Last Rite Quotes

His mate is the light that keeps that darkness at bay. She fills the hole that has been growing ever larger in his soul. When the bond is completed between mates, their very souls merge and the male will be able to leash the darker part of his nature and at last be at peace with his wolf.

Thank you for finding her for me,” my saviour said to them, smooth and polished. “Enjoy the Rite.” There was enough of a bite beneath his last words that the faeries stiffened. Without further comment, they scuttled back to the bonfires. I stepped out of the shelter of my saviour’s arm and turned to thank him. Standing before me was the most beautiful man I’d ever seen.

Last night I wept in a way I haven’t wept for some time. I wept until I aged myself. I watched it happen in the mirror. I watched the lines arrive around my eyes like engraved sunbursts; it was like watching flowers open in time-lapse on a windowsill. The tears not only aged my face, they also changed its texture, turned the skin of my cheeks into putty. I recognized this as a rite of decadence, but I did not know how to stop it.

Esk felt that bravery was called for, but on a night like this bravery lasted only as long as a candle stayed alight.

fleeing into aphorisms, the last refuge of an adult under siege.

The last bed, the last roof, the last floor. The last of everything brings lugs of pain, as though there will be nothing left, but smoke from fires abandoned.

If a thing’s worth doing, it’s worth doing badly,” said Granny, fleeing into aphorisms, the last refuge of an adult under siege.

Who would condescend to strike down the mere things that he does not fear? Who would debase himself to be merely brave, like any common prizefighter? Who would stoop to be fearless--like a tree? Fight the thing that you fear. You remember the old tale of the English clergyman who gave the last rites to the brigand of Sicily, and how on his death-bed the great robber said, 'I can give you no money, but I can give you advice for a lifetime: your thumb on the blade, and strike upwards.' So I say to you, strike upwards, if you strike at the stars.

Not a believer in the mosque am I, Nor a disbeliever with his rites am I. I am not the pure amongst the impure, I am neither Moses nor Pharaoh. Bulleh, I know not who I am. Not in the holy books am I, Nor do I dwell in bhang or wine, Nor do I live in a drunken haze, Nor in sleep or waking known. Bulleh, I know not who I am. Not in happiness or in sorrow am I found. I am neither pure nor mired in filthy ground. Not of water nor of land, Nor am I in air or fire to be found. Bulleh, I know not who I am. Not an Arab nor Lahori, Not a Hindi or Nagouri, Nor a Muslim or Peshawari, Not a Buddhist or a Christian. Bulleh, I know not who I am. Secrets of religion have I not unravelled, I am not of Eve and Adam. Neither still nor moving on, I have not chosen my own name! Bulleh, I know not who I am. From first to last, I searched myself. None other did I succeed in knowing. Not some great thinker am I. Who is standing in my shoes, alone? Bulleh, I know not who I am.

So Oz finally became home; the imagined world became the actual world, as it does for us all, because the truth is that once we have left our childhood places and started out to make our own lives, armed only with what we have and are, we understand that the real secret of the ruby slippers is not that "there's no place like home," but rather that there is no longer such a place as home: except, of course, for the homes we make, or the homes that are made for us, in Oz, which is anywhere and everywhere, except the place from which we began. In the place from which I began, after all, I watched the film from the child's - Dorothy's point of view. I experienced, with her, the frustration of being brushed aside by Uncle Henry and Auntie Em, busy with their dull grown-up counting. Like all adults, they couldn't focus on what was really important to Dorothy: namely, the threat to Toto. I ran away with Dorothy and then ran back. Even the shock of discovering that the Wizard was a humbug was a shock I felt as a child, a shock to the child's faith in adults. Perhaps, too, I felt something deeper, something I couldn't articulate; perhaps some half-formed suspicion about grown-ups was being confirmed. Now, as I look at the movie again, I have become the fallible adult. Now I am a member of the tribe of imperfect parents who cannot listen to their children's voices. I, who no longer have a father, have become a father instead, and now it is my fate to be unable to satisfy the longings of a child. This is the last and most terrible lesson of the film: that there is one final, unexpected rite of passage. In the end, ceasing to be children, we all become magicians without magic, exposed conjurers, with only our simply humanity to get us through. We are the humbugs now.

When civilization is strong and widespread enough, "culture" will appear and take care of itself.

There was a time when love was the law. There was a time for the tooth and the claw, Last rites given, no holds barred. Heaven express on my credit card.

Logan, you Cavanaughs are like one-stop shopping. Police protection, legal counsel, dinner and last rites—it’s all taken care of in one neat little package. Unbelievable!

You're wise to be cautious. People taking the last rites have a way of dying on cue.

Wesley, you asshole,” Eriksson says. “Aren’t you going to tell us?” “Tell you what?” I growl. My sex life is none of their goddamn business. “How is he? Jesus Christ. The TV news makes it sound like your boyfriend might be getting last rites.” My fingers falter on the buttons of my bright green checked shirt. “W-what?” Our backup goalie Tomilson speaks up wryly. “I think what Mr. Sensitive is trying to ask is, is your partner okay?

And if there are no cars or planes, and if no one's Uncle John is out in the wood lot west of town banging away at a quail or pheasant; if the only sound is the slow beat of your own heart, you can hear another sound, and that is the sound of life winding down to its cyclic close, waiting for the first winter snow to perform last rites.

You mean it's my destiny? she said at last. Granny shrugged. Something like that. Probably. Who knows?

Sex and magic are intertwined experiences—sex is one kind of magic (and can be made more magical without being concerned with sex-magic at any point), and magic can be, while erotic and arousing, not necessarily sexual in the way that is often understood. There is a commonly-held belief that those who practice sex-magic are indulging themselves in wild orgiastic rites at every opportunity. This is rarely the case. After all, if you need to go through lots of occult rigmarole just to get laid, then you're a bit sad, aren't you? Then again, the occult subculture is full of SAD people, desperate to finally get laid and attempting to turn to sex-magic as a last resort.

Nesta’s eyes stung as Gwyn said, “So we climb Ramiel. We take the Breaking. We win to prove to everyone that something new can be as powerful and unbreakable as the old rules. That something no one has ever seen before, not entirely Valkyrie nor entirely Illyrian, can win the Blood Rite.” “No,” Nesta said at last. “We win to prove to ourselves that it can be done.” She bared her teeth in a feral grin at the mountain. “We win the whole damn thing.

Through many countries and over many seas I have come, Brother, to these melancholy rites, to show this final honour to the dead, and speak (to what purpose?) to your silent ashes, since now fate takes you, even you, from me. Oh, Brother, ripped away from me so cruelly, now at least take these last offerings, blessed by the tradition of our parents, gifts to the dead. Accept, by custom, what a brother's tears drown, and, for eternity, Brother, 'Hail and Farewell'.

The administrations in charge never cease announcing supposedly necessary reforms: to reform schools, to reform industries, hospitals, the armed forces, prisons. But everyone knows that these institutions are finished, whatever the length of their expiration periods. It’s only a matter of administering their last rites and of keeping people employed until the installation of the new forces knocking at the door. These are the societies of control, which are in the process of replacing the disciplinary societies. ‘Control’ is the name Burroughs proposes as a term for the new monster, one that Foucault recognizes as our immediate future.

People with green eyes were close to the fairies, we were told; they were just here for a little while, looking for a human child they could take away. If we ever met anyone with one green and one brown eye we were to cross ourselves, for that was a human child that had been taken over by the fairies. The brown eye was the sign it had been human. When it died, it would go into the fairy mounds that lay behind the Donegal mountains, not to heaven, purgatory, limbo or hell like the rest of us. These strange destinations excited me, especially when a priest came to the house of a dying person to give the last rites, the sacrament of Extreme Unction. That was to stop the person going to hell. Hell was a deep place. You fell into it, turning over and over in mid-air until the blackness sucked you into a great whirlpool of flames and you disappeared forever.

Strange things began to happen that made Holmes’s claims about being the devil seem almost plausible. Detective Geyer became seriously ill. The warden of Moyamensing prison committed suicide. The jury foreman was electrocuted in a freak accident. The priest who delivered Holmes’s last rites was found dead on the grounds of his church of mysterious causes. The father of Emeline Cigrand was grotesquely burned in a boiler explosion. And a fire destroyed the office of District Attorney George Graham, leaving only a photograph of Holmes unscathed.

Sometimes decent people must do indecent things.

The air down here doesn't smell of sugar and coffee. It smells damp, rotten.

It was Valentine's Day and I had spent the day in bed with my life partner, Ketel One. The two of us watched a romance movie marathon on TBS Superstation that made me wonder how people who write romantic comedies can sleep at night. At some point during almost every romantic comedy, the female lead suddenly trips and falls, stumbling helplessly over something ridiculous like a leaf, and then some Matthew McConaughey type either whips around the corner just in the nick of time to save her or is clumsily pulled down along with her. That event predictably leads to the magical moment of their first kiss. Please. I fall all-the-time. You know who comes and gets me? The bouncer. Then, within the two hour time frame of the movie, the couple meet, fall in love, fall out of love, break up, and then just before the end of the movie, they happen to bump into each other by "coincidence" somewhere absolutely absurd, like by the river. This never happens in real life. The last time I bumped into an ex-boyfriend was at three o'clock in the morning at Rite Aid. I was ringing up Gas-X and corn removers.

