Lap Of Nature Quotes

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The Lake Isle of Innisfree I will arise and go now, and go to Innisfree, And a small cabin build there, of clay and wattles made; Nine bean-rows will I have there, a hive for the honey-bee, And live alone in the bee-loud glade. And I shall have some peace there, for peace comes dropping slow, Dropping from the veils of the morning to where the cricket sings; There midnight’s all a glimmer, and noon a purple glow, And evening full of the linnet’s wings. I will arise and go now, for always night and day I hear lake water lapping with low sounds by the shore; While I stand on the roadway, or on the pavements grey, I hear it in the deep heart’s core.
W.B. Yeats (The Collected Poems of W.B. Yeats)
...It often seemed to her that she thought too much about herself, you could have made her blush any day of the year, by telling her she was selfish. She was always planning out her own development, desiring her own perfection, observing her own progress. Her nature had for her own imagination a certain garden-like quality, a suggestion of perfume and murmuring bows, of shady bowers and of lengthening vistas, which made her feel that introspection was, after all, an exercise in the open air, and that a visit to the recesses of one’s mind was harmless when one returned from it with a lapful of roses.
Henry James (The Portrait of a Lady)
I wanted to feel the blood running back into my veins, even at the cost of annihilation. I wanted to shake the stone and light out of my system. I wanted the dark fecundity of nature, the deep well of the womb, silence, or else the lapping of the black waters of death. I wanted to be that night which the remorseless eye illuminated, a night diapered with stars and trailing comets. To be of night so frighteningly silent, so utterly incomprehensible and eloquent at the same time. Never more to speak or to listen or to think.
Henry Miller (Tropic of Capricorn (Tropic, #2))
I will arise and go now, for always night and day I hear lake water lapping with low sounds by the shore; While I stand on the roadway, or on the pavements grey, I hear it in the deep heart's core.
W.B. Yeats (The Collected Poems of W.B. Yeats)
All the black leather she needs is the E-Z boy recliner where her love is parked with one of his hands wrapped around a remote, the other, a bottle of beer. She's right. It's kinky. The way he doesn't look away from the TV, as her head bobs in his lap like a fisherman's float on a nature program, hectic with the pace his breath sets. His crotch swells under her mouth's prowess. He's such a sweetheart he waits until the commercials to come.
Daphne Gottlieb (Why Things Burn)
What would you have me do? Seek for the patronage of some great man, And like a creeping vine on a tall tree Crawl upward, where I cannot stand alone? No thank you! Dedicate, as others do, Poems to pawnbrokers? Be a buffoon In the vile hope of teasing out a smile On some cold face? No thank you! Eat a toad For breakfast every morning? Make my knees Callous, and cultivate a supple spine,- Wear out my belly grovelling in the dust? No thank you! Scratch the back of any swine That roots up gold for me? Tickle the horns Of Mammon with my left hand, while my right Too proud to know his partner's business, Takes in the fee? No thank you! Use the fire God gave me to burn incense all day long Under the nose of wood and stone? No thank you! Shall I go leaping into ladies' laps And licking fingers?-or-to change the form- Navigating with madrigals for oars, My sails full of the sighs of dowagers? No thank you! Publish verses at my own Expense? No thank you! Be the patron saint Of a small group of literary souls Who dine together every Tuesday? No I thank you! Shall I labor night and day To build a reputation on one song, And never write another? Shall I find True genius only among Geniuses, Palpitate over little paragraphs, And struggle to insinuate my name In the columns of the Mercury? No thank you! Calculate, scheme, be afraid, Love more to make a visit than a poem, Seek introductions, favors, influences?- No thank you! No, I thank you! And again I thank you!-But... To sing, to laugh, to dream To walk in my own way and be alone, Free, with a voice that means manhood-to cock my hat Where I choose-At a word, a Yes, a No, To fight-or write.To travel any road Under the sun, under the stars, nor doubt If fame or fortune lie beyond the bourne- Never to make a line I have not heard In my own heart; yet, with all modesty To say:"My soul, be satisfied with flowers, With fruit, with weeds even; but gather them In the one garden you may call your own." So, when I win some triumph, by some chance, Render no share to Caesar-in a word, I am too proud to be a parasite, And if my nature wants the germ that grows Towering to heaven like the mountain pine, Or like the oak, sheltering multitudes- I stand, not high it may be-but alone!
Edmond Rostand (Cyrano de Bergerac)
Suddenly I came out of my thoughts to notice everything around me again-the catkins on the willows, the lapping of the water, the leafy patterns of the shadows across the path. And then myself, walking with the alignment that only comes after miles, the loose diagonal rhythm of arms swinging in synchronization with legs in a body that felt long and stretched out, almost as sinuous as a snake…when you give yourself to places, they give you yourself back; the more one comes to know them, the more one seeds them with the invisible crop of memories and associations that will be waiting for when you come back, while new places offer up new thoughts, new possibilities. Exploring the world is one the best ways of exploring the mind, and walking travels both terrains.
Rebecca Solnit (Wanderlust: A History of Walking)
She threw one leg over his and straddled his lap, then reached under herself and found him again. He tore his mouth from hers. “Wait.” “No.” She looked him frankly in the eyes. “I don’t care if you spill at once. I need you inside me now.” His beautiful eyes widened and then narrowed. “You’ll not always hold the reins, my lady.” She smiled sweetly. “Naturally not, but I do now.
Elizabeth Hoyt (Thief of Shadows (Maiden Lane, #4))
I grew up back and forth between the British Isles: England, Ireland, Scotland, Wales. I spent short periods of time in France, Italy, and South Africa. This is my first time in the States. I was disappointed by Atlanta at first — I'd wanted to live in New York-but it's grown on me.” Everything about Kaidan was exciting and exotic. This was my first time traveling away from home, and he'd already seen so much. I ate my apple, glad it was crisp and not soft. “Which was your favorite place?” I asked. “I've never been terribly attached to any place. I guess it would have to be...here.” I stopped midchew and examined his face. He wouldn't look at me. He was clenching his jaw, tense. Was he serious or was he teasing me? I swallowed my bite. “The Texas panhandle?” I asked. “No.” He seemed to choose each word with deliberate care. “I mean here in this car. With you.” Covered in goose bumps, I looked away from him and stared straight ahead at the road, letting my hand with the apple fall to my lap. He cleared his throat and tried to explain. “I've not talked like this with anyone, not since I started working, not even to the only four people in the world who I call friends. You have Patti, and even that boyfriend of yours. So this has been a relief of sort. Kind of...nice.” He cleared his throat again. Oh, my gosh. Did we just have a moment? I proceeded with caution, hoping not to ruin it. “It's been nice for me, too,” I said. “I've never told Jay anything. He has no idea. You're the only one I've talked to about it all, except Patti, but it's not the same. She learned the basics from the nun at the convent where I was born.” “You were born in a convent,” he stated. “Yes.” “Naturally.
Wendy Higgins (Sweet Evil (Sweet, #1))
universe pays every man in his own coin. If you smile, it smiles with you in return. If you frown, you will be frowned at. If you sing, you will be invited in gay company. If you think, you will be entertained by thinkers. If you love the world and earnestly seek for the good therein you will be surrounded by loving friends, and nature will pour into your lap the treasures of the earth.” Zimmerman.
William Walker Atkinson (The Advanced Course in Personal Magnetism. The Secrets of Mental Fascination)
At teenage parties he was always wandering into the garden, sitting on a bench in the dark . . . staring up at the constellations and pondering all those big questions about the existence of God and the nature of evil and the mystery of death, questions which seemed more important than anything else in the would until a few years passed and some real questions had been dumped into your lap, like how to earn a living, and why people fell in and out of love, and how long you could carry on smoking and then give up without getting lung cancer.
Mark Haddon (A Spot of Bother)
And now it [grass] seems to me the beautiful uncut hair of graves, Tenderly will I use you curling grass, It may be you transpire from the breasts of young men, It may be if I had known them I would have loved them, It may be you from old people, or from offspring taken soon out of their mother's laps, And here you are the mothers' laps." - Song of Myself: 6
Walt Whitman
In all that I saw, I was satisfied, for I could dance in the drops of water, laugh with the laps of joyous tears, and sing to the songs of streaming senses.
Kayla Severson (Nature's 1st Gem Is Green)
The mountain pushed us off her knees. And now her lap is full of trees.
Robert Frost (West-Running Brook)
In the lap of nature we always feel relax
Uruj Shahid
But he liked it all, that was his secret. He saw how fleeting it would all be, how quickly the kids went through the different phases, and how once those small things were gone, they never returned. A walking child never crawled again. So secretly, it was okay with him. Rachel loved her children, he was sure of that, but she was never natural around them. She was afraid to be alone with them most of the time. She grew impatient if they hung on her or talked too long, always feeling the pull of being elsewhere. Toby could have either or both of them on his lap for hours before even realizing it. At work, he was able to sit with his patients, knowing that this was not a stepping-stone for his life but life itself. Can you imagine what it’s like to have arrived where you want to be at such a young age? That was what she never understood: that ambition didn’t always run uphill. Sometimes, when you were happy, it jogged in place.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
We attended church Sunday as a family, and it was an even balance as to who was harder to keep still, the four Elliot children or Captain Elliot himself. Jack kept up a stream of secretive winks at me in a most suggestive fashion, which made me blush despite the fact that I desperately tried to maintain my composure. Two year old Suzanne squirmed in my lap but was still for him, so he bounced her quietly on his knee. The boys, true to their deeply spiritual natures, snored softly through the entire sermon, and April sat still but looked out the windows, bored and restlessly shifting in her seat.
Nancy E. Turner (These Is My Words: The Diary of Sarah Agnes Prine, 1881-1901)
There are different kinds of judgment-making. Naturally, when we meet people, we form judgments based upon how we were taught to see the world and other people (how we were raised, what we've experienced and etc.) The first kind of judgment-making is the more commonplace thing: to judge and to write that judgment in stone. The second kind of judgment-making is the kind that I do: to judge but then to write those judgments in the sand near the shoreline where the waves lap onto, that way, if I am wrong, the waves of truth may easily wash away any judgments I have made and thus I can be malleable and shaped easily by truth rather than by preconceived notions. The second kind of judgment is crucial to life, because it allows us to appreciate people and circumstances to the fullest. It allows us to live.
C. JoyBell C.
10 ways to raise a wild child. Not everyone wants to raise wild, free thinking children. But for those of you who do, here's my tips: 1. Create safe space for them to be outside for a least an hour a day. Preferable barefoot & muddy. 2. Provide them with toys made of natural materials. Silks, wood, wool, etc...Toys that encourage them to use their imagination. If you're looking for ideas, Google: 'Waldorf Toys'. Avoid noisy plastic toys. Yea, maybe they'll learn their alphabet from the talking toys, but at the expense of their own unique thoughts. Plastic toys that talk and iPads in cribs should be illegal. Seriously! 3. Limit screen time. If you think you can manage video game time and your kids will be the rare ones that don't get addicted, then go for it. I'm not that good so we just avoid them completely. There's no cable in our house and no video games. The result is that my kids like being outside cause it's boring inside...hah! Best plan ever! No kid is going to remember that great day of video games or TV. Send them outside! 4. Feed them foods that support life. Fluoride free water, GMO free organic foods, snacks free of harsh preservatives and refined sugars. Good oils that support healthy brain development. Eat to live! 5. Don't helicopter parent. Stay connected and tuned into their needs and safety, but don't hover. Kids like adults need space to roam and explore without the constant voice of an adult telling them what to do. Give them freedom! 6. Read to them. Kids don't do what they are told, they do what they see. If you're on your phone all the time, they will likely be doing the same thing some day. If you're reading, writing and creating your art (painting, cooking...whatever your art is) they will likely want to join you. It's like Emilie Buchwald said, "Children become readers in the laps of their parents (or guardians)." - it's so true! 7. Let them speak their truth. Don't assume that because they are young that you know more than them. They were born into a different time than you. Give them room to respectfully speak their mind and not feel like you're going to attack them. You'll be surprised what you might learn. 8. Freedom to learn. I realize that not everyone can homeschool, but damn, if you can, do it! Our current schools system is far from the best ever. Our kids deserve better. We simply can't expect our children to all learn the same things in the same way. Not every kid is the same. The current system does not support the unique gifts of our children. How can they with so many kids in one classroom. It's no fault of the teachers, they are doing the best they can. Too many kids and not enough parent involvement. If you send your kids to school and expect they are getting all they need, you are sadly mistaken. Don't let the public school system raise your kids, it's not their job, it's yours! 9. Skip the fear based parenting tactics. It may work short term. But the long term results will be devastating to the child's ability to be open and truthful with you. Children need guidance, but scaring them into listening is just lazy. Find new ways to get through to your kids. Be creative! 10. There's no perfect way to be a parent, but there's a million ways to be a good one. Just because every other parent is doing it, doesn't mean it's right for you and your child. Don't let other people's opinions and judgments influence how you're going to treat your kid. Be brave enough to question everything until you find what works for you. Don't be lazy! Fight your urge to be passive about the things that matter. Don't give up on your kid. This is the most important work you'll ever do. Give it everything you have.
