Lava Lamp Quotes

We've searched our database for all the quotes and captions related to Lava Lamp. Here they are! All 24 of them:

He’d spent so much time in the penalty box for fighting last season, he’d been tempted to hang a picture and maybe set up a lava lamp, it had felt so much like home
Rachel Gibson (Any Man of Mine (Chinooks Hockey Team, #6))
The next thing I notice is the sheer quantity of crap in my living room...It's like a terrible episode of Changing Rooms. Flat has been redecorated to look immeasurably worse. Can only conclude that she was doing it on purpose - nobody could be this tasteless accidentally.
Beth O'Leary (The Flatshare)
Our story ends happily ever after. It has to. We escape Battle Creek, pile into the car, and burn a strip of rubber down the highway. Fly away west, to the promised land. Our rooms will be lit by lava lamps and Christmas lights. Our lives will glow. Consciousness will rise and minds will expand, and beautiful boys in flannel shirts will make snow angels on our floor and write love letters on our ceiling with black polish and red lipstick. We will be their muses, and they will strum their guitars beneath our window, calling to us with a siren song. Come down come away with me. We will lean out of our tower, our hair swinging like Rapunzel's, and laugh, because nothing will carry us away from each other.
Robin Wasserman (Girls on Fire)
Like there’s some bubble that stretches around me and Alex and makes it so we’re just two different colored globs in a lava lamp, mixing freely, dancing around each other, unhindered.
Emily Henry (People We Meet on Vacation)
Thank you, Obvious Warning Labels. Without you I might have stuck my kid in a washing machine, lit a match near an open gas line, used my hair dryer while sleeping, or, God forbid, not realized eggs may contain—wait for it—eggs. I have no idea how I ever function without you. (I almost ingested the contents of a lava lamp just yesterday, but your label made another quick save. God bless.)
Jen Hatmaker (For the Love: Fighting for Grace in a World of Impossible Standards)
For the first time I'm not in my body. Like there's some bubble that streches around me and Alex and makes it so we're just two different colored globs in a lava lamp, mixing freely, dancing around each other, unhindered
Emily Henry (People We Meet on Vacation)
In fact, however, the most useful analogy to keep in mind is that a language is like a lava lamp. The “lava” slowly swirls and clumps and rises and falls in its fluid in an eternal, mesmerizing flow. Although constantly changing, in no sense is the clump of lava decaying—if one piece is beginning to drip or split into strands, we can be sure that a few inches away, other pieces are joining together. At any given point, we do not see the present configuration of the lava clump as somehow “better” than the one thirty seconds ago—the joy is in the infinite variations that the clump can take while at all times remaining consistent in its expressive motility. DIFFERENT SPINS
John McWhorter (Word On The Street: Debunking The Myth Of A Pure Standard English)
So onion tears look as dense as brocade. Tears of change resemble the fervent swarm of bees in a hive. Laughing tears are reminiscent of the inside of a lava lamp, with smarter angles. And tears of grief call to mind the earth, as seen from above.
Jodi Picoult (The Book of Two Ways)
EVERYTHING I KNOW about tears I learned from Meret, who had to do a science presentation on them once. She had four giant photographs on easels, X-ray crystallography of onion tears, tears of change, laughing tears, tears of grief. Close up, they look completely different from each other, because they are. Emotional tears, for example, have protein-based hormones in them, including a neurotransmitter called leucine-enkephalin, which is a natural painkiller. Onion tears are less sticky, and disappear more quickly from a person’s cheeks. Although all tears have salt, water, and lysozyme—the main chemical in tears—how the crystals form differs, due to other ingredients. So onion tears look as dense as brocade. Tears of change resemble the fervent swarm of bees in a hive. Laughing tears are reminiscent of the inside of a lava lamp, with smarter angles. And tears of grief call to mind the earth, as seen from above.
Jodi Picoult (The Book of Two Ways)
Cosmo sank into a near trancelike state. The events of the past few days bounced around his head like blobs of oil in a lava lamp. Who was he now? Cosmo Hill fugitive no-sponsor, or Cosmo Hill Supernaturalist? Who was Cosmo Hill anyhow? A product of Clarissa Frayne, with no personality to speak of. Fourteen years old and he had never kissed a girl.
