Lava Quotes

Far, far below, red liquid bubbled. Blood? Lava? Evil ketchup? None of the posibilities were good.

To hell, to hell with balance! I break glasses; I want to burn, even if I break myself. I want to live only for ecstasy. I’m neurotic, perverted, destructive, fiery, dangerous - lava, inflammable, unrestrained.

Whoa," said Nico as he climbed off the bus. "Is that a climbing wall?" "Yeah," I (Percy) said. "Why is there lava pouring down it?" "Little extra challenge..." - Percy

The paradox of volcanoes was that they were symbols of destruction but also life. Once the lava slows and cools, it solidifies and then breaks down over time to become soil - rich, fertile soil. She wasn't a black hole, she decided. She was a volcano. And like a volcano she couldn't run away from herself. She'd have to stay there and tend to that wasteland. She could plant a forest inside herself.

His chest, heaving harder this time. His words, almost gasping this time. “You destroy me.” I am falling to pieces in his arms. My fists are full of unlucky pennies and my heart is a jukebox demanding a few nickels and my head is flipping quarters heads or tails heads or tails heads or tails heads or tails “Juliette,” he says, and he mouths the name, barely speaking at all, and he’s pouring molten lava into my limbs and I never even knew I could melt straight to death. “I want you,” he says. He says “I want all of you. I want you inside and out and catching your breath and aching for me like I ache for you.” He says it like it’s a lit cigarette lodged in his throat, like he wants to dip me in warm honey and he says “It’s never been a secret. I’ve never tried to hide that from you. I’ve never pretended I wanted anything less.

She spilled rice on my knee, and she smiled. I wanted her to spill a thousand things on me, lava, acid, bricks, anything, and smile each time

When you jump off a cliff, is it better to land on jagged rocks or burning lava? I know this one. The answer is obvious: It doesn't matter where you land. You just jumped off a cliff.

I watch the Eruptions. Mount Dad, long dormant, now considered armed and dangerous. Mount Saint Mom, oozing lava, spitting flame. Warn the villagers to run into the sea.

More like a chocolate molten lava cake. A dessert so sinful, so luscious, so filled with inner heat it made a girl want to lick each and every crumb right off the plate. That was Jack Pallas.

The name says it all. That's where Dad (Hades) tries out his new punishment ideas, but he says the traditional ones still work best: the lava flows, the minefields full of exploding surprises, burning at the stake, running naked through cactus patches... You name it, we've got it here - Nico di Angelo

Juliette," he says, and he mouths the name, barely speaking at all, and he's pouring molten lava into my limbs and I never even knew I could melt straight to death.

I too love everything that flows: rivers, sewers, lava, semen, blood, bile, words, sentences. I love the amniotic fluid when it spills out of the bag. I love the kidney with it’s painful gall-stones, it’s gravel and what-not; I love the urine that pours out scalding and the clap that runs endlessly; I love the words of hysterics and the sentences that flow on like dysentery and mirror all the sick images of the soul...

You destroy me." "Juliette," he says and he mouths the name, barely speaking at all, and he's pouring molten lava into my limbs and I never even knew I could melt straight to death. "I want you," he says. He says "I want all of you. I want you inside and out and catching your breath and aching for me like I ache for you." He says it like it's a lit cigarette lodged in his throat, like he wants to dip me in warm honey and he says "It's never been a secret. I've never tried to hide that from you. I've never pretended I wanted anything less." "You-you said you wanted f-friendship-" "Yes," he says, he swallows, "I did. I do. I do want to be your friend. He nods and I register the slight movement in the air between us. "I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says. "The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette-" "No," I gasp. "Don't-don't s-say that-" "I want to know where to touch you," he says. "I want to know how to touch you. I want to know how to convince you to design a smile just for me." I feel his chest rising, falling, up and down and up and down and "Yes," he says. "I do want to be your friend." He says "I want to be your best friend in the entire world." "I want so many things," he whispers. "I want your mind. Your strength. I want to be worth your time." His fingers graze the hem of my top and he says "I want this up." He tugs on the waist of my pants and says "I want these down." He touches the tips of his fingers to the sides of my body and says, "I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it's racing because of me, because you want me. Because you never," he says, he breathes, "never want me to stop. I want every second. Every inch of you. I want all of it." And I drop dead, all over the floor. "Juliette." I can't understand why I can still hear him speaking because I'm dead, I'm already dead, I've died over and over and over again. He swallows, hard, his chest heaving, his words a breathless, shaky whisper when he says "I'm so-I'm so desperately in love with you-

I can walk through lava.

When they (the men, the scavengers) come for you, do not give yourself to them so easily. Wear your strength like armour, fight like a beast. Do not let them tell you that you belong to them. Be fearless. Be a lion. Be like lava. Rip them apart, and burn their bones. And when you are done, tell the world that you belong to no man. That you are a lady, a warrior, a tsunami, and you belong only to yourself.

Parminder kept her unwept tears locked tightly inside where they seemed to undergo an alchemical transformation, returning to the outer world as lava slides of rage.

O Dionysus, we feel you near, stirring like molten lava under the ravaged earth, flowing from the wounds of your trees in tears of sap, screaming with the rage of your hunted beasts.

What about volcanoes?" "What about them?" "All that lava comes up from center of the earth where it is all hot. I saw a program, it had David Attenborough, so it's true.

There’s a word Trevor once told me about, one he learned from Buford, who served in the navy in Hawaii during the Korean War: kipuka. The piece of land that’s spared after a lava flow runs down the slope of a hill—an island formed from what survives the smallest apocalypse. Before the lava descended, scorching the moss along the hill, that piece of land was insignificant, just another scrap in an endless mass of green. Only by enduring does it earn its name. Lying on the mat with you, I cannot help but want us to be our own kipuka, our own aftermath, visible. But I know better.

He was hot like lava and sexy like cake. Wait, like lava cake. Yum.

Annabeth glared at me like she was going to punch me. And then she did something that surprised me even more. Shd kissed me. "Br careful Seaweed Brain." she put her cap back on and vanished. I probably would have sst there fir the rest of the day, staring at the lava and trying to remember what my name was.

How can we be alive and not wonder about the stories we knit together this place we call the world? Without stories our universe is merely rocks and clouds and lava and blackness. It's a village scraped raw by warm waters leaving not a trace of what existed before.