But for an individual human being, moments are the thing. Moments are what we remember and what we cherish. Certainly we might celebrate achieving a goal, such as completing a marathon or landing a significant client—but the achievement is embedded in a moment. Every culture has its prescribed set of big moments: birthdays and weddings and graduations, of course, but also holiday celebrations and funeral rites and political traditions. They seem “natural” to us. But notice that every last one of them was invented, dreamed up by anonymous authors who wanted to give shape to time. This is what we mean by “thinking in moments”: to recognize where the prose of life needs punctuation.

So, on the day after we lost Ted Kennedy’s seat, when everyone in town was reading last rites over our health care bill, Obama began plotting the miracle of its resurrection.

Now comes the darkening sky and a cold wind that passes right through you, as though you are not there, it passes through you as though it does not care whether you are alive or dead, for you will be gone and the wind will still be there, licking the grass flat upon the ground, not caring whether the soil is at a freeze or thaw, for it will freeze and thaw again, and soon your bones, now hot with blood and thick-juicy with marrow, will be dry and brittle and flake and freeze and thaw with the weight of the dirt upon you, and the last moisture of your body will be drawn up to the surface by the grass, and the wind will come and knock it down and push you back against the rocks, or it will scrape you up under its nails and take you out to sea in a wild screaming of snow.

if the only sound is the slow beat of your own heart, you can hear another sound, and that is the sound of life winding down to its cyclic close, waiting for the first winter snow to perform last rites.

But when fall comes, kicking summer out on its treacherous ass as it always does one day sometime after the midpoint of September, it stays awhile like an old friend that you have missed. It settles in the way an old friend will settle into your favorite chair and take out his pipe and light it and then fill the afternoon with stories of places he has been and things he has done since last he saw you. It stays on through October and, in rare years, on into November. Day after day the skies are a clear, hard blue, and the clouds that float across them, always west to east, are calm white ships with gray keels. The wind begins to blow by the day, and it is never still. It hurries you along as you walk the roads, crunching the leaves that have fallen in mad and variegated drifts. The wind makes you ache in some place that is deeper than your bones. It may be that it touches something old in the human soul, a chord of race memory that says Migrate or die – migrate or die. Even in your house, behind square walls, the wind beats against the wood and the glass and sends its fleshless pucker against the eaves and sooner or later you have to put down what you were doing and go out and see. And you can stand on your stoop or in your dooryard at mid-afternoon and watch the cloud shadows rush across Griffen’s pasture and up Schoolyard Hill, light and dark, light and dark, like the shutters of the gods being opened and closed. You can see the goldenrod, that most tenacious and pernicious and beauteous of all New England flora, bowing away from the wind like a great and silent congregation. And if there are no cars or planes, and if no one’s Uncle John is out in the wood lot west of town banging away at a quail or pheasant; if the only sound is the slow beat of your own heart, you can hear another sound, and that is the sound of life winding down to its cyclic close, waiting for the first winter snow to perform last rites.

He felt that the last couple of hours had somehow carried him along without him actually touching the sides, and for a moment he nursed the strangely consoling feeling that his life was totally beyond his control and whatever happened no one could blame him.

The zeal and virtue of Ali were never outstripped by any recent proselyte. He united the qualifications of a poet, a soldier, and a saint; his wisdom still breathes in a collection of moral and religious sayings; and every antagonist, in the combats of the tongue or of the sword, was subdued by his eloquence and valour. From the first hour of his mission to the last rites of his funeral, the apostle was never forsaken by a generous friend, whom he delighted to name his brother, his vicegerent, and the faithful Aaron of a second Moses.

My sisters, you, his daughters! Now that you’ve heard our father’s iron curses, I implore you in the name of the gods, if father’s curses all come true at last, and if some way back to Thebes is found for you, don’t neglect me, please, give me burial, the honored rites of death.

Me pregunta usted qué hice cuando vi a aquella chica. Bueno, pues se lo diré. ¿Ve usted ese armario de ahí, que llena casi toda la habitación? Vine corriendo hasta aquí, me metí dentro y me hice una paja. No vaya a creer que me la hice pensando en la chica. No, no podría soportarlo. Retrocedí en mis recuerdos hasta que medía tres pies de altura. Eso me hizo terminar antes. Veo que piensa que soy sucio y retorcido. Pues después me lavé las manos, cosa que no todos hacen.

From a short distance, the few attending mourners under the blue tarp looked on silently as each ritualistic movement necessary to properly complete the last rites of the dead were respectively adhered to. Not surprisingly, only the constant raindrops marred the utter silence of the occasion, and not a single teardrop fell. Not a whimper or a shudder. Not for this man. Not today. Not ever again. It took all Skye had not to walk over to the hole, lift up her skirt, and piss on the man who had repeatedly raped her as a child. Good riddance, you nasty bastard. Now you are in God’s hands. Have fun with that, you piece of garbage.

Teddy Bear’ by Elvis Presley, I can remember, I have always been able to remember,

You mean it's my destiny?" she said at last. Granny shrugged. “Something like that. Probably. Who knows?

It’s so still on the river, her laugh carries across the water to nowhere.

It was strange watching Kate milk herself into a bottle. It made me think how we’re just animals with clothes on doing very peculiar things, like monkeys at a tea party.

We all have secrets.

It’s some kind of Korean immigrant rite of passage. National parks, reasons to wear hats and khaki, stuff like that. It’s like America America.

The two of them might have met on that high place deliberately for public celebration of some rite or sacrifice. At first neither said a word. That seemed an age. At last Dr Trelawney took the initiative. Raising his right arm slightly, he spoke in a low clear voice, almost in the accents of one whose very perfect enunciation indicates that English is not his native tongue.

The whereabouts of Batman remain unknown. And yet… I can see him now, in the grip of implacable forces, innumerable foes. Somewhere without hope. In a place where all seems lost. And I know this… the enemy will look away, for just a moment, underestimating him for that single fraction of a second too long. And no matter how dark the night… there will be no hiding place for evil.

It would be idle to propose that the arrangements made in 1815 caused the terrible cataclysms of the twentieth century. But anyone who attempted to argue that what happened in Russia after 1917, in Italy and Germany in the 1920s, 1930s and 1940s, and in many other parts of central and southern Europe at various other moments of the last century had no connection with them would be exposing themselves to ridicule.

I wished I’d thought of that last before I’d departed. It might have been good advice to give out in my final days in Copper Downs, had I been able to fit such a conversation in between my busy schedule of murder, arson, and funerary rites.

He asked me about headaches, nausea, vision problems, and when I had my last period. This is apparently the single most vital piece of information concerning a woman’s body. You are asked this question repeatedly and by every person at every doctor’s visit from the time you’re twelve until you’re given your last rites. “I’m sorry,” says the priest, “but before I can absolve you of all sin and allow you to go to heaven, you must first tell me the date of your last menstrual period.

Religion, then, is far from "useless." It humanizes violence; it protects man from his own violence by taking it out of his hands, transforming it into a transcendent and ever-present danger to be kept in check by the appropriate rites appropriately observed and by a modest and prudent demeanor. Religious misinterpretation is a truly constructive force, for it purges man of the suspicions that would poison his existence if he were to remain conscious of the crisis as it actually took place. To think religiously is to envision the city's destiny in terms of that violence whose mastery over man increases as man believes he has gained mastery over it. To think religiously (in the primitive sense) is to see violence as something superhuman, to be kept always at a distance and ultimately renounced. When the fearful adoration of this power begins to diminish and all distinctions begin to disappear, the ritual sacrifices lose their force; their potency is not longer recognized by the entire community. Each member tries to correct the situation individually, and none succeeds. The withering away of the transcendental influence means that there is no longer the slightest difference between a desire to save the city and unbridled ambition, between genuine piety and the desire to claim divine status for oneself. Everyone looks on a rival enterprise as evidence of blasphemous designs. Men set to quarreling about the gods, and their skepticism leads to a new sacrificial crisis that will appear - retrospectively, in the light of a new manifestation of unanimous violence - as a new act of divine intervention and divine revenge. Men would not be able to shake loose the violence between them, to make of it a separate entity both sovereign and redemptory, without the surrogate victim. Also, violence itself offers a sort of respite, the fresh beginning of a cycle of ritual after a cycle of violence. Violence will come to an end only after it has had the last word and that word has been accepted as divine. The meaning of this word must remain hidden, the mechanism of unanimity remain concealed. For religion protects man as long as its ultimate foundations are not revealed. To drive the monster from its secret lair is to risk loosing it on mankind. To remove men's ignorance is only to risk exposing them to an even greater peril. The only barrier against human violence is raised on misconception. In fact, the sacrificial crisis is simply another form of that knowledge which grows grater as the reciprocal violence grows more intense but which never leads to the whole truth. It is the knowledge of violence, along with the violence itself, that the act of expulsion succeeds in shunting outside the realm of consciousness. From the very fact that it belies the overt mythological messages, tragic drama opens a vast abyss before the poet; but he always draws back at the last moment. He is exposed to a form of hubris more dangerous than any contracted by his characters; it has to do with a truth that is felt to be infinitely destructive, even if it is not fully understood - and its destructiveness is as obvious to ancient religious thought as it is to modern philosophers. Thus we are dealing with an interdiction that still applies to ourselves and that modern thought has not yet invalidated. The fact that this secret has been subjected to exceptional pressure in the play [Bacchae] must prompt the following lines: May our thoughts never aspire to anything higher than laws! What does it cost man to acknowledge the full sovereignty of the gods? That which has always been held as true owes its strength to Nature.

