Lavender Plant Quotes

We've searched our database for all the quotes and captions related to Lavender Plant. Here they are! All 58 of them:

There are some things, after all, that Sally Owens knows for certain: Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
Alice Hoffman (Practical Magic (Practical Magic, #1))
I believe that for every illness or ailment known to man, that God has a plant out here that will heal it. We just need to keep discovering the properties for natural healing.
Vannoy Gentles Fite (Essential Oils for Healing: Over 400 All-Natural Recipes for Everyday Ailments)
We owned a garden on a hill, We planted rose and daffodil, Flowers that English poets sing, And hoped for glory in the Spring. We planted yellow hollyhocks, And humble sweetly-smelling stocks, And columbine for carnival, And dreamt of Summer's festival. And Autumn not to be outdone As heiress of the summer sun, Should doubly wreathe her tawny head With poppies and with creepers red. We waited then for all to grow, We planted wallflowers in a row. And lavender and borage blue, - Alas! we waited, I and you, But love was all that ever grew.
Vita Sackville-West (Poems of West & East)
The moon is always jealous of the heat of the day, just as the sun always longs for something dark and deep. They could see how love might control you, from your head to your toes, not to mention every single part of you in between. A woman could want a man so much she might vomit in the kitchen sink or cry so fiercly blood would form in the corners of her eyes. She put her hand to her throat as though someone were strangling her, but really she was choking on all that love she thought she’d needed so badly. What had she thought, that love was a toy, something easy and sweet, just to play with? Real love was dangerous, it got you from inside and held on tight, and if you didn’t let go fast enough you might be willing to do anything for it’s sake. She refused to believe in superstition, she wouldn’t; yet it was claiming her. Some fates are guaranteed, no matter who tries to intervene. After all I’ve done for you is lodged somewhere in her brain, and far worse, it’s in her heart as well. She was bad luck, ill-fated and unfortunate as the plague. She is not worth his devotion. She wishes he would evaporate into thin air. Maybe then she wouldn’t have this feeling deep inside, a feeling she can deny all she wants, but that won’t stop it from being desire. Love is worth the sum of itself and nothing more. But that’s what happens when you’re a liar, especially when you’re telling the worst of these lies to yourself. He has stumbled into love, and now he’s stuck there. He’s fairly used to not getting what he wants, and he’s dealt with it, yet he can’t help but wonder if that’s only because he didn’t want anything so badly. It’s music, it’s a sound that is absurdly beautiful in his mouth, but she won’t pay attention. She knows from the time she spent on the back stairs of the aunts’ house that most things men say are lies. Don’t listen, she tells herself. None if it’s true and none of it matters, because he’s whispering that he’s been looking for her forever. She can’t believe it. She can’t listen to anything he tells her and she certainly can’t think, because if she did she might just think she’d better stop. What good would it do her to get involved with someone like him? She’d have to feel so much, and she’s not that kind. The greatest portion of grief is the one you dish out for yourself. She preferred cats to human beings and turned down every offer from the men who fell in love with her. They told her how sticks and stones could break bones, but taunting and name-calling were only for fools. — & now here she is, all used up. Although she’d never believe it, those lines in *’s face are the most beautiful part about her. They reveal what she’s gone through and what she’s survived and who exactly she is, deep inside. She’s gotten back some of what she’s lost. Attraction, she now understands, is a state of mind. If there’s one thing * is now certain of, it’s house you can amaze yourself by the things you’re willing to do. You really don’t know? That heart-attack thing you’ve been having? It’s love, that’s what it feels like. She knows now that when you don’t lose yourself in the bargain, you find you have double the love you started with, and that’s one recipe that can’t be tampered with. Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
Alice Hoffman (Practical Magic (Practical Magic, #1))
they say lavender softens anxiety and i wonder whether i can plant a garden so dense in your mind that the knots in your chest unravel and never tighten again.
Jasmine Kaur
Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
Alice Hoffman (Practical Magic (Practical Magic, #1))
To have children is to plant roses, muguets, lavender, lilac, gardenia, stock, peonies, tuberose, hyacinth ...it is to achieve a whole sense,a grand sense one did not priorly know. It is to give one's garden another dimension. Perfume of life itself.
Julia Glass (Three Junes)
There, now, father, you won't work in it till it's all easy," said Eppie, "and you and me can mark out the beds, and make holes and plant the roots. It'll be a deal livelier at the Stone-pits when we've got some flowers, for I always think the flowers can see us and know what we're talking about. And I'll have a bit o' rosemary, and bergamot, and thyme, because they're so sweet-smelling; but there's no lavender only in the gentlefolks' gardens, I think.
