Last Breath Quotes

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I'll love you until my very last breath. Every beat of my heart is yours. I don't want to die without you knowing that.
Kiera Cass (The One (The Selection, #3))
With my last breath, I’ll exhale my love for you. I hope it’s a cold day, so you can see what you meant to me.

Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
I want morning and noon and nightfall with you. I want your tears, your smiles, your kisses...the smell of your hair, the taste of your skin, the touch of your breath on my face. I want to see you in the final hour of my life...to lie in your arms as I take my last breath.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
I will love you always. When this red hair is white, I will still love you. When the smooth softness of youth is replaced by the delicate softness of age, I will still want to touch your skin. When your face is full of the lines of every smile you have ever smiled, of every surprise I have seen flash through your eyes, when every tear you have ever cried has left its mark upon your face,I will treasure you all the more, because I was there to see it all. I will share your life with you, Meredith, and I will love you until the last breath leaves your body or mine.
Laurell K. Hamilton (A Lick of Frost (Merry Gentry, #6))
I mean, they say you die twice. One time when you stop breathing and a second time, a bit later on, when somebody says your name for the last time.
Banksy
I swear I will spend every last breath thanking you for allowing yourself to love me.
Colleen Hoover (Hopeless (Hopeless, #1))
...to the last I grapple with thee; from hell's heart I stab at thee; for hate's sake I spit my last breath at thee.
Herman Melville (Moby-Dick or, The Whale)
And no matter what anybody says about grief and about time healing all wounds, the truth is, there are certain sorrows that never fade away until the heart stops beating and the last breath is taken.
Tiffanie DeBartolo
You think my first instinct is to protect you. Because you're small, or a girl, or a Stiff. But you're wrong." He leans his face close to mine and wraps his fingers around my chin. His hand smells like metal. When was the last time he held a gun, or a knife? My skin tingles at the point of contact, like he's transmitting electricity through his skin. "My first instinct is to push you until you break, just to see how hard I have to press." he says, his fingers squeezing at the word break. My body tenses at the edge in his voice, so I am coiled as tight as a spring, and I forget to breathe. His dark eyes lifting to mine, he adds, "But I resist it." "Why..." I swallow hard. "Why is that your first instinct?" "Fear doesn't shut you down; it wakes you up. I've seen it. It's fascinating." He releases me but doesn't pull away, his hand grazing my jaw, my neck. "Sometimes I just want to see it again. Want to see you awake.
Veronica Roth (Divergent (Divergent, #1))
Til shade is gone, til water is gone Into the shadow with teeth bared Screaming defiance with the last breath To spit in Sightblinder’s eye on the Last Day.
Robert Jordan (The Dragon Reborn (The Wheel of Time, #3))
The last-page ache. The deep breath in after you’ve set the book aside.
Emily Henry (Book Lovers)
He would see that world reborn, even if it took his last breath. Even if he had no name now, no position or title save Oath-Breaker, Traitor, Liar.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Advice? I don’t have advice. Stop aspiring and start writing. If you’re writing, you’re a writer. Write like you’re a goddamn death row inmate and the governor is out of the country and there’s no chance for a pardon. Write like you’re clinging to the edge of a cliff, white knuckles, on your last breath, and you’ve got just one last thing to say, like you’re a bird flying over us and you can see everything, and please, for God’s sake, tell us something that will save us from ourselves. Take a deep breath and tell us your deepest, darkest secret, so we can wipe our brow and know that we’re not alone. Write like you have a message from the king. Or don’t. Who knows, maybe you’re one of the lucky ones who doesn’t have to.
Alan W. Watts
The 3 types of terror: The Gross-out: the sight of a severed head tumbling down a flight of stairs, it's when the lights go out and something green and slimy splatters against your arm. The Horror: the unnatural, spiders the size of bears, the dead waking up and walking around, it's when the lights go out and something with claws grabs you by the arm. And the last and worse one: Terror, when you come home and notice everything you own had been taken away and replaced by an exact substitute. It's when the lights go out and you feel something behind you, you hear it, you feel its breath against your ear, but when you turn around, there's nothing there...
Stephen King
When I turn around, he cups my face in his hands and he kisses me so deeply that I don't know who is breathing for who, but his mouth and tongue taste like warm honey. I don't know how long it lasts, but when I let go of him, I miss it already.
Melina Marchetta (On the Jellicoe Road)
Mythologically speaking, if there's anything I hate worse than trios of old ladies, it's bulls. Last summer, I fought the Minotaur on top of Half-Blood Hill. This time what I saw up there was even worse: two bulls. And not just regular bulls - bronze ones the size of elephants. And even that wasn't bad enough. Naturally they had to breathe fire, too.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
I don't like you, Park," she said, sounding for a second like she actually meant it. "I..." - her voice nearly disappeared - "think I live for you." He closed his eyes and pressed his head back into his pillow. "I don't think I even breathe when we're not together," she whispered. "Which means, when I see you on Monday morning, it's been like sixty hours since I've taken a breath. That's probably why I'm so crabby, and why I snap at you. All I do when we're apart is think about you, and all I do when we're together is panic. Because every second feels so important. And because I'm so out of control, I can't help myself. I'm not even mine anymore, I'm yours, and what if you decide that you don't want me? How could you want me like I want you?" He was quiet. He wanted everything she'd just said to be the last thing he heard. He wanted to fall asleep with 'I want you' in his ears.
Rainbow Rowell (Eleanor & Park)
O, here Will I set up my everlasting rest, And shake the yoke of inauspicious stars From this world-wearied flesh. Eyes, look your last! Arms, take your last embrace! and, lips, O you The doors of breath, seal with a righteous kiss A dateless bargain to engrossing death!
William Shakespeare (Romeo and Juliet)
The last time I felt alive – I was looking into your eyes. Breathing your air…. touching your skin… … Saying goodbye…. The last time I felt alive…. I was dying.
Ranata Suzuki
He would have told her - he would have said, it matters not if you are here or there, for I see you before me every moment. I see you in the light of the water, in the swaying of the young trees in the spring wind. I see you in the shadows of the great oaks, I hear your voice in the cry of the owl at night. You are the blood in my veins, and the beating of my heart. You are my first waking thought, and my last sigh before sleeping. You are - you are bone of my bone, and breath of my breath.
Juliet Marillier (Daughter of the Forest (Sevenwaters, #1))
Your hand can seize today, but not tomorrow; and thoughts of your tomorrow are nothing but desire. Don’t waste this breath, if your heart isn’t crazy, since "the rest of your life" won’t last forever.
Omar Khayyám (Quatrains - Ballades)
I love you, Savannah, and I always will," I breathed. "You're the best thing that's ever happened to me. You were my best friend and my lover, and I dont regret a single moment of it. You made me feel alive again, and most of all, you gave me my father. I'll never forget you for that. You're always going to be the very best part of me. I'm sorry it has to be this way, but I have to leave, and you have to see your husband." As I spoke, I could feel her shaking with sobs, and I continued to hold her for a long time afterward. When we finally seperated, I knew that it would be the last time I ever held her. I backed away, my eyes holding Savannah's. "I love you, too, John," she said. "Good-bye." I raised a hand.
Nicholas Sparks (Dear John)
The days will always be brighter because he existed. The nights will always be darker because he's gone. And no matter what anybody says about grief, and about time healing all wounds, the truth is, there are certain sorrows that never fade away until the heart stops beating and the last breath is taken.
Tiffanie DeBartolo (God-Shaped Hole)
At last." He breathed into her, finding her lips. "You found me," she whispered. "Always.
