Lava You Quotes

We've searched our database for all the quotes and captions related to Lava You. Here they are! All 100 of them:

His chest, heaving harder this time. His words, almost gasping this time. “You destroy me.” I am falling to pieces in his arms. My fists are full of unlucky pennies and my heart is a jukebox demanding a few nickels and my head is flipping quarters heads or tails heads or tails heads or tails heads or tails “Juliette,” he says, and he mouths the name, barely speaking at all, and he’s pouring molten lava into my limbs and I never even knew I could melt straight to death. “I want you,” he says. He says “I want all of you. I want you inside and out and catching your breath and aching for me like I ache for you.” He says it like it’s a lit cigarette lodged in his throat, like he wants to dip me in warm honey and he says “It’s never been a secret. I’ve never tried to hide that from you. I’ve never pretended I wanted anything less.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
More like a chocolate molten lava cake. A dessert so sinful, so luscious, so filled with inner heat it made a girl want to lick each and every crumb right off the plate. That was Jack Pallas.
Julie James (Something About You (FBI/US Attorney, #1))
The name says it all. That's where Dad (Hades) tries out his new punishment ideas, but he says the traditional ones still work best: the lava flows, the minefields full of exploding surprises, burning at the stake, running naked through cactus patches... You name it, we've got it here - Nico di Angelo
Rick Riordan (Percy Jackson & the Olympians: The Ultimate Guide)
You destroy me." "Juliette," he says and he mouths the name, barely speaking at all, and he's pouring molten lava into my limbs and I never even knew I could melt straight to death. "I want you," he says. He says "I want all of you. I want you inside and out and catching your breath and aching for me like I ache for you." He says it like it's a lit cigarette lodged in his throat, like he wants to dip me in warm honey and he says "It's never been a secret. I've never tried to hide that from you. I've never pretended I wanted anything less." "You-you said you wanted f-friendship-" "Yes," he says, he swallows, "I did. I do. I do want to be your friend. He nods and I register the slight movement in the air between us. "I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says. "The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette-" "No," I gasp. "Don't-don't s-say that-" "I want to know where to touch you," he says. "I want to know how to touch you. I want to know how to convince you to design a smile just for me." I feel his chest rising, falling, up and down and up and down and "Yes," he says. "I do want to be your friend." He says "I want to be your best friend in the entire world." "I want so many things," he whispers. "I want your mind. Your strength. I want to be worth your time." His fingers graze the hem of my top and he says "I want this up." He tugs on the waist of my pants and says "I want these down." He touches the tips of his fingers to the sides of my body and says, "I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it's racing because of me, because you want me. Because you never," he says, he breathes, "never want me to stop. I want every second. Every inch of you. I want all of it." And I drop dead, all over the floor. "Juliette." I can't understand why I can still hear him speaking because I'm dead, I'm already dead, I've died over and over and over again. He swallows, hard, his chest heaving, his words a breathless, shaky whisper when he says "I'm so-I'm so desperately in love with you-
Tahereh Mafi (Unravel Me (Shatter Me, #2))
When you jump off a cliff, is it better to land on jagged rocks or burning lava? I know this one. The answer is obvious: It doesn't matter where you land. You just jumped off a cliff.
Richard Kadrey (Sandman Slim (Sandman Slim, #1))
There’s a word Trevor once told me about, one he learned from Buford, who served in the navy in Hawaii during the Korean War: kipuka. The piece of land that’s spared after a lava flow runs down the slope of a hill—an island formed from what survives the smallest apocalypse. Before the lava descended, scorching the moss along the hill, that piece of land was insignificant, just another scrap in an endless mass of green. Only by enduring does it earn its name. Lying on the mat with you, I cannot help but want us to be our own kipuka, our own aftermath, visible. But I know better.
Ocean Vuong (On Earth We're Briefly Gorgeous)
When they (the men, the scavengers) come for you, do not give yourself to them so easily. Wear your strength like armour, fight like a beast. Do not let them tell you that you belong to them. Be fearless. Be a lion. Be like lava. Rip them apart, and burn their bones. And when you are done, tell the world that you belong to no man. That you are a lady, a warrior, a tsunami, and you belong only to yourself.
Zaeema J. Hussain (The Sky Is Purple)
O Dionysus, we feel you near, stirring like molten lava under the ravaged earth, flowing from the wounds of your trees in tears of sap, screaming with the rage of your hunted beasts.
Euripides (The Bacchae)
You still waste time with those things, Lenu? We are flying over a ball of fire. The part that has cooled floats on the lava. On that part we construct the buildings, the bridges, and the streets, and every so often the lava comes out of Vesuvius or causes an earthquake that destroys everything. There are microbes everywhere that make us sick and die. There are wars. There is a poverty that makes us all cruel. Every second something might happen that will cause you such suffering that you'll never have enough tears. And what are you doing? A theology course in which you struggle to understand what the Holy Spirit is? Forget it, it was the Devil who invented the world, not the Father, the Son, and the Holy Spirit. Do you want to see the string of pearls that Stefano gave me?
Elena Ferrante (My Brilliant Friend (My Brilliant Friend #1))
Yes, she'd made a mistake... but she wasn't going to be bullied. You couldn't let boys go around raining on your lava and ogling other people's watercolors.
Terry Pratchett (Wintersmith (Discworld, #35; Tiffany Aching, #3))
Lava bread makes you passionate.
Anne Carson (Autobiography of Red)
Battlewinner spat out a shard of ice that sizzled into steam when it hit the lava. “You never wanted to be queen,” she rasped. “You’re a pathetic heir.” “I know I am,” Greatness said. “Being queen is awful.
Tui T. Sutherland (The Dark Secret (Wings of Fire, #4))
Grief never goes away. It just changes. At first it's like molten-hot lava dripping from your heart and hollowing you from the inside. Over time, it settles into your bones, your skin, so that you live with it, walk with it every day. Grief isn't the footprints in the snow. It's the empty spaces between.
Tyrell Johnson (The Wolves of Winter)
When dreaded outcomes are actually imminent we don't worry about themwe take action. Seeing lava from the local volcano make its way down the street toward our house does not cause worry it causes running. Also we don't usually choose imminent events as subjects for our worrying and thus emerges an ironic truth: Often the very fact that you are worrying about something means that it isn't likely to happen.
Gavin de Becker (Protecting the Gift: Keeping Children and Teenagers Safe (and Parents Sane))
Basically, dating is like climbing a volcano and you never know when it’s going to erupt, dumping molten lava and burning you
Robin Bielman (Wild About Her Wingman (Secret Wishes, #3))
...Hand me the lava spray gun, will you?
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
This is why I’m not married,” Ranger said. “Women ask questions.” “Unh!” I said, smacking my forehead with the heel of my hand. “That’s not why you’re not married. You’re not married because you’re … impossible.” He dragged me to him and kissed me, and I felt the kiss travel like lava to my doo-dah. “I have some issues to resolve,” he said. No kidding. He gave my ponytail a playful tug and left.
Janet Evanovich (Top Secret Twenty-one (Stephanie Plum, #21))
When you spent your entire career on the fringes of violence, the dogs helped remind you that you were still human
Jay Kopelman (From Baghdad, With Love: A Marine, the War, and a Dog Named Lava (Lava #1))
"Whoaaaaa–AARRRGGGGGGGHHHH...shove two fingers down my throat and pull out my heart...to prove that you love meeee...!" Clutching her iPod, Nellie emerged from the hatch ad lurched towards them, like creature put together from spare parts–a motion that Dan and Amy recognized as dancing. Pulling out her earbuds, she raised her face to the sky and let the rain pelt her for a few seconds. "Whoo-hoo, that is better than a facial!" she cried, running to join Dan and Amy under the overhang. "Stick around," Dan said, "for a lava treatment.
Peter Lerangis (The Viper's Nest (The 39 Clues, #7))
We went about our usual routines - combat practice, volleyball practice, archery practice, strawberry-picking practice (don't ask), lava-wall-climbing practice ... You'll find we practice a lot here.
