Latino Artist Quotes

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Okay, granted, there's a lot of willful blindness out there, more than enough to go around, and failures of imagination abound as well. One can be sympathetic to Trump voters without giving them a free pass. Feeling angry, undervalued, and ignored, they don't seem to grasp that these are not new feelings. They're just new to them. American blacks and Latinos and LGBT folks have been feeling the same way for a long time. And I want to be clear about the man himself. Donald Trump is a despicable human being - a full-blown narcissist, a pathological liar, a vulgarian, a groper of women and girls. He's completely unfit to be president of the United States. As regards the working class, however, he did what Dickens did. He held a mirror up to a whole class of people who were too often ignored. Because Dickens was both a good man and a great artist, what people saw in that mirror was their best selves. And because Trump is neither good nor great, his distorted mirror reflects little but his supporters' bigotry and anger. But give the man this much credit. To his supporters he was saying, I see you. I see your value. Which is more than can be said for the elites of either party.
Richard Russo (Tales of Two Americas: Stories of Inequality in a Divided Nation)
The photo was published in the majority of Brazilian newspapers in a full-page spread when CNN and all the television channels of the world broadcast the scene, they froze it for a few seconds. Or minutes, hours, I don't know. For me time has infinite duration--I don't know how to measure it by normal parameters. Trying doesn't even interest me. From the World Trade Center buildings, minutes, prior to their collapse--which would appear as a perfect and planned implosion--only a grayish-blue and black vertical lines can be seen. Like a modernist painting--by whom? Which artist painted lines? Mondrian? No, not Mondrian, he painted squares, rectangles. Anyway, in the picture, the man is falling head first. his body straight, one of his legs bent. Did he jump? Slip? Did he faint and then fall? He probably lost consciousness because of the height, the smoke. He fell. He disappeared from the scene, from life, from the city. A million tons of rubble buried him soon after. Nobody knows his name. Impossible for his family to have him identified. He's an unknown who entered into history at the twenty-first century's first great moment of horror--the history of the world, the United States, communications, photography. Without anyone knowing who he is. And nobody will ever know. We'll only have suppositions, families who'll swear that he was theirs. But was he Brazilian, American, Latino, Chinese, Italian, Irish--what? He could have been anything, but now he's nothing. One among thousands gone forever. And, while we're on the subject, what about the firemen who supposedly became such heroes that day--can you name a single one?
Ignácio de Loyola Brandão (Anonymous Celebrity (Brazilian Literature))
If you've been hoping to catch a concert by Cristian Castro and Natalia Jimnez, now is your chance! Check out the information below to find out when and where they're performing next. Besides, you can also find information about Cantautoraespaola and its cost. Here is the schedule of upcoming concerts, along with the cost of tickets. The next concert date for Cristian Castro and Natalia Jimnez is Apr 30, 2022. Concerts If you've always wanted to see a concert by a Latino singer, then the next Cristian Castro and Natalia Jimnez concert is just around the corner. This concert is happening at the United Palace Theater in New York, NY, on Sat, Apr 30, 2022 at 8:00 PM, you can buy tickets at Boletosexpress.com by clicking here. There are currently 572 tickets available for this event. It will be a very fun night for fans of Latin music. Tour dates Cristian Castro and Natalia Jimnez will be performing three concerts in the United States. The concert series will begin on April 29th and will run through May 1st, tickets for April 29th can be purchased here. For the concert of 1st May buy events tickets from boletosexpress.com. The concerts will include many of the artist's most popular songs. The artists' artistic entrepreneur, Felix Cabrera, announced the tour earlier this month. He stated that the public has responded positively to the news. You can purchase tickets to the show by visiting the official website of the concert series.