Earth is ancient now, but all knowledge is stored up in her. She keeps a record of everything that has happened since time began. Of time before time, she says little, and in a language that no one has yet understood. Through time, her secret codes have gradually been broken. Her mud and lava is a message from the past. Of time to come, she says much, but who listens?

Battlewinner spat out a shard of ice that sizzled into steam when it hit the lava. “You never wanted to be queen,” she rasped. “You’re a pathetic heir.” “I know I am,” Greatness said. “Being queen is awful.

The pain in her body came first, an intense surge of fire that raged like lava through her veins. But it could not compare with what followed after. A wail rose up from her depths. It left her as an inhuman cry. Finally, she remembered everything.

He’d spent so much time in the penalty box for fighting last season, he’d been tempted to hang a picture and maybe set up a lava lamp, it had felt so much like home

Above all human existence requires stability, the permanence of things. The result is an ambivalence with respect to all great and violent expenditure of strength; such an expenditure, whether in nature or in man, represents the strongest possible threat. The feelings of admiration and of ecstasy induced by them thus mean that we are concerned to admire them from afar. The sun corresponds to that prudent concern. It is all radiance gigantic loss of heat and light, flame, explosion; but remote from men, who can enjoy in safety and quiet the fruits of this cataclysm. To earth belongs the solidity which sustains houses of stone and the steps of men (at least on its surface, for buried within the depths of the earth is the incandescence of lava).

In prehistoric times, early man was bowled over by natural events: rain, thunder, lightning, the violent shaking and moving of the ground, mountains spewing deathly hot lava, the glow of the moon, the burning heat of the sun, the twinkling of the stars. Our human brain searched for an answer, and the conclusion was that it all must be caused by something greater than ourselves - this, of course, sprouted the earliest seeds of religion. This theory is certainly reflected in faery lore. In the beautiful sloping hills of Connemara in Ireland, for example, faeries were believed to have been just as beautiful, peaceful, and pleasant as the world around them. But in the Scottish Highlands, with their dark, brooding mountains and eerie highland lakes, villagers warned of deadly water-kelpies and spirit characters that packed a bit more punch.

Chivalry, stimulating conversations, everything is said to be a lost art nowadays. But nothing is a lost art, unless it’s a sunken statue—in a river of lava.

You still waste time with those things, Lenu? We are flying over a ball of fire. The part that has cooled floats on the lava. On that part we construct the buildings, the bridges, and the streets, and every so often the lava comes out of Vesuvius or causes an earthquake that destroys everything. There are microbes everywhere that make us sick and die. There are wars. There is a poverty that makes us all cruel. Every second something might happen that will cause you such suffering that you'll never have enough tears. And what are you doing? A theology course in which you struggle to understand what the Holy Spirit is? Forget it, it was the Devil who invented the world, not the Father, the Son, and the Holy Spirit. Do you want to see the string of pearls that Stefano gave me?

His skin is black as a struck match, cracked and oozing liquid metal heat, like he's covered by a cooling layer of lava. The eyes stand out bright white. I can't make out from this distance if they have corneas. God I hope they have corneas. I hate that creepy weird-eye shit.

This was once Mazama, I kept reminding myself. This was once a mountain that stood nearly 12,000 feet tall and then had its heart removed. This was once a wasteland of lava and pumice and ash. This was once an empty bowl that took hundreds of years to fill. But hard as I tried, I couldn't see them in my mind's eye. Not the mountain or the wasteland or the empty bowl. They simply were not there anymore. There was only the stillness and the silence of that water: what a mountain and a wasteland and an empty bowl turned into after the healing process.

The immense accretion of flesh which had descended on her in middle life like a flood of lava on a doomed city had changed her from a plump active little woman with a neatly-turned foot and ankle into something as vast and august as a natural phenomenon. She had accepted this submergence as philosohpically as all her other trials, and now, in extreme old age, was rewarded by presenting to her mirror an almost unwrinkled expanse of firm pink and white flesh, in the centre of which the traces of a small face survived as if awaiting excavation.

Lava bread makes you passionate.

Yes, she'd made a mistake... but she wasn't going to be bullied. You couldn't let boys go around raining on your lava and ogling other people's watercolors.

Si te sacas los ojos y los lavas en el agua purísima del llanto, ¿por qué no el corazón ponerlo al aire, al sol, un rato?

The rockets set the bony meadows afire, turned rock to lava, turned wood to charcoal, transmuted water to steam, made sand and silica into green glass which lay like shattered mirrors reflecting the invasion, all about. The rockets came like drums, beating in the night. The rockets came like locusts, swarming and settling in blooms of rosy smoke.

Grief never goes away. It just changes. At first it's like molten-hot lava dripping from your heart and hollowing you from the inside. Over time, it settles into your bones, your skin, so that you live with it, walk with it every day. Grief isn't the footprints in the snow. It's the empty spaces between.

I cross my fingers that if a demon dunks me in a vat of boiling lava I'll get thrown together naked with River Phoenix, and that he'll say I'm cute and try to kiss me.

It is the speed, the hot, molten effect, the lava flow of sentence into sentence that I need.

The majority of men could sooner be brought to believe themselves a piece of lava in the moon than to take themselves for a self.

Say the planet is born at midnight and it runs for one day. First there is nothing. Two hours are lost to lava and meteors. Life doesn’t show up until three or four a.m. Even then, it’s just the barest self-copying bits and pieces. From dawn to late morning—a million million years of branching—nothing more exists than lean and simple cells. Then there is everything. Something wild happens, not long after noon. One kind of simple cell enslaves a couple of others. Nuclei get membranes. Cells evolve organelles. What was once a solo campsite grows into a town. The day is two-thirds done when animals and plants part ways. And still life is only single cells. Dusk falls before compound life takes hold. Every large living thing is a latecomer, showing up after dark. Nine p.m. brings jellyfish and worms. Later that hour comes the breakout—backbones, cartilage, an explosion of body forms. From one instant to the next, countless new stems and twigs in the spreading crown burst open and run. Plants make it up on land just before ten. Then insects, who instantly take to the air. Moments later, tetrapods crawl up from the tidal muck, carrying around on their skin and in their guts whole worlds of earlier creatures. By eleven, dinosaurs have shot their bolt, leaving the mammals and birds in charge for an hour. Somewhere in that last sixty minutes, high up in the phylogenetic canopy, life grows aware. Creatures start to speculate. Animals start teaching their children about the past and the future. Animals learn to hold rituals. Anatomically modern man shows up four seconds before midnight. The first cave paintings appear three seconds later. And in a thousandth of a click of the second hand, life solves the mystery of DNA and starts to map the tree of life itself. By midnight, most of the globe is converted to row crops for the care and feeding of one species. And that’s when the tree of life becomes something else again. That’s when the giant trunk starts to teeter.