Eoin Colfer (The Supernaturalist)
When I was a kid, I used to have these panic attacks thinking about how I could never be anyone else. I couldn't be my mom or my dad, and for my whole life, I'd have to walk around inside a body that kept me from ever truly knowing anyone else. It made me feel lonely, desolate, almost hopeless. When I told my parents about this, I expected them to know the feeling I was talking about, but they didn't. "That doesn't mean there's anything wrong with feeling that way, though, sweetie!" Mom insisted. "Who else do you think about being?" my dad said with his particular blunt fascination. The fear lessened, but the feeling never went away. Every once in a while, I'd roll it back out, poke at it. Wonder how I could ever stop feeling lonely when no one could ever know me all the way. When I could never peer into someone else's brain and see it all. And now I'm crying because reading this story makes me feel for the first time that I'm not in body. Like there's some bubble that stretches around me and Alex and makes it so we're just two different colored globs in a lava lamp, mixing freely, dancing around each other, unhindered. I'm crying because I'm relieved. Because I will never again feel as alone as I did during those long nights as a kid. As long as I have him, I will never be alone again.
Emily Henry
Funny thing about Gabby: you wouldn’t know it from looking at him, with his golden halo and platonic beauty, but the guy was something of a pack rat. He’d been collecting little odds and ends since at least the double-digit redshifts. The interior reality of Gabriel’s Magisterium burbled and shifted like convection currents in a star on the zaftig end of the main sequence. Because, I realized, that’s what they were. Dull dim light, from IR to X-ray, oozed past me like the wax in a million-mile lava lamp while carbon, nitrogen, and oxygen nuclei did little do-si-dos about my toes. Every bubble, every sizzle, every new nucleus, every photodissociation tagged something of interest to Gabriel. The heart of this star smelled of roses and musty libraries.
Ian Tregillis (Something More Than Night)
The air inside her room was thick with the scent of eucalyptus and lemon. He materialized near her dresser. His hand automatically turned her alarm clock to face the wall, then brushed across a tray filled with Vicks, cough syrup, aspirin, and a thermometer. He tenderly touched the lemon slices near an empty teacup. Could a simple illness have filled him with so much fear that he had risked coming to see her? A dim light from a purple Lava lamp cast an amber glow across the bed where Serena lay, the leopard-print sheets twisted in a knot beside her leg. Her long curly hair was half caught in a scrunchy that matched her flannel pajamas. The words Diamonds are a girl's best friend- they're sharper than knives curled around a dozen marching Marilyns in army fatigues on the blue fabric. Stanton had been with her when she bought the Sergeant Marilyn pajamas three months back.
Lynne Ewing (The Sacrifice (Daughters of the Moon, #5))
He then said something in Arabic to Ali, who made a sign of obedience and withdrew, but not to any distance. As to Franz a strange transformation had taken place in him. All the bodily fatigue of the day, all the preoccupation of mind which the events of the evening had brought on, disappeared as they do at the first approach of sleep, when we are still sufficiently conscious to be aware of the coming of slumber. His body seemed to acquire an airy lightness, his perception brightened in a remarkable manner, his senses seemed to redouble their power, the horizon continued to expand; but it was not the gloomy horizon of vague alarms, and which he had seen before he slept, but a blue, transparent, unbounded horizon, with all the blue of the ocean, all the spangles of the sun, all the perfumes of the summer breeze; then, in the midst of the songs of his sailors, -- songs so clear and sonorous, that they would have made a divine harmony had their notes been taken down, -- he saw the Island of Monte Cristo, no longer as a threatening rock in the midst of the waves, but as an oasis in the desert; then, as his boat drew nearer, the songs became louder, for an enchanting and mysterious harmony rose to heaven, as if some Loreley had decreed to attract a soul thither, or Amphion, the enchanter, intended there to build a city. At length the boat touched the shore, but without effort, without shock, as lips touch lips; and he entered the grotto amidst continued strains of most delicious melody. He descended, or rather