Last Bits Of Summer Quotes

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She wanted him to see all of her and also none of her. She wanted him to be dazzled by the bits and blinded by the whole. She wanted him to see her whole and not in pieces. She had hopes that were hard to satisfy.
Ann Brashares (The Last Summer of You and Me)
Do you remember infinity?” Slowly, I turned around. “What about it?” Tossing something toward me, he said, “Catch.” I reached out and caught it in the air. A silver necklace. I held it up and examined it. The infinity necklace. It didn’t shine the way it used to; it looked a bit coppery now. But I recognized it. Of course I recognized it. “What is this?” I asked. “You know what it is,” he said. I shrugged. “Nope, sorry.” I could see that he was both hurt and angry. “Okay, then. You don’t remember it. I’ll remind you. I bought you that necklace for your birthday.” My birthday. It had to have been for my sixteenth birthday. It was the only year he ever forgot to buy me a birthday present—the last summer we’d all been together at the beach house, when Susannah was still alive.
Jenny Han (We'll Always Have Summer (Summer #3))
There was only so much space between us, not even a real distance if measured in miles or feet or even inches, all the things that told you how far you'd come or had left to go. But it was a big space, if only for me. And as I moved forward to him covering it, he waited there on the other side. It was only the last little bit I has to go, but in the end, I knew it would be all I would truly remember. So as I kissed him, bringing this summer and everything else full circle, I let myself fall, and was not scared of the ground I knew would rise up to meet me.
Sarah Dessen (This Lullaby)
The endless void of space stretched out before it. Millennia had passed as it roared through the plane of the Milky Way galaxy. The awesome ellipse of its original path was continually altered by intermittent proximity to myriad stars. It gave off minute bits of itself as it rocketed silently through the vacuum of space, but still, after all these millennia it was counted large as such things were measured, and the fact that it had never collided with anything else after such a tremendous interval of travel was a mute testimony to the vastness and comparative emptiness of the universe. Much as humans, on a molecular level, are comprised mostly of space not of matter, so the universe, for all its galaxies and solar systems, is comprised primarily of interconnecting emptiness. Dark, colossal, mindless, and mighty in its mass and velocity, it came on and on through space. The great alignment had set it on a new path. Now, one last nudge from the Red Giant in the previous solar system had fixed its new course, on a fateful rendezvous. Though it was oblivious to its own destination and nothing in the universe with awareness had yet detected it . . . Its path was set.
Jody Summers (The Mayan Legacy)
The end of all things--a book, a life, a summer, a marriage, the last bite of cake, the last of innocence lost, a love affair--is always sad, at least a little bit sad, because it is the end, the end of that.
Binnie Kirshenbaum (The Scenic Route)
Past persons of Scottishness in contact with mastermind of supernatural persuasion in London, aka Agent Doom.’ Floote moved on to the third bit of paper. “ ‘Lady K says Agent Doom assisted depraved Plan of Action. May have all been his idea.’ Moving on to the last one, he read out, "Summer permits Scots to expose more knee than lady of refinement should have to withstand. Hairmuffs much admired. Yours etc., Puff Bonnet.
Gail Carriger (Heartless (Parasol Protectorate, #4))
Sometimes, we’re so... we’re so bloody concerned with doing the things everyone expects us to do, we forget that in the end we need to show each other a bit of mercy, pity and peace. And love. Love more than all.
M.J. Lawless (The Long Last Summer)
Between the roof of the shed and the big plant that hangs over the fence from the house next door I could see the constellation Orion. People say that Orion is called Orion because Orion was a hunter and the constellation looks like a hunter with a club and a bow and arrow, like this: But this is really silly because it is just stars, and you could join up the dots in any way you wanted, and you could make it look like a lady with an umbrella who is waving, or the coffeemaker which Mrs. Shears has, which is from Italy, with a handle and steam coming out, or like a dinosaur. And there aren't any lines in space, so you could join bits of Orion to bits of Lepus or Taurus or Gemini and say that they were a constellation called the Bunch of Grapes or Jesus or the Bicycle (except that they didn't have bicycles in Roman and Greek times, which was when they called Orion Orion). And anyway, Orion is not a hunter or a coffeemaker or a dinosaur. It is just Betelgeuse and Bellatrix and Alnilam and Rigel and 17 other stars I don't know the names of. And they are nuclear explosions billions of miles away. And that is the truth. I stayed awake until 5:47. That was the last time I looked at my watch before I fell asleep. It has a luminous face and lights up if you press a button, so I could read it in the dark. I was cold and I was frightened Father might come out and find me. But I felt safer in the garden because I was hidden. I looked at the sky a lot. I like looking up at the sky in the garden at night. In summer I sometimes come outside at night with my torch and my planisphere, which is two circles of plastic with a pin through the middle. And on the bottom is a map of the sky and on top is an aperture which is an opening shaped in a parabola and you turn it round to see a map of the sky that you can see on that day of the year from the latitude 51.5° north, which is the latitude that Swindon is on, because the largest bit of the sky is always on the other side of the earth. And when you look at the sky you know you are looking at stars which are hundreds and thousands of light-years away from you. And some of the stars don't even exist anymore because their light has taken so long to get to us that they are already dead, or they have exploded and collapsed into red dwarfs. And that makes you seem very small, and if you have difficult things in your life it is nice to think that they are what is called negligible, which means that they are so small you don't have to take them into account when you are calculating something. I didn't sleep very well because of the cold and because the ground was very bumpy and pointy underneath me and because Toby was scratching in his cage a lot. But when I woke up properly it was dawn and the sky was all orange and blue and purple and I could hear birds singing, which is called the Dawn Chorus. And I stayed where I was for another 2 hours and 32 minutes, and then I heard Father come into the garden and call out, "Christopher...? Christopher...?
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
Tristan?” He turned his face to me, and it was streaked with tears. I wanted to wipe them away, tell him that everything would be all right, but my body was locked stiff with pain. “Promise me you’ll get better,” he whispered. “Tell me you’ll grow strong again. That you’ll gallop on horseback through summer meadows. Dance in spring rains and let snowflakes melt on your tongue in winter. That you’ll travel wherever the wind takes you. That you’ll live.” He stroked my hair. “Promise me.” Confusion crept over me. “You’ll be with me, though. You’ll do those things too?” He kissed my lips, silencing my questions. “Promise me.” “No,” I said, struggling against him.. “No, you said you were coming with me. You said. You promised.” He had to be coming with me - he said he was and Tristan couldn’t lie. Wouldn’t lie. He got to his feet and stepped into the water. I tried to struggle, but he was too strong. “Tristian, no, no, no!” I tried to scream, but I couldn’t. I tried to hold on to him, but my fingers wouldn’t work. The cold of the water bit into my skin and I sobbed, terrified. “You said you would never leave me!” He stopped, the weight of his sorrow greater than any mountain. “And if I had the choice, I never would. I love you, Cécile. I will love you until the day I take my last breath and that is the truth. “ He kissed me hard. “Forgive me.
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
Well, let me tell you something, darling: money, elite social status and the power they confer are every bit as wonderful as they're cracked up to be.
Elizabeth Kelly (The Last Summer of the Camperdowns)
The people they had been last summer, the person she had been--Dicey guessed she'd never be afraid again, not the way she had been all summer. She had taken care of them all, sometimes well, sometimes badly. And they had covered the distances. For most of the summer, they had been unattached. Nobody knew who they were or what they were doing. It didn't matter what they did, as long as they all stayed together. Dicey remembered that feeling, of having things pretty much her own way. And she remembered the feelings of danger. It was a little bit like being a wild animal, she thought to herself. Dicey missed that wildness. She knew she would never have it again. And she missed the sense of Dicey Tillerman against the whole world and doing all right.