Brooke Hampton
She woke from dreamless rest to find her lap filled with wildflowers-blue and gold violets, white starworts with bright yellow centers, wild geraniums, purple heather, pale lavender bellflowers, creamy butterworts...a treasure trove of nature's jewels. "Where did these come from?" she asked her warrior husband. He leaned back on his elbows and studied the sea. "Some trolls came by and left them." "Trolls picking flowers?" "More believable, surely, than me doing it?" She laughed and surprised him by competently weaving the summer's late blossoms into a garland for her hair. "How is it you know how to do that," he asked, "when you are so thoroughly undomestic?" She threw a purple aster at him and laughed again. "I thought I was managing to conceal that." "Oh,certainly.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
I know Julian," Gregori volunteered, his white teeth gleaming in the darkness. Water lapped at the boat, making a peculiar slapping sound. The rocking was more soothing and peaceful than disturbing. Beau looked smug. "I thought you might. You both have a connection to Savannah, you both ask the same questions about natural medicine, and you both look as intimidating as hell." "I am nicer than he is," Gregori said, straight-faced. Savannah's head brushed his chest. Her laughter was sweet music in the stifling heat of the swamp.
Christine Feehan (Dark Magic (Dark, #4))
My mom’s smile is genuine, A lilac beaming In the presence of her Sun. Indentions in the sand prove Time’s linear progression, Her hair yet unblighted, Carrying midnight’s consistency. Clear tracks fading as the Movement slips further In the past. Cheekbones High, soft, In summer’s hue, Hopeful. Each step’s unknown impact, A future looking back. My father’s strength: One whose Life is in his arms. Squinting past the camera, He rests upon a rock Like caramel corn half eaten, Just to the left Of man-made concrete convention Daylight’s eraser Removing color to his right. Dustin sits In my father’s lap, Open mouth of a drooling Big mouth bass; Muscle tone Of a well exercised Jelly fish, He looks at me Half aware; His wheelchair Perched at the edge Of parking lot gravel grafted Like a scar on nature’s beach, Opening to the ironic splendor Of a bitter tasting lake. I took the picture. Age 11. Capturing the pinnacle arc Of a son To my lilac Who Outlived him and weeps, Still. Their sky has staple holes – Maybe that’s how the Light Leaked out.
Darcy Leech (From My Mother)
When you have got quite alone, sit down and be lonely…fold your hands in your lap, and be still. Do not try to think anything… by and by, it may be, you will begin to know something of nature. Nature will soon speak to you, or not until, as Henri Vaughn says, some veil be broken in you
George MacDonald
She was good with a needle–I hardly felt it go in. Euphoria is, I believe, the term they use to describe the sensation, and upon experience I found it to be an entirely useless definition, as it relies on comparatives that are not apt to the situation. A happiness beyond compare, a contentment beyond understanding, a bliss, a travelling, a freeing of the mind from the flesh–these are all, in their ways, an appropriate description of the process, but they mean nothing, for no recollection can re-create them and no substitute mimic them. So, having known what euphoria is, it remains precisely that–a word with longing attached, but no meaning when actually experiencing the thing. My arms and legs were heavy, my mouth was dry, and I did not care, for my mouth was not mine. I knew that I was still and time was moving, and wondered how it had taken me so long to comprehend that this was the nature of time itself, and wished I had a notebook to hand so I could jot down these thoughts–these profound, beautiful thoughts I had never thought before, which would, I felt certain, revolutionise the way mankind worked. I watched Akinleye inject herself, and inject the maid, who lay with her head in Akinleye’s lap, a dutiful kitten as the drug did its work, and I wanted to explain to them that I’d had the most extraordinary idea about the nature of reality, seen the most incredible truth, if only I could make others understand it!
Claire North (The First Fifteen Lives of Harry August)
I see,” she said softly, nodding her head as though she really did. “Well, it’s your business, of course.” She turned her hand in her lap and stared into her damaged palm. “You are at liberty to say nothing, if that is what you want. But silence is not a natural environment for stories. They need words. Without them they grow pale, sicken and die. And then they haunt you.” Her eyes swiveled back to me. “Believe me, Margaret. I know.
Diane Setterfield (The Thirteenth Tale)
Tereza keeps appearing before my eyes. I see her sitting on the stump petting Karenin’s head and ruminating on mankind’s debacles. Another image also comes to mind: Nietzsche leaving his hotel in Turin. Seeing a horse and a coachman beating it with a whip, Nietzsche went up to the horse and, before the coachman’s very eyes, put his arms around the horse’s neck and burst into tears. That took place in 1889, when Nietzsche, too, had removed himself from the world of people. In other words, it was at the time when his mental illness had just erupted. But for that very reason I feel his gesture has broad implications: Nietzsche was trying to apologize to the horse for Descartes. His lunacy (that is, his final break with mankind) began at the very moment he burst into tears over the horse. And that is the Nietzsche I love, just as I love Tereza with the mortally ill dog resting his head on her lap. I see them one next to the other: both stepping down from the road along which mankind, “the master and proprietor of nature,” marches onward.
Milan Kundera (The Unbearable Lightness of Being)
The way God squandered Himself had always hurt her; and annoyed her too. The sky full of wings and only the shepherds awake. That golden voice speaking and only a few fishermen there to hear; and perhaps some of the words He spoke carried away on the wind or lost in the sound of the waves lapping against the side of the boat. A thousand blossoms shimmering over the orchard, each a world of wonder all to itself, and then the whole thing blown away on a southwest gale as though the delicate little worlds were of no value at all. Well, of all the spendthrifts, she would think and then pull herself up. It was not for her to criticize the ways of Almighty God; if He liked to go to all that trouble over the snowflakes, millions and millions of them, their intricate patterns too small to be seen by human eyes, and melting as soon as made, that was His affair and not hers. All she could do about it was to catch in her window, and save from entire waste, as much of the squandered beauty as she could.
Elizabeth Goudge (The Rosemary Tree)
My son, you are just an infant now, but on that day when the world disrobes of its alluring cloak, it is then that I pray this letter is in your hands. Listen closely, my dear child, for I am more than that old man in the dusty portrait beside your bed. I was once a little boy in my mother’s arms and a babbling toddler on my father's lap. I played till the sun would set and climbed trees with ease and skill. Then I grew into a fine young man with shoulders broad and strong. My bones were firm and my limbs were straight; my hair was blacker than a raven's beak. I had a spring in my step and a lion's roar. I travelled the world, found love and married. Then off to war I bled in battle and danced with death. But today, vigor and grace have forsaken me and left me crippled. Listen closely, then, as I have lived not only all the years you have existed, but another forty more of my own. My son, We take this world for a permanent place; we assume our gains and triumphs will always be; that all that is dear to us will last forever. But my child, time is a patient hunter and a treacherous thief: it robs us of our loved ones and snatches up our glory. It crumbles mountains and turns stone to sand. So who are we to impede its path? No, everything and everyone we love will vanish, one day. So take time to appreciate the wee hours and seconds you have in this world. Your life is nothing but a sum of days so why take any day for granted? Don't despise evil people, they are here for a reason, too, for just as the gift salt offers to food, so do the worst of men allow us to savor the sweet, hidden flavor of true friendship. Dear boy, treat your elders with respect and shower them with gratitude; they are the keepers of hidden treasures and bridges to our past. Give meaning to your every goodbye and hold on to that parting embrace just a moment longer--you never know if it will be your last. Beware the temptation of riches and fame for both will abandon you faster than our own shadow deserts us at the approach of the setting sun. Cultivate seeds of knowledge in your soul and reap the harvest of good character. Above all, know why you have been placed on this floating blue sphere, swimming through space, for there is nothing more worthy of regret than a life lived void of this knowing. My son, dark days are upon you. This world will not leave you with tears unshed. It will squeeze you in its talons and lift you high, then drop you to plummet and shatter to bits . But when you lay there in pieces scattered and broken, gather yourself together and be whole once more. That is the secret of those who know. So let not my graying hairs and wrinkled skin deceive you that I do not understand this modern world. My life was filled with a thousand sacrifices that only I will ever know and a hundred gulps of poison I drank to be the father I wanted you to have. But, alas, such is the nature of this life that we will never truly know the struggles of our parents--not until that time arrives when a little hand--resembling our own--gently clutches our finger from its crib. My dear child, I fear that day when you will call hopelessly upon my lifeless corpse and no response shall come from me. I will be of no use to you then but I hope these words I leave behind will echo in your ears that day when I am no more. This life is but a blink in the eye of time, so cherish each moment dearly, my son.
Shakieb Orgunwall
He’s growling for her?” Rónan asked. “His mate walks by, and he does no’ touch her? Or pull her into his lap? It’s no’ natural! And it’s starting to freak me out.
Kresley Cole (MacRieve (Immortals After Dark, #14))
War is the true Nature of the world, a dog with matted fur lapping eagerly at the bloody Niles, wagging its threadbare tail the entire time.
Scott C. Holstad (Industrial Madness)
You struggle because you’re locating all of the magic in your life outside of yourself. When you are loved, then you are lovable. When you are left behind, you are unlovable. When you “arrive” at some point of success and fame as a writer, you will be worthy. Until then, you are worthless. As long as you imagine that the outside world will one day deliver to you the external rewards you need to feel happy, you will always perceive your survival as exhausting and perceive your life as a long slog to nowhere. Instead, you have to savor the tiny struggles of the day: The cold glass of water after a long run. The hot bath after hours of digging through the dirt. The satisfaction of writing a good sentence, a good paragraph. You MUST feel these things, because these aren’t small rewards on the path to some big reward; these tiny things are everything. Savoring these things requires tuning in to your feelings, and it requires loving yourself instead of shoving your nose into your own question marks hour after hour, day after day. You are not lost. You are here. Stop abandoning yourself. Stop repeating this myth about love and success that will land in your lap or evade you forever. Build a humble, flawed life from the rubble, and cherish that. There is nothing more glorious on the face of the earth than someone who refuses to give up, who refuses to give in to their most self-hating, discouraged, disillusioned self, and instead learns, slowly and painfully, how to relish the feeling of building a hut in the middle of the suffocating dust. If you can learn to be where you are, without fear, then sooner than you know it, your life will quite naturally be filled with more love and more wonder than you can possibly handle. When that happens, you’ll look back and see that this was the most romantic time of your whole life. These are those terrible days, those gorgeous days, when you first learned to breathe and stand alone without fear, to believe not in finish lines but in the race itself. Your legs are aching and your heart is pounding and the world is electric. You will have 30 years or 50 years, or maybe you’ll be gone tomorrow. All that matters is this moment, right now. This is the moment you learn to be here, to feel your limbs, to feel your full heart, to realize, for the first time, just how lucky you are.
