Vonnegut Jr. (If This Isn't Nice, What Is?: The Graduation Speeches and Other Words to Live By)
The defendant, a wiry man named Billy Dockery, stood next to his lawyer at the defense table as the jury filed past. Dockery was gangly and in his mid-thirties. His dark hair snaked past his shoulders, framing a flat face that had maintained a perpetual smirk throughout the two-day trial. He wore civilized clothing—a dark gray suit, white shirt, and a navy blue tie—but I knew he was anything but civilized. Beneath the veneer was a cruel and dangerous sociopath.
Scott Pratt (In Good Faith (Joe Dillard, #2))
Josh Miller, 22 years old. He is co-founder of Branch, a “platform for chatting online as if you were sitting around the table after dinner.” Miller works at Betaworks, a hybrid company encapsulating a co-working space, an incubator and a venture capital fund, headquartered on 13th Street in the heart of the Meatpacking District. This kid in T-shirt and Bermuda shorts, and a potential star of the 2.0 version of Sex and the City, is super-excited by his new life as a digital neo-entrepreneur. He dropped out of Princeton in the summer of 2011 a year before getting his degree—heresy for the almost 30,000 students who annually apply to the prestigious Ivy League school in the hope of being among the 9% of applicants accepted. What made him decide to take such a big step? An internship in the summer of 2011 at Meetup, the community site for those who organize meetings in the flesh for like-minded people. His leader, Scott Heiferman, took him to one of the monthly meetings of New York Tech Meetup and it was there that Miller saw the light. “It was the coolest thing that ever happened to me,” he remembers. “All those people with such incredible energy. It was nothing like the sheltered atmosphere of Princeton.” The next step was to take part in a seminar on startups where the idea for Branch came to him. He found two partners –students at NYU who could design a website. Heartened by having won a contest for Internet projects, Miller dropped out of Princeton. “My parents told me I was crazy but I think they understood because they had also made unconventional choices when they were kids,” says Miller. “My father, who is now a lawyer, played drums when he was at college, and he and my mother, who left home at 16, traveled around Europe for a year. I want to be a part of the new creative class that is pushing the boundaries farther. I want to contribute to making online discussion important again. Today there is nothing but the soliloquy of bloggers or rude anonymous comments.” The idea, something like a public group email exchange where one can contribute by invitation only, interested Twitter cofounder Biz Stone and other California investors who invited Miller and his team to move to San Francisco, financing them with a two million dollar investment. After only four months in California, Branch returned to New York, where it now employs a dozen or so people. “San Francisco was beautiful and I learned a lot from Biz and my other mentors, but there’s much more adrenaline here,” explains Miller, who is from California, born and raised in Santa Monica. “Life is more varied here and creating a technological startup is something new, unlike in San Francisco or Silicon Valley where everyone’s doing it: it grabs you like a drug. Besides New York is the media capital and we’re an online publishing organization so it’s only right to be here.”[52]
Maria Teresa Cometto (Tech and the City: The Making of New York's Startup Community)
It has since you and Clancy got me in this job,” Corker said. “Who’s Brewer fighting?” “I told you earlier. Harley Shaker.” “Right. The bricklayer from Newport.” “Yeah.” “I’ve seen Shaker fight. Ain’t ever seen him lose.” “Should be interesting,” Penn said. “The gate looks pretty good today.” “Be more than thirty thousand dollars. Once we figure up the vig on the bets, we should have a real good day.” Corker heard footsteps coming up the back stairs and turned to see Stephen Morris, the district attorney, walk into the room. Morris was wearing blue jeans and a black T-shirt. “And there stands the last man I expected to see here today,” Corker said. “What brings you out to our little playground?” “Have you heard about Darren Street?” Morris said. “The lawyer? The guy everybody thinks has killed a few folks and gotten away with it?” “That’s him,” Morris said. “I think he just killed another one, but that’s not the big problem.” “What is the big problem?” “Can we have the room?” Morris said to
Scott Pratt (Justice Lost (Darren Street #3))
Gia had sat up in bed and slipped off her T-shirt. Looking over at him, she’d stroked his face. “Missed you, baby,” she’d said. She’d come to him without waiting for his move, and after they’d made love—that’s what it was—she’d lain in the dark on her back, the salted ocean breeze playing over them, her arms outstretched, his head on her belly, gently rising and falling. “Drive up to the farm,” she’d said. “Go home.
Avery Duff (The Boardwalk Trust (Beach Lawyer, #2))