When dreaded outcomes are actually imminent we don't worry about themwe take action. Seeing lava from the local volcano make its way down the street toward our house does not cause worry it causes running. Also we don't usually choose imminent events as subjects for our worrying and thus emerges an ironic truth: Often the very fact that you are worrying about something means that it isn't likely to happen.

We went about our usual routines - combat practice, volleyball practice, archery practice, strawberry-picking practice (don't ask), lava-wall-climbing practice ... You'll find we practice a lot here.

Basically, dating is like climbing a volcano and you never know when it’s going to erupt, dumping molten lava and burning you

Quem és? Perguntei ao desejo. Respondeu: lava. Depois pó. Depois nada.

Packing all of your belongings into a U-Haul and then transporting them across several states is nearly as stressful and futile as trying to run away from lava in swim fins.

Pompeii has nothing to teach us, we know crack of volcanic fissure, slow flow of terrible lava, pressure on heart, lungs, the brain about to burst its brittle case (what the skull can endure!)

All things pass in the end, even the worst melancholy. I opened my dresser and pulled out the lava box that held my button. My eyes glazed at the sight of it, and this time I felt my spirit rise up to meet my will. I would not give up. I would err on the side of audacity. That was what I'd always done.

I groaned. "All the time. I thought I was going crazy." "Duude," he said in agreement. "And before the Flash, all kinds of freaky shit was happening to me. I started speaking this wierd Language. And stuff started transforming- but only in front of me. I saw my cat walking on the ceiling, saw lava coming out of a faucet. The worst? I was doing this girl, and suddenly she looked like my gym teacher!

Só somos felizes quando já não sentimos os sapatos nos pés.

This darkness is for sleeping, for escape; it's where I go when the other places ache with light; this is where I curl up and close my eyes and darkness flows like lava, and I dissapear into what, into nothing, into pure dark, into what there is before there is anything else.

Nothing I have witnessed, from lava to crustacean, assailed me liked the caked debris haunting that small plastic soap hammock in the smaller of the bathrooms. Nausea is not a sufficient word.

A felicidade é quando nos esquecemos da infelicidade em que vivemos.

Being eaten by a bugbear makes me uncomfortable, Carl. So if your boyfriend ogling your tootises keeps these easy-peasy bugs coming at us instead of more of those lava-spitting llamas, then you better buck up, get over your human male privilege, and take one for your princess.

Or one time, I’d even managed to restrain my violent temper when a pack of bawdy sailors had kidnapped one of my sea maidens, attempting to rape her. Instead of following my first inclination of sinking their ship, opening up a fissure in the earth so that lava spewed up from its guts and boiled them alive, I instead chopped off their balls, boiled them in onion water, and fed them to Bruce, my pet great white. I was rather proud of myself for that level of restraint.

This is why I’m not married,” Ranger said. “Women ask questions.” “Unh!” I said, smacking my forehead with the heel of my hand. “That’s not why you’re not married. You’re not married because you’re … impossible.” He dragged me to him and kissed me, and I felt the kiss travel like lava to my doo-dah. “I have some issues to resolve,” he said. No kidding. He gave my ponytail a playful tug and left.

He found Satan on his throne in the cavern of lava, reading a large-print edition of Wheatley’s The Satanist. 'It’s a rum way to warn people off from worshiping me,' Satan commented, indicating the book. 'It seems to be lots of fun, according to this. Still, I bet they all die horribly at the end. Oh well. Who wants to live forever?

I have seen many amazing things in my long and troubled life history. I have seen a series of corridors built entirely out of human skulls. I have seen a volcano erupt and send a wall of lava crawling towards a small village. I have seen a women I loved picked up by an enormous eagle and flown to its high mountain next. But I still cannot imagine what it was like to watch Aunt Josephine's house topple into Lake Lachrymose.

When you spent your entire career on the fringes of violence, the dogs helped remind you that you were still human

A paixão é o sentimento que contém tudo, por isso, quando um homem se apaixona, dentro dele está tudo. desde a coisa mais pequena à coisa maior, que muitas vezes são a mesma coisa.

As the floods of God Wash away sin city They say it was written In the page of the Lord But I was looking For that great jazz note That destroyed The walls of Jericho The winds of fear Whip away the sickness The messages on the tablet Was valium As the planets form That golden cross Lord I'll see you on The holy cross roads After all this time To believe in Jesus After all those drugs I thought I was Him After all my lying And a-crying And my suffering I ain't good enough I ain't clean enough To be Him The tribal wars Burning up the homeland The fuel of evil Is raining from the sky The sea of lava Flowing down the mountain The time will sleep Us sinners by Holy rollers roll Give generously now Pass the hubcap please Thank you Lord

I had an overwhelming sense of the lonliness of this city - a trillion souls in their bedrooms, high in the cliffs of windows. I thought of what was underneath it all - I thought of the electricty cables, steam, water, fire, subway trains and lava in the city's guts, the subterranean rumbling of trains and earthquakes. I thought of the dead souls from the war, concreted over.

They laid up in the shade of a rock shelf until past noon, scratching out a place in the gray lava dust to sleep, and they set forth in the afternoon down the valley following the war trail and they were very small and they moved very slowly in the immensity of that landscape. Come evening they hove toward the rimrock again and Sproule pointed out a dark stain on the face of the barren cliff. It looked like the black from old fires. The kid shielded his eyes. The scalloped canyon walls rippled in the heat like drapery folds.

