Lavender Dress Quotes

We've searched our database for all the quotes and captions related to Lavender Dress. Here they are! All 45 of them:

Her dress was made of watered silk and was of the most gorgeous lavender I’d ever seen. The stitching was superb. A flash of the last cadaver I’d sewn back together crossed my mind. Not to boast, but my stitches had been as good. Perhaps a pinch better.
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
Emilienne wore Maman's wedding dress. Just after the ceremony, Emilienne glanced in the mirror. She saw not her own reflection but a tall empty vase.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
It’s traumatizing to think that a best friend could become just a friend. That’s because there is virtually no difference between an acquaintance and a friend. But the gulf between a friend and a best friend is enormous and profound. And if I look at it that way, I think I can see the value of a wedding. If you’re my best friend and the only way I get to have dinner with you is by traveling thousands of miles, selecting a chicken or fish option, and wearing a dress in the same shade of lavender as six other girls, I will do that.
Mindy Kaling (Why Not Me?)
Bobbington seemed to be lost in thought. A lion dressed in a lavender bonnet would likely not have drawn his attention.
Cindy Anstey (Love, Lies and Spies)
And here’s what I realize: she would never wear mittens shaped like kittens or a dress with a Peter Pan collar. She would never say, Love your dress, if she fucking hated your dress. She would never say, How are you? if she didn’t care how you were. She would never eat a lavender cupcake that tasted like perfume or wear a perfume that made her smell like a cupcake. She would never wear lip balm for cosmetic purposes. She would never wear it unless her lips were seriously, seriously cracked. And even if they were, she’d still put Lady Danger on them, which is the name of her lipstick, this bright blue-red that looks surreally beautiful on her but when I tried it on once made me look insane. Her perfume smells like rain and smoke and her eye makeup scares small children and she wears pumps even though she’s at least two inches taller than I am and I’m a freak.
Mona Awad (Bunny)
I object," said the man emphatically. He stopped work again and studied Elnora. Even the watching mother could not blame him. Against the embankment, in the shade of the bridge Elnora's bright head, and her lavender dress made a picture worthy of much contemplation. I object!" repeated the man.
Gene Stratton-Porter (A Girl of the Limberlost (Limberlost, #2))
The bright lavender dresses she wore were simply an outward display of Lady Jayne’s personality, an expression of the color and joy that overflowed from her soul.
Joanna Davidson Politano
Helga’s gray pupils glued to the ground, unable to look at her student for a long time. Slowly, her long white hair retracted into her skull, growing scratchy and short. The grooves of her face magically deepened and the skin hardened to a leathery tan beneath a growing white beard. Her cheeks hollowed, her nose fattened, her eyebrows bushied, her body burlying to a barrel shape . . . until at last Yuba the Gnome gazed up at his former students, in the same lavender dress and wobbly heels. “Do you mind if I change?” he asked quietly. Sophie gawped at her old Forest Group teacher, morphed from a girl into a boy. She twirled to Agatha, appalled. “That’s how you want us to get in the boys’ school? By turning us into . . . gnomes?” Agatha banged her head against the wall.
Soman Chainani (A World without Princes (The School for Good and Evil, #2))
I look in the glass sometimes at my two long, cylindrical bags (so picturesquely rugged about the knees), my stand-up collar and billycock hat, and wonder what right I have to go about making God's world hideous. Then wild and wicked thoughts come into my heart. I don't want to be good and respectable. (I never can be sensible, I'm told; so that don't matter.) I want to put on lavender-colored tights, with red velvet breeches and a green doublet slashed with yellow; to have a light-blue silk cloak on my shoulder, and a black eagle's plume waving from my hat, and a big sword, and a falcon, and a lance, and a prancing horse, so that I might go about and gladden the eyes of the people. Why should we all try to look like ants crawling over a dust-heap? Why shouldn't we dress a little gayly? I am sure if we did we should be happier. True, it is a little thing, but we are a little race, and what is the use of our pretending otherwise and spoiling fun? Let philosophers get themselves up like old crows if they like. But let me be a butterfly.
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
She was wearing her best dress, a ball gown made of iridescent shot silk, which appeared silver from one angle, and lavender from another. The front was simple in design, with a smooth, tight-fitting bodice and a low scooped neckline. A web of intricate tucks in the back flowed into a cascade of silk that fluttered and shimmered whenever she moved.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
In historical terms women, black people in general, were very attracted to very bright-colored clothing. Most people are frightened by color anyway...They just are. In this culture quiet colors are considered elegant. Civilized Western people wouldn’t buy bloodred sheets or dishes. There may be something more to it than what I am suggesting. But the slave population had no access even to what color there was, because they wore slave clothes, hand-me-downs, work clothes made out of burlap and sacking. For them a colored dress would be luxurious; it wouldn’t matter whether it was rich or poor cloth . . . just to have a red or a yellow dress. I stripped Beloved of color so that there are only the small moments when Sethe runs amok buying ribbons and bows, enjoying herself the way children enjoy that kind of color. The whole business of color was why slavery was able to last such a long time. It wasn’t as though you had a class of convicts who could dress themselves up and pass themselves off. No, these were people marked because of their skin color, as well as other features. So color is a signifying mark. Baby Suggs dreams of color and says, “Bring me a little lavender.” It is a kind of luxury. We are so inundated with color and visuals. I just wanted to pull it back so that one could feel that hunger and that delight.
Toni Morrison
The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.
Margaret Atwood (Morning In The Burned House: Poems)
Have you forgotten me? by Nancy B. Brewer The bricks I laid or the stitches I sewed. I was the one that made the quilt; a drop of blood still shows from my needle prick. Your wedding day in lace and satin, in a dress once worn by me. I loaned your newborn baby my christening gown, a hint of lavender still preserved. Do you know our cause, the battles we won and the battles we lost? When our soldiers marched home did you shout hooray! Or shed a tear for the fallen sons. What of the fields we plowed, the cotton, the tobacco and the okra, too. There was always room at my table for one more, Fried chicken, apple pie, biscuits and sweet ice tea. A time or two you may have heard our stories politely told. Some of us are famous, recorded on the pages of history. Still, most of us left this world without glory or acknowledgment. We were the first to walk the streets you now call home, Perhaps you have visited my grave and flowers left, but did you hear me cry out to you? Listen, my child, to the voices of your ancestors. Take pride in our accomplishments; find your strength in our suffering. For WE are not just voices in the wind, WE are a living part of YOU!
Nancy B. Brewer (Beyond Sandy Ridge)
And here is my sweet little Annamaria,’ she added, tenderly caressing a little girl of three years old, who had not made a noise for the last two minutes; ‘And she is always so gentle and quiet—Never was there such a quiet little thing!’ But unfortunately in bestowing these embraces, a pin in her ladyship’s head dress slightly scratching the child’s neck, produced from this pattern of gentleness such violent screams, as could hardly be outdone by any creature professedly noisy. The mother’s consternation was excessive; but it could not surpass the alarm of the Miss Steeles, and every thing was done by all three, in so critical an emergency, which affection could suggest as likely to assuage the agonies of the little sufferer. She was seated in her mother’s lap, covered with kisses, her wound bathed with lavender-water, by one of the Miss Steeles, who was on her knees to attend her, and her mouth stuffed with sugar plums by the other. With such a reward for her tears, the child was too wise to cease crying.