Cynthia Voigt (Dicey's Song (Tillerman Cycle, #2))
The hills below crouched on all fours under the weight of the rainforest where liana grew and soldier ants marched in formation. Straight ahead they marched, shamelessly single-minded, for soldier ants have no time for dreaming. Almost all of them are women and there is so much to do - the work is literally endless. So many to be born and fed, then found and buried. There is no time for dreaming. The life of their world requires organization so tight and sacrifice so complete there is little need for males and they are seldom produced. When they are needed, it is deliberately done by the queen who surmises, by some four-million-year-old magic she is heiress to, that it is time. So she urges a sperm from the private womb where they were placed when she had her one, first and last copulation. Once in life, this little Amazon trembled in the air waiting for a male to mount her. And when he did, when he joined a cloud of others one evening just before a summer storm, joined colonies from all over the world gathered fro the marriage flight, he knew at last what his wings were for. Frenzied, he flied into the humming cloud to fight gravity and time in order to do, just once, the single thing he was born for. Then he drops dead, having emptied his sperm into his lady-love. Sperm which she keeps in a special place to use at her own discretion when there is need for another dark and singing cloud of ant folk mating in the air. Once the lady has collected the sperm, she too falls to the ground, but unless she breaks her back or neck or is eaten by one of a thousand things, she staggers to her legs and looks for a stone to rub on, cracking and shedding the wings she will never need again. Then she begins her journey searching for a suitable place to build her kingdom. She crawls into the hollow of a tree, examines its walls and corners. She seals herself off from all society and eats her own wing muscles until she bears her eggs. When the first larvae appear, there is nothing to feed them, so she gives them their unhatched sisters until they are old enough and strong enough to hunt and bring their prey back to the kingdom. That is all. Bearing, hunting, eating, fighting, burying. No time for dreaming, although sometimes, late in life, somewhere between the thirtieth and fortieth generation she might get wind of a summer storm one day. The scent of it will invade her palace and she will recall the rush of wind on her belly - the stretch of fresh wings, the blinding anticipation and herself, there, airborne, suspended, open, trusting, frightened, determined, vulnerable - girlish, even, for and entire second and then another and another. She may lift her head then, and point her wands toward the place where the summer storm is entering her palace and in the weariness that ruling queens alone know, she may wonder whether his death was sudden. Or did he languish? And if so, if there was a bit of time left, did he think how mean the world was, or did he fill that space of time thinking of her? But soldier ants do not have time for dreaming. They are women and have much to do. Still it would be hard. So very hard to forget the man who fucked like a star.
Toni Morrison (Tar baby)
It started to rain suddenly and ferociously as they pulled up in front of Rose’s house. A mist covered the truck. It was as if a fire hose had opened up on the dusty, dry earthen roads. The smell of moist earth and damp, pungent flowering trees gave off the last bit of heat from the former Carolina summer sun of a few minutes ago. Now cooled suddenly by the rainwater, an immediate fog to rose off the hot metal of the truck and the soil. It was impossible to see more than a few feet in the formidable rain and sudden fog. Rose pulled Carmen to her and wrapped herself around her, one hand playing around through her T as she kissed her, one hand pushing gently at her pants.
Cassandra Barnes (Secret Love (Carmen & Rose: A Love to Remember #1))
Devon stares at him standing there, remembering the only other guy had ever opened a car door for her. Last summer. The sky was bright blue mirroring the water, the sun warm. A perfect day. He had smiled down at her; he'd That Look in his eyes- warm and eager and a little bit vulnerable. When he'd look at her in that way, and smile that tilted smile, her body would tingle with an electric tension that robbed her breath away. That was then. And now? Now she is here.
Amy Efaw (After)
I’d learn that so many things that I thought were solid and structured in my life could be broken down, bit by bit, just like those buildings.
Toya Wolfe (Last Summer on State Street)
This year she thought of the honeyed glow of the Lansdowne, the buzz of chatter, the champagne in ice buckets on outdoor tables on warm summer days, and she thought of the little bit of money her grandmother had left her last month in her will,
Lisa Jewell (None of This Is True)
One last dance. We’re both quiet. It’s not over yet. We still have the whole summer ahead. But high school, the two of us here together, Lara Jean and Peter as we are today, that part is done. We’ll never be here exactly like this again. I’m wondering if he’s feeling sad too, and then he whispers, “Check out Gabe over there trying to casually rest his hand on Keisha’s butt.” He turns me slightly so I can see. Gabe’s hand is indeed hovering at Keisha Wood’s lower back/butt area, like an indecisive butterfly looking for a landing spot. I giggle. This is why I like Peter so much. He sees things I don’t see. “I know what our song should be,” he says. “What?” And then, like magic, Al Green’s voice fills the hotel ballroom. “Let’s Stay Together.” “You made them play this,” I accuse. I’m tearing up a little bit. He grins. “It’s fate.” Whatever you want to do…is all right with me-ee-ee. Peter takes my hand and puts it on his heart. “Let’s, let’s stay together,” he sings. His voice is clear and true, everything I love about him.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
I have no idea what you’re talking about.” I spin to leave. “No fucking way.” It clicks in his mind. “Little Vee?” Here he is. “You’re that girl Finn and I used to…” He doesn’t complete his sentence, but I know all too well what he was going to say. “Annoy? Tease? Torture? Why, yes, that would be me. Did you seriously just figure that out? A bit slow, are we?” I snark. My outburst only seems to amuse him. “Look, in my defense, your mom only ever called you ‘Vee.’ I thought it was short for Vicky or Vivian or something. And it was ten years ago. I can’t even remember what I had for dinner last night.” “Whatever.” I shrug. “Shit, I’ve got to say, Vee.” He gives me a once-over. “Puberty did you a solid.” My cheeks combust. “Wish I could say the same about you,” I lie through my teeth. Xavier smiles at my failed attempt to deny the undeniable. Let’s not pretend like puberty didn’t do every female on earth a solid when Xavier Emery went from “cute” to “sinfully hot” in the span of a summer. “I think you mispronounced thank you.” He flashes a smug grin that makes me want to knee him where it hurts.
Eliah Greenwood (Dear Love, I Hate You (Easton High, #1))
I didn’t get to that pudding in time. It had boiled dry. I think it’s really all right—just a little scorched perhaps. In case it tasted rather nasty I thought I would open a bottle of those raspberries I put up last summer. They seem to have a bit of mould on top but they say nowadays that that doesn’t matter. It’s really rather good for you—practically penicillin.
Agatha Christie (Mrs. McGinty's Dead (Hercule Poirot, #32))
Turn your head. No, the other way. Out the window.' I turn to the steamed-over plate glass, the shadowed buildings across the street. 'What, like this?' 'Now move your eyes and look at me. Just your eyes. Tilting up a bit. Yes.' He breathes out. 'Just like that. that, Miss Lily Dane, of only the best sorts of places, that is why I couldn't go back to sleep last night.
Beatriz Williams (A Hundred Summers)
Girls aside, the other thing I found in the last few years of being at school, was a quiet, but strong Christian faith – and this touched me profoundly, setting up a relationship or faith that has followed me ever since. I am so grateful for this. It has provided me with a real anchor to my life and has been the secret strength to so many great adventures since. But it came to me very simply one day at school, aged only sixteen. As a young kid, I had always found that a faith in God was so natural. It was a simple comfort to me: unquestioning and personal. But once I went to school and was forced to sit through somewhere in the region of nine hundred dry, Latin-liturgical, chapel services, listening to stereotypical churchy people droning on, I just thought that I had got the whole faith deal wrong. Maybe God wasn’t intimate and personal but was much more like chapel was … tedious, judgemental, boring and irrelevant. The irony was that if chapel was all of those things, a real faith is the opposite. But somehow, and without much thought, I had thrown the beautiful out with the boring. If church stinks, then faith must do, too. The precious, natural, instinctive faith I had known when I was younger was tossed out with this newly found delusion that because I was growing up, it was time to ‘believe’ like a grown-up. I mean, what does a child know about faith? It took a low point at school, when my godfather, Stephen, died, to shake me into searching a bit harder to re-find this faith I had once known. Life is like that. Sometimes it takes a jolt to make us sit and remember who and what we are really about. Stephen had been my father’s best friend in the world. And he was like a second father to me. He came on all our family holidays, and spent almost every weekend down with us in the Isle of Wight in the summer, sailing with Dad and me. He died very suddenly and without warning, of a heart attack in Johannesburg. I was devastated. I remember sitting up a tree one night at school on my own, and praying the simplest, most heartfelt prayer of my life. ‘Please, God, comfort me.’ Blow me down … He did. My journey ever since has been trying to make sure I don’t let life or vicars or church over-complicate that simple faith I had found. And the more of the Christian faith I discover, the more I realize that, at heart, it is simple. (What a relief it has been in later life to find that there are some great church communities out there, with honest, loving friendships that help me with all of this stuff.) To me, my Christian faith is all about being held, comforted, forgiven, strengthened and loved – yet somehow that message gets lost on most of us, and we tend only to remember the religious nutters or the God of endless school assemblies. This is no one’s fault, it is just life. Our job is to stay open and gentle, so we can hear the knocking on the door of our heart when it comes. The irony is that I never meet anyone who doesn’t want to be loved or held or forgiven. Yet I meet a lot of folk who hate religion. And I so sympathize. But so did Jesus. In fact, He didn’t just sympathize, He went much further. It seems more like this Jesus came to destroy religion and to bring life. This really is the heart of what I found as a young teenager: Christ comes to make us free, to bring us life in all its fullness. He is there to forgive us where we have messed up (and who hasn’t), and to be the backbone in our being. Faith in Christ has been the great empowering presence in my life, helping me walk strong when so often I feel so weak. It is no wonder I felt I had stumbled on something remarkable that night up that tree. I had found a calling for my life.