Heather Havrilesky
John reached out, and as naturally as breathing brought her down onto his lap. She pressed her lips to his, and wrapped her arms around him. She had to be the sweetest weight he’d ever carried.
J.M. Madden (Embattled Hearts (Lost and Found, #1))
One evening I came home and there on the couch I found my husband, Tom, with a freshly fledged crow sitting calmly in his lap. They were busy watching Star Trek: The Next Generation; since Captain Jean-Luc Picard was in the middle of an absorbing monologue, they hardly registered my arrival, but finally they both glanced my way, Tom looking a bit sheepish, the crow nibbling bits from a can of gourmet cat food. I thought of something Bernd Heinrich wrote, inspired by his raven studies, "Living with another creature, you naturally feel closer to it the more activities that can be shared, especially important activities like watching TV.
Lyanda Lynn Haupt (Rare Encounters with Ordinary Birds)
If I longed for destruction it was merely that this eye might be extinguished. I longed for an earthquake, for some cataclysm of nature which would plunge the lighthouse into the sea. I wanted a metamorphosis, a change to fish, to leviathan, to destroyer. I wanted the earth to open up, to swallow everything in one engulfing yawn. I wanted to see the city buried fathoms deep in the bosom of the sea. I wanted to sit in a cave and read by candlelight. (I wanted that eye extinguished so that I might have a change to know my own body, my own desires. I wanted to be alone for a thousand years in order to reflect on what I had seen and heard - and in order to forget. I wanted something of the earth which was not of man's doing, something absolutely divorced from the human of which I was surfeited. I wanted something purely terrestrial and absolutely divested of idea. I wanted to feel the blood running back into my veins, even at the cost of annihilation. I wanted to shake the stone and the light out of my system. I wanted the dark fecundity of nature, the deep well of the womb, silence, or else the lapping of the black waters of death. I wanted to be that night which the remorseless eye illuminated, a night diapered with stars and trailing comets. To be of night, so frighteningly silent, so utterly incomprehensible and eloquent at the same time. Never more to speak or to listen or to think. To be englobed and encompassed and to encompass and to englobe at the same time. No more pity, no more tenderness. To be human only terrestrially, like a plant or a worm or a brook. To be decomposed, divested of light and stone, variable as the molecule, durable as the atom, heartless as the earth itself.
Henry Miller (Tropic of Capricorn (Tropic, #2))
Here I sat down and closed my eyes, tilting my face towards the sun and listening to the gentle lap of the blue water against the rocks. Perhaps it was my destiny, after all, to be always alone: that was the tragic, self-dramatizing thought that came to me, and in some paradoxical way it also brought me a kind of comfort, reconciling me to what seemed, at that moment, to be my essential nature: introverted, melancholy and solitary.
Jonathan Coe (Mr Wilder & Me)
The deviation of man from the state in which he was originally placed by nature seems to have proved to him a prolific source of diseases. From the love of splendour, from the indulgences of luxury, and from his fondness for amusement he has familiarised himself with a great number of animals, which may not originally have been intended for his associates. The wolf, disarmed of ferocity, is now pillowed in the lady's lap. The cat, the little tiger of our island, whose natural home is the forest, is equally domesticated and caressed. The cow, the hog, the sheep, and the horse, are all, for a variety of purposes, brought under his care and dominion.
Edward Jenner (Vaccination Against Smallpox (Great Minds Series))
Into the room, with great dignity, stalked One and Four. They had mud on their paws, and they naturally decided to sit on my lap. They smelt of moss and loam, and they both set up a slow, tranquil purr. Cats, I thought, are the best.
Beverley Nichols (Merry Hall)
His deepest detestation was often reserved for the nicest of liberal academics, as if their lives were his own life but a step escaped. Like the scent of the void which comes off the pages of a Xerox copy, so was he always depressed in such homes by their hint of oversecurity. If the republic was now managing to convert the citizenry to a plastic mass, ready to be attached to any manipulative gung ho, the author was ready to cast much of the blame for such success into the undernourished lap, the overpsychologized loins, of the liberal academic intelligentsia. They were of course politically opposed to the present programs and movements of the republic in Asian foreign policy, but this political difference seemed no more than a quarrel among engineers. Liberal academics had no root of a real war with technology land itself, no, in all likelihood, they were the natural managers of that future air-conditioned vault where the last of human life would still exist.
Norman Mailer (The Armies of the Night: History as a Novel, the Novel as History)
It is a real puzzle for the science of mind why, when an unpleasant event befalls us—we slice our thumb along with the bagel, or knock a glass of beer into our lap—the topic of our conversation turns abruptly to sexuality, excretion, or religion.
Steven Pinker (The Stuff of Thought: Language as a Window Into Human Nature)
When the carnivorous animal finds prey, he boldly seizes the prey and greedily laps the jetting blood. On the contrary, the herbivorous animal refuses his natural food, leaving it untouched, if it is sprinkled with a little blood. In men we find they cannot bear even the sight of [animal] killings. Slaughterhouses are always recommended to be removed far from the towns. Can flesh then be considered the natural food of man, when both his eyes and his nose are so much against it, unless deceived by flavors of spices, salt and sugar?
Yukteswar Giri (The Holy Science)
When we entered a classroom we always tossed our caps on the floor, to free our hands; as soon as we crossed the threshold we would throw them under the bench so hard that they struck the wall and raised a cloud of dust; this was "the way it should be done." But the new boy either failed to notice this maneuver or was too shy to perform it himself, for he was still holding his cap on his lap at the end of the prayer. It was a head-gear of composite nature, combining elements of the busby, the lancer cap, the round hat, the otter-skin cap and the cotton nightcap--one of those wretched things whose mute ugliness has great depths of expression, like an idiot's face. Egg-shaped and stiffened by whalebone, it began with three rounded bands, followed by alternating diamond-shaped patches of velvet and rabbit fur separated by a red stripe, and finally there was a kind of bag terminating in a cardboard-lined polygon covered with complicated braid. A network of gold wire was attached to the top of this polygon by a long, extremely thin cord, forming a kind of tassel. The cap was new; its visor was shiny. "Stand up," said the teacher. He stood up; his cap fell. The whole class began to laugh. He bent down and picked it up. A boy beside him knocked it down again with his elbow; he picked it up once again. "Will you please put your helmet away?" said the teacher, a witty man.
Gustave Flaubert (Madame Bovary)
What are you doing?” I finally ask. “I'm serenading you.” I slowly nod, fiddling with the strap of my tank top as I say, “You know those people that naturally sing really well and you could listen to them for hours and hours?” “Yeah.” I look up. “You're not one of them.” His lips twitch. “Isn't it about effort?” “Not with singing, no. It's about talent. You don't have it.” “I love you.” “That's not going to make you sound any better.” Laughing, he reaches for me and pulls me to his lap. Zart, Lindy (2014-11-20). Roomies (p. 218). . Kindle Edition.
Lindy Zart (Roomies)
We agreed that whatever happened next in the world, we would still rub conditioner into our hair after we washed it and comb it through to the ends, we would soften our lips with rose-, strawberry-, and cherry-scented balms, and though we would be interested to see a wolf perched in a lonely mountain, we liked our household animals to betray their savage nature and live with us in our reality, which was not theirs. They would lie in our laps and let us stroke them through waves of virus, wars, drought and floods and we would try not to transmit our fear to them.
Deborah Levy (August Blue)
Mr. Severin smiled, tiny constellations of reflected chandelier lights glinting in his eyes. "Since I've told you about my tastes... what are yours?" Cassandra looked down at her folded hands in her lap. "I like trivial things, mostly," she said with a self-deprecating laugh. "Handiwork, such as embroidery, knitting, and needlepoint. I sketch and paint a little. I like naps and teatime, and taking a lazy stroll on a sunny day, and reading books on a rainy afternoon. But I would like two have my own family someday, and... I want to help other people far more than I'm able to now. I take baskets of food and medicine to tenants and acquaintances in the village, but that's not enough. I want to provide real help to people who need it." She sighed shortly. "I suppose that's not very interesting. Pandora's the exciting, amusing twin, the one people remember. I've always been... well, the one who's not Pandora.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Why then I do but dream on sovereignty, Like one that stands upon a promontory And spies a far-off shore where he would tread, Wishing his foot were equal with his eye, And chides the sea that sunders him from thence, Saying, he'll lade it dry to have his way: So do I wish the crown, being so far off, And so I chide the means that keeps me from it, And so, I say, I'll cut the causes off, Flattering me with impossibilities, My eye's too quick, my hear o'erweens too much, Unless my hand and strength could equal them. Well, say there is no kingdom then for Richard; What other pleasure can the world afford? I'll make my heaven in a lady's lap, And deck my body in gay ornaments, And witch sweet ladies with my words and looks. O miserable thought! and more unlikely Than to accomplish twenty golden crowns! Why, love forswore me in my mother's womb; And for I should not deal in her soft laws, She did corrupt frail nature with some bribe, To shrink mine arm up like a wither'd shrub, To make an envious mountain on my back, Where sits deformity to mock my body; To shape my legs of an unequal size, To disproportion me in every part, Like to a chaos, or an unlick'd bear-whelp That carries no impression like the dam. And am I then a man to be belov'd? O monstrous fault, to harbor such a thought! Then since this earth affords no joy to me But to command, to check, to o'erbear such As are of better person than myself, I'll make my heaven to dream upon the crown, And whiles I live, t' account this world but hell, Until my misshap'd trunk that bears this head Be round impaled with a glorious crown. And yet I know not how to get the crown, For many lives stand between me and home; And I - like one lost in a thorny wood, That rents the thorns, and is rent with the thorns, Seeking a way, and straying from the way, Not knowing how to find the open air, But toiling desperately to find it out - Torment myself to catch the English crown; And from that torment I will free myself, Or hew my way out with a bloody axe. Why, I can smile, and murther whiles I smile, And cry "Content" to that which grieves my heart, And wet my cheeks with artificial tears, And frame my face to all occasions. I'll drown more sailors than the mermaid shall, I'll slay more gazers than the basilisk, I'll play the orator as well as Nestor, Deceive more slily than Ulysses could, And like a Simon, take another Troy. I can add colors to the chameleon, Change shapes with Proteus for advantages, And set the murtherous Machevil to school. Can I do this, and cannot get a crown? Tut, were it farther off, I'll pluck it down.
William Shakespeare (King Henry VI, Part 3)
Ellie discovered that the whole set-up was the opposite of empowering. 'You are totally and utterly pleasing – that's the game, to be impressed by them. It's not necessarily the best-looking women who do the best, but it's about how much you can convince them that they have the power.' And although Ellie stopped lap dancing a couple of years ago, she hasn't shrugged off its impact. 'You get all this positive affirmation about your appearance, of a totally superficial nature,''she said, 'and in a way that feels good. But it's affirmation of something I already believed, that I am an object, and now I will probably always struggle to see myself sexually in any other way.
Natasha Walter (Living Dolls: The Return of Sexism)
Her nature had, in her conceit, a certain garden-like quality, a suggestion of perfume and murmuring boughs, of shady bowers and lengthening vistas, which made her feel that introspection was, after all, an exercise in the open air, and that a visit to the recesses of one's spirit was harmless when one returned from it with a lapful of roses.
Henry James (The Potrait of a lady)
Her nature had, in her conceit, a certain garden-like quality, a suggestion of perfume and murmuring boughs, of shady bowers and lengthening vistas, which made her feel that introspection was, after all, an exercise in the open air, and that a visit to the recesses of one's spirit was harmless when one returned from it with a lapful of roses.