Lauren Kate (Passion (Fallen, #3))
Alexander, you broke my heart. But for carrying me on your back, for pulling my dying sled, for giving me your last bread, for the body you destroyed for me, for the son you have given me, for the twenty-nine days we lived like Red Birds of Paradise, for all our Naples sands and Napa wines, for all the days you have been my first and last breath, for Orbeli- I will forgive you.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
He recognized her despite the uproar, through his tears of unrepeatable sorrow at dying without her, and he looked at her for the last and final time with eyes more luminous, more grief-stricken, more grateful than she had ever seen them in half a century of a shared life, and he managed to say to her with his last breath: “Only God knows how much I loved you
Gabriel García Márquez (Love in the Time of Cholera)
She was not afraid. She would remake the world - remake it for them, those she had loved with this glorious, burning heart; a world so brilliant and prosperous that when she saw them again in the Afterworld, she would not be ashamed. She would build it for her people, who had survived this long, and whom she would not abandon. She would make them a kingdom such as there never had been, even if it took until her last breath.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
There are six reasons anyone does anything: Love. Faith. Greed. Boredom. Fear..." he said, ticking them off on his fingers; but he lingered on the last, drawing a deep breath before he said, "Revenge.
Ally Carter (Don't Judge a Girl by Her Cover (Gallagher Girls, #3))
You deserve someone better than me. Someone young and idealistic…someone who can experience things for the first time along with you. I'm not always kind, and I have more faults than I'd care to name. All I can promise is that I'll want you until my last breath.
Lisa Kleypas (Because You're Mine (Capitol Theatre, #2))
To run with the wolf was to run in the shadows, the dark ray of life, survival and instinct. A fierceness that was both proud and lonely, a tearing, a howling, a hunger and thirst. Blessed are they who hunger and thirst. A strength that would die fighting, kicking, screaming, that wouldn't stop until the last breath had been wrung from its body. The will to take one's place in the world. To say 'I am here.' To say 'I am.
O.R. Melling
Eyes, look your last! Arms, take your last embrace! And, lips, oh you the doors of breath, seal with a righteous kiss a dateless bargain to engrossing death!
William Shakespeare (Romeo and Juliet)
She was beautiful, and I was so, so desperately in love with her. Her chin jerked up, and she sucked in a breath, eyes widening. Okay, I may have actually thought that last bit at her. You did. A small smile split her lips.
Jennifer L. Armentrout (Origin (Lux, #4))
Seven half-bloods shall answer the call To storm or fire the world must fall An oath to keep with a final breath and foes bear arms to the doors of death
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
I, Astaroth, Crown Prince of Hell, am in love with you, Layla Shaw. Yesterday. Today. Tomorrow. A hudred decades from now, I will still be in love with you, and it will be as fierce today as it will be a decade later.
Jennifer L. Armentrout (Every Last Breath (The Dark Elements, #3))
Did you know, the first time I saw you, I thought: I’ve never seen anything more captivating and beautiful?” “Why are you telling me this?” I said miserably. “I saw you, and I wanted to be close to you. I wanted you to let me in. I wanted to know you in a way no one else did. I wanted you, all of you. That wanting nearly drove me mad.” Patch paused, inhaling softly, as though breathing me in. “And now that I have you, the only thing that terrifies me is having to go back to that place. Having to want you all over again, with no hope of my desire ever being fulfilled. You’re mine, Angel. Every last piece of you. I won’t let anything change that.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
I need you. I can’t stand the thought of being without you.” He releases a shaky breath. “You’re the last person I think about before I go to sleep, and the first person I think about when I open my eyes in the morning. You’re it for me, baby.
Elle Kennedy (The Mistake (Off-Campus, #2))
For a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.
F. Scott Fitzgerald (The Great Gatsby)
She would tuck Sam into her heart, a bright light for her to take out whenever things were darkest. And then she would remember how it had felt to be loved, when the world held nothing but possibility. No matter what they did to her, they could never take that away. She would not break. And someday ... someday, even it took her until her last breath, she'd find out who had done this to her. To Sam.
Sarah J. Maas (The Assassin and the Empire (Throne of Glass, #0.5))
He closed his eyes and let out a jagged breath. "Okay." He settled between my legs holding himself over me. "I've never been with a virgin, Eva. I'm going to try real hard not to hurt you." "Will it hurt you?" I asked, thinking about his pained expression when he'd said I was too tight. He smiled, "It's going to be the closest to heaven I'll ever get, baby.
Abbi Glines (While It Lasts (Sea Breeze, #3))
Sometimes she heard night-sounds she didn’t know or jumped from lightning too close, but whenever she stumbled, it was the land who caught her. Until at last, at some unclaimed moment, the heart-pain seeped away like water into sand. Still there, but deep. Kya laid her hand upon the breathing, wet earth, and the marsh became her mother.
Delia Owens (Where the Crawdads Sing)
All things pass in time. We are far less significant than we imagine ourselves to be. All that we are, all that we have wrought, is but a shadow, no matter how durable it may seem. One day, when the last man has breathed his last breath, the sun will shine, the mountains will stand, the rain will fall, the streams will whisper—and they will not miss him.
Jim Butcher
Marriage is a big word for all guys,” Shane said. “You know that. It’s kind of an allergy. We get itchy and sweaty just trying to spell it, much less do it.
Rachel Caine (Last Breath (The Morganville Vampires, #11))
She was breathing deeply, she forgot the cold, the weight of beings, the insane or static life, the long anguish of living or dying. After so many years running from fear, fleeing crazily, uselessly, she was finally coming to a halt. At the same time she seemed to be recovering her roots, and the sap rose anew in her body, which was no longer trembling. Pressing her whole belly against the parapet, leaning toward the wheeling sky, she was only waiting for her pounding heart to settle down, and for the silence to form in her. The last constellations of stars fell in bunches a little lower on the horizon of the desert, and stood motionless. Then, with an unbearable sweetness, the waters of the night began to fill her, submerging the cold, rising gradually to the center of her being, and overflowing wave upon wave to her moaning mouth. A moment later, the whole sky stretched out above her as she lay with her back against the cold earth.
Albert Camus
His eyes are open, watching my flushed face, my ragged breathing. I try to stop myself from making embarrassing noises. It’s more intimate than the way he’s touching me, to be looked at like that. I hate that he knows what he’s doing and I don’t. I hate being vulnerable. I hate that I throw my head back, baring my throat. I hate the way I cling to him, the nails of one hand digging into his back, my thoughts splintering, and the single last thing in my head: that I like him better than I’ve ever liked anyone and that of all the things he’s ever done to me, making me like him so much is by far the worst.
Holly Black (The Wicked King (The Folk of the Air, #2))
Never give up. It's like breathing—once you quit, your flame dies letting total darkness extinguish every last gasp of hope. You can't do that. You must continue taking in even the shallowest of breaths, continue putting forth even the smallest of efforts to sustain your dreams. Don't ever, ever, ever give up.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
If you walk on sunlight, bathe in moonlight, breathe in a golden air and exhale a Midas' touch; mark my words, those who exist in the shadows will try to pull you into the darkness with them. The last thing that they want is for you to see the wonder of your life because they can't see theirs.
C. JoyBell C.
Feyre Archeron,' the Suriel said again, gazing at the leafy canopy, the sky peeking through it. A painful inhale. 'A request.' I leaned close. 'Anything.' Another rattling breath. 'Leave this world...a better place than how you found it.' And as its chest rose and stopped altogether, as its breath escaped in one last sigh, I understood why the Suriel had come to help me, again and again. Not just for kindness...but because it was a dreamer. And it was the heart of a dreamer that ceased beating inside that monstrous chest.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
He thought back on his family with deep emotion and love. His conviction that he would have to disappear was, if possible, even firmer than his sister's. He remained in this state of empty and peaceful reflection until the tower clock struck three in the morning. He still saw that outside the window everything was beginning to grow light. Then, without his consent, his head sank down to the floor, and from his nostrils streamed his last weak breath.
Franz Kafka (Metamorphosis)
Composer” is a word which here means “a person who sits in a room, muttering and humming and figuring out what notes the orchestra is going to play.” This is called composing. But last night, the Composer was not muttering. He was not humming. He was not moving, or even breathing. This is called decomposing.