Bear Grylls (Mud, Sweat and Tears)
Last night I went and saw Good Will Hunting, which takes place not exactly where I used to live, in Boston, but pretty darn close, so I've been all flush with nostalgia for it. I was in Boston from summer of '89 until spring of '92... ...I think it's the ultimate nerd fantasy movie. It's a bit of a fairy tale, but I enjoyed it a lot. Minnie Driver is really to fall sideways for. And there's all sorts of cool stuff. It's actually a movie that's got calculus in it. It takes place in Boston.
David Foster Wallace (Conversations with David Foster Wallace (Literary Conversations Series))
All the signs of the autumn came, the heavy plush-like asters, buck-berries and frost-flowers, everlasting and chicory – all the last tokens of the living year. The mockingbird would sing a few notes, reminiscent of spring after the quiet of the late summer, and on moonlight nights the cocks would crow all night long. Ellen bought a fresh ribbon for her dress and a bit of lace for her throat and blossomed anew with the frostweeds and the last of the chicory that lingered far into October. The abundance of autumn was again in the air, the summary of the growing season.
Elizabeth Madox Roberts (The Time of Man)
Grandfather, is it all right if we join you for a bit?" "Of course. Particularly since you've brought sustenance." He eyed the tray of food. It looked like a food magazine layout, featuring a variety of cheeses with fresh berries on brightly painted Italian pottery, and a tiny glass container of honey with the smallest spoon he'd ever seen. Isabel laced a thread of honey across the cheeses. "These are my favorite honey and cheese pairings. Comte, Appenzeller and ricotta. I had my first honey harvest last summer- a small one. That's when I realized I needed extra help with my beekeeping." "Sorry I wasn't your guy," said Mac.
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
It made me think of Collioure last summer. The day we went, all four of us with the French students, up through the ilexes to the tower. The ilexes. An absolutely new colour, amazing chestnut, rufous, burning, bleeding, where they had cut away the cork. The cicadas. The wild azure sea through the stems and the heat and the smell of everything burnt in it. Piers and I and everyone except Minny got a bit tipsy. Sleeping in the shade, waking up staring through the leaves at the cobalt blue sky, thinking how impossible things were to paint, how can some blue pigment ever mean the living blue light of the sky. I suddenly felt I didn’t want to paint, painting was just showing off, the thing was to experience and experience for ever more. The beautiful clean sun on the blood-red stems.
John Fowles (The Collector)
I feel so far away from them, on the top of this hill. It seems as though I belong to another species. They come out of their offices after their day of work, they look at the houses and the squares with satisfaction, they think it is their city, a good, solid, bourgeois city. They aren’t afraid, they feel at home. All they have ever seen is trained water running from taps, light which fills bulbs when you turn on the switch, half-breed, bastard trees held up with crutches. They have proof, a hundred times a day, that everything happens mechanically, that the world obeys fixed, unchangeable laws. In a vacuum all bodies fall at the same rate of speed, the public park is closed at 4 p.m. in winter, at 6 p.m. in summer, lead melts at 335 degrees centigrade, the last streetcar leaves the Hotel de Ville at 11.05 p.m. They are peaceful, a little morose, they think about Tomorrow, that is to say, simply, a new today; cities have only one day at their disposal and every morning it comes back exactly the same. They scarcely doll it up a bit on Sundays. Idiots. It is repugnant to me to think that I am going to see their thick, self-satisfied faces. They make laws, they write popular novels, they get married, they are fools enough to have children. And all this time, great, vague nature has slipped into their city, it has infiltrated everywhere, in their house, in their office, in themselves. It doesn’t move, it stays quietly and they are full of it inside, they breathe it, and they don’t see it, they imagine it to be outside, twenty miles from the city. I see it, I see this nature . . . I know that its obedience is idleness, I know it has no laws: what they take for constancy is only habit and it can change tomorrow. What if something were to happen? What if something suddenly started throbbing? Then they would notice it was there and they’d think their hearts were going to burst. Then what good would their dykes, bulwarks, power houses, furnaces and pile drivers be to them? It can happen any time, perhaps right now: the omens are present.
Jean-Paul Sartre (Nausea)
The summer king customarily delivers a brief poem or statement before he convenes the special sessions. Enki gives them quite a bit more than that. “In the verde,” says Enki, as serious as I’ve ever seen him, “we love the storms. Sometimes, when we see one come in, the blocos will set up in the terraces and play until the rain drives us inside.” He pauses here, as though considering his next words, though I can tell he’s just savoring the moment. My last present from the verde must have gone through. Everyone in the audience shuffles uncomfortably. Nostrils flair, discreet coughs echo through the chamber. Some look at Enki, others at one another or the doorways. Enki takes a deep breath, as though he doesn’t notice a thing. “We have a saying,” he says as murmurs from his audience rise to a wave, “you can’t smell the catinga until it comes back home.” In the background, I can just make out several guards hurrying through the doors. Enki surveys his work and smiles, a sun breaking through clouds. “I hereby convene parliament.” As he saunters back to his seat, Auntie Isa rushes the podium with a handkerchief covering her nose and murder in her eyes. People stand up and hurry to the doors. They don’t know the smell will be even worse in the hallway. Our transport pods are all connected to the ventilation system. It’s meant to help refresh the air supply in the tunnels, but it can go the other direction. It can carry the fetid stink of the verde straight to the noses of people who pretend it doesn’t exist.
Alaya Dawn Johnson (The Summer Prince)
As we had agreed, I met Jack downstairs in the lobby. I was a few minutes late, having lingered to give a few last-minute instructions to Teena. “Sorry.” I quickened my stride as I walked toward Jack, who was standing by the concierge desk. “I didn’t mean to be late.” “It’s fine,” Jack said. “We still have plenty of—” He broke off as he got a good look at me, his jaw slackening. Self-consciously I reached up and tucked a lock of my hair behind my right ear. I was wearing a slim-fitting black suit made of summer-weight wool, and black high-heeled pumps with delicate straps that crossed over the front. I had put on some light makeup: shimmery brown eye shadow, a coat of black mascara, a touch of pink blush, and lip gloss. “Do I look okay?” I asked. Jack nodded, his gaze unblinking. I bit back a grin, realizing he had never seen me dressed up before. And the suit was flattering, cut to show my curves to advantage. “I thought this was more appropriate for church than jeans and Birkenstocks.” I wasn’t certain Jack heard me. It looked like his mind was working on another track altogether. My suspicion was confirmed when he said fervently, “You have amazing legs.” “Thanks.” I gave a modest shrug. “Yoga.” That appeared to set off another round of thoughts. I thought Jack’s color seemed a little high, although it was difficult to tell with that rosewood tan. His voice sounded strained as he asked, “I guess you’re pretty flexible?” “I wasn’t the most flexible in class by any means,” I said, pausing before adding demurely, “but I can put my ankles behind my head.” I repressed a grin when I heard a hitch in his breathing. Seeing that his SUV was out in front, I walked past him. He was at my heels immediately. -Ella & Jack
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
It's a stupendous day for Dr. Seuss fans, with the announcement of a new, previously unpublished picture book, What Pet Should I Get? , to be released on July 28th.  When Dr. Seuss (aka Ted Geisel) passed away in 1991 he left behind pages of text and sketches for book ideas and projects he had worked on over the years but hadn't completed before his death. Where were these hidden gems, you might ask?  Locked away in a safe? Buried in the backyard? Hidden behind a secret wall in his hat closet?  No.  Like many utterly ordinary people, Seuss had a box in his office filled with a paper trail of ideas and bursts of creativity--only in this case, it was a veryspecial box of creative bits and pieces... Who knew, when his wife, Audrey Geisel, packed away that box shortly after Seuss' death, that when she opened it up over two decades later, she would discover the complete manuscript and illustrations for What Pet Should I Get? . I'm envisioning a ray of bright green and blue and red sunshine beaming down on that moment...  In point of fact, the brilliant colors of Seuss' stories came later in the evolution of his books, so color is being added to the black and white sketches of What Pet Should I Get? by Seuss' former art director, Cathy Goldsmith, who worked with him on the last book he published before his death, Oh, The Places You'll Go!   I can't even imagine the goosebumps Goldsmith must have felt to see and hold never-before-seen Seuss artwork... So while we have to wait until the sun is beating down and summer vacation is nearing an end before we can get our hands on a brand new Dr. Seuss story, can also look forward to hearing about what else was found in that treasure trove of Seussy goodness--two more stories are promised as a result of the findings.
