Lantern Festival Quotes

throw entire festivals in your name. invite no one but yourself. let there be choirs, let there be lanterns, let there be games, let there be cake, let there be laughter, let there be fireworks. some people make the mistake of spending their lives waiting for other people to celebrate their victories, so they never end up celebrating them at all. don’t wait for anyone to decide that you’re enough. you’ve endured every minute up until now—isn’t that just remarkable?- isn’t it?

Haven't you heard of that madman who in the bright morning lit a lantern and ran around the marketplace crying incessantly, 'I'm looking for God! l'm looking for God!' Since many of those who did not believe in God were standing around together just then, he caused great laughter. Has he been lost, then? asked one. Did he lose his way like a child? asked another. Or is he hiding? Is he afraid of us? Has he gone to sea? Emigrated? - Thus they shouted and laughed, one interrupting the other. The madman jumped into their midst and pierced them with his eyes. 'Where is God?' he cried; 'I'll tel1 you! We have kil/ed him - you and I! Wc are all his murderers. But how did wc do this? How were we able to drink up the sea? Who gave us the spange to wipe away the entire horizon? What were we doing when we unchained this earth from its sun? Where is it moving to now? Where are we moving to? Away from all suns? Are wc not continually falling? And backwards, sidewards, forwards, in all directions? Is there still an up and a down? Aren't we straying as though through an infinite nothing? Isn't empty space breathing at us? Hasn't it got colder? Isn't night and more night coming again and again? Don't lanterns have to be lit in the morning? Do we still hear nothing of the noise of the grave-diggers who are burying God? Do we still smell nothing of the divine decomposition? - Gods, too, decompose! God is dead! God remains dead! And we have killed him! How can we console ourselves, the murderers of all murderers. The holiest and the mightiest thing the world has ever possessed has bled to death under our knives: who will wipe this blood from us? With what water could we clean ourselves? What festivals of atonement, what holy games will we have to invent for ourselves? Is the magnitude of this deed not too great for us? Do we not ourselves have to become gods merely to appear worthy of it?

Charlie glanced at the poster hanging on the door, which announced the store's annual Hungry Ghost Festival, just four days away. It used to be Charlie's favorite holiday, from the puppet shows at the community center to the paper lanterns that his mom hung outside and to the food- especially the food. Sautéed pea shoots. Roasted duck. Pineapple cakes that fit into the palm of your hand. Then there was his grandma's shaved ice with all the toppings- chopped mangos, condensed milk poured on thick, and her famous mung beans in sugary syrup. He could eat a whole bowl of those.

...As the evening wore on (the supper did not end until seven in the morning), the public were admitted to watch the festivities from the balustrade, and were offered biscuits and refreshments to keep them going through the night. ...One of the lawyers was so upset by the evening that he got up to leave, proclaiming: 'They will send you to the madhouse and strike you from the list of members of the Bar.' Grimod responded by locking the doors to the apartment and preventing any further guests from leaving. Coffee and liquers were taken in an adjoining room lit by 130 candles while the guests were entertained by a magic-lantern show and some experiments with electricity performed by the Italian physicist Castanio. M Rival tells us that many of the guests fell asleep.

Witch Mildred was invited to the wondrous Witches’ Wobble, a Halloween festivity where witches go to gobble. Her snakeskin invitation read: Feasting Starts at Eight! A Grand Buffet (with Skunk Filet!) Hopping on her broomstick, She took off from a thicket. She raced along the back roads to dodge a speeding ticket. A skeleton soon hailed her. (His bones could use some meat!) He pled, “Please! I’m so hungry, I rattle head to feet.” A jack-o’-lantern hollered, “Please take me from this wall, for some, I dread, might use my head as a soccer ball.” Soon the three encountered a ghost who was in tears. “Please take me from this graveyard. It’s much too spooky here.” A shaky, quaky mummy called, “I’m ready to collapse. Please find me a warm hearthside, for I forgot my wraps!” A bat swooped down upon them. He squeaked, “Please wait for me! I’ll go batty when the sexton bongs the bells in my belfry.” A black cat yowled, “Please take me. I need some company, for when I cross their pathways, people run from me!