"Whoaaaaa–AARRRGGGGGGGHHHH...shove two fingers down my throat and pull out my heart...to prove that you love meeee...!" Clutching her iPod, Nellie emerged from the hatch ad lurched towards them, like creature put together from spare parts–a motion that Dan and Amy recognized as dancing. Pulling out her earbuds, she raised her face to the sky and let the rain pelt her for a few seconds. "Whoo-hoo, that is better than a facial!" she cried, running to join Dan and Amy under the overhang. "Stick around," Dan said, "for a lava treatment.

Reader, do you remember that ridiculous movie Volcano, the one with Tommy Lee Jones? Do you remember how they stopped eruption in the middle of downtown Los Angeles? They diverted it with cement roadblocks and pointed fire hoses at it, and rerouted the lava to the ocean, and everything was fine? Sweet reader, that is not how lava works. Anyone can tell you that. Here is the truth: I keep waiting for my anger to go dormant, but it won’t. I keep waiting for someone to reroute my anger into the ocean, but no one can. My heart is closer to Dante’s Peak of Dante’s Peak. My anger dissolves grandmas in acid lakes and razes quaint Pacific Northwest towns with ash and asphyxiates jet engines with its grit. Lava keeps leaking down my slopes. You should have listened to the scientist. You should have evacuated earlier.

‏“إن الحب هو الإحساس الذي يشمل كل شيء، ولأجل ذلك حين يعشق المرء، ينتقل العالم إلى داخله، من أصغر الأشياء إلى أكبرها، دون أيّ فرق

we met one strange summer in a regular tangle of sticky webs you had the air of angels sweet but I-- drowned with the damned spirits in lava oceans fearing your-- foreign static frequency and grey-green eyes (I swear they are even if you-- think otherwise): storms calm ones, calmer than my-- raging coals, empty and dead you speak of souls like you believe always an optimist in pessimistic skin of ivory and titanium mesh...

Um homem possiu três estômagos: um na barriga, outro no peito e outro na cabeça. O da barriga, toda a gente sabe para que serve; o do peito mastiga a respiração, que é a nossa comida mais urgente. Uma pessoa morre sem ar muito mais depressa do que sem água e pão. E por fim, o estômago da cabeça que se alimenta de palavras e de letras. Os primeiros dois estômagos do homem alimentam-se através da boca e do nariz, aopasso que o terceiro estômago se alimenta principalmente através dos olhos e dos ouvidos, apesar de usar tudo o resto de um modo mais subtil.

How shallow is the stage on which this vast drama of human hates and joys and friendships is played! Whence do men draw this passion for eternity, flung by chance as they are upon a scarcely cooled bed of lava, threatened by the beginning by the deserts that are to be, under the constant menace of the snows? Their civilizations are but fragile gildings: a volcano can blot them out, a new sea, a sand-storm.

Why wasn't my time spent helping people instead of a puppy? I don't know and I don't care but at least I saved something.

To hell, to hell with balance! I break glasses; I want to burn, even if I break myself. I want to live only for ecstasy. Nothing else affects me. Small doses, moderate loves, all the demi-teintes – all these leave me cold. I like extravagance, heat… sexuality which bursts the thermometer! I’m neurotic, perverted, destructive, fiery, dangerous - lava, inflammable, unrestrained. I feel like a jungle animal who is escaping captivity.

He / thought of women. / What is it like to be a woman / listening in the dark? Black mantle of silence / stretches between them like geothermal pressure. / Ascent of the rapist up the stairs seems as slow as / lava. She listens / to the blank space where / his consciousness is, moving towards her. Lava can / move as slow as / nine hours per inch. [...] She wonders if / he is listening too. The cruel thing is, she falls asleep / listening.

I think Skyblock at its core is the ultimate challenge in resource management. You spawn on a tiny island in an empty universe. All you have is a tree, some supplies and some dirt to stand on. You have to treasure EVERY dirt block, because if one falls into the void, there's no way to replace it and as you carefully navigate your absurd circumstance, you gain a new appreciation for the few things you have as you meticulously use them to their fullest effect. With nothing but some ice, lava and saplings you slowly transform this empty expanse into a world of your very own. Skyblock teaches us that no matter how ridiculous the odds may seem, within us resides the power to overcome these challenges and achieve something beautiful. That one day, we'll look back at where we started and be amazed by how far we've come.

I'll save the sacking for later," he continues. "We can mimic the plays of our conjugal union in the privacy of my backyard. We can roll around on the lawn like animals and invent our own naughty games-Naked Leap Frog-Marshal May I-Hide the Peak-Red Light, Green Light District-Obstacle Intercourse-Hot Lava-Capture the Sector-Skyla Says-the possibilities are endless. Our throbbing loins will rep the victory. The entire scenario is, as you would say-made of win."~ Marshall

When the ship approached the equator, I stopped going out on deck in the daytime. The sun burned like a flame. The days had shortened and night came swiftly. One moment it was light, the next it was dark. The sun did not set but fell into the water like a meteor. Late in the evening, when I went out briefly, a hot wind slapped my face. From the ocean came a roar of passions that seemed to have broken through all barriers:'We mus procreate and multiply! We must exhaust all the powers of lust!' The waves glowed like lava, and I imagined I could see multitudes of living beings - algae, whales, sea monsters - reveling in an orgy, from the surface to the bottom of the sea. Immortality was the law here. The whole planet raged with animation. At times, I heard my name in the clamor: the spirit of the abyss calling me to join them in their nocturnal dance. ("Hanka")

People talk of sorrow as if it is soft, a thing of water and tears. But true sorrow is not soft. True sorrow is a thing of fire, and rock. It burns your heart, crushes your soul under the weight of mountains. It destroys, and even if you keep breathing, keep going, you die. The person you were moments ago dies... Gone. Everything solid, everything real, is gone. It doesn't come back. The world is forever fractured, so that you walk on the crust of an earth where you can always feel the heat under you, the press of lava, that is so hot it can burn flesh, melt bone, and the very air is poisonous. To survive, you swallow the heat. To keep from falling through and dying for real, you swallow all that hate. You push it down inside you, into that fresh grave that is all that is left of what you thought the world would be.