seemed to descend, several steps, inhaling the fresh and balmy air, like that which may be supposed to reign around the grotto of Circe, formed from such perfumes as set the mind a dreaming, and such fires as burn the very senses; and he saw again all he had seen before his sleep, from Sinbad, his singular host, to Ali, the mute attendant; then all seemed to fade away and become confused before his eyes, like the last shadows of the magic lantern before it is extinguished, and he was again in the chamber of statues, lighted only by one of those pale and antique lamps which watch in the dead of the night over the sleep of pleasure. They were the same statues, rich in form, in attraction, and poesy, with eyes of fascination, smiles of love, and bright and flowing hair. They were Phryne, Cleopatra, Messalina, those three celebrated courtesans. Then among them glided like a pure ray, like a Christian angel in the midst of Olympus, one of those chaste figures, those calm shadows, those soft visions, which seemed to veil its virgin brow before these marble wantons. Then the three statues advanced towards him with looks of love, and approached the couch on which he was reposing, their feet hidden in their long white tunics, their throats bare, hair flowing like waves, and assuming attitudes which the gods could not resist, but which saints withstood, and looks inflexible and ardent like those with which the serpent charms the bird; and then he gave way before looks that held him in a torturing grasp and delighted his senses as with a voluptuous kiss. It seemed to Franz that he closed his eyes, and in a last look about him saw the vision of modesty completely veiled; and then followed a dream of passion like that promised by the Prophet to the elect. Lips of stone turned to flame, breasts of ice became like heated lava, so that to Franz, yielding for the first time to the sway of the drug, love was a sorrow and voluptuousness a torture, as burning mouths were pressed to his thirsty lips, and he was held in cool serpent-like embraces. The more he strove against this unhallowed passion the more his senses yielded to its thrall, and at length, weary of a struggle that taxed his very soul, he gave way and sank back breathless and exhausted beneath the kisses of these marble goddesses, and the enchantment of his marvellous dream.
Alexandre Dumas (The Count of Monte Cristo)
The story really is short. Nine pages, about a boy who was born with a pair of wings. All his life, people tell him that this means he should try to fly. He’s afraid to. When he finally does, jumps off a two-story roof, he falls. He breaks his legs and wings. He never gets them reset. As he recovers, the bone heals in its misshapen form. Finally, people stop telling him that he must’ve been born to fly. Finally, he’s happy. When Alex comes back out, I’m crying. He asks me what’s wrong. I say, “I don’t know. It just speaks to me.” He thinks I’m making a joke and chuckles along, but for once, I wasn’t referencing the gallery girl who tried to sell us a twenty-one-thousand-dollar bear sculpture. I was thinking about what Julian used to say about art. How it either makes you feel something or it doesn’t. When I read his story, I started crying for a reason I can’t totally explain, not even to Alex. When I was a kid, I used to have these panic attacks thinking about how I could never be anyone else. I couldn’t be my mom or my dad, and for my whole life, I’d have to walk around inside a body that kept me from ever truly knowing anyone else. It made me feel lonely, desolate, almost hopeless. When I told my parents about this, I expected them to know the feeling I was talking about, but they didn’t. “That doesn’t mean there’s anything wrong with feeling that way, though, sweetie!” Mom insisted. “Who else do you think about being?” my dad said with his particular blunt fascination. The fear lessened, but the feeling never went away. Every once in a while, I’d roll it back out, poke at it. Wonder how I could ever stop feeling lonely when no one could ever know me all the way. When I could never peer into someone else’s brain and see it all. And now I’m crying because reading this story makes me feel for the first time that I’m not in my body. Like there’s some bubble that stretches around me and Alex and makes it so we’re just two different colored globs in a lava lamp, mixing freely, dancing around each other, unhindered. I’m crying because I’m relieved. Because I will never again feel as alone as I did during those long nights as a kid. As long as I have him, I will never be alone again.