Henry James (The Potrait of a lady)
Exchanging Hats Unfunny uncles who insist in trying on a lady's hat, --oh, even if the joke falls flat, we share your slight transvestite twist in spite of our embarrassment. Costume and custom are complex. The headgear of the other sex inspires us to experiment. Anandrous aunts, who, at the beach with paper plates upon your laps, keep putting on the yachtsmen's caps with exhibitionistic screech, the visors hanging o'er the ear so that the golden anchors drag, --the tides of fashion never lag. Such caps may not be worn next year. Or you who don the paper plate itself, and put some grapes upon it, or sport the Indian's feather bonnet, --perversities may aggravate the natural madness of the hatter. And if the opera hats collapse and crowns grow draughty, then, perhaps, he thinks what might a miter matter? Unfunny uncle, you who wore a hat too big, or one too many, tell us, can't you, are there any stars inside your black fedora? Aunt exemplary and slim, with avernal eyes, we wonder what slow changes they see under their vast, shady, turned-down brim.
Elizabeth Bishop
Just as we would be inestimably poorer to be denied the opportunity to see giraffes, roses, bombardier beetles, tulips, and little black house cats with white spots on their chests that sit on our laps as we write, we lose one of the true wonders of the world every time one of these glorious variations on a theme set by the first language slips away unrecorded for posterity.
John McWhorter (The Power of Babel: A Natural History of Language)
Even if you stabbed the young virgin to death and thereby succeeded in preserving her purity, when once you begin to hear the banal footsteps of decadence, those matter-of-fact footsteps like the endless lapping of waves upon the shore, you cannot help but recognize that the petty nature of human action, the petty nature of that virgins purity thus preserved, is nothing more than a bubble-like, empty illusion.
Ango Sakaguchi (Discourse on Decadence)
How long are you planning on us sitting up here, kid?" Brendan asked. I looked over at him. He sat still, with his head leant back against the rooftop wall, his eyes closed, his hands resting on his lap. "Sorry, is being here getting in the way of your beauty sleep?" "I don't need beauty sleep, kid. I'm naturally this good-looking." I snorted. "Whatever makes you feel good, Shifter." No point boosting his ego.
Elizabeth Morgan (Cranberry Blood (Blood, #1))
In the realm of sense and reason it seemed logical for something to make sense for no reason (natural order) or not make sense for some reason (the deliberate design of deception) but it seemed perverse to have things make no sense for no reason. What if you colonize your own mind and when you get inside, the furniture is attached to the ceiling? What if you step inside and when you touch the furniture, you realize it’s all just cardboard cutouts and it all collapses beneath the pressure of your finger? What if you get inside and there’s no furniture? What if you get inside and it’s just you in there, sitting in a chair, rolling figs and eggs around in the basket on your lap and humming a little tune? What if you get inside and there’s nothing there, and then the door hatch closes and locks? What is worse: being locked outside of your own mind, or being locked inside of it?
Carmen Maria Machado (Her Body and Other Parties: Stories)
We Let the Boat Drift I set out for the pond, crossing the ravine where seedling pines start up like sparks between the disused rails of the Boston and Maine. The grass in the field would make a second crop if early autumn rains hadn't washed the goodness out. After the night's hard frost it makes a brittle rustling as I walk. The water is utterly still. Here and there a black twig sticks up. It's five years today, and even now I can't accept what cancer did to him -- not death so much as the annihilation of the whole man, sense by sense, thought by thought, hope by hope. Once we talked about the life to come. I took the Bible from the nightstand and offered John 14: "I go to prepare a place for you.""Fine. Good," he said. "But what about Matthew? 'You, therefore, must be perfect, as your heavenly Father is perfect.'" And he wept. My neighbor honks and waves driving by. She counsels troubled students; keeps bees; her goats follow her to the mailbox. Last Sunday afternoon we went canoeing on the pond. Something terrible at school had shaken her. We talked quietly far from shore. The paddles rested across our laps; glittering drops fell randomly from their tips. The light around us seemed alive. A loon-itinerant- let us get quite close before it dove, coming up after a long time, and well away from humankind
Jane Kenyon (Otherwise: New and Selected Poems)
Sometimes difficulty clarifies things. And sometimes realizing that the road you’ve chosen is a demanding one gives you the courage to stay on that road. It reveals the nature of our relationship with God. It sounds cute and comforting to say “God is in control,” and people who say that may imagine sitting on their daddy’s lap behind the wheel of the family car, going “Vroom vroomy vroom!” while Daddy does the steering. In reality, when God is in control, it feels more like one of those movies where some amateur has to step up and land the airplane or steer the ship to safety through a crashing storm, with an expert giving them instructions remotely through a headset. In theory, following the expert’s instructions will help us get in safely; but our fear, panic, self-doubt, and lack of skill are not exactly comforting. Yes, God is in control, but we’re the ones who are in for a rough ride.
Simcha Fisher (The Sinner's Guide to Natural Family Planning)
...you're not the first I've interrupted by mistake. You've not shocked me, and you've not surprised me either." I look up at him too quickly, and my vision swims. He puts a steadying hand on my shoulder. "If you thought I was ignorant as to the nature of your relationship with Mr. Newton, you may need to reexamine your concept of appropriate of physical fondness between friends." I nod, trying to pretend its fine when really my muscles are clenched, and I'm fighting the urge to run. I don't want to have this conversation. I don't know where it's going, but my instincts tell me to scoot away from it. I can feel my shoulders rise, and perhaps he notices for he lets his his hands fall away, and instead, folds them in his lap. Perhaps its only in my own mind, but it feels like a deliberate gesture, as though he's putting his hands away to show he won't raise them against me. "We aren't that obvious," I say, and when Scipio gives me a pointed look I add," I know plenty of lads who are fond without being unchaste. "But its clear you're not those lads." I'm not sure he hears the way my breath hitches for he quickly adds, "which is fine. Who gives a fig for chastity anyways." He laughs at his own joke, glancing over at me like he hoping I might join in. I wonder suddenly if this is what it's meant to be like with a father and a son and a first real love.
Mackenzi Lee (The Gentleman’s Guide to Getting Lucky (Montague Siblings, #1.5))
read as to eat. I was greatly taken with this new way of talking and derived considerable pleasure from speaking it to the waiter. I asked him for a luster of water freshly drawn from the house tap and presented au nature in a cylinder of glass, and when he came around with the bread rolls I entreated him to present me a tonged rondelle of blanched wheat, oven baked and masked in a poppy-seed coating. I was just getting warmed up to this and about to ask for a fanned lap coverlet, freshly laundered and scented with a delicate hint of Lemon Daz, to replace the one that had slipped from my lap and now lay recumbent on the horizontal walking surface subjacent to my feet, when he handed me a card that said “Sweets Menu” and I realized that we were back in the no-nonsense world of English. It’s a funny thing about English diners. They’ll let you dazzle them with piddly duxelles of this and fussy little noisettes of that, but don’t mess with their puddings,
Bill Bryson (Notes from a Small Island)
Hollin was still sitting with Levitas’s head in his lap, a bucket now beside him; he was squeezing water from a clean cloth into the dragon’s open mouth. He looked at Rankin without bothering to hide his contempt, but then he bent over and said, “Levitas, come along now; look who’s come.” Levitas’s eyes opened, but they were milky and blind. “My captain?” he said uncertainly. Laurence thrust Rankin forward and down onto his knees, none too gently; Rankin gasped and clutched at his thigh, but he said, “Yes, I am here.” He looked up at Laurence and swallowed, then added awkwardly, “You have been very brave.” There was nothing natural or sincere in the tone; it was as ungraceful as could be imagined. But Levitas only said, very softly, “You came.” He licked at a few drops of water at the corner of his mouth. The blood was still welling sluggishly from beneath the dressing, thick enough to slightly part the bandages one from the other, glistening and black. Rankin shifted uneasily; his breeches and stockings were being soaked through, but he looked up at Laurence and did not try to move away. Levitas gave a low sigh, and then the shallow movement of his sides ceased. Hollin closed his eyes with one rough hand. Laurence’s hand was still heavy on the back of Rankin’s neck; now he lifted it away, rage gone, and only tight-lipped disgust left. “Go,” he said. “We who valued him will make the arrangements, not you.” He did not even look at the man as Rankin left the clearing.
Naomi Novik (His Majesty's Dragon (Temeraire, #1))
In a different room, but comparable to the first, subjects were met individually, and it was explained that they were to seat themselves comfortably with their hands in their lap in a chair before a writing table on which was a pad of paper and a pencil. They were to look continuously at the pencil until their hand picked it up and started to write involuntarily. They were to concentrate secondarily on the lifting of the hand and primarily on seeing the pencil begin to write, and to do nothing more.
Milton H. Erickson (The Collected Works of Milton H. Erickson, MD: Volume 1: The Nature of Therapeutic Hypnosis)
His thumb rubbed over her knee, and Priss wondered if he was aware of doing it, if he did it on purpose to turn her on, or if it was extension of the thoughts she saw flickering across his face. “Trace . . .” “It occurs to me that I didn’t see a single freckle on you. Not on your face.” He gave her a quick, level look. “And not on your body.” “Yeah, so?” “That’s kind of curious, don’t you think, given the color of your hair?” Priss lifted his hand and dropped it over next to him. “Okay, first off, hands to yourself. Got it?” He said nothing, but she saw the corner of his mouth tilt up in the slightest of smiles. “Secondly, did you happen to notice that my brows and lashes are a darker brown without a hint of red?” “Meaning?” “Meaning I’m not like other redheads who are . . .” Her face heated. “Red all over.” “Yeah?” He glanced at her lap meaningfully. “Do tell.” Priss punched him in the shoulder. “I don’t like what you’re thinking.” “You don’t know what I’m thinking.” And with another provoking grin, “Do you?” Like she’d say it out loud? No way. Priss crossed her arms. “If you were hinting that you think I dye my hair, I don’t. Everything on me is natural.” “We’ll see.” “No, we will not see a damn thing!” Under his breath, Trace said, “I damn near saw today. If I’d moved a foot closer for a better look—” “Stop it!” Priss felt heat throbbing in her face, and she hated it. “And that reminds me. I want you to delete that damned picture.” “Not a chance. Seeing you in that getup was a trophy moment for me.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
O thou sweet king-killer, and dear divorce 'Twixt natural son and sire! thou bright defiler Of Hymen's purest bed! thou valiant Mars! Thou ever young, fresh, loved and delicate wooer, Whose blush doth thaw the consecrated snow That lies on Dian's lap! thou visible god, That solder'st close impossibilities, And makest them kiss! that speak'st with every tongue, To every purpose! O thou touch of hearts! Think, thy slave man rebels, and by thy virtue Set them into confounding odds, that beasts May have the world in empire!
William Shakespeare (Timon of Athens)
And in all those escapes he could not help being astonished by the beauty of this land that was not his. He hid in its breast, fingered its earth for food, clung to its banks to lap water and tried not to love it. On nights when the sky was personal, weak with the weight of its own stars, he made himself not love it. Its graveyards and low-lying rivers. Or just a house - solitary under a chinaberry tree; maybe a mule tethered and the light hitting its hide just so. Anything could stir him and he tried hard not to love it.
