Lawrence Ferlinghetti Quotes

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If you're too open-minded; your brains will fall out.
Lawrence Ferlinghetti
I am awaiting perpetually and forever a renaissance of wonder
Lawrence Ferlinghetti
Poetry is eternal graffiti written in the heart of everyone.
Lawrence Ferlinghetti (Americus, Book I)
Poetry is the shadow cast by our streetlight imaginations.
Lawrence Ferlinghetti
Poetry is a naked woman, a naked man, and the distance between them.
Lawrence Ferlinghetti (Poetry as Insurgent Art)
Recipe For Happiness Khaborovsk Or Anyplace' One grand boulevard with trees with one grand cafe in sun with strong black coffee in very small cups. One not necessarily very beautiful man or woman who loves you. One fine day.
Lawrence Ferlinghetti
Pity the nation whose people are sheep, and whose shepherds mislead them. Pity the nation whose leaders are liars, whose sages are silenced, and whose bigots haunt the airwaves. Pity the nation that raises not its voice, except to praise conquerors and acclaim the bully as hero and aims to rule the world with force and by torture. Pity the nation that knows no other language but its own and no other culture but its own. Pity the nation whose breath is money and sleeps the sleep of the too well fed. Pity the nation — oh, pity the people who allow their rights to erode and their freedoms to be washed away. My country, tears of thee, sweet land of liberty.
Lawrence Ferlinghetti
Fuck Art, let's Dance!
Lawrence Ferlinghetti
Don't bow down to critics who have not themselves written great masterpieces.
Lawrence Ferlinghetti (City Lights Pocket Poets Anthology)
I feel there is an angel in me' she'd say 'whom I am constantly shocking
Lawrence Ferlinghetti
We have seen the best minds of our generation destroyed by boredom at poetry readings.
Lawrence Ferlinghetti (Wild Dreams of a New Beginning)
I once started out to walk around the world but ended up in Brooklyn, that Bridge was too much for me.
Lawrence Ferlinghetti (A Coney Island of the Mind)
I didn’t know that painters and writers retired. They’re like soldiers – they just fade away.
Lawrence Ferlinghetti
I am waiting for the war to be fought which will make the world safe for anarchy
Lawrence Ferlinghetti (A Coney Island of the Mind)
The art has to make it on its own, without explanations, and it’s the same for poetry. If the poem or the painting has to be explained, then it’s a failure in communication.
Lawrence Ferlinghetti
Poetry is the shortest distance between two humans.
Lawrence Ferlinghetti (Poetry as Insurgent Art)
Think long thoughts in short sentences.
Lawrence Ferlinghetti
It was a face which darkness could kill in an instant a face as easily hurt by laughter or light 'We think differently at night' she told me once lying back languidly And she would quote Cocteau 'I feel there is an angel in me' she'd say 'whom I am constantly shocking' Then she would smile and look away light a cigarette for me sigh and rise and stretch her sweet anatomy let fall a stocking
Lawrence Ferlinghetti (Pictures of the Gone World)
[in the true mad north] of introspection, where 'falcons of the inner eye' dive and die, glimpsing in their dying fall, all life's memory of existence.
Lawrence Ferlinghetti (A Coney Island of the Mind)
Almost every truly creative being alienated & expatriated in his own country
Lawrence Ferlinghetti (Wild Dreams of a New Beginning)
See it was like this when we waltz into this place. A couple of papish cats is doing an Aztec two-step And I says Dad let's cut but then this dame comes up behind me see and says you and me could really exist Wow I says Only the next day she has bad teeth and really hates poetry.
Lawrence Ferlinghetti
I am waiting for the meek to be blessed and inherit the earth... without taxes
Lawrence Ferlinghetti
In the room, the cats eat mad spaghetti Talking of Lawrence Ferlinghetti. --from "The Dream Song of J. Alfred Kerowack.