Anonymous
Now back to the p—Sealord. Reports aside, what do we really know about this Dilys Merimydion?” “We know that he’s wealthy, he’s a skilled warrior, he’s handsome, charming, and helped save the world from a dread god who would have plunged the whole of Mystral into unending winter,” Autumn added. “Not to ruin your determination to find something wrong with him, Viviana, but that last one tells me all I need to know. The man literally helped save the world.” She shrugged. “I can spend three months of my time being nice to him for that.” Spring sighed. “Yes, yes, but in the reports I’ve read, there isn’t one bad thing about him listed. Not one, and that’s just not normal.” “You’re complaining because the reports say Dilys Merimydion is a good man?” Summer shook her head. “Not just good. Too good. As in too good to be true. I’m just saying, something smells fishy to me." Autumn laughed. “You know, there’s a good joke in that remark.” Spring rolled her eyes. “Don’t. Please. Spare us.” In addition to her addiction to food, Autumn possessed a terrible love for pranks, puns, and bad jokes. Which, of course, she took inordinate glee in inflicting on her family. Autumn sniffed with mock indignation. “As if I would cast my pearls before swine. What were we talking about again? Oh, yes, Dilys Merimydion. The Scrumptious Sealord.” “Oh, dear gods,” Spring groaned. “You’ve nicknamed him. Alliteratively.” “I thought about Delicious Dilys. Or Manly Merimydion. After all, from what Storm said, he’s very easy on the eyes. I don’t know, after ten years of being pursued by the Verminous Vermese, I’m looking forward to being courted by a handsome, young suitor who actually respects women and considers them—gasp!—real human beings. Like men, but without the dangly bits. Shocking, I know, but there you have it.” Summer couldn’t help it. She started laughing. Spring glowered. “Stop that! Don’t encourage her!” She turned the glower on Autumn and said, “Aleta Seraphina Helen Rosalie Violet Coruscate, can you please, for one moment, take this seriously?” “You’re taking it seriously enough for the three of us, dearest Viviana.” Autumn lowered her voice and boomed..."he must be investigated. Something about him smells fishy.” Cupping a hand over her mouth, she quipped to Summer in a loud aside, “I dunno, do you think maybe it’s—you know—the gills?” Summer covered her mouth with both hands and spluttered with laughter.
C.L. Wilson (The Sea King (Weathermages of Mystral, #2))
Some years ago I saw a documentary on dying whose main theme was that people die as they lived. That was Jimmy. For five years, since he began undergoing operations for bladder cancer and even after his lung cancer was diagnosed, he continued the activities that he considered important, marching against crackhouses, campaigning against the demolition of the Ford Auditorium, organizing Detroit Summer, making speeches, and writing letters to the editor and articles for the SOSAD newsletter and Northwest Detroiter. In 1992 while he was undergoing the chemotherapy that cleared up his bladder cancer, he helped form the Coalition against Privatization and to Save Our City. The coalition was initiated by activist members of a few AFSCME locals who contacted Carl Edwards and Alice Jennings who in turn contacted us. Jimmy helped write the mission statement that gave the union activists a sense of themselves as not only city workers but citizens of the city and its communities. The coalition’s town meetings and demonstrations were instrumental in persuading the new mayor, Dennis Archer, to come out against privatization, using language from the coalition newsletter to explain his position. At the same time Jimmy was putting out the garbage, keeping our corner at Field and Goethe free of litter and rubbish, mopping the kitchen and bathroom floors, picking cranberries, and keeping up “his” path on Sutton. After he entered the hospice program, which usually means death within six months, and up to a few weeks before his death, Jimmy slowed down a bit, but he was still writing and speaking and organizing. He used to say that he wasn’t going to die until he got ready, and because he was so cheerful and so engaged it was easy to believe him. A few weeks after he went on oxygen we did three movement-building workshops at the SOSAD office for a group of Roger Barfield’s friends who were trying to form a community-action group following a protest demonstration at a neighborhood sandwich shop over the murder of one of their friends. With oxygen tubes in his nostrils and a portable oxygen tank by his side, Jimmy spoke for almost an hour on one of his favorite subjects, the need to “think dialectically, rather than biologically.” Recognizing that this was probably one of Jimmy’s last extended speeches, I had the session videotaped by Ron Scott. At the end of this workshop we asked participants to come to the next session prepared to grapple with three questions: What can we do to make our neighborhoods safe? How can we motivate people to transform? How can we create jobs?
Grace Lee Boggs (Living for Change: An Autobiography)
Wherever you go, Provincetown will always take you back, at whatever age and in whatever condition. Because time moves somewhat differently there, it is possible to return after ten years or more and run into an acquaintance, on Commercial or at the A&P, who will ask mildly, as if he’d seen you the day before yesterday, what you’ve been doing with yourself. The streets of Provincetown are not in any way threatening, at least not to those with an appetite for the full range of human passions. If you grow deaf and blind and lame in Provincetown, some younger person with a civic conscience will wheel you wherever you need to go; if you die there, the marshes and dunes are ready to receive your ashes. While you’re alive and healthy, for as long as it lasts, the golden hands of the clock tower at Town Hall will note each hour with an electric bell as we below, on our purchase of land, buy or sell, paint or write or fish for bass, or trade gossip on the post office steps. The old bayfront houses will go on dreaming, at least until the emptiness between their boards proves more durable than the boards themselves. The sands will continue their slow devouring of the forests that were the Pilgrims’ first sight of North America, where man, as Fitzgerald put it, “must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.” The ghost of Dorothy Bradford will walk the ocean floor off Herring Cove, draped in seaweed, surrounded by the fleeting silver lights of fish, and the ghost of Guglielmo Marconi will tap out his messages to those even longer dead than he. The whales will breach and loll in their offshore world, dive deep into black canyons, and swim south when the time comes. Herons will browse the tidal pools; crabs with blue claws tipped in scarlet will scramble sideways over their own shadows. At sunset the dunes will take on their pink-orange light, and just after sunset the boats will go luminous in the harbor. Ashes of the dead, bits of their bones, will mingle with the sand in the salt marsh, and wind and water will further disperse the scraps of wood, shell, and rope I’ve used for Billy’s various memorials. After dark the raccoons and opossums will start on their rounds; the skunks will rouse from their burrows and head into town. In summer music will rise up. The old man with the portable organ will play for passing change in front of the public library. People in finery will sing the anthems of vanished goddesses; people who are still trying to live by fishing will pump quarters into jukeboxes that play the songs of their high school days. As night progresses, people in diminishing numbers will wander the streets (where whaling captains and their wives once promenaded, where O’Neill strode in drunken furies, where Radio Girl—who knows where she is now?—announced the news), hoping for surprises or just hoping for what the night can be counted on to provide, always, in any weather: the smell of water and its sound; the little houses standing square against immensities of ocean and sky; and the shapes of gulls gliding overhead, white as bone china, searching from their high silence for whatever they might be able to eat down there among the dunes and marshes, the black rooftops, the little lights tossing on the water as the tides move out or in.
Michael Cunningham (Land's End: A Walk in Provincetown)
Last night I was stupid. I was still a little bit scared, but I’m not now. I’m over it and I want, I want... I want you!