Lemony Snicket (The Composer Is Dead)
If I breathe you in and you breathe me out, I swear we can breathe forever. I swear I’ll find summer in your winter and spring in your autumn and always, hands at the ends of your fingers, arms at the ends of your shoulders and I swear, when we run out of forever, when we run out of air, your name will be the last word that my lungs make air for.
Iain S. Thomas
If you swim effortlessly in the deep oceans, ride the waves to and from the shore, if you can breathe under water and dine on the deep treasures of the seas; mark my words, those who dwell on the rocks carrying nets will try to reel you into their catch. The last thing they want is for you to thrive in your habitat because they stand in their atmosphere where they beg and gasp for some air.
C. JoyBell C.
We stand there, quiet. My questions all seem wrong: How did you get so old? Was it all at once, in a day, or did you peter out bit by bit? When did you stop having parties? Did everyone else get old too, or was it just you? Are other people still here, hiding in the palm trees or holding their breath underwater? When did you last swim your laps? Do your bones hurt? Did you know this was coming and hide that you knew, or did it ambush you from behind?
Jennifer Egan (A Visit from the Goon Squad)
O Deep Thought computer," he said, "the task we have designed you to perform is this. We want you to tell us...." he paused, "The Answer." "The Answer?" said Deep Thought. "The Answer to what?" "Life!" urged Fook. "The Universe!" said Lunkwill. "Everything!" they said in chorus. Deep Thought paused for a moment's reflection. "Tricky," he said finally. "But can you do it?" Again, a significant pause. "Yes," said Deep Thought, "I can do it." "There is an answer?" said Fook with breathless excitement. "Yes," said Deep Thought. "Life, the Universe, and Everything. There is an answer. But, I'll have to think about it." ... Fook glanced impatiently at his watch. “How long?” he said. “Seven and a half million years,” said Deep Thought. Lunkwill and Fook blinked at each other. “Seven and a half million years...!” they cried in chorus. “Yes,” declaimed Deep Thought, “I said I’d have to think about it, didn’t I?" [Seven and a half million years later.... Fook and Lunkwill are long gone, but their descendents continue what they started] "We are the ones who will hear," said Phouchg, "the answer to the great question of Life....!" "The Universe...!" said Loonquawl. "And Everything...!" "Shhh," said Loonquawl with a slight gesture. "I think Deep Thought is preparing to speak!" There was a moment's expectant pause while panels slowly came to life on the front of the console. Lights flashed on and off experimentally and settled down into a businesslike pattern. A soft low hum came from the communication channel. "Good Morning," said Deep Thought at last. "Er..good morning, O Deep Thought" said Loonquawl nervously, "do you have...er, that is..." "An Answer for you?" interrupted Deep Thought majestically. "Yes, I have." The two men shivered with expectancy. Their waiting had not been in vain. "There really is one?" breathed Phouchg. "There really is one," confirmed Deep Thought. "To Everything? To the great Question of Life, the Universe and everything?" "Yes." Both of the men had been trained for this moment, their lives had been a preparation for it, they had been selected at birth as those who would witness the answer, but even so they found themselves gasping and squirming like excited children. "And you're ready to give it to us?" urged Loonsuawl. "I am." "Now?" "Now," said Deep Thought. They both licked their dry lips. "Though I don't think," added Deep Thought. "that you're going to like it." "Doesn't matter!" said Phouchg. "We must know it! Now!" "Now?" inquired Deep Thought. "Yes! Now..." "All right," said the computer, and settled into silence again. The two men fidgeted. The tension was unbearable. "You're really not going to like it," observed Deep Thought. "Tell us!" "All right," said Deep Thought. "The Answer to the Great Question..." "Yes..!" "Of Life, the Universe and Everything..." said Deep Thought. "Yes...!" "Is..." said Deep Thought, and paused. "Yes...!" "Is..." "Yes...!!!...?" "Forty-two," said Deep Thought, with infinite majesty and calm.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
He pulled my foot, drawing me closer. Being this close to him was making me feel dizzy and nervous. I said it again, one last time, even though i didn't mean it. "Conrad let go of me." He did. And then he dunked me. It didn't matter. I was already holding my breath.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
We never know when our last day on earth will be. So, love with full sincerity, believe with true faith, and hope with all of your might. Better to have lived in truth and discovered life, than to have lived half heartedly and died long before you ever ceased breathing.
Kent Marrero
Sam," she said. "I'm trying!" "Sam," she repeated. "No," he spat, hearing her tone. "No!" He began screaming for help then. Celaena pressed her face to one of the holes in the grate. Help wasn't going to come-not fast enough. "Please," Sam begged as he beat and yanked on the grate, he tried to wedge another dagger under the lid. "Please don't." She knew he wasn't speaking to her. The water hit her neck. "Please," Sam moaned, his fingers now touching hers. She'd have one last breath. Her last words. "Take my body home to Terrasen, Sam," she whispered. And with a gasping breath, she went under.
Sarah J. Maas (The Assassin and the Empire (Throne of Glass, #0.5))
And I wonder, in my last moments, if the planet does not mind that we wound her surface or pillage her bounty, because she knows we silly warm things are not even a breath in her cosmic life. We have grown and spread, and will rage and die. And when all that remains of us is our steel monuments and plastic idols, her winds will whisper, her sands will shift, and she will spin on and on, forgetting about the bold, hairless apes who thought they deserved immortality.
Pierce Brown (Morning Star (Red Rising, #3))
Everyone who terrifies you is sixty-five percent water. And everyone you love is made of stardust, and I know sometimes you cannot even breathe deeply, and the night sky is no home, and you have cried yourself to sleep enough times that you are down to your last two percent; but nothing is infinite, not even loss. You are made of the sea and the stars, and one day you are going to find yourself again.
Finn Butler
You have no clue," he whispered. "No clue about what?" I whispered back. "What you handed me last night." I took in a deep breath and asked softly, "What did I hand you, honey?" "What's lyin' in that bed." That was when I stopped breathing. "I claimed it," he went on. "But last night you gave it to me. Gift's given, no takin' it back. You get that, Tyra?" "I think so," I whispered. "Get that, baby, it's important.
Kristen Ashley (Motorcycle Man (Dream Man, #4))
Give me your trust, said the Aes Sedai. On my shoulders I support the sky. Trust me to know and to do what is best, And I will take care of the rest. But trust is the color of a dark seed growing. Trust is the color of a heart's blood flowing. Trust is the color of a soul's last breath. Trust is the color of death. Give me your trust said the queen on her throne, for I must bear the burden alone. Trust me to lead and to judge and to rule, and no man will think you a fool. But trust is the sound of the grave-dog's bark. Trust is the sound of betrayal in the dark. Trust is the sound of a soul's last breath. Trust is the sound of death.
Robert Jordan (Lord of Chaos (The Wheel of Time, #6))
You're kidding," Shane said. "Do you think I want to visit Crazy McTeeth in his lair of insanity?" "No," Claire said, "but I'm pretty sure you won't like it if I go alone when I just kind of promised to be with you. So...?" "Right. I've been missing Nutty McFang anyway." "Stop making up names for him." "What about Count Crackula?" "Just stop.
Rachel Caine (Last Breath (The Morganville Vampires, #11))
The difference between a non-suicide and an ex-suicide leaving the house for work, at eight o'clock on an ordinary morning: The non-suicide is a little traveling suck of care, sucking care with him from the past and being sucked toward care in the future. His breath is high in his chest. The ex-suicide opens his front door, sits down on the steps, and laughs. Since he has the option of being dead, he has nothing to lose by being alive. It is good to be alive. He goes to work because he doesn't have to.