boletosexpress
As a Caribbean born, I understand the self as a multi geometric entropic process always connected with the communal self. I do not seek history as a way to find points of origins, but to articulate historical locations in a traveling interconnected knowledge system that provides solutions for my subjective migrant experience. In a deeper process, the encounter with these places of interceptions, the crossroads, could become turning points to return, do depart, to convey, and to arrive to the present. African Aesthetics still nurtures contemporary artistic practices in the Caribbean, as well as in Africana Americana Diaspora and the US/Latino Diaspora. Writing the Decolonial Mariposa Ancestral Memory CARIBBEAN INTRANSIT ARTS JOURNAL VOL. 1 | ISSUE 4 | SPRING 2013
Raul Moarquech Ferrera-Balanquet and Miguel Rojas-Sotelo
As a Caribbean born, I understand the self as a multi geometric entropic process always connected with the communal self. I do not seek history as a way to find points of origins, but to articulate historical locations in a traveling interconnected knowledge system that provides solutions for my subjective migrant experience. In a deeper process, the encounter with these places of interceptions, the crossroads, could become turning points to return, do depart, to convey, and to arrive to the present. African Aesthetics still nurtures contemporary artistic practices in the Caribbean, as well as in Africana Americana Diaspora and the US/Latino Diaspora. Writing the Decolonial Mariposa Ancestral Memory CARIBBEAN INTRANSIT ARTS JOURNAL VOL. 1 | ISSUE 4 | SPRING 2013
Raul Moarquech Ferrera-Balanquet
Many well-known screen actors and actresses changed their names to match the screen images created by the Hollywood dream factories and to distance themselves from their ethnicities.
Luis I. Reyes (Viva Hollywood: The Legacy of Latin and Hispanic Artists in American Film (Turner Classic Movies))
Latinx artists both in front of and behind the cameras are committed to creating entertaining, compelling stories, unforgettable characters, and indelible images of humanity that will bring a greater understanding of the society and the world we live in. They have a long history in the evolving art of motion pictures since its inception and are taking a more prominent place in the present and future of Hollywood and the world’s cinematic landscape.
Luis I. Reyes (Viva Hollywood: The Legacy of Latin and Hispanic Artists in American Film (Turner Classic Movies))
Back when the motion picture industry was still open, there were no unions or craft disciplines, and opportunities were available to anyone who could do the job. Latins have been a vital part of the industry since this era. As the different production film entities out West in Hollywood grew larger, consolidated, and gradually unionized, social hierarchy and pressures took a stronger hold in the Hollywood community and industry that initially allowed regular—albeit restricted—opportunities for employment in the movies.
Luis I. Reyes (Viva Hollywood: The Legacy of Latin and Hispanic Artists in American Film (Turner Classic Movies))
As a Caribbean-born, I understand the self as a multi-geometric entropic process always connected with the communal self. I do not seek history as a way to find points of origin, but to articulate historical locations in a traveling interconnected knowledge system that provides solutions for my subjective migrant experience. In a deeper process, the encounter with these places of intersection, the crossroads, could become turning points to return, to depart, to convey, and to arrive to the present. African Aesthetics still nurtures contemporary artistic practices in the Caribbean, as well as in the African Americana Diaspora and the US Latino Diaspora. Writing the Decolonial Mariposa Ancestral Memory CARIBBEAN INTRANSIT ART JOURNAL Vol. 1, Issue 4, Spring 2013.
Raul Moarquech Ferrera-Balanquet
these are the regions where populations of artists and radicals in the 1930s and 1940s morphed into heavily Latino populations in the 1950s and 1960s.
Meghan Daum (Life Would Be Perfect If I Lived in That House: A Memoir)
Drawing on earlier conventional ethnic types in newspapers, theater, literature, photography, and advertisements, the new medium of motion pictures perpetuated them and gave rise to new variants. The overriding negative images of Mexicans and Latinos in general in Hollywood motion pictures became a staple of its earliest western films.
Luis I. Reyes (Viva Hollywood: The Legacy of Latin and Hispanic Artists in American Film (Turner Classic Movies))
The irony is that the exaggerations and speculations of Europeans are known as surrealism> while Latin Americans and Latinos are designated simply as "primitives," "exotics," or imitators of European reality, to be judged in a special category. (Shirfa M. Goldman wrote this essay for Santa Barrasza: Artist of the Southwest.)
Shirfa M. Goldman