But no matter how carefully we schedule our days, master our emotions, and try to wring our best life now from our better selves, we cannot solve the problem of finitude. We will always want more. We need more. We are carrying the weight of caregiving and addiction, chronic pain and uncertain diagnosis, struggling teenagers and kids with learning disabilities, mental illness and abusive relationships. A grandmother has been sheltering without a visitor for months, and a friend's business closed its doors. Doctors, nurses, and frontline workers are acting as levees, feeling each surge of the disease crash against them. My former students, now serving as pastors and chaplains, are in hospitals giving last rites in hazmat suits. They volunteer to be the last person to hold his hand. To smooth her hair. The truth if the pandemic is the truth of all suffering: that it is unjustly distributed. Who bears the brunt? The homeless and the prisoners. The elderly and the children. The sick and the uninsured. Immigrants and people needing social services. People of color and LGBTQ people. The burdens of ordinary evils— descriminations, brutality, predatory lending, illegal evictions, and medical exploitation— roll back on the vulnerable like a heavy stone. All of us struggle against the constraints places on our bodies, our commitments, our ambitions, and our resources, even as we're saddled with inflated expectations of invincibility. This is the strange cruelty of suffering in America, its insistence that everything is still possible.

I dreamt of the execution block last night. I dreamt I was alone and crawling through the snow towards the dark stump. My hands and knees were numb from the ice, but I had no choice. When I came upon the block, its surface was vast and smooth. I could smell the wood. It had none of the saltiness of driftwood, but was like bleeding sap, like blood. Sweeter, heavier. In my dream I dragged myself up and held my head above it. It began to snow, and I thought to myself: "This is the silence before the drop." And then I wondered at the stump being there, the tree it might have been, when trees do not grow here. There is too much silence, I thought in my dream. Too many stones. So I addressed the wood out loud. I said: "I will water you as though you still lived." And at this last word I woke.

Rite To Tyr: Hail to the One-Handed God! Hail to Him whose name is Honor And whose Word is iron, Who alone never shirks the thankless task Whose reason is Lawful Necessity. Hail to the Lord of Swords, Who gave a weapon-bearing hand To see that what must be done was done in truth. Hail God of the sunset, last single ray of light, Lord of loyal morality, whose name none takes in vain. Now must I face loss to do what is right, O Lord Tyr, and I do not ask for your aid To take away that loss, that I might hope for ease of action. As you stood forth knowing you must lose to win, So I ask only that you keep my back straight, My arm strong, my hand from trembling, My voice from faltering, my words from vanishing, My head up, and my resolve unyielding As I reach into the challenging maw of my own future.

There you are, I've been looking for you," said a deep, sensual male voice I'd never heard. But I kept my eyes on the three faeries, bracing myself for flight as the male behind me stepped to my side and slipped a casual arm around my shoulders. The Three lesser faeries pales, their dark eyes wide. "Thank you for finding her for me,” my saviour said to them, smooth and polished. “Enjoy the Rite.” There was enough of a bite beneath his last words that the faeries stiffened. Without further comment, they scuttled back to the bonfires. I stepped out of the shelter of my saviour’s arm and turned to thank him. Standing before me was the most beautiful man I’d ever seen.

In 1787, at an inn near Moulins, an old man was dying, a friend of Diderot, trained by the philosophers. The priests of the neighbourhood were nonplussed: they had tried everything in vain; the good man would have no last rites, he was a pantheist. M. de Rollebon, who was passing by and who believed in nothing, bet the Cure of Moulins that he would need less than two hours to bring the sick man back to Christian sentiments. The Cure took the bet and lost: Rollebon began at three in the morning, the sick man confessed at five and died at seven. “Are you so forceful in argument?” asked the Cure, “You outdo even us.” “I did not argue,” answered M. de Rollebon, “I made him fear Hell.

Christopher Lasch in The Culture of Narcissism describes how despair Of the future leads people to fixate on youth. The Rites teach women to fear our own futures, our own wants. To live in fear of one’s body and one’s life is not to live at all. The resulting life-fearing neuroses are everywhere. They are in the woman who will take a lover, go to Nepal, learn to skydive, swim naked, demand a raise, “when she loses this weight”—but in the eternal meantime maintains her vow of chastity or self-denial. They are in the woman who can never enjoy a meal, who never feels thin enough, or that the occasion is special enough, to drop her guard and become one with the moment. They are in the woman whose horror of wrinkles is so great that the lines around her eyes shine with sacred oil, whether at a party or while making love. Women must await forever the arrival of the angel of use, the bridegroom who will dignify the effort and redeem the cost; whose presence will allow us to inhabit and use our “protected” faces and bodies. The expense is too high to let us fire the wick, to burn our own fuel to the last drop and live by our own light in our own time. Where the Rites of Beauty have instilled these life-fearing neuroses in modern women, they paralyze in us the implications of our new freedoms, since it profits women little if we gain the whole world only to fear ourselves.

A Magnum Paucity by Stewart Stafford Build the nation's mausoleum, Light the people's funeral pyre, For Hibernia's sons and daughters, In genocide to expire. Romantic Ireland has no grave, It died foraging at the roadside for bites, Or on a coffin ship out of reach of the New World, An empire's boot on the throat for last rites. Did you know your identity all along? Or find it struggling and aghast? Old Eireann was the first expendable colony, And egregiously, not Britannia's last. Constricting stomachs do not growl patriotic oaths, Freedom is a stranger to a starved mind, Force-feed our children grapes of wrath, With liberation dead on the vine. © Stewart Stafford, 2022. All rights reserved.

I would tell you the safe procedure to avoid lightning strikes while on an exposed ridge, but I see no reason you should not learn it as I did. If you get tweaked by God's long electric fingers, I can hardly be to blame. You are a fat-assed nerd anyway, without a pistol within reach and incapable of running more than three miles without the last rites. You, fart-brain, are a reader, and the only thing I despise more is a writer, who simply ought to announce himself a public masturbator and be done with it. But I am telling my story, you are listening, and so we have a truce, if not respect. I am a writer, you a reader, and if there were a God, he might be amused to have mercy on our souls. Or piss on them. In long electric streaks.

The triad, being the fundamental principle of the whole Kabalah, or Sacred Tradition of our fathers, was necessarily the fundamental dogma of Christianity, the apparent dualism of which it explains by the intervention of a harmonious and all-powerful unity. Christ did not put His teaching into writing, and only revealed it in secret to His favored disciple, the one Kabalist, and he a great Kabalist, among the apostles. So is the Apocalypse the book of the Gnosis or Secret Doctrine of the first Christians, and the key of this doctrine is indicated by an occult versicle of the Lord's Prayer, which the Vulgate leaves untranslated, while in the Greek Rite, the priests only are permitted to pronounce it. This versicle, completely kabalistic, is found in the Greek text of the Gospel according to St Matthew, and in several Hebrew copies, as follows: Ὅτι σοῦ ἐστιν ἡ βασιλεία καὶ ἡ δύναμις καὶ ἡ δόξα εις τοὺς αἰῶνας. ἀμήν. The sacred word MALKUTH substituted for KETHER, which is its kabalistic correspondent, and the equipoise of GEBURAH and CHESED, repeating itself in the circles of heavens called eons by the Gnostics, provided the keystone of the whole Christian Temple in the occult versicle. It has been retained by Protestants in their New Testament, but they have failed to discern its lofty and wonderful meaning, which would have unveiled to them all the Mysteries of the Apocalypse. There is, however, a tradition in the Church that the manifestation of this mysteries is reserved till the last times.

Cutangle nodded. He felt that the last couple of hours had somehow carried him along without him actually touching the sides, and for a moment he nursed the strangely consoling feeling that his life was totally beyond his control and whatever happened no one could blame him. Filling his boots with water while adrift on a flooded river at midnight with what he could only describe as a woman seemed about as logical as anything could be in the circumstances.

