Lava River Quotes

I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with it’s painful gall-stones, it’s gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul...

Chivalry, stimulating conversations, everything is said to be a lost art nowadays. But nothing is a lost art, unless it’s a sunken statue—in a river of lava.

I cross my fingers that if a demon dunks me in a vat of boiling lava I'll get thrown together naked with River Phoenix, and that he'll say I'm cute and try to kiss me.

The end result: Abyssian plummeting toward the lava river, tethered to a net filled with stone penises.

If you ever drop your keys into a river of molten lava, let'em go...because man, they're gone!

This (Earth) is hell. There are no fires, no burning pits of torment, no levels or rings or rivers of lava. When we die, we get put right back on earth to live our miserable existences over and over and over for all eternity.

Say you could view a time lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by widening lead. Mountains burst up, jutting, and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up- mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash-frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and crumble, like paths of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues whose split second in the light was too brief an exposure to yield any image but the hunched shadowless figures of ghosts. Slow it down more, come closer still. A dot appears, a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

She had the feeling that life ran thick and slow inside her, bubbling like a hot sheet of lava. Maybe she loved herself . . . And what if she thought distantly, a bugle suddenly cut through that mantle of night with its sharp sound and left the plains free, green and vast . . . And then nervous white horses with rebellious neck and leg movements, almost flying, crossed rivers, mountains, valleys . . . Thinking of them, she felt the cool air circulate inside herself as if it had come out of a cool, moist, hidden grotto in the middle of the desert.

Last Night’s Moon," “When will we next walk together under last night’s moon?” - Tu Fu March aspens, mist forest. Green rain pins down the sea, early evening cyanotype. Silver saltlines, weedy toques of low tide, pillow lava’s black spill indelible in the sand. Unbroken broken sea. — Rain sharpens marsh-hair birth-green of the spring firs. In the bog where the dead never disappear, where river birch drown, the surface strewn with reflection. This is the acid-soaked moss that eats bones, keeps flesh; the fermented ground where time stops and doesn’t; dissolves the skull, preserves the brain, wrinkled pearl in black mud. — In the autumn that made love necessary, we stood in rubber boots on the sphagnum raft and learned love is soil–stronger than peat or sea– melting what it holds. The past is not our own. Mole’s ribbon of earth, termite house, soaked sponge. It rises, keloids of rain on wood; spreads, milkweed galaxy, broken pod scattering the debris of attention. Where you are while your body is here, remembering in the cold spring afternoon. The past is a long bone. — Time is like the painter’s lie, no line around apple or along thigh, though the apple aches to its sweet edge, strains to its skin, the seam of density. Invisible line closest to touch. Lines of wet grass on my arm, your tongue’s wet line across my back. All the history in the bone-embedded hills of your body. Everything your mouth remembers. Your hands manipullate in the darkness, silver bromide of desire darkening skin with light. — Disoriented at great depths, confused by the noise of shipping routes, whales hover, small eyes squinting as they consult the magnetic map of the ocean floor. They strain, a thousand miles through cold channels; clicking thrums of distant loneliness bounce off seamounts and abyssal plains. They look up from perpetual dusk to rods of sunlight, a solar forest at the surface. Transfixed in the dark summer kitchen: feet bare on humid linoleum, cilia listening. Feral as the infrared aura of the snake’s prey, the bees’ pointillism, the infrasonic hum of the desert heard by the birds. The nighthawk spans the ceiling; swoops. Hot kitchen air vibrates. I look up to the pattern of stars under its wings.

Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

I love everything that flows,’ said the great blind Milton of our times. I was thinking of him this morning when I awoke with a great bloody shout of joy: I was thinking of his rivers and trees and all that world of night which he is exploring. Yes, I said to myself, I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with it’s painful gall-stones, its gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul...

Once I thought that to be human was the highest aim a man could have, but I see now that it was meant to destroy me. Today I am proud to say I am inhuman, that I belong not to men and governments, that I have nothing to do with creeds and principles. . . . I belong to the earth! . . . And I join my slime, my excrement, my madness,my ecstasy to the great circuit which flows through the subterranean vaults of the flesh. . . . Side by side with the human race there runs another race of beings, the inhuman ones, the race of artists. . . . Out of the dead compost and the inert slag they breed a song that contaminates. . . . “I love everything that flows,” said the great blind Milton of our times [Joyce]. I was thinking of him this morning . . . of his rivers and trees and all that world of night that he is exploring. Yes, I said to myself, I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. . . . I love the urine that pours out scalding and the clap that runs endlessly.

