Lauren London Quotes

We all have our own signals we're listening for, or trying not to hear.

I walk because it confers- or restores- a feeling of placeness...I walk because, somehow, it's like reading. You're privy to these lives and conversations that have nothing to do with yours, but you can eavesdrop on them. Sometimes it's overcrowded; sometimes the voices are too loud. But there is always companionship. You are not alone. You walk in the city side by side with the living and the dead.

Walking is mapping with your feet. It helps you piece a city together, connecting up neighborhoods that might otherwise have remained discrete entities, different planets bound to each other, sustained yet remote. I like seeing how in fact they blend into one another, I like noticing the boundaries between them. Walking helps me feel at home.

Tower of London, where they used to chop off your head if the king didn’t like you.

We want to make choices, and have some agency in getting lost, and getting found. We want to challenge the city, and decipher it, and flourish within its parameters.

Environments inhabit us,' Varda said. These places that we take into ourselves and make part of us, so that we made of all the places we've loved, or of all the places where we've changed. We pick up bits and pieces from each of them, and hold them all in ourselves.

It's huge!" "That's what she said!" Cue riotous laughter as our bus rumbles past Big Ben. I want to roll my eyes, but I'm afraid pretty soon they're going to get stuck in the back of my head, and penis puns are really not worth my permanent facial damage. By the time our bus pulls up to the Tower of London, my expectations for the day are somewhere in the basement. Call me a cynic, but since Jason spent the entire time we toured Big Ben talking about how satisfied Mrs Ben must be, my guess is that a landmark famous for its crown jewels is not going to bring out his most charming comments, either.

For a long moment, he held her gaze without speaking, simply letting the impact of words sink in, before adding rapidly, as though he wished to get it over with as quickly as possible, "I won't deny that you're beautiful. No mirror could tell you otherwise. But there are beautiful women for the buying in any brothel in London. Oh yes, and the ballrooms, too, if one has the proper price. It wasn't your appearance that caught me. It was the way you put me down in the gallery at Sibley Court." Vaughn's lips curved in a reminiscent smile. "And the way you tried to bargain with me after." "Successfully bargained," Mary corrected. "That," replied Lord Vaughn, "is exactly what I mean. Has anyone ever told you that you haggle divinely? That the simple beauty of your self-interest is enough to bring a man to his knees?" Mary couldn't in honesty say that anyone had. Vaughn's eyes were as hard and bright as silver coins. "Those are the reasons I want you. I want you for your cunning mind and your hard heart, for your indomitable spirit and your scheming soul, for they're more honest by far than any of the so-called virtues." "The truest poetry is the most feigning?" Mary quoted back his own words to him. "And the most feigning is the most true.

Walking it mapping with your feet. It helps you piece a city together, connecting up neighborhoods that might otherwise have remained discrete entities, different planets bound to each other, sustained yet remote. I like seeing how in fact they blend into one another, I like noticing the boundaries between them. Walking helps me feel at home.

Living between cities, we are abandoned by them as much as they are by us, because if they gave us all we needed, we wouldn't have to leave.

What does our neighborhood say about us? What is the value of a neighborhood? Mine is a mirror of my past choices. Pick your path and see where it goes. Pick a subject and see where it leads. Most assuredly you won't be able to predict anything along the way.

In her twenties she developed a deep affection for romance, especially enjoying the works of Nora Roberts, Mary Balogh and, most recently, Rose Gordon, Courtney Milan, Lauren Royal, Danelle Harmon, and Diane Farr. You can thank those authors for leading a sci-fi tomboy into writing historical romances set in the Regency period.

This time when we kiss, I'm ready. I want it, and I sink into him immediately. His arms wrap tightly around my waist, his hands on my back, pulling me close. He bends his head to meet my lips and I kiss him with all the urgency of a week of running around London looking for something that's been in front of me all along. It's not MTB. It's better.

Slow down: it’s the only way to guarantee your immortality.

We get to know our cities on hoot, and when we leave, the topography shifts. We're no longer as surefooted. But maybe that's a good thing. It's just a question of looking, and of not hoping to see something else when we do. Maybe it's good to keep some distance from the things we know well, to always be slightly out of sync with them, not to pretend mastery. Beneath the cities we don't recognize are stacked all the cities we do.

I walk because it confers — or restores — a feeling of placeness. The geographer Yi-Fu Tuan says a space becomes a place when through movement we invest it with meaning, when we see it as something to be perceived, apprehended, experienced.

piece of the London puzzle falls into place, and it feels like a tiny bomb has just gone off inside my chest. I think of my parents, the way they look at each other, and try to imagine how I would deal with it if I thought all of it was a lie. I can’t. “That’s . . . I’m sorry, Logan.

We need the mass movements, we need people to get together and march, or even just stand in one place, not only for those in power to see what the people want, but for people who are decidedly not empowered to see you out there, and to shift, just a little bit, the pebbles of thought in their minds. The protest is not only to show the government that you disagree, but to show your fellow citizens- even the smallest ones- that official policies can and should be disagreed with. To provoke a change. To disrupt easy assumptions. You show yourself. You toss in your chips. You walk.