Emily Henry (People We Meet on Vacation)
Like there's some bubble that stretches around me and Alex and makes it so we're just two different colored globs in a lava lamp, mixing freely, dancing around each other, unhindered
Emily Henry (People We Meet on Vacation)
The fear lessened, but the feeling never went away. Every once in a while, I’d roll it back out, poke at it. Wonder how I could ever stop feeling lonely when no one could ever know me all the way. When I could never peer into someone else’s brain and see it all. And now I’m crying because reading this story makes me feel for the first time that I’m not in my body. Like there’s some bubble that stretches around me and Alex and makes it so we’re just two different colored globs in a lava lamp, mixing freely, dancing around each other, unhindered. I’m crying because I’m relieved. Because I will never again feel as alone as I did during those long nights as a kid. As long as I have him, I will never be alone again.
Emily Henry (People We Meet on Vacation)
If you get on your hands and knees in one of the offices and press a little red button, you can crawl into the “Love Lounge,” originally a ventilating shaft that’s about five feet wide and that now sports leopard-skin wallpaper, Barry White music, and a red lava lamp. Steve signed the wallpaper: “This is why we built this building, Steve Jobs.
Brent Schlender (Becoming Steve Jobs: The Evolution of a Reckless Upstart into a Visionary Leader)
Three dominant hypotheses explain what drives plate tectonic motion. Each one relies on the convention of the mantle — the movement of heated rock materials beneath earth’s crust — but each one focuses on a different piece of the cycle: Mantle convection hypothesis: This hypothesis proposes that heated materials inside the earth move up and down in a circular motion (like the wax in a lava lamp) and the continental plates resting on this mat-erial are moved in the direction of the circular motion. Ridge-push hypothesis: This hypothesis states that the creation of new rock materials along mid-ocean ridges continually pushes oceanic crustal plates upward and outward, so that the far edges are forced into collisions with other plates. Slab-pull hypothesis: This hypothesis is the opposite of the ridge-push model. It proposes that the heavy, dense outer edges of crustal plates sink into the mantle at plate boundaries and pull the rest of the plate along with them.
Alecia M. Spooner (Geology For Dummies)
Myron nodded. “Practical,” he said. Big Cyndi sniffled once, then suddenly began to cry. She still had on waaaay too much makeup, none of it waterproof, and she quickly started to look like a lava lamp left in the microwave. “Oh, Mr. Bolitar!” She ran toward him, her arms spread, the floor creaking from the thumping. An image of one of those cartoon scenes where characters keep falling through floors, forming cutout silhouettes in each floor as they pass through it, came to him. Myron put up his hands. No! Myron good! Myron like Cyndi! Cyndi no hurt Myron! But the gesture was useless. She
Harlan Coben (One False Move (Myron Bolitar, #5))
Below her lay the deserted ant farm city. A skyscraper was her only shadow. Plasma gas globes and lava lamps gleaned. Ded Tek was a city of hot lavenders, ketchup reds and taffy yellows. It was all wrong, the color and the acidic rain and the grinding morning cold.
Misha (Red Spider White Web)
Emotional tears, for example, have protein-based hormones in them, including a neurotransmitter called leucine-enkephalin, which is a natural painkiller. Onion tears are less sticky, and disappear more quickly from a person’s cheeks. Although all tears have salt, water, and lysozyme—the main chemical in tears—how the crystals form differs, due to other ingredients. So onion tears look as dense as brocade. Tears of change resemble the fervent swarm of bees in a hive. Laughing tears are reminiscent of the inside of a lava lamp, with smarter angles. And tears of grief call to mind the earth, as seen from above. — Brian is giving me a lecture.
Jodi Picoult (The Book of Two Ways)
The fear lessened, but the feeling never went away. Every once in a while, I'd roll it back out, poke at it. Wonder how I could ever stop feeling lonely when no one could ever know me all the way. When I could never peer into someone else's brain and see it all. And now I'm crying because reading this story makes me feel for the first time that I'm not in my body. Like their's some bubble that stretches around me and Alex and makes it so we're just two different colored globs in a lava lamp, mixing freely, dancing around each other, unhindered.
Emily Henry (People We Meet on Vacation)
Most never received messages from solid-state entities, evil or otherwise (although talking to the furniture, overhead light bulbs, lava lamps, and computer screens is commonly reported, these "entities" do not usually answer back) and never experienced paranoid episodes lasting for more ...
Karl Jansen