....It was to complete his marriage with Maimuna, the daughter of Al Hareth, the Helalite. He had become betrothed to her on his arrival at Mecca, but had post-poned the nuptials until after he had concluded the rites of pilgrimage. This was doubtless another marriage of policy, for Maimuna was fifty-one years of age, and a widow, but the connection gained him two powerful proselytes. One was Khaled Ibn al Waled, a nephew of the widow, an intrepid warrior who had come near destroy- ing Mahomet at the battle of Ohod. He now became one of the most victorious champions of Islamism, and by his prowess obtained the appellation of " The Sword of God." The other proselyte was Khaled's friend, Amru Ibn al Aass ; the same who assailed Mahomet with poetry and satire at the commencement of his prophetic career ; who had been an ambassador from the Koreishites to the king of Abyssinia, to obtain the surrender of the fugitive Moslems, and who was henceforth destined with his sword to carry victoriously into foreign lands the faith he had once so strenuously opposed. Note.— Maimuna was the last spouse of the prophet, and, old as she was at her marriage, survived all his other wives. She died many years after him, in a pavilion at Serif, under the same tree in the shade of which her nuptial tent had been pitched, and was there interred. The pious historian, Al Jannabi, who styles himself "a poor servant of Allah, hoping for the pardon of his sins through the mercy of God," visited her tomb on returning from a pilgrimage to Mecca, in the year of the Hegira 963, a.d. 1555. "I saw there," said he, "a dome of black marble erected in memory of Maimuna, on the very spot on which the apostle of God had reposed with her. God knows the truth ! and also the reason of the black color of the stone. There is a place of ablution, and an oratory ; but the building has fallen to decay.

That was your forest. Where you hunted.” He came closer to the painting, gazing at the bleak, empty cold, the white and gray and brown and black. “This was your life,” he clarified. I was too mortified, too stunned, to reply. He walked to the next painting I’d left against the wall. Darkness and dense brown, flickers of ruby red and orange squeezing out between them. “Your cottage at night.” I tried to move, to tell him to stop looking at those ones and look at the others I’d laid out, but I couldn’t—couldn’t even breathe properly as he moved to the next painting. A tanned, sturdy male hand fisted in the hay, the pale pieces of it entwined among strands of brown coated with gold—my hair. My gut twisted. “The man you used to see—in your village.” He cocked his head again as he studied the picture, and a low growl slipped out. “While you made love.” He stepped back, looking at the row of pictures. “This is the only one with any brightness." Was that … jealousy? “It was the only escape I had.” Truth. I wouldn’t apologize for Isaac. Not when Tamlin had just been in the Great Rite. I didn’t hold that against him—but if he was going to be jealous of Isaac— Tamlin must have realized it, too, for he loosed a long, controlled breath before moving to the next painting. Tall shadows of men, bright red dripping off their fists, off their wooden clubs, hovering and filling the edges of the painting as they towered over the curled figure on the floor, the blood leaking from him, the leg at a wrong angle. Tamlin swore. “You were there when they wrecked your father’s leg.” “Someone had to beg them to stop.” Tamlin threw a too-knowing glance in my direction and turned to look at the rest of the paintings. There they were, all the wounds I’d slowly been leeching these few months. I blinked. A few months. Did my family believe that I would be forever away with this so-called dying aunt? At last, Tamlin looked at the painting of the glen and the starlight. He nodded in appreciation. But he pointed to the painting of the snow-veiled woods. “That one. I want that one.

The idea that everyone should have a house of his own is based on an ancient custom of the Japanese race, Shinto superstition ordaining that every dwelling should be evacuated on the death of its chief occupant. Perhaps there may have been some unrealized sanitary reason for this practice. Another early custom was that a newly built house should be provided for each couple that married. It is on account of such customs that we find the Imperial capitals so frequently removed from one site to another in ancient days. The rebuilding, every twenty years, of Ise Temple, the supreme shrine of the Sun-Goddess, is an example of one of these ancient rites which still obtain at the present day. The observance of these customs was only possible with some form of construction as that furnished by our system of wooden architecture, easily pulled down, easily built up. A more lasting style, employing brick and stone, would have rendered migrations impracticable, as indeed they became when the more stable and massive wooden construction of China was adopted by us after the Nara period.

I can’t remember any further back than this place on earth and Christendom. I never tire of seeing myself in that past. But always alone; without family. Even so, what language did I speak? I never see myself among the counselors of Christ; nor in the councils of the Lordly—representatives of Christ. What was I in the last century? I don’t find myself again until today. No more vagabonds, no more vague wars. The subordinate race has spread everywhere—we the people, it’s called, rationality; nationality and science. Oh! Science! Everything’s been made over. For your body and soul—the last rites—here’s medicine and philosophy—old wives’ remedies and popular songs rearranged. And the diversions of princes and the games that they prohibited! Geography, cosmography, mechanics, chemistry! . . . Science! the latest aristocracy! Progress. The world marches on! Why shouldn’t it make a turn? This is the vision of harmony. We’re headed for the Spirit. That’s for sure, it’s an oracle, I’m telling you. I understand it, and unable to explain myself without heathen speech, I’d rather keep silent.

Does time really exist, time the destroyer? When will it break down the castle into mere fragments? When will this heart which has always been in the service of the gods Be governed by the Creator, the Demiurge? Are we really so desperately fragile As Fate would wish to make us? Is childhood, which is so deep, so full of promise, Later stilled at its root? Oh, the spectre of perishability, How it infiltrates and passes through the innocently receptive, As if it were smoke! And we, we who are drifting, We still rank as a divine rite Amongst those lasting Powers.

Normally, Bentner would have beamed approvingly at the pretty portrait the girls made, but this morning, as he put out butter and jam, he had grim news to impart and a confession to make. As he swept the cover off the scones he gave his news and made his confession. “We had a guest last night,” he told Elizabeth. “I slammed the door on him.” “Who was it?” “A Mr. Ian Thornton.” Elizabeth stifled a horrified chuckle at the image that called to mind, but before she could comment Bentner said fiercely, “I regretted my actions afterward! I should have invited him inside, offered him refreshment, and slipped some of that purgative powder into his drink. He’d have had a bellyache that lasted a month!” “Bentner,” Alex sputtered, “you are a treasure!” “Do not encourage him in these fantasies,” Elizabeth warned wryly. “Bentner is so addicted to mystery novels that he occasionally forgets that what one does in a novel cannot always be done in real life. He actually did a similar thing to my uncle last year.” “Yes, and he didn’t return for six months,” Bentner told Alex proudly. “And when he does come,” Elizabeth reminded him with a frown to sound severe, “he refuses to eat or drink anything.” “Which is why he never stays long,” Bentner countered, undaunted. As was his habit whenever his mistress’s future was being discussed, as it was now, Bentner hung about to make suggestions as they occurred to him. Since Elizabeth had always seemed to appreciate his advice and assistance, he found nothing odd about a butler sitting down at the table and contributing to the conversation when the only guest was someone he’d known since she was a girl. “It’s that odious Belhaven we have to rid you of first,” Alexandra said, returning to their earlier conversation. “He hung about last night, glowering at anyone who might have approached you.” She shuddered. “And the way he ogles you. It’s revolting. It’s worse than that; he’s almost frightening.” Bentner heard that, and his elderly eyes grew thoughtful as he recalled something he’d read about in one of his novels. “As a solution it is a trifle extreme,” he said, “but as a last resort it could work.” Two pairs of eyes turned to him with interest, and he continued, “I read it in The Nefarious Gentleman. We would have Aaron abduct this Belhaven in our carriage and bring him straightaway to the docks, where we’ll sell him to the press gangs.” Shaking her head in amused affection, Elizabeth said, “I daresay he wouldn’t just meekly go along with Aaron.” “And I don’t think,” Alex added, her smiling gaze meeting Elizabeth’s, “a press gang would take him. They’re not that desperate.” “There’s always black magic,” Bentner continued. “In Deathly Endeavors there was a perpetrator of ancient rites who cast an evil spell. We would require some rats’ tails, as I recall, and tongues of-“ “No,” Elizabeth said with finality. “-lizards,” Bentner finished determinedly. “Absolutely not,” his mistress returned. “And fresh toad old, but procuring that might be tricky. The novel didn’t say how to tell fresh from-“ “Bentner!” Elizabeth exclaimed, laughing. “You’ll cast us all into a swoon if you don’t desist at once.” When Bentner had padded away to seek privacy for further contemplation of solutions, Elizabeth looked at Alex. “Rats’ tails and lizards’ tongues,” she said, chuckling. “No wonder Bentner insists on having a lighted candle in his room all night.” “He must be afraid to close his eyes after reading such things,” Alex agreed.