Jane Austen (Sense and Sensibility)
Taking both of my hands, he pulls me into the tide. Salt water deepens the lavender satin of my gown to almost black. The waves push into it, making it heavier and heavier. “Tell me when,” he says. I nod. When Galen is neck deep and I’m clinging to him to keep my head above water. When my saturated prom dress feels like an anchor grasping at my limbs. When the moon is directly overhead and makes the silver flecks in his eyes shimmer like gems. That’s when I’m ready. “Now,” I breathe. He brushes his lips against mine. Once Twice. So soft it barely feels like anything. But it also feels like everything. He pulls me under. One day, when Galen and I are mated, I’ll be a princess. But I’ll never feel more like a princess than right now, in his arms, dancing on the ocean floor. He pulls my from my trance with his lips against me ear. “Emma.” It’s silly how my own name can send tingles shooting everywhere. “Hmm?” “I’ve been thinking. About us.” He pulls away from me. “I think…I think I need a distraction.” “Um. A distraction? From me?” The words taste vinegary in my mouth. They turn sweet again when Galen throws his head back and laughs. “Emma,” he says, brushing his thumb across my bottom lip. “You are the one thing I’m sure of. Completely. Without thinking twice. But I want to get away from here for a little while. And I want you to come with me. I know you’re set on going to college in the fall. I’m only asking for the summer. Let’s go somewhere. Do something.” I float up until I’m eye level with him. “Let’s. Where will we go?” He shrugs. “I don’t care, as long as it’s away from any ocean.” “So…the desert?” He grimaces. “The mountains?” I laugh. “Deal. We’ll go to the mountains.” “You’re sure?” I pull him by the neck until our noses touch. “Completely. Without thinking twice.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Her walk-in closet greeted me with the smell of lavender. Hanging rods held Chanel suits and sale-rack department store dresses side by side. Shelves displayed sweaters of every color from peach to cranberry. I brushed my hand over a pink sweater. The cashmere was soft as a cloud.
Mary Simses (The Irresistible Blueberry Bakeshop & Cafe)
And so I make my way across the room steadily, carefully. Hands shaking, I pull the string, lifting my blinds. They rise slowly, drawing more moonlight into the room with every inch And there he is, crouched low on the roof. Same leather jacket. The hair is his, the cheekbones, the perfect nose . . . the eyes: dark and mysterious . . . full of secrets. . . . My heart flutters, body light. I reach out to touch him, thinking he might disappear, my fingers disrupted by the windowpane. On the other side, Parker lifts his hand and mouths: “Hi.” I mouth “Hi” back. He holds up a single finger, signalling me to hold on. He picks up a spiral-bound notebook and flips open the cover, turning the first page to me. I recognize his neat, block print instantly: bold, black Sharpie. I know this is unexpected . . . , I read. He flips the page. . . . and strange . . . I lift an eyebrow. . . . but please hear read me out. He flips to the next page. I know I told you I never lied . . . . . . but that was (obviously) the biggest lie of all. The truth is: I’m a liar. I lied. I lied to myself . . . . . . and to you. Parker watches as I read. Our eyes meet, and he flips the page. But only because I had to. I wasn’t supposed to fall in love with you, Jaden . . . . . . but it happened anyway. I clear my throat, and swallow hard, but it’s squeezed shut again, tight. And it gets worse. Not only am I a liar . . . I’m selfish. Selfish enough to want it all. And I know if I don’t have you . . . I hold my breath, waiting. . . . I don’t have anything. He turns another page, and I read: I’m not Parker . . . . . . and I’m not going to give up . . . . . . until I can prove to you . . . . . . that you are the only thing that matters. He flips to the next page. So keep sending me away . . . . . . but I’ll just keep coming back to you. Again . . . He flips to the next page. . . . and again . . . And the next: . . . and again. Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly. And if you can ever find it in your (heart) to forgive me . . . There’s a big, black “heart” symbol where the word should be. I will do everything it takes to make it up to you. He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart. I stifle the happy laugh welling inside, hiding the smile as I reach for the metal latch to unlock my window. I slowly, carefully, raise the sash. A burst of fresh honeysuckles saturates the balmy, midnight air, sickeningly sweet, filling the room. I close my eyes, breathing it in, as a thousand sleepless nights melt, slipping away. I gather the lavender satin of my dress in my hand, climb through the open window, and stand tall on the roof, feeling the height, the warmth of the shingles beneath my bare feet, facing Parker. He touches the length of the scar on my forehead with his cool finger, tucks my hair behind my ear, traces the edge of my face with the back of his hand. My eyes close. “You know you’re beautiful? Even when you cry?” He smiles, holding my face in his hands, smearing the tears away with his thumbs. I breathe in, lungs shuddering. “I’m sorry,” he whispers, black eyes sincere. I swallow. “I know why you had to.” “Doesn’t make it right.” “Doesn’t matter anymore,” I say, shaking my head. The moon hangs suspended in the sky, stars twinkling overhead, as he leans down and kisses me softly, lips meeting mine, familiar—lips I imagined, dreamed about, memorized a mil ion hours ago. Then he wraps his arms around me, pulling me into him, quelling every doubt and fear and uncertainty in this one, perfect moment.
Katie Klein (Cross My Heart (Cross My Heart, #1))
A witch needs only the right look, the right stuff, the right feelings. I look at the part: like a Hollywood witch, dark-haired and pale-skinned (because of my European ancestry). And I'm into the Instagram-witch lifestyle: black dresses, lavender baths, affirmations about being worthy of things. But I don't like calling myself a witch. I don't want to be seen as following a fad, and I don't want the white witches I resemble to take my presence in their spaces as permission for theft. Really, I just want a version of the occult that isn't built on plunder, but I suspect that if we could excise the stolen pieces, there would be nothing left.
Elissa Washuta (White Magic)
Wes sat in a cracked vinyl booth picking at his fries and listening to Amanda go on and on about the dress she'd found. '...and it has these little lavender bows. Oh, Wes, I can't wait 'til you see it.' She gesticulated wildly, and her only saving grace right now was her amazing rack that swayed and bounced with each movement. Sometimes he swore that was the only reason he ever looked crosswise at Amanda Price. That, and her daddy's checkbook. 'And I found these shoes--" 'Uh huh, that's nice,' he cut her off and slid free from the booth. He held out his hand. 'Got the card?' He waved the bill in the air at her questioning gaze. Was she a little cross-eyed, maybe? He thought so.