The streets of Paris had a way of making me stop in my tracks, my heart suspended. They seemed saturated with presence, even if there was no one there but me. These were places where something could happen, or had happened, or both; a feeling I could never have had at home in New York, where life is inflected with the future tense.

It as mathematical, marriage, not, as one might expect, additional; it was exponential. This one man, nervous in a suite a size too small for his long, lean self, this woman, in a green lace dress cut to the upper thigh, with a white rose behind her ear. Christ, so young. The woman before them was a unitarian minister, and on her buzzed scalp, the grey hairs shone in a swab of sun through the lace in the window. Outside, Poughkeepsie was waking. Behind them, a man in a custodian's uniform cried softly beside a man in pajamas with a Dachshund, their witnesses, a shine in everyone's eye. One could taste the love on the air, or maybe that was sex, or maybe that was all the same then. 'I do,' she said. 'I do,' he said. They did. They would. Our children will be so fucking beautiful, he thought, looking at her. Home, she thought, looking at him. 'You may kiss,' said the officiant. They did, would. Now they thanked everyone and laughed, and papers were signed and congratulations offered, and all stood for a moment, unwilling to leave this gentile living room where there was such softness. The newlyweds thanked everyone again, shyly, and went out the door into the cool morning. They laughed, rosy. In they'd come integers, out they came, squared. Her life, in the window, the parakeet, scrap of blue midday in the London dusk, ages away from what had been most deeply lived. Day on a rocky beach, creatures in the tide pool. All those ordinary afternoons, listening to footsteps in the beams of the house, and knowing the feeling behind them. Because it was so true, more than the highlights and the bright events, it was in the daily where she'd found life. The hundreds of time she'd dug in her garden, each time the satisfying chew of spade through soil, so often that this action, the pressure and release and rich dirt smell delineated the warmth she'd felt in the cherry orchard. Or this, each day they woke in the same place, her husband waking her with a cup of coffee, the cream still swirling into the black. Almost unremarked upon this kindness, he would kiss her on the crown of her head before leaving, and she'd feel something in her rising in her body to meet him. These silent intimacies made their marriage, not the ceremonies or parties or opening nights or occasions, or spectacular fucks. Anyway, that part was finished. A pity...

Though I work in New York City, in an office about a mile from the World Trade Center, I was not in New York City when the planes struck. I was on a plane above the Atlantic Ocean, heading back to New York from a family reunion and celebration in Europe. I had said good-bye to my husband in London; he was staying for a wedding of a business friend. I couldn’t wait to see my kids and my parents, who would be waiting for me at a Little League game in our town, about thirty-five miles from New York City. An hour and a half into the flight, I suddenly had the feeling that the plane was making a slow turn. Nobody else seemed to notice. I sat nervously, hoping I was imagining it. But then a stewardess made an announcement. “There has been a catastrophic event affecting all of North American airspace,” she said. “We are returning

We get to know our cities on foot, and when we leave, the topography shifts. We're no longer as surefooted. But maybe that's a good thing. It's just a question of looking, and of not hoping to see something else when we do. Maybe it's good to keep some distance from the things we know well, to always be slightly out of sync with them, not to pretend mastery. Beneath the cities we don't recognize are stacked all the cities we do.

Don't misunderstand, but how dare you risk your life? What the devil did you think, to leap over like that? You could have stayed safe on this side and just helped me over." Even to her ears, her tone bordered on the hysterical. Beneath her fingers, the white lawn started to redden. She sucked in a shaky breath. "How could you risk your life-your life, you idiot!" She leaned harder on the pad, dragged in another breath. He coughed weakly, shifted his head. "Don't you dare die on me!" His lips twisted, but his eyes remained closed. "But if I die"-his words were a whisper-"you won't have to marry, me or anyone else. Even the most censorious in the ton will consider my death to be the end of the matter. You'll be free." "Free?" Then his earlier words registered. "If you die? I told you-don't you dare! I won't let you-I forbid you to. How can I marry you if you die? And how the hell will I live if you aren't alive, too?" As the words left her mouth, half hysterical, all emotion, she realized they were the literal truth. Her life wouldn't be worth living if he wasn't there to share it. "What will I do with my life if you die?" He softly snorted, apparently unimpressed by-or was it not registering?-her panic. "Marry some other poor sod, like you were planning to." The words cut. "You are the only poor sod I'm planning to marry." Her waspish response came on a rush of rising fear. She glanced around, but there was no one in sight. Help had yet to come running. She looked back at him, readjusted the pressure on the slowly reddening pad. "I intend not only to marry you but to lead you by the nose for the rest of your days. It's the least I can do to repay you for this-for the shock to my nerves. I'll have you know I'd decided even before this little incident to reverse my decision and become your viscountess, and lead you such a merry dance through the ballrooms and drawing rooms that you'll be gray within two years." He humphed softly, dismissively, but he was listening. Studying his face, she realized her nonsense was distracting him from the pain. She engaged her imagination and let her tongue run free. "I've decided I'll redecorate Baraclough in the French Imperial style-all that white and gilt and spindly legs, with all the chairs so delicate you won't dare sit down. And while we're on the subject of your-our-country home, I've had an idea about my carriage, the one you'll buy me as a wedding gift..." She rambled on, paying scant attention to her words, simply let them and all the images she'd dreamed of come tumbling out, painting a vibrant, fanciful, yet in many ways-all the ways that counted-accurate word pictures of her hopes, her aspirations. Her vision of their life together. When the well started to run dry, when her voice started to thicken with tears at the fear that they might no longer have a chance to enjoy all she'd described, she concluded with, "So you absolutely can't die now." Fear prodded; almost incensed, she blurted, "Not when I was about to back down and agree to return to London with you." He moistened his lips. Whispered, "You were?" "Yes! I was!" His fading voice tipped her toward panic. Her voice rose in reaction. "I can't believe you were so foolish as to risk your life like this! You didn't need to put yourself in danger to save me." "Yes, I did." The words were firmer, bitten off through clenched teeth. She caught his anger. Was anger good. Would temper hold him to the world? A frown drew down his black brows. "You can't be so damned foolish as to think I wouldn't-after protecting you through all this, seeing you safely all this way, watching over you all this time, what else was I going to do?