Using Holmes’s instructions, workmen in the employ of undertaker John J. O’Rourke filled a coffin with cement, then placed Holmes’s body inside and covered it with more cement. They hauled him south through the countryside to Holy Cross Cemetery, a Catholic burial ground in Delaware County, just south of Philadelphia. With great effort they transferred the heavy coffin to the cemetery’s central vault, where two Pinkerton detectives guarded the body overnight. They took turns sleeping in a white pine coffin. The next day workers opened a double grave and filled this too with cement, then inserted Holmes’s coffin. They placed more cement on top and closed the grave. “Holmes’ idea was evidently to guard his remains in every way from scientific enterprise, from the pickling vat and the knife,” the Public Ledger reported. Strange things began to happen that made Holmes’s claims about being the devil seem almost plausible. Detective Geyer became seriously ill. The warden of Moyamensing prison committed suicide. The jury foreman was electrocuted in a freak accident. The priest who delivered Holmes’s last rites was found dead on the grounds of his church of mysterious causes. The father of Emeline Cigrand was grotesquely burned in a boiler explosion. And a fire destroyed the office of District Attorney George Graham, leaving only a photograph of Holmes unscathed.

The undercurrent of despair in our society is epitomized in a German word that first appeared in English in 1963, and is now incorporated into the Oxford English Dictionary. It is torschlusspanik, (pronounced tor­shluss­panic), defined as "panic at the thought that a door between oneself and life's opportunities has shut." The doors that were once opened through initiation rites are still crucial thresholds in the human psyche, and when those doors do not open, or when they are not recognized for what they are, life shrinks into a series of rejections fraught with torschlusspanik. Torschlusspanik is now a part of our culture because there are so few rites to which individuals will submit in order to transcend their own selfish drives. Without the broader perspective, they see no meaning in the rejection. The door thuds, leaving them bitter or resigned. If, instead, they could temper themselves to a point of total concentration, a bursting point where they could either pass over or fall back as in a rite of passage, then they could test who they are. Their passion would be spent in an all­-out positive effort, instead of deteriorating into disillusionment and despair. The terror behind that word torschlusspanik is what drives many people into analysis—the last door has shut, the last rejection has taken place. No door will ever open again. Nothing means anything.

De fapt, nu exista alt sport pe care să-l urmăresc cu mai multă plăcere, cu mai multă bucurie ca o întrecere mişto de cros. Adoram să văd feţele chinuite, contorsionate ale alergătorilor când intrau pe culoarul delimitat de steguleţe, năpustindu-se cu ultimele forţe spre linia de sosire; mă interesau în special cei care soseau cam după primii cincizeci, alergând mai abitir decât ceilalţi şi luptându-se drăceşte pentru locul o sută treisprezece. Mă uitam la ei cum se împleticeau pe culoarul cu steguleţe, ducându-şi mâinile la beregată, ţinându-se să nu vomite, biciuind aerul cu braţele pentru a se prăbuşi într-un final pe iarbă, şi-mi dădeam seama că asistam la spectacolul inutilităţii umane.

Oh yes, and compulsory ferret-legging down the pub on Tuesday evenings, for the tourist trade tha’ knows.” “Ferret-legging?” Rachel looked at him incredulously. “Yup. You tie your kilt up around your knees with duct tape—as you probably know, no Yorkshireman would be seen dead wearing anything under his sporran—and take a ferret by the scruff of his neck. A ferret, that’s like, uh, a bit like a mink. Only less friendly. It’s a young man’s initiation rite; you stick the ferret where the sun doesn’t shine and dance the furry dance to the tune of a balalaika. Last man standing and all that, kind of like the ancient Boer aardvark-kissing competition.” Martin shuddered dramatically. “I hate ferrets. The bloody things bite like a cask-strength single malt without the nice after-effects.

Silent remembering is a form of prayer. No fragrance is more enchanting to re-experience than the aromatic bouquet gleaned from inhaling the cherished memories of our pastimes. We regularly spot elderly citizens sitting alone gently rocking themselves while facing the glowing sun. Although these sun worshipers might appear lonely in their state of serene solitude, they are not alone at all, because they deeply enmesh themselves in recalling the glimmering memories of days gone by. Marcel Proust wrote “In Search of Time Lost,” “As with the future, it is not all at once but grain by grain that one savors the past.” Test tasting the honeycombed memories of their bygone years, a delicate smile play out on their rose thin lips. The mellow tang of sweet tea memories – childhood adventures, coming of age rituals, wedding rites, recreational jaunts, wilderness explorations, viewing and creating art, literature, music, and poetry, sharing in the mystical experiences of life, and time spent with family – is the brew of irresistible intoxicants that we all long to sip as we grow old. The nectar mashed from a collection of choice memories produces a tray of digestible vignettes that each of us lovingly roll our silky tongues over. On the eve of lying down for the last time in the stillness of our cradled deathbeds, we will swaddle ourselves with a blanket of heartfelt love and whisper a crowning chaplet of affection for all of humanity. After all, we been heaven blessed to take with us to our final resting place an endless scroll amassing the kiss soft memories of time yore.

I want to make it clear before we begin that I think your purpose is to learn and mine is to help you to learn, or to make you learn, though I doubt either of you has to be made. I have very little interest in writing out progress reports on you, or sticking to form charts, or anything else that interferes with our basic purposes. If there is anything you want to learn and have the necessary background to handle, I'll be ready to help you whether or not it is something that formally falls among the things I'm supposed to teach you. If you don't have the background, I'll help you get it. In return, I want you to do something for me. It's been many years since I was last a tutor, so I expect you to point out to me when I fail to observe some ritual that Mr. Quince holds essential. Fair enough?

Last night it had been merely drink. It was medicine now. He lifted the empty pint to his mouth. One warm drop crawled like slow syrup through the neck of the bottle. It lay on his tongue, useless, all but impossible to swallow. He thought of all the mornings (and as he thought of them he knew he was in for another cycle of harrowing mornings) when, at such times as these, he would drag himself into the kitchen and examine the line-up of empty quarts and pints on the floor under the sink, pick them up separately and hold them upside down over a small glass, one by one for minutes at a time, extracting a last sticky drop from one bottle, two drops from another, maybe nothing from a third, and so on through a long patient nerve-wracking process till he had collected enough, perhaps, to cover the bottom of the glass. It was like a rite—the slow drinking of it still more so; and it was never enough.

Punishment had gradually ceased to be a spectacle. And whatever theatrical elements it still retained were now downgraded, as if the functions of the penal ceremony were gradually ceasing to be understood, as if this rite that ‘concluded the crime’ was suspected of being in some undesirable way linked with it. It was as if the punishment was thought to equal, if not to exceed, in savagery the crime itself, to accustom the spectators to a ferocity from which one wished to divert them, to show them the frequency of crime, to make the executioner resemble a criminal, judges murderers, to reverse roles at the last moment, to make the tortured criminal an object of pity or admiration. As early as 1764, Beccaria remarked: ‘The murder that is depicted as a horrible crime is repeated in cold blood, remorselessly’ (Beccaria, 101). The public execution is now seen as a hearth in which violence bursts again into flame.

Primer of Love [Lesson 6] Humility is not thinking less of yourself, it's thinking of yourself less. ~ C. S. Lewis Lesson 6) The most important element for lasting love is having the humility to apologize and the divinity to forgive. A lasting life together can be little more than a series of fuck ups connected by a filament of forgiveness. First learn like children to apologize even if you don't mean a word of it -- as a child you knew that instinctually when apologizing to your parents (and underscoring the phony apology with a fake cough at the end). This was your rite of passage, your training wheels into acquiring humanity. Forgiveness is that one uniquely paradoxical attribute which makes us at once human and divine in the casting of absolution. Use that Papal power with dignity -- you'll have them kissing your ring and other naughty bits in no time. Pope Francis may be infallible, but your penis makes you inphallible.

All Europe contributed to the making of Kurtz; and by and by I learned that, most appropriately, the International Society for the Suppression of Savage Customs had entrusted him with the making of a report, for its future guidance. And he had written it, too. I've seen it. I've read it. It was eloquent, vibrating with eloquence, but too high-strung, I think. Seventeen pages of close writing he had found time for! But this must have been before his — let us say — nerves, went wrong, and caused him to preside at certain midnight dances ending with unspeakable rites, which — as far as I reluctantly gathered from what I heard at various times — were offered up to him — do you understand? — to Mr. Kurtz himself. But it was a beautiful piece of writing. The opening paragraph, however, in the light of later information, strikes me now as ominous. He began with the argument that we whites, from the point of development we had arrived at, 'must necessarily appear to them [savages] in the nature of supernatural beings — we approach them with the might of a deity,' and so on, and so on. 'By the simple exercise of our will we can exert a power for good practically unbounded,' etc., etc. From that point he soared and took me with him. The peroration was magnificent, though difficult to remember, you know. It gave me the notion of an exotic Immensity ruled by an august Benevolence. It made me tingle with enthusiasm. This was the unbounded power of eloquence — of words — of burning noble words. There were no practical hints to interrupt the magic current of phrases, unless a kind of note at the foot of the last page, scrawled evidently much later, in an unsteady hand, may be regarded as the exposition of a method. It was very simple, and at the end of that moving appeal to every altruistic sentiment it blazed at you, luminous and terrifying, like a flash of lightning in a serene sky: 'Exterminate all the brutes!