S.J. McCoy (Love like You've Never Been Hurt (Summer Lake, #1))
1989 I’ve been awake all night in an attempt to maintain some kind of hold on what has happened, on what I have done. My eyes are red and prickling with tiredness, but I daren’t go to sleep. If I sleep, when I wake up I’ll have one blissful, terrible second when I’m unaware –and then it will all come crashing in on me, its power multiplied indefinitely by that one un-knowing second. I think of the last time I saw the dawn in, lying in Sophie’s bed. This time it’s a more tempestuous and bleaker affair. A ceaseless summer rain has been falling all night, and the branch of a nearby tree is thwacking intermittently against my windowpane. It’s not just the chemicals keeping me awake, although I can still feel them coursing, unwanted, around my veins. I’ve been sitting here on the floor for four hours, as my bedroom turns gradually from darkness to a dull grey half-light. I’m surrounded by the debris of my elaborate preparations for the evening that, twelve hours ago, stretched out invitingly, bright with the promise of acceptance and approval. There are three dresses strewn on the bed, with the accompanying pair of shoes for each lying discarded in front of the full-length mirror. My eyes rest dully on the stain on the carpet where Sophie dropped my new bronzing powder and I made a clumsy attempt to wipe it up with a bit of tissue dipped in a glass of stale water. The dress I wore lies in a crumpled heap next to me –I’ve pulled on an old sweatshirt and leggings. There are dark smudges under my eyes and my lips are dry, the remains of my lipstick clinging to the cracks and bleeding into the skin around my mouth. I’ve been sitting here on the floor for so long only because I can’t move. I would have expected my heart to be racing, but in fact an iron fist grips it so tightly that I am surprised it is beating at all. Everything has slowed to a funereal
Laura Marshall (Friend Request)
I want to make this work, Pippa. I knew we met for a reason.” His breath is warm on my face as he whispers, “I can’t not be with you.” I close my eyes and absorb his words. He wants to make this work. I want to make this work. It will. Somehow. “You really like me that much?” I hear him swallow. “I’m not sure like is a strong enough word.” I lift my chin until our lips meet in a sweet, gentle kiss. And then I ruin it when I surrender to another giggle fit. He leans away to look at me, alarmed. “Why is that funny?” “No no no, I’m not laughing at you.” I stroke his wrist with my thumb. “It’s just…I actually brought a guy home from Italy. This is crazy.” He relaxes a little. “What do you mean?” “Remember when I told you about that list of goals Morgan had me write out at the beginning of my trip?” “Yeah.” “Ugh, this is going to seem so stupid to you.” I pause to get the last bit of laughter out, preparing myself for what I’m about to reveal to him. “One of my goals was to fall in love with an Italian.” The dimples pop in his cheeks before he draws out, “Reaaally?” “I was going to fall in love and bring him home with me when summer was over. But I just had to eat gelato before dinner, and there you were, throwing me off course on my first day in the country.” Now he laughs. “So I foiled your master plan, huh?” he asks, and I nod with pouty lips. “Am I that hard to resist?” He straightens, smoothing out the front of his shirt. “Well, you kept popping up everywhere! How was I supposed to fall in love with anyone else?” My hands are shaking so I slide them underneath me. “It was a silly game anyway.” “I don’t--wait.” Color spreads through his cheeks to the tips of his ears. “Are you saying you’re in love with me?” Is that what I was saying? Am I in love with him? I’m mute. All I can do is stare at him, soak him up. Darren gets a spacey look on his face as he pats at the surface of the water with his feet, mumbling something that sounds like, “Oh, my parents are gonna love this story.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
I actually brought a guy home from Italy. This is crazy.” He relaxes a little. “What do you mean?” “Remember when I told you about that list of goals Morgan had me write out at the beginning of my trip?” “Yeah.” “Ugh, this is going to seem so stupid to you.” I pause to get the last bit of laughter out, preparing myself for what I’m about to reveal to him. “One of my goals was to fall in love with an Italian.” The dimples pop in his cheeks before he draws out, “Reaaally?” “I was going to fall in love and bring him home with me when summer was over. But I just had to eat gelato before dinner, and there you were, throwing me off course on my first day in the country.” Now he laughs. “So I foiled your master plan, huh?” he asks, and I nod with pouty lips. “Am I that hard to resist?” He straightens, smoothing out the front of his shirt.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
Remember when I told you about that list of goals Morgan had me write out at the beginning of my trip?” “Yeah.” “Ugh, this is going to seem so stupid to you.” I pause to get the last bit of laughter out, preparing myself for what I’m about to reveal to him. “One of my goals was to fall in love with an Italian.” The dimples pop in his cheeks before he draws out, “Reaaally?” “I was going to fall in love and bring him home with me when summer was over. But I just had to eat gelato before dinner, and there you were, throwing me off course on my first day in the country.” Now he laughs. “So I foiled your master plan, huh?” he asks, and I nod with pouty lips. “Am I that hard to resist?” He straightens, smoothing out the front of his shirt. “Well, you kept popping up everywhere! How was I supposed to fall in love with anyone else?” My hands are shaking so I slide them underneath me. “It was a silly game anyway.” “I don’t--wait.” Color spreads through his cheeks to the tips of his ears. “Are you saying you’re in love with me?” Is that what I was saying? Am I in love with him? I’m mute. All I can do is stare at him, soak him up. Darren gets a spacey look on his face as he pats at the surface of the water with his feet, mumbling something that sounds like, “Oh, my parents are gonna love this story.” “What?” He ignores me and looks behind us. “That’s the journal on your chair, right?” he holds out a hand, demanding to see it. “Show me this list.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
Even at a distance he recognized the way she sat a horse, the tilt of her head. He couldn’t believe she had come so far and so quickly. Fate had indeed led her in a circle back to him. Ordering Blackbird back to his mother’s lodge, Hunter increased his pace, the dread of leaving his people forgotten. Destiny. A month ago he had railed against it. Now he wasn’t certain how he felt. Resentful, yet pleased. And relieved. Deep in the quiet places of his heart, he sensed the rightness. Fate. Today it had brought him a woman, a woman like no other, with skin as white as a night moon, hair like honey, and eyes like the summer sky. His woman, and this time she came freely. From the hilltop Loretta watched the lone man walking toward her from the village. Relief flooded through her when she recognized Hunter’s loose-hipped, graceful stride. She crossed herself quickly and murmured thanks to the Holy Mother for her intercession. A dozen emotions surging through her, she urged Friend down the embankment. Hunter met her halfway across the flat. As Loretta rode toward him, she couldn’t stop staring. Even though she had been away from him only a short while, she had forgotten how Indian he looked. How savage. He moved with the fluid strength of a well-muscled animal, his shoulders, arms, and chest in constant motion, a bronzed play of tendon and flesh. The wind whipped his hair about his face. Mercy. He wasn’t wearing any breeches, just a breechcloth and knee-high moccasins. She drew Friend to a halt and swallowed a rush of anxiety. Aunt Rachel was right. He was a Comanche, first, last, and always. Yet she had come to him. “Blue Eyes?” He slowed his pace as he got closer, his indigo eyes traveling the length of her, taking in every detail of her dress, from the high neckline down to the bit of petticoat and black high-topped shoes showing below the hem of her full skirts. His eyes warmed with the familiar gleam of laughter that had once irritated her so much. She fastened her gaze on his face and, resisting the need to blurt out her troubles, searched her mind for the appropriate Comanche greeting, determined to begin this encounter on the right note. “Hi, hites,” she said, lifting her right hand. He caught the stallion’s bridle and stepped close. He was so tall that he didn’t have to tip his head back to see her face. With a smile in his voice, he replied, “Hello.” Loretta caught her bottom lip between her teeth to stop its trembling. How like him to remember her word of greeting. He was her friend. She had been right to come here.
Catherine Anderson (Comanche Moon (Comanche, #1))
Here is the story, which I have abridged (with acknowledgement to Sergey Parkhomenko, journalist and broadcaster, who reported it): The River Ob makes a turn at Kolpashevo, and every year it eats away a few feet of a sand cliff there. On April 30, 1979, the Ob's waters eroded another six-foot section of bank. Hanging from the newly exposed wall were the arms, legs and heads of people who had been buried there. A cemetery at least several yards wide had been exposed. The bodies had been packed in and layered tightly. Some of the skulls from the uppermost layer rolled out from the sandbank, and little boys picked them up and began playing with them. News of the burial spread quickly and people started gathering at the sandbank. The police and neighbourhood watch volunteers quickly cordoned off the whole thing. Shortly afterwards, they built a thick fence around the crumbling sandbank, warning people away. The next day, the Communist Party called meeting in the town, explaining that those buried were traitors and deserters from the war. But the explanation wasn't entirely convincing. If this were so, why was everyone dressed in civilian clothes? Why had women and children been executed as well? And from where, for that matter, did so many deserters come in a town of just 20,000 people? Meanwhile, the river continued to eat away at the bank and it became clear that the burial site was enormous; thousands were buried there. People could remember that there used to be a prison on these grounds in the late 1930s. It was general knowledge that there were executions there, but nobody could imagine just how many people were shot. The perimeter fence and barbed wire had long ago been dismantled, and the prison itself was closed down. But what the town's people didn't know was that Kolpashevo's prison operated a fully-fledged assembly line of death. There was a special wooden trough, down which a person would descend to the edge of a ditch. There, he'd be killed by rifle fire, the shooter sitting in a special booth. If necessary, he'd be finished off with a second shot from a pistol, before being added to the next layer of bodies, laid head-to-toe with the last corpse. Then they'd sprinkle him lightly with lime. When the pit was full, they filled in the hole with sand and moved the trough over a few feet to the side, and began again. But now the crimes of the past were being revealed as bodies fell into the water and drifted past the town while people watched from the shore. In Tomsk, the authorities decided to get rid of the burial site and remove the bodies. The task, it turned out, wasn't so easy. Using heavy equipment so near a collapsing sandbank wasn't wise and there was no time to dig up all the bodies by hand. The Soviet leadership was in a hurry. Then from Tomsk came new orders: two powerful tugboats were sent up the Ob, right up to the riverbank, where they were tied with ropes to the shore, facing away from the bank. Then they set their engines on full throttle. The wash from the ships' propellers quickly eroded the soft riverbank and bodies started falling into the water, where most of them were cut to pieces by the propellers. But some of the bodies escaped and floated away downstream. So motorboats were stationed there where men hooked the bodies as they floated by. A barge loaded with scrap metal from a nearby factory was moored near the boats and the men were told to tie pieces of scrap metal to the bodies with wire and sink them in the deepest part of the river. The last team, also composed of local men from the town, worked a bit further downstream where they collected any bodies that had got past the boats and buried them on shore in unmarked graves or sank them by tying the bodies to stones. This cleanup lasted almost until the end of the summer.