That love, which is the highest joy, which is divine simplicity itself, is not for you moderns, you children of reflection. It works only evil in you. As soon as you wish to be natural, you become common. To you nature seems something hostile; you have made devils out of the smiling gods of Greece, and out of me a demon. You can only exorcise and curse me, or slay yourselves in bacchantic madness before my altar. And if ever one of you has had the courage to kiss my red mouth, he makes a barefoot pilgrimage to Rome in penitential robes and expects flowers to grow from his withered staff, while under my feet roses, violets, and myrtles spring up every hour, but their fragrance does not agree with you. Stay among your northern fogs and Christian incense; let us pagans remain under the debris, beneath the lava; do not disinter us.

Whenever I returned I found a city that was spineless, that couldn’t stand up to changes of season, heat, cold, and, especially, storms. Look how the station on Piazza Garibaldi was flooded, look how the Galleria opposite the museum had collapsed; there was a landslide, and the electricity didn’t come back on. Lodged in my memory were dark streets full of dangers, unregulated traffic, broken pavements, giant puddles. The clogged sewers splattered, dribbled over. Lavas of water and sewage and garbage and bacteria spilled into the sea from the hills that were burdened with new, fragile structures, or eroded the world from below. People died of carelessness, of corruption, of abuse, and yet, in every round of voting, gave their enthusiastic approval to the politicians who made their life unbearable.

It would be both foolish and cumbersome to continue our everyday existences in bliss without first denying to ourselves, for the sake of excusing our own repugnance, the inherent cruelty from which modern civilization was conceived...And there can be no other path by which a fiercely competitive, yet social species, as humanity, can afford its members the level of safety, prosperity and stability—such that we enjoy now— without its initial pangs of cannibalism, brutality, dominance and cruelty to forge the foundations, very much like the lava which formed the ground upon which we now stand. Lava still erupts from the core. Brutality, Dominance, and Cruelty similarly erupt from ours; and they are no less prevalent now than in early human history.

At first, you fall in love. You wake in the morning woozy and your twilight is lit with astral violet light. You spelunk down into each other until you come to possess some inner vision of each other that becomes one thing. Us. Together. And time passes. Like the forming of Earth itself, volcanoes rise and spew lava. Oceans appear. Rock plates shift. Sea turtles swim half the ocean to lay eggs on the mother island; songbirds migrate over continents for berries from a tree. You evolve--cosmically and geologically. You lose each other and find each other again. Every day. Until love gathers the turtles and the birds of your world and encompasses them, too.

Decide for yourselves as to what you should thing of those who say there is God, that he is the preserver of justice and that he is the protector of all, even after seeing the practice of untouchablity in the form of man being banned from human sight and contact, from walking into the streets, from entering the temples and drawing water from a tank, is rampant in the land, and yet that land is not spared from being razed by an earthquake, burnt by the fiery lava of a volcano, engulfed in a deluge from the ocean, submerged in the chasm of the earth, or fragemented by thunder-storm.

One second he was kissing me as if I was as essential to him as oxygen, and the next it was over. He stepped away, looking haunted. "Did I do something wrong?" I touched my mouth, missing the heat of him. "No." He shook his head and shoved his hands deep into the pockets of his jeans. I didn't want his hands in his pockets. I wanted them on me. "Why did you--?" "Not because I wanted to stop kissing you." He looked at my lips. My pulse sped up, but my blood felt like lava moving through my veins. "Timing. My timing sucks." Circumstances. Not because of me. I couldn't keep myself from grinning. "Why would you like to try this again then, another time?" "I'd very much like to try this again, another time." He grinned, but it carried a touch of sadness. "I'll give you a second to...fix your hair." "My hair?" "I'll give you a second to fix my hair. I mean, I'll give you a second while I go fix my hair." He let out a sigh. "I mean, I'll see you downstairs." He turned to walk out of the room, but unfortunately, he forgot to open the door first. I managed to hold in my laughter until he got it right.

Lord Cut-Glass, in his kitchen full of time, squats down alone to a dogdish, marked Fido, of peppery fish-scraps and listens to the voices of his sixty-six clocks, one for each year of his loony age, and watches, with love, their black-and-white moony loudlipped faces tocking the earth away: slow clocks, quick clocks, pendulumed heart-knocks, china, alarm, grandfather, cuckoo; clocks shaped like Noah's whirring Ark, clocks that bicker in marble ships, clocks in the wombs of glass women, hourglass chimers, tu-wit-tuwoo clocks, clocks that pluck tunes, Vesuvius clocks all black bells and lava, Niagara clocks that cataract their ticks, old time weeping clocks with ebony beards, clocks with no hands for ever drumming out time without ever knowing what time it is. His sixty-six singers are all set at different hours. Lord Cut-Glass lives in a house and a life at siege. Any minute or dark day now, the unknown enemy will loot and savage downhill, but they will not catch him napping. Sixty-six different times in his fish-slimy kitchen ping, strike, tick, chime, and tock.

The craft passed directly below Scathach and she released her grip and dropped onto the top of the vimana alongside Joan with enough force to send the larger craft plunging down. The French immortal laughed. "So nice of you-" "Don't you dare crack any dropping-in jokes," Scathach warned before her friend could finish. The vimana dipped and spun, but the two women had firm grips on the transparent dome and held on while the pilot tilted the craft,attempting to shake them off. "So long as he doesn't get too close to the lava," Scatty said, "we should be okay." At that moment the vimana dropped straight down, zooming dangerously close to the lava's sluggish bubbling surface. "I think he heard you," Joan said, coughing as the air became almost unbreathable.

Combater a corrupção de verdade seria combater a rapina, pela elite do dinheiro, da riqueza social e da capacidade de compra e de poupança de todos nós para proveito dos oligopólios e atravessadores financeiros. O “imbecil perfeito” é criado quando ele, o cidadão espoliado, passa a apoiar a venda subfaturada desses recursos a agentes privados imaginando que assim evita a corrupção estatal.

Am introdus picioarele în lava păcatelor, care mă strângea cu a sa căldură și am înaintat. Ajuns la brâu, simțeam îngrămădirea sufletelor pierdute și adunate laolaltă de acest tragic destin. Eram sufocat și am încercat să merg înapoi, însă nu puteam; calea de întoarcere era blocată de cei din urma mea care, agitați, avansau. Covârșit, m-am predat senzației lipicios-odihnitoare. În dreptul pieptului, inima goală a devenit efervescentă, dizolvându-se, iar aburul emanat se ridica spre cerul înflăcărat. Priveam cum se înălța, ducând pe celălalt tărâm de iad boarea regretelor rămase în ea, urmând ca dracii de acolo să inhaleze duhoarea morții depline. Mă uitam în sus ca într-o oglindă a infernului. Privirea mi-a fost acoperită de flăcări. M-am scufundat și auzeam cum trosnesc, mistuite, speranțele. Membrele mi-au fost contopite cu ale celorlalți și, unit fiind într-o horă a chinului, m-am ridicat la suprafață, jelind: uuu...uuu...uuu...uuu. Am renăscut prin cântecul și dansul veșnic. În jur, săreau scântei de suflet ce purtau falsa iluzie a fericirii.