Have you not heard of that madman who lit a lantern in the bright morning hours, ran to the market place, and cried incessantly: "I seek God! I seek God!" --As many of those who did not believe in God were standing around just then, he provoked much laughter. Has he got lost? asked one. Did he lost his way like a child? asked another. Or is he hiding? Is he afraid of us? Has he gone on a voyage? emigrated?--Thus they yelled and laughed. The madman jumped into their minds and pierced them with his eyes. "Whither is God?" he cried; "I will tell you. We have killed him--you and I. All of us are his murderers. But how did we do this? How could we drink up the sea? Who gave us the sponge to wipe away the entire horizon? What were we doing when we unchained this earth from its sun? Whither is it moving now? Whither are we moving? Away from all suns? Are we not plunging continually? Backward, sideward, forward, in all directions. Is there still any up or down? Are we not straying as though an infinite nothing? Do we not feel the breath of empty space? Had it not become colder? Is not night continually closing in on us? Do we not need to light lanterns in the morning? Do we hear nothing as yet of the noise of the gravediggers who are burying God? Do we smell nothing as yet the divine decomposition? Gods, too, decompose. God is dead. God remains dead. And we have killed him. "How shall we comfort ourselves. the murderers of all murderers? What was holiest and mightiest of all that the world has yet owned has bled to death under out knives: who will wipe this blood off us? What water is there for us to clean ourselves? What festivals of atonement, what sacred games shall we have to invent? Is not the greatness of this deed too great for us? Must we ourselves not become gods simply to appear worthy of it? There has never been a greater deed; and whoever is born after us--for the sake of this deed he will belong to a higher history than all history hitherto." Here the madman fell silent and looked again at his listeners; and they, too, were silent and stared at him in astonishment. At last he threw his lantern on the ground and it broke into pieces and went out. "I have come too early," he said then; "my time is not yet. This tremendous event is still on its way, still wandering; it has not yet reached the ears of men. Lightening and thunder require time; the light of the stars requires time; deeds, though done, still require time to be seen and heard. This deed is still more distant from them than the most distant stars--and yet they have done it themselves" It has been related further that on the same day the madman forced his way into several churches and there struck up his requiem aeternam deo. Led out and called to account, he is said to always have replied nothing but: "What after all are these churches now if they are not tombs and sepulchers of God?

The village square teemed with life, swirling with vibrant colors and boisterous chatter. The entire village had gathered, celebrating the return of their ancestral spirit. Laughter and music filled the air, carrying with it an energy that made Kitsune smile. Paper lanterns of all colors floated lazily above, their delicate glow reflecting on the smiling faces below. Cherry blossoms caught in the playful breeze, their sweet, earthy scent settling over the scene. At the center, villagers danced with unbridled joy, the rhythm of the taiko drums and the melody of flutes guiding their steps. To the side, a large table groaned under the weight of a feast. Sticky rice balls, steamed dumplings, seaweed soup, sushi, and more filled the air with a mouthwatering aroma. As she approached the table, she was greeted warmly by the villagers, who offered her food, their smiles genuine and welcoming. She filled a plate and sat at a table with Goro and Sota, overlooking the celebration. The event brought back a flood of memories of a similar celebration from her childhood—a time when everything was much simpler and she could easily answer the question who are you? The memory filled her heart with a sweet sadness, a reminder of what she lost and what had carved the road to where she was now. Her gaze fell on the dancing villagers, but she wasn’t watching them. Not really. Her attention was fully embedded in her heart ache, longing for the past, for the life that was so cruelly ripped away from her. “I think... I think I might know how to answer your question,” she finally said, her voice soft and steady, barely audible over the cacophony of festivity around them. “Oh?” Goro responded, his face alight with intrigue. “I would have to tell you my story.” Kitsune’s eyes reflected the somber clouds of her past. Goro swallowed his bite of food before nodding. “Let us retire to the dojo, and you can tell me.” They retreated from the bustling square, leaving behind the chaos of the celebration. The sounds of laughter and chatter and drums carried away by distance. The dojo, with its bamboo and sturdy jungle planks, was bathed in the soft luminescence of the moonlight, the surface of its wooden architecture glistening faintly under the glow. They stepped into the silent tranquility of the building, and Kitsune made her way to the center, the smooth, cool touch of the polished wooden floor beneath her providing a sense of peace. Assuming the lotus position, she calmed herself, ready to speak of memories she hadn’t confronted in a long time. Not in any meaningful way at least. Across from her, Goro settled, his gaze intense yet patient, encouraging her with a gentle smile like he somehow already understood her story was hard to verbalize.

we grew accustomed to believe that he was alive in the house of power because someone had seen him light the Chinese lanterns at some festival, someone had told about seeing his sad eyes, his pale lips, his pensive hand waving through the liturgical decorations of the presidential coach

A white paper lamp color is faultless for a marriage Chinese lantern production. However, a Chinese lanterns show can provide several measures with distinguished elegance and entertainment. Chinese Lanterns lighting up the heavens is a perfect show for cookouts, barbecues, birthday parties, festivals, fairs and any another event where you want to put on an imposing, special display.