You've given me everything I need of you-thanks to you I have all my heart desires, all I thought I might never have. All I need for a wonderful, fulfilling future. And I nearly lost it all." She held his gaze but was wise enough not to interrupt. If she had... He drew breath and forged on, "Nearly dying clarified things. When you stand on the border between life and death, the truly important things are easy to discern. One of the things I saw and finally understood was that only fools and cowards leave the truth of love unsaid. Only the weak leave love unacknowledged." Holding her gaze, all but lost in the shimmery blue of her eyes, he raised her hand to his lips, gently kissed. "So, my darling Heather, even though you already know it, let me put the truth-my truth-into words. I love you. With all my heart, to the depths of my soul. And I will love you forever, until the day I die." Her smile lit his world. "Just as well." Happiness shone in her eyes. She pressed his fingers. "Because I plan to be with you, by your side, every day for the rest of your life, and in spirit far beyond. I'm yours for all eternity." Smiling, he closed his hand about hers. "Mine to protect for our eternity." Yes. Neither said the word, yet the sense of it vibrated in the air all around them. A high-pitched giggle broke the spell, had them both looking along the path. TO Lucilla and Marcus, who slipped out from behind a raised bed and raced toward them. Reaching them, laughing with delight, the pair whooped and circled. Heather glanced to left and right, trying to keep the twins in sight, uncertain of what had them so excited. So exhilarated. Almost as if they were reacting to the emotions coursing through her, and presumably Breckenridge. Her husband-to-be. "You're getting married!" Lucilla crowed. Catching Lucilla's eyes as the pair slowed their circling dance, Heather nodded. "Yes, we are. And I rather think you two will have to come down in London to be flower girl and page boy." Absolute delight broke across Lucilla's face. She looked at her brother. "See? I told you-the Lady never makes a mistake, and if you do what shetells you, you get a reward." "I suppose." Marcus looked up at Breckenridge. "London will be fun." He switched his gaze to Lucilla. "Come on! Let's go and tell Mama and Papa.

Once a month, rain or shine, I bought a delightful meal, drank something delicious, and read my book at a restaurant in London, one hundred percent alone, whether I was seeing someone or not. It was the one time I didn't have to pretend to be anyone else, didn't have to do anything for anyone. Didn't have to go on a date with someone, fizzing with hope, only to find they were third-five and hadn't dealt with their childhood traumas, didn't know how to ask a question and listen to the answer, and still weren't wearing matching socks.

Humans out there are grotesque: Scrooges and Jellybys and filthy orphans in the caverns of blacking factories, in lonely depopulated homes, a blight called television like tiny Plato's caves in every room. It is grimmer in the Outside. There is a war in the Falkland Islands, there are Sandinistas and Contras, there are muggings and rapes, terrible things he has heard the adults talking about, has read about himself when he can find an old wrinkled paper in the Free Store. The president is an actor, placed in power to smoothly deliver the corporations' lies. There are bombs among the stars and murders in the inner cities, red rain over London, there are kidnappers and slaves even now, even in America.