Walker Percy (Lost in the Cosmos: The Last Self-Help Book)
One last thing," he said. "Stop looking for me." "I'm not looking for you." I scoffed. He touched his index finger to my forehead, my skin absurdly warming under his touch. It didn't escape me that he couldn't seem to stop finding reasons to touch me. Nor did I miss that I didn't want him to stop. "Under all the layers, a part of you remembers. It's the part that came looking for me tonight. It's that part that's going to get you killed, if you're not careful." We stood face-to-face, both of us breathing hard. The sirens were so close now. "What am I supposed to tell the police?" I said. "You're not going to talk to the police." "Oh, really? Funny, because I plan on telling them exactly how you rammed that tire iron into Gabe's back. Unless you answer my questions." He gave an ironic snort. "Blackmail? You've changed, Angel.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
Blood filled my mouth, warm as it dribbled out between my lips. I gazed at Tamlin's masked face one last time. "Love," I breathed, the world crumbling into a blackness with no end. A pause in Amarantha's magic. "The answer to the riddle...," I got out, chocking on my own blood, "is... love." Tamlin's eyes went wide before something forever cracked in my spine.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I saw you, and I wanted to be close to you. I wanted you to let me in. I wanted to know you in a way no one else did. I wanted you, all of you. That wanting nearly drove me mad.” Patch paused, inhaling softly, as though breathing me in. “And now that I have you, the only thing that terrifies me is having to go back to that place. Having to want you all over again, with no hope of my desire ever being fulfilled. You’re mine, Angel. Every last piece of you. I won’t let anything change that.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
She sucked in a shuddering breath, and he pulled back far enough for them to share breath. Her fingers shook as she brushed them against his mouth, and his control nearly shredded apart right there. 'What are you waiting for?' he said, the words near guttural. 'Bastard,' she murmured, and kissed him. Her mouth was soft and warm, and he bit back a groan. His body went still—his entire world went still—at that whisper of a kiss, the answer to a question he’d asked for centuries. He realized he was staring only when she withdrew slightly. His fingers tightened at her waist. 'Again,' he breathed. She slid out of his grip. 'If we live through tomorrow, you’ll get the rest.' He didn’t know whether to laugh or roar. 'Are you trying to bribe me into surviving?' She smiled at last. And damn if it didn’t kill him, the quiet joy in her face. They had walked out of darkness and pain and despair together. They were still walking out of it. So that smile … It struck him stupid every time he saw it and realized it was for him.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
But the last one: the baby who trails her scent like a flag of surrender through your life when there will be no more coming after - oh, that's love by a different name. She is the babe you hold in your arms for an hour after she's gone to sleep. If you put her down in the crib, she might wake up changed and fly away. So instead you rock by the window, drinking the light from her skin, breathing her exhaled dreams. Your heart bays to the double crescent moons of closed lashes on her cheeks. She's the one you can't put down.
Barbara Kingsolver (The Poisonwood Bible)
She could hear, some way off, her brothers calling to each other in the woods behind the house. She hoped desperately that their game wouldn't bring them any closer, that they wouldn't scare the birds away. Somehow she knew that you didn't get many moments like this in your life: moments when you knew, without any doubt, that you were alive, when you felt the air in your lungs and the wet grass beneath your feet and the cotton on your skin; moments when you were completely in the present, when neither the past nor the future mattered. She tried to slow her breathing, hoping somehow to make this moment last forever.
Neil Gaiman (Stardust)
Promise me you’ll marry me. Not now. Someday. Because I need to know.” Claire felt a flutter inside, like a bird trying to fly, and a rush of heat that made her dizzy. And something else, something fragile as a soap bubble, and just as beautiful. Joy, in the middle of all this horror and heartbreak. “Yes,” she whispered back. “I promise.” And she kissed him, and kissed him, and kissed him, while the sun came up and bathed Morganville in one last, shining day.
Rachel Caine (Last Breath (The Morganville Vampires, #11))
But he would understand,” he said dazedly. “If we explained it to him. If we told him…he would understand.” She made her voice as cold as she could. As calm. “Told him what?” Will only looked at her. There had been light in his eyes on the stairs… And it was going now, fading like the last breath of someone dying. She felt as if she were watching the life bleed out of Will Herondale. “Jem would forgive me,” Will said, but there was hopelessness in his face, his voice, already. He had given up, Tessa thought. “He would,” she said, “He would never stay angry at you, Will; he loves you too well for that. I do not even think he would hold anger toward me. But this morning he told me he thought he would die without ever loving anyone as his father loved his mother, without ever being loved like that in return. Do you want me to go down the hallway and knock on his door and take that away from him? And would you love me still, if I did?” “Then…please, Tessa, don’t tell him what I just told you…” “I will tell no one,” she said. “I swear it…
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
You are such a bad boy." She tugged on the hair that brushed my collar. "I can be real bad. You haven't seen anything yet," I murmured, bending my head so I could take a nip at the soft skin at the back of her neck. "I'm not sure I could keep up with you. I'm extremely inexperienced. We are in completely different planets when it comes to sexual experience," her breathing was labored as I licked and kissed different sweet spots on her shoulders and collarbone. "I didn't say anything about sex, Eva," I grinned before kissing her jawline. "You're the naughty one who brought up sex.
Abbi Glines (While It Lasts (Sea Breeze, #3))
For God's sake, let us sit upon the ground And tell sad stories of the death of kings; How some have been deposed; some slain in war, Some haunted by the ghosts they have deposed; Some poison'd by their wives: some sleeping kill'd; All murder'd: for within the hollow crown That rounds the mortal temples of a king Keeps Death his court and there the antic sits, Scoffing his state and grinning at his pomp, Allowing him a breath, a little scene, To monarchize, be fear'd and kill with looks, Infusing him with self and vain conceit, As if this flesh which walls about our life, Were brass impregnable, and humour'd thus Comes at the last and with a little pin Bores through his castle wall, and farewell king!
William Shakespeare (Richard II)
Ham turned back, still smiling. "You make it sound so desperate, El." Elend looked over at him. "The Assembly is a mess, a half-dozen warlords with superior armies are breathing down my neck, barely a month passes without someone sending assassins to kill me, and the woman I love is slowly driving me insane." Vin snorted at this last part. "Oh is that all?" Ham said. "See? It's not so bad after all. I mean, we could be facing an immortal god and his all-powerful priests instead.
Brandon Sanderson (The Well of Ascension (Mistborn, #2))
And then we're kissing. His lips are soft and leave mine tingling. I close my eyes, and in the darkness behind them I see beautiful blooming things, flowers spinning like snowflakes, and hummingbirds beating the same rhythm as my heart. I'm gone, lost, floating away into nothingness like I am in my dream, but this time it's a good feeling - like soaring, like being totally free. His other hand pushes my hair from my face, and I can feel the impression of his fingers everywhere that they touch, and I think of stars streaking through the sky and leaving burning trails behind them, and in that moment - however long it lasts, seconds, minutes, days - while he's saying my name into my mouth and I"m breathing into him, I realize this, right here, is the first and only time I've ever been kissed.