Ah, the Lunar New Year —a time of vibrant traditions, sumptuous feasts, and ancient wisdom. Amidst the festive dragon dances and glittering lanterns, it whispers profound life lessons. Like the patient blooming of cherry blossoms, it teaches resilience in adversity. The red envelopes, symbols of generosity, remind us of the joy of giving. And in the gathering of loved ones, it celebrates the power of community and connection

Many Buddhists observe what are known as the Eight Precepts on all the holy days during Lent. The Buddhist holy days are the day of the dark moon, the eighth day of the new moon, the day of the full moon and the eighth day after the full moon. The Eight Precepts are four of the basic Five Precepts (not to kill, steal, lie or take intoxicating drinks) with the addition of four others: not to commit any immoral acts, not to take any food after twelve noon, not to indulge in music, dancing and the use of perfume, not to sleep in high places. (The last is taken to mean that one should not sleep in a luxurious bed.) Some devout Buddhists keep these eight precepts throughout the three months of Lent. Because it is a time when people should be thinking of their spiritual development, Buddhists should not get married during this period. Marriage brings family life and therefore greater ties and attachments. Thus it is likely to make the achieving of nirvana more difficult. The end of Lent coincides with the end of the monsoon rains in October. It is a time for happiness and rejoicing. Tradition has it that the Lord Buddha spent one Lent in the Tavatimsa heaven to preach to his mother. (His mother had died in giving birth to him and had been reborn in Tavatimsa, one of the many Buddhist heavens.) At the end of Lent, he came back to earth and the people of the world welcomed him with lights. In celebration of this, during the three days of the Thidingyut festival, pagodas, monasteries and homes are decorated with lights and lanterns.

Chinese lanterns are continually wonderful to look at.By the way These will support people learn more about China and grow its culture – and we all know that nation gratitude is very vital for language knowledge and submission. The Chinese lantern festival is so enjoyable.

Henry was childhood personified: Maggi seasoning drizzled over sunny-side-up eggs, a warm baguette, white rabbit candy, paper lanterns during the mid-autumn festival

From the moment our ancestors first danced around a fire, cinders flickering in the darkened sky, celebrations have inspired us to light up the night. With fireworks and lanterns, birthday candles and bonfires, festive occasions chase away the shadows and carve out a space for joy within the darkness. It’s hard to imagine now, in a world that glows with electric light, how rare and special it once was to see the world lit up at night. But until the advent of gas-lit streetlamps in the early nineteenth century, most cities were completely dark after sunset.

On 14 September 1869, one hundred years after his birth, Alexander von Humboldt’s centennial was celebrated across the world. There were parties in Europe, Africa and Australia as well as the Americas. In Melbourne and Adelaide people came together to listen to speeches in honour of Humboldt, as did groups in Buenos Aires and Mexico City. There were festivities in Moscow where Humboldt was called the ‘Shakespeare of sciences’, and in Alexandria in Egypt where guests partied under a sky illuminated with fireworks. The greatest commemorations were in the United States, where from San Francisco to Philadelphia, and from Chicago to Charleston, the nation saw street parades, sumptuous dinners and concerts. In Cleveland some 8,000 people took to the streets and in Syracuse another 15,000 joined a march that was more than a mile long. President Ulysses Grant attended the Humboldt celebrations in Pittsburgh together with 10,000 revellers who brought the city to a standstill. In New York City the cobbled streets were lined with flags. City Hall was veiled in banners, and entire houses had vanished behind huge posters bearing Humboldt’s face. Even the ships sailing by, out on the Hudson River, were garlanded in colourful bunting. In the morning thousands of people followed ten music bands, marching from the Bowery and along Broadway to Central Park to honour a man ‘whose fame no nation can claim’ as the New York Times’s front page reported. By early afternoon, 25,000 onlookers had assembled in Central Park to listen to the speeches as a large bronze bust of Humboldt was unveiled. In the evening as darkness settled, a torchlight procession of 15,000 people set out along the streets, walking beneath colourful Chinese lanterns. Let us imagine him, one speaker said, ‘as standing on the Andes’ with his mind soaring above all. Every speech across the world emphasized that Humboldt had seen an ‘inner correlation’ between all aspects of nature. In Boston, Emerson told the city’s grandees that Humboldt was ‘one of those wonders of the world’. His fame, the Daily News in London reported, was ‘in some sort bound up with the universe itself’. In Germany there were festivities in Cologne, Hamburg, Dresden, Frankfurt and many other cities. The greatest German celebrations were in Berlin, Humboldt’s hometown, where despite torrential rain 80,000 people assembled. The authorities had ordered offices and all government agencies to close for the day. As the rain poured down and gusts chilled the air, the speeches and singing nonetheless continued for hours.