Rick Riordan (Camp Half-Blood Confidential (The Trials of Apollo))
Reader, do you remember that ridiculous movie Volcano, the one with Tommy Lee Jones? Do you remember how they stopped eruption in the middle of downtown Los Angeles? They diverted it with cement roadblocks and pointed fire hoses at it, and rerouted the lava to the ocean, and everything was fine? Sweet reader, that is not how lava works. Anyone can tell you that. Here is the truth: I keep waiting for my anger to go dormant, but it won’t. I keep waiting for someone to reroute my anger into the ocean, but no one can. My heart is closer to Dante’s Peak of Dante’s Peak. My anger dissolves grandmas in acid lakes and razes quaint Pacific Northwest towns with ash and asphyxiates jet engines with its grit. Lava keeps leaking down my slopes. You should have listened to the scientist. You should have evacuated earlier.
Carmen Maria Machado (In the Dream House)
Take the pain and grow beauty...You know I've always loved volcanoes. I love how they spew searing, deadly lava that goes on to nurture the most beautiful landscapes on earth. It's from searing pain that the deepest beauty can sprout
Carrie Firestone (The Loose Ends List)
My anger dissolves grandmas in acid lakes and razes quaint Pacific Northwest towns with ash and asphyxiates jet engines with its grit. Lava keeps leaking down my slopes. You should have listened to the scientist. You should have evacuated earlier.
Carmen Maria Machado (In the Dream House)
we met one strange summer in a regular tangle of sticky webs you had the air of angels sweet but I-- drowned with the damned spirits in lava oceans fearing your-- foreign static frequency and grey-green eyes (I swear they are even if you-- think otherwise): storms calm ones, calmer than my-- raging coals, empty and dead you speak of souls like you believe always an optimist in pessimistic skin of ivory and titanium mesh...
Moonie
I think Skyblock at its core is the ultimate challenge in resource management. You spawn on a tiny island in an empty universe. All you have is a tree, some supplies and some dirt to stand on. You have to treasure EVERY dirt block, because if one falls into the void, there's no way to replace it and as you carefully navigate your absurd circumstance, you gain a new appreciation for the few things you have as you meticulously use them to their fullest effect. With nothing but some ice, lava and saplings you slowly transform this empty expanse into a world of your very own. Skyblock teaches us that no matter how ridiculous the odds may seem, within us resides the power to overcome these challenges and achieve something beautiful. That one day, we'll look back at where we started and be amazed by how far we've come.
Technoblade
Decide for yourselves as to what you should thing of those who say there is God, that he is the preserver of justice and that he is the protector of all, even after seeing the practice of untouchablity in the form of man being banned from human sight and contact, from walking into the streets, from entering the temples and drawing water from a tank, is rampant in the land, and yet that land is not spared from being razed by an earthquake, burnt by the fiery lava of a volcano, engulfed in a deluge from the ocean, submerged in the chasm of the earth, or fragemented by thunder-storm.
Periyar
If you ever drop your keys into a river of molten lava, let'em go...because man, they're gone!
Jack Handy
Fun fact: You don’t sink in lava. It’s way more dense than you are.
Macronomicon (Apocalypse: Generic System (Systems of the Apocalypse, #1))
Basically, dating is like climbing a volcano and you never know when it's going to erupt, dumping molten lava and burning you
Robin Bielman
Being eaten by a bugbear makes me uncomfortable, Carl. So if your boyfriend ogling your tootises keeps these easy-peasy bugs coming at us instead of more of those lava-spitting llamas, then you better buck up, get over your human male privilege, and take one for your princess.
Matt Dinniman (Dungeon Crawler Carl (Dungeon Crawler Carl, #1))
As the floods of God Wash away sin city They say it was written In the page of the Lord But I was looking For that great jazz note That destroyed The walls of Jericho The winds of fear Whip away the sickness The messages on the tablet Was valium As the planets form That golden cross Lord I'll see you on The holy cross roads After all this time To believe in Jesus After all those drugs I thought I was Him After all my lying And a-crying And my suffering I ain't good enough I ain't clean enough To be Him The tribal wars Burning up the homeland The fuel of evil Is raining from the sky The sea of lava Flowing down the mountain The time will sleep Us sinners by Holy rollers roll Give generously now Pass the hubcap please Thank you Lord
Joe Strummer
You erased my famine, unpicked my anger Your energy charges my voice, it radiates my heart; Now I am alive with the ore of words pouring From my lips like molten lava glittering with joy.
Rumi (Jalal ad-Din Muhammad ar-Rumi) (Words of Paradise: Selected Poems)
Greta is great, but he's a little...extremely...moody. Take my birthday last year. At the stroke of midnight, he appeared at my door. "I wrote this poem for you," he said, shoving a piece of crumpled paper into my hands. 'The world must burn. Lava exploding into faces. Their skeletons are screaming now. No survivors. - From Greta' "Oh...uh...wow..." I began. "Don't bother thanking me," he said. "I just wanted to comfort you for being one year closer to the grave. Of course, I failed miserably, because comfort doesn't exist in this universe.
Bratniss Everclean (The Hunger But Mainly Death Games: A Parody)
One second he was kissing me as if I was as essential to him as oxygen, and the next it was over. He stepped away, looking haunted. "Did I do something wrong?" I touched my mouth, missing the heat of him. "No." He shook his head and shoved his hands deep into the pockets of his jeans. I didn't want his hands in his pockets. I wanted them on me. "Why did you--?" "Not because I wanted to stop kissing you." He looked at my lips. My pulse sped up, but my blood felt like lava moving through my veins. "Timing. My timing sucks." Circumstances. Not because of me. I couldn't keep myself from grinning. "Why would you like to try this again then, another time?" "I'd very much like to try this again, another time." He grinned, but it carried a touch of sadness. "I'll give you a second to...fix your hair." "My hair?" "I'll give you a second to fix my hair. I mean, I'll give you a second while I go fix my hair." He let out a sigh. "I mean, I'll see you downstairs." He turned to walk out of the room, but unfortunately, he forgot to open the door first. I managed to hold in my laughter until he got it right.
Myra McEntire (Hourglass (Hourglass, #1))
Dredge up a hostile, sulfurous silicate lava sink slaloming between two phlegmy suns well into their shuffleboard years, a miserable wad of hell-spit, free-range acid clouds, and the gravitational equivalent of untreated diabetes, a stellar expletive that should never be forced to cope with something as toxic and flammable as a civilization, and before you can say no, stop, don’t, why? the place will be crawling with postcapitalist glass balloons filled with sentient gases all called Ursula.
Catherynne M. Valente (Space Opera (Space Opera, #1))
Stay sharp,” Carter told him, and with Bast and Khufu, we walked down the gangplank. Instead of pulling away, the ship simply sank into the boiling lava and disappeared. I scowled at Carter. “‘Stay sharp?’” “I thought it was funny.” “You’re hopeless.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
She tamped down the awful urge to cry with a fierceness that her mother had always deplored, especially in the wake of her father’s death, when her other daughters, and the aunts and cousins, were all wailing and beating their breasts. ‘And you were his favourite too!’ But Parminder kept her unwept tears locked tightly inside where they seemed to undergo an alchemical transformation, returning to the outer world as lava slides of rage, disgorged periodically at her children and the receptionists at work.
J.K. Rowling (The Casual Vacancy)
When you talked to Bors for very long, you realized that he was slow, and if I had meant stupid I would have said that instead. Bors had a mind like a lava flow. It took a long time to get where it was going, but there was no stopping it. I quite liked him.
T. Kingfisher (What Feasts at Night (Sworn Soldier, #2))
Remember when you were little and your imagination ran free. The dragon under the stairs and the boiling lava between the sofas. At night, you were an astronaut jumping on your bed under glow-in-the-dark stars. By day, you were climbing mountains, running through jungles, and racing cars. Now you are a little older and you wonder if the imagination will disappear. But hold on to your dreams. Without imagination, the excitement of possibility is lost. There is so much wonder in dreaming. Hold on to your imagination.
Courtney Peppernell (Mending the Mind (Pillow Thoughts, #3))
I promise you that I want to do this more than anything else in the world," he said, pressing his lips to the corner of my mouth." I have wanted to since you first returned, but I thought giving you time would be prudent." "And here I was, thinking you would have rather slept in a pool of lava than with me," I joked, but it wasn't enti false. I gave him a quick kiss in return. "We need to work on this whole talking to each other thing. We'd get a lot more done if we did." "Yes, we would" he said before capturing my lips once more.