Richard Fariña
Don't patronize the chain bookstores. Every time I see some author scheduled to read and sign his books at a chain bookstore, I feel like telling him he's stabbing the independent bookstores in the back.
Lawrence Ferlinghetti
I have seen giraffes in junglejims their necks like love wound around the iron circumstances of the world.
Lawrence Ferlinghetti
I once started out to walk around the world but ended up in Brooklyn.
Lawrence Ferlinghetti (A Coney Island of the Mind)
The best writing is what's right in front of you. Sometimes I'd walk down the street with poets and they wouldn't see anything. I'd have to shake their arm and say, 'Look! Look!
Lawrence Ferlinghetti
Cast up the heart flops over gasping 'Love' a foolish fish which tries to draw its breath from flesh of air And no one there to hear its death among the sad bushes where the world rushes by in a blather of asphalt and delay
Lawrence Ferlinghetti (A Coney Island of the Mind)
Decide if a poem is a question or a declaration, a meditation or an outcry.
Lawrence Ferlinghetti (Poetry as Insurgent Art)
You and me could really exist
Lawrence Ferlinghetti (A Coney Island of the Mind)
I too have drunk and seen the spider
Lawrence Ferlinghetti (A Coney Island of the Mind)
The locust continues to devour the world Hunger persists Love lurches on listing to starboard like a ship in a bottle Human longing goes on Loneliness a curse Innocence persists Ignorance persists
Lawrence Ferlinghetti (Time of Useful Consciousness (Americus, 2))
I have dreamt that all my teeth fell out but my tongue lived to tell the tale
Lawrence Ferlinghetti (A Coney Island of the Mind)
I am waiting for my case to come up and I am waiting for a rebirth of wonder and I am waiting for someone to really discover America and wail
Lawrence Ferlinghetti (A Coney Island of the Mind)
The chances of satisfying my renewed appetite for literary exchanges increased once I began to visit the library more frequently and make my way from the hotel to City Lights Bookstore at 261 Columbus Avenue. For all I was learning about the role its founder, Lawrence Ferlinghetti, had played in helping to nurture, promote, and sustain the talented souls who made the Beat Movement possible, City Lights became a kind of sacred space for me.
Aberjhani (Greeting Flannery O'Connor at the Back Door of My Mind)
The world is a beautiful place to be born into if you don't mind happiness not always being so very much fun if you don't mind a touch of hell now and then just when everything is fine because even in heaven they don't sing all the time The world is a beautiful place to be born into if you don't mind some people dying all the time or maybe only starving some of the time which isn't half bad if it isn't you Oh the world is a beautiful place to be born into if you don't much mind a few dead minds in the higher places or a bomb or two now and then in your upturned faces or such other improprieties as our Name Brand society is prey to with its men of distinction and its men of extinction and its priests and other patrolmen and its various segregations and congressional investigations and other constipations that our fool flesh is heir to Yes the world is the best place of all for a lot of such things as making the fun scene and making the love scene and making the sad scene and singing low songs and having inspirations and walking around looking at everything and smelling flowers and goosing statues and even thinking and kissing people and making babies and wearing pants and waving hats and dancing and going swimming in rivers on picnics in the middle of the summer and just generally 'living it up' Yes but then right in the middle of it comes the smiling mortician
Lawrence Ferlinghetti (City Lights Pocket Poets Anthology)
Let us arise and go now to the Isle of Manisfree and live the true blue simple life of wisdom and wonderment where all things grow straight up aslant and singing in the yellow sun poppies out of cowpods thinking angels out of turds. I must arise and go now to the Isle of Manisfree way up behind the broken words and woods of Arcady.