George Eliot (Silas Marner (Annotated))
I am a plant, she said, I need fire, earth, water. Otherwise I will be stunted. And: Is marriage not such a stunting? The fire goes out. The wind grows weak. The earth dries out. The water dwindles. I would die. You too. She tossed her hair over her shoulders. Purple lavender. And what if it wasn't like that, I argued. What if the daily routine, our daily routine, is my promise to you? Your toothbrush next to mine. You get annoyed because I've forgotten to turn the light off in the bathroom. We choose wallpaper we think is horrible a year later. You tell me I'm getting a belly. Your forgetfulness. You've left your umbrella somewhere again. I snore, you can't sleep. In my dream I whisper your name...You tie my tie. Wave goodbye to me as I go to work. I think: you are like a fluttering flag. I think it with a stabbing pain in my heart. For Heaven's sake, is that not enough? Is that not enough to be happy? She turned away: Give me time. I'll think about it.
Milena Michiko Flašar (I Called Him Necktie)
Beaumont's intention was to promote the virtue and nutritional value of fruit-bearing trees. Fifteen different genera of fruit and a number of their different species are described in the work: almonds, apricots, a barberry, cherries, quinces, figs, strawberries, gooseberries, apples, a mulberry, pears, peaches, plums, grapes, and raspberries. Each colored plate illustrates the plant's seed, foliage, blossom, fruit, and sometimes cross sections of the species.
Lucinda Riley (The Lavender Garden)
Spring has come with little prelude, like turning a rocky corner into a valley, and gardens and borders have blossomed suddenly lush with daffodils, irises, tulips. Even the derelict houses of Les Marauds are touched with color, but here the ordered gardens have run to rampant eccentricity; a flowering elder growing from the balcony of a house overlooking the water, a roof carpeted with dandelions, violets poking out of a crumbling facade. Once-cultivated plants have reverted to their wild state, small leggy geraniums thrusting between hemlock-umbels, self-seeded poppies scattered at random and bastardized from their original red to orange to palest mauve. A few days' sunshine is enough to coax them from sleep; after the rain they stretch and raise their heads toward the light. Pull out a handful of these supposed weeds, and there are sages and irises, pinks and lavenders, under the docks and ragwort.
Joanne Harris (Chocolat (Chocolat, #1))
In return, Joe taught Jay more about the garden. Slowly the boy learned to tell lavender from rosemary from hyssop from sage. He learned to taste soil- a pinch between the finger and thumb slipped under the tongue, like a man testing fine tobacco- to determine its acidity. He learned how to calm a headache with crushed lavender, or a stomachache with peppermint. He learned to prepare skullcap tea and chamomile to aid sleep. He learned to plant marigolds in the potato patch to discourage parasites and to pick nettles from the top to make ale and to fork the sign against the evil eye if ever a magpie flew past.
Joanne Harris (Blackberry Wine)
Business was doing well, because all the locals knew that dishes made from the flowers that grew around the apple tree in the Waverley garden could affect the eater in curious ways. The biscuits with lilac jelly, the lavender tea cookies, and the tea cakes made with nasturtium mayonnaise the Ladies Aid ordered for their meetings once a month gave them the ability to keep secrets. The fried dandelion buds over marigold-petal rice, stuffed pumpkin blossoms, and rose-hip soup ensured that your company would notice only the beauty of your home and never the flaws. Anise hyssop honey butter on toast, angelica candy, and cupcakes with crystallized pansies made children thoughtful. Honeysuckle wine served on the Fourth of July gave you the ability to see in the dark. The nutty flavor of the dip made from hyacinth bulbs made you feel moody and think of the past, and the salads made with chicory and mint had you believing that something good was about to happen, whether it was true or not.
Sarah Addison Allen (Garden Spells (Waverley Family, #1))
I did bring seeds,” she admitted. “But some of these plants are my friends. I wasn’t going to just leave them.” She ruffled her fingers through the lavender.  “Oh good,” said the Beast dryly. “Here I was afraid that I had kidnapped a sane person by mistake.”  “If you are going to kidnap travelers, you will simply have to take what you can get,” snapped Bryony. “If I don’t meet your standards, I’d be happy to return home.