Toni Morrison (Beloved (Beloved Trilogy, #1))
Your body is almost always within your control. This is rare in life, perhaps unique. Simply focusing on some measurable element of you physical nature can prevent you from becoming a "Dow Joneser," someone whose self-worth is dependent on things largely outside of their control. Job not going well? Company having issues? Some idiot making life difficult? If you add ten laps to your swimming or if you cut five seconds off your best mile time, it can still be a great week. Controlling your body puts you in life's driver's seat. p467
Timothy Ferriss (The 4-Hour Body: An Uncommon Guide to Rapid Fat-Loss, Incredible Sex, and Becoming Superhuman (Audiobook))
My dear Orga is here on my lap, sleeping blissfully after I spoilt her with the best cuts of meat from the café and a great deal of cream. Rose made several withering remarks about the devilish nature of faerie cats, as well as my indulgence of her, which he seemed to think a bit maudlin, and yet I saw that old hypocrite sneak her several morsels from his dinner plate when he thought I wasn't looking. Like Shadow, she has adopted a glamour here, and presently looks every bit the part of an ordinary mortal cat, apart from her eyes, which flask like gold coins.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
How do you remain an individual when you are also part of so powerfully driven a pair?” “Irrational or justified, it is what it is.” Gideon was realizing the logic of that for himself even as he spoke the words. “Perhaps, in time, it will be less acute. I have no desire to rob you of your individuality, nor do I wish to lose my own. It is difficult for me as well . . . I have been so solitary throughout my lifetime, and now, to be suddenly given such riveting company . . . I fear I cannot do you the justice you deserve. And for you it will be worse; with the influx of power you are beginning to experience it will be taxing, to say the least.” “I know.” Legna reached up and splayed her palms over the dark silk covering his chest. “I suppose at some point, if I start to go crazy, you are going to have to knock me out or tie me up or something.” “Hmm. The latter has possibilities,” he mused with a growling smile that erased the tension in his face. Legna laughed, giving him a shove. “Gideon, you are nothing but an ancient pervert,” she teased him. “And this is an issue because . . . ?” “You are horrible!” She pushed away from him, gaining her feet. He reached to take her hand, pulling her closer once more and continuing to do so until she had nowhere else to go but his lap. She took the seat, her voluminous skirts spreading over them both. “I will forgive you, this time,” she conceded. “Thank you,” he said with honest graciousness. “Now, my beauty, tell me what you would like to do to get to know me better. I find myself looking forward to your discoveries.” “Well, I did not think of anything specific. I imagined time would fill itself.” “That is dangerously liberal, sweet. If you leave it up to the natural course of things, I can tell you exactly what we will end up doing.” Legna giggled, blushing because she realized he was right. Even just sitting in his lap and talking as she was, she could feel the mutual awareness that sparked between them, constantly simmering and waiting for just a little more heat to bring them up to the boiling point. “Very well, I am open to suggestions,” she invited. “Again, too liberal,” he teased, his eyes twinkling with mischievous starlight. “You are incorrigible. I never realized you were a sex fiend, Gideon.” “I am now,” he amended, drawing a finger down the slope of her nose.
Jacquelyn Frank (Gideon (Nightwalkers, #2))
At her feet, a luminous path lit the way through the grassy field. It was made entirely from glow sticks; each of the radiant lights had been painstakingly set into the ground at perfect intervals, tracing a curved trail that shone through the darkness. Apparently, Jay had been busy. Near the water’s edge, at the end of the iridescent pathway and beneath a stand of trees, Jay had set up more than just a picnic. He had created a retreat, an oasis for the two of them. Violet shook her head, unable to find the words to speak. He led her closer, and Violet followed, amazed. Jay had hung more of the luminous glow sticks from the low-hanging branches, so they dangled overhead. They drifted and swayed in the breeze that blew up from the lake. Beneath the natural canopy of limbs, he had set up two folding lounge chairs and covered them with pillows and blankets. “I’d planned to use candles, but the wind would’ve blown ‘em out, so I had to improvise.” “Seriously, Jay? This is amazing.” Violet felt awed. She couldn’t imagine how long it must have taken him. “I’m glad you like it.” He led her to one of the chairs and drew her down until she was sitting before he started unpacking the cooler. She half-expected him to pull out a jar of Beluga caviar, some fancy French cheeses, and Dom Perignon champagne. Maybe even a cluster of grapes to feed to her…one at a time. So when he started laying out their picnic, Violet laughed. Instead of expensive fish eggs and stinky cheeses, Jay had packed Daritos and chicken soft tacos-Violet’s favorites. And instead of grapes, he brought Oreos. He knew her way too well. Violet grinned as he pulled out two clear plastic cups and a bottle of sparkling cider. She giggled. “What? No champagne?” He shrugged, pouring a little of the bubbling apple juice into each of the flimsy cups. “I sorta thought that a DUI might ruin the mood.” He lifted his cup and clinked-or rather, tapped-it against hers. “Cheers.” He watched her closely as she took a sip. For several moments, they were silent. The lights swayed above them, creating shadows that danced over them. The park was peaceful, asleep, as the lake’s waters lapped the shore. Across from them, lights from the houses along the water’s edge cast rippling reflections on the shuddering surface. All of these things transformed the ordinary park into a romantic winter rendezvous.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
—Qui vous a mis dans cette fichue position? —c'est le pigeon, Joseph. Patrice, home on furlough, lapped warm milk with me in the bar MacMahon. Son of the wild goose, Kevin Egan of Paris. My father's a bird, he lapped the sweet lait chaud with pink young tongue, plump bunny's face. Lap, lapin. He hopes to win in the gros lots. About the nature of women he read in Michelet. But he must send me La Vie de Jesus by M. Leo Taxil. Lent it to his friend. —C'est tordant, vous savez. Moi, je suis socialiste. Je ne crois pas en l'existence de Dieu. Faut pas le dire a mon p-re. —Il croit? —Mon pere, oui.
James Joyce (Ulysses and Dubliners)
From "The Jasmine Farm" by Elizabeth von Arnim, c 1934: "...except for a little trickle of water somewhere near, and the piping, on an oleander bush, of a solitary bird, so great a stillness surrounded her that in the whole world there might have been no one but herself. Relaxed she sat, her hands palm upwards on her lap, her mouth open because she was too tired to keep it shut. If she had known it, she was being exquisitely welcomed. The scented air, floating past her, lingered to pat her face. From a row of Madonna lilies, under the windows of the house, came fragrance, crossing the grass to greet her. Slanting shadows cooled her. The bird piped away, as if to her alone, songs of wisdom and good cheer. She was surrounded, companioned, pressed upon by beauty; and, for all she saw of it, it might have been Tottenham Court Road in a fog. 'Lift up your heart,' something whispered--'foolish woman, lift up your heart.' But of what use is it to exhort the absorbed, those who are steeped in their own particular tragedies, to do things like that? She heard the whisper, she recognised that familiar words were drifting through her mind, and all she did about it was listlessly to wonder that anybody had enough energy to lift up anything.
Elizabeth von Arnim (La fattoria dei gelsomini)
Growing up where she did, Beatrix had developed a romantic and adventurous nature, and she had no outlet for it any more. The happiest times I can remember spending with them were when we drove out - twice, I think - to the Long Mynd for a picnic. Roger had long since traded in his motorbike and scraped together enough money to buy a second-hand Morris Minor. Somehow we all squeezed into this (I seem to recall sitting in the front passenger seat, Beatrix sitting behind me with the baby on her lap) and drove out for the afternoon to those wonderful Shropshire hills. I wonder if you have ever walked on them yourself, Imogen. They are part of your story, you know. So many things have changed, changed beyond recognition, in the almost sixty years since the time I'm now recalling, but the Long Mynd is not one of them. In the last few months I have been too ill to walk there, but I did manage to visit in the last spring, to offer what I already sensed would be my final farewells. Places like this are important to me - to all of us - because they exist outside the normal timespan. You can stand on the backbone of the Long Mynd and not know if you are in the 1940s, the 2000s, the tenth or eleventh century... It is all immaterial, all irrelevant. The gorse and the purple heather are unchanging, and so are the sheeptracks which cut through them and criss-cross them, the twisted rocky outcrops which surprise you at every turn, the warm browns of the bracken, the distant greys of the conifer plantations, tucked far away down in secretive valleys. You cannot put a price on the sense of freedom and timelessness that is granted to you there, as you stand on the high ridge beneath a flawless sky of April blue and look across at the tame beauties of the English countryside, to the east, and to the west a hint of something stranger - the beginnings of the Welsh mountains
Jonathan Coe (The Rain Before it Falls)
But you're worried I'll get in trouble?" I try not to show how much this pleases me. I've managed to ignore him for days now and here I sit. Lapping up his attention like a neglected puppy. My voice takes on an edge. "Why do you care? I've ignored you for days." His smile fades. He looks serious, mockingly so. "Yeah. You got to stop that." I swallow back a laugh. "I can't." "Why?" There's no humor in his eyes now, no mockery. "You like me. You want to be with me." "I never said-" "You didn't have to." I inhale sharply. "Don't do this." He looks at me so fiercely, so intently. Angry again. "I don't have friends. Do you see my hang with anyone besides my jerk cousins? That's for a reason. I keep people away on purpose," he growls. "But then you came along..." I frown and shake my head. His expression softens then, pulls at some part of me. His gaze travels my face, warming the core of me. "Whoever you are, Jacinda, you're someone I have to let in." He doesn't say anything for a while, just studies me in that intense way. His nostrils flare, and again it's like he's taking in my scent or something. He continues, "Somehow, I think I know you. From the first moment I saw you, I felt that I knew you." The words run through me, reminding me of when he let me escape in the mountains. He's good. Protective. I have nothing to fear from him, but everything to fear from his family. I scoot closer, the draw of him too great. My warming core, the vibrations inside my chest feel so natural, so effortless around him. I know I need to be careful, exercise restraint, but it feels too good. The pulse at his neck skips against his flesh. "Jacinda." My skin ripples at his hoarse whisper. I stare up at him, waiting. He slides down to land solidly on my step. He brings his face close to mine, angles his head. His breath is hard. Fast. Fills the space, the inch separating us. I touch his cheek, see my hand shake, and quickly pull it back. He grabs my wrist, places my palm back against his cheek, and closes his eyes like he's in agony. Or bliss. Or maybe both. Like he's never been touched before. My heart squeezes. Like I've never touched anyone before. "Don't stay away from me anymore." I stop myself, just barely, from telling him I won't. I can't promise that. Can't lie. He opens his eyes. Stares starkly, bleakly. "I need you." He says this like it doesn't make sense to him. Like it's the worst possible thing. A misery he must endure. I smile, understanding. Because it's the same for me. "I know." Then he kisses me.
Sophie Jordan (Firelight (Firelight, #1))
Behind the sullen girl sat Denis Cooverman, sweating: along the cap of his mortarboard, trickling behind his ears and rippling down his forehead; around his nostrils and in that groove below his nose (which Denis would be quick to identify as the philtrum...); from his palms, behind his knees, inside his elbows, between his toes and from many locations not typically associated with perpiratory activity; squirting out his nipples, spewing from his navel, coursing between his buttocks and forming a tiny lake that gently lapped at his genitals; from under his arms, naturally, in two varietals--hot and sticky,a nd cold and terrified.
Larry Doyle
Like A Hanged Pitcher Like a hanged pitcher, No drink is pouring off me It's natural to get numbed gradually. Pig-headed seashells! This boasting sky, Is an anchor which has fallen on my lap This dizzy sky! The moon's been cleared A shadow's coming after me Barefooted on my dreams You used to run! Enjoyed?! Numb! All my veins are connected to this land... Like a hanged pitcher Joyful of this sky One day a huge whale swallowed it as a whole. And it was over! The Gulf was over! You waved hands. Like a hanged pitcher, It's simple! I lost the game And gambled away... (TRANSLATED FROM ORIGINAL PERSIAN TO ENGLISH BY ROSA JAMALI)
Rosa Jamali (Selected Poems of Rosa Jamali)
My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys. On especially tropical afternoons, in the sticky closeness of the siesta, I liked the cool feel of armchair leather against my massive nakedness as I held her in my lap. There she would be, a typical kid picking her nose while engrossed in the lighter sections of a newspaper, as indifferent to my ecstasy as if it were something she had sat upon, a shoe, a doll, the handle of a tennis racket, and was too indolent to remove.
Vladimir Nabokov (Lolita)
In the summer, as the heavy moths beat their powdery wings against his window screen, he wrote to her about the island, describing how the berry bushes were laden with fruit, and where the most succulent oysters could be found, and the way the bioluminescence lit the lapping waves and filled the ocean with twinkling planktonic forms that mirrored the stars in the sky. He translated the vast, wild, Pacific Rim ecosystem into poetry and pixels, transmitting them all the way to her small monitor in Manhattan, where she waited, leaning into the screen, eagerly reading each word with her heart in her throat, because by then she was deeply in love.