Lawrence Ferlinghetti
Souls dance undressed/ together/ and like loiterers/ on the fringes of a fair/ we ogle the unobtainable/ imagined mystery/ Yet away around on the far side/ like a stage door of a circus tent/ is a wide vent in the battlements/ where even elephants/ waltz thru
Lawrence Ferlinghetti (A Coney Island of the Mind)
I flew too near the sun and my wax wings fell off
Lawrence Ferlinghetti (A Coney Island of the Mind)
I wish to descend in the social scale. High society is low society. I am a social climber climbing downward And the descent is difficult. (- Junkman’s Obbligato)
Lawrence Ferlinghetti
her eyes downcast all the while/ and singing to herself
Lawrence Ferlinghetti (A Coney Island of the Mind)
telling over to myself/ how beauty never dies/ but lies apart/ among the aborigines/ of art/ and far above the battlefields/ of love
Lawrence Ferlinghetti (A Coney Island of the Mind)
I am going where turtles win I am going where conmen puke and die Down the sad esplanades of the official world.
Lawrence Ferlinghetti (A Coney Island of the Mind)
Constantly risking absurdity and death whenever he performs above the heads of his audience the poet like an acrobat climbs on rime to a high wire of his own making and balancing on eyebeams above a sea of faces paces his way to the other side of day performing entrechats and sleight-of-foot tricks and other high theatrics and all without mistaking any thing for what it may not be For he's the super realist who must perforce perceive taut truth before the taking of each stance or step in his supposed advance toward that still higher perch where Beauty stands and waits with gravity to start her death-defying leap And he a little charleychaplin man who may or may not catch her fair eternal form spreadeagled in the empty air of existence
Lawrence Ferlinghetti (A Coney Island of the Mind)
and I am waiting/ for Alice in Wonderland/ to retransmit to me/ her total dream of innocence
Lawrence Ferlinghetti (A Coney Island of the Mind)
is where I first/ fell in love/ with unreality
Lawrence Ferlinghetti (A Coney Island of the Mind)
watching the world walk by in its curious shoes
Lawrence Ferlinghetti (A Coney Island of the Mind)
I see a similarity between dogs and me. Dogs are the true observers walking up and down the world thru the Molloy country.
Lawrence Ferlinghetti
Like a bowl of roses, a poem should not have to be explained.
Lawrence Ferlinghetti
The world is a beautiful place to be born into if you don't mind happiness not always being so very much fun if you don't mind a touch of hell now and then just when everything is fine because even in heaven they don't sing all the time
Lawrence Ferlinghetti
Don’t Let That Horse . . .” from A Coney Island of the Mind. Don’t let that horse eat that violin cried Chagall’s mother But he kept right on painting And became famous And kept on painting The Horse With Violin In Mouth And when he finally finished it he jumped up upon the horse and rode away waving the violin And then with a low bow gave it to the first naked nude he ran across And there were no strings attached
Lawrence Ferlinghetti (A Coney Island of the Mind)
Blink at the sunned scratch and stumble into silence
Lawrence Ferlinghetti (A Coney Island of the Mind)
and balancing on eye beams/ above a sea of faces/ paces his way/ to the other side of day
Lawrence Ferlinghetti (A Coney Island of the Mind)
And heard the green birds singing/ from the other side of silence
Lawrence Ferlinghetti (A Coney Island of the Mind)
I am waiting for the Last Supper to be served again with a strange new appetizer
Lawrence Ferlinghetti (A Coney Island of the Mind)
The light of San Francisco is a sea light an island light And the light of fog blanketing the hills drifting in at night through the Golden Gate to lie on the city at dawn...
Lawrence Ferlinghetti (How to Paint Sunlight: New Poems)
I have heard a hundred housebroken Ezra Pounds. They should all be freed. It is long since I was a herdsman.
Lawrence Ferlinghetti (A Coney Island of the Mind)
Paper may burn but words will escape.