Fireworks exploded to life overhead: Hercules killing the Nemean lion, Artemis chasing the boar, George Washington (who, by the way, was a son of Athena) crossing the Delaware. ‘Hey, Grover,’ I called. He turned at the edge of the woods. ‘Wherever you’re going – I hope they make good enchiladas.’ Grover grinned, and then he was gone, the trees closing around him. ‘We’ll see him again,’ Annabeth said. I tried to believe it. The fact that no searcher had ever come back in two thousand years… well, I decided not to think about that. Grover would be the first. He had to be. July passed. I spent my days devising new strategies for capture-the-flag and making alliances with the other cabins to keep the banner out of Ares’s hands. I got to the top of the climbing wall for the first time without getting scorched by lava. From time to time, I’d walk past the Big House, glance up at the attic windows and think about the Oracle. I tried to convince myself that its prophecy had come to completion. You shall go west, and face the god who has turned. Been there, done that – even though the traitor god had turned out to be Ares rather than Hades.

In the Qur’an’s telling, Abraham after much reflection declares himself a Hanifam-Muslima (3:67). Typically translated as “a pure Muslim,” both words were archaic Arabic terms at the time of the Qur’an’s revelation and together constituted a dynamic new identity for young Abraham. The root Hanif (cited twelve times in the Qur’an) originally described a tree precariously balanced atop eroding soil in a volatile climate, forced to constantly adjust its roots and branches—and was also used to describe traversing a perilous lava formation. The term connoted the need to constantly rebalance in order to stay safe in unstable situations: remaining true to core roots while having the courage to confront reality. In essence, a Hanif is a healthy skeptic who honestly evaluates inherited traditions. In Abraham’s formula, the Hanif interrogates reality not as a cynic but as a healer, diagnosing injuries in order to repair them. Indeed, Muslim derived from the ancient Semitic root S-L-M, literally “to repair cracks in city walls.” As the integrity of monotheism erodes over time, repairers need to assess the damage and then get to work restoring the fractures.

... that eternally restless, eternally unquenched desire for naked paganism, that love that is the supreme joy, that is divine serenity itself- those things are useless for you moderns, you children of reflection. That sort of love wreaks havoc on you. As soon as you wish to be natural you become normal. To you Nature seems hostile, you have turned us laughing Greek deities into demons and me into a devil. All you can do is exorcise me and curse me or else sacrifice yourselves, slaughter yourselves in bacchanalian madness at my alter. And if you ever has the courage to kiss my red lips, he then goes on a pilgrimage to Rome, barefoot and in a penitent's shirt, and expects flowers to blossom from his withered staff, while roses, violets, and myrtles sprout constantly under my feet- but their fragrance doesn't agree with you, So just stay in your northern fog and Christian incense. Let us pagans rest under the rubble, under lava. Do not dig us up. Pompeii, our villas, our baths, our temples were not built for you people! You need no gods! We freeze in your world!

Ninja beats pirate. Pirate beats ghost. Ghost beats zombie. Zombie beats most. Werewolf beats vampire. Vamp beats Imp. Imp beats fiend. Fiend beats wimp. Wizard beats cyrborg. Cyborg surely beats troll. Troll beats goblin. Goblin eats a hermit’s soul. Hermit beats child. Child beats wagon. Wagon beats moon snake. Moon snake beats dragon. Dragon beats hydra. Hydra beats sailor. Sailor beats teacher. Teacher beats tailor. Tailor beats sun worm. Sun worm beats clown. Clown beats robo-squid. Robo-squid beats town. Town fights jackals. Town will win. Town fights mummies. Town won’t fight again. Zookeeper beats hell hound. Hell hound beats giant. Giant beats accountant. Accountant beats client. Client beats frog. Frog beats himself. Knight beats Big Foot. Big Foot beats elf. Elf beats pixie. Pixie beats specter. Specter beats sea hag. Sea hag beats Hector. Hector beats serpent. Serpent beats rat. Rat beats Grandma. Grandma beats cat. Lava beats demon. Demon beats warlock. Warlock beats dinosaur. Dino beats Spock. Spock beats Lando. Lando beats Qui-Gon. Qui-Gon beats Jar-Jar. Jar-Jar beats none. Rock beats scissors. Scissors beat paper. Paper beats insect. Insect beats vapor. Wood Woman beats Tree Man. Tree Man beats the dark. The dark kills spider-fish. Spider-fish beats shark. You beat me. I beat a dentist. The dentist beats the barber. The barber is menaced. These are the rules, and never forget. Now hand over your money and place your bet.

Say you could view a time lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by widening lead. Mountains burst up, jutting, and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up- mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash-frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and crumble, like paths of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues whose split second in the light was too brief an exposure to yield any image but the hunched shadowless figures of ghosts. Slow it down more, come closer still. A dot appears, a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

How was my day? It was a lifetime. It was the best of times and the worst of times. I was both lonely and never alone. I was simultaneously bored out of my skull and completely overwhelmed. I was saturated with touch—desperate to get the baby off of me and the second I put her down I yearned to smell her sweet skin again. This day required more than I’m physically and emotionally capable of, while requiring nothing from my brain. I had thoughts today, ideas, real things to say and no one to hear them. I felt manic all day, alternating between love and fury. At least once an hour I looked at their faces and thought I might not survive the tenderness of my love for them. The next moment I was furious. I felt like a dormant volcano, steady on the outside but ready to explode and spew hot lava at any moment. And then I noticed that Amma’s foot doesn’t fit into her Onesie anymore, and I started to panic at the reminder that this will be over soon, that it’s fleeting—that this hardest time of my life is supposed to be the best time of my life. That this brutal time is also the most beautiful time. Am I enjoying it enough? Am I missing the best time of my life? Am I too tired to be properly in love? That fear and shame felt like adding a heavy, itchy blanket on top of all the hard. But I’m not complaining, so please don’t try to fix it. I wouldn’t have my day or my life any other way. I’m just saying—it’s a hell of a hard thing to explain—an entire day with lots of babies. It’s far too much and not even close to enough. But

