Lap Dance Quotes

We've searched our database for all the quotes and captions related to Lap Dance. Here they are! All 100 of them:

You will one day experience joy that matches this pain. You will cry euphoric tears at the Beach Boys, you will stare down at a baby’s face as she lies asleep in your lap, you will make great friends, you will eat delicious foods you haven’t tried yet, you will be able to look at a view from a high place and not assess the likelihood of dying from falling. There are books you haven’t read yet that will enrich you, films you will watch while eating extra-large buckets of popcorn, and you will dance and laugh and have sex and go for runs by the river and have late-night conversations and laugh until it hurts. Life is waiting for you. You might be stuck here for a while, but the world isn’t going anywhere. Hang on in there if you can. Life is always worth it.
Matt Haig (Reasons to Stay Alive)
Fingers circled my wrist. My head whipped around to see Ren’s eyes dancing with dark mirth while he drew me toward him like he was reeling in a prize catch. “So what’s for lunch?” He pulled me onto his lap.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
Most things, even the greatest movements on earth, have their beginnings in something small. An earthquake that shatters a city with a tremor, a tremble, a breath. Music begins with a vibration. The flood that rushed into Portland twenty years ago after nearly two months of straight rain, that hurtled up beyond the labs and damaged more than a thousand houses, swept up tire and trash bags and old, smelly shoes and floated them through the streets like prizes, that left a thin film of green mold behind, a stench of rotting and decay that didn't go away for months, began with a trickle of water, no wider than a finger, lapping up onto the docks. And God created the whole universe from an atom no bigger than a thought. Grace's life fell apart because of a single word: sympathizer. My world exploded because of a different word: suicide. Correction: That was the first time my world exploded. The second time my world exploded, it was also because of a word. A word that worked its way out of my throat and danced onto and out of my lips before I could think about it, or stop it. The question was: Will you meet me tomorrow? And the word was: Yes.
Lauren Oliver (Delirium (Delirium, #1))
There was a soft chuckle beside me, and my heart stopped. "So this is Oberon's famous half-blood," Ash mused as I whirled around. His eyes, cold and inhuman, glimmered with amusement. Up close, he was even more beautiful, with high cheekbones and dark tousled hair falling into his eyes. My traitor hands itched, longing to run my fingers through those bangs. Horrified, I clenched them in my lap, trying to concentrate on what Ash was saying. "And to think," the prince continued, smiling, "I lost you that day in the forest and didn't even know what I was chasing." I shrank back, eyeing Oberon and Queen Mab. They were deep in conversation and did not notice me. I didn't want to interrupt them simply because a prince of the Unseelie Court was talking to me. Besides, I was a faery princess now. Even if I didn't quite believe it, Ash certainly did. I took a deep breath, raised my chin, and looked him straight in the eye. "I warn you," I said, pleased that my voice didn't tremble, "that if you try anything, my father will remove your head and stick it to a plaque on his wall." He shrugged one lean shoulder. "There are worse things." At my horrified look, he offered a faint, self-derogatory smile. "Don't worry, princess, I won't break the rules of Elysium. I have no intention of facing Mab's wrath should I embarrass her. That's not why I'm here." "Then what do you want?" He bowed. "A dance." "What!" I stared at him in disbelief. "You tried to kill me!" "Technically, I was trying to kill Puck. You just happened to be there. But yes, if I'd had the shot, I would have taken it." "Then why the hell would you think I'd dance with you?" "That was then." He regarded me blandly. "This is now. And it's tradition in Elysium that a son and daughter of opposite territories dance with each other, to demonstrate the goodwill between the courts." "Well, it's a stupid tradition." I crossed my arms and glared. "And you can forget it. I am not going anywhere with you." He raised an eyebrow. "Would you insult my monarch, Queen Mab, by refusing? She would take it very personally, and blame Oberon for the offense. And Mab can hold a grudge for a very, very long time." Oh, damn. I was stuck.
Julie Kagawa (The Iron King (The Iron Fey, #1))
The bitch isn't afraid to be different, which is why she won't be a "booty call" or a pearl on a long string of pearls. She won't be a man's late-night convenience. She won't be doing lap dances. She won't be afraid to turn thirty or forty years old. At any age, this woman will feel like a "prize." She won't be defined by the media's perception of aging; she won't be made to feel like detective livestock because she is no longer a teenager. Married, single, or divorced, this woman feels good about herself.
Sherry Argov (Why Men Love Bitches: From Doormat to Dreamgirl―A Woman's Guide to Holding Her Own in a Relationship)
This was all just a game to you, wasn’t it, princess? ‘Come, Zarek, sit on my lap. Tell me why you won’t behave.’ (His vision turned dark. Deadly.) Fuck you, lady, and fuck them. (Zarek)
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
What - what was I doing the whole time?" So much for Alis's warning. Lucien let out a sharp breath, running a hand through his red hair. "He had you dance for him for most of the night. And when you weren't dancing, you were sitting in his lap." "What kind of dancing?" I pushed. "Not the kind you were doing with Tamlin on Solstice," Lucien said, and my face heated. From the murkiness of my memories of last night, I recalled the closeness of a certain pair of violet eyes - eyes that sparkled with mischief as they beheld me. "In front of everyone?" "Yes," Lucien replied - more gently than I'd heard him speak to me before.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Her hands brushed Shane's, and he let go of the cards and took hold. And then somehow she was in his lap, and he was kissing her. Hadn't meant to do that but...well. She couldn't exactly be sorry about it, because he tasted amazing, and his lips were so soft and his hands were so strong... He leaned back, eyes half shut, and he was smiling. Shane didn't smile all that much, and it always left her breathless and tingling. There was a secrecy about it like he only ever smiled at her, and it just felt... perfect. 'Claire, you're being careful right?' He smoothed hair back from her face. 'Seriously. You'd tell me if you got into trouble?' 'No trouble,' She lied, thinking about Monica's not-so veiled threats, and that glimpse of Shane's dad seated across from Oliver in the coffee shop.'No trouble at all.' 'Good.' He kissed her again, then moved down her jawline to her neck, and, wow neck nibbles took her breath away. She closed her eyes and buried her fingers in his warm hair, trying to tell him through every touch how much she liked this, like him, loved... Her eyes came open, fast. She did not just think about that. Shane’s warm hands moved up her sides, thumbs grazing the sides of her breasts again, and he traced his fingers across the thin skin of her collarbone...down to where the neck of her T-shirt stopped him. Teasing. Pulling it down an inch, then two. And then, maddeningly, he let go and leaned back, lips damp. He licked them, watching her, and then gave her that slow crazy, sexy smile again. 'Go to bed' he said. 'Before I decide to come with.
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
In India, I was living in a little hut, about six feet by seven feet. It had a canvas flap instead of a door. I was sitting on my bed meditating, and a cat wandered in and plopped down on my lap. I took the cat and tossed it out the door. Ten seconds later it was back on my lap. We got into a sort of dance, this cat and I...I tossed it out because I was trying to meditate, to get enlightened. But the cat kept returning. I was getting more and more irritated, more and more annoyed with the persistence of the cat. Finally, after about a half-hour of this coming in and tossing out, I had to surrender. There was nothing else to do. There was no way to block off the door. I sat there, the cat came back in, and it got on my lap. But I did not do anything. I just let go. Thirty seconds later the cat got up and walked out. So, you see, our teachers come in many forms.
Joseph Goldstein
I could do it. I could stand here amid the flames, let them lap at my skin, and laugh in a death-defying haze—because they belong to me. I could watch the world crumble and then dance, triumphant, in the snowfall of ash left behind. All I have to do is set the power free. Escape the chains of my humanity, let madness be my guide. If I forget everything but Wonderland, I can become beautiful pandemonium.
A.G. Howard (Unhinged (Splintered, #2))
Even at the End of Days, there will be lap dancing.
Chris Rose
You're like everyone else, Strike; you want your civil liberties when you've told the missus you're at the office and you're at a lap-dancing club, but you want twenty-four-hour surveillance on your house when someone's trying to force your bathroom window open. Can't have it both ways.
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
The next night I went back to the sea dressed in 1950s silk travel scarves – Paris with the Eiffel tower and ladies in hats and pink poodles, Venice with bronze horses and gondoliers, New York in celestial blue and silver. I brought candles and lit the candles, all the candles, in a circle around the lifeguard stand and put a tape in my boom box. I came down the ramp with the sea lapping at my feet and the air like a scarf of warm silk and the stars like my tiara. And my angel was sitting there solemnly in the sand, sitting cross-legged like a buddha, with sand freckling his brown limbs and he watched me the way no boy had ever watched me before, with so much tenderness and also a tremendous sorrow, which was what my dances were about just as much, the sorrow of not being loved the way my womb, rocking emptily inside of me, insisted I be loved, the sorrow of never finding the thing I had been searching for.
Francesca Lia Block (Echo)
Where have you been?" I asked weakly. A few minutes ago I would have rather died than questioned him. Let him know I care. But I'm too sick to be strong, kick ass Rayne at the moment. "Vegas" he says. I raise an eyebrows. "Uh, okay. Win anything?" I can't believe he was off gambling as I lay dying. I mean, I know poker is hot and all, but couldn't he have waited a couple of days for that straight flush? "I got what I went for, if that's what you mean." "What, a lap dance?" He chuckes. "Even sick, you're still funny, Rayne.
Mari Mancusi (Stake That (Blood Coven Vampire, #2))
Physics says: go to sleep. Of course you’re tired. Every atom in you has been dancing the shimmy in silver shoes nonstop from mitosis to now. Quit tapping your feet. They’ll dance inside themselves without you. Go to sleep. Geology says: it will be all right. Slow inch by inch America is giving itself to the ocean. Go to sleep. Let darkness lap at your sides. Give darkness an inch. You aren’t alone. All of the continents used to be one body. You aren’t alone. Go to sleep. Astronomy says: the sun will rise tomorrow, Zoology says: on rainbow-fish and lithe gazelle, Psychology says: but first it has to be night, so Biology says: the body-clocks are stopped all over town and History says: here are the blankets, layer on layer, down and down.
Albert Goldbarth
The blaze from the trees spreads to tablecloths and crepe paper - a chain reaction so brilliantly spectacular and terrible, I ache to be a part of it...to devour and destroy,then relish in the plunder. I could do it.I could stand here amid the flames,let them lap at my skin,and laugh in a death-defying haze - because they belong to me. I could watch the world crumble and then dance,triumphant,in the snowfall of ash left behind. All I have to do is set the power free. Escape the chains of my humanity,let madness be my guide.
A.G. Howard (Unhinged (Splintered, #2))
Yeah, well,” I say, “I thought about taking a video of myself giving you a lap dance, but I don’t have anything to mount your phone on, so this was the next best thing.” “I will happily go back into the woods, find some sticks, and build you a tripod, Daphne,” he says.
Emily Henry (Funny Story)
That's fifty dollars." "For what?" Meredith said. "You want a lap dance?" "Why, are you practicing for after graduation?" "Bite me." "Ask nicely.
M.L. Rio (If We Were Villains)
Laila remembered how Mammy had dropped to the ground, how she’d screamed, torn at her hair. But Laila couldn’t even manage that. She could hardly move. She could hardly move a muscle. She sat on the chair instead, hands limp in her lap, eyes staring at nothing, and let her mind fly on. She let it fly on until it found the place, the good and safe place, where the barley fields were green, where the water ran clear and the cottonwood seeds danced by the thousands in the air; where Babi was reading a book beneath an acacia and Tariq was napping with his hands laced across his chest, and where she could dip her feet in the stream and dream good dreams beneath the watchful gaze of gods of ancient, sun-bleached rock.
Khaled Hosseini (A Thousand Splendid Suns)
All these women. And Trina. Trina,” she repeated, with considerable passion as she gripped his shirt. “And gooey dessert and body things and chick-vids. All night. Slumber party. Do you know what that means?” “I’ve had many dreams of them. Will there be pillow fights?” She spun him around so his back hit the door. “Don’t. Leave. Me.” “Darling.” He kissed her brow. “I must. I must.” “No. You can bring Vegas here. Because . . . you’re you. You can do that. We’ll have Vegas here, and that’ll be good. I’ll buy you a lap dance.” “That’s so sweet. But I’m going. I’ll be back tomorrow, and lay a cool cloth on your fevered brow.” “Tomorrow?” She actually went light-headed. “You’re not coming back tonight?” “You wouldn’t be in this state now if you paid attention. I’m taking a shuttle full of men to Las Vegas late this afternoon. There will be ribaldry, and a possible need to post bond. I’ve made arrangements. I’ll bring back this same shuttle full of men—hopefully—tomorrow afternoon.” “Let me come with you.” “Let me see your penis.” “Oh, God! Can’t I just use yours?” “At any other time. Now pull yourself together, and remember that when all this is over, you’ll very likely arrest a killer who’s also a dirty cop. It’s like a twofer.” “That doesn’t make me feel better.” “Best I have.
J.D. Robb (Promises in Death (In Death, #28))
.....breathing secondhand smoke, being subject to unfair dairy pricing, and not being able to mime (or lap dance), though they are all tragic, tragic injustices, are not quite as bad as the systematic segregation of public transportation based on skin color. And while fighting for your right to lap dance and mime and breathe just regular pollution is a very fine, very American idea, it is not quite as brave as being middle-aged black woman in Alabama in 1955 telling a white man she's not giving him her seat despite the fact that the law requires her to do so.
Sarah Vowell (The Partly Cloudy Patriot)
You disgust me." "Like you have room to talk," Cathy said. "You're as much a whore as I am." Dan grabbed the hem of her shirt with both hands as she turned, in one easy move she peeled her tee and sports bra off and gestured at her bare chest. "Oh my god, you see these? They're called breasts. Does this make me a whore? This?" Dan jerked a hand between them, and Cathy shifted uncomfortably in her chair. "This is what I do. I strip. I dance. I work a stage five nights a week. I give lap dances to creeps who can't get enough action on their own. But I don't let them touch me and I still make enough money to keep us afloat. Fuck you! I'm seventeen! I'm too young to be your mother!" "No one asked you to be my mother..." "I asked you to be mine. Thanks for failing so spectacularly at it.
Nora Sakavic
I whisper, “What do I need?” “Release.” That one word scrapes across my nerves and lights me on fire. His deep voice dances on the air, murmuring hotly, “You need someone who will take all of your thoughts and responsibilities away from you, who lets you be free to just feel.” Suddenly, his hands are on my waist and he’s pulling me onto his lap and I’m straddling his thigh and his hands are in my hair and his lips are on mine… And the world stops.
D.L. Hess (Sir: The Awakening (The Awakening Series Book 2))
Roo!" Calvin jumps off my lap in a happy dog dance. I know some people who argue that dogs can't understand English. I figure their dogs are just a lot dumber than Calvin, because there is a definite understanding of the words ice cream.
Erynn Mangum (Cool Beans (Maya Davis, #1))
I don't dare tell him that once while I sat in her lap she told me that if I ever went to the ball, I should set the place on fire and dance on the ashes.
Kalynn Bayron (Cinderella Is Dead)
Emotions I’ve been working hard to hold back all summer start to spill out of me as I pull Elliott’s mouth toward my own. I’m so eager and impatient that our noses bump and teeth knock together before our lips slide into place. The frigid water is still lapping at my legs, but I can’t feel it anymore. My entire body is flush with heat, with desire. If it weren’t for the faintest hint of dance music from the clearing, I’d think that the two of us were completely alone. I wish the two of us were completely alone.
Paula Stokes (This is How it Happened)
Deal resistance a death blow and make sweet love to your art all night long. Put on your fishnet thigh highs and your patent leather stilettos and your special occasion lingerie. Seduce the hell out of your own creative soul. It’s time for an epic lap dance. Dance for your paint and canvas, for fingers tripping across keyboard, for the open arms of motherhood, for the layers of flavor in the meals you create. Wind your hips down for the click of the shutter, for the 3 a.m. bathroom poem, for the late night lesson planning
Jeanette LeBlanc
Here are the sounds of Wear. It rattles stone on stone. It sucks its teeth. It sings. It hisses like the rain. It roars. It laughs. It claps its hands. Sometimes I think it prays. In winter, through the ice, I've seen it moving swift and black as Tune, without a sound. Here are the sights of Wear. It falls in braids. It parts at rocks and tumbles round them white as down or flashes over them in silver quilts. It tosses fallen trees like bits of straw yet spins a single leaf as gentle as a maid. Sometimes it coils for rest in darkling pools and sometimes it leaps its banks and shatters in the air. In autumn, I've seen it breathe a mist so thick and grey you'd never know old Wear was there at all. Each day, for years and years, I've gone and sat in it. Usually at dusk I clamber down and slowly sink myself to where it laps against my breast. Is it too much to say, in winter, that I die? Something of me dies at least. First there's the fiery sting of cold that almost stops my breath, the aching torment in my limbs. I think I may go mad, my wits so outraged that they seek to flee my skull like rats a ship that's going down. I puff. I gasp. Then inch by inch a blessed numbness comes. I have no legs, no arms. My very heart grows still. These floating hands are not my hands. The ancient flesh I wear is rags for all I feel of it. "Praise, Praise!" I croak. Praise God for all that's holy, cold, and dark. Praise him for all we lose, for all the river of the years bears off. Praise him for stillness in the wake of pain. Praise him for emptiness. And as you race to spill into the sea, praise him yourself, old Wear. Praise him for dying and the peace of death. In the little church I built of wood for Mary, I hollowed out a place for him. Perkin brings him by the pail and pours him in. Now that I can hardly walk, I crawl to meet him there. He takes me in his chilly lap to wash me of my sins. Or I kneel down beside him till within his depths I see a star. Sometimes this star is still. Sometimes she dances. She is Mary's star. Within that little pool of Wear she winks at me. I wink at her. The secret that we share I cannot tell in full. But this much I will tell. What's lost is nothing to what's found, and all the death that ever was, set next to life, would scarcely fill a cup.
Frederick Buechner (Godric)
His lap looked like it was already occupied--by a giant boner. It pressed against his pants like a circus tent pole. Elephants could fit under there. A lion tamer and some flying trapeze artists. A dancing bear, or five.
Juniper Bell (Training the Receptionist (The Receptionist, #1))
This is the best thing I've ever sat on," I say, wriggling in my seat. "Except maybe Darth Vader's lap. That was good, but scary... he was doing the voice.
Jenny McLachlan (Flirty Dancing (The Ladybirds, #1))
How can you fly? I mean you have wings. Feathers. Did you know you have wings?
Sally Painter (Lap Dance)
In all that I saw, I was satisfied, for I could dance in the drops of water, laugh with the laps of joyous tears, and sing to the songs of streaming senses.
Kayla Severson (Nature's 1st Gem Is Green)
I'll give you a lap dance for free if you like, Lola.
Juliette Cross (Parks and Provocation (Green Valley Heroes, #2))
You’re forgetting… we never get in trouble in that class. Remember I gave Mr. Hendry that lap dance last year. I’m thinking he’s expecting one this year as well. - Carol
Matthew Leeth
She and Torres have history all over the place. Stuck together in the data like tissues on a lap dance cabin floor.
Richard K. Morgan (Thin Air)
..in the 21st century, we don’t need to march against size zero models, risible pornography, lap-dancing clubs and Botox. We don’t need to riot, or go on hunger strike. There’s no need to throw ourselves under a horse, or even a donkey. We just need to look it in the eye, squarely, for a minute, and then start laughing at it. We look hot when we laugh. People fancy us when they observe us giving out relaxed, earthy chuckles.
Caitlin Moran
That’s history. That’s the way they told it to us in the Reno Junior College, and that’s the way I studied for it between lap dances. It’s a simple story: religious people are old-fashioned, stubborn, ignorant. They don’t want to know the truth.
Gregory Ashe (Reasonable Doubt (Hazard and Somerset #5))
If I’m going to ride this out and stay alive, then I’m king high ballbuster. I took on God and almost did the old man in. A few grumpy horns and hoofs types and a petting zoo full of rabid Pokemons? I’m Satan. I can deal that and play “Smoke on the Water” while getting a lap dance on a runaway train all at the same time.
Richard Kadrey (Devil in the Dollhouse (Sandman Slim, #3.5))
Define seduction. Skimpy clothes. Lap dances. Sucking the red off a cherry lollipop. I don’t want to be a skank about it. Look, sweetie. Obviously the nice girl, can-we-move-to-the-next-level-but-only-when-you’re-ready routine has not worked. What you need is guns blazing, no-holds barred seduction. You need to stop approaching this so meekly and take control of the situation. You need to set the atmosphere. Scented candles. Lingerie. Wine. Dinner. Handcuffs. Handcuffs? Really? You don’t want him to run, do you? I worry about you sometimes. Why do you think Lance has stuck around for so long? Because you keep him chained to your bed? That's not the point.
Em Wolf (Tangled)
Ellie discovered that the whole set-up was the opposite of empowering. 'You are totally and utterly pleasing – that's the game, to be impressed by them. It's not necessarily the best-looking women who do the best, but it's about how much you can convince them that they have the power.' And although Ellie stopped lap dancing a couple of years ago, she hasn't shrugged off its impact. 'You get all this positive affirmation about your appearance, of a totally superficial nature,''she said, 'and in a way that feels good. But it's affirmation of something I already believed, that I am an object, and now I will probably always struggle to see myself sexually in any other way.
Natasha Walter (Living Dolls: The Return of Sexism)
supposed to work the floor next, see who wants a lap dance or another drink, but I can’t do that. I head for the dressing room and throw on a T-shirt and sweatpants. I’ll tell them I feel sick and have to leave early. They won’t be happy and I’ll probably have to pay for it with my tips, but they won’t want me throwing up on the customers
Skye Warren (Tough Love (Stripped, #0.5))
My son, you are just an infant now, but on that day when the world disrobes of its alluring cloak, it is then that I pray this letter is in your hands. Listen closely, my dear child, for I am more than that old man in the dusty portrait beside your bed. I was once a little boy in my mother’s arms and a babbling toddler on my father's lap. I played till the sun would set and climbed trees with ease and skill. Then I grew into a fine young man with shoulders broad and strong. My bones were firm and my limbs were straight; my hair was blacker than a raven's beak. I had a spring in my step and a lion's roar. I travelled the world, found love and married. Then off to war I bled in battle and danced with death. But today, vigor and grace have forsaken me and left me crippled. Listen closely, then, as I have lived not only all the years you have existed, but another forty more of my own. My son, We take this world for a permanent place; we assume our gains and triumphs will always be; that all that is dear to us will last forever. But my child, time is a patient hunter and a treacherous thief: it robs us of our loved ones and snatches up our glory. It crumbles mountains and turns stone to sand. So who are we to impede its path? No, everything and everyone we love will vanish, one day. So take time to appreciate the wee hours and seconds you have in this world. Your life is nothing but a sum of days so why take any day for granted? Don't despise evil people, they are here for a reason, too, for just as the gift salt offers to food, so do the worst of men allow us to savor the sweet, hidden flavor of true friendship. Dear boy, treat your elders with respect and shower them with gratitude; they are the keepers of hidden treasures and bridges to our past. Give meaning to your every goodbye and hold on to that parting embrace just a moment longer--you never know if it will be your last. Beware the temptation of riches and fame for both will abandon you faster than our own shadow deserts us at the approach of the setting sun. Cultivate seeds of knowledge in your soul and reap the harvest of good character. Above all, know why you have been placed on this floating blue sphere, swimming through space, for there is nothing more worthy of regret than a life lived void of this knowing. My son, dark days are upon you. This world will not leave you with tears unshed. It will squeeze you in its talons and lift you high, then drop you to plummet and shatter to bits . But when you lay there in pieces scattered and broken, gather yourself together and be whole once more. That is the secret of those who know. So let not my graying hairs and wrinkled skin deceive you that I do not understand this modern world. My life was filled with a thousand sacrifices that only I will ever know and a hundred gulps of poison I drank to be the father I wanted you to have. But, alas, such is the nature of this life that we will never truly know the struggles of our parents--not until that time arrives when a little hand--resembling our own--gently clutches our finger from its crib. My dear child, I fear that day when you will call hopelessly upon my lifeless corpse and no response shall come from me. I will be of no use to you then but I hope these words I leave behind will echo in your ears that day when I am no more. This life is but a blink in the eye of time, so cherish each moment dearly, my son.
Shakieb Orgunwall
Three centuries had flowed past the old Manor House, centuries of births and of homecomings, of country dances and of the meetings of fox hunters. Strange that now in its old age this dark business should have cast its shadow upon the venerable walls! And yet those strange, peaked roofs and quaint, overhung gables were a fitting covering to grim and terrible intrigue. As I looked at the deep-set windows and the long sweep of the dull-coloured, water-lapped front, I felt that no more fitting scene could be set for such a tragedy.
Arthur Conan Doyle (Sherlock Holmes: The Ultimate Collection)
I don't have much practice sitting in men's laps ... outside mall Santas when I was a little girl.
Valentine Glass (The Temptation of Eden)
If she emptied her head in his lap, all that would fall out was his name.
Rainbow Rowell (Slow Dance)
One stood behind me and ran her hands down my chest, her breasts rubbing against my back. The next stood in front of me holding onto my shirt and pulling me close to her as she ground into me seductively. The third danced slowly and seductively with the second girl, giving the girl-on-girl effect. I knew I was going to burst at any moment, so I had to close my eyes and take repeated deep breaths to calm down. "What’s the matter Aid-man, you feeling a little frustrated?" Dixon boasted from under his lap dancer. "Shut up Dixon." Though I didn’t really want him to shut up, his teasing was distracting me pretty well. "I’m going to kill you for this." "Oh no little man!" He laughed loudly. "Thank your future wife! That one is on her!" he howled.
Sadie Grubor
One stood behind me and ran her hands down my chest, her breasts rubbing against my back. The next stood in front of me holding onto my shirt and pulling me close to her as she ground into me seductively. The third danced slowly and seductively with the second girl, giving the girl-on-girl effect. I knew I was going to burst at any moment, so I had to close my eyes and take repeated deep breaths to calm down. "What’s the matter Aid-man, you feeling a little frustrated?" Dixon boasted from under his lap dancer. "Shut up Dixon." Though I didn’t really want him to shut up, his teasing was distracting me pretty well. "I’m going to kill you for this." "Oh no, little man!" He laughed loudly. "Thank your future wife! That one is on her!" he howled
Sadie Grubor (Save the Date (Modern Arrangements, #1))
The reason why sensuality is so rare in our day and age is because it’s a very expensive experience to create. Lap dance is easy (you can take a class for that), blaw job is easy (I assume ‘lol’), sex is easy (it’s biology). The hardest thing to do is create and fulfill dreams of ecstasy. And this is really what it’s all about. This is what the world craves more than anything else.
Lebo Grand
Clouds And Waves Mother, the folk who live up in the clouds call out to me- "We play from the time we wake till the day ends. We play with the golden dawn, we play with the silver moon." I ask, "But how am I to get up to you ?" They answer, "Come to the edge of the earth, lift up your hands to the sky, and you will be taken up into the clouds." "My mother is waiting for me at home, "I say, "How can I leave her and come?" Then they smile and float away. But I know a nicer game than that, mother. I shall be the cloud and you the moon. I shall cover you with both my hands, and our house-top will be the blue sky. The folk who live in the waves call out to me- "We sing from morning till night; on and on we travel and know not where we pass." I ask, "But how am I to join you?" They tell me, "Come to the edge of the shore and stand with your eyes tight shut, and you will be carried out upon the waves." I say, "My mother always wants me at home in the everything- how can I leave her and go?" They smile, dance and pass by. But I know a better game than that. I will be the waves and you will be a strange shore. I shall roll on and on and on, and break upon your lap with laughter. And no one in the world will know where we both are.
Rabindranath Tagore
Excellent,” says Gray, rubbing his hands together, a gleam in his eye. “The last person to sing gets to buy the drinks.” Ivy grins wide. “You’re on, Cupcake. I’m going to sing the house down.” We all pause, our gazes darting back and forth as a certain sense of terror falls over the table. Ivy sees us and slaps her palm onto the table. “Oh, for fuck’s sake. I know what you twats are thinking! If I suck at dancing, I’ll suck at singing? Well, I don’t. I’m awesome.” Awkward silence ensues, and she snorts. “What? You think I don’t know I suck at dancing? I just don’t give a shit.” She glares at Gray, though there really isn’t any anger in the look. “So you can stop dancing like an ass now.” A strangled sound leaves him. “You knew?” “Of course.” She tosses a lock of her hair over her shoulder. “You’re too coordinated on the field, and you kind of forget to suck when you do those victory dances.” He gapes at her for a long second, then gives a bark of laughter. “I fucking love you, Special Sauce.” With that, he hauls Ivy into his lap and kisses her. Fi, however, finally snaps out of the trance she’s been in since Ivy confessed. “You sneaky shithead,” she shouts over the music. “All these years I’ve been covering for your craptacular dancing, and you knew!” She shakes a fist. “I swear to God, Ivy Weed…” “Oh, please,” Ivy counters. “You pretend you suck at baking so you don’t have to cook for family holidays.” Fi sniffs, looking guilty as hell. “I don’t know what you’re talking about.” Ivy leans in, her eyes narrowed. “Midnight cookie baking ring a bell, Tink?” Fi’s cheeks flush, and she studies her nails with undue interest while muttering something about traitor sisters under her breath. “Those are for PMS cravings and nothing more. I was baking under duress.
Kristen Callihan (The Game Plan (Game On, #3))
Mi fai schifo." "Da che pulpito," ribatté Cathy. "Tu sei una puttana tanto quanto me." Quando si volse Dan afferrò l'orlo della sua maglietta con entrambe le mani, se la tolse in un gesto fluido insieme al reggiseno sportivo e s'indicò il petto nudo. "O mio dio, vedi queste? Si chiamano tette. E' questo che mi rende una puttana? Questo?" Dan fece scattare una mano tra di loro e Cathy si mosse sulla sedia, a disagio. "Questo è quello che faccio. Io mi spoglio. Io ballo. Lavoro su un palco cinque notti la settimana. Ballo la lap dance per dei viscidi che sono incapaci di prendere l'iniziativa da soli. Ma non lascio che mi tocchino e riesco comunque a guadagnare abbastanza da permetterci di restare a galla. Vaffanculo! Ho diciassette anni! Sono troppo giovane per farti da madre!" "Nessuno ti ha mai chiesto di farlo..." "Ma io ti ho chiesto di esserlo per me. Grazie per aver fallito in maniera così spettacolare.
Nora Sakavic
The rain landed on my skin with a barely audible patter and changed the tempo of its repetitive dance, letting the wind change its course and angle. The cold soon seeped through my dress and into my bones. An iris from my garland fell in my lap.
Erica Sehyun Song (Thorns in the Shadow)
If there was a predominant season in heaven, Jenny Flanigan believed it would be summer. The long days and warm nights felt endless no matter how rushed the rest of the year was. With summer came the sense that all of life slowed to smell the deep green grass, to watch fireflies dance on an evening breeze, or to hear the gentle lap of lake water against the sandy shore. Summer was barbecues and quiet conversation in the fading light of a nine o'clock sunset. It was cutoffs and flip-flops and afternoons on Lake Monroe.
Karen Kingsbury (Summer (Sunrise, #2))
I think I'll say goodnight here," Jack said. "My dad's not so bad." "Oh yeah,he was great...right up until the time I started dating his daughter." I'd seen how my dad had become considerably colder toward Jack. There were little clues,like the other evening when out of nowhere he told Jack about how every football player he went to high school with had gotten fat after graduation.We'd been talking about what to make for dinner. "Okay," I said. "Maybe next time." I leaned over to peck him on the cheek, but he grabbed my face in both of his hands and kissed me. His breath tasted like the mints the chaperones had passed out when the dance was over, and when he parted his lips against mine, I shivered, but not because of the cold. I pressed against him even more and hoped the dark inside the car obscured my dad's view. But I knew better than to push it.As I was about to break away,Jack put his hands behind my waist and pulled me even closer,practically lifting me over the center console,so I was sitting in his lap. I pulled back. "My dad's going to love that-" He put his finger over my lips, cutting me off. "Please don't talk about your dad when I'm kissing you. Besides, unless he's enacted a law against it-" "Which he may well do after tonight," I interrupted. He smiled and then brought my face to his again for a few moments before finally releasing me. "After that kiss,we'd better dream of the same thing tonight," he said with a smirk. My face got even warmer,but I tried to speak in a calm voice. "I'll probably dream my usual dream,where I show up to school without any clothes on." "Me too." Jack chuckled.I gave his shoulder a playful shove.
Brodi Ashton (Everneath (Everneath, #1))
The next thing I knew Jamie was in my lap wrapping her arms around my neck as if she planned on keeping me hostage for eternity. If that were the case, bring on the shackles babe, because no way was I going to be the one to end this epic kiss. I felt like I was on fire—like warm energy was spilling out of Jamie, washing over me and causing all my hair to stand on end. I started shaking—just a slight tremor in my hands at first, but it quickly progressed to violent, uncontrollable shivers. The energy was filling my body so full I thought I’d literally burst apart at my seams. Then, when I was ready to combust Jamie finally stilled. She pulled her face back and smiled at me with a cool expression, but I know she was affected as I was. I wasn’t the only one breathing hard and shaking. “You can keep the gum,” she said, trying to mask her feelings with a smirk. She couldn’t quite manage it though. Her eyes were bright and full of disbelief. She was as surprised as I was. She climbed off me and with a wink said, “Have fun at the dance.” And then she was gone. She walked out of the cafeteria as if that hadn’t just happened. As if she hadn’t just completely wrecked me. I had no idea if what I felt meant we were soul mates or something crazy like that, but I knew two things for certain. One: Jamie Baker wasn’t the ice queen she pretended to be. And two: I wanted her more than anything I’d ever wanted in my entire life. I had a feeling this wasn’t going to be easy, but I knew deep down in my gut it would be worth it. “Game on, Ice Queen,” I muttered as I stumbled back over to Mike to rub my victory in his face. “You’re already mine. You just don’t know it yet.
Kelly Oram (Kissing Jamie Baker (Jamie Baker, #1.5))
She caught the crazy-eyed look in one about the size of a small horse, wondered vaguely why anyone would want a dog they could essentially ride around the house. When she made the mistake of meeting those crazy eyes for a split second, it danced its great gray bulk in place, then charged, dragging its squeaking owner out of her chair. In defense, Eve slapped a hand to her weapon, but the horse-dog covered the ground like a sprinter, heaved itself up, planted its enormous front paws on her shoulders. And lapped its wide, wet tongue from her chin to her hairline in one noisy slurp.
J.D. Robb (Dark in Death (In Death, #46))
Nick and I, we sometimes laugh, laugh out loud, at the horrible things women make their husbands do to prove their love. The pointless tasks, the myriad sacrifices, the endless small surrenders. We call these men the dancing monkeys. Nick will come home, sweaty and salty and beer-loose from a day at the ballpark,and I’ll curl up in his lap, ask him about the game, ask him if his friend Jack had a good time, and he’ll say, ‘Oh, he came down with a case of the dancing monkeys – poor Jennifer was having a “real stressful week” and really needed him at home.’ Or his buddy at work, who can’t go out for drinks because his girlfriend really needs him to stop by some bistro where she is having dinner with a friend from out of town. So they can finally meet. And so she can show how obedient her monkey is: He comes when I call, and look how well groomed! Wear this, don’t wear that. Do this chore now and do this chore when you get a chance and by that I mean now. And definitely, definitely, give up the things you love for me, so I will have proof that you love me best. It’s the female pissing contest – as we swan around our book clubs and our cocktail hours, there are few things women love more than being able to detail the sacrifices our men make for us. A call-and-response, the response being: ‘Ohhh, that’s so sweet.’ I am happy not to be in that club. I don’t partake, I don’t get off on emotional coercion, on forcing Nick to play some happy-hubby role – the shrugging, cheerful, dutiful taking out the trash, honey! role. Every wife’s dream man, the counterpoint to every man’s fantasy of the sweet, hot, laid-back woman who loves sex and a stiff drink. I like to think I am confident and secure and mature enough to know Nick loves me without him constantly proving it. I don’t need pathetic dancing-monkey scenarios to repeat to my friends, I am content with letting him be himself. I don’t know why women find that so hard.
Gillian Flynn (Gone Girl)
Nick will come home, sweaty and salty and beer-loose from a day at the ballpark, and I’ll curl up in his lap, ask him about the game, ask him if his friend Jack had a good time, and he’ll say, “Oh, he came down with a case of the dancing monkeys—poor Jennifer was having a ‘real stressful week’ and really needed him at home.
Gillian Flynn (Gone Girl)
In the 21st century, we don’t need to march against size-zero models, risible pornography, lap-dancing clubs, and Botox. We don’t need to riot or go on hunger strikes. There’s no need to throw ourselves under a horse, or even a donkey. We just need to look it in the eye, squarely, for a minute, and then start laughing at it.
Caitlin Moran (How To Be A Woman)
If you need to study and your buddy says, “we’re going to a strip club!” your brain will be like, well I definitely can’t study at a strip club, so no. But what if that friend says, “we’re going to a coffee shop, come get a latte”? A cup of coffee is a less obvious violation of studying than a lap dance. Your brain doesn’t outright reject the idea of a coffee shop immediately. Maybe you go to the coffee shop, get into a 45-​minute discussion about Captain America, wind up doing the same amount of productive studying as if you’d gone to a club, and flunk the test. The lesser temptation ironically proved even more tempting—and even more disastrous.
Anonymous
A cell phone rang from the end table to my right and Kristen bolted up straight. She put her beer on the coffee table and dove across my lap for her phone, sprawling over me. My eyes flew wide. I’d never been that close to her before. I’d only ever touched her hand. If I pushed her down across my knees, I could spank her ass. She grabbed her phone and whirled off my lap. “It’s Sloan. I’ve been waiting for this call all day.” She put a finger to her lips for me to be quiet, hit the Talk button, and put her on speaker. “Hey, Sloan, what’s up?” “Did you send me a potato?” Kristen covered her mouth with her hand and I had to stifle a snort. “Why? Did you get an anonymous potato in the mail?” “Something is seriously wrong with you,” Sloan said. “Congratulations, he put a ring on it. PotatoParcel.com.” She seemed to be reading a message. “You found a company that mails potatoes with messages on them? Where do you find this stuff?” Kristen’s eyes danced. “I don’t know what you’re talking about. Do you have the other thing though?” “Yeeeess. The note says to call you before I open it. Why am I afraid?” Kristen giggled. “Open it now. Is Brandon with you?” “Yes, he’s with me. He’s shaking his head.” I could picture his face, that easy smile on his lips. “Okay, I’m opening it. It looks like a paper towel tube. There’s tape on the—AHHHHHH! Are you kidding me, Kristen?! What the hell!” Kristen rolled forward, putting her forehead to my shoulder in laughter. “I’m covered in glitter! You sent me a glitter bomb? Brandon has it all over him! It’s all over the sofa!” Now I was dying. I covered my mouth, trying to keep quiet, and I leaned into Kristen, who was howling, our bodies shaking with laughter. I must not have been quiet enough though. “Wait, who’s with you?” Sloan asked. Kristen wiped at her eyes. “Josh is here.” “Didn’t he have a date tonight? Brandon told me he had a date.” “He did, but he came back over after.” “He came back over?” Her voice changed instantly. “And what are you two doing? Remember what we talked about, Kristen…” Her tone was taunting. Kristen glanced at me. Sloan didn’t seem to realize she was on speaker. Kristen hit the Talk button and pressed the phone to her ear. “I’ll call you tomorrow. I love you!” She hung up on her and set her phone down on the coffee table, still tittering. “And what did you two talk about?” I asked, arching an eyebrow. I liked that she’d talked about me. Liked it a lot. “Just sexually objectifying you. The usual,” she said, shrugging. “Nothing a hot fireman like you can’t handle.” A hot fireman like you.I did my best to hide my smirk. “So do you do this to Sloan a lot?” I asked. “All the time. I love messing with her. She’s so easily worked up.” She reached for her beer. I chuckled. “How do you sleep at night knowing she’ll be finding glitter in her couch for the next month?” She took a swig of her beer. “With the fan on medium.” My laugh came so hard Stuntman Mike looked up and cocked his head at me. She changed the channel and stopped on HBO. Some show. There was a scene with rose petals down a hallway into a bedroom full of candles. She shook her head at the TV. “See, I just don’t get why that’s romantic. You want flower petals stuck to your ass? And who’s gonna clean all that shit up? Me? Like, thanks for the flower sex, let’s spend the next half an hour sweeping?” “Those candles are a huge fire hazard.” I tipped my beer toward the screen. “Right? And try getting wax out of the carpet. Good luck with that.” I looked at the side of her face. “So what do you think is romantic?” “Common sense,” she answered without thinking about it. “My wedding wouldn’t be romantic. It would be entertaining. You know what I want at my wedding?” she said, looking at me. “I want the priest from The Princess Bride. The mawage guy.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
She kept herself busy for a moment, pouring hot water into a mug and giving Jay a chance to absorb what she’d just asked of him, letting him consider her request. Before the dance and before they were a couple, there would have been nothing to think about; he would never have told on her. They’d kept each other’s secrets. No matter what. But now everything—everything—had changed, and Violet was sometimes surprised by how far he would go to keep her out of harm’s way. She knew that, for him anyway, it meant that he would even betray her secrets if it meant she’d be safer in the end. She carried her steaming mug, with the tea bag steeping inside, and set it on the table as she sat down. Jay reluctantly sat too. He leaned forward and rested his elbows on his knees, watching her warily. Finally he sighed, “I won’t tell . . . if you make me one promise.” She met his eyes, hesitating at the look she saw on his face. The unusual mixture of tenderness and fear were at odds, but it made Violet feel warm and soft inside. He reached out his hand to her, and she took it, letting him pull her toward him. She settled onto his lap as he wrapped his arms around her. He nuzzled her neck, inhaling deeply as if the scent of her was somehow reassuring. “Next time . . .” he insisted in a voice quieter than before, “you call me.” She nodded, satisfied that he would keep her safe . . . secrets and all. It was completely astonishing to her—even after all these months—being in love with her best friend.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Dad. I knew that was it. No more holding my hand. No more sitting in my lap. No more throwing your arms around my waist when I walked through the front door or standing on my shoes while we danced around the kitchen. I would be the bank now. The ride to your friend’s house. The critic of your biology homework. The signature on the check mailed away with your college application.
Karin Slaughter (Pretty Girls)
C'mon Will! Let's give these fuckers something to talk about!" Suggestion on the part of a drunken Lou Clark, rooting for her beloved Will Traynor to advance his motorized wheelchair onto the dance floor, after the wedding ceremony between his former fiancé and his former best friend, while she plops herself onto his lap in her bright red dress and drapes her arms around him, his eyes staring straight at her cleavage!
Jojo Moyes (Me Before You (Me Before You, #1))
There’s something about God that makes us want to shout, sing, laugh, dance, be still, and rest our heads on His lap as we gaze into His beautiful eyes—all at the same time. There’s something about God that leaves us speechless—we simply don’t know what to say. We don’t know what to do. To delight in Him—to worship Him—that’s all we can. That’s all we need to. There’s something about God—our souls just can’t get enough.
Scott Boucher (When Goodness Finds You: Living a Life of Intimacy with God)
I have something to show you." He sank down next to me and handed me a sketchbook. I opened it. And saw the mermaid. She was drawn in colored ink, exquisitely detailed; each scale had a little picture in it: a pyramid, a rocket, a peacock, a lamp. Her torso was patterened red, like a tattoo, like coral. She had a thin strand of seaweed around her neck, with a starfish holding on to the center. Her hair was a tumble of loose black curls. She had my face. I turned the page.And another and another. There she was fighting a creature that was half human, half octopus. Exploring a cave. Riding a shark. Laughing and petting a stingray that rested on her lap. "I'm calling her Cora Lia for the moment," Alex told me. "I thought about Corella, but it sounded like cheap dishware." "She's...amazing." "She's fierce. Fighting the Evil Sea-Dragon King and his minions." I traced the red tattoo on her chest. "This is beautiful." Alex reached into my sweater, pulled the loose neck of the T-shirt away from my shoulder. I didn't stop him. "It looks like coral to me." He touched me, then,the pad of his thumb tracing the outline of the scar. It felt strange, partly because of the difference in the tissue, but more because in the last few years, the only hands that had touched me there were mine. I set the book aside carefully. "Guess I don't see what you do." "That's too bad, because I see you perfectly." I curved myself into him. "Maybe you're exactly what I need." "Like there's any doubt?" He buried his face in my neck.I didn't stop him. "So." "So?" "We'll kill a few hours, watch the sunrise, have pancakes, and you'll drive home." "What?" I felt him smile against my skin. "I got you swimming with sharks. Next on the Conquer Your Fears list is driving a stick shift.Right?" "One thing at a time," I said. Then, "Oh. Do that again." In another story, the intrepid heroine would have gone running out and splashed in the surf, hypothermia be damned. She would have driven the Mustang home, booked a haircut, taken up stand-up comedy, and danced on the observation deck of the Empire State Building. But this was me, and I was moving at my own pace. Truth: My story started a hundred years ago. There's time.
Melissa Jensen (The Fine Art of Truth or Dare)
You know how to shoot that thing?" Doubtful merriment danced in Willow's eyes. The landlady's smile was noncommittal as she simply pointed at a small twig on an old lightning-burnt ironwood. "Watch." She hefted the gun, squinted one eye, and pulled the trigger. The twig splintered off to parts unknown. She gave the gun a neat twirl, blew at the smoking barrel, and returned the weapon to her lap. "Close your mouth,dear. You'll gather flies.
Charlotte McPherren (Song of the Willow)
Her eyes were glued to the tv; she didn't even notice when half of the noodles she'd attempted to cram in her mouth fell into her lap. Shifting my eyes, I realized why. It wasn't a tv show she was watching-it was the movie Magic Mike. And dear God, I didn't blame her for tuning me out. How Channing Tatum landed those moves blew my freaking mind. This couldn't be something he was taught, that was for sure. No, not even close, those dance moves were something he was born knowing how to do. And Jesus he looked good doing them.
Jennifer Snyder (Break You (Coldcreek, #1))
Feeling suddenly slightly liberated and relaxed, I looked over at him. His eyes fixed on the seat in front of him. His hands were in his lap, fingers dancing around in the air as if he was anxious. “I know I love you because even when you just punched me in my stomach…and by the way, that hurt” he stopped and smiled at me. “I wanted to kiss you.” As soon as the words left his lips, my mouth popped open. My cheeks were hot. The kid in front of us was grinning. He locked his eyes on me and waited for my response. Nosy little kid.
Elizabeth Nicole (September, After Everything)
To have a goddess like you in his arms and not appreciate it…” He kissed her, unable to resist the lush, succulent mouth so close to his. He put everything he felt into it, so he could wipe out any hurt the Neds of the world had given her. When he broke away, realizing he was treading dangerous ground, she said hoarsely, “You weren’t always so…appreciative. When I said that men enjoyed my company, you said you found that hard to believe.” “What?” he retorted with a scowl. “I never said any such thing.” “Yes, you did, the day that I asked you to investigate my suitors. I remember it clearly.” “There’s no way in hell I ever…” The conversation came back to him suddenly, and he shook his head. “You’re remembering only part, sweeting. You said that men enjoyed your company and considered you easy to talk to. It was the last part I found hard to believe.” “Oh.” She eyed him askance. “Why? You never seem to have trouble talking to me. Or rather, lecturing me.” “It’s either lecture you or stop up your mouth with kisses,” he said dryly. “Talking to you isn’t easy, because every time I’m near you I burn to carry you off to some secluded spot and do any number of wicked things with you.” She blinked, then gazed at him with such softness that at made his chest hurt. “Then why don’t you?” “Because you’re a marquess’s daughter and my employer’s sister.” “What does that signify? You’re an assistant magistrate and a famous Bow Street Runner-“ “And the bastard of nobody knows whom.” “Which merely makes you a fitting companion for a hellion with a reputation for recklessness.” The word companion resonated in his brain. What did she mean by it? Then she pressed a kiss to his jaw, eroding his resistance and his reason, and he knew precisely what she meant. He tried to set her off of him before he lost his mind entirely, but she looped her arms about his neck and wouldn’t let go. “Show me.” “Show you what?” “All the wicked things you want to do with me.” Desire bolted in a fever through his vein. “My God, Celia-“ “I won’t believe a word you’ve said if you don’t.” Her gaze grew troubled. “I don’t think you know what you want. Yesterday you gave me such lovely kisses and caresses and then at the ball you acted like you’d never met me.” “You were with your suitors,” he said hoarsely. “You could have danced with me. You didn’t even ask me for one dance.” Having her on his lap was rousing him to a painful hardness. “Because I knew if I did, I would want…I would need…” She kissed a path down his throat, turning his blood to fire. “Show me,” she whispered, “Show me now what you want. What you need.” “I refuse to ruin you,” he said, half as a caution to himself. “You already have.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
At her feet, a luminous path lit the way through the grassy field. It was made entirely from glow sticks; each of the radiant lights had been painstakingly set into the ground at perfect intervals, tracing a curved trail that shone through the darkness. Apparently, Jay had been busy. Near the water’s edge, at the end of the iridescent pathway and beneath a stand of trees, Jay had set up more than just a picnic. He had created a retreat, an oasis for the two of them. Violet shook her head, unable to find the words to speak. He led her closer, and Violet followed, amazed. Jay had hung more of the luminous glow sticks from the low-hanging branches, so they dangled overhead. They drifted and swayed in the breeze that blew up from the lake. Beneath the natural canopy of limbs, he had set up two folding lounge chairs and covered them with pillows and blankets. “I’d planned to use candles, but the wind would’ve blown ‘em out, so I had to improvise.” “Seriously, Jay? This is amazing.” Violet felt awed. She couldn’t imagine how long it must have taken him. “I’m glad you like it.” He led her to one of the chairs and drew her down until she was sitting before he started unpacking the cooler. She half-expected him to pull out a jar of Beluga caviar, some fancy French cheeses, and Dom Perignon champagne. Maybe even a cluster of grapes to feed to her…one at a time. So when he started laying out their picnic, Violet laughed. Instead of expensive fish eggs and stinky cheeses, Jay had packed Daritos and chicken soft tacos-Violet’s favorites. And instead of grapes, he brought Oreos. He knew her way too well. Violet grinned as he pulled out two clear plastic cups and a bottle of sparkling cider. She giggled. “What? No champagne?” He shrugged, pouring a little of the bubbling apple juice into each of the flimsy cups. “I sorta thought that a DUI might ruin the mood.” He lifted his cup and clinked-or rather, tapped-it against hers. “Cheers.” He watched her closely as she took a sip. For several moments, they were silent. The lights swayed above them, creating shadows that danced over them. The park was peaceful, asleep, as the lake’s waters lapped the shore. Across from them, lights from the houses along the water’s edge cast rippling reflections on the shuddering surface. All of these things transformed the ordinary park into a romantic winter rendezvous.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Well . . .” I mined my mind for something disturbing. All I could recall were the plots of the terrible movies I’d recently seen. “I had this one nightmare where I moved to Las Vegas and met a seamstress and gave lap dances. Then I ran into an old friend who gave me a floppy disk full of government secrets and I became a suspect in a murder case and the NSA chased me, and instead of getting a Porsche for Christmas, a football team left me stranded in the desert.” Dr. Tuttle scribbled dutifully, then lifted her head, waiting for more. “So I started eating sand to try to kill myself instead of dying of dehydration. It was awful.” “Very troubling,” Dr. Tuttle murmured. I wobbled against the bookshelf. It was difficult to stay upright—two months of sleep had made my muscles wither. And I could still feel the trazodone I’d taken that morning. “Try to sleep on your side when possible. There was recently a study in Australia that said that when you sleep on your back, you’re more likely to have nightmares about drowning. It’s not conclusive, of course, since they’re on the opposite side of the Earth. So actually, you might want to try sleeping on your stomach instead, and see what that does.
Ottessa Moshfegh (My Year of Rest and Relaxation)
Mum was pregnant, then there was Sharron. [...] I wanted to keep him away from her - but for the wrong reasons. In my head he was mine, he was my special person but, of course, as I was getting older, his interest in me was waning anyway. I don't know whether it was because he had lost interest in me, or because the abuse elsewhere was so horrific, particularly without him in my life to make things seem better but, whatever the reason, I soon moved from wanted him to leave Sharron alone for my sake, to wanting him to leave her alone for the right reasons. She was tiny, just a toddler, and the thought of him touching her or abusing her horrified me. I started trying to attract his attention whenever he looked at her. I'd dance, I'd sing, I'd sit on his lap. I'd do a hundred things that were completely out of character - anything, anything to avoid seeing that look in his eye when he glanced at the baby. I knew that he was planing to do to her what he had done to me. I tried to get in the way, I tried to get him to play with me, but once Sharron was about three, the penny finally dropped. I had always thought he wasn't in the same category as the others; they weren't nice, and he always was. But as she began to replace me, it made me face up to things. What Uncle Andrew did wasn't right. [...] Even though I loved my uncle, and craved his attention, the thought of him coming into my bed was starting to repulse me. sharron slept in my bed, too, by then, and I wanted that to continue because I wanted to protect her. Of course, there were plenty of times when I wasn't there. I was still being taken away to be abused. I was at school; Sharon was often left unprotected. Something must have been happening because she started wetting the bed almost every night. This was a sign that even I couldn't turn away from. Sharon was being abused. I was sure of it. But I wouldn't stand for it, not for much longer. p209-2010
Laurie Matthew (Groomed)
Carmella twisted a damp tissue around and around in her lap. Every now and then, she dabbed at her nose. “I can’t hardly stand to face the day anymore,” she said. “I couldn’t even go to work today.” “How come?” Toby said. I gave him a nudge with my knee. We sat squeezed together between piles of junk on Carmella’s couch. The window shades were drawn. Tiny sparkles of dust danced in a narrow beam of sunlight that slanted across the dark room. Carmella shook her head. “Gertie says she hasn’t got that kind of money, but I know she does.” “Why won’t she give it to you?” I said. “’Cause she’s selfish, that’s why.” I watched a fly land on a greasy pizza box on
Barbara O'Connor (How to Steal a Dog: A Novel)
These are the forgeries of jealousy; And never, since the middle summer’s spring, Met we on hill, in dale, forest, or mead, By pavèd fountain or by rushy brook, Or in the beachèd margent of the sea, To dance our ringlets to the whistling wind, But with thy brawls thou hast disturbed our sport. Therefore the winds, piping to us in vain, As in revenge have sucked up from the sea Contagious fogs, which, falling in the land, Hath every pelting river made so proud That they have overborne their continents. The ox hath therefore stretched his yoke in vain, The plowman lost his sweat, and the green corn Hath rotted ere his youth attained a beard. The fold stands empty in the drownèd field, And crows are fatted with the murrain flock. The nine-men’s-morris is filled up with mud, And the quaint mazes in the wanton green, For lack of tread, are undistinguishable. The human mortals want their winter here. No night is now with hymn or carol blessed. Therefore the moon, the governess of floods, Pale in her anger, washes all the air, That rheumatic diseases do abound. And thorough this distemperature we see The seasons alter: hoary-headed frosts Fall in the fresh lap of the crimson rose, And on old Hiems’ thin and icy crown An odorous chaplet of sweet summer buds Is, as in mockery, set. The spring, the summer, The childing autumn, angry winter, change Their wonted liveries, and the mazèd world By their increase now knows not which is which. And this same progeny of evils comes From our debate, from our dissension; We are their parents and original.
William Shakespeare (A Midsummer Night’s Dream)
Shannon woke to a light stroke on her cheek. John sat in front of her. The light from the dying fire highlighted his frowning face. “I’m sorry I snapped at you earlier.” She yawned hugely and stretched on the couch. “And I’m sorry I handed you your underwear. That was my mistake. It’ll never happen again.” He glared at her, but she could see his dark eyes dancing with humor. “Smart-ass.” “Hard-ass.” He barked out a laugh and grinned at her. She sat up on the edge of the couch and pushed her hair away from her face. John reached out and tugged at a curl, as if he couldn’t help himself. “Why did you snap at me like that? It hurt.” He dropped his hand to his lap and winced. “I feel like I let you down, with everything. I guess I’m feeling defensive. Useless, to be blunt.” Shannon
J.M. Madden (Embattled Hearts (Lost and Found, #1))
Sitting on his lap, their limbs all a-tangle, she splayed her hands wide across the dark fur on his chest, coasting them down his belly to tangle in the thick nest between his thighs. Her mouth followed, her lips hot on his naked skin. She sank to her knees on the floor. Aidan went very still. No. He could not believe that she would... His hands twisted in her hair. It was the most incredibly erotic sensation in his life. Her tongue danced and circled, down to the very root of him and back up, tasting and exploring that most sensitive part of him. He gritted his teeth until he could stand no more. He caught his hand in her hair and pulled her up and onto his rod. They were both frantic, twisting wildly in perfect union, until at last he exploded inside her, spurting wildly again and again and again.
Samantha James (The Seduction Of An Unknown Lady (McBride Family #2))
I am, I love – the stars at night, the beach sand between our toes, the gentle kiss of cool wind that brushes against your skin. The moon that beams light across the water. I am, I love – the welcome smile that greets you in the shyest way; eyes playful and filled with light. Oh the night. The colours which few truly notice. The beach, the beach – at night, I am, I love. The water that laps at the shores, kindred spirits dancing to the rhythmic waves and drumming carried from across the water. In my eyes a billions flecks of light, in your eyes the same constellations hold true. Alone to explore each other, together. Hushed, racing, slow, shy, bold, urgent, relaxed, and too long apart. And now, finally- the night sky, the beach, and you and I." Excerpt from the upcoming book "The spark (of a muse)". By Cheri Bauer
Cheri Bauer
Grey was here.” He hadn’t known, that was obvious from the way his eyes widened. “You lie.” Rose chuckled. “I saw him. I spoke to him. He said he came to see me. And then he ran out of here as though the hounds of hell were nipping at his heels.” Archer shook his head, an expression of disbelief on his face. “They tend to do that when Hades freezes over.” Then he offered her a grin. “He braved being seen in public just to come here and see you?” “He was watching from a balcony. I wouldn’t have known he was here if the fortune teller hadn’t told me.” His brows shot up. “And there’s a story for another time. Look, Lady Rose, I know he’s frustrating as all get-out, but you cannot expect Grey to change years of behavior in a week. You have to be patient-like waves lapping at a stone.” That was so very easily said. He wasn’t the one being pressured to find a husband. He wasn’t the one who felt as though everything she wanted was just out of reach. “You know, I suddenly find myself very interested in Lady Monteforte’s literary tastes. Shall I make the introductions?” “I will hang your puppy if you do not.” Rose grinned. He truly was the most charming of rascals. “How very fortunate for me then, that I do not own a puppy.” “For shame. Every young lady should have a puppy.” Rose made the introductions, and Archer wasted no time in asking Lady Monteforte if she cared to dance. For a moment it seemed the lady might decline, but then Rose offered to stay with Jacqueline and Archer offered the widow his arm. She hesitated before taking it. Interesting. Rose had never seen a woman react so coolly to Archer’s charm before. The Kane men were obviously losing their touch.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
And I will pull you inside, saying come in and sit down and tell me more slowly and fully, and I will cry because the process of raising you will have made me sentimental, and I will wrap my arms around you and marvel at how beautiful you are, how tall and strong and shining. And all of my memories of you will dance in front of my eyes as I thirstily listen to all that you have to say, laughing and holding my hands and leaning on my shoulder, or perhaps putting your head in my lap the way you would do as a child. And then it is time for you to leave me again, to go back to your own life, humming with aspiration. You don't have to worry about me—I will be the happiest I have ever been, even as my heart breaks a little to let go of you. Still, I know you will always come back to me. And that will be the only wish I'll have ever known.
Frances Cha (If I Had Your Face)
At the sound of her uncle’s voice coming from the back door, Jay threw Violet off his lap. Violet giggled as she hit the cushions on the back of the couch. “What are you doing?” she complained. “It’s just Uncle Stephen.” Jay sat up. “I know, but ever since the Homecoming Dance, I feel like he’s always watching us. I just don’t want him to think we’re doing anything we shouldn’t be.” The Homecoming Dance. It had been almost three months since that night, but the memories still made Violet shudder. Not a day went by that she wasn’t grateful Jay was still alive. Grateful the bullet from the killer’s gun had only grazed his shoulder, despite the fact that the man-one of her uncle’s own officers-had been aiming directly for Jay’s heart. If her uncle hadn’t shown up at the dance when he did, firing the fatal shot that took the killer down, neither she nor Jay would have made it out of there alive. Jay had always liked her uncle before then, but now it was something closer to worship.
Angie Frazier (Everlasting (Everlasting, #1))
He imagines snapping his fingers, making all the people in the diner stand, at once, and become their better selves. The woman with the cragged oak-bark face throws off her hood and shakes her hair and her age drops off of her like bandages. The man with a monk's tonsure, muttering to himself, leaps onto a table and strikes music from the air. Out of the bowels of the kitchen the weary cooks, small brown people, cartwheel and break-dance, spinning like upended beetles on the ground and their faces crack into glee and they are suddenly lovely to look at, and the dozen customers start up all at once into loud song, voices broken and beautiful. The song rises and infiltrates the city and wakes the inhabitants, one by one, from their own dark dreams, and all across the island, people sit up in bed and listen to it lap around them, an ocean of kindness, filling them, making them forget all the evil leaching out of the world for a very long moment, making them forget everything but the song.
Lauren Groff (Arcadia)
Elsewhere that same day, sleet covered the dead grass outside a modest lavender home in the northern village of Oščadnica like bits of confetti. The piercing wind picked up, keeping afloat a host of identical LSNS flags, green cloth dancing under the murky winter sky. Within the thirty-person crowd, greetings all around. ‘At guard,’ they said to one another, saluting coyly, using a fascist phrase that was popular under Tiso’s rule. The green-clad audience former rows and stood with folded hands over their laps, as local LSNS František Drozd placed a multicolored wreath of flowers at the foot of the home where Tiso once lived. Drozd broke the momentary silence and welcomed the crowd. As the Sunday morning mass concluded across the street, churchgoers poured out of the church. A handful of them—dressed smartly in church digs—joined the procession. A gaggle of police officers stood next to their cars in the adjacent parking lot, rubbing their gloved hands together to stay warm, boredom sketched across their faces.
Patrick Strickland (Alerta! Alerta!: Snapshots of Europe's Anti-fascist Struggle)
Salt Marsh Goddess by Michelle Joers "You may need a super-human super-hero super-natural god/dess, hammer or harp in hand, horse-bodied or jackal-headed, Lady of the Lake or Lord of the Seas.* But I have the deep, deep ocean and strong winds driving waves upon the shore driving me to my knees for absolution driving me to oblivion; I have a sun that warms tender shoots, crooning them from the loamy body of a Living Earth; The caress of the Willow branch as I lie beneath her roots, book in hand, and squirmy child in lap. The Salt Marsh Goddess speaks to me in ringing tones, as clear as any god of myth does for you & she speaks in a thousand tongues— Spartina, Juniperus, Myrica, Sesarma, Uca, Littorina, Malaclemys, Ardea, Alligator …just to name a few. I have prayed at her temple as the tide pours into my boots And divined my future with her bones I have bled for her | I have tasted her flesh And drank of her blood | And given her mine While you argue over how to resurrect gods of long passed cultures, I’ll be the one covered in mud and dancing with the rushes, celebrating a goddess born of glaciers.
John Halstead (Godless Paganism: Voices of Non-Theistic Pagans)
Alicia Brown loved the feeling of swimming. Face in water, smooth stroke, face out of water; another smooth stroke. It was a soothing and peaceful series of motions that carried her from one end of the pool to another, with the sleek turns at each end. Her hand touched the end of the pool, her body turned, her foot danced on the pool edge and she was off to the other end of the pool. There was no time for thought or worry or tension when she swam. There was no need to talk or compare swimming sessions. She looked at Sophie bobbing swiftly beside her, trying another stroke. Alicia preferred her tried and true basic swimming stroke that carried her powerfully from one end of the pool to the other and back again. Sophie had a variety of strokes she used. Alicia was aware that Sophie was coming to the end of her swim. She could see her slowing as she reached the end of a lap. Alicia didn’t want to stop. Not yet, anyway. For one thing, once she was out of the water, the same long list of tasks awaited her. She could feel the tension in her shoulders at the mere thought of having her water therapy end. That’s what she called
Amelia Jones (Stepping Out (Swanson Sisters #2))
Fleur listened thoughtfully with his flute in his lap, one hand stroking his German shepherd, when I think how you used to be, Fleur, I really got to wonder, but Mabel couldn’t divert the boy’s gaze from under that overhang of hair, and just as well he thought, so she doesn’t see the anger in his eyes, the rage shaking his body, furious with himself, and though it was a warm autumn and hot at noon, he was glad to retreat deep inside the hoodie that hid his chin but couldn’t stop the piercing words that went straight to the young musician’s heart, Mabel’s voice was like his own, what exactly have you done, Child Prodigy Fleur, not to be that flower crushed in the street, just a raggedy stuffed hoodie, what, what, geez you reek of alcohol, the cocktails your ma serves in the pub by the ocean when the illegal families come out to dance on the beach on Saturday nights and your ma gives them free drinks that knock them out right there, while ever since the divorce, your pa and grandpa stayed on the land, poor land back in Alabama, and haven’t they all just driven you backwards, shrunk you down to their own size, you could have gone to study in Vienna,
Marie-Claire Blais (Nothing for You Here, Young Man)
God help us you full of talk of a city called Edinburgh and me in silence so very deep we were so very much in love. And the burns and sikes and streams though shallow were deep music to us. You trout-tickler, you flower-picker, climber in willow trees, me laughing below as best I could laugh, though you never thought it ugly. Indeed the word you used was the word beautiful, pinning cowslips behind my ears, you patting and running fingers through our beckwashed hair. Lying by the marigold beds bare toes entwined, then dancing under branches before the elms ever died. But our mutual hearts never did. Bar it is 7 and your raining rage must cease under my morning moon. In my dawn shawl looking dawndown upon you in your foot-striding fellhighhighupuptopheavyrainbeatingrainrain. We have always walked together so long. In the long grass we walked and walked forever so long so very language long and I could say so once you had the slate in my lap. My tongue blank - FOREVER, word we wrote on a slate, remember when you taught me? - only my hands and eyes moving now - two daughters we could have had - but I am looking kindly and lovingly on you 'Please do it' - cool your raging fire lovelorn heart - for me. And love me - forever.
Barry MacSweeney (Pearl in the Silver Morning)
The Birth of the Prince and the Pauper In the ancient city of London, on a certain autumn day in the second quarter of the sixteenth century, a boy was born to a poor family of the name of Canty, who did not want him. On the same day another English child was born to a rich family of the name of Tudor, who did want him. All England wanted him too. England had so longed for him, and hoped for him, and prayed God for him, that, now that he was really come, the people went nearly mad for joy. Mere acquaintances hugged and kissed each other and cried. Everybody took a holiday, and high and low, rich and poor, feasted and danced and sang, and got very mellow; and they kept this up for days and nights together. By day, London was a sight to see, with gay banners waving from every balcony and house-top, and splendid pageants marching along. By night, it was again a sight to see, with its great bonfires at every corner, and its troops of revelers making merry around them. There was no talk in all England but of the new baby, Edward Tudor, Prince of Wales, who lay lapped in silks and satins, unconscious of all this fuss, and not knowing that great lords and ladies were tending him and watching over him—and not caring, either. But there was no talk about the other baby, Tom Canty, lapped in his poor rags, except among the family of paupers whom he had just come to trouble with his presence.
Mark Twain (The Prince and the Pauper)
We could also see birches in the woods beyond the thirteen-foot-high fences. And we could see women prisoners in the adjacent field; if the girls saw their mothers among them, they could throw their bread to them, hoping that they would not loft it back, as our rations were greater than anyone else's in the camp. We could see the labs we were taken to on Tuesdays and Thursdays and Saturdays, the two-story buildings of brick, but the rest of our view was limited. If someone had cause to pluck us up and take us somewhere, then there was more we might learn of Auschwitz, but otherwise, we did not see the section of camp called Canada, which featured a series of warehouses so overwhelmed with pillaged splendor that the prisoners named it after a country that represented wealth and luxury to them. Inside Canada's structures, our former possessions loomed in stacks: our spectacles, our coats, our instruments, our suitcases, all of it, even down to our teeth, our hair, anything that could be considered necessary to the business of being human. We did not see the sauna where inmates were stripped, or the little white farmhouse whose rooms were passed off as showers. We did not see the luxuriant headquarters of the SS, where parties took place, parties where the women of the Puff were brought in to dance and sit upon Nazi laps. We did not see, and so we believed we already knew the worst. We couldn't image the greatness of suffering, how artful and calculating it could be, how it could pluck off the members of a family, one after the other, or show an entire village the face of death in one fell swoop.
Affinity Konar (Mischling)
This neighborhood was mine first. I walked each block twice: drunk, then sober. I lived every day with legs and headphones. It had snowed the night I ran down Lorimer and swore I’d stop at nothing. My love, he had died. What was I supposed to do? I regret nothing. Sometimes I feel washed up as paper. You’re three years away. But then I dance down Graham and the trees are the color of champagne and I remember— There are things I like about heartbreak, too, how it needs a good soundtrack. The way I catch a man’s gaze on the L and don’t look away first. Losing something is just revising it. After this love there will be more love. My body rising from a nest of sheets to pick up a stranger’s MetroCard. I regret nothing. Not the bar across the street from my apartment; I was still late. Not the shared bathroom in Barcelona, not the red-eyes, not the songs about black coats and Omaha. I lie about everything but not this. You were every streetlamp that winter. You held the crown of my head and for once I won’t show you what I’ve made. I regret nothing. Your mother and your Maine. Your wet hair in my lap after that first shower. The clinic and how I cried for a week afterwards. How we never chose the language we spoke. You wrote me a single poem and in it you were the dog and I the fire. Remember the courthouse? The anniversary song. Those goddamn Kmart towels. I loved them, when did we throw them away? Tomorrow I’ll write down everything we’ve done to each other and fill the bathtub with water. I’ll burn each piece of paper down to silt. And if it doesn’t work, I’ll do it again. And again and again and— — Hala Alyan, “Object Permanence
Hala Alyan
LEADING LESSONS Pounce on an opportunity--even if you think you’re not ready. Whenever I got a new partner--and I had several over the years--I’d want to rehearse for months before we competed. But Shirley would give us two weeks to get five routines down. She’d throw us out there: “You have to bite the bullet.” Ready or not, we hit the dance floor. Why? Because you’re never ready till you’re doing it. No amount of preparation in the world can prepare you for the actual experience. I tell my Dancing with the Stars partners this all the time. You can rehearse for weeks, months, years, and still never be ready. You have to just go out there and live it--that’s when it will all make sense and come together. You can’t prepare yourself for the actual in-the-moment experience. Leaders take that leap. You can’t let insecurity hold you back. The walls that protect you are also the walls that imprison you. There’s an old Cherokee story about a grandfather who tells his grandson about the two wolves that live inside us all. There’s a battle raging between them. One is evil--he represents fear, doubt, self-pity, regret. The other is good--he stands for joy, peace, confidence, truth, faith. The grandson asks, “Which wolf wins?” The old Cherokee simply replies: “The one you feed.” There may never be a right time or a right place to take a risk. The right time is right now. In the past, I used to overanalyze everything, and if something landed in my lap, some great chance to be taken, I’d often talk myself out of it. I know now that you have to have confidence in who you are and what you want. You have to seize the opportunity and feed the good wolf.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
Does the prince play?" asked the lute player. "Hamish is a wee beast with all stringed things," Fergus said. "Pity those wolves didn't have strings." Immediately, the woman passed the lute to Hamish. He didn't move his arms in time to take it, so she simply plopped it down in his lap. "I'll trade you a tune for your dish of pears." Hamish sat there, a frozen little creature with big eyes. Pinned to the bench by fear and by the lute. How badly Merida wanted him to be able to play fearlessly for this group. Not for their benefit, but for his. How was it that his sense of fun had been replaced by a sense of fear? She whispered to him, "You could play 'Crosses and Squares.'" Still he was frozen. Maldouen said, "Don't you think you owe Ol' Flower a tune for saving your life?" Maldouen was being playful, but he had, without realizing, hit upon the only way Hamish perform: obligation. Hamish let fear rule him, but not at the expense of other people. Hamish whispered, "All right," and then added, to the dog, "Ma'am," which made the entire table laugh uproariously. Hamish began to play. The villagers began to clap in time with him. Hamish played faster. They clapped faster. Hamish played little riffs and twirls, and the villagers got up and danced along with the well-known tune. With the lute in his hand and the tune ringing out strongly, it was almost possible to believe Hamish wasn't afraid, but Merida knew better. This was how it always went. When Hamish played for other people, he always looked like a different person. Straighter, surer. More like Hubert or Harris. This was part of a good show, after all, and he felt obligated to give Ol' Flower a good show.
Maggie Stiefvater (Bravely)
A long time ago, I collected the flower petals stained with my first blood; I thought there was something significant about that, there was importance in all the little moments of experience, because when you live forever, the first times matter. The first time you bleed, first time you cry — I don’t remember that — first time you see your wings, because new things defile you, purity chips away. your purity. nestled flowers in your belly, waiting to be picked. do you want innocence back? small and young smiles that make your eyes squint and cheeks flare the feeling of your face dripping down onto the grass, the painted walls you tore down, the roads you chipped away, they’ll eat away at you, the lingering feelings of a warm hand on your waist, the taps of your feet as you dance, the beats of your timbrel.’ ‘and now you are like Gods, sparkling brilliant with jewelry that worships you, and you’re splitting in order to create.’ ‘The tosses of your wet hair, the rushes of chariots speeding past, the holy, holy, holy lord god of hosts, the sweetness of a strawberry, knocks against the window by your head, the little tunes of your pipes, the cuts sliced into your fingers by uptight cacti fruits, the brisk scent of a sea crashing into the rocks, the sweat of wrestling, onions, cumin, parsley in a metal jug, mud clinging to your skin, a friendly mouth on your cheeks and forehead, chimes, chirps of chatter in the bazaar, amen, amen, amen, the plump fish rushing to take the bread you toss, scraping of a carpenter, the hiss of chalk, the wisps of clouds cradling you as you nap, the splashes of water in a hot pool, the picnic in a meadow, the pounding of feet that are chasing you, the velvet of petals rustling you awake, a giant water lily beneath you, the innocent kiss, the sprawl of the universe reflected in your eyes for the first time, the bloody wings that shred out of your back, the apples in orchards, a basket of stained flowers, excited chants of a colosseum audience, the heat of spinning and bouncing to drums and claps, the love braided into your hair, the trickles of a piano, smell of myrrh, the scratches of a spoon in a cup, the coarseness of a carpet, the stringed instruments and trumpets, the serene smile of not knowing, the sleeping angel, the delight of a creator, the amusement of gossip and rumors, the rumbling laughter between shy singing, the tangling of legs, squash, celery, carrot, and chayote, the swirled face paint, the warmth of honey in your tea, the timid face in the mirror, mahogany beams, the embrace of a bed of flowers, the taste of a grape as its fed to you, the lip smacks of an angel as you feed him a raspberry, the first dizziness of alcohol, the cool water and scent of natron and the scratch of the rock you beat your dirty clothes against, the strain of your arms, the columns of an entrance, the high ceilings of a dark cathedral, the boiling surface of bubbling stew, the burn of stained-glass, the little joyous jump you do seeing bread rise, the silky taste of olive oil, the lap of an angel humming as he embroiders a little fox into his tunic, the softness of browned feathers lulling you to sleep, the weight of a dozen blankets and pillows on your small bed, the proud smile on the other side of a window in a newly-finished building, the myrtle trees only you two know about, the palm of god as he fashions you from threads of copper, his praises, his love, his kiss to your hair, your father.
Rafael Nicolás (Angels Before Man)
I shifted one strap over my shoulder, then the other. I circled my head around and swiveled my hips, creating a sort of hula hoop helix, a study in the curves of a woman's body. He reached for me, but I stepped back, just beyond his reach. "Not yet..." "Argh," he said, but he said it with a smile. "Yes, mademoiselle." I turned around and grazed the tops of his knees with my butt, then spread my legs and bent over, because I knew the dress would ride up. I'd known this Hervé Léger was good for dancing, but I hadn't known until then that it was made for holding men entranced. I stood up while his hand moved up and down my inner thigh, and then his other hand joined in. He unzipped the back of the dress and it fell to the ground with an unsexy sandbag-like thud. I had never stood in front of a man in just a bra, panties, and heels. My first instinct was to be embarrassed, to want to cover up or turn down the lights, to jump on him so he wouldn't have such a complete view of every inch of me. Yet his gaze only grew in intensity. But then Pascal pulled me at the knees so I buckled and tripped on the way to his lap. He flicked my bra open and off so my arms flew wildly in front of me. Then, in a rather impressive move, he slid my panties off and circled me around me so I was the one sitting and he stood over me. All of a sudden, he had the control. "Hey," I said. A quiver came into my voice now that he was on top and I didn't know what to do. Pascal unbuttoned his shirt and unbuckled his belt. I got the picture and began to kick off my shoes, but he stopped me. "Leave them on," he said. "You look so fucking sexy in those heels." I blushed, but now wasn't the time to be sheepish. He leaned over me. I squeezed his waist with my legs and held his neck in the crook of my elbows so I could keep his face to mine. We rocked together forcefully but in sync. He swiftly slid off his boxer briefs and put my hand on him. He was even harder than before, harder than I had ever felt with Elliott. Pascal was roaring in triumph as he sat over me, himself in hand.
Jessica Tom (Food Whore)
She was floating, arms outspread, water lapping her body, breathing in a summery fragrance of salt and coconut. There was a pleasantly satisfied breakfast taste in her mouth of bacon and coffee and possibly croissants. She lifted her chin and the morning sun shone so brightly on the water, she had to squint through spangles of light to see her feet in front of her. Her toenails were each painted a different color. Red. Gold. Purple. Funny. The nail polish hadn’t been applied very well. Blobby and messy. Someone else was floating in the water right next to her. Someone she liked a lot, who made her laugh, with toenails painted the same way. The other person waggled multicolored toes at her companionably, and she was filled with sleepy contentment. Somewhere in the distance, a man’s voice shouted, “Marco?” and a chorus of children’s voices cried back, “Polo!” The man called out again, “Marco, Marco, Marco?” and the voices answered, “Polo, Polo, Polo!” A child laughed; a long, gurgling giggle, like a stream of soap bubbles. A voice said quietly and insistently in her ear, “Alice?” and she tipped back her head and let the cool water slide silently over her face. Tiny dots of light danced before her eyes. Was it a dream or a memory? “I don’t know!” said a frightened voice. “I didn’t see it happen!” No need to get your knickers in a knot. The dream or memory or whatever it was dissolved and vanished like a reflection on water, and instead fragments of thought began to drift through her head, as if she were waking up from a long, deep sleep, late on a Sunday morning. Is cream cheese considered a soft cheese? It’s not a hard cheese. It’s not . . . . . . hard at all. So, logically, you would think . . . . . . something. Something logical. Lavender is lovely. Logically lovely. Must prune back the lavender! I can smell lavender. No, I can’t. Yes, I can. That’s when she noticed the pain in her head for the first time. It hurt on one side, a lot, as if someone had given her a good solid thwack with a baseball bat. Her thoughts sharpened. What was this pain in the head all about?
Liane Moriarty (What Alice Forgot)
Raging storm. The universe booms around me. She approaches. Frightfully, I stand. Yes. Stuck. Stuck in wonderment. Something so strong, so beautiful. Swirling around me. Will it absorb me? Maybe. Or might it pass by? It could. Rolling waves of rage and chaos. Cracks of thunder echo in my chest. I am in the storm now. How? Dancing in the wind. In her chaos. Can I become a part of her forever? I must be able to. This feeling, so wonderful. Maybe she will only pass me by. Leave me to fall from the sky? I hope not. This raging storm around me. So dangerous. So pure. Nothing but nature in her utter glory. Pushing me into motion. I spin in the midst of her, taking in the power. The walls of motion. Confusion surrounds me. Particles forcing together and cracking apart. I’m frightful again, the noise overpowering me. I hunch into a ball, scared of what will become of me. Still suspended in the air. But she silences. The sky clears around me. It must be the eye of the storm. The center of everything. The center of her. Yes. The sunshine blinds me. I raise my hand to shield my face. The silence a melody in my ear. Ah, finally soothed. How extraordinary this is, floating and rising. It overcomes me. This space. Joy? But then I feel the air shift. The power making my hair rise. And suddenly, I’m moving again. She moves along. This raging, rolling storm. The air sucking me up and down. Ripping me apart. Spinning. Spinning. Spinning. Fear consumes me again as the storm takes hold. Confusion. So much confusion. I cry, thinking I might die. But it’s over. I look at my hands. My feet. Back on the ground. She rolls away. Spinning beautifully onward. My, the power. But the question. Always the question. Do I love? Do I hate? Her beautiful, frightening glory. My dear raging storm. I drop the note into my lap. My hand comes up, covering my mouth in shock. I blink down at the note, trying to slow down my heart rate. Because Noah wrote this. He wrote all of this. And he wrote it about me. About how I make him feel. I think back to his project. How he told me it was about me. The eye of the storm. Chaos. Confusion. Awe.
Jillian Dodd (The Party (London Prep #5))
she had dark chestnut hair, a heart-shaped face, large wide eyes, full lips…and appeared about as miserable as he’d ever seen a young woman, a state he suspected had something to do with the older woman at her side. His gaze slid over the matron. Well-rounded with dark hair, she was pretty despite the bloom of youth being gone—or she would be if she weren’t wearing a pursed, dissatisfied expression as she surveyed the activity in the ballroom. Adrian glanced back to the girl. “First season?” he queried, his curiosity piqued. “Yes.” Reg looked amused. “Why is no one dancing with her?” A beauty such as this should have had a full card. “No one dares ask her—and you will not either, if you value your feet.” Adrian’s eyebrows rose, his gaze turning reluctantly from the young woman to the man at his side. “She is blind as a bat and dangerous to boot,” Reg announced, nodding when Adrian looked disbelieving. “Truly, she cannot dance a step without stomping on your toes and falling about. She cannot even walk without bumping into things.” He paused, cocking one eyebrow in response to Adrian’s expression. “I know you do not believe it. I did not either…much to my own folly.” Reginald turned to glare at the girl and continued: “I was warned, but ignored it and took her in to dinner….” He glanced back at Adrian. “I was wearing dark brown trousers that night, unfortunately. She mistook my lap for a table, and set her tea on me. Or rather, she tried to. It overset and…” Reg paused, shifting uncomfortably at the memory. “Damn me if she did not burn my piffle.” Adrian stared at his cousin and then burst into laughter. Reginald looked startled, then smiled wryly. “Yes, laugh. But if I never sire another child—legitimate or not—I shall blame it solely on Lady Clarissa Crambray.” Shaking his head, Adrian laughed even harder, and it felt so good. It had been many years since he’d found anything the least bit funny. But the image of the delicate little flower along the wall mistaking Reg’s lap for a table and oversetting a cup of tea on him was priceless. “What did you do?” he got out at last. Reg shook his head and raised his hands helplessly. “What could I do? I pretended it had not happened, stayed where I was, and tried not to cry with the pain. ‘A gentleman never deigns to notice, or draw attention in any way to, a lady’s public faux pas,’” he quoted dryly, then glanced back at the girl with a sigh. “Truth to tell, I do not think she even realized what she’d done. Rumor has it she can see fine with spectacles, but she is too vain to wear them.” Still smiling, Adrian followed Reg’s gaze to the girl. Carefully taking in her wretched expression, he shook his head. “No. Not vain,” he announced, watching as the older woman beside Lady Clarissa murmured something, stood, and moved away. “Well,” Reg began, but paused when, ignoring him, Adrian moved toward the girl. Shaking his head, he muttered, “I warned you.” -Adrian & Reg
Lynsay Sands (Love Is Blind)
Las Vegas is every bit as blisteringly hot in June as Phoenix, and if you take the lap dancing, gambling, and showgirls into account it is probably several degrees hotter due to friction.
Stephen L. Macknik (Sleights of Mind: What the Neuroscience of Magic Reveals About Our Everyday Deceptions)
One of my earliest memories is sitting on my father's lap, watching Here's Lucy, a Lucille Ball situation comedy on CBS that began with a dancing little doll Lucy. The credits would come on, and at the end, the little doll Lucy pulled back a stage curtain, revealing the real Lucy. Although I wasn't able to put it into words then, I think what i found so compelling about that moment each week was the expression of truth - we are all just little dolls of ourselves who occasionally pull back the curtains to reveal the real us.
Bruce Eric Kaplan (I Was a Child)
You look like a Cheshire cat.” “Welcome to Wonderland, Alice. Have a cracker.” Susannah rolled upright. “Since when are crackers the cure for the grippe?” “It’s not the flu.” Jesse could contain himself no longer. He tossed the almanac in the air. “We’re going to have a baby!” “What? A baby?” Jesse plopped on the bed and scooped her into his lap. “Sleeping a lot, cranky stomach, no poorlies this month. All points to the same thing: hit the bull’s-eye on the first shot! Hallelujah!” Jesse danced a jig around the room and bumped his head on a rafter. “How did you know?” “A large family is a schoolhouse for life. Eat up, Ma.
Catherine Richmond (Spring for Susannah)