Lawrence Ferlinghetti
Knihy vystavené v Nonstop knihkupectví pana Al-Asmariho v září 1969 na stolku s cedulkou MO DOPORUČUJE: Lloyd Alexander: Král králů* Maya Angelouová: Vím, proč ptáček v kleci zpívá Penelope Asheová: Nahá přišla cizinka* Margaret Atwoodová: Žena k nakousnutí* J. G. Ballard: Utopený svět Richard Brautigan: V melounovém cukru* John Brunner: Jeden vedle druhého na Zanzibaru Michael Crichton: Kmen Andromeda* Philip K. Dick: Blade Runner: Sní androidi o elektrických ovečkách?* Lawrence Ferlinghetti: Skryté významy věcí Stan Lee a Jack Kirby: Fantastická čtyřka #89 Ursula K. Le Guinová: Levá ruka tmy* Norman Mailer: Armády noci* Michael Moorcock: Hle, člověk* Philip Roth: Portnoyův komplex* Jack Vance: Město Chasch Kurt Vonnegut: Jatka č. 5* Tom Wolfe: Kyselinovej test*
Anonymous
Do Androids Dream of Electric Sheep?, Philip K. Dick The Secret Meaning of Things, Lawrence Ferlinghetti Fantastic Four #89, Stan Lee and Jack Kirby The Left Hand of Darkness, Ursula K. LeGuin The Armies of the Night, Norman Mailer Behold the Man, Michael Moorcock Portnoy’s Complaint, Philip Roth City of the Chasch, Jack Vance Slaughterhouse-Five, Kurt Vonnegut The Electric Kool-Aid Acid Test, Tom Wolfe
Robin Sloan (Ajax Penumbra 1969 (Mr. Penumbra's 24-Hour Bookstore, #0.5))
I’ve all these two days spent filing old letters, taking them out of old envelopes, clipping the pages together, putting them away . . . hundreds of old letters from Allen, Burroughs, Cassady, enuf to make you cry the enthusiasms of younger men . . . how bleak we become. And fame kills all. Someday ¨The Letters of Allen Ginsberg and Jack Kerouac¨ will make America cry. [— Jack Kerouac, in a letter to Lawrence Ferlinghetti, May 25, 1961]
Jack Kerouac (Jack Kerouac and Allen Ginsberg: The Letters)
I have seen the Virgin in an appletree at Chartres And Saint Joan burn at the Bella Union. I have seen giraffes in junglejims their necks like love wound around the iron circumstances of the world. I have seen the Venus Aphrodite armless in her drafty corridor. I have heard a siren sing at One Fifth Avenue. I have seen the White Goddess dancing in the Rue des Beaux Arts on the Fourteenth of July and the Beautiful Dame Without Mercy picking her nose in Chumley's.
Lawrence Ferlinghetti (A Coney Island of the Mind)
Not like Dante discovering a commedia upon the slopes of heaven I would paint a different kind of Paradiso in which the people would be naked as they always are in scenes like that because it is supposed to be a painting of their souls but there would be no anxious angels telling them how heaven is the perfect picture of a monarchy and there would be no fires burning in the hellish holes below in which I might have stepped nor any altars in the sky except fountains of imagination
Lawrence Ferlinghetti (A Coney Island of the Mind)
Sometime during eternity some guys show up and one of them who shows up real late is a kind of carpenter from some square-type place like Galilee and he starts wailing and claiming he is hep to who made heaven and earth and that the cat who really laid it on us is his Dad
Lawrence Ferlinghetti (A Coney Island of the Mind)
Although aesthetically nugatory, "Beat Culture and the New America" was an exhibition of considerable significance -- but not in quite the way that Lisa Phillips, its curator, intended, Casting a retrospective glance at the sordid world of Allen Ginsberg, Jack Kerouac, William S. Burroughs, Lawrence, Ferlinghetti, and other Beat icons, the exhibition unwittingly furnished a kind of pathologist's report on one of the most toxic cultural movements in American history.