Aimee Carter (Goddess Interrupted (Goddess Test, #2))
I'll save the sacking for later," he continues. "We can mimic the plays of our conjugal union in the privacy of my backyard. We can roll around on the lawn like animals and invent our own naughty games-Naked Leap Frog-Marshal May I-Hide the Peak-Red Light, Green Light District-Obstacle Intercourse-Hot Lava-Capture the Sector-Skyla Says-the possibilities are endless. Our throbbing loins will rep the victory. The entire scenario is, as you would say-made of win."~ Marshall
Addison Moore (Toxic Part One (Celestra, #7))
Ninja beats pirate. Pirate beats ghost. Ghost beats zombie. Zombie beats most. Werewolf beats vampire. Vamp beats Imp. Imp beats fiend. Fiend beats wimp. Wizard beats cyrborg. Cyborg surely beats troll. Troll beats goblin. Goblin eats a hermit’s soul. Hermit beats child. Child beats wagon. Wagon beats moon snake. Moon snake beats dragon. Dragon beats hydra. Hydra beats sailor. Sailor beats teacher. Teacher beats tailor. Tailor beats sun worm. Sun worm beats clown. Clown beats robo-squid. Robo-squid beats town. Town fights jackals. Town will win. Town fights mummies. Town won’t fight again. Zookeeper beats hell hound. Hell hound beats giant. Giant beats accountant. Accountant beats client. Client beats frog. Frog beats himself. Knight beats Big Foot. Big Foot beats elf. Elf beats pixie. Pixie beats specter. Specter beats sea hag. Sea hag beats Hector. Hector beats serpent. Serpent beats rat. Rat beats Grandma. Grandma beats cat. Lava beats demon. Demon beats warlock. Warlock beats dinosaur. Dino beats Spock. Spock beats Lando. Lando beats Qui-Gon. Qui-Gon beats Jar-Jar. Jar-Jar beats none. Rock beats scissors. Scissors beat paper. Paper beats insect. Insect beats vapor. Wood Woman beats Tree Man. Tree Man beats the dark. The dark kills spider-fish. Spider-fish beats shark. You beat me. I beat a dentist. The dentist beats the barber. The barber is menaced. These are the rules, and never forget. Now hand over your money and place your bet.
Dan Bergstein
People talk of sorrow as if it is soft, a thing of water and tears. But true sorrow is not soft. True sorrow is a thing of fire, and rock. It burns your heart, crushes your soul under the weight of mountains. It destroys, and even if you keep breathing, keep going, you die. The person you were moments ago dies... Gone. Everything solid, everything real, is gone. It doesn't come back. The world is forever fractured, so that you walk on the crust of an earth where you can always feel the heat under you, the press of lava, that is so hot it can burn flesh, melt bone, and the very air is poisonous. To survive, you swallow the heat. To keep from falling through and dying for real, you swallow all that hate. You push it down inside you, into that fresh grave that is all that is left of what you thought the world would be.
Laurell K. Hamilton (Blood Noir (Anita Blake, Vampire Hunter, #16))
That love, which is the highest joy, which is divine simplicity itself, is not for you moderns, you children of reflection. It works only evil in you. As soon as you wish to be natural, you become common. To you nature seems something hostile; you have made devils out of the smiling gods of Greece, and out of me a demon. You can only exorcise and curse me, or slay yourselves in bacchantic madness before my altar. And if ever one of you has had the courage to kiss my red mouth, he makes a barefoot pilgrimage to Rome in penitential robes and expects flowers to grow from his withered staff, while under my feet roses, violets, and myrtles spring up every hour, but their fragrance does not agree with you. Stay among your northern fogs and Christian incense; let us pagans remain under the debris, beneath the lava; do not disinter us.
Leopold von Sacher-Masoch (Venus in Furs)
The dragon bracelet that Humongous created, out of misplaced love and gratitude, in the hellish nightmare of the Lava-Lout Jail-Forges is exquisitely made, for he was a far better goldsmith than he was a singer. It curls around my arm, its shining wings folded back, as if about to unfurl and take off, and now that its ruby eyes are set into the gold, you cannot see their tear shape, so they seem to be laughing rather than crying. It is a constant reminder to me of the human ability to create something beautiful even when things are at their darkest.
Cressida Cowell (How to Twist a Dragon's Tale (How to Train Your Dragon, #5))
At first, you fall in love. You wake in the morning woozy and your twilight is lit with astral violet light. You spelunk down into each other until you come to possess some inner vision of each other that becomes one thing. Us. Together. And time passes. Like the forming of Earth itself, volcanoes rise and spew lava. Oceans appear. Rock plates shift. Sea turtles swim half the ocean to lay eggs on the mother island; songbirds migrate over continents for berries from a tree. You evolve--cosmically and geologically. You lose each other and find each other again. Every day. Until love gathers the turtles and the birds of your world and encompasses them, too.
Michael Paterniti (Driving Mr. Albert: A Trip Across America with Einstein's Brain)
Thank you, Obvious Warning Labels. Without you I might have stuck my kid in a washing machine, lit a match near an open gas line, used my hair dryer while sleeping, or, God forbid, not realized eggs may contain—wait for it—eggs. I have no idea how I ever function without you. (I almost ingested the contents of a lava lamp just yesterday, but your label made another quick save. God bless.)
Jen Hatmaker (For the Love: Fighting for Grace in a World of Impossible Standards)
Niccolo Machiavelli folded his arms across his chest and looked at the alchemyst. “I always knew we would meet again,” he said in French. “Though I never imagined it would be in these circumstances,” he added with a smile. “I was certain I’d get you in Paris last Saturday.” He bowed, an old-fashioned courtly gesture as Perenelle joined her husband. “Mistress Perenelle, it seems we are forever destined to meet on islands.” “The last time we met you had poisoned my husband and attempted to kill me,” Perenelle reminded him, speaking in Italian. Over three thousand years previously, the Sorceress and the Italian had fought at the foot of Mount Etna in Sicily. Although Perenelle had defeated Machiavelli, the energies they unleashed caused the ancient volcano to erupt. Lava flowed for five weeks after the battle and destroyed ten villages. “Forgive me. I was younger then, and foolish. And you emerged the victor of the encounter. I carry the scars to this day.” “Let us try and not blow up this island,” she said with a smile. Then she stretched out her hand. “I saw you try to save me earlier. There is no longer any enmity between us.” Machiavelli took her fingers in his and bent over them. “Thank you. That pleases me.
Michael Scott (The Enchantress (The Secrets of the Immortal Nicholas Flamel, #6))
you, my friend, could be the smoke’s daughter, you who may not have known you were born of fire and rage, lightning over flaming lava etched your violet mouth, your sex in the scorched oak’s moss like a ring in a nest, your fingers there in the flames, your compact body rose from leaves of fire that make me recall there were bakers in your family tree, you’re still the rainforest’s bread, ash from violent wheat,
Pablo Neruda (Then Come Back: The Lost Neruda Poems)
Say you could view a time lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by widening lead. Mountains burst up, jutting, and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up- mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash-frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and crumble, like paths of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues whose split second in the light was too brief an exposure to yield any image but the hunched shadowless figures of ghosts. Slow it down more, come closer still. A dot appears, a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.
Annie Dillard (Pilgrim at Tinker Creek)
You've been seduced with poetry? Wow. I'm envious. No guy's ever tried anything as classy as that on me." "If only you could visit the eighteenth century, Highvalley. You would learn what it is to be courted properly.
Molly Ringle (Lava Red Feather Blue)
Attention, God the Judge, God the Father, who Art in Heaven, give me one miracle, please. If You exist as I know You do, even if no one else in the world believes in You, please give me a brain tumor. Please tear my limbs from their sockets and let the backseat and my older sister be totally covered with blood. Please make me dumb and blind and deaf, please make me a martyr, please, dear heavenly Father. Tear my heart right from my chest. Drive spikes into my eyes and let hot lava shoot out of my mouth. Make me silent and thoroughly dead, but please hurry. Before we get home, before we reach the next stoplight, let the only sound be no sound, the silence of my death burning in the empty sky. If You are a mighty and true God, if You are not just a dream I have made up, please, before another hour, another minute passes, let the wire in my bra poke through my heart. Dear Lord, please, please, give me this one miracle. I have begged You every day, every evening, so please, let Your will be done, let Your will be done. Give me a gruesome death as fast as You possibly can. Thank you, God. Amen.