Lauren Oliver (Before I Fall)
Shahrzad, I've failed you several times. But there was one moment I failed you beyond measure. It was the day we met. The moment I took your hand and you looked at me, with the glory of hate in your eyes. I should have sent you home to your family. But I didn't. There was honesty in your hatred. Fearlessness in your pain. In your honesty, I saw a reflection of myself. Or rather, of the man I longed to be. So I failed you. I didn't stay away. Then later, I thought if I had answers, it would be enough. I would no longer care. You would not matter. So I continued failing you. Continued wanting more. And now I can't find the words to say what must be said. To convey to you the least of what I owe. When I think of you, I can't find the air to breathe. And now, though you are gone, there is no pain or fear. All I am left with is gratitude. When I was a boy, my mother would tell me that one of the best things in life is the knowledge that your story isn't over yet. Our story may have come to a close, but your story is still yet to be told. Make it a story worthy of you. I failed you in one last thing. Here is my chance to rectify it. It was never because I didn't feel it. It was because I swore I would never say it, and a man is nothing if he can't keep his promises. So I write it in the sky- I love you, a thousand times over. And I will never apologize for it. Khalid
Renée Ahdieh (The Wrath and the Dawn (The Wrath and the Dawn, #1))
LADY LAZARUS I have done it again. One year in every ten I manage it-- A sort of walking miracle, my skin Bright as a Nazi lampshade, My right foot A paperweight, My face a featureless, fine Jew linen. Peel off the napkin O my enemy. Do I terrify?-- The nose, the eye pits, the full set of teeth? The sour breath Will vanish in a day. Soon, soon the flesh The grave cave ate will be At home on me And I a smiling woman. I am only thirty. And like the cat I have nine times to die. This is Number Three. What a trash To annihilate each decade. What a million filaments. The peanut-crunching crowd Shoves in to see Them unwrap me hand and foot-- The big strip tease. Gentlemen, ladies These are my hands My knees. I may be skin and bone, Nevertheless, I am the same, identical woman. The first time it happened I was ten. It was an accident. The second time I meant To last it out and not come back at all. I rocked shut As a seashell. They had to call and call And pick the worms off me like sticky pearls. Dying Is an art, like everything else. I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call. It's easy enough to do it in a cell. It's easy enough to do it and stay put. It's the theatrical Comeback in broad day To the same place, the same face, the same brute Amused shout: 'A miracle!' That knocks me out. There is a charge For the eyeing of my scars, there is a charge For the hearing of my heart-- It really goes. And there is a charge, a very large charge For a word or a touch Or a bit of blood Or a piece of my hair or my clothes. So, so, Herr Doktor. So, Herr Enemy. I am your opus, I am your valuable, The pure gold baby That melts to a shriek. I turn and burn. Do not think I underestimate your great concern. Ash, ash-- You poke and stir. Flesh, bone, there is nothing there-- A cake of soap, A wedding ring, A gold filling. Herr God, Herr Lucifer Beware Beware. Out of the ash I rise with my red hair And I eat men like air. -- written 23-29 October 1962
Sylvia Plath (Ariel)
Blood trickled from the corner of her (Annabeth) mouth. She croaked, "Family, Luke. You promised." Luke stared at the knife in Annabeth's hand, the blood on her face. "Promise." Then he gasped like he couldn't get air. "Annabeth . . ." But it wasn't the Titan's voice. It was Luke's. He stumbled forward like he couldn't control his own body. "You're bleeding. . . ." He gasped again."He's changing. Help. He's . . . he's almost ready. He won't need my body anymore. Please—" "The knife, Percy," Annabeth muttered. Her breath was shallow. "Hero . . . cursed blade . . ." Luke turned and collapsed, clutching his ruined hands."Please, Percy . . ." Luke seemed to know what I was thinking. He moistened his lips. "You can't . . . can't do it yourself. He'll break my control. He'll defend himself. Only my hand. I know where. I can . . . can keep him controlled." I raised the knife to strike. Then I looked at Annabeth, at Grover. And I finally understood what she'd been trying to tell me. You are not the hero, Rachel had said. It will affect what you do. The line from the great prophecy echoed in my head: A hero's soul, cursed blade shall reap. My whole world tipped upside down,and I gave the knife to Luke.I watched as Luke grasped the hilt he stabbed himself
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
What can I give you, Wanda?” he insisted. I took a deep breath and tried to keep my voice steady.“Give me a lie, Jared. Tell me you want me to stay.” There was no hesitation this time. His arms wound around me in the dark, held me securely against his chest. He pressed his lips against my forehead, and I felt his breath move my hair when he spoke. Melanie was holding her breath in my head. She was trying to bury herself again, trying to give memy freedom for these last minutes. Maybe she was afraid to listen to these lies. She wouldn't want this memory when I was gone. “Stay here, Wanda. With us. Withme. I don't want you to go. Please. I can't imagine having you gone. I can't see that. I don't know how to… how to…” His voice broke.
Stephenie Meyer (The Host (The Host, #1))
At last he stopped, and she stared down at the printed column of words, unable to comprehend a single one. His hand, warm and steady, wound its way around hers, wrapping it like a spider would its prey. She surrendered it to him, unable to watch even as his thumb traced the place, just above her knuckles, where he had once written his number in deep violet. Isobel ceased to breathe. Her heart pounded in her chest, her thoughts shattering into senseless fragments. All the while, her eyes remained trained and unblinking on the open page. Lines without meaning stared up at her, little more than black sticks in an otherwise white world.
Kelly Creagh (Nevermore (Nevermore, #1))
I'll tell you how the sun rose A ribbon at a time... It's a living book, this life; it folds out in a million settings, cast with a billion beautiful characters, and it is almost over for you. It doesn't matter how old you are; it is coming to a close quickly, and soon the credits will roll and all your friends will fold out of your funeral and drive back to their homes in cold and still and silence. And they will make a fire and pour some wine and think about how you once were . . . and feel a kind of sickness at the idea you never again will be. So soon you will be in that part of the book where you are holding the bulk of the pages in your left hand, and only a thin wisp of the story in your right. You will know by the page count, not by the narrative, that the Author is wrapping things up. You begin to mourn its ending, and want to pace yourself slowly toward its closure, knowing the last lines will speak of something beautiful, of the end of something long and earned, and you hope the thing closes out like last breaths, like whispers about how much and who the characters have come to love, and how authentic the sentiments feel when they have earned a hundred pages of qualification. And so my prayer is that your story will have involved some leaving and some coming home, some summer and some winter, some roses blooming out like children in a play. My hope is your story will be about changing, about getting something beautiful born inside of you, about learning to love a woman or a man, about learning to love a child, about moving yourself around water, around mountains, around friends, about learning to love others more than we love ourselves, about learning oneness as a way of understanding God. We get one story, you and I, and one story alone. God has established the elements, the setting and the climax and the resolution. It would be a crime not to venture out, wouldn't it?
Donald Miller (Through Painted Deserts: Light, God, and Beauty on the Open Road)
Mare,” he whispers. “Choose me.” Choose a crown. Choose another king’s cage. Choose a betrayal to everything you’ve bled for. I find my thread of steel too. Thin but unbreakable. “I am in love with you, and I want you more than anything else in the world.” His words sound hollow coming from me. “Anything else in this world.” Slowly, my eyelids flutter open. He finds the spine to match my gaze. “Think what we could do together,” he murmurs, trying to pull me closer. My feet hold firm. “You know what you are to me. Without you, I have no one. I am alone. I have nothing left. Don’t leave me alone.” My breathing turns ragged. I kiss him for what could be, what might be, what will be—the last time. His lips feel strangely cold as we both turn to ice. “You aren’t alone.” The hope in his eyes cuts deeply. “You have your crown.
Victoria Aveyard (King's Cage (Red Queen, #3))
Only two years dead, and it was getting harder for me to feel…anything. I was starting to slip into the darkness. The numbness. And the worst part is that it wasn’t even scary. I was losing myself, and I didn’t even care. Then I met you, and at first I didn’t understand what had happened. What had changed. All I knew was that I wanted to be near you. Then you helped me with Addison, even though it nearly got you killed—I nearly got you killed—and I started to understand how special you are. But by then, you were getting serious with Nash. With my brother—one of few people in the whole world I still gave a damn about. So I tried to stay away. I tried so hard.” His voice cracked on the last word, and my heart cracked with it. Tears stood in my eyes, but I was afraid to let them fall. I was afraid to even breathe for fear of missing a single word. "But you kept pulling me back. You’re the brightest thing I’ve ever seen, Kaylee. You’re this beautiful ball of fire spitting sparks out at the world, burning fiercely, holding back the dark by sheer will. And I always knew that if I reached out—if I tried to touch you—I’d get burned. Because you’re not mine. I’m not supposed to feel the fire. I’m not supposed to want it. But I do. I want you, Kaylee, like I’ve never wanted anything. Ever. I want the fire. I want the heat, and the light, and I want the burn.