Lawrence Bransby (Two Fingers On The Jugular)
That or some kind of glass bead or lesser gemstone made to look like a ruby,” Sera said. “It’s hard to tell while it’s still in the dirt.” Josh and Lauren’s animated conversation as they took measurements and recorded data sparked a fire in the pit of Sera’s stomach. It wasn’t like her to be so possessive over a find, but she couldn’t help the jealousy that burned inside, especially because she couldn’t hear what they were saying about the amulet. She dropped her gaze. Gulping half of her water bottle, she choked on the last bit as it went down the wrong tube. Nora gave her a few hard pats on the shoulder to help clear her airway. Sera waved her away as she coughed. Hardly the first time she needed rescuing while doing something as simple as drinking water. Being the opposite of graceful came with risks, a fact Nora knew well when it came to Sera. It wasn’t all that unusual to still be friends with the same people from elementary school, but it was far less common to share similar interests all the way through college. Serafina and Eleanor had formed a lifelong bond the moment they met in their Li’l Archaeologists summer program, despite being opposites in just about every way. Nora was the light to her dark—blonde and outgoing next to brunette and reserved. “Didn’t Chad tell you not to dig in that area? I’ll bet he’s kicking himself so hard right now.
Stephanie Mirro (Curse of the Vampire (Immortal Relics #1))
Japanese lilies and her beautiful face In a crowded market place, People walked, moved; and quite a few preferred to amble, While I searched for my known space, Where she sells beauty’s earthly samples without too much too gamble, I walked past the busy spaces and the bustling market views, People haggling, a few arguing, It was like life was tasked to seek reviews, In ways pleasing and many a time annoying, Finally I reached there where I wanted to be, And there she was this beautiful maiden, And as she prospected every face, her eyes finally rested on me, For a while nothing existed, as if time its pace had forgotten, Only to be revived back to life, When the maiden at the flower shop said, “Hello, and welcome to the shop of beautiful life,” My eyes moved, my lips shivered and in response I only shook my head, I looked at flowers with different colours, And her eyes followed mine to every spot where they rested, I could be there, with the flowers and the maiden, for many hours, Because at this flower shop, all the flowers only of her beauty attested, She knew it too because the sparkle in her eyes was brewing with confidence, She knew she was like the most beautiful summer rose that ever existed, And I only visited the shop to feel surrounded by this beauty’s appeal so dense, Her beauty was not just a visual act but an experience, where a new appeared as soon as the old exited, She was pure beauty, and maybe my only and my wilful addiction, While I was soaking in this experience of charm and beauty, She tenderly felt my hand trembling with love’s affliction, “Here, look at these new samples of eternal beauty,” She said this with a professional tone and demand, They were small clusters of white charm, Beautiful as anything beautiful can be resting peacefully in beauty’s eternal wand, Peaceful to look at that always kindled feelings warm, It was such a delight to witness and see, Then she silently quoth this, “They are called the Japanese lilies that sparkle like the pearls from the deepest sea, They look like joys suspended on the branches of bliss, These beautiful Japanese lilies bearing the sparkle of the pearl from the deepest sea.” I again nodded my head with a smile, As I looked at them closely, They indeed were clusters of white joy hanging there with a beautiful smile, And I said hurriedly, “certainly!” Then I realised something strange, They were bending downwards, as if gravity pulled them harder, It was nothing like flowers at other shops, so it indeed was very strange, I looked at all the flowers and then I looked at her, And there it was, in her eyes, her beautiful face her overall grace, That the flowers in her shop felt so inferior, Because all Japanese lilies and every Summer flower was but a reflection of her face, And it was difficult to tell whether they were her lovers or she was there lover, But to me, they all shone as the brilliance in her eyes, The rose had offered her its blush, The lies had granted her the twinkling miracle of the night skies, And all other flowers had rendered her eternally beautiful and lush, And whenever they looked at her, The flowers drooped a bit, And maybe that is why I buy all my flowers from her, Because like these helpless flowers I too love her every bit, and thus my love affair with her and her flowers has matured bit by bit! And now neither the flowers nor I can quit, So it is an affair that shall last till eternity and this is how I prefer it, She loving the flowers, I loving her, and as soon as my memory amidst her beautiful memories is lit, Then I am sure, like these flowers, and like me; now she too cannot quit, not even a bit!
Javid Ahmad Tak (They Loved in 2075!)
eye combination my mother always made a fuss about. Maybe that’s why my skin crawled every time someone commented on how attractive a couple we were. It was more a reflection on me than us. He lifts his hand and moves my hair off my forehead. The gesture is intimate, but I’m too stunned to stop him. He brushes his thumb over the scar on my temple. “I was worried about you. You wouldn’t let me see you in the hospital. Or after?” A sigh escapes before I can school my features into something a little more… regretful. “Well, I was embarrassed.” That’s a lie. I just didn’t want to face whatever the fuck emotional roller coaster I was riding the last six months. Seriously. My life went from normal to shit in a split second. Adding Jack—and the life that I thought I had, the one that seemed to go up in a puff of smoke when I woke up in the hospital—would’ve been more pain than I was ready to accept. “Violet!” I step away from Jack, ignoring his wounded expression, and turn to my other friends. Half the dance team is here, and they all crowd around me. Someone pulls at my coffee-stained blouse, and another swoops in to clean the floor where my cup dropped. I had forgotten, in my Jack-shock. “Lucky it wasn’t hot.” Willow nudges me. “Luck and I aren’t on speaking terms.” She visited faithfully every day while I was stuck in the hospital. Kept me sane, kept me looped in to the gossip. She’s the only one who knows what I went through, and I’m keeping it that way. I’m not in the habit of airing my dirty laundry—or my newfound nightmares. I’ve been plagued by bright lights, crunching metal, and snapping bones. She rolls her eyes at my luck comment. “You need to change. We’re taking you out.” Oh boy. My first instinct is to say no, but honestly? I could use a bit of normalcy. My therapist—the talk one, not the physical one—said something about getting back into a routine. Well, for the last two years, I’ve gone out with my girls on Friday nights. There’s nothing more normal than that. I’m actually looking forward to it. She leads the way to the bedroom I haven’t been in since… before. She steps aside and lets me do the honors. Opening the door is like cracking into a time capsule. Fucking devastating. Willow stands behind me, her hand on my shoulder, as I stare around at the remnants of the person I used to be. If I wasn’t aware of how different I was after six months away, I am now. Mentally, physically. There are still clothes that I left on the floor. My chair is pulled out and covered in clothes. There’s a pile of books that I had planned to conquer over the summer in the center of the desk. My bed is made. “I kept the door open
S. Massery (Brutal Obsession)
  But here’s the problem... I may have exaggerated a bit about how experienced I was at Minecraft. The truth is I didn’t finish the game last summer. In fact, I didn’t even own the game. Well, to be completely honest, I’d never even played the game, even over at a friend’s house.
Minecrafty Family Books (Trapped in Minecraft! (Diary of a Wimpy Steve, #1))
Harry pulled out his quill and a bit of parchment and turned to Ron and Hermione. "This is called a telephone number," he told Ron, scribbling it twice, tearing the parchment in two, and handing it to them. "I told your dad how to use a telephone last summer--he'll know. Call me at the Dursleys', okay? I can't stand another two months with only Dudley to talk to..." "Your aunt and uncle will be proud, though, won't they?" said Hermione as they got off the train and joined the crowd thronging toward the enchanted barrier. "When they hear what you did this year?" "Proud?" said Harry. "Are you crazy? All those times I could've died, and I didn't manage it? They'll be furious..." And together they walked back through the gateway to the Muggle world.
