“
I feel a thousand capacities spring up in me. I am arch, gay, languid, melancholy by turns. I am rooted, but I flow.
”
”
Virginia Woolf (The Waves)
“
She was indeed a girl of exquisite beauty. She was one of those languid women made of dark honey smooth and sweet and terribly sticky.
”
”
Patrick Süskind (Perfume: The Story of a Murderer)
“
maggie and milly and molly and may"
maggie and milly and molly and may
went down to the beach(to play one day)
and maggie discovered a shell that sang
so sweetly she couldn’t remember her troubles,and
milly befriended a stranded star
whose rays five languid fingers were;
and molly was chased by a horrible thing
which raced sideways while blowing bubbles:and
may came home with a smooth round stone
as small as a world and as large as alone.
For whatever we lose(like a you or a me)
it’s always ourselves we find in the sea
”
”
E.E. Cummings (E.E. Cummings: Complete Poems 1904-1962 (Revised, Corrected, and Expanded Edition))
“
Bluebell,” she said, remembering from Erotique. “Pretty name.”
“I call Dmitri Dark Overlord.”
“Shae,” Dmitri said and the female vampire rose at once to walk quickly into the house. “Now, pretty Bluebell”—another languid stroke across her skin—“tell the Overlord what you discovered.
”
”
Nalini Singh (Archangel's Blade (Guild Hunter, #4))
“
As a young child I wanted to be a writer because writers were rich and famous. They lounged around Singapore and Rangoon smoking opium in a yellow pongee silk suit. They sniffed cocaine in Mayfair and they penetrated forbidden swamps with a faithful native boy and lived in the native quarter of Tangier smoking hashish and languidly caressing a pet gazelle.
”
”
William S. Burroughs (The Adding Machine: Selected Essays)
“
The Byronic hero, incapable of love, or capable only of an impossible love, suffers endlessly. He is solitary, languid, his condition exhausts him. If he wants to feel alive, it must be in the terrible exaltation of a brief and destructive action.
”
”
Albert Camus (The Stranger)
“
He carried a pipe in his left hand, and as he examined Will at his leisure, he exhaled sending a cloud of sweet-smelling, cough-induced smoke. 'Finally broke down and admitted you're in love with me, have you?'He inquired of Will. 'I do enjoy these suprise midnight declarations.' He leaned against the doorway and waved a languid ringed hand. "Go along, have at it.
”
”
Cassandra Clare
“
Nightfall.
“What a strange word.
‘Night’ I get.
But ‘fall’ is a gentle word.
Autumn leaves fall, swirling with languid grace
To carpet the earth with their dying blaze.
Tears fall, like liquid diamonds
Shimmering softly, before they melt away.
Night doesn’t fall here.
It comes slamming down.
”
”
Karen Marie Moning (Faefever (Fever, #3))
“
...and to this hour the image of Carmilla returns to mind with ambiguous alterations--sometimes the playful, languid, beautiful girl; sometimes the writhing fiend I saw in the ruined church; and often from a reverie I have started, fancying I heard the light step of Carmilla at the drawing room door.
”
”
J. Sheridan Le Fanu (Carmilla)
“
The song is languid and speaks of love and loneliness and loss. Why does love seem to go with the sad things?
”
”
Lisa Ann Sandell (A Map of the Known World)
“
I saw old Autumn in the misty morn
Stand shadowless like silence, listening
To silence, for no lonely bird would sing
Into his hollow ear from woods forlorn,
Nor lowly hedge nor solitary thorn; --
Shaking his languid locks all dewy bright
With tangled gossamer that fell by night,
Pearling his coronet of golden corn.
”
”
Thomas Hood
“
It seemed as though he gave way all at once; he was so languid that he could not control his thoughts; they would wander to her; they would bring back the scene,- not of his repulse and rejection the day before but the looks, the actions of the day before that. He went along the crowded streets mechanically, winding in and out among the people, but never seeing them, -almost sick with longing for that one half-hour-that one brief space of time when she clung to him, and her heart beat against his-to come once again.
”
”
Elizabeth Gaskell (North and South)
“
Pensive they sit, and roll their languid eyes.
”
”
John Keats
“
She was slender, and wonderfully graceful. Except that her movements were languid—very languid—indeed, there was nothing in her appearance to indicate an invalid.
”
”
J. Sheridan Le Fanu (Carmilla)
“
It was a face which darkness could kill
in an instant
a face as easily hurt
by laughter or light
'We think differently at night'
she told me once
lying back languidly
And she would quote Cocteau
'I feel there is an angel in me' she'd say
'whom I am constantly shocking'
Then she would smile and look away
light a cigarette for me
sigh and rise
and stretch
her sweet anatomy
let fall a stocking
”
”
Lawrence Ferlinghetti (Pictures of the Gone World)
“
For to sit in a room full of books, and remember the stories they told you, and to know precisely where each one is located and what was happening in your life at time or where you were when you first read it is the languid and distilled pleasure of the connoisseur.