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Haven't you heard of that madman who in the bright morning lit a lantern and ran around the marketplace crying incessantly, 'I'm looking for God! l'm looking for God!' Since many of those who did not believe in God were standing around together just then, he caused great laughter. ‘Has he been lost, then?’ asked one. ‘Did he lose his way like a child?’ asked another. ‘Or is he hiding? Is he afraid of us? Has he gone to sea? Emigrated?’ — Thus they shouted and laughed, one interrupting the other. The madman jumped into their midst and pierced them with his eyes. 'Where is God?' he cried; 'I'll tell you! We have killed him - you and I! We are all his murderers. But how did we do this? How were we able to drink up the sea? Who gave us the sponge to wipe away the entire horizon? What were we doing when we unchained this earth from its sun? Where is it moving to now? Where are we moving to? Away from all suns? Are we not continually falling? And backwards, sidewards, forwards, in all directions? Is there still an up and a down? Aren't we straying as though through an infinite nothing? Isn't empty space breathing at us? Hasn't it got colder? Isn't night and more night coming again and again? Don't lanterns have to be lit in the morning? Do we still hear nothing of the noise of the grave-diggers who are burying God? Do we still smell nothing of the divine decomposition? — Gods, too, decompose! God is dead! God remains dead! And we have killed him! How can we console ourselves, the murderers of all murderers! The holiest and the mightiest thing the world has ever possessed has bled to death under our knives: who will wipe this blood from us? With what water could we clean ourselves? What festivals of atonement, what holy games will we have to invent for ourselves? Is the magnitude of this deed not too great for us? Do we not ourselves have to become gods merely to appear worthy of it? There was never a greater deed — and whoever is born after us will on account of this deed belong to a higher history than all history up to now!' Here the madman fell silent and looked again at his listeners; they too were silent and looked at him disconcertedly. Finally he threw his lantern on the ground so that it broke into pieces and went out. 'I come too early', he then said; 'my time is not yet. This tremendous event is still on its way, wandering; it has not yet reached the ears of men. Lightning and thunder need time; the light of the stars needs time; deeds need time, even after they are done, in order to be seen and heard. This deed is still more remote to them than the remotest stars — and yet they have done it themselves!

Haven't you heard of that madman who in the bright morning lit a lantern and ran around the marketplace crying incessantly, 'I'm looking for God! l'm looking for God!' Since many of those who did not believe in God were standing around together just then, he caused great laughter. ‘Has he been lost, then?’ asked one. ‘Did he lose his way like a child?’ asked another. ‘Or is he hiding? Is he afraid of us? Has he gone to sea? Emigrated?’ — Thus they shouted and laughed, one interrupting the other. The madman jumped into their midst and pierced them with his eyes. 'Where is God?' he cried; 'I'll tell you! We have killed him - you and I! We are all his murderers. But how did we do this? How were we able to drink up the sea? Who gave us the sponge to wipe away the entire horizon? What were we doing when we unchained this earth from its sun? Where is it moving to now? Where are we moving to? Away from all suns? Are we not continually falling? And backwards, sidewards, forwards, in all directions? Is there still an up and a down? Aren't we straying as though through an infinite nothing? Isn't empty space breathing at us? Hasn't it got colder? Isn't night and more night coming again and again? Don't lanterns have to be lit in the morning? Do we still hear nothing of the noise of the grave-diggers who are burying God? Do we still smell nothing of the divine decomposition? — Gods, too, decompose! God is dead! God remains dead! And we have killed him! How can we console ourselves, the murderers of all murderers! The holiest and the mightiest thing the world has ever possessed has bled to death under our knives: who will wipe this blood from us? With what water could we clean ourselves? What festivals of atonement, what holy games will we have to invent for ourselves? Is the magnitude of this deed not too great for us? Do we not ourselves have to become gods merely to appear worthy of it? There was never a greater deed — and whoever is born after us will on account of this deed belong to a higher history than all history up to now!' Here the madman fell silent and looked again at his listeners; they too were silent and looked at him disconcertedly. Finally he threw his lantern on the ground so that it broke into pieces and went out. 'I come too early', he then said; 'my time is not yet. This tremendous event is still on its way, wandering; it has not yet reached the ears of men. Lightning and thunder need time; the light of the stars needs time; deeds need time, even after they are done, in order to be seen and heard. This deed is still more remote to them than the remotest stars — and yet they have done it themselves!

The sun had begun to wink behind the trees, but pockets of other light burst all around. Lanterns hung from tree branches; there was a firepit in the center of the lawn; and in the pond, the silky water shimmered with little full moons floating on the surface. No, not moons--- orbs. Such simple sources of light, but Rose was struck by how they looked like they'd dipped down from the sky, unwilling to miss the festivities. It was a lush, clandestine beauty, mixed with the unsupervised cacophony of the people disrupting it. The word "decadence" came to mind. Rose loved that in the middle of it all Hart seemed oblivious to it, stuck in tour-guide mode. "This is my favorite tree on the property," he said. Rose also loved that he had a favorite tree. Its curlicue branches plumed outward like long hair in water, and in certain spots, its leaves drooped and swept over the ground. "It's a one-hundred-year-old weeping hemlock," Hart said. "One of the oldest hemlocks this side of the Western Hemisphere, and the estate's namesake." They walked beneath the canopy, where string lights and pearly garlands hung like so many gaudy necklaces on a dowager duchess. Rose had never paid much attention to trees, but even she couldn't deny this one's majesty.

Pendant les années qui suivent son fiasco, le Dragkfest reste l’un des sujets les plus étudiés par les experts en sociologie des révolutions — après la Poudrière, le mouvement des Sans-Pantalons et la crise de la cantine du collège Éric-Letigre, en 2050, suite à la tentative d’interdiction des gâteaux au chocolat. Le désastre du festival résiste à toutes les tentatives d’analyse. Soit les personnes susceptibles d’éclairer les lanternes universitaires ne sont plus en état d’être interrogées, soit leur instabilité psychique remet en cause la fiabilité de leur témoignage. Le moment où leur santé mentale a périclité — avant, pendant ou après le festival — fait lui-même l’objet de plusieurs ouvrages. Ces chercheurs n’auraient pas eu à chercher autant, s’ils avaient daigné écouter les explications de Morgan. D’accord, peut-être que celui-ci bafouillait et s’embrouillait un peu pendant lesdites explications. Peut-être aussi qu’ils recherchaient trop obstinément un sens à toute cette histoire. Une morale. Un truc qui s’intègre dans leurs modèles. Morgan voit mal comment on pourrait intégrer le Dragkfest dans un modèle.

Art and Craft: A Journey of Creativity and Expression Craft is the skill to create things with your hands and creative resources. Paper folding, furnishing, painting, cutting shapes, recycling, fabric crafts, and plenty other activities are all included. Art and Craft is present in every location, including homes, workplaces, festivals, and schools. It inspires creativity and teaches how to transform everyday things into beautiful creations. Art and Craft is a bright, imaginative, and colorful the cosmos. It enables people of all ages to use basic materials like paper, glue, cloth, and more to express their thoughts. At The Force Strike, we think that crafting is a great method to foster creativity, confidence, and skill development in addition to being a fun pastime. For this reason, we feel happy to present Art and Craft after school programme by The Force Strike, our unique curriculum. What You Will Learn Background IconBackground Icon Here’s a list of exciting topics and activities included in the Art and Craft after school programme by The ForceStrike: Paper Crafts Paper flowers, greeting cards, and origami (paper folding) Paper shapes and animals; ornamental wall hangings Recycled Craft Eco-friendly home décor goods; crafts made from used boxes, bottles, and newspapers; and best-out-of-waste activities Festival & Seasonal Crafts Making Rakhi, Diwali lanterns and diyas, and Christmas ornaments Ideas for birthday decorations School Project Models Models of the solar system, water cycle, volcanoes, and cities Innovative presentation boards Benefits of Art and Craft Learning at The Force Strike Background IconBackground Icon A stress-free setting that fosters creativity Through projects, gain experience in time management and planning. Improve motor skills, especially in younger students. All ability levels can benefit from it, from total novices to imaginative students. Appreciation of each student's work Who Can Join? The Art and Craft after school programme is open to: Kids (ages 5 and above) School and college students Moms or homemakers who enjoy creativity No experience or special background is needed—just the love of making things!

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