T. Kingfisher (Bryony and Roses)
Three days before the Garden Extravaganza, the Vanderbeekers walked to the garden to find the sidewalk in front of the gate filled with plants. There were two big pots of bright blue hydrangeas, four filled with peach-colored roses, a small tree with a scattering of green leaves, and twenty pots of lavender. Laney ran to the tree and hugged it. Hyacinth leaned over to smell the roses. Jessie and Oliver noticed ribbons attached to notes on some of the branches. As they peered at the cards, Orlando arrived carrying
Karina Yan Glaser (The Vanderbeekers and the Hidden Garden)
If a fountain could jet bouquets of chrome yellow in dazzling arches of chrysanthemum fireworks, that would be Canada Goldenrod. Each three-foot stem is a geyser of tiny gold daisies, ladylike in miniature, exuberant en masse. Where the soil is damp enough, they stand side by side with their perfect counterpart, New England Asters. Not the pale domesticates of the perennial border, the weak sauce of lavender or sky blue, but full-on royal purple that would make a violet shrink. The daisylike fringe of purple petals surrounds a disc as bright as the sun at high noon, a golden-orange pool, just a tantalizing shade darker than the surrounding goldenrod. Alone, each is a botanical superlative. Together, the visual effect is stunning. Purple and gold, the heraldic colors of the king and queen of the meadow, a regal procession in complementary colors. I just wanted to know why. In composing a palette, putting them together makes each more vivid; just a touch of one will bring out the other. In an 1890 treatise on color perception, Goethe, who was both a scientist and a poet, wrote that “the colors diametrically opposed to each other . . . are those which reciprocally evoke each other in the eye.” Purple and yellow are a reciprocal pair. Growing together, both receive more pollinator visits than they would if they were growing alone. It’s a testable hypothesis; it’s a question of science, a question of art, and a question of beauty. Why are they beautiful together? It is a phenomenon simultaneously material and spiritual, for which we need all wavelengths, for which we need depth perception. When I stare too long at the world with science eyes, I see an afterimage of traditional knowledge. Might science and traditional knowledge be purple and yellow to one another, might they be goldenrod and asters? We see the world more fully when we use both. The question of goldenrod and asters was of course just emblematic of what I really wanted to know. It was an architecture of relationships, of connections that I yearned to understand. I wanted to see the shimmering threads that hold it all together. And I wanted to know why we love the world, why the most ordinary scrap of meadow can rock us back on our heels in awe.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants)
My mom's Busy Day Cake," Nellie said, lifting the carrier slightly. "With lemon frosting and some violets from the garden I sugared." Her mother had often made the cake for social gatherings, telling Nellie everyone appreciated a simple cake. "It's only when you try to get too fancy do you find trouble," Elsie was fond of saying, letting Nellie lick the buttercream icing from the beaters as she did. Some might consider sugaring flowers "too fancy," but not Elsie Swann- every cake she made carried some sort of beautiful flower or herb from her garden, whether it was candied rose petals or pansies, or fresh mint or lavender sugar. Elsie, a firm believer in the language of flowers, spent much time carefully matching her gifted blooms and plants to their recipients. Gardenia revealed a secret love; white hyacinth, a good choice for those who needed prayers; peony celebrated a happy marriage and home; chamomile provided patience; and a vibrant bunch of fresh basil brought with it good wishes. Violets showcased admiration- something Nellie did not have for the exhausting Kitty Goldman but certainly did for the simple deliciousness of her mother's Busy Day Cake.
Karma Brown (Recipe for a Perfect Wife)
A leaf, large and rough, a thorny stalk, blue flower. I borage bring courage. Than a saw-toothed leaf. Lemon balm. Soothe all troublesome care. Marigold---cureth the trembling of harte. Perhaps their medicine will cross through the cell walls of my drawing hand. The plants grow into a schematic, a garden, geometrically arranged. I consult the crackly herbals by my bed. Chamomile, catmint, sorrel. In Latin: Matricaria chamomilla, Nepeta X faassenii, Rumex acetosa. I get out of bed, retrieve my colored pencils, come back. The smell of earth fills the room. Root and flower and loam. Decay and regeneration. Mullein and comfrey, costmary, feverfew, betony. I sink into the earth, below verbena and lavender, descending as I draw.
Virginia Hartman (The Marsh Queen)
Once inside the hedge, the garden, though sleeping for the winter, nevertheless seemed to glimmer with hidden life. A winding flagstone path made its leisurely way to the door of the house, lined on both sides with tufts of sage, thyme, rosemary, and lavender, grayed with cold. In place of grass, the earth on either side of the path was a riot of plants in varying stages of hibernation and decay. To this side, the dried stalks of full-grown asparagus rustled together. In the far corner, their roots sunk into the wood of the house, an array of nightshades — tomato plants, dried and brown, the gnarled tangles of henbane and moonshade lying in wait for spring. The webbed vines overhead cast the garden in long blue shadow, blurred at the corners, hard to make out, and yet strangely the air inside the garden was not as bitingly cold as it was in the outside world.
Katherine Howe (The Daughters of Temperance Hobbs (The Physick Book, #2))
He opened his hand, and inside was a tiny lavender-colored flower with a small stem. "Well, well, well. Look what we have here. Mr. Exley left us a present. Cichorium intybus. Chicory. The plant of freedom and one of the nine plants. He used it to get out of the basement, and then he left us a cutting as a courtesy. Your Mr. Exley has a good sense of humor." "He's not my Mr. Exley." "Unimportant. This little petal tells us how he got out of here." "He broke a deadbolt with a flower petal?" "In a sense, yes. Cichorium intybus is a perennial related to the dandelion. It's cultivated in England and Ireland and from Nova Scotia to Florida and west to the plains. It is not cultivated here, in South America. He brought it with him!" "For what?" "For its magical properties. The plant has a long, thick taproot filled with a bitter milky-white juice. The ancient Egyptians believed that if the juice is rubbed on the body it promotes invisibility, and removal of obstacles. The Mayans called it the plant of freedom, for the same reason.