Rachel Vincent (If I Die (Soul Screamers, #5))
You think man can destroy the planet? What intoxicating vanity. Let me tell you about our planet. Earth is four-and-a-half-billion-years-old. There's been life on it for nearly that long, 3.8 billion years. Bacteria first; later the first multicellular life, then the first complex creatures in the sea, on the land. Then finally the great sweeping ages of animals, the amphibians, the dinosaurs, at last the mammals, each one enduring millions on millions of years, great dynasties of creatures rising, flourishing, dying away -- all this against a background of continuous and violent upheaval. Mountain ranges thrust up, eroded away, cometary impacts, volcano eruptions, oceans rising and falling, whole continents moving, an endless, constant, violent change, colliding, buckling to make mountains over millions of years. Earth has survived everything in its time. It will certainly survive us. If all the nuclear weapons in the world went off at once and all the plants, all the animals died and the earth was sizzling hot for a hundred thousand years, life would survive, somewhere: under the soil, frozen in Arctic ice. Sooner or later, when the planet was no longer inhospitable, life would spread again. The evolutionary process would begin again. It might take a few billion years for life to regain its present variety. Of course, it would be very different from what it is now, but the earth would survive our folly, only we would not. If the ozone layer gets thinner, ultraviolet radiation sears the earth, so what? Ultraviolet radiation is good for life. It's powerful energy. It promotes mutation, change. Many forms of life will thrive with more UV radiation. Many others will die out. Do you think this is the first time that's happened? Think about oxygen. Necessary for life now, but oxygen is actually a metabolic poison, a corrosive glass, like fluorine. When oxygen was first produced as a waste product by certain plant cells some three billion years ago, it created a crisis for all other life on earth. Those plants were polluting the environment, exhaling a lethal gas. Earth eventually had an atmosphere incompatible with life. Nevertheless, life on earth took care of itself. In the thinking of the human being a hundred years is a long time. A hundred years ago we didn't have cars, airplanes, computers or vaccines. It was a whole different world, but to the earth, a hundred years is nothing. A million years is nothing. This planet lives and breathes on a much vaster scale. We can't imagine its slow and powerful rhythms, and we haven't got the humility to try. We've been residents here for the blink of an eye. If we're gone tomorrow, the earth will not miss us.
Michael Crichton (Jurassic Park / Congo)
Somewhere someone thinks they love someone else exactly like I love you. Somewhere someone shakes from the ripple of a thousand butterflies inside a single stomach. Somewhere someone is packing their bags to see the world with someone else. Somewhere someone is reaching through the most terrifying few feet of space to hold the hand of someone else. Somewhere someone is watching someone else’s chest rise and fall with the breath of slumber. Somewhere someone is pouring ink like blood onto pages fighting to say the truth that has no words. Somewhere someone is waiting patient but exhausted to just be with someone else. Somewhere someone is opening their eyes to a sunrise in someplace they have never seen. Somewhere someone is pulling out the petals twisting the apple stem picking up the heads up penny rubbing the rabbits foot knocking on wood throwing coins into fountains hunting for the only clover with only 4 leaves skipping over the cracks snapping the wishbone crossing their fingers blowing out the candles sending dandelion seeds into the air ushering eyelashes off their thumbs finding the first star and waiting for 11:11 on their clock to spend their wishes on someone else. Somewhere someone is saying goodbye but somewhere someone else is saying hello. Somewhere someone is sharing their first or their last kiss with their or no longer their someone else. Somewhere someone is wondering if how they feel is how the other they feels about them and if both theys could ever become a they together. Somewhere someone is the decoder ring to all of the great mysteries of life for someone else. Somewhere someone is the treasure map. Somewhere someone thinks they love someone else exactly like I love you. Somewhere someone is wrong.
Tyler Knott Gregson
Sam smiled, his brown eyes turning golden in the dawn. It was such a Sam look, the twinkle of mischief, the hint of exasperation, the kindness that would always, always make him a better person than she was. Before she knew what she was doing, Celaena threw her arms around him and held him close. Sam stiffened, but after a heartbeat, his arms came around her. She breathed him in—the smell of his sweat, the tang of the dust and rock, the metallic odor of his blood... Sam rested his cheek on her head. She couldn't remember —honestly couldn't recall—the last time anyone had held her. But embracing Sam was different, somehow. Like she wanted to curl into his warmth, like for one moment, she didn't have to worry about anything or anybody. “Sam,” she murmured into his chest. “Hmm?” She peeled away from him, stepping out of his arms. “If you ever tell anyone about me embracing you... I'll gut you.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
Sometimes, when I find it hard to sleep, I’ll think of when we first met, of the newness of each other’s body, and my impatience to know everything about this person. Looking back, I should have taken it more slowly, measured him out over the course of fifty years rather than cramming him in so quickly. By the end of our first month together, he’d been so thoroughly interrogated that all I had left was breaking news—what little had happened in the few hours since I’d last seen him. Were he a cop or an emergency-room doctor, there might have been a lot to catch up on, but, like me, Hugh works alone, so there was never much to report. “I ate some potato chips,” he might say, to which I’d reply, “What kind?” or “That’s funny, so did I!” More often than not we’d just breathe into our separate receivers. Are you still there?” I’m here.” Good. Don’t hang up.” I won’t.
David Sedaris
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.” “Yeah?” I leaned my forehead against his chest. “What about you?” “Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her. “Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.” “Ouch,” I said with a light laugh. “Sounds painful.” “Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—” “—and Chubs makes fun of you for it,” I added. “Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—” “—but who’s the coolest little girl on the planet,” I manage to squeeze out.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
For a moment nothing happens. The figure stands still and I stand cold and alive and- He starts to run. I make my way down the rocks, slipping, sliding, trying to get to the plain. I wish, I think, my feet clumsy, moving too fast, not fast enough, I wish i could run, I wish I'd written a whole poem, I wish I kept the compass- And then I reach the plain and wish for nothing but what I have. Ky. Running toward me. I have never seen him run like this, fast, free, strong, wild. He looks so beautiful, his body moves so right. He stops just close enough for me to see the blue of his eyes and forget the red on my hands and the green I wish I wore. "You're here," he says, breathing hard and hungry. sweat and dirt cover his face, and he looks at me as though I'm the only thing he ever needed to see. I open my mouth to say yes. But I only have time to breathe in before he closes the last of the distance. All I know is the kiss.
Ally Condie (Crossed (Matched, #2))
Because who knows? Who knows anything? Who knows who's pulling the strings? Or what is? Or how? Who knows if destiny is just how you tell yourself the story of your life? Another son might not have heard his mother's last words as a prophecy but as drug-induced gibberish, forgotten soon after. Another girl might not have told herself a love story about a drawing her brother made. Who knows if Grandma really thought the first daffodils of spring were lucky or if she just wanted to go on walks with me through the woods? Who knows if she even believed in her bible at all or if she just preferred a world where hope and creativity and faith trump reason? Who knows if there are ghosts (sorry, Grandma) or just the living, breathing memories of your loved ones inside you, speaking to you, trying to get your attention by any means necessary? Who knows where the hell Ralph is? (Sorry, Oscar.) No one knows. So we grapple with the mysteries, each in our own way.
Jandy Nelson (I'll Give You the Sun)
But what of you?” Gabriel said, and they were very close now, almost touching. “It is your choice to make now, to stay or return.” “I will stay,” Cecily said. “I choose the war.” Gabriel let out the breath he hadn’t realized he was holding. “You will give up your home?” “A drafty old house in Yorkshire?” Cecily said. “This is London.” “And give up what is familiar?” “Familiar is dull.” “And give up seeing your parents? It is against the Law …” She smiled, the glimmer of a smile. “Everyone breaks the Law.” “Cecy,” he said, and closed the distance between them, though it was not much, and then he was kissing her—his hands awkward around her shoulders at first, slipping on the stiff taffeta of her gown before his fingers slid behind her head, tangling in her soft, warm hair. She stiffened in surprise before softening against him, the seam of her lips parting as he tasted the sweetness of her mouth. When she drew away at last, he felt light-headed. “Cecy?” he said again, his voice hoarse. “Five,” she said. Her lips and cheeks were flushed, but her gaze was steady. “Five?” he echoed blankly. 907/1090 “My rating,” she said, and smiled at him. “Your skill and technique may, perhaps, require work, but the native talent is certainly there. What you require is practice.” “And you are willing to be my tutor?” “I should be very insulted if you chose another,” she said, and leaned up to kiss him again.