Joe Meno (The Great Perhaps)
I failed you, Master,” said Wex, crouching down on one knee in front of the throne. “But I will make it up to you, I promise.” “Nah, she’ll probably just fail you again, I reckon,” said Carl. “Just throw her into the lava pit.
Dave Villager (Dave the Villager 13: An Unofficial Minecraft Book (The Legend of Dave the Villager))
She folded her arms and said, "No. We're done with the truth game. Ask me what you want to ask me, and I'll answer or not if I like. I'll ask you anything I want, and you'll answer or not if you like. No forfeit, no control, no balance. No more favors or deals or measuring shit. We'll either have a real, messy conversation, or you can get the hell out." He grew angry. She could feel it shifting through his energy, slow and sulfurous like slow-moving lava. She liked it. His anger felt satisfying. It meant he wasn't indifferent to her. So she pushed him harder. "Go on, go.
Thea Harrison (Oracle's Moon (Elder Races, #4))
You still waste time with those things, Lenù? We are flying over a ball of fire. The part that has cooled floats on lava. On that part we construct buildings, the bridges, and the streets, and every so often the lava comes out of Vesuvius or causes an earthquake that destroys everything. There are microbes everywhere that make us sick and die. There are wars. There is a poverty that makes us cruel. Every second something might happen that will cause you such suffering that you'll never have enough tears. And what are you doing? A theology course in which you struggle to understand what the Holy Spirit is? Forget it, it was the Devil who invented the world, not the Father, the Son, and the Holy Spirit.
Elena Ferrante (My Brilliant Friend (My Brilliant Friend #1))
You people who have survived childhood don't remeber any longer what it was like. You think children are whole, uncomplicated creatures, and if you split them in two with a handy axe there would be all one substance inside, hard candy. But it isn't hard candy so much as a hopeless seething lava of all kinds of things, a turmoil, a mess. And once the child starts thinking about this mess he begins to disintegrate as a child and turns into something else--an adult, an animal.
Joyce Carol Oates
Icy people often freeze themselves in order to hold in check a volcanic stew of disturbing and conflictual feelings. Emotional hibernation, if you will. Crack the ice and the stuff inside comes pouring out with all the discipline of molten lava.
Jonathan Kellerman (Blood Test (Alex Delaware, #2))
— If love wants you; if you’ve been melted down to stars, you will love with lungs and gills, with warm blood and cold. With feathers and scales. Under the hot gloom of the forest canopy you’ll want to breathe with the spiral calls of birds, while your lashing tail still gropes for the waes. You’ll try to haul your weight from simple sea to gravity of land. Caught by the tide, in the snail-slip of your own path, for moments suffocating in both water and air. If love wants you, suddently your past is obsolete science. Old maps, disproved theories, a diorama. The moment our bodies are set to spring open. The immanence that reassembles matter passes through us then disperses into time and place: the spasm of fur stroked upright; shocked electrons. The mother who hears her child crying upstairs and suddenly feels her dress wet with milk. Among black branches, oyster-coloured fog tongues every corner of loneliness we never knew before we were loved there, the places left fallow when we’re born, waiting for experience to find its way into us. The night crossing, on deck in the dark car. On the beach wehre night reshaped your face. In the lava fields, carbon turned to carpet, moss like velvet spread over splintered forms. The instant spray freezes in air above the falls, a gasp of ice. We rise, hearing our names called home through salmon-blue dusk, the royal moon an escutcheon on the shield of sky. The current that passes through us, radio waves, electric lick. The billions of photons that pass through film emulsion every second, the single submicroscopic crystal struck that becomes the phograph. We look and suddenly the world looks back. A jagged tube of ions pins us to the sky. — But if, like starlings, we continue to navigate by the rear-view mirror of the moon; if we continue to reach both for salt and for the sweet white nibs of grass growing closest to earth; if, in the autumn bog red with sedge we’re also driving through the canyon at night, all around us the hidden glow of limestone erased by darkness; if still we sish we’d waited for morning, we will know ourselves nowhere. Not in the mirrors of waves or in the corrading stream, not in the wavering glass of an apartment building, not in the looming light of night lobbies or on the rainy deck. Not in the autumn kitchen or in the motel where we watched meteors from our bed while your slow film, the shutter open, turned stars to rain. We will become indigestible. Afraid of choking on fur and armour, animals will refuse the divided longings in our foreing blue flesh. — In your hands, all you’ve lost, all you’ve touched. In the angle of your head, every vow and broken vow. In your skin, every time you were disregarded, every time you were received. Sundered, drowsed. A seeded field, mossy cleft, tidal pool, milky stem. The branch that’s released when the bird lifts or lands. In a summer kitchen. On a white winter morning, sunlight across the bed.
Anne Michaels
The craft passed directly below Scathach and she released her grip and dropped onto the top of the vimana alongside Joan with enough force to send the larger craft plunging down. The French immortal laughed. "So nice of you-" "Don't you dare crack any dropping-in jokes," Scathach warned before her friend could finish. The vimana dipped and spun, but the two women had firm grips on the transparent dome and held on while the pilot tilted the craft,attempting to shake them off. "So long as he doesn't get too close to the lava," Scatty said, "we should be okay." At that moment the vimana dropped straight down, zooming dangerously close to the lava's sluggish bubbling surface. "I think he heard you," Joan said, coughing as the air became almost unbreathable.
Michael Scott (The Warlock (The Secrets of the Immortal Nicholas Flamel, #5))
Living like this means you don't have a container anymore for the different days, can't hold in a little twenty-four-hour-sized box set of events that constitute a unit, something you can compartmentalize, something with a beginning and an end, something to fill with a to-do list. Living like this means that it all runs together, a cold and bright December morning with your father or a lazy evening in late August, one of those sunsets that seem to take longer than is possible, where the sun just refuses to go down, where the hour seems to elongate to the point that it doesn't seem like it can stretch any farther without detaching completely from the hour before it, like a piece of taffy, like under sea molten lava forming a new island, a piece of time detaching from the seafloor and floating up to the surface.
Charles Yu (How to Live Safely in a Science Fictional Universe)
Fireworks exploded to life overhead: Hercules killing the Nemean lion, Artemis chasing the boar, George Washington (who, by the way, was a son of Athena) crossing the Delaware. ‘Hey, Grover,’ I called. He turned at the edge of the woods. ‘Wherever you’re going – I hope they make good enchiladas.’ Grover grinned, and then he was gone, the trees closing around him. ‘We’ll see him again,’ Annabeth said. I tried to believe it. The fact that no searcher had ever come back in two thousand years… well, I decided not to think about that. Grover would be the first. He had to be. July passed. I spent my days devising new strategies for capture-the-flag and making alliances with the other cabins to keep the banner out of Ares’s hands. I got to the top of the climbing wall for the first time without getting scorched by lava. From time to time, I’d walk past the Big House, glance up at the attic windows and think about the Oracle. I tried to convince myself that its prophecy had come to completion. You shall go west, and face the god who has turned. Been there, done that – even though the traitor god had turned out to be Ares rather than Hades.
Rick Riordan (Percy Jackson and the Lightning Thief (Percy Jackson, #1))
Of course he enticed them!” “Well now,” said the sergeant, propping his bicycle carefully against one of our pumps. “This is a very hinterestin’ haccusation, very hinterestin’ indeed, because I hain’t never ’eard of nobody hen-ticin’ a pheasant across six miles of fields and open countryside. ’Ow do you think this hen-ticin’ was performed, Mr. ’Azell, if I may hask?” “Don’t ask me how he did it because I don’t know!” shouted Mr. Hazell. “But he’s done it all right! The proof is all around you! All my finest birds are sitting here in this dirty little filling station when they ought to be up in my own wood getting ready for the shoot!” The words poured out of Mr. Hazell’s mouth like hot lava from an erupting volcano. “Am I correct,” said Sergeant Samways, “am I habsolutely haccurate in thinkin’ that today is the day of your great shootin’ party, Mr. ’Azell?