J.K. Rowling
Sourdough Starter Ingredients Organic whole rye flour Raw honey Filtered or spring water (so bacteria-killing chlorine is removed) Mix 3 tablespoons (30 grams) lukewarm water (about 80˚ to 90˚F) with 1 teaspoon raw honey. Add 3 tablespoons (20 grams) rye flour and let this sit in a covered container for 1 to 2 days. The amount of time depends on the ambient temperature. If your kitchen is cool, the organisms will be less active and you’ll need more time. Ideally keep it at around 75˚F (24˚C). An oven with the light or pilot light on works well. If you can maintain an ambient temperature of 75˚F (24˚C), this first phase will probably take a day, which would be the case on your kitchen counter in the summer. If you simply ferment it in a cold kitchen in winter, it will likely take two days. When you pass by the starter, give it a mix with a spoon every now and again: your animals like oxygen in the initial stages. If they are happy, you will begin to see tiny bubbles forming on the surface of the starter as the organisms belch out carbon dioxide. This should occur after 1 or 2 days. At this point, add 3 tablespoons of rye flour, 3 tablespoons of water around 75˚F (24˚C), and 1 teaspoon of honey. Let it sit for 24 hours. Stir occasionally. Discard half the starter. Add 3 tablespoons of rye, 3 tablespoons of water, and 1 teaspoon of honey. Repeat this last step every 24 hours until the starter is bubbly and begins to rise noticeably. Once that happens, usually by day 5 or 6, you can stop adding the honey. The starter might weaken at that point (you’ve removed its sugar fix, after all), but proceed anyway. It will come alive again. When the mixture doubles in volume within 12 hours, you can think about making bread. Here’s the test to see if the starter is ready, after it has risen: carefully remove a bit of it (a tablespoon will do) and place it in a bowl of warm water. If it floats to the surface within a couple of minutes, you’ve got an active starter. If it sinks like a stone and remains under water, let the starter mature for another hour and try again. This whole process might take a week or more, especially in the winter. With my kitchen hovering around 65˚F (18˚C), it took me two weeks to achieve a predictable starter, with feedings every one to two days. Once the starter is bubbly and active, you can switch to whole wheat, or a mixture of equal parts white and whole wheat flour, in place of the rye. You can also increase the volume by using, say, 20 grams of the mature starter and then feeding it with 100 grams flour and 100 grams water.
Samuel Fromartz (In Search of the Perfect Loaf: A Home Baker's Odyssey)
Large fountain glasses arrived at our table, layered with sweet beans, caramelized saba bananas, jackfruit, palm fruit, nata de coco, and strips of macapuno topped with shaved ice, evaporated milk, a slice of leche flan, a healthy scoop of ube halaya, and a scattering of pinipig, the toasted glutinous rice adding a nice bit of crunch. This frosty rainbow confection raised my spirits every time I saw it, and both Sana and I pulled out our phones to take pictures of the dish. She laughed. "This is almost too pretty to eat, so I wanted to document its loveliness before digging in." "This is for the restaurant's social media pages. My grandmother only prepares this dish in the summer, so I need to remind our customers to come while it lasts." "How do we go about this?" Rob asked, looking at his rapidly melting treat in trepidation. "Up to you. You can mix everything together like the name says so that you get a bit of everything in each bite. Or you can tackle it layer by layer. I'm a mixing girl, but you better figure it out fast or you're going to be eating dessert soup." We all dug in, each snowy bite punishing my teeth making me shiver in delight. I loved the interplay of textures---the firmness of the beans versus the softness of the banana and jackfruit mingling with the chewiness of the palm fruit, nata de coco, and macapuno. The fluffy texture of the shaved ice soaked through with evaporated milk, with the silky smoothness of the leche flan matched against the creaminess of the ube halaya and crispiness of the pinipig. A texture eater's (and sweet tooth's) paradise. "This is so strange," Valerie said. "I never would've thought of putting all these things together, especially not in a dessert. But it works. I mean, I don't love the beans, but they're certainly interesting. And what are these yellow strips?" "Jackfruit. When ripe, they're yellow and very sweet and fragrant, so they make a nice addition to lots of Filipino desserts. They were also in the turon I brought to the meeting earlier. Unripe jackfruit is green and used in vegetarian recipes, usually.
Mia P. Manansala (Homicide and Halo-Halo (Tita Rosie's Kitchen Mystery, #2))
I come from the lower orders, that is understood by all. Not the lowest; you’d have to go back to my grandfather for the lowest. He was a night-soil remover, did you know that, Sam? One shilling per stinking cesspit. Did you know that they set me to working with him when I was a boy? One summer I chucked it, ran to the countryside, hid in a hay mow. Farmer found me in the morning, took pity, let me stay. Let me work with him and his dogs, tending his sheep. It was bliss. I never loved anything like I loved them dogs. Then my father showed up and dragged me home. Why? He didn’t want me. “Never mind. You could say my father’s rise to running his own public house was nothing short of a miracle, really. And then I went and edged up a rung from him, didn’t I, when I became a constable. Promoted to detective. Then chief of detectives. Still and all, I got about as high as I could possibly go, given what I come from. And that ain’t particular high. Just ask Sir Richard Mayne, commissioner of the Metropolitan, if you’re unsure of that.” Llewellyn sighed deeply and shook his head. “You seem impatient, Mr. Llewellyn. Am I keeping you?” Field poured the last of the whiskey into his glass. “Now, forget my old man. Forget the night-soil remover. Start over. Say I come from a monkey. And so did you. And Commissioner Mayne—him, too.” He looked around the tavern. “And so did every bleeding body on the whole earth come from monkeys, and those monkeys come from God knows what—fish? Worms? Who benefits, Sam? Who gets hurt? Who likes it, and who don’t?” Llewellyn shrugged. “I’ll tell you who don’t like it: the merchants who run the bleeding empire don’t like it, not one bit. It puts every man on the same level as them, see? The rich, the poor, the light-skinned, and the dark. The bishops don’t like it, nor the lords, because if Mr. Darwin has his way, where’s the control? Who’s in charge, who’s on top and who’s not? Bad for business, Mr. Darwin’s notions are. But for blokes like me and you? Well, even a policeman can dream, can’t he? It’s not flattering, perhaps, having an orangutan as your forefather, but there’s a kind of hope in it, don’t you see? Last I checked, there weren’t no quality monkeys, nor were there lower-class ones.” “And?” “Crash, boom, Mr. Darwin brings it all down. Rule Britannia and the lot. Brings it down harder and more thorough than Mr. Marx ever dreamt in his darkest revolutionary dream.
Tim Mason (The Darwin Affair)
of the most delicious Cox’s Orange Pippins each autumn leaning precariously on the garden wall, the tree like a corner boy up to no good, her mother used to joke. Harp ran around the back – the front door hadn’t been opened in years at that stage – and let herself in. The kitchen was just the same, the delph from breakfast drying on the rack beside the big, deep Belfast sink, the large black flags on the floor, the table cleared and scrubbed, ready for dinner preparations, the big black enamel range that never went out heating the room, winter and summer, the tea cloths hanging on the line over it. Everything neat and tidy. She scurried out the door of the kitchen into the wide bright hallway, almost skidding on the silk carpet runner as she rounded the ornate bannister to bound up the stairs, taking two at a time. The landing overlooked the hallway and was home to a huge walnut sideboard on which sat all the china dolls Mrs Devereaux had loved. Harp thought they were a bit creepy with their glass eyes, real hair and fancy handmade clothes, and thankfully she’d never felt the
Jean Grainger (Last Port of Call)
I suppose that loudmouthed bastard told you more than was necessary.' 'You voted against me,' she said, her cold voice belying the crack in her chest. 'You have done nothing to prove you are able to handle such a terrible power,' Amren said with equal iciness. 'On that barge, you told me as much when you walked away from any attempt at mastering it. I offered to teach you more, and you walked away.' 'I walked away because you chose my sister.' Just as Elain had done. Amren had been her friend, her ally, and yet in the end, it hadn't mattered one bit. She'd picked Feyre. 'I didn't choose anyone, you stupid girl,' Amren snapped. 'I told you that Feyre had requested you and I work together again, and you somehow twist that into me siding with her?' Nesta said nothing. 'I told them to leave you alone for months. I refused to speak about you with them. And then the moment I realised my behaviour was not helping you, that maybe your sister was right, I somehow betrayed you?' Nesta shook. 'You know how I feel about Feyre.' 'Yes, poor Nesta, with a younger sister who loves her so dearly she's willing to do anything to get her help.' Nesta blocked out the memory of Tamlin in his beast form, how she had wanted to rip him limb from limb. She was no better than him, in the end. 'Feyre doesn't have me.' She didn't deserve Feyre's love. Just as Tamlin hadn't. Amren barked out a laugh. 'That you believe Feyre doesn't only proves you're unworthy of your power. Anyone that willingly blind cannot be trusted. You would be a walking nightmare with those weapons.' 'It's different now.' The words rang hollow. Was it any different? Was she any different that she'd been this summer, when she and Amren had fought on the barge, and Amren's utter disappointment in her failure to be anything had surfaced at last? Amren smiled, as if she knew that, too. 'You can train as hard as you want, fuck Cassian as often as you want, but it isn't going to fix what's broken if you don't start reflecting.' 'Don't preach at me.. You-' She pointed at Amren, and could have sworn the female stepped out of the line of fire. Just as Tamlin had done. As if Amren also remembered that the last time Nesta had pointed at an enemy, it had ended with his severed head in her hands. A joyless laugh broke from her. 'You think I'd mark you with a death-promise?' 'You nearly did with Tamlin the other day.' So Cassian had told them all about that, too. 'But I'll say to you again what I said on that barge. I think you have powers that you still do not understand, respect, or control.' 'How dare you assume you know what is best for me?' When Amren didn't answer, Nesta hissed, 'You were my friend.' Amren's teeth flashed. 'Was I? I don't think you know what that word means.' Her chest ached, as if that invisible fist had punched her once again. Steps thudded beyond the shattered door, and she braced for Cassian to come roaring in- But it was Feyre.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