Stanford commencement address; Andy Behrendt, “Apple Computer Mogul’s Roots Tied to Green Bay,” (Green Bay) Press Gazette, Dec. 4, 2005; Georgina Dickinson, “Dad Waits for Jobs to iPhone,” New York Post and The Sun (London), Aug. 27, 2011; Mohannad Al-Haj Ali, “Steve Jobs Has Roots in Syria,” Al Hayat, Jan. 16, 2011; Ulf Froitzheim, “Porträt Steve Jobs,” Unternehmen, Nov. 26, 2007. Silicon Valley: Interviews with Steve Jobs, Laurene Powell. Jobs, Smithsonian oral history; Moritz, 46; Berlin, 155–177; Malone, 21–22. School: Interview with Steve Jobs. Jobs, Smithsonian oral history; Sculley, 166; Malone, 11, 28, 72; Young, 25, 34–35; Young and Simon, 18; Moritz, 48, 73–74. Jobs’s address was originally 11161 Crist Drive, before the subdivision was incorporated into the town from the county.

Catastrophic event? The plane was silent as people tried to grasp what this could possibly mean. Earthquake? Bomb? One man actually thought a meteor could have hit somewhere in America. And then, moments later, the stewardess made another announcement. “Ladies and gentlemen,” she said. “I will now tell you what has occurred….” And for reasons I will never understand, she told our planeload of terrified people exactly what was happening: that planes had been hijacked by terrorists and flown into the World Trade Center and the Pentagon. There could be other planes involved, she said. The disaster was still unfolding. An hour and a half later, we landed in London. Police escorted us into the chaotic airport. Somehow, I tracked down my husband. It wasn’t until late that night that we were able to get a

And every mile we go further from London makes the notion of ransom even more unlikely. So we're still no closer to learning what's behind this-neither the who for the why of it." She waited until he swung around again and caught his eye. "I believe we need to consider the wider implications." His lips twitched-she was almost certain of it-but he didn't stop pacing. "Meanwhile you want to continue on with this"-he gestured-"quest of yours." She tipped up her head. "Of course. I'm here, already kidnapped, but they've provided me with a maid and are under strict orders to see to my health and safety, orders they're clearly committed to obeying. On top of that"-she waved at him-"you're here. If you continue to follow our party, when it comes to the point where escaping becomes necessary, I'll be able to do so and hide behind you. God knows, you're large enough." He quirked a black brow.

Do you ride?" The question was out of his mouth before he'd thought. She glanced at him, surprised by the comment coming out of nowhere, but then she nodded and looked ahead. "I love to ride. I don't get as much opportunity as I'd like what with being in London so much, but whenever I can manage it, I'll get on a horse." Her lips twitched and she glanced up at him. "Preferably one of Demon's." He grinned. "His are the best." "Do you have any?" He nodded. "One definite benefit of being connected to the family." "I love the exhilaration one gets when pounding along-I think that's what I enjoy the most." He blinked. Decided hard riding wasn't the best choice of conversational topics. At least not for him. Especially not with her. "What about dancing?" "I love to waltz. I even enjoy the older forms, the quadrilles and cotillions. They might be less fashionable now, but there's a certain...reined power in them, don't you think?" "Hmm." Where was an innocent topic when he needed one? "Have you ever danced the gavotte?" "Years ago." And he still remembered it. And of course the thought of dancing that particular measure with her, in full flight, instantly filled his mind.

If absolutely everything important is only happening on such a small screen, isn’t that a shame? Especially when the world is so overwhelmingly large and surprising? Are you missing too much? You can’t imagine it now, but you’ll look like me one day, even though you’ll feel just the same as you do now. You’ll catch a glimpse of yourself in the mirror and think how quickly it’s all gone, and I wonder if all the time you used watching those families whose lives are filmed for the television, and making those cartoons of yourselves with panting dog tongues, and chasing after that terrible Pokémon fellow…well, will it feel like time well spent? “Here lies Ms. Jackson, she took more steps than the other old biddies on her road”—is that the best I can leave behind? Is it all just designed to keep us looking down, or to give us the illusion that we have some sort of control over our chaotic lives? Will you do me a small favor, dears, and look up? Especially you New Yorkers and Londoners and other city dwellers who cross all those busy streets. How else will you take in the majesty of the buildings that have stood there for hundreds of years? How else will you run into an acquaintance on the street who might turn into a friend or a lover or even just recommend a good restaurant that no one has complained about on that app yet? If you never look out the window of the subway car, how will you see the boats gliding by on the East River, or have an idea that only you could have? Just look up for no reason, just for a moment here and there, or maybe for an entire day once in a while. Let the likes go unchecked and the quality of sleep go unnoticed. Que sera sera, my dears—whatever will be will be, whether we’re tracking it on our GPS devices or not.