I love everything that flows,” said the great blind Milton of our times. I was thinking of him this morning when I awoke with a great bloody shout of joy: I was thinking of his rivers and trees and all that world of night which he is exploring. Yes, I said to myself, I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with its painful gallstones, its gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul; I love the great rivers like the Amazon and the Orinoco, where crazy men like Moravagine float on through dream and legend in an open boat and drown in the blind mouths of the river. I love everything that flows, even the menstrual flow that carries away the seed unfecund. I love scripts that flow, be they hieratic, esoteric, perverse, polymorph, or unilateral. I love everything that flows, everything that has time in it and becoming, that brings us back to the beginning where there is never end: the violence of the prophets, the obscenity that is ecstasy, the wisdom of the fanatic, the priest with his rubber litany, the foul words of the whore, the spittle that floats away in the gutter, the milk of the breast and the bitter honey that pours from the womb, all that is fluid, melting, dissolute and dissolvent, all the pus and dirt that in flowing is purified, that loses its sense of origin, that makes the great circuit toward death and dissolution. The great incestuous wish is to flow on, one with time, to merge the great image of the beyond with the here and now. A fatuous, suicidal wish that is constipated by words and paralyzed by thought.

Bodies like this give sexual desire its meaning! It’s for this that penises rise like drawbridges and vaginas become engorged with blood! It’s for this that people throw snot-nosed kids into ravines, cross raging rivers, or ice-pick up the wrong side of frozen waterfalls! It’s for this that politicians undo their flies in election season, porn magazines with their pages stuck together are found stacked in church basements, people chop off body parts and mail them to ex-lovers, risk hair on palms, stolen wallets, planes flying into buildings, and lice that hop like chess figurines on a board whose players are ever changing.

Then he said something about how L.A. is dust and exhaust and the hot, dry wind that sets your nerves on edge and pushes fire up the hillsides in ragged lines like tears in the paper that separates us from hell, and it’s towering clouds of smoke, and it’s sunshine that won’t let up and cool ocean fog that gets unrolled at night over the whole basin like a clean white hospital sheet and peeled back again in the morning. It’s a crescent moon in a sky bruised green after the sunset has beaten the shit out of it. It’s a lazy hammock moon rising over power lines, over the skeletal silhouettes of pylons, over shaggy cypress trees and the spiky black lionfish shapes of palm-tree crowns on too-skinny trunks. It’s the Big One that’s coming to turn the city to rubble and set the rubble on fire but not today, hopefully not today. It’s the obviousness of pointing out that the freeway looks like a ruby bracelet stretched alongside a diamond one, looks like a river of lava flowing counter to a river of champagne bubbles. People talk about the sprawl, and, yeah, the city is a drunk, laughing bitch sprawled across the flats in a spangled dress, legs kicked up the canyons, skirt spread over the hills, and she’s shimmering, vibrating, ticklish with light. Don’t buy a star map. Don’t go driving around gawking because you’re already there, man. You’re in it. It’s all one big map of the stars.

Phoenix Blood There are only two things I am sure of in this world: the first is, one day, this life will come to its final destination in death The second: people will try to obliterate you, and believe me, even the ones that once promised you forever will betray you, it never fails to happen when love turns dark. Do yourself a favour when this happens; reclaim yourself from them. I know you have been taught to slice out your own heart, hand it over again and again to selfish hands, because it is all you have known since you were a child. You are an open wound looking for someone to cure you. And when they see that, they will scratch at it, steal your voice, thinking your magic will go with it, hoping your core swallows itself up. This is where you remember the lava of the volcano you come from, your ancestors were made from fire and it runs like hum that sings through your own vein-rivers of blood. You are not an open wound, they just want you to think you are. They have done this to every woman before you, yet women were made to endure; they become the earth, they adapt like water, they turn into diamonds to survive as who they are. This is how we become magic, we walk through fire and become more holy. They try to break us, we do not accept defeat. They try to devastate us, we still discover how to be happy. They banish us to the depths of hell, we just absorb and master the heat.

Through a gap in the trees he could see the valley far below him where the river ran, a cauldron in the mountain's shadow where smoke and spume seethed like the old disturbance of the earth erupting once again, black mist languid in the cuts and trenches as flowing lava and the palisades of rock rising in the high-shored rim beyond the valley-and beyond the valley, circling the distant hoary cupolas now standing into morning, the sun, reaching to the slope where the old man rested, speared mist motes emblematic as snowflakes and broke them down in spangled and regimental disorder, reached the trees and banded them in light, struck weftwork in the slow uncurling ferns-the sun in its long lightfall recoined again in leafwater.