Brandi Salazar (Midnight Masquerade)
I'd take her to the top of the widow's tower at Ainsdale Castle, late at night, and we'd watch the moon rise. The widow's tower was very high but she wasn't afraid. Sometimes I'd steal a pie from the kitchens and we'd picnic up there. I brought up a blanket, too, so she wouldn't have to sit on the bare stone floor." Mrs. Crumb made an aborted movement, as if she'd meant to turn to face him and then changed her mind. He let the wineglass dangle by his side. "I told her a rabbit lived on the moon and she believed me. She believed everything I told her then." "What rabbit?" "There." He roused himself, straightening. He drew back, fitting her against his chest and setting his chin on her shoulder. She smelled of tea and housekeeperly things, and she was warm, so warm. He caught up her right hand in his and traced the moon with it. "D'you see? There are the long ears, there the tail, there the forepaws, there the back." "I see," she whispered. "I told her the rabbit had lavender fur and ate pink moon clover up there." His mouth twisted, as he remembered. "She'd watch me with big blue eyes, her mouth half-open, a bit of piecrust on her dress. She hung on every word." He could hear her breath, could feel the tremble of her limbs. Did she fear him? "D'you believe me?" he asked against her ear, his lips wet with wine. She was a housekeeper and housekeepers didn't matter in the grand schemes of kings and dukes and little girls who wished upon rabbit moons. But she was silent, damnable housekeeper. They breathed together for a moment, there in the night air, London twinkling before them, overhung by a pagan moon. At last she stirred and asked, "What happened to the girl?" He broke away from her, draining his glass of wine. "She grew up and knew me for a liar.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
Now into the small ceramic pan I grate the block of couverture. Almost at once the scent rises, the dark and loamy scent of bitter chocolate from the block. At this concentration it is slow to melt; the chocolate is very low in fat, and I will have to add butter and cream to the mixture to bring it to truffle consistency. But now it smells of history; of the mountains and forests of South America' of felled wood and spilled sap and campfire smoke. It smells of incense and patchouli; of the black gold of the Maya and the red gold of the Aztec; of stone and dust and of a young girl with flowers in her hair and a cup of pulque in her hand. It is intoxicating; as it melts, the chocolate becomes glossy; steam rises from the copper pan, and the scent grows richer, blossoming into cinnamon and allspice and nutmeg; dark undertones of anise and espresso; brighter notes of vanilla and ginger. Now it is almost melted through. A gentle vapor rises from the pan. Now we have the true Theobroma, the elixir of the gods in volatile form, and in the steam I can almost see- A young girl dancing with the moon. A rabbit follows at her heels. Behind her stands a woman with her head in shadow, so that for a moment she seems to look three ways- But now the steam is getting too thick. The chocolate must be no warmer than forty-six degrees. Too hot, and the chocolate will scorch and streak. Too cool, and it will bloom white and dull. I know by the scent and the level of steam that we are close to the danger point. Take the copper off the heat and stand the ceramic in cold water until the temperature has dropped. Cooling, it acquires a floral scent; of violet and lavender papier poudré. It smells of my grandmother, if I'd had one, and of wedding dresses kept carefully boxed in the attic, and of bouquets under glass.
Joanne Harris (The Girl with No Shadow (Chocolat, #2))
I heard a rapid alternation of notes, a vibrating staccato of an ancient instrument, nearly as old as nature herself, a cricket singing in my garden last night, the first time this year. When turning my garden's soil, I often uncover crickets, curmudgeons that scramble to find solitude and cover from the light, but I rarely hear their ancient song 'till near summer's end. Although the wind is now lofting the branches and rustling the leaves, the evening sun still warms my face. And my garden still blooms full with pink-papered hollyhocks and blue, green spikes of lavender, and roses, bright pinks and yellows, all glowing from sunshine-swelled canes, and zinnias, rainbow-shingled orbs, and more. And yet, I am already dreading the coming of fall, all dressed in small rags of red, yellow, and orange. I know that my summer garden is nearing its end, as hailed by the cricket's song.
Jeffrey A. White (A Blueness I Could Eat Forever)
And here’s what I realize: she would never wear mittens shaped like kittens or a dress with a Peter Pan collar. She would never say, Love your dress, if she fucking hated your dress. She would never say, How are you? if she didn’t care how you were. She would never eat a lavender cupcake that tasted like perfume or wear a perfume that made her smell like a cupcake. She would never wear lip balm for cosmetic purposes. She would never wear it unless her lips were seriously, seriously cracked. And even if they were, she’d still put Lady Danger on them, which is the name of her lipstick, this bright blue-red that looks surreally beautiful on her but when I tried it on once made me look insane. Her perfume smells like rain and smoke and her eye makeup scares small children and she wears pumps even though she’s at least two inches taller than I am and I’m a freak. Why? Because life is shorter than we are, she says, so why beat around the bush?
Mona Awad (Bunny)
Elsewhere that same day, sleet covered the dead grass outside a modest lavender home in the northern village of Oščadnica like bits of confetti. The piercing wind picked up, keeping afloat a host of identical LSNS flags, green cloth dancing under the murky winter sky. Within the thirty-person crowd, greetings all around. ‘At guard,’ they said to one another, saluting coyly, using a fascist phrase that was popular under Tiso’s rule. The green-clad audience former rows and stood with folded hands over their laps, as local LSNS František Drozd placed a multicolored wreath of flowers at the foot of the home where Tiso once lived. Drozd broke the momentary silence and welcomed the crowd. As the Sunday morning mass concluded across the street, churchgoers poured out of the church. A handful of them—dressed smartly in church digs—joined the procession. A gaggle of police officers stood next to their cars in the adjacent parking lot, rubbing their gloved hands together to stay warm, boredom sketched across their faces.
Patrick Strickland (Alerta! Alerta!: Snapshots of Europe's Anti-fascist Struggle)
Grace adored Amelia. The older woman was a close friend of her grandmother and mother, and a constant in Grace's life. She visited Amelia often. The inn was her second home. As a child she'd always raced up the stairs and raided Amelia's bedroom closet, and Amelia had encouraged her unconventional behavior. Grace had loved dressing up in vintage clothing. Attempting to walk up in a pair of high button shoes. Amelia was the first to recognize Grace's love of costume. Her enjoyment of tea parties. She'd supported Grace's dream of opening her business, Charade, when Grace sought a career. From birthdays to holidays, the costume shop was popular and successful. Grace couldn't have been happier. She admired Amelia now. Her long, braided hair was the same soft gray as her eyes. Years accumulated, but never seemed to touch her. She appeared youthful, ageless, in a sage-green tunic, belted over a paisley gauze skirt in shades of cranberry, green, and gold. Elaborate gold hoops hung at her ears, ones designed with silver beads and tiny gold bells. The thin metal chains on her three-tiered necklace sparkled with lavender rhinestones and reflective mirror discs. Bangles of charms looped her wrist. A thick, hammered-silver bracelet curved near her right elbow. A triple gold ring with three pearls arched from her index finger to her fourth. She sparkled.