She curls tightly to me kissing me on the lips and cheeks, her body skin to skin to mine, she’s kind of- like- a hyper puppy… you know- wet nose, big sad eyes, giving you lots of unwanted wet kisses, and can’t sit in one place for too long. Now she is pulling on my necklace, the one I am always wearing has my dad’s wedding ring hanging from it-a thin silver chain and the gold band hanging from it, a gift dad gives me- saying- ‘He loves me more than mom, that I am the love of his life.’ Yet sis tugs gently to get my full attention. I ask here- ‘Why are you not wearing your undies?’ And she baby- talks without missing a beat- ‘Be- because you don’t at night so-o why should I’s.’ I knew not too long from now she would be running around the house stark-naked like always, saying it’s because I sleep this way. I am sure mom will say I am a bad role model, but yet there are far worse things she has done, things that mom and dad never need to know about, things that I can even remember right now. If she wants to be in my bad nude, will- I guess that’s okay…? She is just trying to be like me, and that’s sweet. I have saved her butt many times when she has done bad things. I have been like a mom to her, ever since she was born if I wanted to be or not. And she has been there for me when I was a nobody. Yeah, she’s the best pain in the butt a girl can have. ‘Mommy says you have to get up soon, her hand covering her eyes as she walks my room and sees both of us.’ Her breath smells like toothpaste, as she kisses us good morning, and she stumbles over all the stuff lying on the floor and it’s not until I push sis off me that I realize how badly I’m shaking. Mom, she has one of those green face masks sped up, which is some scary-looking crap, pulls she has curlers in her hair. Yet that’s not what’s got me traumatized. ‘It’s Friday,’ I say confused. I thought we were going to the rusty anchor today? Mom said- ‘I thought you didn’t like doing that Karly that you’re too grown up to be with your mommy and Daddy and sissy… always- yes we are all going this upcoming weekend, glad to see you want to go.’ I said- ‘Oh- okay?’ Mom- ‘Karly are you feeling, okay? Are you not your usual descent and moody self? Me- ‘Yah I am a fine mom.’ I have no idea how I got home last night, or what I did or didn’t do. It’s like it never happened, yet I think it did… didn’t it? Maybe I drink too much? Mom said- ‘Um-hum- come on you two bare cuddle bugs it’s getting late.’ Then- I remember getting in the car, with the girls and the fighting it was all coming back to me, as I see my sis run into her room, leaving her nighty behind on my bed. I knew that something looked different about her when I looked her over, I am starting to remember what Ray did to her last night. Yet she seems to be taking it so well- so strange. I have no idea what happened to Jenny or Maddie or Liv, and just thinking about it makes me awful sick, pissed, and yet so worried. I put my feet on the ground, first on my fuzzy shaggy throw rug, and then I step forward feeling the hard would under my feet. The cold wood reminds me. When I was younger, I would lie on the floor all summer wishing I have some friends to spend my time with. Back then my only friend was my sis and my horse, I’m curious to do the same thing now, and reflect a bit on what the heck is going on- and also on how things have changed, I know my sis will be another half hour getting ready. And with me, all I have to do is jump in my outfit laying there on the floor. My skin feels so cold yet, yet on the inside, I feel scorching. Like- photos on Instagram, all these snapshots start scrolling, row after row in my mind. Seeing bits and pieces of what went down last night. My, I- phone starts vibrating on top of my bed until it falls off the edge hitting me square in the face making me jump two feet in the air. I reach for it and slide my finger over the cracked screen.
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
Our take on a rhubarb and custard," Susan announces. "Rhubarb sorbet on the bottom, topped with whipped custard and a candied rhubarb sweet." It's served in small egg-shaped glasses, so you can see the layers: bright pink sorbet on the bottom, rich lemon-yellow custard, whipped to airy delicacy, topped with a wafer-thin, jewel-like disc of rhubarb that's been roasted, pressed flat, and encased in rhubarb-flavored praline. The chef takes two bites of it, then sits back, sighs, and looks at his plate for a while. Susan feels like melting into the floor. He hates it! What went wrong? Is it too simple? She worried about that. Maybe she should have done a tart or a mille-feuille. "This tastes of summer," the chef says at last. "Every bit of it is delightful and delicious- it's so light and airy and enjoyable." "I totally agree," says the presenter. "It's the perfect follow-up to something as heavy as those ribs, and the flavors remind me of rhubarb and custard sweets, which really takes me back." "Yeah, me too." The blogger nods. "Raiding the sweet shop after school.
Brianne Moore (All Stirred Up)
She has turned on all the lights downstairs. 'Are you OK, Stan?' 'What are you doing, Laverne?' shouts Dad. 'Turn the lights off. Do you want everyone to see?' 'It’s late, Stan. Go to bed,' she sighs. 'You too, kids' she calls up at us. We go back to bed. -- The next morning, when Alice and I go down for breakfast, everything is exactly normal again. 'Dad…' I start, but Mum gives me a look that says, 'Don't you dare mention last night.' So I don't say anything. Dad beams at us over a big steaming cup of black coffee. 'Good morning, poppets. You sleep OK?' He looks tired and a bit dirty, but he has a huge grin on his face. 'Yes, thanks,' says Alice. I don't think she remembers last night at all. Right now
Abigail Hornsea (Books for kids: Summer of Spies)
Let me pray for you," my mother said. I said okay. Her voice steeled up a bit, and she asked God to protect me and walk with me. I didn't close my eyes, just tucked the receiver against my ear and looked out the window. A laughing couple threw snowballs at each other in the quad. When I finally hung up the phone, longing and shame tightened around my stomach like a belt. I thought of something my father had told me last summer. Apparently he'd walked into the kitchen to make himself a plate of something and he found my mother crying near the sink. She was crying over me and my future, as she had before and would again. She could only guess at what made up my life, far away in New England, but she knew it wasn't the life she would have chosen for me. My father could be tender when he needed to be and he said he had calmed her down, poured her a glass of iced tea. When she was feeling better he asked her what she thought I'd do when I finished school. He said she fixed him with those ice-blue eyes of hers and said, “Well, I guess she'll come home and be one of us again.
Jessica Wilbanks (When I Spoke in Tongues: A Story of Faith and Its Loss)
During our last year at Harding University, we spent the summer in a study-abroad program in Florence, Italy. It was an unbelievable experience and was our first time really being away together. We traveled all over Europe on a Eurail pass. We didn’t have any money for hotel rooms, so we would just sleep on trains and wake up the next morning in a new country. It was so exciting. As part of our studies, we had to visit certain museums and write essays on the art we saw. I was an art education major, so I loved every bit of this part of our trip, but it was a totally new experience for Willie. By the end of the trip, he said he had more culture than the yogurt section of the grocery store!
Willie Robertson (The Duck Commander Family)
You loving me, that’s heavy. I’m not the kid anyone ever relied on. Not my folks, not Lizzie, not the other kids at school, and I thought not you. I’m not special to anyone, never have been. It’s not what I am. I’m everyone’s summer. I’m the kid that they can mess about with, have a fling with, know for a bit, whatever, then move on and out and up and not have to worry about any backlash or anything. I’m that kid, to everyone. And that should include you. Only somehow it doesn’t include you.
Matthew J. Metzger (Our Last Summer)
You made the summers a little more colourful, like the stars were a bit closer.
Matthew J. Metzger (Our Last Summer)
the last few days, I’ve been thinking about you … had the feeling you were a bit under the weather. In fact, I’ve been meaning to ring you. Had this urge to have a word. Telling you about Gerald’s wedding was just a good excuse to pick up the telephone.
Rosamunde Pilcher (Voices In Summer)
You’ll end up on that same godforsaken roundabout that you’ve been on for years. He’ll jump on for a bit, tear your heart into shreds and jump off again. I can’t watch you do it, not when you seem to be so close to finding lasting happiness.
Paige Toon (Seven Summers)