Roger Kimball (The Long March: How the Cultural Revolution of the 1960s Changed America)
Whereas Einstein was not the James Joyce of scientists and James Joyce was not the Einstein of novelists who no one could go beyond because beyond was a space where all is curved and comes around again to its beginning in a relative sort of way and after all isn't that what a river does always turning back upon itself like a serpent eating its tail which is life itself and everyone's life like a rushing stream down a mountain into the greatest river and the river always coming back to itself after it flows to the ocean and returns in clouds and rain and sunsets although today sunsets are dying the rivers dying and how much longer will the river be returning and returning as if a river really ever could come home again with its voyagers and that far wanderer James Joyce always leaning back to listen to old River Liffey telling him the great tale always whispering to him that wake of words for all of us to wail upon along a riverrun homing in the gloaming
Lawrence Ferlinghetti
Truth is not the secret of a few' yet you would maybe think so the way some librarians and cultural ambassadors and especially museum directors act you'd think they had a corner on it the way they walk around shaking their high heads and looking as if they never went to the bath room or anything But I wouldn't blame them if I were you They say the Spiritual is best conceived in abstract terms and then too walking around in museums always makes me want to 'sit down' I always feel so constipated in those high altitudes
Lawrence Ferlinghetti (A Coney Island of the Mind)
The Cat The cat licks its paw and lies down in the bookshelf nook. She can lie in a sphinx position without moving for so many hours and then turn her head to me and rise and stretch and turn her back to me and lick her paw again as if no time had passed. It hasn't and she is the sphinx with all the time in the world in the desert of her time the cat knows where flies die sees ghosts in the motes of air and shadows in sunbeams. She hears the music of the spheres and the hum in the wires of houses and the hum of the universe in interstellar spaces but prefers domestic places and the hum of the heater.
Lawrence Ferlinghetti
The Cat The cat licks its paw and lies down in the bookshelf nook. She can lie in a sphinx position without moving for so many hours and then turn her head to me and rise and stretch and turn her back to me and lick her paw again as if no time had passed. It hasn't and she is the sphinx with all the time in the world in the desert of her time the cat knows where flies die wees ghosts in the motes of air and shadows in sunbeams. She hears the music of the spheres and the hum in the wires of houses and the hum of the universe in interstellar spaces but prefers domestic places and the hum of the heater.
Lawrence Ferlinghetti
CHALLENGES TO YOUNG POETS Invent a new language anyone can understand. Climb the Statue of Liberty. Reach for the unattainable. Kiss the mirror and write what you see and hear. Dance with wolves and count the stars, including the unseen. Be naïve, innocent, non-cynical, as if you had just landed on earth (as indeed you have, as indeed we all have), astonished by what you have fallen upon. Write living newspaper. Be a reporter from outer space, filing dispatches to some supreme managing editor who believes in full disclosure and has a low tolerance level for hot air. Write and endless poem about your life on earth or elsewhere. Read between the lines of human discourse. Avoid the provincial, go for the universal. Think subjectively, write objectively. Think long thoughts in short sentences. Don't attend poetry workshops, but if you do, don't go the learn "how to" but to learn "what" (What's important to write about). Don't bow down to critics who have not themselves written great masterpieces. Resist much, obey less. Secretly liberate any being you see in a cage. Write short poems in the voice of birds. Make your lyrics truly lyrical. Birdsong is not made by machines. Give your poem wings to fly to the treetops. The much-quoted dictum from William Carlos Williams, "No ideas but in things," is OK for prose, but it lays a dead hand on lyricism, since "things" are dead. Don't contemplate your navel in poetry and think the rest of the world is going to think it's important. Remember everything, forget nothing. Work on a frontier, if you can find one. Go to sea, or work near water, and paddle your own boat. Associate with thinking poets. They're hard to find. Cultivate dissidence and critical thinking. "First thought, best thought" may not make for the greatest poetry. First thought may be worst thought. What's on your mind? What do you have in mind? Open your mouth and stop mumbling. Don't be so open minded that your brains fall out. Questions everything and everyone. Be subversive, constantly questioning reality and status quo. Be a poet, not a huckster. Don't cater, don't pander, especially not to possible audiences, readers, editors, or publishers. Come out of your closet. It's dark there. Raise the blinds, throw open your shuttered windows, raise the roof, unscrew the locks from the doors, but don't throw away the screws. Be committed to something outside yourself. Be militant about it. Or ecstatic. To be a poet at sixteen is to be sixteen, to be a poet at 40 is to be a poet. Be both. Wake up and pee, the world's on fire. Have a nice day.