Kate Angell (The Cottage on Pumpkin and Vine)
Catherine Marks came to stand on the other side of the doorway as if she were a fellow sentinel guarding the castle gate. Leo glanced at her covertly. She was dressed in lavender, unlike her usual drab of colors. Her mousy brown hair was pulled back into such a tight chignon as to make it difficult for her to blink. The spectacles sat oddly on her nose, one of the wire earpieces crimped. It gave her the appearance of a befuddled owl. "What are you looking at?" she asked tersely. "Your spectacles are crooked," Leo said, trying not to smile. She scowled. "I tried to fix them, but it only made them worse." "Give them to me." Before she could object, he took them from her face and began to fiddle with the bent wire. She spluttered in protest. "My lord, I didn't ask you to- if you damage them-" "How did you bend the earpiece?" Leo asked, patiently straightening the wire. "I dropped them on the floor, and as I was searching, I stepped on them." "Nearsighted, are you?" "Quite." Having reshaped the earpiece, Leo scrutinized the spectacles carefully. "There." He began to give them to her and paused as he stared into her eyes, all blue, green, and gray, contained in distinct dark rims. Brilliant, warm, changeable. Like opals. Why had he never noticed them before? Awareness chased over him, making his skin prickle as if exposed to a sudden change in temperature. She wasn't plain at all. She was beautiful, in a fine, subtle way, like winter moonlight, or the sharp linen smell of daisies. So cool and pale... delicious. For a moment, Leo couldn't move.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
So now I was a beauty editor. In some ways, I looked the part of Condé Nast hotshot—or at least I tried to. I wore fab Dior slap bracelets and yellow plastic Marni dresses, and I carried a three-thousand-dollar black patent leather Lanvin tote that Jean had plunked down on my desk one afternoon. (“This is . . . too shiny for me,” she’d explained.) My highlights were by Marie Robinson at Sally Hershberger Salon in the Meatpacking District; I had a chic lavender pedicure—Versace Heat Nail Lacquer V2008—and I smelled obscure and expensive, like Susanne Lang Midnight Orchid and Colette Black Musk Oil. But look closer. I was five-four and ninety-seven pounds. The aforementioned Lanvin tote was full of orange plastic bottles from Rite Aid; if you looked at my hands digging for them, you’d see that my fingernails were dirty, and that the knuckle on my right hand was split from scraping against my front teeth. My chin was broken out from the vomiting. My self-tanner was uneven because I always applied it when I was strung out and exhausted—to conceal the exhaustion, you see—and my skin underneath the faux-glow was full-on Corpse Bride. A stylist had snipped out golf-ball-size knots that had formed at the back of my neck when I was blotto on tranquilizers for months and stopped combing my hair. My under-eye bags were big enough to send down the runway at Mercedes-Benz Fashion Week: I hadn’t slept in days. I hadn’t slept for more than a few hours at a time in months. And I hadn’t slept without pills in years. So even though I wrote articles about how to take care of yourself—your hair, your skin, your nails—I was falling apart.
Cat Marnell (How to Murder Your Life)
They stood on tiptoe, strained their eyes. “Let me look.” “Well, look then.” “What you see?” That was the question. No one saw anything. Then, simultaneously, three distinct groups of marchers came into view. One came up 125th Street from the east, on the north side of the street, marching west towards the Block. It was led by a vehicle the likes of which many had never seen, and as muddy as though it had come out of East River. A bare-legged black youth hugged the steering-wheel. They could see plainly that he was bare-legged for the vehicle didn’t have any door. He, in turn, was being hugged by a bare-legged white youth sitting at his side. It was a brotherly hug, but coming from a white youth it looked suggestive. Whereas the black had looked plain bare-legged, the bare-legged white youth looked stark naked. Such is the way those two colors affect the eyes of the citizens of Harlem. In the South it’s just the opposite. Behind these brotherly youths sat a very handsome young man of sepia color with the strained expression of a man moving his bowels. With him sat a middle-aged white woman in a teen-age dress who looked similarly engaged, with the exception that she had constipation. They held a large banner upright between them which read: BROTHERHOOD! Brotherly Love Is The Greatest! Following in the wake of the vehicle were twelve rows of bare-limbed marchers, four in each row, two white and two black, in orderly procession, each row with its own banner identical to the one in the vehicle. Somehow the black youths looked unbelievably black and the white youths unnecessarily white. These were followed by a laughing, dancing, hugging, kissing horde of blacks and whites of all ages and sexes, most of whom had been strangers to each other a half-hour previous. They looked like a segregationist nightmare. Strangely enough, the black citizens of Harlem were scandalized. “It’s an orgy!” someone cried. Not to be outdone, another joker shouted, “Mama don’t ’low that stuff in here.” A dignified colored lady sniffed. “White trash.” Her equally dignified mate suppressed a grin. “What else, with all them black dustpans?” But no one showed any animosity. Nor was anyone surprised. It was a holiday. Everyone was ready for anything. But when attention was diverted to the marchers from the south, many eyes seemed to pop out in black faces. The marchers from the south were coming north on the east side of Seventh Avenue, passing in front of the Scheherazade bar restaurant and the interdenominational church with the coming text posted on the notice-board outside: SINNERS ARE SUCKERS! DON’T BE A SQUARE! What caused the eyes of these dazed citizens to goggle was the sight of the apparition out front. Propped erect on the front bumper of a gold-trimmed lavender-colored Cadillac convertible driven by a fat black man with a harelip, dressed in a metallic-blue suit, was the statue of the Black Jesus, dripping black blood from its outstretched hands, a white rope dangling from its broken neck, its teeth bared in a look of such rage and horror as to curdle even blood mixed with as much alcohol as was theirs. Its crossed black feet were nailed to a banner which read: THEY LYNCHED ME! While two men standing in the back of the convertible held aloft another banner reading: BE NOT AFRAID!