Margot Berwin (Hothouse Flower and the Nine Plants of Desire)
Joe had always pretended indifference to flowers. He preferred fruit trees, herbs and vegetables, things to be picked and harvested, stored, dried, pickled, bottled, pulped, made into wine. But there were always flowers in his garden all thee same. Planted as if on an afterthought: dahlias, poppies, lavender, hollyhocks. Roses twined among the tomatoes. Sweet peas among the bean poles. Part of it was camouflage, of course. Part of it a lure for bees. But the truth was that Joe liked flowers, and was reluctant even to pull weeds. Jay would not have seen the rose garden if he had not known where to look. The wall against which the roses had once been trained had been partly knocked down, leaving an irregular section of brick about fifteen feet long. Greenery had shot up it, almost reaching the top, creating a dense thicket in which he hardly recognized the roses themselves. With the shears he clipped a few briars free and revealed a single large red rose almost touching the ground. "Old rose," remarked Joe, peering closer. "Best kind for cookin'. You should try makin' some rose petal jam. Champion." Jay wielded the shears again, pulling the tendrils away from the bush. He could see more rosebuds now, tight and green away from the sun. The scent from the open flower was light and earthy.
Joanne Harris (Blackberry Wine)
The rapid growth of Message- combined with an outpouring of florists offering consultations in the language of flowers to the streams of brides Marlena and I turned away- caused a subtle but concrete shift in the Bay Area flower industry. Marlena reported that peony, marigold, and lavender lingered in their plastic buckets at the flower market while tulips, lilac, and passionflower sold out before the sun rose. For the first time anyone could remember, jonquil became available long after its natural bloom season had ended. By the end of July, bold brides carried ceramic bowls of strawberries or fragrant clusters of fennel, and no one questioned their aesthetics but rather marveled at the simplicity of their desire. If the trajectory continued, I realized, Message would alter the quantities of anger, grief, and mistrust growing in the earth on a massive scale. Farmers would uproot fields of foxglove to plant yarrow, the soft clusters of pink, yellow, and cream the cure to a broken heart. The prices of sage, ranunculus, and stock would steadily increase. Plum trees would be planted for the sole purpose of harvesting their delicate, clustered blossoms and sunflowers would fall permanently out of fashion, disappearing from flower stands, craft stores, and country kitchens. Thistle would be cleared compulsively from empty lots and overgrown gardens.
Vanessa Diffenbaugh (The Language of Flowers)
Sere grass grew in tufts out of a pale, sandy soil, no richer for the thousands of souls planted there. Red-brown moss clumped amidst blankets of lichens of pale lavender-gray. Dark, twisted shrubs prickled rising above a knobby hillock, sharp, tiny leaves turning bronze or bright red and yellow with the advancing autumn. A wrought-iron gate guarded deep shadow inside a crypt, illustrated the silence of the grave, he thought.
Antonio Dias
Among the most impressive are caraway, lemon basil, oregano, bay (Pimenta racemosa, not to be confused with bay laurel, which is another plant), thyme, cinnamon (both leaf and bark of Cinnamomum zeylanicum, which is true cinnamon, though cassia, which is often substituted for cinnamon, is also impressive in this regard), clove, and lemongrass. These are my top picks. Some others such as lavender, eucalyptus, tea tree, and rosemary can pinch-hit, but they don’t test as strongly as the others.
Joey Lott (The Mold Cure: Natural and Effective Solutions to Mold Growth, Allergies, and Mycotoxins)
Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
Anonymous
Gene had already cleared the soil, or had someone do it for him, who knows, and brought in a load of plants and flowers, which were sitting around in their pots. The colors were all over the place, no great scheme there, but he'd gone for scent in a big way. I only recognized a few of the flowers, but they all smelled wonderful. Lisa ticked them off for me, her mouth full of pepperoni. "Jasmine, freesia, lavender, sweet peas, alyssum, night-scented stock, scented phlox, clematis of course, and some fancy tuberose." She looked over at Gene. "You picked well. These should give her fragrance for most of the year, in turns. And some nice evening scents, too.
Abbi Waxman (The Garden of Small Beginnings)
My eyes widened at this jungle of freshness, the earth on the ground. The back wall, around thirty feet high, burst with terra-cotta pots filled with every herb imaginable- basil, thyme, coriander, parsley, oregano, dill, rosemary, and lavender. There were tomatoes of almost every variety beaming with colors of red, dark purple, yellow, and green. Lemon trees. Avocados. Lettuces, like roquette and feuille de chêne. Zucchinis and eggplants. Fennel, celeriac, artichokes, and cucumbers. Leeks, asparagus, cabbages, and shallots, oh my. I exhaled a happy breath. This explosion of color, this climate-controlled greenhouse, was every chef's idea of heaven. I ran my hands over the leaves of a cœur de bœuf tomato plant and brought my fingers to my nose, breathing in the grassy and fragrant aroma, an unmistakable scent no other plant shared. All of the smells from my summers in France surrounded me under one roof. As the recipes Grand-mère taught me when I was a child ran through my head, my heart pumped with happiness, a new vitality. I picked a Black Krim, which was actually colored a reddish purple with greenish brown shoulders, and bit into it. Sweet with just a hint of tartness. Exactly how I summed up my feelings.