Very well-why don't you make your case?" And perhaps if she listened and closely observed, she might get some hint of what, beneath the words, behind his so often impassive mask, was really going on inside him. "Your case beyond the obvious social imperatives, that is." "Difficult given my case is based on the obvious social imperatives." "Nevertheless, you might at least try to find a broader foundation." From the corner of her eye, she saw him look up as if imploring divine aid-or perhaps more prosaically asking why me?-and had to hide a smile. Eventually he lowered his head and leveled his hazel gaze at her. "All right-let's try for a broader perspective. You're a Cynster, well bred, well connected, well dowered, and more than passably attractive." She inclined her head. "Thank you, kind sir." "Don't thank me yet. You're also opinionated, willful to a fault, argumentative, and at times irrationally stubborn. Be that as it may, for some reason I don't comprehend, we managed to run along reasonably well through the last week or so, when we had a common goal. I take that as an indication that, were we to marry and jointly take on the common goal of managing my father's estate, the estate that will in time be ours, we would again find ourselves on common ground, enough at least to make a marriage work." He'd surprised her. Leaning back, she looked at him. He'd angled his shoulders into the curve of the wall, stretching one arm along the upper edge, long legs stretched out so that his boots brushed her hems. At ease, relaxed and debonair, he appeared the epitome of the sophisticated London rake, which, of course, he was. He was also an enigma. At some point during their hike through the mountains, she'd realized that no matter what he allowed her to see, there was something different, something even more attractive, beneath his polished veneer. "You'd share the responsibilities of running the estate?" She hasn't expected him to speak of such matters. "If you wished to involve yourself with it.

Freethinking, Lady Frederick?” She hated that name. It was like a shackle around her neck, engraved with the name of her master. She took a step back, her face openly mutinous in the light of the single lamp. “I don’t like being told what to do.” Captain Reid quirked an eyebrow. “I shall remember that.” Unexpectedly, Penelope grinned. “No, I don’t expect you will. But I shall keep reminding you.” Turning her back on him quite deliberately, she scanned the books scattered across the shelves. “Do you have that Hindustani grammar for me?” “This one.” He reached from behind her to tip a book out of the row. His sleeve brushed her shoulder in passing. It was a coarser weave than Freddy favored, which must have been why it seemed to leave such a trail across her bare skin. She could smell the clean scent of shaving soap on his jaw and port on his breath, almost overwhelming the small space, as though not being able to see him somehow made him larger than he was, blowing his presence out of proportion in the brush of fabric against her back, the whisper of breath against her hair. Penelope twisted around, so that the bookshelf pressed into her back, pinning her between the writing desk on one side and Captain Reid’s extended arm on the other. She tipped her head back to look him in the eye, the ribbons in her hair snagging against the shelf. Captain Reid made no move to remove his arm. They were face-to-face, chest-to-chest, close enough to kiss. But for the fact that they weren’t on a balcony, and there was no champagne in evidence, it might have been a dozen other encounters in Penelope’s existence, a dozen dangerous preludes to a kiss. But this wasn’t a ballroom, and this man wasn’t any of the spoiled society boys she had known in London. He studied her face in the strange, shifting light, as the ship rocked back and forth and they rocked with it, pinned in place, frozen in tableau, his own face dark and unreadable in the half-light. One might, thought Penelope hazily, her eyes dropping to his lips, attempt to seduce information out of him. From what she had heard, it was a far-from-uncommon technique. One needn’t go too far, after all. A sultry glance, a subtle caress . . . a kiss. It was all for a good cause—and it could be so easy. Or maybe not. Captain Reid was no Freddy. Stepping abruptly back, he favored her with a stiff, social smile, the sort one would give a maiden aunt who was being tedious at a party, but to whom one was bound to be polite. With a brusque motion, he thrust the red-bound book into her hands, gesturing her, with unmistakable finality, towards the door. “Here is your grammar, Lady Frederick. I wish you . . . an instructive time with it.” “Oh, yes,” said Penelope, with more bravado than she felt. “It has certainly been most instructive.

Honeymoon Charles used to want to go for long walks around Balmoral the whole time when we were on our honeymoon. His idea of enjoyment would be to sit on top of the highest hill at Balmoral. It is beautiful up there. I completely understand; he would read Laurens van der Post or Jung to me, and bear in mind I hadn’t a clue about psychic powers or anything, but I knew there was something in me that hadn’t been awoken yet and I didn’t think this was going to help! So anyway we read those and I did my tapestry and he was blissfully happy, and as far as he was happy that was fine. He was in awe of his Mama, intimidated by his father, and I was always the third person in the room. It was never ‘Darling, would you like a drink?’ it was always ‘Mummy, would you like a drink?’ ‘Granny, would you like a drink?’ ‘Diana, would you like a drink?’ Fine, no problem. But I had to be told that that was normal because I always thought it was the wife first--stupid thought! Terribly, terribly thin. People started commenting ‘Your bones are showing.’ So that was the October and then we stayed up there [at Balmoral] from August to October. By October I was about to cut my wrists. I was in a very bad way. It rained and rained and rained and I came down early from Balmoral to seek treatment, not because I hated Balmoral but because I was in such a bad way. Anyway, came down here [London]. All the analysts and psychiatrists you could ever dream of came plodding in trying to sort me out. Put me on high doses of Valium and everything else. But the Diana that was still very much there had decided it was just time; patience and adapting were all that were needed. It was me telling them what I needed. They were telling me ‘pills’! That was going to keep them happy--they could go to bed at night and sleep, knowing the Princess of Wales wasn’t going to stab anyone.