Cassandra Clare
When you took me from the witch trial at Cranesmuir--you said then that you would have died with me, you would have gone to the stake with me, had it come to that!" He grasped my hands, fixing me with a steady blue gaze. "Aye, I would," he said. "But I wasna carrying your child." The wind had frozen me; it was the cold that made me shake, I told myself. The cold that took my breath away. "You can't tell," I said, at last. "It's much too soon to be sure." He snorted briefly, and a tiny flicker of amusement lit his eyes. "And me a farmer, too! Sassenach, ye havena been a day late in your courses, in all the time since ye first took me to your bed. Ye havena bled now in forty-six days." "You bastard!" I said, outraged. "You counted! In the middle of a bloody war, you counted!" "Didn't you?" "No!" I hadn't; I had been much too afraid to acknowledge the possibility of the thing I had hoped and prayed for so long, come now so horribly too late. "Besides," I went on, trying still to deny the possibility, "that doesn't mean anything. Starvation could cause that; it often does." He lifted one brow, and cupped a broad hand gently beneath my breast. "Aye, you're thin enough; but scrawny as ye are, your breasts are full--and the nipples of them gone the color of Champagne grapes. You forget," he said, "I've seen ye so before. I have no doubt--and neither have you." I tried to fight down the waves of nausea--so easily attributable to fright and starvation--but I felt the small heaviness, suddenly burning in my womb. I bit my lip hard, but the sickness washed over me. Jamie let go of my hands, and stood before me, hands at his sides, stark in silhouette against the fading sky. "Claire," he said quietly. "Tomorrow I will die. This child...is all that will be left of me--ever. I ask ye, Claire--I beg you--see it safe.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
Peeta and I sit on the damp sand, facing away from each other, my right shoulder and hip pressed against his. ... After a while I rest my head against his shoulder. Feel his hand caress my hair. "Katniss... If you die, and I live, there's no life for me at all back in District Twelve. You're my whole life", he says. "I would never be happy again." I start to object but he puts a finger to my lips. "It's different for you. I'm not sayin it wouldn't be hard. But there are other people who'd make your life worth living." ... "Your family needs you, Katniss", Peeta says. My family. My mother. My sister. And my pretend cousin Gale. But Peeta's intension is clear. That Gale really is my family, or will be one day, if I live. That I'll marry him. So Peeta's giving me his life and Gale at the same time. To let me know I shouldn't ever have doubts about it. Everithing. That's what Peeta wants me to take from him. ... "No one really needs me", he says, and there's no self-pity in his voice. It's true his family doesen't need him. They will mourn him, as will a handful of friends. But they will get on. Even Haymitch, with the help of a lot of white liquor, will get on. I realize only one person will be damaged beyond repair if Peeta dies. Me. "I do", I say. "I need you." He looks upset, takes a deep breath as if to begin a long argument, and that's no good, no good at all, because he'll start going on about Prim and my mother and everything and I'll just get confused. So before he can talk, I stop his lips with a kiss. I feel that thing again. The thing I only felt once before. In the cave last year, when I was trying to get Haymitch to send us food. I kissed Peeta about a thousand times during those Games and after. But there was only one kiss that made me feel something stir deep inside. Only one that made me want more. But my head wound started bleeding and he made me lie down. This time, there is nothing but us to interrupt us. And after a few attempts, Peeta gives up on talking. The sensation inside me grows warmer and spreads out from my chest, down through my body, out along my arms and legs, to the tips of my being. Instead of satisfying me, the kisses have the opposite effect, of making my need greater. I thought I was something of an expert on hunger, but this is an entirely new kind.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
From the moment I start a new novel, life’s just one endless torture. The first few chapters may go fairly well and I may feel there’s still a chance to prove my worth, but that feeling soon disappears and every day I feel less and less satisfied. I begin to say the book’s no good, far inferior to my earlier ones, until I’ve wrung torture out of every page, every sentence, every word, and the very commas begin to look excruciatingly ugly. Then, when it’s finished, what a relief! Not the blissful delight of the gentleman who goes into ecstasies over his own production, but the resentful relief of a porter dropping a burden that’s nearly broken his back . . . Then it starts all over again, and it’ll go on starting all over again till it grinds the life out of me, and I shall end my days furious with myself for lacking talent, for not leaving behind a more finished work, a bigger pile of books, and lie on my death-bed filled with awful doubts about the task I’ve done, wondering whether it was as it ought to have been, whether I ought not to have done this or that, expressing my last dying breath the wish that I might do it all over again!
Émile Zola (The Masterpiece)
We walk for about an hour before Raffe whispers, “Does moping actually help humans feel better?” “I’m not moping,” I whisper back. “Of course you’re not. A girl like you, spending time with a warrior demigod like me. What’s to mope about? Leaving a wheelchair behind couldn’t possibly show up on the radar compared to that.” I nearly stumble over a fallen branch. “You have got to be kidding me.” “I never kid about my warrior demigod status.” “Oh. My. God.” I lower my voice, having forgotten to whisper. “You are nothing but a bird with an attitude. Okay, so you have a few muscles, I’ll grant you that. But you know, a bird is nothing but a barely evolved lizard. That’s what you are.” He chuckles. “Evolution.” He leans over as if telling me a secret. “I’ll have you know that I’ve been this perfect since the beginning of time.” He is so close that his breath caresses my ear. “Oh, please. Your giant head is getting too big for this forest. Pretty soon, you’re going to get stuck trying to walk between two trees. And then, I’ll have to rescue you.” I give him a weary look. “Again.” I pick up my pace, trying to discourage the smart comeback that I’m sure will come. But it doesn’t. Could he be letting me have the last say? When I look back, Raffe has a smug grin on his face. That’s when I realize I’ve been manipulated into feeling better. I stubbornly try to resist but it’s already too late.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
He started to dance. And all at once, because Cole was dancing, I was dancing. And this Cole was even more persuasive than the last one. This was everything about Cole's smile made into a real thing, a physical object made out of his hands looped around me, and his long body pushed up against mine. I loved to dance, but I'd always been aware that I was dancing, aware of what my body was doing. Now, with this music thumping and Cole dancing with me, everything became invisible but the music. I was invisible. My hips were the booming bass. My hands on Cole were the wails of the synthesizer. My body was nothing but the hard, pulsing beat of the track. My thoughts were flashes in between the downbeats. beat: my hand pressed on Cole's stomach beat: our hips crushed together beat: Cole's laugh beat: we were one person Even knowing that Cole was good at this because it was what he did didn't make it any less of an amazing thing. Plus, he wasn't trying to be amazing without me--every move of his body was to make us move together. There was no ego, just the music and our bodies. When the track ended, Cole stepped back, out of breath, half a smile on his face. I couldn't see how he could stop. I wanted to dance until I couldn't stand up. I wanted to crush our bodies against each other until there was no pulling them apart. "You're an addiction," I told him. "You should know.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
A floorboard cracked; knuckles tapped once on the open door. Adam looked up to see Niall Lynch standing in the doorway. No, it was Ronan, face lit bright on one side, in stark shadow on the other, looking powerful and at ease with his thumbs tucked in the pockets of his jeans, leather bracelets looped over his wrist, feet bare. He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it. “This old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam. Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him. That was this kiss. They kissed again. Adam felt it in more than his lips. Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window. He did not understand anything. It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible. He was pretty sure he had just been Ronan’s first kiss. “I’m gonna go downstairs,” Ronan said.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
I used to think Romeo and Juliet was the greatest love story ever written. But now that I’m middle-aged, I know better. Oh, Romeo certainly thinks he loves his Juliet. Driven by hormones, he unquestionably lusts for her. But if he loves her, it’s a shallow love. You want proof?” Cagney didn’t wait for Dr. Victor to say yay or nay. “Soon after meeting her for the first time, he realizes he forgot to ask her for her name. Can true love be founded upon such shallow acquaintance? I don’t think so. And at the end, when he thinks she’s dead, he finds no comfort in living out the remainder of his life within the paradigm of his love, at least keeping alive the memory of what they had briefly shared, even if it was no more than illusion, or more accurately, hormonal. “Those of us watching events unfold from the darkness know she merely lies in slumber. But does he seek the reason for her life-like appearance? No. Instead he accuses Death of amorousness, convinced that the ‘lean abhorred monster’ endeavors to keep Juliet in her present state, her cheeks flushed, so that she might cater to his own dissolute desires. But does Romeo hold her in his arms one last time and feel the warmth of her blood still coursing through her veins? Does he pinch her to see if she might awaken? Hold a mirror to her nose to see if her breath fogs it? Once, twice, three times a ‘no.’” Cagney sighed, listened to the leather creak as he shifted his weight in his chair. “No,” he repeated. “His alleged love is so superficial and selfish that he seeks to escape the pain of loss by taking his own life. That’s not love, but obsessive infatuation. Had they wed—Juliet bearing many children, bonding, growing together, the masks of the star-struck teens they once were long ago cast away, basking in the comforting campfire of a love born of a lifetime together, not devoured by the raging forest fire of youth that consumes everything and leaves behind nothing—and she died of natural causes, would Romeo have been so moved to take his own life, or would he have grieved properly, for her loss and not just his own?