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
THE NIGHTGOWN was only the first of the garments in the box. There were seven nightgowns, in fact—one for each day of the week—of delicate silk, lovely georgette, and beautiful tiffany. As Alexandra pulled them out, she draped them on the bed. She’d never seen a nightgown that wasn’t white, but these were almond and pale blush pink, powder blue and soft peach, with delicate edgings of lace and intricate, exquisite embroidery. “They’re stunning,” she said. “Madame Rodale has nothing like them in her book of fashion plates.” Tris just grinned. He seemed different tonight. More relaxed, less worried. She didn’t know what had prompted his sudden good humor, but she didn’t want to question it. She’d rather enjoy it instead. After the afternoon she’d had—starting with Elizabeth’s letter and ending with three fruitless interviews—she wasn’t about to risk the one thing that seemed to be going right. “Are you going to try one on for me?” he asked. Her face heated. He chose a nightgown off the bed, palest lavender with black lace and violet embroidery. “This one,” he said, handing it to her. “Do you require assistance with your dress?” “Just the buttons,” she said, and turned to let him unfasten them. She shifted the nightgown in her hands. It felt so light. “There,” he said when the back of her green dress gaped open. He kissed her softly on the nape of her neck, then settled on one of the striped chairs, sipping from the glass of port he’d brought upstairs with him. “Use the dressing room. I’ll be waiting.” In the dressing room, she shakily stripped out of her frock, chemise, shoes, and stockings, then dropped the nightgown over her head and smoothed it down over her hips. The fabric whispered against her legs. She turned to see herself in the looking glass. Sweet heaven. She’d never imagined nightgowns like this existed. Her nightgowns all had high collars that tied at the throat. This one had a wide, low neckline. Her nightgowns all had long, full sleeves. This one had tiny puffed sleeves that began halfway off her shoulders. Her nightgowns were made of yards and yards of thick, billowing fabric. This one was a slender column that left no curve to the imagination. It was wicked. “Are you ready yet?” Tris called. Alexandra swallowed hard, reminding herself that he’d seen her in less clothing. And he was her husband. Still, wearing the nightgown for him somehow felt more intimate than wearing nothing at all. She was as ready as she’d ever be. Drawing a deep breath, she exited the dressing room, walked quickly through the sitting room, and paused in the bedroom’s doorway. She dropped her gaze, then raised her lashes, giving him the look—the one Juliana had said would make men fall at her feet. Judging from the expression on Tris’s face, it was a good thing he was sitting. The way he looked at her made her heartbeat accelerate. He rose and moved toward her. She met him halfway, licking suddenly dry lips. “Will you kiss me?” she asked softly, reaching up to sweep that always unruly lock off his forehead. It worked this time. He kissed her but good.
Lauren Royal (Alexandra (Regency Chase Brides #1))
Sophia counted six clangs of the bell before Mr. Grayson jolted fully awake. He looked up at her, startled and flushed. As though he’d been caught doing something he shouldn’t. She smiled. Rubbing his eyes, he rose to his feet. “Will I shock you, Miss Turner, if I remove my coat?” Sophia felt a twinge of disappointment. When would he stop treating her with this forced politesse, maintaining this distance between them? How many tales of passionate encounters must she spin before he finally understood that she was no less wicked than he, only less experienced? Perhaps it was time to take more aggressive measures. “By all means, remove your coat.” She tilted her eyes to cast him a saucy look. “Mr. Grayson, I’m not an innocent schoolgirl. You will have to try harder than that to shock me.” His lips curved in a subtle smile. “I’ll take that under advisement.” She watched as he shook the heavy topcoat from his shoulders and peeled it down his arms. He draped the coat over the back of a chair before sitting back down. The damp lawn of his shirt clung to his shoulders and arms. A pleasant shiver rippled down to Sophia’s toes. “It doesn’t suit you anyway,” she said, loading her brush with paint. He gave her a bemused look as he unknotted his cravat and pulled it loose. She inwardly rejoiced. Now, if only she could convince him to do away with his waistcoat…” “The coat,” she explained, when his eyebrows remained raised. “It doesn’t suit you.” “Why not? Is the color wrong?” The sudden seriousness in his tone surprised her. “No, the color is perfectly fine. It’s the cut that’s unflattering. That style is tailored to gentlemen of leisure, lean and slender. But as you are so fond of telling me, Mr. Grayson, you are no gentleman. Your shoulders are too broad for fashion.” “Is that so?” He chuckled as he undid his cuffs. Sophia stared as he turned up his sleeves, baring one tanned muscled forearm, then the other. “What style of garments would best suit me, then?” “Other than a toga?” He rewarded her jest with an easy smile. Sophia dabbed at her canvas, pleased to be making progress at last. “I think you need something less restrictive. Something like a sailor’s garb. Or perhaps a captain’s.” “Truly?” His gaze became thoughtful, then searching. “And even dressed in plain seaman’s clothes, would you still find me handsome enough? In my own way?” “No.” She allowed his brow to crease a moment before continuing. “I should find you surpassingly handsome. In every way.” She mixed paint slowly on her palette and gave him a coy look. “And what of my attire? If you had your way, how would you dress me?” “If I had my way…I wouldn’t.” A thrill raced through Sophia’s body. Her cheeks burned, and her eyes dropped to her lap. She forced her gave back up to meet his. Now was not the moment to lose courage. Nothing held sway over a man’s intentions like jealousy. “Gervais once kept me naked for an entire day so he could paint me.” He blinked. “He painted a nude study of you?” “No. He painted me. I took off my clothes and stretched out on the bed while he dressed me in pigment. Gervais called me his perfect, blank canvas. He painted lavender orchids here”-she traced a small circle just above her breast-“and little vines twining down…” She slid her hand down and noted with delight how his eyes followed its path. “I feigned the grippe and refused to bathe for a week.” Desire and jealous rage warred in his countenance, yet he remained as immobile as one of Lord Elgin’s marble sculptures. What would it take to spur the man into action?
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
She rose and bathed, and Parisa helped her to dress in her royal robes. Shirin pulled her hair into a style reminiscent of her first night with the king. Mahin covered her glowing black tresses with a colorful veil. Hettie placed the royal crown on her head and a ring on her finger. Rosana tucked jeweled sandals on her feet. And Jazmin spritzed the faint scent of lavender over her clothes. Peace settled over Esther as Zareen held the golden mirror before her. She was ready. As ready as she was going to be. Olive oil moistened her lips, lest she appear as though she had been in mourning. The king must not know that yet. "Shall we go with you?" Parisa asked, concern etched in her gaze. None of them looked at peace- not like the peace that Esther felt- but none of them had prayed as Esther had prayed, at least not with the knowledge she had. How could they? They had no idea what trials her people had been through. They did not know the history of the Jews had with Haman's people or how the Amalekites had attacked them when they were vulnerable on their journey out of Egypt. Hostility had existed between the Amalekites and the Israelites ever since. She looked at each one, cupped each dear cheek. "You have been a blessing to me to attempt what I did not think I could ever do." She drew in a breath. "If I do not return, please know that I could have chosen no better maids. But do not mourn for me. Mourn for my people, and do what you can to tell your family and friends that we are not your enemies. Perhaps you will make a difference in my place.