These buildings exist to house the small businesses inside them, but just barely, like bomb shelters. You get in, you do what you need to do, you get out. They are life-draining for the people who work in them, and a daily misery for the people who visit them, though they may not realise it. Marc Augé calls them ‘non-places’, and they are unfortunately the defining spaces of the late twentieth – and by all appearances, the twenty-first – century in America. What we build not only reflects but determines who we are and who we’ll be. ‘A city is an attempt at a kind of collective immortality,’ wrote Marshall Berman in an essay on urban ruin: ‘we die, but we hope our city’s forms and structures will live on’. The opposite is true in the suburbs. They have no history and don’t think about the future; very little there is built to last. Posterity is irrelevant to a civilisation living in an ongoing, never-ending present...

Colin’s eyes glittered in response. He moved to her, slipping his arms beneath the blanket to encircle her waist. “I’m glad you like it, love,” he murmured before his mouth descended on hers. “And I second your opinion concerning the rarity and value of Amethyst…” His large hands were warm on her bare back, and he kissed her long and deep, breaking off only when the quilt slid from her shoulders and she pulled away and stooped hurriedly to retrieve it. Colin wrapped it back around her. “Benchley has our dinner waiting. How quickly can you dress? Unless you’d rather have, uh, dessert first?” “Kendra is the one who has dessert first.” Colin chuckled deep in his throat. “That wasn’t what I meant.” He leaned down and kissed her again, sending a tremor through her body. When he pulled back, his eyes bore into hers suggestively. Two hot spots burned on Amy’s cheeks, but nonetheless she murmured, “Oh. Dessert would be nice.” This time, when the blanket fell, she didn’t reach for it. And as he carried her to the bed, she told herself it was impossible for something this perfect to be wrong. She wouldn’t let it be. SIXTY-FIVE Six weeks later

Rhys’s single women in the city are forever clashing with the landladies of their fleabag hotels.

Robert Macfarlane, a masterful writer-walker of the countryside, offers this summary of the practice: ‘Unfold a street map of London, place a glass, rim down, anywhere on the map, and draw round its edge. Pick up the map, go out into the city, and walk the circle, keeping as close as you can to the curve. Record

Watching him, Amy shuddered. She hoped he’d fall over and crack his head open.

Lake Haven hadn’t become a fashionable summer getaway for the East Coast elite until somewhere around the fifties, about the time Grandma and Grandpa had opened the East Beach Lake Cottages. The houses built on the lake since then had big windows and rooms set at angles designed to capture the best views. But Ross house had its own unique charm. Once you entered through the stone gate, you knew you were entering an area of wealth and refined taste. You’d expect to find the woman of the house in Ralph Lauren, perhaps on her way to a golf game. You would not expect to find Nancy Yates.

Las circunstancias cambian y nosotros tenemos que cambiar con ellas. Si algo nos enseña la obra de Woolf es eso. El tiempo pasa.

Happily there are ways to keep costs down and sustainable kudos up – like Lofty Frocks’ vintage fabric library, or the growing numbers of free patterns and tutorials available to download from sites like Hobbycraft and so-sew-easy.com. You can always do a Sound of Music with an old pair of curtains (try charity shops), or follow the lead of blogger Kari Greaves, @east_london_style, who upcycles vintage finds into entirely new pieces, like a kind of glam high-fashion Dr Frankenstein.

He made not being Jewish – or not Jewish enough – feel like a class inequality, like he was some kind of swell, destined for a society marriage, and I was his youthful indiscretion.

What am I doing here, in this grey morning, with this person who doesn’t want me, but doesn’t want me to go?

It is the condition of the historian to be constantly picturing the past, thrilled and obsessed by it, without for one moment wanting to be a part of it.

The past feels as distant as another planet, even when I'm standing on its terrain.

When love is absent, then there is fear, and in my opinion you should lead your entire life through love.

[Marie Bashkirtseff] did spend days walking the slums of Paris with her notebook in hand, sketching everything she saw, research which would produce numerous paintings, including 1884’s A Meeting, which now hangs in the Musée d’Orsay in Paris, and depicts a group of young street urchins gathered on a street corner.

Why do I walk? I walk because I like it. I like the rhythm of it, my shadow always a little ahead of me on the pavement. I like being able to stop when I like, to lean against a building and make a note in my journal, or read an email, or send a text message, and for the world to stop while I do it. Walking, paradoxically, allows for the possibility of stillness. Walking is mapping with your feet. It helps you piece a city together, connecting up neighbourhoods that might otherwise have remained discrete entities, different planets bound to each other, sustained yet remote. [...] She voyages out, and goes where she’s not supposed to; she forces us to confront the ways in which words like home and belonging are used against women. She is a determined, resourceful individual keenly attuned to the creative potential of the city, and the liberating possibilities of a good walk.

