Latte Art Quotes

The art of holding on to money is all about saying no to consumer culture. Saying no to takeout, $4 lattes, and that shiny new computer when the old one still works fine.

it. The art of holding on to money is all about saying no to consumer culture. Saying no to takeout, $4 lattes, and that shiny new computer when the old one still works fine.

If he even drinks coffee. I don’t. I only drink Green tea which is something close to blasphemy here in Italy where people worship coffee, where making a cup of coffee, be it espresso, macchiato, latte, or cappuccino, is an art in and of itself and where drinking coffee is one of the fundamental rights guaranteed by the constitution.

I leave a vanilla almond milk latte at her front door each morning with the shittiest version of foam art and a note that tells her what the design was before I took a sip.

Thanks for letting me keep you up last night. You should’ve seen the latte art today. It was my best one yet until I took a sip. Drive my truck while I’m gone, please. -R

Getting down to the gym a couple days a week and having low-fat milk in your morning latte isn’t going to make much of a dent in a system or lifestyle that is essentially, well, unwell.

Cafés overflowed anytime but early mornings, for there were few commuters in the neighborhood at that time. After noon, the self-employed, or unemployed, hipsters set up their laptops, soy milk lattes by their side, and proceeded to create ironic and subversive works of art, pausing every so often to brood.

My grandpa used to tell my dad, “Son, it’s not the money you make, it’s the money you hold on to.” Make yourself a budget. Live within your means. Pack your lunch. Pinch pennies. Save as much as you can. Get the education you need for as cheap as you can get it. The art of holding on to money is all about saying no to consumer culture. Saying no to takeout, $ 4 lattes, and that shiny new computer when the old one still works fine.

Older, established writers always tell younger writers about the compromises they must make to succeed. You must be willing to be poor, they say. You must make writing your life. You must piece money together in any way that allows room for writing. It doesn’t matter what those jobs are so long as they don’t sap your creative energy. Wait tables. Walk dogs. Babysit. Make lattes. Figure model. Donate your eggs. Build houses. Bake bread. Freelance at writing. Freelance at anything. I was no longer in a position to naively agree to the sacrifices a freelance-everything lifestyle required.

Burlington, Vermont, is an example of a certain kind of small city that David Brooks calls “Latte Towns,” enclaves of affluent and well-educated people, sometimes in scenic locales such as Santa Fe or Aspen and sometimes in university towns such as Ann Arbor, Berkeley, or Chapel Hill. Of Burlington, Brooks writes: Burlington boasts a phenomenally busy public square. There are kite festivals and yoga festivals and eating festivals. There are arts councils, school-to-work collaboratives, environmental groups, preservation groups, community-supported agriculture, antidevelopment groups, and ad hoc activist groups.… And this public square is one of the features that draw people to Latte Towns. People in these places apparently would rather spend less time in the private sphere of their home and their one-acre yard and more time in the common areas.

Monday ushers in a particularly impressive clientele of red-eyed people properly pressed into dry-cleaned suits in neutral tones. They leave their equally well-buttoned children idling in SUVs while dashing to grab double-Americanos and foamy sweet lattes, before click-clacking hasty escapes in ass-sculpting heels and polished loafers with bowl-shaped haircuts that age every face to 40. My imagination speed evolves their unfortunate offspring from car seat-strapped oxygen-starved fast-blooming locusts, to the knuckle-drag harried downtown troglodytes they’ll inevitably become. One by one I capture their flat-formed heads between index finger and thumb for a little crush-crush-crushing, ever aware that if I’m lucky one day their charitable contributions will fund my frown-faced found art project to baffle someone’s hallway.

It was his fault.She could put the blame for this entirely on Brian Donnelly's shoudlers.If he hadn't been so insufferable,if he hadn't been there being insufferable when Chad had called, she wouldn't have agreed to go out to dinner.And she wouldn't have spent nearly four hours being bored brainless when she could've been doing something more useful. Like watching paint dry. There was nothing wrong with Chad, really.If you only had,say,half a brain, no real interest outside of the cut of this year's designer jacket and were thrilled by a rip-roaring debate over the proper way to serve a triple latte,he was the perfect companion. Unfortunately,she didn't gualify on any of those levels. Right now he was droning on about the painting he'd bought at a recent art show. No,not the painting,Keeley thought wearily. A discussion of the painting,of art,might have been the medical miracle that prevented her from slipping into a coma.But Chad was discoursing-no other word for it-on The Investment. He had the windows up and the air conditioning clasting as they drove. It was a perfectly beautiful night, she mused, but putting the windows down meant Chad's hair would be mussed. Couldn't have that. At least she didn't have to attempt conversation. Chad preferred monologues. What he wanted was an attractive companion of the right family and tax bracket who dressed well and would sit quietly while he pontificated on the narrow areas of his interest. Keeley was fully aware he'd decided she fit the bill,and now she'd only encouraged him by agreeing to this endlessly tedious date.

La storia è un pentolone pieno di progetti realizzati da uomini divenuti grandi per avere avuto il coraggio di trasformare i loro sogni in realtà, e la filosofia è il silenzio nel quale questo sogni nascono. Anche se a volte, purtroppo, i sogni di questi uomini erano incubi, soprattuto per chi ne ha fatto le spese. Quando non nascono dal silenzio, i sogni diventano incubi. La storia, insieme alla filosofia, all'arte, alla musica, alla letteratura, è il miglior modo per scoprire chi è l'uomo. Alessandro Magno, Augusto, Dante, Michelangelo... tutti uomini che hanno messo in gioco la loro libertà al meglio e, cambiando se stessi, hanno cambiato la storia. [..]

The waiter appeared beside her, distributing artfully foamed lattes and herbal teas around the table, and setting down two baskets of shiny pastries in the middle. There wasn’t a woman here who would let her hand come within six inches of the sugar-filled carbs, but they served the purpose of brightening up the table, like a floral centerpiece

I like him for the good, kind man he is: a sweet-talker who charms me with latte art and dorky notes, a vocal god who belts out a love ballad and collects comic books.

New York might run on Dow Jones, lattes, dollar signs, and neon lies, but what beats in its breast is it’s people: it’s hip-hop, it’s bodegas, it’s art, it’s Union Square grifters, it’s subway mariachi, it’s two-jobs-and-night-school-thank-you-I’m-fine mothers, it’s daughters full of dreams of making it big, it’s multicolored sons and their hopes blazing bright as a meth tweaker’s eyes.

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The Coffeehouse Troubadour by Stewart Stafford I am The Coffeehouse Troubadour; Catchpenny conduit of all your pain, Nanosecond glance, a collective boil lanced, And my mirror refracts again. You mix my words in bitterest cups, Laced to an addictive latte brew, Read the room as we slowly dance And see, it's not about me, it's about you. Did you catch the trick I pulled there? Would you like me to show you once more? Or put on your coat in silent meditation? A rainy baptism as you walk through the door? © 2025, Stewart Stafford. All rights reserved.