Samantha Verant (The Secret French Recipes of Sophie Valroux (Sophie Valroux, #1))
In the other story, the real one that must be nurtured with the gentleness of a seedling plant, two days hence would bring leaves, grass and Robert Trout. His visit must remain clandestine, his company continue; there were too many questions, too much poetry to hear, more harp song perhaps. And the genial hum of him. Peculiar to feel such kinship with a stranger. And sympathy for his rootless plight filled Lavender like an interior stream---a rill and beck that coursed through her veins and chased the coracle of her heart along at a pace so rapid she trembled at the risk of it capsizing, tossing her onto the shores of some barren, alien planet.
Jeanette Lynes (The Apothecary's Garden)
A perfume collects these fragmented histories into a single borderless substance, a seamless composition of oils and resins distilled from plants that might be strangers in nature, from countries with a violent colonial relationship, like French lavender and Haitian vetiver.
Tanaïs (In Sensorium: Notes for My People)
May the rains sweep gently across your fields, may the sun warm the land, may every good seed you have planted bear fruit and may late summer find you standing in fields of plenty.
Michael J. Vaughn (Lavender)
You know you can’t kill him.” Syren didn’t look away or back down when Daniel stared at him. He’d learned a long time ago that he didn’t scare the diminutive man with shocked-white hair and eyes the same shade as the lavender plants Petra used to grow in her garden.
Avril Ashton (Call the Coroner (Staniel, #1))
It was a peaceful scene in the little garden. The heat was trapped there, reflected off the soft, flaky red brick of the walls, and the air was drowsy with the sound of bees, attracted by the marigolds and lavender which had been planted there to fetch them; for fruit will not be born without the bee, and the garden was given over to fruit. All
Cynthia Harrod-Eagles (The Princeling: The Morland Dynasty, Book 3)
The word “link” points to a relationship between two things, especially when one thing touches the other. A link or connection could easily exist between people and plants.
Susan Brougher (Want To Feel Better - Keep Lavender Handy)
We walked to a row of three stones: our grandmother and grandfather and, between them, our mother. There were crocuses and daffodils and snowdrops blooming on my mother's grave. Gran had always carefully tended it. After Sunday dinners, when we were little, Gran would put on her wide-brimmed gardening hat and gloves and take along her basket of garden tools and bring us down here. She would plant lavender petunias and purple bearded irises. She would deadhead the spent daylilies and pull up weeds on my mother's grave and on my great-grandmother Beulah's grave back in the corner. She barely touched my grandfather's grave, scratched in some monkey grass and ivy and told us even that was too good for him.
Mindy Friddle (The Garden Angel)
They occasionally turned up in Tudor inventories and linens would often be recorded in wills as bequeathed to others. Goodman tells us how she followed a Tudor body cleansing regime for a period of three months while living in modern society. No one complained or even noticed a sweaty smell. She wore natural fibre on top of the linen underwear but took neither a shower nor a bath for the whole period. When she recorded The Monastery Farm for television, she only changed her linen smock once weekly and her hose three times over six months and she still did not pong.9 Tudor England was not a place where everyone smelled as sweetly as most people who shower daily today but its people generally managed not to stink. Of course, the past did smell differently but being clean and sweet smelling certainly did matter to many Tudors. In 1485 only a few hundred people in England could afford essential oils which arrived during the Crusades. Perfume for most people originated from natural sources such as posies of violets, lavender bags and smoke from herbs burning over a fire. Sir Thomas More is known to have had a rosemary bush planted beneath his study window so its pleasant scent wafted up towards him as he worked. Lavender was often placed in bedrooms, tucked into the straw of a bolster or hung in bunches on bed posts so that its calming nature might induce relaxation. Rue and Tansey were known as insecticides and
Carol McGrath (Sex and Sexuality in Tudor England)
they say lavender softens anxiety and i wonder if i can plant a garden so dense in your mind that the knots in your chest unravel and never tighten again.
Jasmin Kaur (When You Ask Me Where I'm Going (When You Ask Me Where I'm Going, 1))
Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can. If you loved Alice Hoffman’s bestselling novel Practical Magic, read on for an excerpt from the prequel: THE RULES OF MAGIC See where the magic began—available from Simon & Schuster.
Alice Hoffman (Practical Magic (Practical Magic, #1))
in Appel’s work, a sound cue caused the plant to make its own pesticide. If plants could be made to produce pesticides through simply playing sounds to them, it could reduce or eliminate the need for synthetic pesticides on farms, and in some cases increase the levels of compounds that the crop in question is grown for. In a crop like mustard, for example, the plants’ own pesticide is the very thing it is farmed for—mustard oil. Putting a lavender bush on high alert by playing the right sounds would cause it to make more of the defensive compounds we prize in lavender oil.
Zoë Schlanger (The Light Eaters: How the Unseen World of Plant Intelligence Offers a New Understanding of Life on Earth)
There are some things, after all, that Sally knew for certain: Always throw spilled salt over your left shoulder. Keep rosemary by your garden gate. Add pepper to your mashed potatoes. Plant roses and lavender, for luck. Fall in love whenever you can.
Alice Hoffman (Practical Magic (Practical Magic, #1))
Often, laundry was spread onto lavender bushes to infuse the cloth with their smell, so it’s probably no coincidence that the plant’s name is connected to the Latin word for washing (‘lavare’).