At this juncture it is important to say something about Exodus 12:7. This verse implies that we are dealing with a ritual that did not involve atoning for sin, but rather was a rite of protection for God’s people, a different though not unrelated matter. It involved a blood ritual to avoid God’s last blow against the firstborn. Thus Passover and atonement were not originally associated, though apparently by Jesus’ day there were some such associations. Notice that nothing at all is said or suggested here about Israel’s sin, or about forgiveness. This ceremony is more like an insurance policy. Yes, the blood is to avert divine wrath, but it is not wrath against Israel’s particular sins. In this case they simply happened to be too close to the danger zone, or in the line of fire. We must assume that this blood ritual arose before there even was a fully formed priesthood, for it is highly unusual to have such a ritual without any mention of involvement of priests.

The Minotaur is really the old matriarchal moon bull, beloved of the Goddess, and sacrificed each year for the fertility of the earth. This tale of the dying and reviving gods...is the Perennial Theme of all true poetry and myth, and the basis of much religious belief today... We come to see that Ariadne is the Goddess Herself, “Most Holy” and “High Fruitful Mother of the Barley” are the original meanings of her beautiful name. Worshipped primarily by women, her rites seem peaceful, and concerned with the womanly cycles of body, mind, and spirit... the labyrinth is her own body, the place of her mysteries, the cave/womb of initiation. We find this spiraling labyrinth in pre-patriarchal cultures around the world, such as that of the Hopis in the American Southwest, or the ancient Celtic peoples of Britain...The monster is not a monster, but only the still heart of woman, that men have so long suppressed and feared... the labyrinth unfolds and folds again upon itself...into our deepest Selves. And if we can keep our hold upon the thread, it will lead us back and out again… ‘til we have found spiritual rebirth, and escaped at last the tangled web of patriarchy.

A look passed between Genevieve, Kaya, and I, a silent knowledge relating back to the warning Anansi had given us that Paine was growing corn here, recalling a vision I had not long ago about acres and acres of the stuff stretching on for miles beneath a moonlit sky, about so many lessons gleaned in the Divine Rite Academy as children regarding the “Devil’s Grain” and how to spot it and its many forms by sight and smell, so that we would always avoid it if it should ever reappear on this earth. That yellow sweet temptress. Its siren song was near impossible to avoid, even though I’d never once tasted it. But somehow I knew exactly how it would taste, how its rough grit would crunch between my teeth like grains of sand, as if it had been imprinted into my genes from so many ancestors going back thousands of years who were gluttons for those kernels of gold. We could drive it to extinction or turn it into a monster that would drive us to extinction, but it would always be a part of us, waiting for resurrection. I could tell by the way the women gazed at the platter of golden medallions that they were having a similar fight in their minds. Just one bite. One little taste. It wouldn’t be so bad. And then we could move on.

It was true. They’d been close enough to recognize him. But they’d hunted down him and Sejanus — Sejanus, who’d treated the tributes so well, fed them, defended them, given them last rites! — even though they could have used that opportunity to kill one another. “I think I underestimated how much they hate us,” said Coriolanus. “And when you realized that, what was your response?” she asked. He thought back to Bobbin, to the escape, to the tributes’ bloodlust even after he’d cleared the bars. “I wanted them dead. I wanted every one of them dead.” Dr. Gaul nodded. “Well, mission accomplished with that little one from Eight. You beat him to a pulp. Have to make up some story for that buffoon Flickerman to tell in the morning. But what a wonderful opportunity for you. Transformative.” “Was it?” Coriolanus remembered the sickening thuds of his board against Bobbin. So he had what? Murdered the boy? No, not that. It was an open-and-shut case of self-defense. But what, then? He had killed him, certainly. There would never be any erasing that. No regaining that innocence. He had taken human life. “Wasn’t it? More than I could’ve hoped. I needed you to get Sejanus out of the arena, of course, but I wanted you to taste that as well,” she said. “Even if it killed me?” asked Coriolanus. “Without the threat of death, it wouldn’t have been much of a lesson,” said Dr. Gaul. “What happened in the arena? That’s humanity undressed. The tributes. And you, too. How quickly civilization disappears. All your fine manners, education, family background, everything you pride yourself on, stripped away in the blink of an eye, revealing everything you actually are. A boy with a club who beats another boy to death. That’s mankind in its natural state.” The idea, laid out as such, shocked him, but he attempted a laugh. “Are we really as bad as all that?” “I would say yes, absolutely. But it’s a matter of personal opinion.” Dr. Gaul pulled a roll of gauze from the pocket of her lab coat. “What do you think?” “I think I wouldn’t have beaten anyone to death if you hadn’t stuck me in that arena!” he retorted. “You can blame it on the circumstances, the environment, but you made the choices you made, no one else. It’s a lot to take in all at once, but it’s essential that you make an effort to answer that question. Who are human beings? Because who we are determines the type of governing we need. Later on, I hope you can reflect and be honest with yourself about what you learned tonight.

I have always, deeply, violently, detested those who look for a position (political, philosophical, religious, whatever) in a work of art rather than searching it for an effort to know, to understand, to grasp this or that aspect of reality. Until Stravinsky, music was never able to give barbaric rites a grand form. We could not imagine them musically. Which means: we could not imagine the beauty of the barbaric. Without its beauty, the barbaric would remain incomprehensible. (I stress this: to know any phenomenon deeply requires understanding its beauty, actual or potential.) Saying that a bloody rite does possess some beauty—there's the scandal, unbearable, unacceptable. And yet, unless we understand this scandal, unless we get to the very bottom of it, we cannot understand much about man. Stravinsky gives the barbaric rite a musical form that is powerful and convincing but does not lie: listen to the last section of the Sacre, the "Danse sacrale" ("Sacrificial Dance"): it does not dodge the horror. It is there. Merely shown? Not denounced? But if it were denounced—stripped of its beauty, shown in its hideousness—it would be a cheat, a simplification, a piece of "propaganda." It is because it is beautiful that the girl's murder is so horrible.

I have noticed that many intellectuals turn themselves off the instant they are confronted with the words witchcraft, magic, occultism, and religion, as if such ideas exert a dangerous power that might weaken their rational faculties. Yet many of these people maintain a generous openness about visionaries, poets, and artists, some of whom may be quite mad according to “rational” standards. They are fascinated by people of diverse professions and lifestyles who have historical ties with, let us say, the Transcendentalists or the Surrealists, as long as the word occult is not mentioned. If Neo-Paganism were presented as an intellectual and artistic movement whose adherents have new perceptions of the nature of reality, the place of whose adherents have new perceptions of the nature of reality, the place of sexuality, and the meaning of community, academics would flock to study it. Political philosophers would write articles on the Neo-Pagans’ sense of wonder and the minority vision they represent. Literary critics would compare the poetic images in the small magazines published and distributed by the groups with images in the writings of Blake and Whitman. Jungian psychologists would rush to study the Neo-Pagans’ use of ancient archetypes and their love of the classics and ancient lore. But words like witch and pagan do not rest easily in the mind or on the tongue. Although reporting on Paganism and Wicca has improved in the last decade, pop journalists often still present a Neo-Paganism composed of strange characters and weird rites.

Prologue In 1980, a year after my wife leapt to her death from the Silas Pearlman Bridge in Charleston, South Carolina, I moved to Italy to begin life anew, taking our small daughter with me. Our sweet Leah was not quite two when my wife, Shyla, stopped her car on the highest point of the bridge and looked over, for the last time, the city she loved so well. She had put on the emergency brake and opened the door of our car, then lifted herself up to the rail of the bridge with the delicacy and enigmatic grace that was always Shyla’s catlike gift. She was also quick-witted and funny, but she carried within her a dark side that she hid with bright allusions and an irony as finely wrought as lace. She had so mastered the strategies of camouflage that her own history had seemed a series of well-placed mirrors that kept her hidden from herself. It was nearly sunset and a tape of the Drifters’ Greatest Hits poured out of the car’s stereo. She had recently had our car serviced and the gasoline tank was full. She had paid all the bills and set up an appointment with Dr. Joseph for my teeth to be cleaned. Even in her final moments, her instincts tended toward the orderly and the functional. She had always prided herself in keeping her madness invisible and at bay; and when she could no longer fend off the voices that grew inside her, their evil set to chaos in a minor key, her breakdown enfolded upon her, like a tarpaulin pulled across that part of her brain where once there had been light. Having served her time in mental hospitals, exhausted the wide range of pharmaceuticals, and submitted herself to the priestly rites of therapists of every theoretic persuasion, she was defenseless when the black music of her subconscious sounded its elegy for her time on earth. On the rail, all eyewitnesses agreed, Shyla hesitated and looked out toward the sea and shipping lanes that cut past Fort Sumter, trying to compose herself for the last action of her life. Her beauty had always been a disquieting thing about her and as the wind from the sea caught her black hair, lifting it like streamers behind her,