Lawrence Ferlinghetti (San Francisco Poems (San Francisco Poet Laureate Series))
I am signaling you through the flames. The North Pole is not where it used to be. Manifest Destiny is no longer manifest. Civilization self-destructs. Nemesis is knocking at the door. What are poets for, in such an age? What is the use of poetry? The state of the world calls out for poetry to save it. If you would be a poet, create works capable of answering the challenge of apocalyptic times, even if this meaning sounds apocalyptic. You are Whitman, you are Poe, you are Mark Twain, you are Emily Dickinson and Edna St. Vincent Millay, you are Neruda and Mayakovsky and Pasolini, you are an American or a non-American, you can conquer the conquerors with words....
Lawrence Ferlinghetti
The pennycandystore beyond the El is where i first fell in love with unreality Jellybeans glowed in the semi-gloom of that september afternoon A cat upon the counter moved among the licorice sticks and tootsie rolls and Oh Boy Gum Outside the leaves were falling as they died A wind had blown away the sun A girl ran in Her hair was rainy Her breasts were breathless in the little room Outside the leaves were falling and they cried Too soon! too soon!
Lawrence Ferlinghetti
Poetry as Insurgent Art [I am signaling you through the flames] - 1919-2021 I am signaling you through the flames. The North Pole is not where it used to be. Manifest Destiny is no longer manifest. Civilization self-destructs. Nemesis is knocking at the door. What are poets for, in such an age? What is the use of poetry? The state of the world calls out for poetry to save it. If you would be a poet, create works capable of answering the challenge of apocalyptic times, even if this meaning sounds apocalyptic. You are Whitman, you are Poe, you are Mark Twain, you are Emily Dickinson and Edna St. Vincent Millay, you are Neruda and Mayakovsky and Pasolini, you are an American or a non-American, you can conquer the conquerors with words....
Lawrence Ferlinghetti
I’d better make a list of all the things that make me feel good. Lists save lives. They keep our memories alive, as Umberto Eco says in The Infinity of Lists. Here goes: Laura’s voice message letting me know she’s at an LGBT+ rights demo like she’d tell me she was popping down to the shops, and warning me not to pick up if her boyfriend calls; he’s looking for her, and fretting because he can’t find her, and anyway he ‘doesn’t even know the difference between gay and straight’ Raffaella’s voice messages and her joy when she receives our books Maicol tearing through the cobbled streets of Lucignana, drunk on life My great-niece Rebecca joining the bookshop family and the certainty her cynicism will blossom into something completely unexpected My father’s existence The coffee I’m about to have with Tessa, who’s on her way to us on her motorbike with a box full of bookmarks, our official bookmarks she’s been gifting us since that day after the fire, with a quote from her mother Lynn Emanuele Trevi and Giovanni Giovannetti absconding from the literary conference in Lucca, later found smoking weed in a car in Piazza San Michele by a security guard, who happened to be the writer Vincenzo Pardini, so he let them go Ernesto and Mum cuddling on the sofa Daniele’s Barbara and Maurizio’s Barbara Ricchi e Poveri Donatella being sure Romano fancies her My mother trying to escape her hospital bed as soon as I look the other way Tina’s mother Mike quickly wrapping a towel around his waist as I walk into his garden and Mike leaving Brighton with two large boxes of tea stashed in his boot, concocting a story for the customs officers The anglers reading Louise Glück and Lawrence Ferlinghetti on the Segone The words I only ever hear in Lucignana: lollers and slackies and ‘bumming down’ to pee My own continued, miraculous existence.