Danièle Cybulskie (Life in Medieval Europe: Fact and Fiction)
The pathway back to the kitchens led through the herb gardens. At that time of year, lavender and dill and fennel grow tall, and this year they seemed even taller than usual. I heard one woman say querulously to another, “Just see how they’ve let the gardens go! Disgraceful. Pull up that weed, if you can reach it.” Then, as I stepped into view, I recognized Lacey’s voice as she said, “I don’t think that’s a weed, dear heart. I think it’s a marigo— Well it’s too late now, whatever it was, you’ve got it up, roots and all. Give it to me, and I’ll throw it in the bushes where no one will find it.” And there they were, two dear old ladies, Patience in a summer gown and hat that had probably last seen the light of day when my father was King-in-Waiting. Lacey, as ever, was dressed in a simple robe of a serving woman. Patience carried her slippers in one hand and the torn-out marigold in the other. She looked at me nearsightedly. Perhaps she saw no more than the blue of a guard’s uniform as she declared to me sternly, “Well, it didn’t belong there!” She shook the offending plant at me. “That’s what a weed is, young man, a plant growing in the wrong place, so you needn’t stare at me so! Didn’t your mother ever teach you any manners?
Robin Hobb (Fool's Fate (Tawny Man, #3))
When we'd arrived in Céreste, our neighbor Arnaud said we should go to the Musée de Salagon, in Mane. In addition to its twelfth-century church and Gallo-Roman ruins, the museum has a wonderful medieval garden. The monks used these herbs to heal as well as to flavor. I've met many people in Provence who use herbal remedies, not because it's trendy, but because it's what their grandmothers taught them. My friend Lynne puts lavender oil on bug bites to reduce the swelling; I recently found Arnaud on his front steps tying small bundles of wild absinthe, which he burns to fumigate the house. Many of the pharmacies in France still sell licorice root for low blood pressure. We drink lemon verbena herbal tea for digestion. I also like the more poetic symbolism of the herbs. I'm planting sage for wisdom, lavender for tenderness (and, according to French folklore, your forty-sixth wedding anniversary), rosemary for remembrance. Thyme is for courage, but there is also the Greek legend that when Paris kidnapped Helen of Troy, each tear that fell to the ground sprouted a tuft of thyme. All things being equal, I prefer courage to tears in my pot roast.
Elizabeth Bard (Picnic in Provence: A Memoir with Recipes)
Black-Eyed Susans, Cosmos, Globe Amaranth, Phlox, Daylilies, and Shasta Daisies Daylilies, Taro, Coneflower, Black-Eyed Susan, Yarrow, and Lavender Global Thistle, Silver Sage, Columbine, and Bee Balm Tulips, Daffodils, Hosta, Grape Hyacinth, and Asters
Gabe Mabry (Flower Gardening for Beginners: The Essential 3-Step System on How to Plant Flowers, Grow from Seeds, Design Your Landscape, and Maintain a Beautiful Flower Yard)
We'd hardly stepped three feet outside when Bee gasped, pointing to the garden to our right. "Henry!" she exclaimed, surveying hundreds of delicate light green leaves that had pushed up from the soil in grand formation, showcasing a carpet of tiny lavender-colored flowers, with dark purple centers. Bee looked astonished. "How did they... where did they come from?" Henry shook his head. "I noticed them two weeks ago. They just appeared." Bee turned to me, and upon seeing my confused face, she offered an explanation. "They're wood violets," she said. "I haven't seen them on the island since..." "They're very rare," Henry said, filling the void that Bee had left when her voice trailed off. "You can't plant them, for they won't grow. They have to choose you." Bee's eyes met Henry's, and she smiled, a gentle, forgiving smile. It warmed me to see it. "Evelyn has a theory about these flowers," she said, pausing as if to pull a dusty memory off a shelf in her mind, handling it with great care. "Yes," she said, the memory in plain view. "She used to say they grow where they are needed, that they signal healing, and hope. It's ridiculous, isn't it, Henry, to think that violets can know," Bee continued. Henry nodded. "Harebrained," he said in agreement. Bee shook her head in disbelief. "And to see them in bloom, in March of all months..." Henry nodded. "I know." Neither took their eyes off the petals before them, so fragile, yet in great numbers stalwart and determined.
Sarah Jio (The Violets of March)
The life within the lavender plant that has been plucked weakens until the sprig withers and dies. Just as with any other living being, it must be tethered to its energy source to remain alive for an extended period of time.
Ella Gottschild (Dimensions of Power (Clash of Universes, #1))
The title on the front of the sketchbook was written in bold cursive: 'Libby's Book of Butterflies.' One of the edges was folded, and she smoothed it with her hand, reverently, to honor the sister she'd never known. Then she stepped back under the light and flipped through the first pages. There were beautiful paintings of butterflies, their wings bright from the watercolors. Did her sister create this book or did someone make it for her? Mum had loved her gardens, but Heather had never known her to do any kind of artwork. She'd always been busy planting her flowers and working as a hairdresser and caring well for their family. Intrigued, Heather slowly turned the pages. The butterflies were unique in their brilliance, each one with a magical name. Golden Shimmer. Moonlit Fairy. Lavender Lace. Under the butterflies were short descriptions. Like they all had different personalities. Her favorite was the Autumn Dancer, colored a vibrant orange and red with speckles of teal. It reminded her of a leaf, clinging to its branch before the autumn winds blew it away.
Melanie Dobson (Shadows of Ladenbrooke Manor)
It got this hot in the south of France, but it was a dry heat, cooled and tempered by the mistral and scented with the powerful fragrances of lavender, thyme, and rosemary. Here the air was so thick I could practically see it and the smell was the dank chemical odor of soil and plants and grass decomposing
Ellen Crosby (The Merlot Murders (Wine Country Mysteries #1))
After her sister's visit, Marthe's head was brimming with new pictures: the fields of lavender at Valensole, all the subtle grades of blue and purple; the way twilight melted them all into one; the precise hues of the liquid distilled from each plant, the shape and color of the bottles, and a new understanding of the surroundings where she was learning her craft. Just as plant variations were bred together to crete new hybrids- like the lavandin from the delicate wild lavender- this was what she did with the descriptions her sister had supplied; she grafted them on to the sights she remembered from childhood and reinvigorated them.
Deborah Lawrenson (The Sea Garden)
It was as Frank said: the Sparrow Sisters Nursery had quite a reputation. Sally told Henry about the Nursery that was now a landmark in the town. The plants that grew in tidy rows, the orchids that swayed delicately in the beautiful glass greenhouses, and the herbs and vegetables sown in knot gardens around the land were much in demand. Sorrel had planted a dense little Shakespeare garden as a tribute to her reading habits. The lavender, rosemary, roses and honeysuckle, clematis and pansies, creeping thyme and sage were not for sale in that garden, but Sorrel would re-create versions of it for clients whose big houses on the water needed the stamp of culture, even if their owners had little idea what their lovely gardens meant.
Ellen Herrick (The Sparrow Sisters)
In Santa Fe her whole yard had been crowded with different-sized terra-cotta pots, out of which she grew everything from rosemary and lavender to ornamental pear and plum trees and even peppers, although they were not particularly popular with the bees. In Colorado she'd created a fertile oasis out of old gas cans and cut-off oil drums. Her neighbors had been skeptical to begin with but once her creepers grew up and her flowers draped down and her shrubs fluffed out, the junkyard ugly duckling was transformed into the proverbial backyard swan.
Sarah-Kate Lynch (The Wedding Bees)
There, on the far side of of the Atlantic, would be Maine, but despite the shared ocean, her island and this one were worlds apart. Where Inishmaan was gray and brown, its fragile man-made soil supporting only the hardiest of low-growing plants, the fertile Quinnipeague invited tall pines in droves, not to mention vegetables, flowers, and improbable, irrepressible herbs. Lifting her head, eyes closed now, she breathed in the damp Irish air and the bit of wood smoke that drifted on the cold ocean wind. Quinnipeague smelled of wood smoke, too, since early mornings there could be chilly, even in summer. But the wood smoke would clear by noon, giving way to the smell of lavender, balsam, and grass. If the winds were from the west, there would be fry smells from the Chowder House; if from the south, the earthiness of the clam flats; if from the northeast, the purity of sweet salt air.
Barbara Delinsky (Sweet Salt Air)
She wandered to one of the lavender stalks and touched the tiny violet-blue blossoms, and brought her scented fingertips to her throat. "They extract the essential oil by forcing steam through the plants and drawing off the liquid. It takes something like five hundred pounds of lavender plants to produce just a few precious ounces of oils.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
He straightened and crossed his arms. He wanted her to forget: forget about her family and what she’d left behind. He wanted her sass, not her sorrow. And he wasn’t above baiting her to get it. He fixed a stern expression on his face and jutted a chin at the car. “Get busy, little girl. As much as I’d love to clean out this garbage pit of a car, I don’t have a Dumpster available. Trash bags alone won’t get the job done.” She shot up, planting her hands on her hips. “What did you say?” Yes, there it was: the fire she hid under those layers of Catholic guilt. He cocked a brow. “What’s your objection? That I called you little girl, or messy?” She threw her shoulders back, thrusting out breasts that were almost lost in Gracie’s too-big T-shirt. “Both!” “I call it like I see it.” He shrugged a shoulder. “What are you going to do about it?” Her mouth fell open, and her eyes flashed all sorts of interesting variations of green. She stepped forward and poked him in the center of his chest. “You . . . you . . . ,” she sputtered. He leaned in close, sucking in the scent of lavender, breathing in her hint of wildness. Jesus, he wanted her. He needed every ounce of control to not take her mouth in a hard, brutal fuck-you-where-you-stand kiss. Instead he whispered, “You what?” With another hard jab of her sharp, white-tipped nail, she stomped a foot, temper riled. “You, you jerk!” “Come on, you can do better than that, can’t you?” He paused, waiting one delicious beat that made her lean in closer. “Little girl?” “You arrogant, egotistical . . .” With a strangled scream, she hauled back and punched him in the chest, hard enough that some of the air in his lungs whooshed out. Before she could strike again, he snagged her wrist, caught her around the waist with his free hand, and pulled her close. Her cheeks were flushed a pretty pink. Body rigid, she met his gaze with fiery defiance. He searched her face and found what he was looking for under her righteous, indignant temper: excitement. Hunger. He tightened his hold, pressing along her spine to force her the last couple of inches she needed to be flush against him. He needed one taste of that mouth. But before he could give in to the impulse that was riding him hard, a police cruiser pulled into the parking lot and flashed its lights. “Ah, fuck.” He dropped his hold. Impeccable timing.