The buzzards over Pondy Woods Achieve the blue tense altitudes Black figments that the woods release, Obscenity in form and grace, Drifting high through the pure sunshine Till the sun in gold decline. (...) By the buzzard roost Big Jim Todd Listened for hoofs on the corduroy road Or for the foul and sucking sound A man's foot makes on the marshy ground. Past midnight, when the moccasin Slipped from the log and, trailing in Its obscured waters, broke The dark algae, one lean bird spoke, (...) "[Big Jim] your breed ain't metaphysical." The buzzard coughed, His words fell In the darkness, mystic and ambrosial. "But we maintain our ancient rite, Eat the gods by day and prophesy by night. We swing against the sky and wait; You seize the hour, more passionate Than strong, and strive with time to die -- With time, the beaked tribe's astute ally. "The Jew-boy died. The Syrian vulture swung Remotely above the cross whereon he hung From dinner-time to supper-time, and all The people gathered there watched him until The lean brown chest no longer stirred, Then idly watched the slow majestic bird That in the last sun above the twilit hill Gleamed for a moment at the height and slid Down the hot wind and in the darkness hid. [Big Jim], regard the circumstance of breath: Non omnis moriar, the poet sayeth." Pedantic, the bird clacked its gray beak, With a Tennessee accent to the classic phrase; Jim understood, and was about to speak, But the buzzard drooped one wing and filmed the eyes. At dawn unto the Sabbath wheat he came, That gave to the dew its faithless yellow flame From kindly loam in recollection of The fires that in the brutal rock one strove. To the ripe wheat he came at dawn. Northward the printed smoke stood quiet above The distant cabins of Squiggtown. A train's far whistle blew and drifted away Coldly; lucid and thin the morning lay Along the farms, and here no sound Touched the sweet earth miraculously stilled. Then down the damp and sudden wood there belled The musical white-throated hound. In pondy Woods in the summer's drouth Lurk fever and the cottonmouth. And buzzards over Pondy Woods Achieve the blue tense altitudes, Drifting high in the pure sunshine Till the sun in gold decline; Then golden and hieratic through The night their eyes burn two by two.

If marriage is the great mystery of the City, the image of the Coinherence - if we do indeed become members one of another in it - then there is obviously going to be a fundamental need in marriage for two people to be able to get along with each other and with themselves. And that is precisely what the rules of human behavior are about. They are concerned with the mortaring of the joints of the City, with the strengthening of the ligatures of the Body. The moral laws are not just a collection of arbitrary parking regulations invented by God to make life complicated; they are the only way for human nature to be natural. For example, I am told not to lie because in the long run lying destroys my own, and my neighbor's nature. And the same goes for murder and envy, obviously; for gluttony and sloth, not quite so obviously; and for lust and pride not very obviously at all, but just as truly. Marriage is natural, and it demands the fullness of nature if it is to be itself. But human nature. And human nature in one piece, not in twenty-three self-frustrating fragments. A man and a woman schooled in pride cannot simply sit down together and start caring. It takes humility to look wide-eyed at somebody else, to praise, to cherish, to honor. They will have to acquire some before they can succeed. For as long as it lasts, of course, the first throes of romantic love will usually exhort it from them, but when the initial wonder fades and familiarity begins to hobble biology, it's going to take virtue to bring it off. Again, a husband and a wife cannot long exist as one flesh, if they are habitually unkind, rude, or untruthful. Every sin breaks down the body of the Mystery, puts asunder what God and nature have joined. The marriage rite is aware of this; it binds us to loving, to honoring, to cherishing, for just that reason. This is all obvious in the extreme, but it needs saying loudly and often. The only available candidates for matrimony are, every last one of them, sinners. As sinners, they are in a fair way to wreck themselves and anyone else who gets within arm's length of them. Without virtue, therefore, no marriage will make it. The first of all vocations, the ground line of the walls of the New Jerusalem is made of stuff like truthfulness, patience, love and liberality; of prudence, justice, temperance and courage; and of all their adjuncts and circumstances: manners, consideration, fair speech and the ability to keep one's mouth shut and one's heart open, as needed. And since this is all so utterly necessary and so highly likely to be in short supply at the crucial moments, it isn't going to be enough to deliver earnest exhortations to uprightness and stalwartness. The parties to matrimony should be prepared for its being, on numerous occasions, no party at all; they should be instructed that they will need both forgiveness and forgivingness if they are to survive the festivities. Neither virtue, nor the ability to forgive the absence of virtue are about to force their presence on us, and therefore we ought to be loudly and frequently forewarned that only the grace of God is sufficient to keep nature from coming unstuck. Fallen man does not rise by his own efforts; there is no balm in Gilead. Our domestic ills demand an imported remedy.

This is a classic example of the type of literary blind that Crowley loved to utilize when he wished to publish, in a public medium, sensitive or secret information that had heretofore been reserved for high initiates while, at the same time, shocking and outraging the public at large. Today the sexual connotations are obvious to all but the most mentally or emotionally disadvantaged. For such unfortunates we advise they read the last sentence of this chapter first: "You are likely to get into trouble over this chapter unless you truly comprehend its meaning. " OF THE BLOODY SACRIFICE: AND MATTERS COGNATE by The Master Therion Aleister Crowley It is necessary for us to consider carefully the problems connected with the bloody sacrifice, for this question is indeed traditionally important in Magick. Nigh all ancient Magick revolves around this matter. In particular all the Osirian religions-the rites of the Dying God-refer to this. The slaying of Osiris and Adonis the mutilation of Attis; the cults of Mexico and Peru; the story of Hercules or Melcarth; the legends of Dionysus and of Mithra, are all connected with this one idea. In the Hebrew religion we find the same thing inculcated. The first ethical lesson in the Bible is that the only sacrifice pleasing to the Lord is the sacrifice of blood; Abel, who made this, finding favour with the Lord, while Cain, who offered cabbages, was

As ok as I can be. Just last week, my biggest concern was putting my next order in for alcohol and choosing what outfit I would wear to dance in. This week, I’m the fucking Arbiter. Damned are being kidnapped, tortured, and killed. Also, two races are fighting in my club for the first time in centuries. Let’s not forget the fact that I’m at war with myself; stuck between a rock and a hard place with two Infernal Lieges and a Rite.” “Yes, I can see where you’d be frustrated at being lavished in so much attention,” he says,

What’s so funny? Stop chuckling at me.” Her eyes flared. “It’s only two years away! Besides, engaged is as good as being married… it’s like prison. Nobody breaks their engagement—well there was Lady Macela—poor thing, and she never got married. Isn’t she all on her own now? But to that old pig? What are my parents thinking? I truly despise them.” “Just tell them you don’t want to marry him. I’m sure you’ll figure something out.” “I already did. You know they never listen to me. They claim they know what’s best. I’d rather run away than marry him. I simply won’t do it.” She cast a venomous glare at her soup, then sighed and looked up at Talis, raising a finger as if she had an idea. “Let’s win the Blood Dagger competition. If we win, we’re allowed any wish we choose. That’ll keep me away from that ridiculous man.” “But Rikar and Nikulo are undefeated… and they’re brutal—” “I don’t care! We can do it, I know we can. Ever since that old witch made me drink all her potions and tea I feel strangely powerful… like I can do anything.” “We’ve had a string of bad luck, though. We lost two times in a row in the training arena. And then you almost got killed by the boar.” Talis lowered his voice to a whisper. “It’s like the gods are angry with us.” “Don’t say that,” she hissed. “Besides, there are rites of initiation we could try… a blood oath.” “A blood oath? You’ve got to be kidding! First you wanted to go after the boar, and now this?” Talis swallowed, not liking whatever she meant by the suggestion. “Don’t be a child. And look, we’re right here. We can do it now.” She looked at the vines covering the walls surrounding the Temple of Nyx, the God of War. Talis followed her gaze and felt a chill prickling along the back of his neck. “What? You want to make a blood oath at the Temple of Nyx?” The last time he’d been inside was when his brother Xhan had died. A painful memory. “No, don’t you know anything? I’ve got it all figured out. We must pray to Zagros, who favors the weak and fallen.” Zagros? What insanity would cause them to pray to the God of the Underworld? “I don’t think that’s a good idea… actually I think it is a terrible idea.” “Listen, we know the rites of initiation. We’ve been trained, right? What are you afraid of?” At her determined gaze Talis felt a clammy coldness creep

12 Many uninformed persons speak of yoga as Hatha Yoga or consider yoga to be “magic,” dark mysterious rites for attaining spectacular powers. When scholars, however, speak of yoga they mean the system expounded in Yoga Sutras (also known as Patanjali’s Aphorisms): Raja (“royal”) Yoga. The treatise embodies philosophic concepts of such grandeur as to have inspired commentaries by some of India’s greatest thinkers, including the illumined master Sadasivendra. Like the other five orthodox (Vedas-based) philosophical systems, Yoga Sutras considers the “magic” of moral purity (the “ten commandments” of yama and niyama) to be the indispensable preliminary for sound philosophical investigation. This personal demand, not insisted on in the West, has bestowed lasting vitality on the six Indian disciplines. The cosmic order (rita) that upholds the universe is not different from the moral order that rules man’s destiny. He who is unwilling to observe the universal moral precepts is not seriously determined to pursue truth. Section III of Yoga Sutras mentions various yogic miraculous powers (vibhutis and siddhis). True knowledge is always power. The path of yoga is divided into four stages, each with its vibhuti expression. Achieving a certain power, the yogi knows that he has successfully passed the tests of one of the four stages. Emergence of the characteristic powers is evidence of the scientific structure of the yoga system, wherein delusive imaginations about one’s “spiritual progress” are banished; proof is required! Patanjali warns the devotee that unity with Spirit should be the sole goal, not the possession of vibhutis — the merely incidental flowers along the sacred path. May the Eternal Giver be sought, not His phenomenal gifts! God does not reveal Himself to a seeker who is satisfied with any lesser attainment. The striving yogi is therefore careful not to exercise his phenomenal powers, lest they arouse false pride and distract him from entering the ultimate state of Kaivalya. When the yogi has reached his Infinite Goal, he exercises the vibhutis, or refrains from exercising them, just as he pleases. All his actions, miraculous or otherwise, are then performed without karmic involvement. The iron filings of karma are attracted only where a magnet of the personal ego still exists.