Jill Eileen Smith (Star of Persia: (An Inspirational Retelling about Queen Esther))
Travel Bucket List 1. Have a torrid affair with a foreigner. Country: TBD. 2. Stay for a night in Le Grotte della Civita. Matera, Italy. 3. Go scuba diving in the Great Barrier Reef. Queensland, Australia. 4. Watch a burlesque show. Paris, France. 5. Toss a coin and make an epic wish at the Trevi Fountain. Rome, Italy. 6. Get a selfie with a guard at Buckingham Palace. London, England. 7. Go horseback riding in the mountains. Banff, Alberta, Canada. 8. Spend a day in the Grand Bazaar. Istanbul, Turkey. 9. Kiss the Blarney Stone. Cork, Ireland. 10. Tour vineyards on a bicycle. Bordeaux, France. 11. Sleep on a beach. Phuket, Thailand. 12. Take a picture of a Laundromat. Country: All. 13. Stare into Medusa’s eyes in the Basilica Cistern. Istanbul, Turkey. 14. Do NOT get eaten by a lion. The Serengeti, Tanzania. 15. Take a train through the Canadian Rockies. British Columbia, Canada. 16. Dress like a Bond Girl and play a round of poker at a casino. Montreal, Quebec, Canada. 17. Make a wish on a floating lantern. Thailand. 18. Cuddle a koala at Currumbin Wildlife Sanctuary. Queensland, Australia. 19. Float through the grottos. Capri, Italy. 20. Pose with a stranger in front of the Eiffel Tower. Paris, France. 21. Buy Alex a bracelet. Country: All. 22. Pick sprigs of lavender from a lavender field. Provence, France. 23. Have afternoon tea in the real Downton Abbey. Newberry, England. 24. Spend a day on a nude beach. Athens, Greece. 25. Go to the opera. Prague, Czech Republic. 26. Skinny dip in the Rhine River. Cologne, Germany. 27. Take a selfie with sheep. Cotswolds, England. 28. Take a selfie in the Bone Church. Sedlec, Czech Republic. 29. Have a pint of beer in Dublin’s oldest bar. Dublin, Ireland. 30. Take a picture from the tallest building. Country: All. 31. Climb Mount Fuji. Japan. 32. Listen to an Irish storyteller. Ireland. 33. Hike through the Bohemian Paradise. Czech Republic. 34. Take a selfie with the snow monkeys. Yamanouchi, Japan. 35. Find the penis. Pompeii, Italy. 36. Walk through the war tunnels. Ho Chi Minh, Vietnam. 37. Sail around Ha long Bay on a junk boat. Vietnam. 38. Stay overnight in a trulli. Alberobello, Italy. 39. Take a Tai Chi lesson at Hoan Kiem Lake. Hanoi, Vietnam. 40. Zip line over Eagle Canyon. Thunderbay, Ontario, Canada.
K.A. Tucker (Chasing River (Burying Water, #3))
He wanted everything of her, wanted to subject her to every craving and impulse, and she was too innocent for any of it. Tearing his mouth from hers, Christopher held her at arm’s length. Her eyes were wide and wondering. To his relief, she levered away from him and stood. And then she began to unfasten her bodice. “What are you doing?” he asked hoarsely. “Don’t worry, the door is locked.” “That isn’t what I---Beatrix--” By the time he had lurched to his feet, her bodice had listed open. A thick, primitive drumbeat started in his ears. “Beatrix, I’m not in the mood for virginal experimentation.” She gave him a purely ingenuous look. “Neither am I.” “You’re not safe with me.” He reached for the neckline of her bodice and yanked it together. While he fumbled to fasten it, Beatrix hiked up the side of her dress. A tug and a wriggle, and her petticoat dropped to the floor. “I can undress faster than you can dress me,” she informed him. Christopher clenched his teeth as he saw her push her dress below her hips. “Damn you, I can’t do this. Not now.” He was perspiring, every muscle hard. His voice shook with the force of suppressed need. “I’m going to lose control.” He wouldn’t be able to stop himself from hurting her. For their first time, he would have to approach her with absolute restraint, give himself release beforehand to take the edge from his lust…but at the moment, he would fall on her like a ravening animal. “I understand.” Beatrix pulled the combs from her hair, tossed them into the pile of discarded lavender silk, and shook out the gleaming sable locks. And she gave him a look that caused every hair on his body to lift. “I know you think I don’t understand, but I do. And I need this as much as you do.” Slowly she unhooked her corset and dropped it to the floor.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
The door to the little dining parlor banged open, the apologetic footman rushing in behind a young woman St. Just had not seen before. She was trussed up in a shapeless black bombazine dress covering her from ankles to wrist to neck, an equally hideous black bonnet on her head. “That is not my tart,” the earl observed to no one in particular. “Bronwyn!” The woman leapt across the room and wrapped her arms around Winnie, the bonnet tumbling off in her haste. “Oh, Winnie, you naughty, naughty child, I’ve been searching all over for you.” “Hullo, Miss Emmie.” Winnie beamed a grin, hugging the lady back. “Rosecroft says we’re going to have apple tarts.” “Madam?” The earl rose and bowed. “Rosecroft, at your service.” “My lord.” She bobbed a nervous curtsy then swiveled back to the child. “Winnie, are you all right?” “I had to take a bath.” Winnie frowned at the memory. “But I ate and ate and ate. I am not a gentleman, though.” “You took a bath?” Miss Farnum’s eyes went round. “My lord? Did I hear her aright?” “With lavender bubbles,” the earl replied gravely. “And you would be?” “Miss Emmaline Farnum,” she said, eyes narrowing. “Just how did you get her to take a bath?” The earl narrowed his eyes, as well. “Perhaps that is a discussion we adults might reserve for later. And as I wouldn’t want to be guilty of breaking my word to a child, may I invite you to join us for apple tarts, Miss Farnum?” The footman withdrew at the earl’s lifted eyebrow while the child’s gaze bounced back and forth between the adults. Winnie sat, all innocence in an old nightshirt somebody had dragged out of a trunk. Her golden curls gleamed, and on her feet were wool socks many sizes too big. “Apple tarts sound delicious,” Miss Farnum said.
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
Falon stared at Del intently, trying to figure out what was different. As usual, Del was impeccably dressed in a lavender dress that revealed her curves. Her nail polish and shoes matched her clothing perfectly. Del’s shoulder-length blond hair looked the same. “Smile at me,” Falon said suddenly, and Del showed her teeth. “You got Botox again.” “Yeah, my dentist does it at his office now. I can get my teeth cleaned and my lines erased at the same time. If I could get him to do collagen injections, I’d be set. I wish these doctors would work together. If my gynecologist worked in the same office as my dentist, I’d look like a race car in the pit. I’d get it all done in one appointment and be back on the road in no time.” Del glanced at her watch. “That reminds me, I’m going to see a plastic surgeon for a consultation tomorrow, so I’ll be late getting here in the morning.” “Would you leave your face alone? Del, you look fine.” “It’s not my face, I’m thinking about having my vagina reshaped. The other day when I was being lasered, I was staring at it in the big mirror. You can really see all your girl junk in it, but it’s kind of magnified, so I wasn’t really sure if things were as out of proportion as they seemed. When I got home, I looked at it with a hand mirror, and it still doesn’t look right to me.” Del stood and began pulling up her dress. “You’ve seen a shitload of vaginas, so I want you to tell me—” “Don’t you dare whip that out in here!” Falon covered her eyes with her hand. “I’m not looking at it, Del. I’m not!” “Come on, really?” Del looked completely taken aback. “You looked at my boobs.” “That’s because you turned them loose before I realized what you were doing.” Falon waved her hand. “Your lady junk is far more personal than boobs.” “How so?” “Cleavage,” Falon blurted out. “You wear shirts that show cleavage, that’s like a little preview. Your lady junk is a total mystery, and I want it to stay that way...