Why do I walk? I walk because I like it. I like the rhythm of it, my shadow always a little ahead of me on the pavement. I like being able to stop when I like, to lean against a building and make a note in my journal, or read an email, or send a text message, and for the world to stop while I do it. Walking, paradoxically, allows for the possibility of stillness.

Walking is mapping with your feet

No hubo manifestación de protesta. Pero nos buscamos y nos abrazamos en la plaza. Algún día todo eso será un recuerdo. Algún día, más allá de eso, abra una placa. Y algún día todos pasarán por delante, con algo más por lo que protestar o que demostrar, y tal vez pensarán en nosotros.

Walking is mapping with your feet. It helps you piece a city together, connecting up neighborhoods that might otherwise have remained discrete entities, different planets bound to each other, sustained yet remote. I like seeing how in fact they blend into one another, I like noticing the boundaries between them. Walking helps me feel at home. There's a small pleasure in seeing how well I’ve come to know the city through my wanderings on foot, crossing through different neighborhoods of the city, some I used to know quite well, others I may not have seen in a while, like getting reacquainted with someone I once met at a party.

Ever since Hugo Waverly had returned to London, he had been keeping on eye on Cedric’s sisters, particularly Horatia. Waverly had a way of creating collateral damage and Lucien would do anything to keep these innocent ladies safe. But she mustn’t know he was watching over her. He’d spent the last six years being outwardly cold to her, praying she’d stop gazing at him in that sweet, loving way of hers. It was cruel of him, yes, but if he did not create some distance, he’d have had her on her back beneath him. She was too good a woman for that, and he was far too wicked to be worthy of her. Rather like a demon falling for an angel. -Lucien's thoughts

But flail your arms in a city, and you will come in contact with it, or, equally likely, with its inhabitants. We flail. We hit up against its limitations, against our own limitations. The city surrounds us, and seeps in. Are we touching it or is it touching us?

London was really cool. We stayed there last night, with friends of Kendra’s mom. My mom and dad thought we should have a rest before we came over to the mainland.” Kelly has lain down on her tummy on the lounger, face on her arms, but now she lifts her head, squinting in the sun, and stares incredulously at Paige. “When you came over to the mainland?” she asks. “You do know that the United Kingdom is a completely different country from Italy, right?” Paige’s blond eyebrows knit in confusion. “But it’s all part of Europe?” she says, looking at Kendra for help. “I mean, England’s like an island, off the mainland of Europe.” “We’re a separate country,” Kelly says coldly. “It would be like saying that Greenland’s an island off the mainland of the United States.” “Isn’t it?” Paige says, giggling helplessly. “I was never very good at geography.” “Kelly’s right,” Kendra drawls. “Some of us Americans do have half an idea where other countries in the world are located.” “Are you two friends?” I ask, because I can see that Kelly’s still seething. “Our parents know each other from the country club,” Paige says, not a whit upset by being effectively called an idiot by Kendra. “Our moms play tennis together on Saturdays.” “And our dads golf together,” Kendra says self-mockingly now. “It’s all super-cozy. I wanted to come to Italy for the summer, and I found this course online--” “But her mom didn’t want her to go on her own, and she told my mom, and my mom thought it would be a great learning experience for me--” Paige bursts in enthusiastically. “And teach you where some other flipping countries are besides your own,” Kelly mutters sotto voce.

Paris, a city with a soundtrack in a minor key, is the ideal setting for this kind of self-relinquishing.

Bellissime tutte,” he continues. “You are all beautiful.” Even Kendra, who’s so cool and poised, can’t help looking smug at this flattery; Kelly and I positively coo with pleasure. I don’t think I’ve ever been called beautiful by a boy in my life. It’s definitely not an English-guy thing; in London, we pride ourselves on our irony and sarcasm. You’re lucky if you even get a backhanded compliment from a boy. “Your hair doesn’t look terrible today”--that kind of thing. If boys only realized how much girls love attention and compliments, I think, they’d do it more. I mean, we absolutely melt when one of them kisses our hand, or tells us we’re pretty--even beautiful. To be brutally honest, they don’t even have to mean it a hundred percent. They just have to say it.

I don’t think I’ve ever been called beautiful by a boy in my life. It’s definitely not an English-guy thing; in London, we pride ourselves on our irony and sarcasm. You’re lucky if you even get a backhanded compliment from a boy. “Your hair doesn’t look terrible today”--that kind of thing.

I know it’s early in the party--the huge wine bottle’s still almost full, and the night is young--but I’m impressed at how good everyone looks. And sober. No one’s pink-faced and stumbling, no one’s slurring their words. The groups of people are all mixed. It’s not like the London parties I’ve been to, with boys at one end of the room getting drunk enough to build up the courage to talk to the girls, who are at the other end giggling and pretending to ignore them. This is impressively grown up. And Luca was bang-on in his assessment of me. I’m standing here alone, no one coming to talk to me. I think I look pretty nice: I did myself up in my best makeup, dark smoky eyes and red lipstick. I wish I could wear white, like Kendra, who looks amazing in it, but I’m a little too body-conscious for that. Kendra has an athlete’s body, and I don’t. I’m okay with not being really thin, but I’d feel like a great white whale if I wore a white outfit. Is it a whale? I wonder. Or a shark? I shrug. These are the kind of questions you find yourself pondering when you’re at a fantastic party, all your girlfriends have been snapped up on sight, and you’re busy propping up the drinks table with your bum because no one wants to talk to you.