Centuries of secularism have failed to transform eating into something strictly utilitarian. Food is still treated with reverence. A meal is still a rite—the last “natural sacrament” of family and friendship, of life that is more than “eating” and “drinking.” To eat is still something more than to maintain bodily functions. People may not understand what that “something more” is, but they nonetheless desire to celebrate it. They are still hungry and thirsty for sacramental life.

Just another rite of passage, another of childhood’s puzzling and uncertain moments. American writers are mesmerized by childhood, the quizzical journey from innocence to adulthood. What a journey it is, too: precarious and wonderful; frightening and alluring; delightful and tragic. Not one journey, but many, and every one of them different. I am told that money and privilege sometimes make for a smoother passage. I would not know. I only know about being a soldier’s son: the military life and the unexpected fortunes such a life brings. Luck has a lot to do with it, and I was lucky in that my luck went sour early and put me on another road altogether, a road that took me deep into the mountains, a road that led to a trout stream and into the curious and captivating lives of three old men who, by having so little, laid claim to having everything that mattered, was worthwhile, and would last.

So I was privileged to see the last rites of the Bokononist faith. We made an effort to find someone among the soldiers and the household staff who would admit that he knew the rites and would give them to "Papa". We got no volunteers. That was hardly surprising, with a hook and an oubliette so near. So Dr. von Koenigswald said that he would have a go at the job. He had never administered the rites before, but he had seen Julian Castle do it hundreds of times. "Are you a Bokononist?" I asked him. "I agree with one Bokononist idea. I agree that all religions, including Bokononism, are nothing but lies." "Will this bother you as a scientist," I inquired, "to go through a ritual like this?" "I am a very bad scientist. I will do anything to make a human being feel better, even if it's unscientific. No scientist worthy of the name could say such a thing." And he climbed into the golden boat with "Papa". He sat in the stern. Cramped quarters obliged him to have the golden tiller under one arm. He wore sandals without socks, and he took these off. And then he rolled back the covers at the foot of the bed, exposing "Papa's" bare feet. He put the soles of his feet against "Papa's" feet, assuming the classical position for boko-maru. "Gott mate mutt," crooned Dr. von Koenigswald. "Dyot meet mat," echoed "Papa" Monzano. "God made mud," was what they'd said, each in his own dialect. I will here abandon the dialects of the litany. "God got lonesome," said Von Koenigswald. "God got lonesome." "So God said to some of the mud, 'Sit up!'" - "So God said to some of the mud, 'Sit up!'" "'See all I've made,' said God, 'the hills, the sea, the sky, the stars.'" - "'See all I've made,' said God, 'the hills, the sea, the sky, the stars.'" "And I was some of the mud that got to sit up and look around." - "And I was some of the mud that got to sit up and look around." "Lucky me; lucky mud." "Lucky me, lucky mud." Tears were streaming down "Papa's" cheeks. "I, mud, sat up and saw what a nice job God had done." - "I, mud, sat up and saw what a nice job God had done." "Nice going, God!" "Nice going, God!" "Papa" said it with all his heart. "Nobody but You could have done it, God! I certainly couldn't have." - "Nobody but You could have done it, God! I certainly couldn't have." "I feel very unimportant compared to You." - "I feel very unimportant compared to You." "The only way I can feel the least bit important is to think of all the mud that didn't even get to sit up and look around." - "The only way I can feel the least bit important is to think of all the mud that didn't even get to sit up and look around." "I got so much, and most mud got so little." - "I got so much, and most mud got so little." "Deng you vore da on-oh!" cried Von Koenigswald. "Tz-yenk voo vore lo yon-yo!" wheezed "Papa". What they had said was, "Thank you for the honor!" "Now mud lies down again and goes to sleep." - "Now mud lies down again and goes to sleep." "What memories for mud to have!" - "What memories for mud to have!" "What interesting other kinds of sitting-up mud I met!" - "What interesting other kinds of sitting-up mud I met!" "I loved everything I saw!" - "I loved everything I saw!" "Good night." - "Good night." "I will go to heaven now." - "I will go to heaven now." "I can hardly wait..." - "I can hardly wait..." "To find out for certain what my wampeter was..." - "To find out for certain what my wampeter was..." "And who was in my karass..." - "And who was in my karass..." "And all the good things our karass did for you." - "And all the good things our karass did for you." "Amen." - "Amen.

Someone?” he said, even though he knew what I meant, but I pressed on, fulfilling my obligations, trying to get everything down according to procedure. “Someone,” I said. “A priest. To do last rites.” He laughed, with effort, a low, gasping chuckle. “Henry,” he said. “Dig a hole.

crossed himself, wiped the tears from his cheeks, and gave his daughter the last rites.

One exceptional morning, the Dalai Lama even introduced the Archbishop to his meditation practice in his private residence, and the Archbishop gave the Dalai Lama communion, a rite generally reserved for those who are within the Christian faith.

I would tell you the safe procedure to avoid lightning while on an exposed ridge, but I see no reason you should not learn it as I did. If you get tweaked by God’s electric finger, I can hardly be to blame. You are a fat-assed nerd anyway, incapable of running more than three miles without the last rites. You, fart-brain, are a reader, and the only thing I despise more, is a writer, who simply ought to announce himself as a public masturbator and be done with it. But I am telling you my story, you are listening, so we have a truce, if not respect. I am a writer, you are a reader, and if there were a God, he might be amused to have mercy on our souls. Or piss on them. In long electric streaks.

Nurse, nurse,” the soldier reached out toward her with his uninjured hand, “Nurse, could you hold my hand?” And as Maisie took his hand in hers, the young man smiled. “Thank you, nurse.” Suddenly Maisie was aware that someone was bending back the soldier’s fingers and moving his arm to his side, and she looked up at the nursing Sister in charge. An army chaplain placed his hand on her shoulder for barely a second before lifting it to perform last rites over the young soldier’s not-yet-cold body, while two stretcher-bearers waited to remove him to allow room for more wounded.

of the Good

appendicitis, jaundice, hepatitis, and malaria, as well as having problems hearing in his left ear and being allergic to dogs. In fact, Kennedy was so ill that he received the last rites three times during his life.

A Crow's Elegy for the Farmer's Daughter” We gathered in the fern-thin treetops at dusk or in the flat sear of noon strutted among puddles and spoke only of the sky's empty torment or ourselves. Once in awhile we flapped in the dust and silver rain and disparaged wind with our bevel-winged plummetings and soundless glides. We did not care who shot at us for our raucous predawn menacing or for settling like a plague of black books in fields under the blindness of those homespun effigies leering and motionless and coming unstuffed. We did not care for you though we saw the cortege winding past the arbor and drunken berry rows, the ghosts of peach trees bowing to acknowledge death's grand simplicity at last revealed. We were pieces of a blackboard upon which last rites were written and did not care who could or could not see that we were gods and you were not ever coming home, in spite of the mourners' deeply foolish love we could imagine only by flying into the sun, where every grief is charred and finally burned away. —Christopher Howell, Gaze. (Milkweed Editions; Original edition February 7, 2012)

Whether we like it or not, one of our tasks on this earth is to work with the opposites through different levels of consciousness until body, soul and spirit resonate together. Initiation rites, experienced at the appropriate times in our lives, burn off what is no longer relevant, opening our eyes to new possibilities of our own uniqueness. They tear off the protective veils of illusion until at last we are strong enough to stand in our own naked truth.

After a hurried inquiry established that he was telling the truth the protester was appeased by an immediate cash payment and the service continued. But the greatest indignity was reserved until last. When William was finally lowered into the ground, it became clear that his bloated corpse was too big for its stone sarcophagus, and efforts to press on regardless caused his swollen bowels to burst. No amount of frankincense and spices could hide the resultant stench, and the clergy therefore raced through the rest of the funeral rite before rushing back to their houses.7