Roald Dahl (Danny the Champion of the World)
She wiggled beneath Sam but his hard, heavy body was impossible to move, and the more she squirmed, the harder a certain part of it seemed to get. "I thought you said no missionary," he whispered. "Oh my God," she raged, keeping her voice low. "Are you getting off on this?" "I'm a man. You're rubbing yourself all over me. What did you think was going to happen?" "I thought you were all about self-control." Something she seemed to be lacking at the moment. Fire licked between her thighs. And the heat... She felt like molten lava was running through her veins. "Not around you.
Sara Desai (The Marriage Game (Marriage Game, #1))
Moira was like an elevator with open sides. She made us dizzy. Already we were losing the taste for freedom, already we were finding these walls secure. In the upper reaches of the atmosphere you'd come apart, you'd vaporize, there would be no pressure holding you together. Nevertheless Moira was our fantasy. We hugged her to us, she was with us in secret, a giggle; she was lava beneath the crust of daily life. In the light of Moira, the Aunts were less fearsome and more absurd. Their power had a flaw to it. They could be shanghaied in toilets. The audacity was what we liked.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
... that eternally restless, eternally unquenched desire for naked paganism, that love that is the supreme joy, that is divine serenity itself- those things are useless for you moderns, you children of reflection. That sort of love wreaks havoc on you. As soon as you wish to be natural you become normal. To you Nature seems hostile, you have turned us laughing Greek deities into demons and me into a devil. All you can do is exorcise me and curse me or else sacrifice yourselves, slaughter yourselves in bacchanalian madness at my alter. And if you ever has the courage to kiss my red lips, he then goes on a pilgrimage to Rome, barefoot and in a penitent's shirt, and expects flowers to blossom from his withered staff, while roses, violets, and myrtles sprout constantly under my feet- but their fragrance doesn't agree with you, So just stay in your northern fog and Christian incense. Let us pagans rest under the rubble, under lava. Do not dig us up. Pompeii, our villas, our baths, our temples were not built for you people! You need no gods! We freeze in your world!
Leopold von Sacher-Masoch (Venus in Furs)
Azami shuddered, her lips trembling, and then she consumed him as aggressively and as honestly as he did her. He felt her inside of his mind, running like lava through his veins, wrapping around his heart and filling his very bones with her. “This is madness,” she whispered against his mouth when they both came up for air. Her dark eyes searched his face. Sam didn’t have any answers. He knew she was right. They might be on opposite sides in a deadly war, yet he couldn’t let her go. She fit with him. The world around them was out of sync, not the two of them. “I know,” he admitted as he rested his forehead against hers, looking into her eyes. “What are we going to do now?” A slow smile curved his mouth. “I really expected you to kill me so I wouldn’t have to figure that part out.” She blinked, her black fan of thick silky lashes fluttering as wildly as her heart. She moistened her lips. “You’re not getting off that easily.” Sam watched the dawning smile, the way her soft mouth curved and the warmth spread to her dark eyes with absolute fascination. “Well. Damn.
Christine Feehan (Samurai Game (GhostWalkers, #10))
But once you describe something, you destroy it.
Barry Webster (The Lava in My Bones)
Being interesting keeps you alive longer in there.
Molly Ringle (Lava Red Feather Blue)
I'm as quiet as a taut bow, and all for the sake of ignoring you, oh night of cardinal spaces, of torrential silence and lava.
Vicente Aleixandre (A Longing for the Light: Selected Poems)
Okay, okay!” she said. “I get it, you love lava. Maybe we should call you Lavaboy.”  “Only if I get to call you Sharkgirl,” Jack stuck out his tongue.
Pixel Ate (The Accidental Minecraft Family: Book 8)
Obsidian rests around your neck as if you are carrying the history of every night sky in one stone Smile young girl Your eyes are moonless, grimmer than the rock revolved around your throat Your voice is weak when you speak of the things you love You do not love things properly Your jaw was battered against the ceramic when your father screamed of your selfishness and slapped you with all the anger your grandfather bred in him You conduct yourself in spite of his judgement In spite of being just like him But while you chase after reckless habits and restless bodies you are mirroring his tantrums Drain the anger from your blood, young girl Do not make this tempered interpretation a trio Your Obsidian is the cooling heat of lava and only pure when it maintains its darkness But there is more power in your will than in the frozen anger of the stone Your body does not have to erupt when you feel the heat of an outrage bubbling at the rim Keep your composure, you are not a volcano You do not have to hang around someone’s neck like a chunk of lava wishing to explode
Alessia Di Cesare
Is now a good time to tell you my dad’s fluent in four languages?” I went perfectly still, my hand tight around the oral wand and my face so hot I thought my head would split and spill lava. “Is…ah, Spanish…one of them?” I croaked. “Sí,” Mr. Moore answered. Once more the vent alarms blared in nuclear-meltdown mode. It took all I had not to kick Brody in the ribs when he fell to the floor in hysterics.
Cecy Robson (Once Loved (Shattered Past, #2))
Failure. Never before has a thing gotten such a bad rap as failure. And why wouldn't it? It's failure. In a video game, failure means to fucking die, to drop into a pit of lava while the princess remains unsaved (oh, sexist video games, when will the lady plumber save the prince instead of the other way around?). You fail a class and it's like -- *poop noise* -- you failed, you're held back, time is wasted, money is lost, you suck, you stupid person. Hell with that. Failure is brilliant. Failure is how we learn. Every great success and every kick-ass creator is the product of a hundred failures, a thousand, some epic-big, some micro-tiny. We learn the right moves by taking the wrong turns. Failure should not drag you into the pits of personal despair but rather leave you empowered. Failure is an instructional manual written in scar tissue.
Chuck Wendig (500 Ways to Write Harder)
There are those who sail through a ‘visit from Auntie Flo’, enduring little more than a twinge in the abdomen. And then there are people like me, who firmly believe their uterus is re-enacting the Battle of the Somme. Allow me to paint a picture for you. It’s fucking ugly. Your body bloats, your tits hurt and you sweat uncontrollably. Your crevices start to feel like a swamp and your head is pounding all the time. You feel like you have a cold – shivering, aching, nauseous – and have the hair-trigger emotions of someone who has not slept for days. But we’re not done yet. The intense cramping across your lower abdomen feels like the worst diarrhoea you’ve ever had – in fact, you’ll also get diarrhoea, to help with the crying fits. As your internal organs contract and tear themselves to blooded bits so you can lay an egg, blasts of searing pain rip through you. You bleed so much that all ‘intimate feminine hygiene products’ fail you – it’s like trying to control a lava flow with an oven mitt. You worry people can smell your period. You are terrified to sit on anything or stand up for a week in case you’ve bled through. And as you’re sitting, a crying, sweaty, wobbly, spotty, smelly mess, some bastard asks ‘Time of the month, love?’ And then you have to eat his head.
Kate Lister (A Curious History of Sex)
I heard a few men in a restaurant talking about a bayou legend," Savannah said suddenly.She leaned ont he side of the boat,presenting him with an intriguing view of her tight jeans. They clung lovingly to every curve. Gregori moved, a flowing of his body, gliding silently, and his large frame was blanketing Savannah's, blocking out the captain's enticing view.Gregori leaned into her,his arms coming down on either side of the railing to imprison her against him. You are doing it again. His words brushed softly in her mind even as his warm breath teased the tendrils of hair at her neck. Savannah leaned back into him, fitting her bottom into the cradle of his hips. She was happy, free of the oppressive weight of the hunt,of death and violence. THere were only the two of them. Three, he reminded her,his teeth scraping her sensitive pulse.He could feel the answering surge of her blood, the molten lava spreading in his. My mother thinks my father is a cave man.I'm beginning to think you could give him a run for his money. Disrespectful little thing. "Which legend?There are so many," Beau said. "About an old alligator that lies in wait to eat hunting dogs and little children," Savannah said. Gregori tugged at her long braid so that she tilted her head back.His mouth brushed the line of her throat. I could be a hungry alligator, he offered softly.