It is eerie and uncanny how Luca has the ability to read my mind. “Will you go back now to London, Violetta?” he asks, his black brows lifting, his expression concerned. “Italia has not been good to you. Maybe you think you should go home, where these bad things do not happen.” “Do you want me to go?” I ask, feeling very insecure. I couldn’t blame him, I realize with huge sadness. We’re in a real mess. Perhaps the best thing would be for me to go away and never come back. Luca’s lips tighten into a hard line. Slowly, he shakes his head. “It’s hard to know what’s best,” he says. “But I do not want you to go.” “I don’t want to go either,” I say in a whisper. He takes in a deep breath and lets it out again. We stand there silent, because we don’t know what more to say. I realize that shadows are stretching across the terrace. The air is milder, an evening breeze blowing softly. There’s a rustling sound from the cypress trees in the garden below, and we look over to see the first few bats emerging from the branches, circling slowly in the darkening sky. I think we’re both grateful to have something else to concentrate on. We walk across the terrace and lean on the stone balustrade, elbows almost but not quite touching. And we watch the black shapes rise and fall, the red streaks of sunset fading from the sky, and a clear white curve of moon rising slowly behind the dark silhouettes of the trees.

Pasear, paradójicamente, hace posible la quietud. Pasear es trazar un mapa con los pies.

A veces paseo porque tengo cosas en la cabeza y caminar me ayuda a resolverlas. Solvitur ambulando, como dicen.

Los seres humanos no prosperan así, sin más, los pongas donde los pongas. El entorno cuenta. El entorno resulta determinante y constitutivo; te convierte en lo que eres, te impulsa a hacer lo que haces.

Eso fue el siglo XIX en Francia: un continuo reponerse de un derramamiento de sangre solo para infligir otro, esperando que esta vez trajera realmente consigo un mundo más justo. Nunca llegó, aunque Francia no ha dejado de esperarlo.

Participar en una marcha es un acto social, además de político. Tenemos tan pocas oportunidades de hacer lo mismo al unísono que cuando lo logramos sentimos que somos parte de algo más grande que nosotros.

La manifestación de protesta no sirve solo para hacer saber al gobierno tu disconformidad, sino para mostrar a tus conciudadanos -incluso los más pequeños- que las políticas oficiales pueden y deben ser rechazadas. Para provocar un cambio. Para desbaratar supuestos fáciles. Te presentas. Haces tu apuesta. Echas a andar.

Fingers steepled in front of him, Delaroche stared at the note. The card itself was useless. Delaroche had an entire drawer full of nothing but cream-coloured cards bearing the Gentian’s distinctive purple stamp. He had long ago traced the cards to a very exclusive stationer in London which boasted a wide clientele among the ton. If Delaroche were to go on the make of the paper alone, he could easily accuse anyone from the Prince of Wales to Lady Mary Wortley Montague. Inside – Delaroche did not need to release the card from the letter opener to look; he recalled the contents in painful detail – inside, that rogue had inscribed a bill for the accommodations. One shilling for stale bread, one shilling for rank water, two shillings for rats, three shillings for amusing insults from the guards, and so on, before signing it with the customary small purple flower. On top of the note had been a small pile of English coins, as per the reckoning. Damn him! The list was in Falconstone’s hand – Delaroche knew the hand-writing of every man whose correspondence he had ever intercepted. Delaroche could picture the Gentian standing there, dictating, in the middle of the most carefully guarded prison in Paris. The man’s cheek was unbelievable.

Once I began to look for the flâneuse, I spotted her everywhere. I caught her standing on street corners in New York and coming through doorways in Kyoto, sipping coffee at café tables in Paris, at the foot of a bridge in Venice, or riding the ferry in Hong Kong. She is going somewhere or coming from somewhere; she is saturated with in-betweenness. She may be a writer, or she may be an artist, or she may be a secretary or an au pair. She may be unemployed. She may be unemployable. She may be a wife or a mother, or she may be totally free. She may take the bus or the train when she's tired. But mostly, she goes on foot. She gets to know the city by wandering its streets, investigating its dark corners, peering behind facades, penetrating into secret courtyards. I found her using cities as performance spaces or as hiding places; as places to seek fame and fortune or anonymity; as places to liberate herself from oppression or to help those who are oppressed; as places to declare her independence; as places to change the world or be changed by it.

And sometimes we hold on with both hands to things we really want to release. This is a hard thing to admit. How do we know what to keep, and what is just an old idea we had about ourselves?