Ruth Ozeki (A Tale for the Time Being)
You Still Live (Overcoming Grief Sonnet) After your month long battle for breath, Today I place you in nature's lap. I know she'll care for you well, like she once brought you to the world. Fact of the matter is, you still live, just in different form among the elements. Nature's forces make us awake and restless, Nature's forces coerce us into eternal rest. There is no heaven, there is no hell, these are concepts made by cowards. Life is too sacred to be confined by obsolete lies and superstitions. Your light of affection shall continue to shine bright in my memories. You who was, nay, is like my second mother, I won't say goodbye, for you still live.
Abhijit Naskar (Dervis Vadisi: 100 Promissory Sonnets)
You were right. Food is communal. Mom once told me that it was no accident that Jesus's first miracle was at a wedding. It was a sign that he was the Master of the Feast---and all celebrations involve a feast. Some of the best, most thankful moments of our lives involve food----almost all, really." I tapped Emma, resting on Jane's lap. "You see it in Austen. She only mentions food as a means to bring characters together, reveal aspects of their nature and their moral fiber. Hemingway does the same, though he skews more towards the drinks. Nevertheless, it's never about the food----it's about what the food becomes, in the hands of the giver and the recipient.
Katherine Reay (Lizzy and Jane)
Of the natural conditions of man is his search after an Exalted Being towards Whom he has an inherent attraction. This is manifested by an infant from the moment of its birth. As soon as it is born, it displays a spiritual characteristic that it inclines towards its mother and is inspired by love of her. As its faculties are developed and its nature begins to display itself openly, this inherent quality is displayed more and more strongly. It finds no comfort anywhere except in the lap of its mother. If it is separated from her and finds itself at a distance from her, its life becomes bitter. Heaps of bounties fail to beguile it away from its mother in whom all its joy is concentrated. It feels no joy apart from her. What, then, is the nature of the attraction which an infant feels so strongly towards its mother? It is the attraction which the True Creator has implanted in the nature of man. The same attraction comes into play whenever a person feels love for another. It is a reflection of the attraction that is inherent in man's nature towards God, as if he is in search of something that he misses, the name of which he has forgotten and which he seeks to find in one thing or another which he takes up from time to time. A person's love of wealth or offspring or wife or his soul being attracted towards a musical voice are all indications of his search for the True Beloved.
Mirza Ghulam Ahmad (The Philosophy of the Teachings of Islam)
One article on reproductive strategies was titled "Sneaky Fuckers." Kya laughed. As is well known, the article began, in nature, usually the males with the most prominent secondary sexual characteristics, such as the biggest antlers, deepest voices, broadest chests, and superior knowledge secure the best territories because they have fended off weaker males. The females choose to mate with these imposing alphas and are thereby inseminated with the best DNA around, which is passed on to the female's offspring- one of the most powerful phenomena in the adaptation and continuance of life. Plus, the females get the best territory for their young. However, some stunted males, not strong, adorned, or smart enough to hold good territories, possess bags of tricks to fool the females. They parade their smaller forms around in pumped-up postures or shout frequently- even if in shrill voices. By relying on pretense and false signals, they manage to grab a copulation here or there. Pint-sized male bullfrogs, the author wrote, hunker down in the grass and hide near an alpha male who is croaking with great gusto to call in mates. When several females are attracted to his strong vocals at the same time, and the alpha is busy copulating with one, the weaker male leaps in and mates one of the others. The imposter males were referred to as "sneaky fuckers." Kya remembered, those many years ago, Ma warning her older sisters about young men who overrevved their rusted-out pickups or drove jalopies around with radios blaring. "Unworthy boys make a lot of noise," Ma had said. She read a consolation for females. Nature is audacious enough to ensure that the males who send out dishonest signals or go from one female to the next almost always end up alone. Another article delved into the wild rivalries between sperm. Across most life-forms, males compete to inseminate females. Male lions occasionally fight to the death; rival bull elephants lock tusks and demolish the ground beneath their feet as they tear at each other's flesh. Though very ritualized, the conflicts can still end in mutilations. To avoid such injuries, inseminators of some species compete in less violent, more creative methods. Insects, the most imaginative. The penis of the male damselfly is equipped with a small scoop, which removes sperm ejected by a previous opponent before he supplies his own. Kya dropped the journal on her lap, her mind drifting with the clouds. Some female insects eat their mates, overstressed mammal mothers abandon their young, many males design risky or shifty ways to outsperm their competitors. Nothing seemed too indecorous as long as the tick and the tock of life carried on. She knew this was not a dark side to Nature, just inventive ways to endure against all odds. Surely for humans there was more.
Delia Owens (Where the Crawdads Sing)
Unkar Delta at Mile 73 The layers of brick red sandstone, siltstone, and mudstone of the Dox formation deposited a billion years ago, erode easily, giving the landscape an open, rolling character very different that the narrow, limestone walled canyon upstream, both in lithology and color, fully fitting Van Dyke’s description of “raspberry-red color, tempered with a what-not of mauve, heliotrope, and violet.” Sediments flowing in from the west formed deltas, floodplains, and tidal flats, which indurated into these fine-grained sedimentary rocks thinly laid deposits of a restful sea, lined with shadows as precise as the staves of a musical score, ribboned layers, an elegant alteration of quiet siltings and delicious lappings, crinkled water compressed, solidified, lithified.
Ann Zwinger (Downcanyon: A Naturalist Explores the Colorado River through the Grand Canyon)
There is a deep stillness in the Fakahatchee, but there is not a moment of physical peace. Something is always brushing against you or lapping at you or snagging at you or tangling in your legs, and the sun is always pummeling your skin, and the wetness in the air makes your hair coil like a phone cord. You never smell plain air in a swamp - you smell the tang of mud and the sourness of rotting leaves and the cool musk of new leaves and the perfumes of a million different flowers floating by, each distinct but transparent, like soap bubbles. The biggest number in the universe would not be big enough to count the things your eyes see. Every inch of land holds up a thatch of tall grass or a bush or a tree, and every bush or tree is girdled with another plant’s roots, and every root is topped with a flower or a fern or a swollen bulb, and every one of those flowers and ferns is the pivot around which a world of bees and gnats and spiders and dragonflies revolve. The sounds you hear are twigs cracking underfoot and branches whistling past you and leaves murmuring and leaves slopping over the trunks of old dead trees and every imaginable and unimaginable insect noise and every kind of bird peep and screech and tootle, and then all those unclaimed sounds of something moving in a hurry, something low to the ground and heavy, maybe the size of a horse in the shape of a lizard, or maybe the size, shape and essential character of a snake. In the swamp you feel as if someone had plugged all of your senses into a light socket. A swamp is logy and slow-moving about at the same time highly overstimulating. Even in the dim, sultry places deep within it, it is easy to stay awake.
Susan Orlean (The Orchid Thief)
Nietzsche leaving his hotel in Turin. Seeing a horse and a coachman beating it with a whip, Nietzsche went up to the horse and, before the coachman's very eyes, put his arms around the horse's neck and burst into tears. That took place in 1889, when Nietzsche, too, had re-moved himself from the world of people. In other words, it was at the time when his mental illness had just erupted. But for that very reason I feel his gesture has broad implications: Nietzsche was trying to apologize to the horse for Descartes. His lunacy (that is, his final break with mankind) began at the very moment he burst into tears over the horse. And that is the Nietzsche I love, just as I love Tereza with the mortally ill dog resting his head in her lap. I see them one next to the other: both stepping down from the road along which mankind, the master and proprietor of nature, marches onward.
Milan Kundera (The Unbearable Lightness of Being)
At the foot of the mountain the old man found himself in a broad glade grown thick with rushes, a small stream looping placidly over shallow sands stippled with dace shadows, the six-pointed stars of skating waterspiders drifting like bright frail medusas. He squatted and dipped a palmful of water to his lips, watched the dace drift and shimmer. Scout waded past him, elbow-deep into the stream, lapped at it noisily. Strings of red dirt receded from his balding hocks, marbling in the water like blood. The dace skittered into the channel and a watersnake uncurled from a rock at the far bank and glided down the slight current, no more demonstrative of effort or motion than a flute note. The old man drank and then leaned back against the sledge. The glade hummed softly. A woodhen called from the timber on the mountain and to that sound of all summer days of seclusion and peace the old man slept.
Cormac McCarthy (The Orchard Keeper)
he liked it all, that was his secret. He saw how fleeting it would all be, how quickly the kids went through the different phases, and how once those small things were gone, they never returned. A walking child never crawled again. So secretly, it was okay with him. Rachel loved her children, he was sure of that, but she was never natural around them. She was afraid to be alone with them most of the time. She grew impatient if they hung on her or talked too long, always feeling the pull of being elsewhere. Toby could have either or both of them on his lap for hours before even realizing it. At work, he was able to sit with his patients, knowing that this was not a stepping-stone for his life but life itself. Can you imagine what it’s like to have arrived where you want to be at such a young age? That was what she never understood: that ambition didn’t always run uphill. Sometimes, when you were happy, it jogged in place.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
Salt Marsh Goddess by Michelle Joers "You may need a super-human super-hero super-natural god/dess, hammer or harp in hand, horse-bodied or jackal-headed, Lady of the Lake or Lord of the Seas.* But I have the deep, deep ocean and strong winds driving waves upon the shore driving me to my knees for absolution driving me to oblivion; I have a sun that warms tender shoots, crooning them from the loamy body of a Living Earth; The caress of the Willow branch as I lie beneath her roots, book in hand, and squirmy child in lap. The Salt Marsh Goddess speaks to me in ringing tones, as clear as any god of myth does for you & she speaks in a thousand tongues— Spartina, Juniperus, Myrica, Sesarma, Uca, Littorina, Malaclemys, Ardea, Alligator …just to name a few. I have prayed at her temple as the tide pours into my boots And divined my future with her bones I have bled for her | I have tasted her flesh And drank of her blood | And given her mine While you argue over how to resurrect gods of long passed cultures, I’ll be the one covered in mud and dancing with the rushes, celebrating a goddess born of glaciers.
John Halstead (Godless Paganism: Voices of Non-Theistic Pagans)
The wind was blustering again, whipping the curtains. Peter went over to close the window. The moon was now high on the eastern rise, radiant above the church where small water-cart clouds raced across the sky. About to fasten the window latch, his eye was drawn down to the garden. The fox stood under the apple tree looking up at him. The animal began to bark. Each monosyllabic yip and yap seemed to mimic human speech. By some strange power or spell, Peter could understand what the animal was saying. He heard the words loud and clear. ‘I-am Si-on,’ the fox barked. Man and beast looked unwaveringly at one another, neither moving a muscle. The wind stopped blowing, the curtains hung at rest. Peter leaned out the window. ‘What do you want from me?’ he called down. ‘Save-us-from-the-stea-lers,’ barked Sion. Peter’s mind reeled. It would be madness to believe he could understand what the fox was saying—lunacy to think he could commune with it! ‘I must still be asleep,’ he reasoned, closing the window. He sat down on the bed, folding his hands in his lap. But this is not a dream. Lying down, he pulled the bedcovers over himself. ‘Save-us! Save-us! Save-us!’ the fox kept barking from the garden.