Christine Feehan (Dark Magic (Dark, #4))
Passing him with frightening speed, I see him sailing downward with his open parachute. “It won’t open!” “Pull harder!” Looking down, I estimate that at this speed it will only be a matter of seconds before I collide with the black lava rocks below. They rigged it! is all I can think. President Volkov won. I lost. I failed Gemma. I failed Nicholas. I failed myself. All of a sudden, someone rams into me from behind and hooks his arms and legs around my body. I look back and see Cory. “You’re crazy!” I scream as we spin out of control. “I know!” He smiles like he really is, but he feeds off of this kind of insanity. “Hold on!” The ground is so close and I can see the green grass and smell the scent of it mixed with the sulfur. He helps me turn around and I lock my arms around his thick shoulders, my legs around his firm hips. We’ll die together, and he doesn’t seem to care one bit. He really is insane!
E.J. Squires (Savage Run: Book I)
That’s the trouble with hiding in your safe place and hearing but not hearing a verbal hammering. You do hear the words, and with the right trigger, all your feelings come out as word vomit or lava— a hot projectile that can’t be controlled at all.
Anne Bishop (Lake Silence (The World of the Others, #1; The Others, #6))
A faery’s home, usually shared with others, was often called a haunt, though grander ones might be called a court. There were other fae whose homes were fortresses, caves, dens, or lairs. You didn’t want to go home with anyone who lived in a lair.
Molly Ringle (Lava Red Feather Blue)
Last Night’s Moon," “When will we next walk together under last night’s moon?” - Tu Fu March aspens, mist forest. Green rain pins down the sea, early evening cyanotype. Silver saltlines, weedy toques of low tide, pillow lava’s black spill indelible in the sand. Unbroken broken sea. — Rain sharpens marsh-hair birth-green of the spring firs. In the bog where the dead never disappear, where river birch drown, the surface strewn with reflection. This is the acid-soaked moss that eats bones, keeps flesh; the fermented ground where time stops and doesn’t; dissolves the skull, preserves the brain, wrinkled pearl in black mud. — In the autumn that made love necessary, we stood in rubber boots on the sphagnum raft and learned love is soil–stronger than peat or sea– melting what it holds. The past is not our own. Mole’s ribbon of earth, termite house, soaked sponge. It rises, keloids of rain on wood; spreads, milkweed galaxy, broken pod scattering the debris of attention. Where you are while your body is here, remembering in the cold spring afternoon. The past is a long bone. — Time is like the painter’s lie, no line around apple or along thigh, though the apple aches to its sweet edge, strains to its skin, the seam of density. Invisible line closest to touch. Lines of wet grass on my arm, your tongue’s wet line across my back. All the history in the bone-embedded hills of your body. Everything your mouth remembers. Your hands manipullate in the darkness, silver bromide of desire darkening skin with light. — Disoriented at great depths, confused by the noise of shipping routes, whales hover, small eyes squinting as they consult the magnetic map of the ocean floor. They strain, a thousand miles through cold channels; clicking thrums of distant loneliness bounce off seamounts and abyssal plains. They look up from perpetual dusk to rods of sunlight, a solar forest at the surface. Transfixed in the dark summer kitchen: feet bare on humid linoleum, cilia listening. Feral as the infrared aura of the snake’s prey, the bees’ pointillism, the infrasonic hum of the desert heard by the birds. The nighthawk spans the ceiling; swoops. Hot kitchen air vibrates. I look up to the pattern of stars under its wings.
Anne Michaels
Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.
Annie Dillard (Pilgrim at Tinker Creek)
Well, I like you. And I like your room." Logan wound his arms around me from behind, pulling my back against his chest. "Very much, on both accounts." "As much as I'd like to stay like this, my dad's going to come in here in about three seconds and ask us if we want soda or snacks," I groaned, "and if he sees us like this he's going to add castration to the menu." Logan dropped me from his hold as if I were made of lava—a bold statement considering he wielded fire demon power. He bolted to the opposite side of the room, settling in my pink beanbag chair with a textbook protectively over his crotch. He glanced warily at the door, his face pale. Sure enough, a minute later my dad poked his head in just to check and see if we needed anything. Then he made sure the door was as wide open as possible. And tested the lock. And studied the hinges, possibly contemplating removing the door from the frame. And then he left. Probably to go collect his award for Most Embarrassing Dad of All Time That Ever Existed in the History of Everything.
Cara Lynn Shultz (The Dark World (Dark World, #1))
Thomas Wolfe ate the world and vomited lava. Dickens dined at a different table every hour of his life. Molière, tasting society, turned to pick up his scalpel, as did Pope and Shaw. Everywhere you look in the literary cosmos, the great ones are busy loving and hating.
Ray Bradbury (Zen in the Art of Writing)
When I was a kid, I used to have these panic attacks thinking about how I could never be anyone else. I couldn't be my mom or my dad, and for my whole life, I'd have to walk around inside a body that kept me from ever truly knowing anyone else. It made me feel lonely, desolate, almost hopeless. When I told my parents about this, I expected them to know the feeling I was talking about, but they didn't. "That doesn't mean there's anything wrong with feeling that way, though, sweetie!" Mom insisted. "Who else do you think about being?" my dad said with his particular blunt fascination. The fear lessened, but the feeling never went away. Every once in a while, I'd roll it back out, poke at it. Wonder how I could ever stop feeling lonely when no one could ever know me all the way. When I could never peer into someone else's brain and see it all. And now I'm crying because reading this story makes me feel for the first time that I'm not in body. Like there's some bubble that stretches around me and Alex and makes it so we're just two different colored globs in a lava lamp, mixing freely, dancing around each other, unhindered. I'm crying because I'm relieved. Because I will never again feel as alone as I did during those long nights as a kid. As long as I have him, I will never be alone again.
Emily Henry
Then he said something about how L.A. is dust and exhaust and the hot, dry wind that sets your nerves on edge and pushes fire up the hillsides in ragged lines like tears in the paper that separates us from hell, and it’s towering clouds of smoke, and it’s sunshine that won’t let up and cool ocean fog that gets unrolled at night over the whole basin like a clean white hospital sheet and peeled back again in the morning. It’s a crescent moon in a sky bruised green after the sunset has beaten the shit out of it. It’s a lazy hammock moon rising over power lines, over the skeletal silhouettes of pylons, over shaggy cypress trees and the spiky black lionfish shapes of palm-tree crowns on too-skinny trunks. It’s the Big One that’s coming to turn the city to rubble and set the rubble on fire but not today, hopefully not today. It’s the obviousness of pointing out that the freeway looks like a ruby bracelet stretched alongside a diamond one, looks like a river of lava flowing counter to a river of champagne bubbles. People talk about the sprawl, and, yeah, the city is a drunk, laughing bitch sprawled across the flats in a spangled dress, legs kicked up the canyons, skirt spread over the hills, and she’s shimmering, vibrating, ticklish with light. Don’t buy a star map. Don’t go driving around gawking because you’re already there, man. You’re in it. It’s all one big map of the stars.
Maggie Shipstead (Great Circle)
Kaderin hesitated, then told Emma, “He could possibly still be trapped behind a pit of boiling lava, guarded by a fire serpent.” Emma cried, “For two weeks? Can you please go get him? He’s my husband’s cousin and best friend!” “Are we using your tranq gun or ours?” Kaderin asked. “Emma, he’ll be in a killing rage after losing his mate—again.” “I know, but I’m just worried he might . . . he might take the opportunity to . . . you know.” “Okay, okay,” Kaderin said, then turned to Sebastian. “Can we go get Bowen sometime tonight? She’s worried he’ll dive in after the loss.” “Which would be tragic.” When Emma heard him and screeched, he grudgingly said, “No, he won’t do that. He’ll need to kill me first. Trust me, I know this.
Kresley Cole (No Rest for the Wicked (Immortals After Dark, #2))
Funny thing about Gabby: you wouldn’t know it from looking at him, with his golden halo and platonic beauty, but the guy was something of a pack rat. He’d been collecting little odds and ends since at least the double-digit redshifts. The interior reality of Gabriel’s Magisterium burbled and shifted like convection currents in a star on the zaftig end of the main sequence. Because, I realized, that’s what they were. Dull dim light, from IR to X-ray, oozed past me like the wax in a million-mile lava lamp while carbon, nitrogen, and oxygen nuclei did little do-si-dos about my toes. Every bubble, every sizzle, every new nucleus, every photodissociation tagged something of interest to Gabriel. The heart of this star smelled of roses and musty libraries.