Robin Alexander (Fearless)
The Viscount, meanwhile, conveyed Miss Wantage to a certain mantua-maker's establishment in Bond Street, where he was not unknown. Here, after a few moments' brief and startlingly frank colloquy with the astonished proprietress, he handed Miss Wantage over, to be fitted out as became her station. Nothing occurred to disturb the harmony of these proceedings, except a slight contretemps arising out of Miss Wantage's burning desire for a very dashing confection of sea-green gauze, with silver ribbons, and the Viscount's flat refusal to permit her to wear any garment so outrageously unsuited to a young lady supposedly on her way to a select seminary in Bath. This trifling quarrel was adjusted by the mantua-maker, who, foreseeing a valuable customer in the future Lady Sheringham, who spared no pains to exercise all the tact at her command. She suggested that his lordship should buy a demure (and extremely expensive) gown for Miss Wantage to wear in the immediate future, at the same time laying by, for a later occasion, the sea-green gauze which had so taken Miss's fancy. The Viscount agreed tooth's, and was at once obliged to call Miss Wantage to order for hugging him in public. By the time these purchases, with a few other of a more intimate nature, had been made; a hat to match the muslin dress chosen at a milliner's shop farther down the street; a pair of lavender kid gloves procured; such items as brushes, combs, and Joppa soap added to the list of necessities; and a faithful promise made to Miss Wantage that she should visit this entrancing thoroughfare again upon the morrow to make further purchases, dusk was falling.
Georgette Heyer (Friday's Child)
The door unlocked. Ren looked at me. “Third floor. Race you.” We simultaneously tried to shove each other out of the way, then went pounding up the stairs, bursting into a large, well-lit reception area. A woman wearing a tight lavender dress startled and stood up from behind her desk. “Buon giorno.” “Buon giorno,” I answered back. She glanced at my sneakers and switched to English. “Did you call about meeting with our admissions officer?” “I beat you,” Ren said quietly. “No, you didn’t.
Jenna Evans Welch (Love & Gelato)
I was about to head out of one polling site when a Black man my father’s age approached me. “There’s someone I’d like you to meet.” He was ushering an old woman dressed in her Sunday best, complete with a lavender hat, by the elbow. She pressed her cane into the ground as she repositioned her leg between strides. She trained her eyes on mine as she walked. I walked to meet her where she was. “Hello, ma’am. How are you?” I said, smiling, as she extended her warm, soft hand, contorted by arthritis. I clasped it between both of mine. She released her cane to the man who had introduced us, who must have been her son, placing her other hand on top of mine and squeezing. She shuffled closer, and I could instantly smell my own grandmother’s hair cream. I wondered how old she was. “You tell President Obama”—her words fired like a slow cannon as she patted the top of my hand with each syllable, lingering on the final word with a swallow—“that I voted for him and that he is making us proud. You tell him that I lived to see the day.” I indulged her willingly. “I sure will, ma’am.” “You tell him and those babies that we are prayerful. A Black man in the Oval Office. My God. We are prayerful.” “Yes, ma’am,” I said, still holding her hands. “My grandson brought me down here to vote today.” I was dying to ask her age now. “And he told me that we had a Black woman, a sister, making sure no one messed with our votes.” I nodded. “God bless you for coming. God bless President Obama for making it so. I always vote now. I always come out. Rain or shine. I’m here, isn’t that right?” she said, turning to her grandson. She must have been in her nineties if he was her grandson. “Yes. She wouldn’t miss it. Means too much. She was on the front lines. Been on the front lines,” he explained.
Laura Coates (Just Pursuit: A Black Prosecutor's Fight for Fairness)
Our Dutch hostess—or rather, the woman we are hoping will host us once we show up on her doorstep—is known to everyone but me. And though I had been warned about Johanna Hoffman’s friendliness and large dogs, there is no way to be truly prepared for either. When the door to her canal house opens, three dogs that look as though they each weigh more than I do spill out, followed by a plump, bright-faced woman in a pink dress that matches the bows around each dog’s neck. When she sees Felicity, she screams. In spite of not having anything in her hands, I swear she somehow still drops a vase. She throws her arms around Felicity, squeezing her so hard she nearly lifts her off the ground. “Felicity Montague, I thought you were dead!” “Not dead,” Felicity says. One of the dogs tries to wedge itself between the two of them, tail wagging so furiously it makes a thumping drumbeat against the door frame. A second snuffles its nose against my palm, trying to flip my hand onto the top of its head in an encouragement to pet. “It’s been years. Years, Felicity, I haven’t heard from you in years.” She takes Felicity’s face in her hands and presses their foreheads together. “Hardly a word since you left! What on earth are you doing here? I can’t believe it!” She releases Felicity just long enough to turn to Monty and throw open her arms to him. “And Harold!” “Henry,” he corrects, the end coming out in a wheeze as she wraps him in a rib-crushing hug. The dog gives up nudging my hand and instead mashes its face into my thigh, leaving a trail of spittle on my trousers. “Of course, Henry!” She lets go of him, turns to me, and says with just as much enthusiasm, “And I don’t know who you are!” And then I too am being hugged. She smells of honey and lavender, which makes the embrace feel like being wrapped in a loaf of warm bread. “This is Adrian,” Felicity says. “Adrian!” Johanna cries. One of the dogs lets out a long woof in harmony and the others take up the call, an off-key, enthusiastic chorus. She releases me, then turns to Felicity again, but Felicity holds up a preemptive hand. “All right, that’s enough. No more hugs.” She brushes an astonishing amount of dog hair off the front of her skirt, then says brusquely, “It’s good to see you, Johanna.” In return, Johanna smacks her on the shoulder. “You tell me you’re going to Rabat with some scholar and then you never come back and I never hear a single word! Why didn’t you write? Come inside, come on, push the dogs out the way, they won’t bite.” As we follow her into the hallway and then the parlor, she’s speaking so fast I can hardly understand her. “Where are you staying? Wherever it is, cancel it; let me put you up here. Was your luggage sent somewhere? I can have one of my staff collect it. We have plenty of room, and I can make up the parlor for you, Harry—” “Henry,” Monty corrects, then corrects himself. “Monty, Jo, I’ve told you to call me Monty.” She waves that away. “I know but it always feels so terribly glib! You were nearly a lord! But I’m happy to set you up down here so you needn’t navigate the stairs on your leg—gosh, what have you done to it? Your lovely Percy isn’t here, is he? Though we’ll have to do something so the dogs don’t jump on you in the night. They usually sleep with Jan and me, but they get squirrely when we have company. One of Jan’s brokers from Antwerp stayed with us last week and he swears he locked the bedroom door, but somehow Seymour still jumped on top of him in the middle of the night. Poor man thought he was being murdered in his bed. Please sit down—the dogs will move if you crowd them.