Robin Craig Clark (Heart of the Earth: A Fantastic Mythical Adventure of Courage and Hope, Bound by a Shared Destiny)
S’il est quelquefois logique de s’en rapporter à l’apparence des phénomènes, ce premier chant finit ici. Ne soyez pas sévère pour celui qui ne fait encore qu’essayer sa lyre : elle rend un son si étrange ! Cependant, si vous voulez être impartial, vous reconnaîtrez déjà une empreinte forte, au milieu des imperfections. Quant à moi, je vais me remettre au travail, pour faire paraître un deuxième chant, dans un laps de temps qui ne soit pas trop retardé. La fin du dix-neuvième siècle verra son poète (cependant, au début, il ne doit pas commencer par un chef d’œuvre, mais suivre la loi de la nature) ; il est né sur les rives américaines, à l’embouchure de la Plata, là où deux peuples, jadis rivaux, s’efforcent actuellement de se surpasser par le progrès matériel et moral. Buenos-Ayres, la reine du Sud, et Montevideo, la coquette, se tendent une main amie, à travers les eaux argentines du grand estuaire. Mais, la guerre éternelle a placé son empire destructeur sur les campagnes, et moissonne avec joie des victimes nombreuses. Adieu, vieillard, et pense à moi, si tu m’as lu. Toi, jeune homme, ne désespère point ; car, tu as un ami dans le vampire, malgré ton opinion contraire. En comptant l’acarus sarcopte qui produit la gale, tu auras deux amis !
Comte de Lautréamont (Les Chants de Maldoror)
None were particularly interesting, although I got a kick out of a note from the Philadelphia Zoo suggesting that since the tiger was not entirely reliable around humans, perhaps Mr. Willing would consider a leopard for his painting instead. It had been a pet until the demise (natural) of its owner and would, if not firmly admonished, climb into a person's lap, purring, and drool copiously. I pulled a sheet of scrap paper (the Stars spent a lot of time sending all-school e-mails about recycling) out of my bag and made a note on the blank side: "Leopard in The Lady in DeNile?" It wasn't my favorite, Cleopatra Awaiting the Return of Anthony. It was a little OTT, loaded with gold and snake imagery and, of course, the leopard. Diana hadn't liked the painting,either, apparently; she was the one who'd given it the Lady in DeNile nickname.I wondered if the leopard had drooled on her. None of the papers were personal, but they were Edward's and some were special, if you knew about his life. There was a bill from the Hotel Ritz in Paris in April 1890, and one from Cartier two months later for a pair of Tahitian pearl drop earrings. Diana was wearing them in my favorite photograph of the two of them: happy and visibly tanned, even in black and white, holding lobsters on a beach in Maine. "I insisted we let them go," Diana wrote in a letter to her niece. "Edward had a snit.He wanted a lobster dinner, but I could not countenance eating a fellow model.
Melissa Jensen (The Fine Art of Truth or Dare)
No one will think anything, Alma. It’s an empty room, remember – you said so yourself.’ I began to sit cross-legged at his feet so as to listen to his operatic flourishes. Soon I was running to meet him when he came home, then crawling up onto his lap so I could see the words on the page. I still didn’t say much, and I was mute with all strangers and continued to hide my face in my grandmother’s skirts. We were sat this way one afternoon when there was a tap at the window that startled us both. We looked, but there was nothing there. It sounded like something had been thrown at it, so my grandfather told me to stay inside while he went out to investigate. When he came back, he was carrying a tiny bird in his hands. ‘It’s a little dunnock, Susannah. He must have got himself confused, or scared, chased by a sparrowhawk maybe, and flown into the glass. He’s only stunned himself. We’ll find him a box and keep him warm, see if he comes to.’ The bird looked dead to me, but my grandfather lined an old box with straw, placed the tiny bird inside and closed the lid. ‘We need to remove him from all the terrors of the world for a while, let his little body recover. You know, it’s a very good thing for an animal to hide if he’s injured or in danger. All the clever animals do it. He crawls into the tiniest space he can find and makes his world very small. It’s a natural thing, when you’re very scared, to make your world very small indeed. The trick is to understand when the danger is gone, to be very brave and let the world be big again, or else there may as well be no world at all.
Clare Whitfield (People of Abandoned Character)
There is nothing simple about attraction." "Nevertheless-" She stopped, unable to remember what it was she was trying to say. He was close. "Shall I show you how complicated attraction can be?" The words were deep and velvety, the sound of temptation. His lips were nearly on hers, she could feel their movement as he spoke, barely brushing against her. He waited, hovering just above her, for her to respond. She was consumed with an unbearable need to touch him. She tried to speak, but no words came. She couldn't form thoughts. He had invaded her senses, leaving her with no other choice but to close the scant distance between them. The moment their lips touched, Ralston took over, his arms coming around her and dragging her into his lap to afford him better access to her. This kiss was vastly different than their first one- it was heavier, more intense, less careful. This kiss was a force of nature. Callie moaned as his hand ran up the side of her neck cupping her jaw, tilting her head to better align their mouths. His lips played across hers, his tongue running along them before he pulled away just barely and searched her half-lidded eyes. A ghost of a smile crossed his lips. "So passionate," he whispered against her lips as he drove his fingers into her hair, scattering hairpins and sending her curls tumbling around them. "So eager. Open for me." And then he claimed her mouth in a searing kiss, and she did open for him, matching him stroke for stroke, caress for caress. She became caught in a web of long, slow, drugging kisses, and all she could think was that she had to be closer to him.
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
For years before the Olympic swimmer Michael Phelps won the gold at the 2008 Beijing Olympics, he followed the same routine at every race. He arrived two hours early.1 He stretched and loosened up, according to a precise pattern: eight hundred mixer, fifty freestyle, six hundred kicking with kickboard, four hundred pulling a buoy, and more. After the warm-up he would dry off, put in his earphones, and sit—never lie down—on the massage table. From that moment, he and his coach, Bob Bowman, wouldn’t speak a word to each other until after the race was over. At forty-five minutes before the race he would put on his race suit. At thirty minutes he would get into the warm-up pool and do six hundred to eight hundred meters. With ten minutes to go he would walk to the ready room. He would find a seat alone, never next to anyone. He liked to keep the seats on both sides of him clear for his things: goggles on one side and his towel on the other. When his race was called he would walk to the blocks. There he would do what he always did: two stretches, first a straight-leg stretch and then with a bent knee. Left leg first every time. Then the right earbud would come out. When his name was called, he would take out the left earbud. He would step onto the block—always from the left side. He would dry the block—every time. Then he would stand and flap his arms in such a way that his hands hit his back. Phelps explains: “It’s just a routine. My routine. It’s the routine I’ve gone through my whole life. I’m not going to change it.” And that is that. His coach, Bob Bowman, designed this physical routine with Phelps. But that’s not all. He also gave Phelps a routine for what to think about as he went to sleep and first thing when he awoke. He called it “Watching the Videotape.”2 There was no actual tape, of course. The “tape” was a visualization of the perfect race. In exquisite detail and slow motion Phelps would visualize every moment from his starting position on top of the blocks, through each stroke, until he emerged from the pool, victorious, with water dripping off his face. Phelps didn’t do this mental routine occasionally. He did it every day before he went to bed and every day when he woke up—for years. When Bob wanted to challenge him in practices he would shout, “Put in the videotape!” and Phelps would push beyond his limits. Eventually the mental routine was so deeply ingrained that Bob barely had to whisper the phrase, “Get the videotape ready,” before a race. Phelps was always ready to “hit play.” When asked about the routine, Bowman said: “If you were to ask Michael what’s going on in his head before competition, he would say he’s not really thinking about anything. He’s just following the program. But that’s not right. It’s more like his habits have taken over. When the race arrives, he’s more than halfway through his plan and he’s been victorious at every step. All the stretches went like he planned. The warm-up laps were just like he visualized. His headphones are playing exactly what he expected. The actual race is just another step in a pattern that started earlier that day and has been nothing but victories. Winning is a natural extension.”3 As we all know, Phelps won the record eight gold medals at the 2008 Beijing Olympics. When visiting Beijing, years after Phelps’s breathtaking accomplishment, I couldn’t help but think about how Phelps and the other Olympians make all these feats of amazing athleticism seem so effortless. Of course Olympic athletes arguably practice longer and train harder than any other athletes in the world—but when they get in that pool, or on that track, or onto that rink, they make it look positively easy. It’s more than just a natural extension of their training. It’s a testament to the genius of the right routine.
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
Raging storm. The universe booms around me. She approaches. Frightfully, I stand. Yes. Stuck. Stuck in wonderment. Something so strong, so beautiful. Swirling around me. Will it absorb me? Maybe. Or might it pass by? It could. Rolling waves of rage and chaos. Cracks of thunder echo in my chest. I am in the storm now. How? Dancing in the wind. In her chaos. Can I become a part of her forever? I must be able to. This feeling, so wonderful. Maybe she will only pass me by. Leave me to fall from the sky? I hope not. This raging storm around me. So dangerous. So pure. Nothing but nature in her utter glory. Pushing me into motion. I spin in the midst of her, taking in the power. The walls of motion. Confusion surrounds me. Particles forcing together and cracking apart. I’m frightful again, the noise overpowering me. I hunch into a ball, scared of what will become of me. Still suspended in the air. But she silences. The sky clears around me. It must be the eye of the storm. The center of everything. The center of her. Yes. The sunshine blinds me. I raise my hand to shield my face. The silence a melody in my ear. Ah, finally soothed. How extraordinary this is, floating and rising. It overcomes me. This space. Joy? But then I feel the air shift. The power making my hair rise. And suddenly, I’m moving again. She moves along. This raging, rolling storm. The air sucking me up and down. Ripping me apart. Spinning. Spinning. Spinning. Fear consumes me again as the storm takes hold. Confusion. So much confusion. I cry, thinking I might die. But it’s over. I look at my hands. My feet. Back on the ground. She rolls away. Spinning beautifully onward. My, the power. But the question. Always the question. Do I love? Do I hate? Her beautiful, frightening glory. My dear raging storm. I drop the note into my lap. My hand comes up, covering my mouth in shock. I blink down at the note, trying to slow down my heart rate. Because Noah wrote this. He wrote all of this. And he wrote it about me. About how I make him feel. I think back to his project. How he told me it was about me. The eye of the storm. Chaos. Confusion. Awe.
Jillian Dodd (The Party (London Prep #5))
We’re talking now of late August evenings in Minnesota. That world consists of the din of lawn mower blades turning in raucous slicing circles like buzzards over prey, the throb of a racing boat’s outboard motor on the Lake. Garden hoses run with cool water and wash over the last flowers of the year before the autumn turns all the green to brown. In the afternoons, children run through sprinklers on the lawn and men burn piles of last autumn’s leaves. Mothers prepare suppers and read novels under the shade of summer hats, carefully watching over their children from afar. All is safe and good in the summer. But Thom Algonquin can no longer hear the lawn mowers humming, boat motors churning, the hoses splashing or the children playing. He doesn’t smell the leaves burning or help his mother prepare supper. Thom Algonquin is seven years old and he has walked too far into the woods near his home on Lake Superior. He hears nothing save the sound of sunlight and trees, birds, and his own feet pattering along atop the underbrush. He is not so sure he can hear these things exactly though. It has now become clear to him that he has gone too far, too deep into the old woods. He is accustomed to going a little farther than his mother allowed, but he has walked miles past that line now. Though his heart races he does not scream or run or cry. He looks around for home but each direction is identical to the others. He remembers his Cub Scout manual saying that moss grows on the northern side of tree trunks because there is less sunlight. But the aspen trees have no moss on them at all, and the big white oaks have moss on every side of their trunks. He holds his breath and listens. He hears his heart beat, and somewhere behind that, he hears water, waves and lapping tides. The Lake. He can always find home from the Lake. His father told him to simply keep the water on his left hand and walk until he is home, should he ever get lost. Thom moves toward the sound of water. He walks quickly but doesn’t run, doesn’t panic. If he runs he will know that something is wrong and that he is scared. He does not want to know these things, does not want them to become real, so he walks quickly but calmly.