Esse" I looked at that face, dumbfounded. The lights of métro stations flew by; I didn’t notice them. What can be done, if our sight lacks absolute power to devour objects ecstatically, in an instant, leaving nothing more than the void of an ideal form, a sign like a hieroglyph simplified from the drawing of an animal or bird? A slightly snub nose, a high brow with sleekly brushed-back hair, the line of the chin – but why isn’t the power of sight absolute? – and in a whiteness tinged with pink two sculpted holes, containing a dark, lustrous lava. To absorb that face but to have it simultaneously against the background of all spring boughs, walls, waves, in its weeping, its laughter, moving it back fifteen years, or ahead thirty. To have. It is not even a desire. Like a butterfly, a fish, the stem of a plant, only more mysterious. And so it befell me that after so many attempts at naming the world, I am able only to repeat, harping on one string, the highest, the unique avowal beyond which no power can attain: I am, she is. Shout, blow the trumpets, make thousands-strong marches, leap, rend your clothing, repeating only: is! She got out at Raspail. I was left behind with the immensity of existing things. A sponge, suffering because it cannot saturate itself; a river, suffering because reflections of clouds and trees are not clouds and trees.

The blood is sleeping. But the desire of feeling my own senses has grown deep, filled with an unstoppable tremendous drive to eliminate the lifeless stuff, which has gotten chained to me and lulled me to sleep. The rivers of my veins start to flow more and more powerful in every unit of time like lava underground!

escaped captivity in pursuit of revenge, only to be supernaturally redeemed by the god he had hated. And all of it was so that Yahweh could use him in a single important event to capture an enemy of God. Of all the glory and fame that Eleazar had sought for in his life, it was all a pile of steaming excrement compared to the surpassing value of meeting Jesus and being used for this single event of spiritual significance. He considered it an honor to sacrifice himself on behalf of such a worthy cause. Mikael maneuvered to gain advantage over the god as they fell. The last time the angels had taken down the deity, was in his Mount Sapan palace. In that case, the other angels had tackled Ba’al in a similar way, by knocking him off a cliff into a river of fiery magma in the earth. This time he would land in the waters of the Abyss as opposed to the molten flames of lava. But this time, it would be permanent, because the waters of the Abyss led to Hades and Tartarus, where Mikael would leave the Watcher god bound until judgment. Finally, after what seemed like an eternity of falling through the darkness, the three warriors hit the black waters of the Abyss, killing the giant. Mikael already had Ba’al bound with the Cherubim hair as they sank into the depths.

The worst thing that happens is there’s an earthquake and we all get sucked into a river of molten lava.” “Well …” Ruth said. “That won’t hurt much.

In the mean time, as there existed no dispute about the navigation of the River Lava, we rowed up very peaceably towards the great city of Pontiana. On our meeting a canoe with a Malay in it, the Admiral, who had been studying Marsden's dictionary all the way, stood up in the barge, made the men lie on their oars, and to their great astonishment, and probably to that of the native, called out in the Malay tongue,— "Which is the way to the sultan's house?" To Sir Samuel's unspeakable delight, the man whom he addressed understood him, and after offering to show us the landing-place, paddled off ahead of us.

In the Nether there was chaos.  Rivers of lava were going in all directions, mobs were climbing hills, flying in the sky, appearing from under the ground…  Light wasn’t really the problem in here. “Will

It shook me as nothing had shaken me before. I had heard about earthquakes that engulfed thousands, about streams of burning lava that buried villages, about oceans that swallowed up islands. I had read of one million people drowned by the Yellow River, of two million drowned by the Yangtse. I knew that a million soldiers died at Verdun. But these were mere abstractions — numbers, statistics, information. One couldn't suffer for a million. But these three children I knew, I had seen with my own eyes — this was altogether different.

She dropped to her knees, peering into the darkness. The lava-tube opening was about a dozen feet wide, and the person lay at the bottom of the deep, dark hole, almost hidden, but visible enough for Mercy to sense that something was very wrong.

No elaborate stories of monsters and quicksand and lightning and having to cross rivers of hot lava by jumping on the heads of ravenous lava earwigs the size of cows, with pincers made out of giant steel knives?