J. Conrad Guest (The Cobb Legacy)
Do you know about the spoons? Because you should. The Spoon Theory was created by a friend of mine, Christine Miserandino, to explain the limits you have when you live with chronic illness. Most healthy people have a seemingly infinite number of spoons at their disposal, each one representing the energy needed to do a task. You get up in the morning. That’s a spoon. You take a shower. That’s a spoon. You work, and play, and clean, and love, and hate, and that’s lots of damn spoons … but if you are young and healthy you still have spoons left over as you fall asleep and wait for the new supply of spoons to be delivered in the morning. But if you are sick or in pain, your exhaustion changes you and the number of spoons you have. Autoimmune disease or chronic pain like I have with my arthritis cuts down on your spoons. Depression or anxiety takes away even more. Maybe you only have six spoons to use that day. Sometimes you have even fewer. And you look at the things you need to do and realize that you don’t have enough spoons to do them all. If you clean the house you won’t have any spoons left to exercise. You can visit a friend but you won’t have enough spoons to drive yourself back home. You can accomplish everything a normal person does for hours but then you hit a wall and fall into bed thinking, “I wish I could stop breathing for an hour because it’s exhausting, all this inhaling and exhaling.” And then your husband sees you lying on the bed and raises his eyebrow seductively and you say, “No. I can’t have sex with you today because there aren’t enough spoons,” and he looks at you strangely because that sounds kinky, and not in a good way. And you know you should explain the Spoon Theory so he won’t get mad but you don’t have the energy to explain properly because you used your last spoon of the morning picking up his dry cleaning so instead you just defensively yell: “I SPENT ALL MY SPOONS ON YOUR LAUNDRY,” and he says, “What the … You can’t pay for dry cleaning with spoons. What is wrong with you?” Now you’re mad because this is his fault too but you’re too tired to fight out loud and so you have the argument in your mind, but it doesn’t go well because you’re too tired to defend yourself even in your head, and the critical internal voices take over and you’re too tired not to believe them. Then you get more depressed and the next day you wake up with even fewer spoons and so you try to make spoons out of caffeine and willpower but that never really works. The only thing that does work is realizing that your lack of spoons is not your fault, and to remind yourself of that fact over and over as you compare your fucked-up life to everyone else’s just-as-fucked-up-but-not-as-noticeably-to-outsiders lives. Really, the only people you should be comparing yourself to would be people who make you feel better by comparison. For instance, people who are in comas, because those people have no spoons at all and you don’t see anyone judging them. Personally, I always compare myself to Galileo because everyone knows he’s fantastic, but he has no spoons at all because he’s dead. So technically I’m better than Galileo because all I’ve done is take a shower and already I’ve accomplished more than him today. If we were having a competition I’d have beaten him in daily accomplishments every damn day of my life. But I’m not gloating because Galileo can’t control his current spoon supply any more than I can, and if Galileo couldn’t figure out how to keep his dwindling spoon supply I think it’s pretty unfair of me to judge myself for mine. I’ve learned to use my spoons wisely. To say no. To push myself, but not too hard. To try to enjoy the amazingness of life while teetering at the edge of terror and fatigue.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Men seek retreats for themselves, houses in the country, sea-shores, and mountains; and thou too art wont to desire such things very much. But this is altogether a mark of the most common sort of men, for it is in thy power whenever thou shalt choose to retire into thyself. For nowhere either with more quiet or more freedom from trouble does a man retire than into his own soul, particularly when he has within him such thoughts that by looking into them he is immediately in perfect tranquility; and I affirm that tranquility is nothing else than the good ordering of the mind. Constantly then give to thyself this retreat, and renew thyself; and let thy principles be brief and fundamental, which, as soon as thou shalt recur to them, will be sufficient to cleanse the soul completely, and to send thee back free from all discontent with the things to which thou returnest. For with what art thou discontented? With the badness of men? Recall to thy mind this conclusion, that rational animals exist for one another, and that to endure is a part of justice, and that men do wrong involuntarily; and consider how many already, after mutual enmity, suspicion, hatred, and fighting, have been stretched dead, reduced to ashes; and be quiet at last.- But perhaps thou art dissatisfied with that which is assigned to thee out of the universe.- Recall to thy recollection this alternative; either there is providence or atoms, fortuitous concurrence of things; or remember the arguments by which it has been proved that the world is a kind of political community, and be quiet at last.- But perhaps corporeal things will still fasten upon thee.- Consider then further that the mind mingles not with the breath, whether moving gently or violently, when it has once drawn itself apart and discovered its own power, and think also of all that thou hast heard and assented to about pain and pleasure, and be quiet at last.- But perhaps the desire of the thing called fame will torment thee.- See how soon everything is forgotten, and look at the chaos of infinite time on each side of the present, and the emptiness of applause, and the changeableness and want of judgement in those who pretend to give praise, and the narrowness of the space within which it is circumscribed, and be quiet at last. For the whole earth is a point, and how small a nook in it is this thy dwelling, and how few are there in it, and what kind of people are they who will praise thee.
Marcus Aurelius (The Meditations of Marcus Aurelius)
It made me shiver. And I about made up my mind to pray, and see if I couldn't try to quit being the kind of a boy I was and be better. So I kneeled down. But the words wouldn't come. Why wouldn't they? It warn't no use to try and hide it from Him. Nor from ME, neither. I knowed very well why they wouldn't come. It was because my heart warn't right; it was because I warn't square; it was because I was playing double. I was letting ON to give up sin, but away inside of me I was holding on to the biggest one of all. I was trying to make my mouth SAY I would do the right thing and the clean thing, and go and write to that nigger's owner and tell where he was; but deep down in me I knowed it was a lie, and He knowed it. You can't pray a lie--I found that out. So I was full of trouble, full as I could be; and didn't know what to do. At last I had an idea; and I says, I'll go and write the letter--and then see if I can pray. Why, it was astonishing, the way I felt as light as a feather right straight off, and my troubles all gone. So I got a piece of paper and a pencil, all glad and excited, and set down and wrote: Miss Watson, your runaway nigger Jim is down here two mile below Pikesville, and Mr. Phelps has got him and he will give him up for the reward if you send. HUCK FINN. I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn't do it straight off, but laid the paper down and set there thinking--thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn't seem to strike no places to harden me against him, but only the other kind. I'd see him standing my watch on top of his'n, 'stead of calling me, so I could go on sleeping; and see him how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey, and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had small-pox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world, and the ONLY one he's got now; and then I happened to look around and see that paper. It was a close place. I took it up, and held it in my hand. I was a-trembling, because I'd got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself: "All right, then, I'll GO to hell"--and tore it up.
Mark Twain (The Adventures of Huckleberry Finn)