Ian Tregillis (Something More Than Night)
going about with a huge, heavy arm or dragging along a grossly disfigured leg. Men and women wore the lava-lava. “It’s a very indecent costume,” said Mrs. Davidson. “Mr. Davidson thinks it should be prohibited by law. How can you expect people to be moral when they wear nothing but a strip of red cotton round their loins?” “It’s suitable enough to the climate,” said the doctor, wiping the sweat off his head. Now that they were on land the heat, though it was so early in the morning, was already oppressive. Closed in by its hills, not a breath of air came in to Pago-Pago. “In our islands,” Mrs. Davidson went on in her high-pitched tones, “we’ve practically eradicated the lava-lava. A few old men still continue to wear it, but that’s all. The women have all taken to the Mother Hubbard,
W. Somerset Maugham (Rain and Other South Sea Stories)
We went about our usual routines – combat practice, volleyball practice, archery practice, strawberry-picking practice (don’t ask), lava-wall-climbing practice … You’ll find we practise a lot here. We would have spent the evening in the usual way, too, with a campfire sing-along, if not for an offhand comment Nico di Angelo dropped at dinner. We were talking about what changes each of us would make if we ran the camp, and Nico said: ‘First thing I’d do is make sure the poor newbie demigods don’t have to suffer through the orientation film.’ All conversation stopped. ‘What orientation film?’ Will Solace asked. Nico looked puzzled. ‘You know …’ He glanced side to side, clearly uncomfortable with everybody watching him. Finally he cleared his throat and sang in a warbly voice to the tune of ‘The Hokey Cokey’: ‘It lets the demigods in! It shuts the monsters out! It keeps the half-bloods safe, but turns mortals all about! It’s Misty, and it’s magic, and it makes me want to shout: the border is all about!’ He punctuated the last line of the song with some half-hearted claps. We stared at him in stunned silence. ‘Nico.’ Will patted his boyfriend’s arm. ‘You’re scaring the other campers.’ ‘More than usual,’ Julia Feingold muttered
Rick Riordan (Camp Half-Blood Confidential (Percy Jackson and the Olympians))
means you don’t have a container anymore for the different days, can’t hold in a little twenty-four-hour-sized box a set of events that constitute a unit, something you can compartmentalize, something with a beginning and an end, something to fill with a to-do list. Living like this means that it all runs together, a cold and bright December morning with your father or a lazy evening in late August, one of those sunsets that seem to take longer than is possible, where the sun just refuses to go down, where the hour seems to elongate to the point that it doesn’t seem like it can stretch any farther without detaching completely from the hour before it, like a piece of taffy, like undersea molten lava forming a new island, a piece of time detaching from the seafloor and floating up to the surface. It’s not comfortable in here.
Charles Yu (How to Live Safely in a Science Fictional Universe)
Up the coast a few miles north, in a lava reef under the cliffs, there are a lot of rock pools. You can visit them when the tide is out. Each pool is separate and different, and you can, if you are fanciful, give them names, such as George, Charlotte, Kenny, Mrs. Strunk. Just as George and the others are thought of, for convenience, as individual entities, so you may think of a rock pool as an entity; though, of course, it is not. The waters of its consciousness - so to speak - are swarming with hunted anxieties, grim-jawed greeds, dartingly vivid intuitions, old crusty-shelled rock-gripping obstinacies, deep-down sparkling undiscovered secrets, ominous protean organisms motioning mysteriously, perhaps warningly, toward the surface light. How can such a variety of creatures co-exist at all? Because they have to. The rocks of the pool hold their world together. And, throughout the day of the ebb tide, they know no other.
Christopher Isherwood
Moira was out there somewhere. She was at large, or dead. What would she do? The thought of what she would do expanded till it filled the room. At any moment there might be a shattering explosion, the glass of the windows would fall inward, the doors would swing open. . . . Moira had power now, she’d been set loose, she’d set herself loose. She was now a loose woman. I think we found this frightening. Moira was like an elevator with open sides. She made us dizzy. Already we were losing the taste for freedom, already we were finding these walls secure. In the upper reaches of the atmosphere you’d come apart, you’d vaporize, there would be no pressure holding you together. Nevertheless Moira was our fantasy. We hugged her to us, she was with us in secret, a giggle; she was lava beneath the crust of daily life. In the light of Moira, the Aunts were less fearsome and more absurd. Their power had a flaw to it. They could be shanghaied in toilets. The audacity was what we liked.
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
Dry Cicuta está con Pascual. Están en el coche del padre de Pascual. Están frente a la casa de Dry Cicuta. Dry Cicuta dice gracias. Se baja del coche. Está en la puerta de casa. El perro ladra. Dry Cicuta entra. Sus padres lo saludan. Habla con ellos. Piensa: quiero que mis padres mueran para heredar la casa y una suma suficiente de dinero como para vivir durante al menos unos cuantos años sin hacer nada más que nadar en la piscina, pedir comida a domicilio todos los días, leer, escuchar música, escribir literatura, jugar a videojuegos, escribir canciones, subir un álbum a Bandcamp y crear videoclips para cada canción para subirlo también a YouTube, pintar lienzos de todos los tamaños… Se lava las manos en el baño. Se las perfuma con pachulí. Se siente mejor. Sube a su habitación. Gira el pomo. Entra. Cierra. Se santigua mirando a la estantería. Coge un libro. Lo besa. Las cerezas del cementerio, de Gabriel Miró. Lo deja sobre la cama. Vuelve a santiguarse mirando a la estantería. Coge otro libro. Lo besa también. Cicuta Dry, de Camilo José Cela.
Alexandre Alphonse (Dry Cicuta)
Just the basalt surface, plenty of cold, hard lava. And cold air, well below the line,’ Ash informed them. ‘We’d need suits to handle the temperature even if the air were breathable. If there’s anything alive out there, it’s tough.’ Dallas looked resigned. ‘I suppose it was unreasonable to expect anything else. Hope springs eternal. There’s just enough of an atmosphere to make vision bad. I’d have preferred no air at all, but we didn’t design this rock.’ ‘You never know.’ Kane was being philosophical again. ‘Might be something else’s idea of paradise.
Alan Dean Foster (Alien)
Grover yelped. “Percy? Are you . . . um . . .” Crazy. Insane. Off my rocker. Probably. But I watched as Luke grasped the hilt. I stood before him—defenseless. He unlatched the side straps of his armor, exposing a small bit of his skin just under his left arm, a place that would be very hard to hit. With difficulty, he stabbed himself. It wasn’t a deep cut, but Luke howled. His eyes glowed like lava. The throne room shook, throwing me off my feet. An aura of energy surrounded Luke, growing brighter and brighter. I shut my eyes and felt a force like a nuclear explosion blister my skin and crack my lips.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
How did he know my dad helped get me this job? Did someone in the office tell him? I mean, it’s not like I’m some spoiled, incompetent rich kid with zero work experience and mega connections. My dad’s just aCPA! But I’m not going to bother explaining that or anything else. Because right now, I’m halfway convinced a hole in my skull has blown right off and my brains are flowing out like molten lava. I think I might well and truly hate Porter Roth. “You know nothing about me or my family. And you’re a goddamn dickbag, you know that?” I say, so enraged that I don’t even care that a family of four is walking up to my window. I should have. And I should have noticed that I left the green switch turned on from the last pair of tickets I sold. But the family’s wide-eyed faces clue me in now. They’ve heard every nasty word. For one terrible moment, the booth spins around me. I apologize profusely, but the parents aren’t happy. At all. Why should they be? Oh God, is the wife wearing a crucifix pendant? What if these people are fundamentalists? Are these kids homeschooled? Did I just ruin them for life? Jesus fu—I mean, fiddlesticks. Are they going to ask to speak to Mr. Cavadini? Am I going to be fired? On my first day? What is my dad going to say?