I looked down at my knees, feet, and legs—overwhelmed by the many places they had taken me, over so many mountains, through rivers and dry canyons, into deep snow, and across jagged lava flows. I’d hurt them, healed them, pushed them . . . and yet they had always rallied. I felt awash with the blessing of having done what I’d done and to still be driving forward into new realms of self-exploration.

My chin kept dropping to my chest, my hair in my face, my veins an alcoholic vapor ready to burn. Nothing but tequila, wine, and rum feeding me into a lava river, a huge molten mother rolling over me, ashes to ashes, dust to dust,

As the phantom pain chewed at his right wrist, Luke wondered what exactly had happened all those years ago on an unidentified world, along the shores of a lava river.

The plan was majestic. It contemplated two huge new dams on the Colorado River in Marble Gorge and Bridge Canyon, at opposite ends of Grand Canyon National Park. Both had been carefully situated so as not to flood the park itself—except for what the Bureau called “minor” flooding that would drown lower Havasu Creek, the canyon’s most beautiful side stream, and submerge Lava Falls, the river’s most thunderous rapid. But the park would sit inside a dam sandwich: Bridge Canyon Dam would back up water for ninety-three miles below it, entirely flooding the bottom of Grand Canyon National Monument, and Marble Gorge Dam would create a reservoir more than forty miles long right above it. The dams had one purpose—hydroelectric power—and a single objective: lots and lots of cash. They would not conserve any water, because there was none left to conserve; in some years, they would cause a net loss to the river through evaporation. They were there only to take advantage of the thousand feet of elevation loss between Glen Canyon and Hoover dams. Together, they would generate 2.1 million kilowatts of peaking power, marketable at premium rates. Later, the power revenues would finance an artificial river of rescue; for now it would pay for the other features of the plan. One of those features—actually, it was the centerpiece of the plan—was a pair of big dams on the Trinity River, in far-northern California, and a long hard-rock tunnel that would turn their water into the Sacramento River, where it would begin its journey to Los Angeles.

sedimentary time. The lowest stratum, or the layer immediately above the Deterrence Center, had probably been deposited four billion years ago. The Earth had been born only five hundred million years before that. The turbid ocean was in its infancy, and nonstop flashes of lightning struck its surface; the Sun was a fuzzy ball of light in a haze-veiled sky, casting a crimson reflection over the sea. At short intervals, other bright balls of light streaked across the sky, crashing into the sea and trailing long tails of fire; these meteor strikes caused tsunamis that propelled gigantic waves to smash onto continents still laced with rivers of lava, raising clouds of vapor generated by fire and water that dimmed the Sun.… In contrast to this hellish but magnificent sight, the turbid water brewed a microscopic tale. Here, organic molecules were born from lightning flashes and cosmic rays, and they collided, fused, broke apart again—a long-lasting game played with building blocks for five hundred million years. Finally, a chain of organic molecules, trembling, split into two strands. The strands attracted other molecules around them until two identical copies of the original were made, and these split apart again and replicated themselves.… In this game of building blocks, the probability of producing such a self-replicating chain of organic molecules was so minuscule that it was as if a tornado had picked up a pile of metallic trash and deposited it as a fully-assembled Mercedes-Benz. But it happened, and so, a breathtaking history of 3.5 billion years had begun.