Mackenzi Lee (The Nobleman's Guide to Scandal and Shipwrecks (Montague Siblings, #3))
Frederick looked great in the parade of old-fashioned suits I'd seen in since we'd met, of course. More than great. But I realized now that his consistently too-formal, out-of-date attire served as a constant reminder to me that Frederick was out of my league in every imaginable way--- and completely off-limits. Untouchable. And other. Now, though... "What do you think?" he asked. "Do I look like I fit in with modern society now?" With difficulty, I tore my eyes from the broad expanse of his chest now covered in a forest-green Henley that fit him like a glove and met his gaze. He was fidgeting a little as I looked back at him, drumming his fingertips against his upper thigh again, looking at me with a nervous intensity that stole the breath from my lungs. I let my eyes trail slowly down his body, drinking him in, taking in his new shirt and the dark blue jeans that fit him so well you wouldn't have guessed he'd had no idea what size he was twenty minutes ago. The other jeans he'd tried on lay folded in a pile on the chair beside him; his suit hung neatly on a hanger in the dressing room. I focused on these other details to distract myself from how Frederick not only looked just as hot in more casual clothes as he did in his stuffy suits, but also how he now looked attainable in a way that was dangerous to me, specifically. I had to avert my eyes. Looking right at him felt a little too much like looking directly at the sun. "You look great. You look unbelievable, actually." I heard his sharp intake of breath, only then realizing that that hadn't quite been what he'd asked me. All he'd asked was whether he looked like he fit in. My stomach swooped, my face suddenly feeling like it was on fire. Idiot. "That is... that is to say---" "You think I look great?" He was looking at me with an expression that felt somewhere between surprise and pleasure. He stepped from the dressing room, stopping when he was only a few inches away from me. I took an involuntary breath, breathing in the scent of lavender soap and new clothes that clung to him.
Jenna Levine (My Roommate Is a Vampire)
I loved shopping on rue Montorgueil so much that I often carted home more food- slices of spinach and goat cheese tourtes; jars of lavender honey and cherry jam, tiny, wild handpicked strawberries; fraises aux bois- than one person alone could possibly eat. Now at least I had an excuse to fill up my canvas shopping bag. "Doesn't it smell amazing?" I gushed once we had crossed the threshold of my favorite boulangerie. Mom, standing inside the doorway clutching her purse, just nodded as she filled her lungs with the warm, yeasty air, her eyes alight with a brightness I didn't remember from home. With a fresh-from-the-oven baguette in hand, we went to the Italian épicerie, where from the long display of red peppers glistening in olive oil, fresh raviolis dusted in flour, and piles and piles of salumi, soppressata, and saucisson, which we chose some thinly sliced jambon blanc and a mound of creamy mozzarella. At the artisanal bakery, Eric Kayser, we took our time selecting three different cakes from the rows of lemon tarts, chocolate éclairs, and what I was beginning to recognize as the French classics: dazzling gâteaux with names like the Saint-Honoré, Paris-Brest, and Opéra. Voila, just like that, we had dinner and dessert. We headed back to the tree house- those pesky six flights were still there- and prepared for our modest dinner chez-moi. Mom set the table with the chipped white dinner plates and pressed linen napkins. I set out the condiments- Maille Dijon mustard, tart and grainy with multicolored seeds; organic mayo from my local "bio" market; and Nicolas Alziari olive oil in a beautiful blue and yellow tin- and watched them get to it. They sliced open the baguette, the intersection of crisp and chewy, and dressed it with slivers of ham and dollops of mustard. I made a fresh mozzarella sandwich, drizzling it with olive oil and dusting it with salt and pepper.
Amy Thomas (Paris, My Sweet: A Year in the City of Light (and Dark Chocolate))
It’s traumatizing to think that a best friend could become just a friend. That’s because there is virtually no difference between an acquaintance and a friend. But the gulf between a friend and a best friend is enormous and profound. And if I look at it that way, I think I can see the value of a wedding. If you’re my best friend and the only way I get to have dinner with you is by traveling thousands of miles, selecting a chicken or fish option, and wearing a dress in the same shade of lavender as six other girls, I will do that. I won't love it. But I love you.
Mindy Kaling (Why Not Me?)
After all the dangers of the past few hours, she savored the tranquil beauty of the Orcadian landscape, with its delicate pastel wash of lavenders and blues. "This is a beautiful place," she whispered, especially charmed by the flock of hardy swans honking and clacking on the hillside, and by the shaggy black pony that was staring at them from the edge of a barren meadow nearby, its long mane blowing in the breeze. "Beautiful?" Rohan had turned to her. She could feel him staring at her. "You think so?" She looked at him. "Don't you?" He shrugged, then shook his head. "Bleak and harsh and difficult." "Perhaps." She smiled gently, gazing at him. "But there is an exquisite sensitivity in the color of the light. And the sweep of these hills bespeaks a calm strength," she said slowly, her gaze traveling over the landscape. "Noble, but unpretentious. It is what it is. A hard land, maybe. But plain and honest." She glanced at him. "I could live here." The morning light matched the soft blue shade of Rohan's eyes as he gazed at her, sensing she was not talking only about Orkney. His wordless stare was so overwhelmed with emotion for her that although she was covered in grime and dressed like somebody's footman, the way he looked at her made her feel as beautiful as a princess.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
I'll ring for someone to take my hair down." The tremor in her voice grew stronger and struck both a primal and protective chord in him. "No." He held up his hand to keep her from crossing to the bell at the door. The idea of someone invading their privacy was actually physically painful for him. "I'll do it." "Take my hair down?" Her eyes widened. "You?" Nodding, he motioned to the dressing table. She sat and he found himself staring down at the crown of black satin that was her elaborate hairstyle. Had he ever taken a woman's hair down? He didn't think so, but the scent of lavender that seemed to hang around her addled his mind and filled his senses until he couldn't have moved if she paid him good money. Slowly, he eased his fingers into her hair and she let out a long sigh as he massaged her scalp. "Did I hurt you?" he asked, surprised he could breathe, let alone speak. "N-No." In the mirror, her eyes darkened and dilated. If that was her reaction to his touch, he planned to take her hair down each and every night. With trembling fingers, he set about finding the pins. Finally, her hair cascaded down her back in a long, flowing cloak. It wafted out sweetness as a few strands brushed his legs and fell to her hips. He might have believed he'd died and was in heaven if he weren't so aware of his body's sinful reactions to touching her. "Brush," he requested softly. She complied with shaking hands. Stroke by stroke, he glided the brush bristles through her hair- gently, so as not to hurt her, he smoothed the waves. How had he not known how erotic a woman's hair could be? He prided himself on his experience, but for the first time in a long time, he questioned his prowess. It affected her, too. In the mirror he could see her shut her eyes, and apparently try to bite back soft moans each time his hands weaved through her hair. Triumph coursed through his every nerve and vein.
Jenna Petersen (Scandalous)
The menu was ambitious: lavender spritzers, toasted slices of baguette spread with goat cheese and duxelles, camembert and fig tartines, frisée salad with lardons and a mustard dressing, ratatouille, duck confit, and profiteroles covered in birthday candles for dessert.
Nell Goddin (Murder for Love (Molly Sutton Mysteries Book 4))