Jennifer Dawson (Take a Chance on Me (Something New, #1))
She keeps walking, so I keep following, making our way down a stone path that leads to a set of tiered gardens. It is magical back here, garden after garden, the first filled with herbs like Mama grows, rosemary and lavender and mint and sage. Beyond that is a rose garden. There must be fifty rosebushes in it, all with different-colored blooms. We keep walking, down to the third tier, where there are tended beds like Daddy's vegetable patch in our backyard. "Look at this," Keisha says. She stands beside row upon row of little green plants with thick green leaves. She kneels beside one of them and pulls back a leaf. There are small red strawberries growing underneath. She picks one and hands it to me. I've never eaten a strawberry that tastes like this before. It's so rich, with juice like honey. It's nothing like the ones Mama buys at Kroger.
Susan Rebecca White (A Place at the Table)
[Rose] • Blue/Lavender for enchantment • White for purification and new beginnings • Pink for beauty and heart healing • Yellow for joy and friendship • Orange for energy and confidence • Red for unconditional love
Paige Vanderbeck (Green Witchcraft: A Practical Guide to Discovering the Magic of Plants, Herbs, Crystals, and Beyond (Practicing Green Witchcraft))
It was a beautiful garden: the proportions, the plants, the feeling of enclosure granted by the surrounding stone wall. The fragrance, too, was heady: a hint of late-blooming jasmine mingled with lavender and honeysuckle. Birds flitted in the gaps between leaves, and bees and butterflies hovered over flowers in the ample garden beds. The gate through which she'd come was the side entrance, Juliet saw now, for another, larger path led away from the house towards a solid wooden gate set into the stones of the front wall. The wider path was lined on either side by standard roses wearing soft pink petals, and at its end was a large Japanese maple tree that had grown to reach across the front entrance.
Kate Morton (The Clockmaker's Daughter)
In the early twentieth century, for instance, opiates were widely used for all sorts of ills, even sold in syrup to calm colicky babies. Lithium baths prospered—vats of cool bubbling water said to soothe the troubled soul. Extract of conium, either on its own or coupled with iron, quinine, or Fowler’s solution, was used to treat depression, as was the plant extract nux vomica. Hyoscyamus, from the passionflower, was used to diminish sleeplessness or extreme excitement. There were tinctures of veratrine and belladonna and stimulants such as ammonia, lytta, and all kinds of aromatics in small amber jars you held just below the nostrils, sniffing in comforting drafts of lavender, rosemary, or cinnamon. So prevalent were and are attempts at biological cures, and so available for such a great span of time, that nonphysical therapies, such as psychoanalysis and other “talking cures,” are in fact the real oddity, a brief blip in what has otherwise been a mostly somatic approach to the treatment of human suffering in all its manifestations.
Lauren Slater (Blue Dreams: The Science and the Story of the Drugs that Changed Our Minds)
I reach up to my hair, lifting it, squeezing water out of it down my back, and I know that the movement summons Luca’s attention back to me. I can feel his eyes on me now as I move closer to Evan on the lounger, looking at his hands moving on the strings, the typical girl admiring a boy playing a guitar. Evan flashes me a smile and keeps strumming away, quite unaware of the little drama being enacted around him. “Don’t forget, Vio-let,” he croons softly. And though I can’t really sing, not properly, I know the tune now, and my head leans in toward his as I join in on the last two words: “Dive in!” He finishes on a last, rising chord and lifts his head, our faces close now. The sunshine beats down on us; the blue water of the swimming pool glints brightly in the heat, the breeze raising tiny ripples on the surface. Evan’s eyes are as clear and blue as the water, with no hidden currents, no unexpected, dangerous undertow. The rosemary and lavender bushes planted around the verge are wafting a lovely, sun-warmed scent, bees buzzing in the lavender. It’s paradise. It should be paradise. In the parking lot below, tires screech. We all jump. Luca must be executing the tightest, sharpest three-point turn in history: the car scrapes, churns, tears up the gravel, and shoots out of the lot and down the drive so fast we wince. It snaps back and forth like Road Runner as he speeds downhill. Only a very good driver could make those switchback turns so fast without crashing--and he’s very lucky he didn’t meet anyone coming up. “Wow! I guess they have somewhere they really need to be,” Paige observes. “More like someone to get away from,” Kelly says dryly under her breath, so only I can hear her.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))