”
”
Sting (Broken Music: A Memoir)
“
All her grace was in her vagueness. Her voice was soft, her manner languid, her features blurred and dreamy.
”
”
Donna Tartt (The Little Friend)
“
The wind came in languid gusts like whispered reminders.
”
”
James Franco (Palo Alto)
“
I'd spent way more years worrying about how to look like a poet -- buying black clothes, smearing on scarlet lipstick, languidly draping myself over thrift-store furniture -- than I had learning how to assemble words in some discernible order.
”
”
Mary Karr (Lit)
“
As love without esteem is capricious and volatile; esteem without love is languid and cold.
”
”
Jonathan Swift
“
Love is the languid sigh of death, and no one will ever convince me otherwise.
”
”
Chelsea G. Summers (A Certain Hunger)
“
What do you think, Samantha?” Fosco asks me. That it’s a piece of pretentious shit. That it says nothing, gives nothing. That I don’t understand it, that probably no one does and no one ever will. That not being understood is a privilege I can’t afford. That I can’t believe this woman got paid to come here. That I think she should apologize to trees. Spend a whole day on her knees in the forest, looking up at the trembling aspens and oaks and whatever other trees paper is made of with tears in her languid eyes and say, I’m fucking sorry. I’m sorry that I think I’m so goddamned interesting when it is clear that I am not interesting. Here’s what I am: I’m a boring tree murderess. But I look at Vignette, at Creepy Doll, at Cupcake, the Duchess. All of them staring at me now with shy smiles. “I think I’d like to see more of the soup too,” I hear myself say.
”
”
Mona Awad (Bunny (Bunny, #1))
“
And then when she takes him through the whole wine tasting process, finishing with a long, languid taste that she really enjoyed “she opened her eyes and saw Nick staring at her.
“I feel like I need a cigarette and a shower after watching that.
”
”
Julie James (A Lot like Love (FBI/US Attorney, #2))
“
Under the strain of this continually impending doom and by the sleeplessness to which I now condemned myself, ay, even beyond what I had thought possible to man, I became, in my own person, a creature eaten up and emptied by fever, languidly weak both in body and mind, and solely occupied by one thought: the horror of my other self.
”
”
Robert Louis Stevenson (Dr. Jekyll and Mr. Hyde)
“
Stability itself is nothing but a more languid motion.
”
”
Stephen Greenblatt (The Swerve: How the World Became Modern)
“
A life without a purpose is a languid, drifting thing. Every day we ought to renew our purpose, saying to ourselves: This day let us make a sound beginning, for what we have hitherto done is nought.
”
”
Thomas à Kempis
“
Their lips met in a slow, languid kiss. Salt from her tears mixed with her natural sweetness. She wrapped her arms around his neck and pressed closer. Her softness, her scent, she filled and overran his senses. He mouthed another kiss against her lips. Heat flared inside his abdomen when she opened her mouth, and kissed him back with firmer lips.
He sank into her embrace, the heated connection she offered. A kinetic warmth surged through him, lighting, igniting dormant pieces inside—like someone returning home . . . A soft groan, hushed breaths. Their mouths parted and found each other again. He slid his hand behind her neck as he deepened the kiss.
”
”
J. Rose Black (Losing My Breath)
“
I AM RESTLESS
AM restless. I am athirst for far-away things.
My soul goes out in a longing to touch the skirt of the dim distance.
O Great Beyond, O the keen call of thy flute!
I forget, I ever forget, that I have no wings to fly, that I am bound in this spot evermore.
I am eager and wakeful, I am a stranger in a strange land.
Thy breath comes to me whispering an impossible hope.
Thy tongue is known to my heart as its very own.
O Far-to-seek, O the keen call of thy flute!
I forget, I ever forget, that I know not the way, that I have not the winged horse.
I am listless, I am a wanderer in my heart.
In the sunny haze of the languid hours, what vast vision of thine takes shape in the blue of the sky!
O Farthest end, O the keen call of thy flute!
I forget, I ever forget, that the gates are shut everywhere in the house where I dwell alone!
”
”
Rabindranath Tagore
“
She was one of those languid women, made of dark honey, smooth and sweet, and terribly sticky, who take control of a room with a syrupy gesture, a toss of the hair, a single slow whiplash of the eyes — and all the while remain as still as the centre of a hurricane, apparently unaware of the force of gravity by which they irresistibly attract themselves the yearnings and the souls of both men and women.
”
”
Patrick Süskind
“
She was indeed a girl of exquisite beauty. She was one of those languid women made of dark honey, smooth and sweet and terribly sticky, who take control of a room with a syrupy gesture, a toss of the hair, a single slow whiplash of the eyes-and all the while remain as still as the center of a hurricane, apparently unaware of the force of gravity by which they irresistibly attract to themselves the yearnings and the souls of both men and women.
”
”
Patrick Süskind (Perfume: The Story of a Murderer)
“
The priestess of Artemis took hold of her almost with the violence of a lover, and whisked her away into a languid ecstasy of reverie. She communicated her own enthusiasm to the girl, and kept her mind occupied with dreams, faery-fervid, of uncharted seas of glory on which her galleon might sail, undiscovered countries of spice and sweetness, Eldorado and Utopia and the City of God.
”
”
Aleister Crowley (Moonchild)
“
Do not shorten the morning by getting up late, or waste it in unworthy occupations or in talk; look upon it as the quintessence of life, as to a certain extent sacred. Evening is like old age: we are languid, talkative, silly. Each day is a little life: every waking and rising a little birth, every fresh morning a little youth, every going to rest and sleep a little death.
”
”
Arthur Schopenhauer (The Essays of Arthur Schopenhauer; Counsels and Maxims)
“
A Tennyson garden, heavy with scent, languid; the return of the word swoon.
”
”
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
“
I have always had a love for American geography, and especially for the landscapes of the South. One of my pleasures has been to drive across it, with no one in the world knowing where I am, languidly absorbing the thoughts and memories of old moments, of people vanished now from my life.
”
”
Willie Morris (The Courting of Marcus Dupree)
“
Through this atmosphere of torrid splendor moved wan beings as richly upholstered as the furniture, beings without definite pursuits or permanent relations, who drifted on a languid tide of curiosity...
Somewhere behind them, in the background of their lives there was doubtless a real past, yet they had no more real existence than the poet's shades in limbo.
”
”
Edith Wharton (The House of Mirth (Dover Thrift Editions: Classic Novels))
“
A wet autumn morning, a garbage truck clattering down the street. The first snowfall of the season, blossom sized flakes falling languidly and melting on the ground, a premature snow fall delicate as lace, rapidly melting.
”
”
Joyce Carol Oates
“
2-1-10:
A languid Sunday, afternoon turned into evening, evening into night, night into morning.
'I just want to enjoy your nextness and nearness,' O says.
He puts his ear to my chest and listens to my heart and counts the beats.
'Sixty-two,' he says with a satisfied smile, and I can't imagine anything more intimate.
”
”
Bill Hayes (Insomniac City: New York, Oliver, and Me)
“
To me, the one basking in infinite glory is you; the one fallen from grace is also you. What matters is you, not the state of you,’” Hua Cheng recited languidly as he gazed at Xie Lian. He blinked meaningfully, cocking an eyebrow. “I feel the same way.
”
”
Mò Xiāng Tóng Xiù (Heaven Official's Blessing: Tian Guan Ci Fu (Novel) Vol. 6)
“
Sometimes we took refuge in our diving bell while waves of charge and magnetism spiraled languidly past, like boluses of ectoplasm coursing down the intestine of some poltergeist god.
”
”
Peter Watts (Blindsight (Firefall, #1))
“
There is only continual motion. If I rest, if I think inward, I go mad. There is so much, and I am torn in different directions, pulled thin, taut against horizons too distant for me to reach. Swift, ceaseless pace. Will I never rest in sunlight again - slow, languid & golden with peace?
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
There are blondes and blondes and it is almost a joke word nowadays. All blondes have their points, except perhaps the metallic ones who are as blond as a Zulu under the bleach and as to disposition as soft as a sidewalk. There is the small cute blonde who cheeps and twitters, and the big statuesque blonde who straight-arms you with an ice-blue glare. There is the blonde who gives you the up-from-under look and smells lovely and shimmers and hangs on your arm and is always very tired when you take her home. She makes that helpless gesture and has that goddamned headache and you would like to slug her except that you are glad you found out about the headache before you invested too much time and money and hope in her. Because the headache will always be there, a weapon that never wears out and is as deadly as the bravo’s rapier or Lucrezia’s poison vial. There is the soft and willing and alcoholic blonde who doesn’t care what she wears as long as it is mink or where she goes as long as it is the Starlight Roof and there is plenty of dry champagne. There is the small perky blonde who is a little pal and wants to pay her own way and is full of sunshine and common sense and knows judo from the ground up and can toss a truck driver over her shoulder without missing more than one sentence out of the editorial in the Saturday Review. There is the pale, pale blonde with anemia of some non-fatal but incurable type. She is very languid and very shadowy and she speaks softly out of nowhere and you can’t lay a finger on her because in the first place you don’t want to and in the second place she is reading The Waste Land or Dante in the original, or Kafka or Kierkegaard or studying Provençal. She adores music and when the New York Philharmonic is playing Hindemith she can tell you which one of the six bass viols came in a quarter of a beat too late. I hear Toscanini can also. That makes two of them. And lastly there is the gorgeous show piece who will outlast three kingpin racketeers and then marry a couple of millionaires at a million a head and end up with a pale rose villa at Cap Antibes, an Alfa-Romeo town car complete with pilot and co-pilot, and a stable of shopworn aristocrats, all of whom she will treat with the affectionate absent-mindedness of an elderly duke saying goodnight to his butler.
”
”
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
“
10
maggie and millie and molly and may
went down to the beach (to play one day)
and maggie discovered a shell that sang
so sweetly she couldn't remember her troubles, and
millie befriended a stranded star
whose rays five languid fingers were
and molly was chased by a horrible thing
which raced sideways while blowing bubbles: and
may came home with a smooth round stone
as small as a world & as large as alone
For whatever we lose (like a you or a me)
it's always ourselves we find in the sea
”
”
E.E. Cummings
“
The Caterpillar and Alice looked at each other for some time in silence: at last the Caterpillar took the hookah out of its mouth, and addressed her in a languid, sleepy voice.
'Who are you?' said the Caterpillar.
This was not an encouraging opening for a conversation. Alice replied, rather shyly, 'I — I hardly know, sir, just at present — at least I know who I was when I got up this morning, but I think I must have been changed several times since then.'
'What do you mean by that?' said the Caterpillar sternly. 'Explain yourself!'
'I can't explain myself, I'm afraid, sir' said Alice, 'because I'm not myself, you see.'
'I don't see,' said the Caterpillar.
'I'm afraid I can't put it more clearly,' Alice replied very politely, 'for I can't understand it myself to begin with; and being so many different sizes in a day is very confusing.
”
”
Lewis Carroll (Alice’s Adventures in Wonderland / Through the Looking-Glass)
“
Where was he, her Alexander, of once? Was he truly gone? The Alexander of the Summer Garden, of their first Lazarevo days, of the hat in his hands, white toothed, peaceful, laughing, languid, stunning Alexander, had he been left far behind?
Well, Tatiana supposed that was only right.
For Alexander believed his Tatiana of once was gone, too. The swimming child Tatiana of the Luga, of the Neva, of the River Kama.
Perhaps on the surface they were still in their twenties, but their hearts were old.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
It was quite elementary,' returned the detective with a languid gesture of one hand.
”
”
Anthony Horowitz (The House of Silk (Horowitz's Holmes, #1))
“
In the afternoon they came unto a land
In which it seemed always afternoon.
All around the coast the languid air did swoon,
Breathing like one that hath a weary dream.
”
”
Alfred Tennyson
“
Now in this space the days and nights pass differently. Strangely, slowly. Languid and luscious.
”
”
Erin Morgenstern (The Starless Sea)
“
You promised to be on your best behavior,” I reminded him, breathless.
“You kissed me,” he growled. His voice had gone very deep.
“Well, but you started it by kissing my neck.”
“True. I hadn't planned that.” His sultry voice, paired with those blazing eyes, told me I needed to get away from him. I hurried to the end of the bed, where I jumped off and began to pace back and forth, yanking out my loose hairband and pulling my hair back into a tight ponytail. I tried hard not to think about the taste of his lips. I'd had my first kiss, and I'd never be the same.
“Why did you stop?” he asked.
“Because you were moving on to other things.”
He scratched his chin and cheek. “Hmm, moved too quickly. Rookie mistake.”
I crossed my arms again, watching him speculate internally like a coach outlining a play that had gone wrong. Incredible. Then he sized me up in his sights again.
“But I can see you still want me.”
I gave him my meanest stare, but it was hard to look at him. Gosh, he was hot! And a total player. The kiss meant nothing to him.
“Oh,” he said with mock sadness, “there it goes. Mad instead? Well, sort of. You can't seem to muster a really good anger—”
“Stop it!”
“Sorry, was I saying that out loud?”
“I can read people, too, you know. Well, not you, but at least I have the decency to try not to notice, to give them some sort of emotional privacy!”
“Yes, how very decent of you.” He hadn't moved from his languid position on my bed.
I leaned forward, grabbing a pillow and throwing it at him.
“Pillow fight?” He raised an eyebrow.
“Get off my bed. Please. I'm ready to go to sleep.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
Sometimes after an hour of apathy, my strange and beautiful companion would take my hand and hold it with a fond pressure, renewed again and again; blushing softly, gazing in my face with languid and burning eyes, and breathing so fast that her dress rose and fell with the tumultuous respiration. It was like the ardor of a lover; it embarrassed me; it was hateful and yet over-powering; and with gloating eyes she drew me to her, and her hot lips traveled along my cheek in kisses; and she would whisper, almost in sobs, "You are mine, you shall be mine, you and I are one for ever." Then she had thrown herself back in her chair, with her small hands over her eyes, leaving me trembling.
”
”
J. Sheridan Le Fanu (Carmilla)
“
That I think she should apologize to trees. Spend a whole day on her knees in the forest, looking up at the trembling aspens and oaks and whatever other trees paper is made of with tears in her languid eyes and say, I’m fucking sorry. I’m sorry that I think I’m so goddamned interesting when it is clear that I am not interesting. Here’s what I am: I’m a boring tree murderess.
”
”
Mona Awad (Bunny (Bunny, #1))
“
It was long before the terror of recent events subsided; and to this hour the image of Carmilla returns to memory with ambiguous alternations—sometimes the playful, languid, beautiful girl; sometimes the writhing fiend I saw in the ruined church; and often from a reverie I have started, fancying I heard the light step of Carmilla at the drawing room door.
”
”
J. Sheridan Le Fanu (Carmilla (The Gothic Vampire Classic!))
“
The philosophers say that the passions are too lively, too fiery; in truth they are weak and languid. All around one sees the mass of men endure the persecution of a few masters and the despotism of prejudices without offering the slightest resistance... their passions are too weak to permit them to derive audacity from despair.
”
”
Charles Fourier
“
I asked a professor of nanotechnology what they use to measure the unthinkable small distances of nanospace? He said it was the nanometre. This didn't help me very much. A nanometre is a billionth of a metre. I understood the idea but couldn't visualise what it meant. I said, "What is it roughly?" He thought for a moment and said, "A nanometre is roughly the distance that a man's beard grows in one second". I had never thought about what beards do in a second but they must do something. It takes them all day to grow about a milllimetre. They don't leap out of your face at eight o'clock in the morning. Beards are slow, languid things and our language reflects this. We do not say "as quick as a beard" or "as fast as a bristle". We now have a way of grasping of how slow they are - about a nanometre a second.
”
”
Ken Robinson (Out of Our Minds: Learning to Be Creative)
“
Iris was too languid and too used to Mrs. Drake’s discursive style to inquire why the mention of Dr. Gaskell should have reminded her aunt of the local grocer, though had she done so, she would have received the immediate response: “Because the grocer’s name is Cranford, my dear.” Aunt Lucilla’s reasoning was always crystal clear to herself.
”
”
Agatha Christie (Sparkling Cyanide (Colonel Race, #4))
“
Maud in the light of her youth and her grace,
Singing of Death, and of Honor that cannot die,
Till I well could weep for a time so sordid and mean,
And myself so languid and base.
”
”
Alfred Tennyson
“
This is my favourite time of day, the afternoon barely ended, the evening not yet begun; the languid hours of sunshine stretch out ahead of us before fading into dusky twilight.
”
”
Tabitha Suzuma (Forbidden)
“
...Her body twitched from his magic. "What is this feeling?" She panted as she asked the question. Her body felt pleasantly soft. His motions slowed and became languid.
"It's called an orgasm," he replied in that slow, silky way of his. She loved his voice when it got thick like honey. Most of the time he spoke so quickly that she lost track. She liked it when his tone got deep and husky. "You should have one every time a man touches you. If you don't, punch him in the face.
”
”
Sophie Oak (Beast (A Faery Story, #2))
“
Take it off first, soldier."
He looked at her suspiciously. "Take what off?"
"Your clothes. Entertain the troops."
"My clothes?" He frowned. "I was sort of thinking you might want to do that for me."
She shook her head and leaned back on one elbow, giving him her witchiest, bitchiest smile. "Strip."
"Now, listen here, Francie--"
Lifting a languid hand, she once again pointed toward the center of the room. "Do it real slow, good-looking," she purred. "I want to enjoy every minute.
”
”
Susan Elizabeth Phillips (Fancy Pants (Wynette, Texas, #1))
“
Mr. Casaubon had never had a strong bodily frame, and his soul was sensitive without being enthusiastic: it was too languid to thrill out of self-consciousness into passionate delight; it went on fluttering in the swampy ground where it was hatched, thinking of its wings and never flying.
”
”
George Eliot
“
There's a gang of boys on bikes blocking the road ahead. They've got their hoods up, cigarettes shielded. The sky's a really strange colour and there's hardly anyone else about. I slow right down.
"What shall I do?"
"Reverse," Zoey says. "They're not going to move."
I wind down the window. "Oi!" I yell "Move your arses!"
They turn languid, shift lazily to the edge of the road and grin as I blow kisses at them.
Zoey looks stunned, "What's got into you?"
"Nothing- I just haven't learned reversing yet.
”
”
Jenny Downham (Before I Die)
“
He foresaw his pale body reclined in it at full, naked, in a womb of warmth, oiled by scented melting soap, softly laved. He saw his trunk and limbs riprippled over and sustained, buoyed lightly upward, lemonyellow: his navel, bud of flesh: and saw the dark tangled curls of his bush floating, floating hair of the stream around the limp father of thousands, a languid floating flower.
”
”
James Joyce (Ulysses)
“
À partir de là, le dialogue de la journée suivait une pente uniformément descendante, mais avec des lèvres et des mains chaleureuses et languides flottant sur les surface les plus sensibles du corps, le monde était aussi près que possible de la perfection. Freud appelait cela un état de perversité polymorphe impersonnel et le regardait d'un mauvais oeil, mais je doute fort qu'il ait jamais eu les mains de Lil lui frôlant le corps. Ou même celles de sa propre femme dans le même rôle. Freud était un bien grand homme, mais je n'arrive pas à me faire à l'idée que quelqu'un lui ait jamais efficacement flatté le pénis.
”
”
Luke Rhinehart (The Dice Man)
“
She was stretched on her back beneath the pear tree soaking in the alto chant of the visiting bees, the gold of the sun and the panting breath of the breeze when the inaudible voice of it all came to her. She saw a dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight. So this was a marriage! She had been summoned to behold a revelation. Then Janie felt a pain remorseless sweet that left her limp and languid.
”
”
Zora Neale Hurston (Their Eyes Were Watching God)
“
You wanted Death? This is it. Dirt and decay, nothing more. Death translates us all into earth.” He frowned at me, his cheeks puffing slightly. “Are you disappointed? Did you want a man in black robes? I’m sure I’ve a set somewhere. A dour, thin face with bony hands? I’ve more bones in this house than you could ever count. You’ve been moping over half the world looking for Death as though that word meant anything but cold bodies and mushrooms growing out of young girls’ eye-sockets. What an exceptionally stupid child!” Suddenly he moved very fast, like a turtle after a spider—such unexpected movement from a thing so languid and round. He clapped my throat in his hand, squeezing until I could not breathe…I whistled and wheezed, beating at his chest, and my vision blurred, thick as blood. “You want Death?” he hissed. “I am Death. I will break your neck and cover you with my jar of dirt. When you kill, you become Death, and so Death wears a thousand faces, a thousand robes, a thousand gazes.” He loosened his grip. “But you can be Death, too. You can wear that face and that gaze. Would you like to be Death? Would you like to live in this house and learn his trade?
”
”
Catherynne M. Valente (In the Night Garden (The Orphan's Tales, #1))
“
The wind shook some blossoms from the trees, and the heavy lilac blooms, with their clustering stars, moved to and fro in the languid air. A grasshopper began to chirp by the wall, and like a blue thread a long, thin dragonfly floated past on its brown gauze wings. Lord Henry felt as if he could hear Basil Hallward's heart beating, and wondered what was coming.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
I think of him as part tiger. He's languid to the point of appearing almost lazy, and yellow or green, those eyes are framed by ridiculous lashes, set in a strong face with prominent cheekbones, full lips, and a sensuous smile.
”
”
Ella James (Selling Scarlett (Love Inc., #1))
“
When the Devil was a woman,
When Lilith wound
Her ebony hair in heavy braids,
And framed
Her pale features all 'round
With Botticelli's tangled thoughts,
When she, smiling softly,
Ringed all her slim fingers
In golden bands with brilliant stones,
When she leafed through Villiers
And loved Huysmans,
When she fathomed Maeterlinck's silence
And bathed her Soul
In Gabriel d'Annunzio's colors,
She even laughed
And as she laughed,
The little princess of serpents sprang
Out of her mouth.
Then the most beautiful of she-devils
Sought after the serpent,
She seized the Queen of Serpents
With her ringed finger,
So that she wound and hissed
Hissed, hissed
And spit venom.
In a heavy copper vase;
Damp earth,
Black damp earth
She scattered upon it.
Lightly her great hands caressed
This heavy copper vase
All around,
Her pale lips lightly sang
Her ancient curse.
Like a children's rhyme her curses chimed,
Soft and languid
Languid as the kisses,
That the damp earth drank
From her mouth,
But life arose in the vase,
And tempted by her languid kisses,
And tempted by those sweet tones,
From the black earth slowly there crept,
Orchids -
When the most beloved
Adorns her pale features before the mirror
All 'round with Botticelli's adders,
There creep sideways from the copper vase,
Orchids-
Devil's blossoms which the ancient earth,
Wed by Lilith's curse
To serpent's venom, has borne to the light
Orchids-
The Devil's blossoms-
"The Diary Of An Orange Tree
”
”
Hanns Heinz Ewers (Nachtmahr: Strange Tales)
“
He yearned for a thousand tremulous dreams, for cool and delicate images, transparent tints, fleeting scents, and exquisite music from streams of highly strung, tensely drawn silvery strings — and then silence, the innermost heart of silence, where the waves of air never bore a single stray tone, but where all was rest unto death, steeped in the calm glow of red colors and the languid warmth of fiery fragrance.
”
”
Jens Peter Jacobsen (Niels Lyhne)
“
I feel stuffy, as if there were not enough air to breathe - hot, and uneasy. Two months of no exercise have made me weak and plegmatic mentally and physically. On the short walk from here to the libe I drink the cold pure night air and the clear unbelievably delicate crescent-moonlight with a greedy reverence. Days are bizarre collections of hothouse languidities, mystical and poignant sensuous quotations (white thy fambles, red thy gan, and thy quarrons dainty is ... " Dark, liquid loveliness of words half dimly understood.)
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
Time and again the thought comes to my mind
of the dark condition Love imparts to me;
then the pity of it strikes me, and I ask:
“Could ever anyone have felt the same?”
For Love’s attack is so precipitous
that life itself all but abandons me:
nothing survives except one lonely spirit,
allowed to live because it speaks of you. With hope of help to come I gather courage,
and deathly languid, drained of all defenses,
I come to you expecting to be healed;
and if I raise my eyes to look at you,
within my heart a tremor starts to spread,
driving out life, stopping my pulses’ beat.
”
”
Dante Alighieri (Dante's Vita Nuova: A Translation and an Essay)
“
The tearful glimmer of the languid dawn' was just sufficient to reveal to them the melancholy red leaves, lying thickly in the channels by the roadside, ever and anon loudly tapped on by heavy drops of water, which the boughs above had collected from the foggy air.
”
”
Thomas Hardy (Desperate Remedies)
“
That not being understood is a privilege I can’t afford. That I can’t believe this woman got paid to come here. That I think she should apologize to trees. Spend a whole day on her knees in the forest, looking up at the trembling aspens and oaks and whatever other trees paper is made of with tears in her languid eyes and say, I’m fucking sorry. I’m sorry that I think I’m so goddamned interesting when it is clear that I am not interesting. Here’s what I am: I’m a boring tree murderess.
”
”
Mona Awad (Bunny (Bunny, #1))
“
Time was a funny thing... Instead of marching in at a measured pace, it seemed to flow like a river. Quiet days pooled together, languid with a sense of sameness, and events swirled and eddied, and time seemed to pick up its pace. Then there was the tumbling, dangerous rush of white water over the rocks, and the heart-stopping terror of relentless inevitability as the water fell over the edge, and you knew that no matter what you might do or wish, you could not stop that flow from falling.
All you could do was surrender to the experience and flow with it.
”
”
Thea Harrison (Lord's Fall (Elder Races, #5))
“
Dreamy mind easily hypnotized.
”
”
Toba Beta (Betelgeuse Incident: Insiden Bait Al-Jauza)
“
Strong Mercy:
My desires are many and my cry is pitiful,
but ever didst thou save me by hard refusals;
and this strong mercy has been wrought into my life through and through.
Day by day thou art making me worthy of the simple,
great gifts that thou gavest to me unasked---this sky and the light, this body and the
life and the mind---saving me from perils of overmuch desire.
There are times when I languidly linger
and times when I awaken and hurry in search of my goal;
but cruelly thou hidest thyself from before me.
Day by day thou art making me worthy of thy full acceptance by
refusing me ever and anon, saving me from perils of weak, uncertain desire.
”
”
Rabindranath Tagore
“
Swallowing hard, she looked at him.
He raised his eyes from the frothy concoction on his spoon at the precise moment she looked up, and their gazes
locked over the length of the polished wood table. Where would you drip whipped cream on him, Lisa? The answer
came with frightening swiftness and conviction: Everywhere. She wanted to explore his body, the hard ripples, the smooth skin. The candlelight bathed his olive skin with a golden hue, and his dark good looks were set off perfectly by his linen shirt and the splash of black and crimson draped across his chest. He was mesmerizing.
"Are you hungry, lass?" He licked his spoon languidly. She couldn't tear her gaze away. "No. I've eaten quite
enough," she managed.
"You seem to be watching my dessert most intently. Are you certain there isn't something else you wish to sate your appetite?"
Besides you to remove your clothing, lie on the table, and let me finger paint you with whipped cream, you mean?
"Nope," she said casually. "Not a thing." She watched him for a moment; he still had a great deal of dessert left. How was she going to get through this?
”
”
Karen Marie Moning (The Highlander's Touch (Highlander, #3))
“
The Byronic
hero, incapable of love, or capable only of an impossible love, suffers endlessly. He is solitary, languid,
his condition exhausts him. If he wants to feel alive, it must be in the terrible exaltation of a brief and
destructive action. To love someone whom one will never see again is to give a cry of exultation as one
perishes in the flames of passion. One lives only in and for the moment, in order to achieve "the brief and
vivid union of a tempestuous heart united to the tempest" (lermontov). The threat of mortality which
hangs over us makes everything abortive. Only the cry of anguish can bring us to life; exaltation takes the
place of truth. To this extent the apocalypse becomes an absolute value in which everything is
confounded—love and death, conscience and culpability. In a chaotic universe no other life exists but that
of the abyss where, according to Alfred Le Poittevin, human beings come "trembling with rage and
exulting in
their crimes" to curse the Creator.