...fascism is more plausibly linked to a set of "mobilizing passions" that shape fascist action than to a consistent and fully articulated philosophy. At the bottom is a passionate nationalism. Allied to it is a conspiratorial and Manichean view of history as a battle between the good and evil camps, between the pure and the corrupt, in which one's own community or nation has been the victim. In this Darwinian narrative, the chosen people have been weakened by political parties, social classes, unassimilable minorities, spoiled rentiers, and rationalist thinkers who lack the necessary sense of community. These "mobilizing passions," mostly taken for granted and not always overtly argued as intellectual propositions, form the emotional lava that set fascism's foundations: -a sense of overwhelming crisis beyond the reach of any traditional solutions; -the primacy of the group, toward which one has duties superior to every right, whether individual or universal, and the subordination of the individual to it; -the belief that one's group is a victim, a sentiment that justifies any action, without legal or moral limits, against its enemies, both internal and external; -dread of the group's decline under the corrosive effects of individualistic liberalism, class conflict, and alien influences; -the need for closer integration of a purer community, by consent if possible, or by exclusionary violence if necessary; -the need for authority by natural leaders (always male), culminating in a national chief who alone is capable of incarnating the groups' destiny; -the superiority of the leader's instincts over abstract and universal reason; -the beauty of violence and the efficacy of will, when they are devoted to the group's success; -the right of the chosen people to dominate others without restraint from any kind of human or divine law, right being decided by the sole criterion of the group's prowess within a Darwinian struggle. ...Fascism was an affair of the gut more than the brain, and a study of the roots of fascism that treats only the thinkers and the writers misses the most powerful impulses of all.

— If love wants you; if you’ve been melted down to stars, you will love with lungs and gills, with warm blood and cold. With feathers and scales. Under the hot gloom of the forest canopy you’ll want to breathe with the spiral calls of birds, while your lashing tail still gropes for the waes. You’ll try to haul your weight from simple sea to gravity of land. Caught by the tide, in the snail-slip of your own path, for moments suffocating in both water and air. If love wants you, suddently your past is obsolete science. Old maps, disproved theories, a diorama. The moment our bodies are set to spring open. The immanence that reassembles matter passes through us then disperses into time and place: the spasm of fur stroked upright; shocked electrons. The mother who hears her child crying upstairs and suddenly feels her dress wet with milk. Among black branches, oyster-coloured fog tongues every corner of loneliness we never knew before we were loved there, the places left fallow when we’re born, waiting for experience to find its way into us. The night crossing, on deck in the dark car. On the beach wehre night reshaped your face. In the lava fields, carbon turned to carpet, moss like velvet spread over splintered forms. The instant spray freezes in air above the falls, a gasp of ice. We rise, hearing our names called home through salmon-blue dusk, the royal moon an escutcheon on the shield of sky. The current that passes through us, radio waves, electric lick. The billions of photons that pass through film emulsion every second, the single submicroscopic crystal struck that becomes the phograph. We look and suddenly the world looks back. A jagged tube of ions pins us to the sky. — But if, like starlings, we continue to navigate by the rear-view mirror of the moon; if we continue to reach both for salt and for the sweet white nibs of grass growing closest to earth; if, in the autumn bog red with sedge we’re also driving through the canyon at night, all around us the hidden glow of limestone erased by darkness; if still we sish we’d waited for morning, we will know ourselves nowhere. Not in the mirrors of waves or in the corrading stream, not in the wavering glass of an apartment building, not in the looming light of night lobbies or on the rainy deck. Not in the autumn kitchen or in the motel where we watched meteors from our bed while your slow film, the shutter open, turned stars to rain. We will become indigestible. Afraid of choking on fur and armour, animals will refuse the divided longings in our foreing blue flesh. — In your hands, all you’ve lost, all you’ve touched. In the angle of your head, every vow and broken vow. In your skin, every time you were disregarded, every time you were received. Sundered, drowsed. A seeded field, mossy cleft, tidal pool, milky stem. The branch that’s released when the bird lifts or lands. In a summer kitchen. On a white winter morning, sunlight across the bed.

Last Night’s Moon," “When will we next walk together under last night’s moon?” - Tu Fu March aspens, mist forest. Green rain pins down the sea, early evening cyanotype. Silver saltlines, weedy toques of low tide, pillow lava’s black spill indelible in the sand. Unbroken broken sea. — Rain sharpens marsh-hair birth-green of the spring firs. In the bog where the dead never disappear, where river birch drown, the surface strewn with reflection. This is the acid-soaked moss that eats bones, keeps flesh; the fermented ground where time stops and doesn’t; dissolves the skull, preserves the brain, wrinkled pearl in black mud. — In the autumn that made love necessary, we stood in rubber boots on the sphagnum raft and learned love is soil–stronger than peat or sea– melting what it holds. The past is not our own. Mole’s ribbon of earth, termite house, soaked sponge. It rises, keloids of rain on wood; spreads, milkweed galaxy, broken pod scattering the debris of attention. Where you are while your body is here, remembering in the cold spring afternoon. The past is a long bone. — Time is like the painter’s lie, no line around apple or along thigh, though the apple aches to its sweet edge, strains to its skin, the seam of density. Invisible line closest to touch. Lines of wet grass on my arm, your tongue’s wet line across my back. All the history in the bone-embedded hills of your body. Everything your mouth remembers. Your hands manipullate in the darkness, silver bromide of desire darkening skin with light. — Disoriented at great depths, confused by the noise of shipping routes, whales hover, small eyes squinting as they consult the magnetic map of the ocean floor. They strain, a thousand miles through cold channels; clicking thrums of distant loneliness bounce off seamounts and abyssal plains. They look up from perpetual dusk to rods of sunlight, a solar forest at the surface. Transfixed in the dark summer kitchen: feet bare on humid linoleum, cilia listening. Feral as the infrared aura of the snake’s prey, the bees’ pointillism, the infrasonic hum of the desert heard by the birds. The nighthawk spans the ceiling; swoops. Hot kitchen air vibrates. I look up to the pattern of stars under its wings.