There’s this new glitch messing everything up. He calls himself Pigrothbrine. He only showed up a couple days ago and already he is in control of everything!” Otis growled and stomped on the ground. “Where is he?” “You … you’ve heard of him?” Trevor gasped. “Look at me, kid,” said Otis. “How do you think I got to look like this?” Trevor looked at Otis and gasped. “But … weren’t you a zombie pigman when you rescued Baby Zeke a couple months ago?” Otis thumped his chest. “I still am. But I have to kill Pigrothbrine in order to get my skin back.” “If that works,” I said. I turned back to Trevor. “What’s Pigrothbrine doing?” Trevor took a deep breath and sighed. He shook his cube sadly. “You remember Cassius the husk, right? Well, after he stirred up all the anger and anxiety of the nether mobs against the surface dwellers, there have been mutterings about his ideology. Pigrothbrine found out about it and is exploiting the anger to mobilize another army. They’re calling themselves the Sons of Cassius.” I shook my head. “That’s terrible. Do you think they’ll actually carry out Cassius’ plans to conquer the Overworld?” “I don’t know. All I know is that anyone who disobeys Pigrothbrine or his generals ends up despawned.” Trevor paused, sniffed, and then began to cry. “Just … just like my parents.” I reached out and touched his cube to console him. “What happened?” “They tried to keep the promise they made to you not to do anything against Minecraft. But when they refused to let their people become members of the Sons of Cassius, they were struck down by bolts of lightning that came out nowhere.” “So, he can make lightning work even in the Nether?” said Heidi. “That’s amazing.” I nodded and then looked at Trevor. “What did you do after your parents were … despawned?” “I had to join the army. Pigrothbrine wouldn’t let me ascend to my rightful place on the throne. He appointed one of his magma cube generals to run the kingdom.” “How did you escape?” I asked. “Pigrothbrine and his generals have us building canals to channel lava rivers into big pools. No one knows why. Earlier today, when I was walking next to a lava stream, I jumped in. I drifted downstream for a while before jumping out and locating a nether portal to the surface. Then, I hopped here as quickly as I could.” Otis looked at me with fire in his eyes. I could tell that his attitude toward pursuing Pigrothbrine had changed from his reluctance just a few hours ago. “Let’s go. Pigrothbrine has only been in existence for a couple of days and it sounds like he’s already causing apocalyptic damage. Let’s go see what we can do about it.” “I don’t know. It seems dangerous.” Otis scowled at me. “Aren’t you the Warrior? We didn’t even know where Pigrothbrine was a few minutes ago, but now we do. We have to take the fight to him.” I looked at Trevor. “Is Pigrothbrine actually down there? I mean, have you seen him recently?” “Part pig, part enderman?” said Trevor. “Exactly.” Trevor nodded his head. “He’s living in the nether fortress inside the kingdom of the magma cubes in a nether wastes biome. If anyone needs to go talk to him that’s where they go. I’ve never been inside the fortress, but that’s where everyone says he is living.” Heidi reached into her inventory and pulled out her newly-acquired netherite sword. “Let’s go get him. With the three of us working together ….” She looked at Trevor and smiled. “With the four of us working together, maybe we can take him out.” “Maybe,” I said. “I guess we go and conduct reconnaissance at least. Maybe when we get back Zeb will have figured something out.” “Well, if we find Pigrothbrine, I’m going to kill him,” snarled Otis. “Reconnaissance is for wimps.” Trevor ignored Otis and said, “Thank you, Baby Zeke. Thank you, everybody.” “So how do we get to this nether portal you used?” “I could take you there, but it comes out inside the Nether near a worksite controlled by Pigrothbrine.

Jimmy tossed his diamond chest plate into the lava river. He jumped onto it from the shore,

You can wade across a lava river to rescue some wolf puppies. And then it turns out that one of the puppies is a secret bad guy, and you have to fight him. And when you defeat the puppy, you throw it into the lava and say something cool.” “Er, that’s enough about throwing puppies into lava,” said Dave.

a black site, a night chapel, spoiled land, a kind of charging station for evil. “They’re all over the place. The Paris catacombs, Guantánamo Bay, Lake Powell, the Bellagio, the House on the Rock, the Golden Gate Bridge.” There are at least two others in Oregon alone. The Rajneesh compound and the Lava River Cave.

Grand Canyon/West Human stories roll across the Landscape, demanding attention, voicing Their energy, responding to my questions; The land only vibrates in the wind. Or not. Rocks and lava, caught in the moment Of fall, of flow, expose fractured Innards and cooled heat, vibrate only rarely. These human voices and the tales they tell Deflect with looks,their gestures, Their act of giving me what it can feel Myself, or at least understand. I can’t Put myself in the pinyon’s place, trembling At the edge, growing at the upper end of a Human sized bowl, the lower end a slot i peer Through to see the river’s ribbon, its white flecked Trail through the deepest cleft of all. I can’t know The pinyon’s mind , though I try.

The surveyors described the landscape as bare and ragged, desolate and rough, punctuated by rocky hills and steep, narrow-ridged mountains of stratified limestone and porphyry, red basalt and igneous rock thrust upward alongside empty craters and extinct volcanos surrounded by broken lava.

...the freeway looks like a ruby bracelet stretched alongside a diamond one, looks like a rive of lava flowing counter to a river of champagne bubbles. [Hadley Baxter]

I love everything that flows,’ said the great blind Milton of our times. I was thinking of him this morning when I awoke with a great bloody shout of joy: I was thinking of his rivers and trees and all that world of night which he is exploring. Yes, I said to myself, I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with it’s painful gall-stones, it’s gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul...