Lantern Making Quotes

Find the light that makes your lantern shine,” she used to say. “Hold on to it, even when the dark surrounds you. Not even the strongest wind will blow out the flame.

You know, I do believe in magic. I was born and raised in a magic time, in a magic town, among magicians. Oh, most everybody else didn’t realize we lived in that web of magic, connected by silver filaments of chance and circumstance. But I knew it all along. When I was twelve years old, the world was my magic lantern, and by its green spirit glow I saw the past, the present and into the future. You probably did too; you just don’t recall it. See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for God’s sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what they’d allowed to wither in themselves. After you go so far away from it, though, you can’t really get it back. You can have seconds of it. Just seconds of knowing and remembering. When people get weepy at movies, it’s because in that dark theater the golden pool of magic is touched, just briefly. Then they come out into the hard sun of logic and reason again and it dries up, and they’re left feeling a little heartsad and not knowing why. When a song stirs a memory, when motes of dust turning in a shaft of light takes your attention from the world, when you listen to a train passing on a track at night in the distance and wonder where it might be going, you step beyond who you are and where you are. For the briefest of instants, you have stepped into the magic realm. That’s what I believe. The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. It’s not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You don’t know it’s happening until one day you feel you’ve lost something but you’re not sure what it is. It’s like smiling at a pretty girl and she calls you “sir.” It just happens. These memories of who I was and where I lived are important to me. They make up a large part of who I’m going to be when my journey winds down. I need the memory of magic if I am ever going to conjure magic again. I need to know and remember, and I want to tell you.

Dad always told me there are more stories in the universe than stars in the sky. And in every story, there's the light of hope. That's why the seniors sent lanterns up to the sky-to make sure the darkness is never absolute.

Learn from my mistakes, [...] and learn from my joys. Surround yourself with those who'll love you always, through your mistakes and your faults. Make a family that will find you more beautiful every day, even when your hair is white with age. Be the light that makes someone's lantern shine.

You have, to dream things out. It keeps a kind of an ideal before you. You see it first in your mind and then you set about to try and make it like the ideal. If you want a garden,—why, I guess you've got to dream a garden.

Be the light that makes someone's lantern shine.

It's the fools that make all the trouble in the world, not the wicked.

I am out with lanterns, looking for myself. —Emily Dickinson

Find the light that makes your lantern shine. Hold on to it, even when the dark surrounds you. Not even the strongest wind will blow out the flame.

The biggest challenge facing the great teachers and communicators of history is not to teach history itself, nor even the lessons of history, but why history matters. How to ignite the first spark of the will o'the wisp, the Jack o'lantern, the ignis fatuus [foolish fire] beloved of poets, which lights up one source of history and then another, zigzagging across the marsh, connecting and linking and writing bright words across the dark face of the present. There's no phrase I can come up that will encapsulate in a winning sound-bite why history matters. We know that history matters, we know that it is thrilling, absorbing, fascinating, delightful and infuriating, that it is life. Yet I can't help wondering if it's a bit like being a Wagnerite; you just have to get used to the fact that some people are never going to listen.

Find the light that makes your lantern shine," she used to say. "Hold on to it, even when the dark surrounds you. Not even the strongest wind will blow out the flame

Morley joined them, and after a long, uncomfortable moment, Mrs. Grant decided to ignore his presence. The guards didn’t. Their knuckles were white on their weapons. May I assist?” he asked, and put his hands behind his back. “I promise not to eat anyone.” Very funny,” Mrs. Grant said. Morley gave her a grave look. I wasn’t joking, dear lady,” he said. “I do promise. And I never make a promise I don’t intend to keep. You should feel quite secure.” Well, I’m sorry, I don’t,” she said. “You’re just—” Too overwhelmingly dashing and attractive?” Morley grinned. “A common problem women face with me. It’ll pass. You seem like the no-nonsense sort. I like that.” Claire smiled at the look on Mrs. Grant’s face, reflected in the white LED light of the lantern she was holding. You are really—odd,” the older woman said, as if she couldn’t quite believe she was even having the conversation.

Surround yourself with those who’ll love you always, through your mistakes and your faults. Make a family that will find you more beautiful every day, even when your hair is white with age. Be the light that makes someone’s lantern shine.

She might not know what your routine is, but I do,” I said softly. “So put the lantern down. You’re not burning me yet, and we both know it.” “What’s she saying?” Sarah demanded, hobbling over. His white brows drew together, and I allowed a little smile to play on my lips. “Awfully bossy with you, isn’t she? Then again, it makes sense. She’s got the pants on, and you’re the one in the dress.

Look, without our stories, without the true nature and reality of who we are as People of Color, nothing about fanboy or fangirl culture would make sense. What I mean by that is: if it wasn't for race, X-Men doesn't sense. If it wasn't for the history of breeding human beings in the New World through chattel slavery, Dune doesn't make sense. If it wasn't for the history of colonialism and imperialism, Star Wars doesn't make sense. If it wasn't for the extermination of so many Indigenous First Nations, most of what we call science fiction’s contact stories doesn't make sense. Without us as the secret sauce, none of this works, and it is about time that we understood that we are the Force that holds the Star Wars universe together. We’re the Prime Directive that makes Star Trek possible, yeah. In the Green Lantern Corps, we are the oath. We are all of these things—erased, and yet without us—we are essential.

Find the light that makes your lantern shine, " Mama would say. Now, more than ever, Kiki was that light.

The jack-o-lantern follows me with tapered, glowing eyes. His yellow teeth grin evily. His cackle I despise. But I shall have the final laugh when Halloween is through. This pumpkin king I’ll split in half to make a pie for two.

A shaft of sunlight fell on me, making my dress look like fire and my skin glow like pearls. The shadows around me darkened, as if my glowing skin were leeching the light from everything around me. I was a lantern on the longest, darkest moonless night.

September let go a long-held breath. She stared into the roiling black-violet soup, thinking furiously. The trouble was, September didn’t know what sort of story she was in. Was it a merry one or a serious one? How ought she to act? If it were merry, she might dash after a Spoon, and it would all be a marvelous adventure, with funny rhymes and somersaults and a grand party with red lanterns at the end. But if it were a serious tale, she might have to do something important, something involving, with snow and arrows and enemies. Of course, we would like to tell her which. But no one may know the shape of the tale in which they move. And, perhaps, we do not truly know which sort of beast it is, either. Stories have a way of changing faces. They are unruly things, undisciplined, given to delinquency and the throwing of erasers. This is why we must close them up into thick, solid books, so they cannot get out and cause trouble.

I have believed the best of every man, and find that to believe it is enough to make a bad man show him at his best or even a good man swing his lantern higher.

How simple love would be, Younger Brother, if we only had to bestow it on those who deserved it. Yet what would it be worth? If you gave a poor man a silver coin then that would be a gift. If you expected him to pay you back, then that would make it a loan. We do not loan our love, Lantern. We give it freely.

Love is weakness. You open yourself up to choices you’d never make if you heart were your own.

I learnt how to make this urgent flame look like a lantern.

Ye shall know the truth and the truth shall make you free.” The most terrible and tremendous saying in the world, Jane… because we are all afraid of truth and afraid of freedom… that’s why we murdered Jesus.

From the first smouldering taper to the elegant lanterns whose light reverberated around eighteenth-century courtyards and from the mild radiance of those lanterns to the unearthly glow of the sodium lamps that line the Belgian motorways, it has all been combustion. Combustion is the hidden principle behind every artefact we create. The making of a fish-hook, manufacture of a china cup, or production of a television programme, all depend on the same process of combustion. Like our bodies and like our desires, the machines we have devised are possessed of a heart which is slowly reduced to embers.

Do you see this lantern? cried Syme in a terrible voice.'Do you see the cross carved on it, and the flame inside? You did not make it. You did not light it. Better men than you, men who could believe and obey, twisted the entrails of iron and preserved the legend of fire. There is not a street you walk on, there is not a thread you wear, that was not made as this lantern was, by denying your philosophy of dirt and rats. You can make nothing. You can only destroy. You will destroy mankind, you will destroy the world. Let that suffice you. Yet this one old Christian lantern you shall not destroy. It shall go where your empire of apes will never have the wit to find it.

(Is that what a memoir is—a ghost tour? I’m confronting what haunts me. I’m out with lanterns, looking.)

The trouble was, September didn’t know what sort of story she was in. Was it a merry one or a serious one? How ought she to act? If it was merry, she might dash after a Spoon and it would all be a grand adventure, with funny rhymes and somersaults and a grand party at the end with red lanterns. But if it was a serious tale, she might have to do something important, something involving with snow and arrows and enemies.

throw entire festivals in your name. invite no one but yourself. let there be choirs, let there be lanterns, let there be games, let there be cake, let there be laughter, let there be fireworks. some people make the mistake of spending their lives waiting for other people to celebrate their victories, so they never end up celebrating them at all. don’t wait for anyone to decide that you’re enough. you’ve endured every minute up until now—isn’t that just remarkable?- isn’t it?

Today Means Amen Dear you, whoever you are, however you got here, this is exactly where you are supposed to be. This moment has waited its whole life for you. This moment is your lover and you are a soldier. Come home, baby, it's over. You don't need to suffer anymore. Dear you, this moment is your surprise party. You are both hiding in the dark and walking through the door. This moment is a hallelujah. This moment is your permission slip to finally open that love letter you've been hiding from yourself, the one you wrote when you were little when you still danced like a sparkler at dusk. Do you remember the moment you realized they were watching? When you became ashamed of how much light you were holding? When you first learned how to unlove yourself? Dear you, the word today means amen in every language. Today, we made it. Today, I'm going to love you. Today, I'm going to love myself. Today, the boxcutter will rust in the garbage. The noose will forget how to hold you, today, today-- Dear you, and I have always meant you, nothing would be the same if you did not exist. You, whose voice is someone's favorite voice, someone's favorite face to wake up to. Nothing would be the same if you did not exist. You, the teacher, the starter's gun, the lantern in the night who offers not a way home, but the courage to travel farther into the dark. You, the lover, who worships the taste of her body, who is the largest tree ring in his heart, who does not let fear ration your love. You, the friend, the sacred chorus of how can I help. You, who have felt more numb than holy, more cracked than mosaic. Who have known the tiles of a bathroom by heart, who have forgotten what makes you worth it. You, the forgiven, the forgiver, who belongs right here in this moment. You, this clump of cells, this happy explosion that happened to start breathing, and by the grace of whatever is up there, you got here. You made it this whole way: through the nights that swallowed you whole, the mornings that arrived in pieces. The scabs, the gravel, the doubt, the hurt, the hurt, the hurt is over. Today, you made it. You made it. You made it here.

You have to dream things out. It keeps a kind of an ideal before you. You see it first in your mind and then you set about to try to make it like the ideal. If you want a garden,-why, I guess you've got to dream a garden.

What makes it smell so sweet?" they wanted to know. "Because everything,--every little wild plum-blossom, every little tiny crocus and anemone and violet and every tree-bud and grass-blade is working to help make the prairie nice.

I had this sudden awareness, she continues, of how the moments of our lives go out of existence before we're conscious of having lived them. It's only a relatively few moments that we get to keep and carry with us for the rest of our lives. Those moments are our lives. Or maybe it's more like those moments are the dots in what we call our lives, or the lines we draw between them, connecting them into imaginary pictures of ourselves. You know, like those mythical pictures of constellations traced between stars. I remember how when I was a kid, I actually expected to be able to look up and see Pagasus spread out against the night. And when I couldn't, it seemed like a trick had been played on me, like a fraud. I thought, hey, if this is all there is to it, then I could reconnect the stars in any shape I wanted. I could create the Ken and Barbie constellations… I realize we can never predict when those few special moments will occur, she says. How... there are certain people, not that many, who enter one's life with the power to make those moments happen. Maybe that's what falling in love means…the power to create for each other the moments by which we define ourselves.

In the secret places of her thymus gland Louise is making too much of herself. Her faithful biology depends on regulation but the white T-cells have turned bandit. They don't obey the rules. They are swarming into the bloodstream, overturning the quiet order of spleen and intestine. In the lymph nodes they are swelling with pride. It used to be their job to keep her body safe from enemies on the outside. They were her immunity, her certainty against infection. Now they are the enemies on the inside. The security forces have rebelled. Louise is the victim of a coup. Will you let me crawl inside you, stand guard over you, trap them as they come at you? Why can't I dam their blind tide that filthies your blood? Why are there no lock gates on the portal vein? The inside of your body is innocent, nothing has taught it fear. Your artery canals trust their cargo, they don't check the shipments in the blood. You are full to overflowing but the keeper is asleep and there's murder going on inside. Who comes here? Let me hold up my lantern. It's only the blood; red cells carrying oxygen to the heart, thrombocytes making sure of proper clotting. The white cells, B and T types, just a few of them as always whistling as they go. The faithful body has made a mistake. This is no time to stamp the passports and look at the sky. Coming up behind are hundreds of them. Hundreds too many, armed to the teeth for a job that doesn't need doing. Not needed? With all that weaponry? Here they come, hurtling through the bloodstream trying to pick a fight. There's no-one to fight but you Louise. You're the foreign body now.

Dusk had fallen. Outside the lanterns in the garden were being lit, a string of stars strewn across the grounds. She had missed this room, who Nikolai became in this room, the man who for a moment might let the mantle of king fall away, who trusted her enough to close his eyes and fall in to dreams as she stood watch. She needed to get back to the Little Palace, check on Princess Ehri, talk to Tamar, forge a plan. But this might be the last time she saw him this way. At last she rose and turned down the lights. "Don't go," he said, still half asleep. "I have to bathe. I smell like a forest fire." "You smell like wildflowers. You always do. What can I say to make you stay?" His words trailed off in to a drowsy mumble as he fell back asleep. Tell me it's more than war and worry that makes you speak those words. Tell me what they would mean if you weren't a king and I weren't a soldier. But she didn't want to hear any of that, not really. Sweet words and grand declarations were for other people, other lives. She brushed the hair back from his face, planted a kiss on his forehead. "I would stay forever if I could," she whispered. He wouldn't remember anyway.

Is that you, Sergeant Angua?" said a voice in the gloom. A lantern was open, and lit the approaching face of Constable Visit. As he drew near, she could just make out the thick wad of pamphlets under his other arm. "Hello, Washpot," she said. "What's up?" "...looks like a twist of lemon..." said a damp voice from the shadows. "Mister Vimes sent me to search the bars of iniquity and low places of sin for you," said Visit. "And the literature?" said Angua. "By the way, the words "nothing personal" could have so easily been added to that last sentence.

This afternoon I walked through the city, making for a café where I was to meet Raphael. It was about half-past two on a day that had never really got light. It began to snow. The low clouds made a grey ceiling for the city; the snow muffled the noise of the cars until it became almost rhythmical; a steady, shushing noise, like the sound of tides beating endlessly on marble walls. I closed my eyes. I felt calm. There was a park. I entered it and followed a path through an avenue of tall, ancient trees with wide, dusky, grassy spaces on either side of them. The pale snow sifted down through bare winter branches. The lights of the cars on the distant road sparkled through the trees: red, yellow, white. It was very quiet. Though it was not yet twilight the streetlights shed a faint light. People were walking up and down on the path. An old man passed me. He looked sad and tired. He had broken veins on his cheeks and a bristly white beard. As he screwed up his eyes against the falling snow, I realised I knew him. He is depicted on the northern wall of the forty-eighth western hall. He is shown as a king with a little model of a walled city in one hand while the other hand he raises in blessing. I wanted to seize hold of him and say to him: In another world you are a king, noble and good! I have seen it! But I hesitated a moment too long and he disappeared into the crowd. A woman passed me with two children. One of the children had a wooden recorder in his hands. I knew them too. They are depicted in the twenty-seventh southern hall: a statue of two children laughing, one of them holding a flute. I came out of the park. The city streets rose up around me. There was a hotel with a courtyard with metal tables and chairs for people to sit in more clement weather. Today they were snow-strewn and forlorn. A lattice of wire was strung across the courtyard. Paper lanterns were hanging from the wires, spheres of vivid orange that blew and trembled in the snow and the thin wind; the sea-grey clouds raced across the sky and the orange lanterns shivered against them. The Beauty of the House is immeasurable; its Kindness infinite.

Love’s Not The Way To Treat a Friend" Love’s not the way to treat a friend. I wouldn’t wish that on you. I don’t want to see your eyes forgotten on a rainy day, lost in the endless purse of those who can remember nothing. Love’s not the way to treat a friend. I don’t want to see you end up that way with your body being poured like wounded marble into the architecture of those who make bridges out of crippled birds. Love’s not the way to treat a friend. There are so many better things for you than to see your feelings sold as magic lanterns to somebody whose body casts no light.

I’m the only honest man in the republic. The government knows it; the people know it; the boodlers know it; the foreign investors know it. I make the government keep its faith. If a man is promised a job he gets it. If outside capital buys a concession it gets the goods. I run a monopoly of square dealing here. There’s no competition. If Colonel Diogenes were to flash his lantern in this precinct he’d have my address inside of two minutes. There isn’t big money in it, but it’s a sure thing, and lets a man sleep of nights.

He was looking for a brightness, a resolve, a triumph over tomorrow that hardly seemed to be there. Perhaps he had expected their faces to burn and glitter with the knowledge they carried, to glow as lanterns glow, with the light in them...They weren't at all certain that the things they carried in their heads might make every future dawn glow with a purer light, they were sure of nothing save that the books were on file behind their quiet eyes, the books were waiting, with their pages uncut, for the customers who might come by in later years, some with clean and some with dirty fingers.

Wilhelm what is our world like without love? Like a magic lantern without a light. The moment you bring the little lamp into it, the brightest pictures shine on your white wall. And if it were no more than that, only passing phantoms, still it always makes us happy when we stand there like innocent boys enraptured by the wondrous visions. [...] Are they phantoms, Wilhelm, if they make us happy?

I think everyone might have secret lanterns inside them. Lanterns that, when we're especially sad or scared, might go dark and need help lighting again. Sometimes it's the care of our family and friends that brings back our spark; other times it's the care we give ourselves. Either way, once we're relit, I think we can help reignite someone else. . . . If we work together, I know we can make it.

I'll put you wise. You remember the old top-liner in the copy book—"Honesty is the Best Policy"? That's it. I'm working honesty for a graft. I'm the only honest man in the republic. The government knows it; the people know it; the boodlers know it; the foreign investors know it. I make the government keep its faith. If a man is promised a job he gets it. If outside capital buys a concession it gets the goods. I run a monopoly of square dealing here. There's no competition. If Colonel Diogenes were to flash his lantern in this precinct he'd have my address inside of two minutes. There isn't big money in it, but it's a sure thing, and lets a man sleep of nights.

Little girls have large maternal instincts, and they take the Feast of Hungry Ghosts very seriously, and they were making their rounds with small lanterns made from candles inside rolled lotus and sage leaves. I could feel ghosts all around us, moving toward the warmth of the sweet singing voices: You are not alone, the girls sang, you are not forgotten, we care and understand, our own lives are but a candle flame from yours.

It's a loathsome tale, yet I'm proof of God's love. He seeks us out to be His very own. My life had been so horrible, but it all changed when I surrendered to Him. It's the most important decision you'll ever make, and I pray you will soon understand the power of God's unconditional love.

Can I make you happier with powder on my chest? Do you need a thousand movie shows? Sixteen million people to ride the bus with, hit the stop—I shoulda never let you go away from home—“ Rich lips brooded in my deaf ear. “The fog’ll fall all over you, Jacky, you’ll wait in fields—You’ll let me die—you wont come save me—I wont even know where your grave is—remember what you were like, where your house, what your life—you’ll die without knowing what happened to my face—my love—my youth—You’ll burn yourself out like a moth jumping in a locomotive boiler looking for light—Jacky—and you’ll be dead—and lose yourself from yourself—and forget—and sink—and me too—and what is all this then?” “I dont know—“ “Then come back to our porch of the river the night time the trees and you love stars—I hear the bus on the corner—where you’re getting off—no more, boy, no more—I saw, had visions and idees of you handsome my husband walking across the top of the America with your lantern... Out of her eyes I saw smoldering I’d like to rip this damn dress off and never see it again!

You got a little bit famous. Even a little bit of fame can mess with your head. It’s a cognitive disease, you know, fame? It used to only be for royalty and we know what they’re like. I’m not much of a Freudian, but something about fame makes the id and the superego devour the ego like anacondas in a cage, right before they cannibalize each other. Fame warps your identity, metastasizes your anxieties, and hollows you out like a jack-o’-lantern. It’s sparkly pixie dust that burns whatever it touches like acid.

Home. the word always had air quotes around it in her mind. She'd done what she could to make her flat cozy, filling it with art, books, ornate lanterns, and a Persian carpet as soft as lynx fur. And of course there were her angel wings taking up one whole wall. But there was no help for the real emptiness; its close air was stirred by no breath but her own. When she was alone, the empty place within her, the missingness, as she thought of it, seemed to swell. Even being with Kaz had done something to keep it at bay, though not enough. Never enough.

Cognitive psychologists sometimes talk in terms of two distinct types of consciousness: spotlight consciousness, which illuminates a single focal point of attention, making it very good for reasoning, and lantern consciousness, in which attention is less focused yet illuminates a broader field of attention. Young children tend to exhibit lantern consciousness; so do many people on psychedelics. This more diffuse form of attention lends itself to mind wandering, free association, and the making of novel connections—all of which can nourish creativity. By comparison, caffeine’s big contribution to human progress has been to intensify spotlight consciousness—the focused, linear, abstract, and efficient cognitive processing more closely associated with mental work than with play. This, more than anything else, is what made caffeine the perfect drug not only for the age of reason and the Enlightenment but for the rise of capitalism, too.

It's both relaxing and invigorating to occasionally set aside the worries of life, seek the company of a friendly book and mingle with the great of the earth, counsel with the wise of all time, look into unlived days with prophets. Youth will delight in the heroic figures of Homer; or more modern, will thrill to the silent courage of Florence Nightingale on the battlefield...The power of Cicero's oratory may awaken new ambitions in the middle age, or the absurdity of Don Quixote riding mightily against a windmill may make your own pretentiousness seem ridiculous; if you think the world is against you, get the satisfaction of walking the streets of Athens with Diogenes, lantern in hand in broad daylight in search of an honest man...From the reading of 'good books' there comes a richness of life that can be obtained in no other way. It is not enough to read newspapers...But to become acquainted with real nobility as walks the pages of history and science and literature is to strengthen character and develop life in its finer meanings.

Finding a taxi, she felt like a child pressing her nose to the window of a candy store as she watched the changing vista pass by while the twilight descended and the capital became bathed in a translucent misty lavender glow. Entering the city from that airport was truly unique. Charles de Gaulle, built nineteen miles north of the bustling metropolis, ensured that the final point of destination was veiled from the eyes of the traveller as they descended. No doubt, the officials scrupulously planned the airport’s location to prevent the incessant air traffic and roaring engines from visibly or audibly polluting the ambience of their beloved capital, and apparently, they succeeded. If one flew over during the summer months, the visitor would be visibly presented with beautifully managed quilt-like fields of alternating gold and green appearing as though they were tilled and clipped with the mathematical precision of a slide rule. The countryside was dotted with quaint villages and towns that were obviously under meticulous planning control. When the aircraft began to descend, this prevailing sense of exactitude and order made the visitor long for an aerial view of the capital city and its famous wonders, hoping they could see as many landmarks as they could before they touched ground, as was the usual case with other major international airports, but from this point of entry, one was denied a glimpse of the city below. Green fields, villages, more fields, the ground grew closer and closer, a runway appeared, a slight bump or two was felt as the craft landed, and they were surrounded by the steel and glass buildings of the airport. Slightly disappointed with this mysterious game of hide-and-seek, the voyager must continue on and collect their baggage, consoled by the reflection that they will see the metropolis as they make their way into town. For those travelling by road, the concrete motorway with its blue road signs, the underpasses and the typical traffic-logged hubbub of industrial areas were the first landmarks to greet the eye, without a doubt, it was a disheartening first impression. Then, the real introduction began. Quietly, and almost imperceptibly, the modern confusion of steel and asphalt was effaced little by little as the exquisite timelessness of Parisian heritage architecture was gradually unveiled. Popping up like mushrooms were cream sandstone edifices filigreed with curled, swirling carvings, gently sloping mansard roofs, elegant ironwork lanterns and wood doors that charmed the eye, until finally, the traveller was completely submerged in the glory of the Second Empire ala Baron Haussmann’s master plan of city design, the iconic grand mansions, tree-lined boulevards and avenues, the quaint gardens, the majestic churches with their towers and spires, the shops and cafés with their colourful awnings, all crowded and nestled together like jewels encrusted on a gold setting.

I sent my Soul through the Invisible, Some letter of that After-life to spell: And by and by my Soul return'd to me, And answer'd "I Myself am Heav'n and Hell:" Heav'n but the Vision of fulfill'd Desire, And Hell the Shadow from a Soul on fire, Cast on the Darkness into which Ourselves, So late emerged from, shall so soon expire. We are no other than a moving row Of Magic Shadow-shapes that come and go Round with the Sun-illumined Lantern held In Midnight by the Master of the Show; But helpless Pieces of the Game He plays Upon this Chequer-board of Nights and Days; Hither and thither moves, and checks, and slays, And one by one back in the Closet lays. The Ball no question makes of Ayes and Noes, But Here or There as strikes the Player goes; And He that toss'd you down into the Field, He knows about it all — He knows — HE knows!

I carried with me into the West End Bar, the White Horse Tavern, a long list of things I would never do: I would never have my hair set in a beauty parlor. I would never move to a suburb and bake cakes or make casseroles. I would never go to a country club dance, although I did like the paper lanterns casting rainbow colors on the terrace. I would never invest in the stock market. I would never play canasta. I would never wear pearls. I would love like a nursling but I would never go near a man who had a portfolio or a set of golf clubs or a business or even a business suit. I would only love a wild thing. I didn't care if wild things tended to break hearts. I didn't care if they substituted scotch for breakfast cereal. I understood that wild things wrote suicide notes to the gods and were apt to show up three hours later than promised. I understood that art was long and life was short.

On the Lights, Tom Sherbourne has plenty of time to think about the war. About the faces, the voices of the blokes who had stood beside him, who saved his life one way or another; the ones whose dying words he heard, and those whose muttered jumbles he couldn’t make out, but who he nodded to anyway. Tom isn’t one of the men whose legs trailed by a hank of sinews, or whose guts cascaded from their casing like slithering eels. Nor were his lungs turned to glue or his brains to stodge by the gas. But he’s scarred all the same, having to live in the same skin as the man who did the things that needed to be done back then. He carries that other shadow, which is cast inward. He tries not to dwell on it: he’s seen plenty of men turned worse than useless that way. So he gets on with life around the edges of this thing he’s got no name for. When he dreams about those years, the Tom who is experiencing them, the Tom who is there with blood on his hands, is a boy of eight or so. It’s this small boy who’s up against blokes with guns and bayonets, and he’s worried because his school socks have slipped down and he can’t hitch them up because he’ll have to drop his gun to do it, and he’s barely big enough even to hold that. And he can’t find his mother anywhere. Then he wakes and he’s in a place where there’s just wind and waves and light, and the intricate machinery that keeps the flame burning and the lantern turning. Always turning, always looking over its shoulder. If he can only get far enough away—from people, from memory—time will do its job.

The Three-Decker "The three-volume novel is extinct." Full thirty foot she towered from waterline to rail. It cost a watch to steer her, and a week to shorten sail; But, spite all modern notions, I found her first and best— The only certain packet for the Islands of the Blest. Fair held the breeze behind us—’twas warm with lovers’ prayers. We’d stolen wills for ballast and a crew of missing heirs. They shipped as Able Bastards till the Wicked Nurse confessed, And they worked the old three-decker to the Islands of the Blest. By ways no gaze could follow, a course unspoiled of Cook, Per Fancy, fleetest in man, our titled berths we took With maids of matchless beauty and parentage unguessed, And a Church of England parson for the Islands of the Blest. We asked no social questions—we pumped no hidden shame— We never talked obstetrics when the Little Stranger came: We left the Lord in Heaven, we left the fiends in Hell. We weren’t exactly Yussufs, but—Zuleika didn’t tell. No moral doubt assailed us, so when the port we neared, The villain had his flogging at the gangway, and we cheered. ’Twas fiddle in the forc’s’le—’twas garlands on the mast, For every one got married, and I went ashore at last. I left ’em all in couples a-kissing on the decks. I left the lovers loving and the parents signing cheques. In endless English comfort by county-folk caressed, I left the old three-decker at the Islands of the Blest! That route is barred to steamers: you’ll never lift again Our purple-painted headlands or the lordly keeps of Spain. They’re just beyond your skyline, howe’er so far you cruise In a ram-you-damn-you liner with a brace of bucking screws. Swing round your aching search-light—’twill show no haven’s peace. Ay, blow your shrieking sirens to the deaf, gray-bearded seas! Boom out the dripping oil-bags to skin the deep’s unrest— And you aren’t one knot the nearer to the Islands of the Blest! But when you’re threshing, crippled, with broken bridge and rail, At a drogue of dead convictions to hold you head to gale, Calm as the Flying Dutchman, from truck to taffrail dressed, You’ll see the old three-decker for the Islands of the Blest. You’ll see her tiering canvas in sheeted silver spread; You’ll hear the long-drawn thunder ’neath her leaping figure-head; While far, so far above you, her tall poop-lanterns shine Unvexed by wind or weather like the candles round a shrine! Hull down—hull down and under—she dwindles to a speck, With noise of pleasant music and dancing on her deck. All’s well—all’s well aboard her—she’s left you far behind, With a scent of old-world roses through the fog that ties you blind. Her crew are babes or madmen? Her port is all to make? You’re manned by Truth and Science, and you steam for steaming’s sake? Well, tinker up your engines—you know your business best— She’s taking tired people to the Islands of the Blest!

Montag tried to see the men's faces, the old faces he remembered from the firelight, lined and tired. He was looking for a brightness, a resolve, a triumph over tomorrow that hardly seemed to be there. Pherhaps he had expected their faces to burn and glitter with the knowledge they carried, to glow as lanterns glow, with the light in them. But all the light had come from the campfire, and these men had seemed no different than any others who had run a long race, searched a long search, seen good things destroyed, and now, very late, were gathered to wait for the end of the party and the blowing out of the lamps. They weren't at all certain that the things they carried in their heads might make every future dawn glow with a purer light, they were sure of nothing save that the books were on file behind their quiet eyes, the books were waiting, with their pages uncut, for the customers who might come by in later years, some with clean and some with dirty fingers.

Though we may make the points of our weapons as sharp as needles and edges as sharp as razors, there is only one man who can haul us out of this mire, the very man who, lanterned like the Marsh Spite, has led us into it – Jason, son of Aeson. Hercules himself chose him as our captain, and obeyed him faithfully as long as he was with us. Now why was this? Jason is a skilled archer, but not the equal of Phalerus or Atalanta; he throws the javelin well, but not so well as Atalanta or Meleager or even myself; he can use a spear, but not with the art or courage of Idas; he is ignorant of music, except that of drum and pipe; he cannot swim; he cannot box; he has learned to pull well at the oar but he is no seaman; he is no painter; he is no wizard; his sight is not keen above the ordinary; in eloquence he is below anyone else here, except Idas, and perhaps myself; he is hasty-tempered, faithless, sulky and young. Yet Hercules chose him as our captain and obeyed him. I ask again: why was this?

Yelena, wake up.” Leif shook my shoulder. I peered at him through heavy eyes. He placed the lantern on the table. “You’re the one who set the schedule. Come on.” He pulled the blanket off me. “Most commanders don’t take a turn guarding the troops. They get a good night’s sleep so they can make the right decisions in the morning.” I sat on the edge of the bed, rubbing my eyes. “I’m not a commander and we’re not a troop.” “I disagree. You’ve been leading the way. You’re the one who knowswhat you’re doing.” “I—” Leif put his fingers on my lips. “Don’t say it. I like—no—need to believe that you know what you’re doing. Makes it so much easier to follow your instructions, especially when I’m acting as bait for a fifty-foot-long snake.” “Fine. I have things well in hand. I don’t need much sleep because I have all the steps we need to take already planned out. Happy now?” “Yes.” Leif stretched out on his bed. I picked up the lantern. “Sweet dreams.” “They will be now.

The city's earthly lights blotted out the stars as always. The sky was nice and clear, but only a few stars were visible, the very bright ones that twinkled as pale points here and there. Still, the moon stood out clearly against the sky. It hung up there faithfully, without a word of complaint concerning the city lights or the noise or the air pollution. It he focused hard on the moon, he could make out the strange shadows formed by its gigantic craters and valleys. Tengo's mind emptied as he stared at the light of the moon. Inside him, memories that had been handed down from antiquity began to stir. Before human beings possessed fire or tools or language, the moon had been their ally. It would calm people's fears now and then by illuminating the dark world like a heavenly lantern. Its waxing and waning gave people an understanding of the concept of time. Even now, when darkness had been banished from most parts of the world, there remained a sense of human gratitude toward the moon and its unconditional compassion. It was imprinted upon human genes likes a warm collective memory.

to be open and straightforward about their needs for attention in a social setting. It is equally rare for members of a group in American culture to honestly and openly express needs that might be in conflict with that individual’s needs. This value of not just honestly but also openly fully revealing the true feelings and needs present in the group is vital for it’s members to feel emotional safe. It is also vital to keeping the group energy up and for giving the feedback that allows it’s members to know themselves, where they stand in relation to others and for spiritual/psychological growth. Usually group members will simply not object to an individual’s request to take the floor—but then act out in a passive-aggressive manner, by making noise or jokes, or looking at their watches. Sometimes they will take the even more violent and insidious action of going brain-dead while pasting a jack-o’-lantern smile on their faces. Often when someone asks to read something or play a song in a social setting, the response is a polite, lifeless “That would be nice.” In this case, N.I.C.E. means “No Integrity or Congruence Expressed” or “Not Into Communicating Emotion.” So while the sharer is exposing his or her vulnerable creation, others are talking, whispering to each other, or sitting looking like they are waiting for the dental assistant to tell them to come on back. No wonder it’s so scary to ask for people’s attention. In “nice” cultures, you are probably not going to get a straight, open answer. People let themselves be oppressed by someone’s request—and then blame that someone for not being psychic enough to know that “Yes” meant “No.” When were we ever taught to negotiate our needs in relation to a group of people? In a classroom? Never! The teacher is expected to take all the responsibility for controlling who gets heard, about what, and for how long. There is no real opportunity to learn how to nonviolently negotiate for the floor. The only way I was able to pirate away a little of the group’s attention in the school I attended was through adolescent antics like making myself fart to get a few giggles, or asking the teacher questions like, “Why do they call them hemorrhoids and not asteroids?” or “If a number two pencil is so popular, why is it still number two,” or “What is another word for thesaurus?” Some educational psychologists say that western culture schools are designed to socialize children into what is really a caste system disguised as a democracy. And in once sense it is probably good preparation for the lack of true democratic dynamics in our culture’s daily living. I can remember several bosses in my past reminding me “This is not a democracy, this is a job.” I remember many experiences in social groups, church groups, and volunteer organizations in which the person with the loudest voice, most shaming language, or outstanding skills for guilting others, controlled the direction of the group. Other times the pain and chaos of the group discussion becomes so great that people start begging for a tyrant to take charge. Many times people become so frustrated, confused and anxious that they would prefer the order that oppression brings to the struggle that goes on in groups without “democracy skills.” I have much different experiences in groups I work with in Europe and in certain intentional communities such as the Lost Valley Educational Center in Eugene, Oregon, where the majority of people have learned “democracy skills.” I can not remember one job, school, church group, volunteer organization or town meeting in mainstream America where “democracy skills” were taught or practiced.