Alba Donati (Diary of a Tuscan Bookshop)
and I am awaiting perpetually and forever a renaissance of wonder
Lawrence Ferlinghetti (A Coney Island of the Mind: Poems)
I feel there is an angel in me' she'd say......'whom I am constantly shocking
Lawrence Ferlinghetti (These are My Rivers: New & Selected Poems, 1955-1993)
Alcohol kills: Take LSD THE YOUNG MAKE LOVE, THE OLD MAKE OBSCENE GESTURES I’M A GROUCHO MARXIST “Revolution is the ecstasy of history” MAKE LOVE AND BEGIN AGAIN POWER TO THE IMAGINATION! “Nous sommes tous les enragés”—Ortega y Gasset TO FORBID IS FORBIDDEN Open the Windows of Your Heart MAKE LOVE NOT WAR THE SORBONNE IS THE STALINGRAD OF THE REVOLUTION!
Lawrence Ferlinghetti (Love in the Days of Rage)
Poetics are the politics of poetry
Lawrence Ferlinghetti (Starting from San Francisco)
There is a stillness in the air, in the light of the dusk, in the eyes fixed forward, in the still end of life, an intolerable sweetness...
Lawrence Ferlinghetti (The Mexican Night)
They were unmasked now, I saw them all for what they were, little sons and daughters of the eternal poor, the Lumpenproletariat, made only for slavery, for continued slavery. They wanted ‘liberty’ for everyone, in the abstract, but they couldn’t give full liberty to anyone to act on his own!
Lawrence Ferlinghetti (Love in the Days of Rage)
I am a hill where poets run. I invented the alphabet after watching the flight of cranes who made letters with their legs. I am a lake upon a plain. I am a word in a tree. I am a hill of poetry. I am a raid on the inarticulate. I have dreamt that all my teeth fell out but my tongue lived to tell the tale. For I am a still of poetry. I am a bank of song. I am a playerpiano in an abandoned casino on a seaside esplanade in a dense fog still playing.
Lawrence Ferlinghetti (A Coney Island of the Mind)
Yes the world is the best place of all for a lot of such things as making the fun scene and making the love scene and making the sad scene
Lawrence Ferlinghetti (A Coney Island of the Mind)
Oh no I have not lain on Beauty Rests like this afraid to rise at night for fear that I might somehow miss some movement beauty might have made
Lawrence Ferlinghetti (A Coney Island of the Mind)
A poetry reading builds up to a climax, and if it’s a success it leaves the audience somewhat high.” —Lawrence Ferlinghetti
Lawrence Ferlinghetti
I am waiting for a reconstructed Mayflower to reach America with its picture story and tv rights sold in advance to the natives
Lawrence Ferlinghetti (A Coney Island of the Mind)
Books on display in Al-Asmari’s 24-Hour Bookstore in September 1969, on the table labeled MO’S PICKS: The High King, Lloyd Alexander I Know Why the Caged Bird Sings, Maya Angelou Naked Came the Stranger, Penelope Ashe The Edible Woman, Margaret Atwood The Drowned World, J. G. Ballard In Watermelon Sugar, Richard Brautigan Stand on Zanzibar, John Brunner The Andromeda Strain, Michael Crichton Do Androids Dream of Electric Sheep?, Philip K. Dick The Secret Meaning of Things, Lawrence Ferlinghetti Fantastic Four #89, Stan Lee and Jack Kirby The Left Hand of Darkness, Ursula K. Le Guin The Armies of the Night, Norman Mailer Behold the Man, Michael Moorcock Portnoy’s Complaint, Philip Roth City of the Chasch, Jack Vance Slaughterhouse-Five, Kurt Vonnegut The Electric Kool-Aid Acid Test, Tom Wolfe
Robin Sloan (Mr. Penumbra's 24-Hour Bookstore (Mr. Penumbra's 24-Hour Bookstore, #1))
Other writers who moonlight as booksellers include Larry McMurtry, Louise Erdrich, Garrison Keillor and the poet Lawrence Ferlinghetti.
Anonymous