Spencer K.M. Brown (Hold Fast)
Thy Justice seems; yet to say truth, too late, I thus contest; then should have been refusd Those terms whatever, when they were propos’d: Thou didst accept them; wilt thou enjoy the good, Then cavil the conditions? and though God Made thee without thy leave, what if thy Son Prove disobedient, and reprov’d, retort, Wherefore didst thou beget me? I sought it not: Wouldst thou admit for his contempt of thee That proud excuse? yet him not thy election, But Natural necessity begot. God made thee of choice his own, and of his own To serve him, thy reward was of his grace, Thy punishment then justly is at his Will. Be it so, for I submit, his doom is fair, That dust I am, and shall to dust returne: O welcom hour whenever! why delayes His hand to execute what his Decree Fixd on this day? why do I overlive, Why am I mockt with death, and length’nd out To deathless pain? how gladly would I meet Mortalitie my sentence, and be Earth Insensible, how glad would lay me down As in my Mothers lap? there I should rest And sleep secure; his dreadful voice no more Would Thunder in my ears, no fear of worse To mee and to my ofspring would torment me With cruel expectation. Yet one doubt Pursues me still, least all I cannot die, Least that pure breath of Life, the Spirit of Man Which God inspir’d, cannot together perish With this corporeal Clod; then in the Grave, Or in some other dismal place, who knows But I shall die a living Death? O thought Horrid, if true! yet why? it was but breath Of Life that sinn’d; what dies but what had life And sin? the Bodie properly hath neither. All of me then shall die: let this appease The doubt, since humane reach no further knows. For though the Lord of all be infinite, Is his wrauth also? be it, man is not so, But mortal doom’d. How can he exercise Wrath without end on Man whom Death must end? Can he make deathless Death? that were to make Strange contradiction, which to God himself Impossible is held, as Argument Of weakness, not of Power. Will he, draw out, For angers sake, finite to infinite In punisht man, to satisfie his rigour Satisfi’d never; that were to extend His Sentence beyond dust and Natures Law, By which all Causes else according still To the reception of thir matter act, Not
John Milton (Paradise Lost: An Annotated Bibliography (Paradise series Book 1))
One can take the ape out of the jungle, but not the jungle out of the ape. This also applies to us, bipedal apes. Ever since our ancestors swung from tree to tree, life in small groups has been an obsession of ours. We can’t get enough of politicians thumping their chests on television, soap opera stars who swing from tryst to tryst, and reality shows about who’s in and who’s out. It would be easy to make fun of all this primate behavior if not for the fact that our fellow simians take the pursuit of power and sex just as seriously as we do. We share more with them than power and sex, though. Fellow-feeling and empathy are equally important, but they’re rarely mentioned as part of our biological heritage. We would much rather blame nature for what we don’t like in ourselves than credit it for what we do like. As Katharine Hepburn famously put it in The African Queen, ”Nature, Mr. Allnut, is what we are put in this world to rise above.” This opinion is still very much with us. Of the millions of pages written over the centuries about human nature, none are as bleak as those of the last three decades, and none as wrong. We hear that we have selfish genes, that human goodness is a sham, and that we act morally only to impress others. But if all that people care about is their own good, why does a day-old baby cry when it hears another baby cry? This is how empathy starts. Not very sophisticated perhaps, but we can be sure that a newborn doesn’t try to impress. We are born with impulses that draw us to others and that later in life make us care about them. The possibility that empathy is part of our primate heritage ought to make us happy, but we’re not in the habit of embracing our nature. When people commit genocide, we call them ”animals”. But when they give to the poor, we praise them for being ”humane”. We like to claim the latter behavior for ourselves. It wasn’t until an ape saved a member of our own species that there was a public awakening to the possibility of nonhuman humaneness. This happened on August 16, 1996, when an eight-year-old female gorilla named Binti Jua helped a three-year-old boy who had fallen eighteen feet into the primate exhibit at Chicago’s Brookfield Zoo. Reacting immediately, Binti scooped up the boy and carried him to safety. She sat down on a log in a stream, cradling the boy in her lap, giving him a few gentle back pats before taking him to the waiting zoo staff. This simple act of sympathy, captured on video and shown around the world, touched many hearts, and Binti was hailed as a heroine. It was the first time in U.S. history that an ape figured in the speeches of leading politicians, who held her up as a model of compassion. That Binti’s behavior caused such surprise among humans says a lot about the way animals are depicted in the media. She really did nothing unusual, or at least nothing an ape wouldn’t do for any juvenile of her own species. While recent nature documentaries focus on ferocious beasts (or the macho men who wrestle them to the ground), I think it’s vital to convey the true breadth and depth of our connection with nature. This book explores the fascinating and frightening parallels between primate behavior and our own, with equal regard for the good, the bad, and the ugly.
Frans de Waal (Our Inner Ape: A Leading Primatologist Explains Why We Are Who We Are)
You know, my queen,” Lutian said thoughtfully, “there is another solution that I see.” She turned to look at Lutian, who was riding just behind them. “And that is?” “All you truly need for proof is Prince Christian’s heraldic emblem. Return home pregnant, with it, and they will have no choice except to accept your word for the baby’s father.” Christian was even more aghast at that proposition than he’d been at Adara’s. “And just who would be the father of her unborn child that she would pass off as mine?” Lutian straightened up in the saddle. “I humbly submit myself to Her Grace’s will to use my meek and virile body in any manner she sees fit.” Adara squelched a laugh at his kind offer. Leave it to Lutian to come up with such a solution. But if looks could kill, Lutian would be severed in twain by Christian’s heated glare. “I beg your pardon, fool?” Adara was almost amused by the anger in Christian’s tone. It would be nice if she could attribute it to jealousy, but she knew better. “Aye,” she said, wanting to nettle her husband even more. “It just might work.” Christian gaped at her. “You would bed the village idiot?” Lutian snorted at that. “Pray tell who is the greater idiot? The man who would see his son king or the one who is holding a beautiful woman in his lap, with full matrimonial rites to her, who refuses her, a throne, and a wealthy kingdom full of people to do his every bidding? I think, in the grand scheme of this, I am by far the wisest man here.” Lutian kicked his horse abreast of theirs and bowed low in his saddle to Adara. “Take me, my queen, and I will give you your heir. I will gladly lay myself down for your pleasure.” Christian’s nostrils flared in warning. “You lay yourself down for her pleasure, fool, and you won’t be getting back up. Ever.” Lutian went pale as he reined his horse away from them…out of Christian’s direct reach. “Very good, then, my prince.” He shifted his gaze to Adara. “My apologies, my queen, but you’re on your own.” “Lutian,” she cried in feigned outrage. “What about my problem?” Her fool took it good-naturedly. “Well, my lady, ’tis your problem. Sorry. I…um…I intend to live a long and fruitful life.” “Fruitful?” Christian asked with a gimlet stare. Lutian twisted up his face as he contemplated his choice of words. “Did I say fruitful? Methinks I spoke too soon. Suddenly I fear I may be impotent. Truly, I can no longer rise to any occasion. I shall be old and fruitless. My fruit is shriveling even as we speak.” -Lutian, Adara, & Christian
Kinley MacGregor (Return of the Warrior (Brotherhood of the Sword, #6))
What else did her mother tell you?” Ethan asked, looking for any advantage in his task of winning her over. “That she’d call us later and give us pointers on wooing her daughter. Apparently, Naomi has something of a stubborn nature.” A snort escaped him. “I hadn’t noticed.” Javier paced the living room as Ethan stroked Naomi’s silky hair, unable to resist running his fingers through the long brown strands. “What are you thinking?” “That fate is laughing at me.” A chuckle made Ethan’s chest vibrate, causing Naomi’s head to jiggle. He cradled her head in his big palm to prevent her from falling before replying. “She’s certainly not what either of us expected, that’s for sure.” Javier shot him a dark look. “No shit, Sherlock. I mean don’t get me wrong, short and curvy works fine for me, but I always expected, if ever fate was cruel enough to curse me, she’d at least give me a woman who likes me.” “I’m sure she will in time. We took her by surprise, not to mention she’s in pain. Besides, I kind of like that she’s feisty. She’ll need it to keep up with us.” Round eyes and an open mouth met his answer. “You, my friend, are insane. One ball too many to the head I think. I mean, not only does she not want you, shouldn’t you be more pissed that it looks like she’s meant for both of us?” Ethan shrugged. “I’ll admit, I never expected to share, but if fate says that’s my lot, then at least it chose someone I could tolerate. And beat in a wrestling match if I need to. Besides, I’ll only have to share if you bother to stick around to mark her.” “Oh, I’m staying, so you can forget about keeping her for yourself,” Javier replied shooting him a dark look. “What happened to I’m not meant for monogamy?” Ethan pitched his voice mockingly. A sigh emerged from Javier’s mouth before he slumped in the chair across from him. “I haven’t thought that far ahead. It’s hard to think at all with my damned cat yammering for me to bite her. Mayhap if you were to claim her first, the need for me to do so would vanish?” The optimism in his friend’s voice made him laugh again. “Sorry, no such luck I’m afraid. From everything I’ve ever heard, once you find the one, you’re done for. The need to mark her, claim her, just gets stronger and stronger.” Already the urge to take her rode Ethan hard. It didn’t help that he held her cuddled on his lap, her sweet fragrance tickling his nose while her lush body pressed against his turgid cock.
Eve Langlais (Delicate Freakn' Flower (Freakn' Shifters, #1))
For a long time, they sat without speaking. The air outside was filled with the lilting sound of sparrows, the buzz of traffic on Main Street, and under that the faint lapping of waves on the lakeshore. Lou smiled. It wasn't the same, but it was better. And better, Lou thought, is a start.
Danika Stone (Edge of Wild)
I had fallen into the pages of the book. Time stood still and I lost sense of my surroundings. Siddharth’s words were all that I was aware of. They were a drum beat in my being. A part of me understood instinctively then that the purpose of this adventure had been to bring me to this book. I did not doubt for a moment that it was addressed to anyone but me, and it was not only because it bore my name on the title page. The surreal dream, the kidnapping, the rescue, my saviour’s easy familiarity … It all seemed to fall into place somehow. I sensed this book held all my answers. Even so, the words in the book frightened me like nothing had ever done before. Anu and Sabi were laughing, their heads bent together over a page. I tried to say something but my voice was stuck in my throat. I felt like a hook was being pulled through my heart. I tried to breathe. Then, out of sheer habit formed over fifteen years of my life, I did what came naturally to me when I was scared, upset or unhappy. I turned to the book in my lap and began to read.
Indu Muralidharan (The Reengineers)
Beau allowed the boat to stop, so that they bobbed gently in the water. “It’s funny you should ask about that particular tale. The man who gave me the tickets for your concert was very interested in that alligator. We used to come out here at night together, gathering herbs and bark, and we poked around looking for the monster. We never did find it, though.” “Who gave you tickets to Savannah’s show?” Gregori asked softly, already knowing the answer. “A man named Selvaggio, Julian Selvaggio. His family has been in New Orleans almost from the first founding. I met him years ago. We’re good friends”— he grinned engagingly—“ despite the fact that he’s Italian.” Gregori’s eyebrows shot up. Julian was born and raised in the Carpathian Mountains. He was no more Italian than Gregori was French. Julian had spent considerable time in Italy, just as Gregori had in France, but both were Carpathian through and through. “I know Julian,” Gregori volunteered, his white teeth gleaming in the darkness. Water lapped at the boat, making a peculiar slapping sound. The rocking was more soothing and peaceful than disturbing. Beau looked smug. “I thought you might. You both have a connection to Savannah, you both ask the same questions about natural medicine, and you both look as intimidating as hell.” “I am nicer than he is,” Gregori said, straight-faced.
Christine Feehan (Dark Magic (Dark, #4))
I'm not a dog person by nature. Cats are more my bag. I like their independence, that look in their eyes that says 'Hey Jack. I go where the food goes'. Cats have an attitude like that, someone once said that cats were once revered as gods and they don’t like us to forget it. Dogs don't have that attitude(at least not for me). What dogs have is a loyalty that borders upon stupidity. You can kick a cat and that's it. It'll go somewhere else and find itself another lap to sit upon. You can kick a dog and it'll just keep on coming back for more.
Paul Christison (Revenant)