Os governos não sabem que as pessoas existem, de tão em cima que estão. Falam do povo, mas é uma entidade abstrata, tal como nós falamos de Deus. Ninguém, lá do alto da governação, sabe se o povo realmente existe, é uma questão de fé. Chega-se até a descrever as suas caraterísticas e a temê-lo, mas nunca ninguém o viu, senão uns místicos que chegaram ao nosso nível e que acabam descredibilizados e ridicularizados. O místico diz que o povo sofre e que é preciso mais justiça e que cada pessoa tem uma vida e não são uma Unidade, mas que são, isso sim, pessoas realmente separadas umas das outras, com existência própria. Ele, como um profeta do fim dos tempos, avisa os seus congéneres de que o povo pode ser perigoso e pode derrubar coisas muito altas. É preciso não esquecer, diz ele com o dedo esticado para baixo, que, por mais alta que seja uma árvore, o seu tronco mantém-se ao alcance de um machado. Mas ninguém dá ouvidos ao místico e a sua carreira política termina imediatamente e de forma ultrajante.

So it was that the Red Tower put into production its new, more terrible and perplexing, line of unique novelty items. Among the objects and constructions now manufactured were several of an almost innocent nature. These included tiny, delicate cameos that were heavier than their size would suggest, far heavier, and lockets whose shiny outer surface flipped open to reveal a black reverberant abyss inside, a deep blackness roaring with echoes. Along the same lines was a series of lifelike replicas of internal organs and physiological structures, many of them evidencing an advanced stages of disease and all of them displeasingly warm and soft to the touch. There was a fake disembodied hand on which fingernails would grow several inches overnight and insistently grew back should one attempt to clip them. Numerous natural objects, mostly bulbous gourds, were designed to produce a long, deafening scream whenever they were picked up or otherwise disturbed in their vegetable stillness. Less scrutable were such things as hardened globs of lava into whose rough, igneous forms were sent a pair of rheumy eyes that perpetually shifted their gaze from side to side like a relentless pendulum. And there was also a humble piece of cement, a fragment broken away from any street or sidewalk, that left a most intractable stain, greasy and green, on whatever surface it was placed. But such fairly simple items were eventually followed, and ultimately replaced, by more articulated objects and constructions. One example of this complex type of novelty item was an ornate music box that, when opened, emitted a brief gurgling or sucking sound in emulation of a dying individual's death rattle. Another product manufactured in great quantity at the Red Tower was a pocket watch in a gold casing which opened to reveal a curious timepiece whose numerals were represented by tiny quivering insects while the circling 'hands' were reptilian tongues, slender and pink. But these examples hardly begin to hint at the range of goods that came from the factory during its novelty phase of production. I should at least mention the exotic carpets woven with intricate abstract patterns that, when focused upon for a certain length of time, composed themselves into fleeting phantasmagoric scenes of a kind which might pass through a fever-stricken or even permanently damaged brain.

Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

He then said something in Arabic to Ali, who made a sign of obedience and withdrew, but not to any distance. As to Franz a strange transformation had taken place in him. All the bodily fatigue of the day, all the preoccupation of mind which the events of the evening had brought on, disappeared as they do at the first approach of sleep, when we are still sufficiently conscious to be aware of the coming of slumber. His body seemed to acquire an airy lightness, his perception brightened in a remarkable manner, his senses seemed to redouble their power, the horizon continued to expand; but it was not the gloomy horizon of vague alarms, and which he had seen before he slept, but a blue, transparent, unbounded horizon, with all the blue of the ocean, all the spangles of the sun, all the perfumes of the summer breeze; then, in the midst of the songs of his sailors, -- songs so clear and sonorous, that they would have made a divine harmony had their notes been taken down, -- he saw the Island of Monte Cristo, no longer as a threatening rock in the midst of the waves, but as an oasis in the desert; then, as his boat drew nearer, the songs became louder, for an enchanting and mysterious harmony rose to heaven, as if some Loreley had decreed to attract a soul thither, or Amphion, the enchanter, intended there to build a city. At length the boat touched the shore, but without effort, without shock, as lips touch lips; and he entered the grotto amidst continued strains of most delicious melody. He descended, or rather seemed to descend, several steps, inhaling the fresh and balmy air, like that which may be supposed to reign around the grotto of Circe, formed from such perfumes as set the mind a dreaming, and such fires as burn the very senses; and he saw again all he had seen before his sleep, from Sinbad, his singular host, to Ali, the mute attendant; then all seemed to fade away and become confused before his eyes, like the last shadows of the magic lantern before it is extinguished, and he was again in the chamber of statues, lighted only by one of those pale and antique lamps which watch in the dead of the night over the sleep of pleasure. They were the same statues, rich in form, in attraction, and poesy, with eyes of fascination, smiles of love, and bright and flowing hair. They were Phryne, Cleopatra, Messalina, those three celebrated courtesans. Then among them glided like a pure ray, like a Christian angel in the midst of Olympus, one of those chaste figures, those calm shadows, those soft visions, which seemed to veil its virgin brow before these marble wantons. Then the three statues advanced towards him with looks of love, and approached the couch on which he was reposing, their feet hidden in their long white tunics, their throats bare, hair flowing like waves, and assuming attitudes which the gods could not resist, but which saints withstood, and looks inflexible and ardent like those with which the serpent charms the bird; and then he gave way before looks that held him in a torturing grasp and delighted his senses as with a voluptuous kiss. It seemed to Franz that he closed his eyes, and in a last look about him saw the vision of modesty completely veiled; and then followed a dream of passion like that promised by the Prophet to the elect. Lips of stone turned to flame, breasts of ice became like heated lava, so that to Franz, yielding for the first time to the sway of the drug, love was a sorrow and voluptuousness a torture, as burning mouths were pressed to his thirsty lips, and he was held in cool serpent-like embraces. The more he strove against this unhallowed passion the more his senses yielded to its thrall, and at length, weary of a struggle that taxed his very soul, he gave way and sank back breathless and exhausted beneath the kisses of these marble goddesses, and the enchantment of his marvellous dream.