Jenn Bennett (Alex, Approximately)
Phoenix Blood There are only two things I am sure of in this world: the first is, one day, this life will come to its final destination in death The second: people will try to obliterate you, and believe me, even the ones that once promised you forever will betray you, it never fails to happen when love turns dark. Do yourself a favour when this happens; reclaim yourself from them. I know you have been taught to slice out your own heart, hand it over again and again to selfish hands, because it is all you have known since you were a child. You are an open wound looking for someone to cure you. And when they see that, they will scratch at it, steal your voice, thinking your magic will go with it, hoping your core swallows itself up. This is where you remember the lava of the volcano you come from, your ancestors were made from fire and it runs like hum that sings through your own vein-rivers of blood. You are not an open wound, they just want you to think you are. They have done this to every woman before you, yet women were made to endure; they become the earth, they adapt like water, they turn into diamonds to survive as who they are. This is how we become magic, we walk through fire and become more holy. They try to break us, we do not accept defeat. They try to devastate us, we still discover how to be happy. They banish us to the depths of hell, we just absorb and master the heat.
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
Flames lit every surface in the caves and lava floes burned all around him, like some version of the Realm of Death he had heard tales of in his youth. There were flames leaping out of holes in the walls and floor like fiery stalagmites. Cyrus Davidon stood in the midst of it all, minding his steps very carefully, lest his black armor end up blacker still from an inadvertent scorching. The sweat rolled off his face as he surveyed the group around him. Over one hundred adventurers, all with common purpose. They had come to this place intending to slay a dragon. There was some nobility in that, Cyrus reflected, but it was diminished by the fact that the dragon was trapped in these depths and not a threat to anyone but those looking for it. Which meant that most of them were here for the dragon’s sizeable treasure hoard. “There’s nothing like fighting for your life with a small army of opportunists to watch your back, is there?” Cyrus murmured. “You’re not joking. It makes you wonder if there’s even one of this lot we can trust,” came the voice of Narstron a dwarf who had traveled with Cyrus for many seasons and had shared a great many adventures with him. “Trust is earned, not given. This group is so raw they’ll be dead before they even prove themselves,” came the voice on the other side of Narstron. Andren was an elf by nature and a healer by trade, a spell caster with the ability to bind wounds through magical means. “This lot has seen far too few seasons – and this is likely their last. Dragons aren’t to be trifled with.” He peered
Robert J. Crane (Defender, Avenger, Champion (Sanctuary #1-3))
Tub full, she stood back to regard the mound of ice. Already the heat of her home fought to melt it. A rap came again at the entrance, more like an impatient pounding, and she cursed. The clock showed her only a few minutes away from her torture. I need whoever it is to go away. She ran to the door and slid open the peek-a-boo slot. Familiar turquoise eyes peered back. “Little witch, little witch, let me come in,” he chanted in a gruff voice. A smile curled her lips. “Not by the wart on my chinny chin chin,” she replied. “And before you try huffing and puffing, Nefertiti herself spelled this door. So forget blowing it down.” “So open it then. I’ve got a lead I think on escapee number three.” A glance at the clock showed one minute left. “Um, I’m kind of in the middle of something. Can you come back in like half an hour?” “Why not just let me in and I’ll wait while you do your thing? I promise not to watch, unless you like an audience.” “I can’t. Please. Just go away. I promise I’ll let you in when you come back.” His eyes narrowed. “Open this door, Ysabel.” “No. Now go away. I’ll talk to you in half an hour.” She slammed the slot shut and only allowed herself a moment to lean against the door which shuddered as he hit it with a fist. She didn’t have time to deal with his frustration. The tickle in her toes started and she ran to the bathroom, dropping her robe as she moved. The fire erupted, and standing on the lava tile in her bathroom, she concentrated on breathing against the spiraling pain and flames. I mustn’t scream. Remy might still be there, listening. Why that mattered, she couldn’t have said, but it did help her focus for a short moment. But the punishment would not allow her respite. Flames licked up her frame, demolishing her thin underpants and she couldn’t help but scream as the agony tore through her body. Make it stop. Make it stop. Wishing, praying, pleading didn’t stop the torture. As the inferno consumed her, her ears roared with the snap of the fire and a glance in her mirror horrified her, for there she stood – a living pyre of fire. She closed her eyes against the brilliant heat, but that just seemed to amplify the pain. Her knees buckled, but she didn’t fall. Something clasped her and she moaned as she sensed more than saw Remy’s arms wrap around her waist. It had to be him. Who else was crazy enough to break down her door and interrupt? Forcing open her eyes, eyes that wanted to water but couldn’t as the heat dried up all moisture, she saw the flames, not picky about their choice her own nightmare, she knew enough to try and push him away with hands that glowed inferno bright. He wouldn’t budge, and he didn’t scream – just held her as the curse ran its course. Without being told, once the flames disappeared, he placed her in the ice bath, the shocking cold a welcome relief. Gasping from the pain, she couldn’t speak but remained aware of how he stroked her hair back from her face and how his arm rested around her shoulders, cradling her. “Oh, my poor little witch,” he murmured. “No wonder you’ve been hiding.” Teeth chattering as the cold penetrated her feverish limbs, she tried to reply. “Wh-what c-c-can I say? I’m h-h-hot.” -Remy & Ysabel
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
It is curious why anybody should pooh-pooh a study of fossils or various forms of rocks or lava. Such things grant us our only vision into Natural History’s big book; and it isn't a book in first-class condition. Far from it! Just a tiny scrap; a slip; or, possibly a big chunk is found, with nothing notifying us as to how it got to that particular point, nor how long ago. Man can only look at it, lift it, rap it, cut into it, and squint at it through a magnifying glass. And,— think about it. That’s all; until a formal study brings accompanying thoughts from many minds; and, by such tactics, judging that in all probability such and such a rock or fossil footprint is about so old. Natural History holds you in its grasp through just this impossibility of finding actual facts; for it is thus causing you to think. Now, thinking is not only a voluntary function; it is an acquisition; an art. Plants do not think. Animals probably do, but in a primary way, such as an aid in knowing poisonous foods, and how to bring up an offspring with similar ability. But Man can, and should think, and think hard and constantly. It is ridiculous to rush blindly into an action without looking forward to lay out a plan. Such an unthinking custom is almost a panic, and panic is but a mild form of insanity
Ernest Vincent Wright (Gadsby)
DAYS ONE THROUGH SIX, ETC. You keep on asking me that – “Which day was the hardest?” Blockheads! They were all hard – And of course, since I’m omnipotent, they were all easy. It was Chaos, to begin with. Can you imagine Primeval Chaos? Of course you can’t. How long had it been swirling around out there? Forever. How long had I been there? Longer than that. It was a mess, that’s what it was. Chaos is Rocky. Fuzzy. Slippery. Prickly. As scraggly and obstreperous as the endless behind of an infinite jackass. Shove on it anywhere, it gives, then slips in behind you, like smog, like lava, like slag. I’m telling you, chaos is – chaotic. You see what I was up against. Who could make a world out of that muck? I could, that’s who – land from water, light from dark, and so on. It might seem like a piece of cake now that it’s done, but back then, without a blueprint, without a set of instructions, without a committee, could you have created a firmament? Of course there were bugs in the process, grit in the gears, blips, bloopers – bringing forth grass and trees on Day Three and not making sunlight until Day Four, that, I must say, wasn’t my best move. And making the animals and vegetables before there was any rain whatsoever – well, anyone can have a bad day. Even Adam, as it turned out, wasn’t such a great idea – those shifty eyes, the alibis, blaming things on his wife – I mean, it set a bad example. How could he expect that little toddler, Cain, to learn correct family values with a role model like him? And then there was the nasty squabble Over the beasts and birds. OK, I admit I told Adam to name them, but – Platypus? Aardvark? Hippopotamus? Let me make one thing perfectly clear – he didn’t get that gibberish from Me. No, I don’t need a planet to fall on Me, I know something about subtext. He did it to irritate Me, just plain spite – and did I need the aggravation? Well, as you know, things went from bad to worse, from begat to begat, father to son, the evil fruit of all that early bile. So next there was narcissism, then bigotry, then jealousy, rage, vengeance! And finally I realized, the spawn of Adam had become exactly like – Me. No Deity with any self-respect would tolerate that kind of competition, so what could I do? I killed them all, that’s what! Just as the Good Book says, I drowned man, woman, and child, like so many cats. Oh, I saved a few for restocking, Noah and his crew, the best of the lot, I thought. But now you’re back to your old tricks again, just about due for another good ducking, or maybe a giant barbecue. And I’m warning you, if I have to do it again, there won’t be any survivors, not even a cockroach! Then, for the first time since it was Primeval Chaos, the world will be perfect – nobody in it but Me.
Philip Appleman