”
”
Albert Camus (The Rebel)
“
Red light flickered behind her closed eyelids, and when she opened them, she discovered that they were surrounded by flames.
Let it burn....
His sleek brow wrinkled, and he shook his head. Poor man looked conflicted, which was an interesting expression on a nightmare. "Your city is on fire."
She smiled languidly. "Ain't it grand?
”
”
Erin Kellison (Scrape (Reveler, #8))
“
The entrant mooed like a calf but in insolence looked about him. Hew saw Kit. Kit saw him. Nay, it was more than pure seeing. It was Jove's bolt. It was, to borrow from the papists, the bell of the consecration. It was the revelation of the possibility nay the certainty of the probability or somewhat of the kind of the. It was the sharp knife of a sort of truth in the disguise of danger. Both went out together, and it was as if they were entering, rather than leaving, the corridor outside with its sour and burly servant languidly asweep with his broom, the major-domo in livery hovering, transformed to a sweet bower of assignation, though neither knew the other save in a covenant familiar through experience unrecorded and unrecordable whose terms were not of time and to which space was a child's puzzle.
”
”
Anthony Burgess (A Dead Man in Deptford)
“
Everyone tends to think of October as being an autumn month. Not so much in south Alabama, usually. There, it's another warm, if not hot, summer month. But the Alabama summer heat will sometimes get broken by cooler days. The haze of the depth of summer lifts, the humidity backs off, and the sky takes on a clearer, sharper blueness that the more languid summer days rarely could manage. And sometimes, there will be a day where the temperature gives a clear peek of what's coming.
”
”
J.F. Smith
“
As the sun began to rise, the man reached out to the woman, and they clasped hands. He cradled her, and languidly they lifted themselves up to their feet, their bodies brushing, their eyes lost in each other's. Sensuously, deliberately, they danced, moving as though they were one, their body language smooth as their limbs carefully unfolded. They twirled and rocked, intertwined and separated, nearly leaning onto one another but barely touching, their movements sometimes tender, sometimes almost violent...Moments passed while the dancers held tight to each other, as though their bodies were melting together. The expression on their features as they lifted their faces to the sky was one of unimaginable joy.
”
”
Hannah Fielding
“
Gore Vidal, for instance, once languidly told me that one should never miss a chance either to have sex or to appear on television. My efforts to live up to this maxim have mainly resulted in my passing many unglamorous hours on off-peak cable TV. It was actually Vidal's great foe William F. Buckley who launched my part-time television career, by inviting me on to Firing Line when I was still quite young, and giving me one of the American Right's less towering intellects as my foil. The response to the show made my day, and then my week. Yet almost every time I go to a TV studio, I feel faintly guilty. This is pre-eminently the 'soft' world of dream and illusion and 'perception': it has only a surrogate relationship to the 'hard' world of printed words and written-down concepts to which I've tried to dedicate my life, and that surrogate relationship, while it, too, may be 'verbal,' consists of being glib rather than fluent, fast rather than quick, sharp rather than pointed. It means reveling in the fact that I have a meretricious, want-it-both-ways side. My only excuse is to say that at least I do not pretend that this is not so.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
In Paris, strolling arm in arm with a casual sweetheart through a late autumn, it seemed impossible to imagine a purer happiness than those golden afternoons, with the woody odor of chestnuts on the braziers, the languid accordions, the insatiable lovers kidding on the open terraces, and still he had told himself with his hand on his heart that he was not prepared to exchange all that for a single instant of his Caribbean in April. He was still too young to know that heart's memory eliminates the bad and magnifies the good, and that thanks to this artifice we manage to endure the burden of the past.
”
”
Gabriel García Márquez (Love in the Time of Cholera)
“
Secret codes and lore and lingo stretching back into that fluid time before air conditioning dried up the rich, heavy humidity that used to hang over the porches of Louisiana, drenching cotton blouses, beads of sweat tickling the skin, slowing people down so the world entered them in an unhurried way. A thick stew of life that seeped into the very blood of people, so eccentric, languid thoughts simmered inside. Thoughts that would not come again after porches were enclosed, after the climate was controlled, after all windows were shut tight, and the sounds of the neighborhood were drowned out by the noise of the television set.
”
”
Rebecca Wells (Divine Secrets of the Ya-Ya Sisterhood)
“
The stillness was so profound that he heard a little animal twittering somewhere near by under the snow. It made a small frightened cheep like a field mouse, and he wondered languidly if it were hurt. Then he understood that it must be in pain: pain so excruciating that he seemed, mysteriously, to feel it shooting through his own body. He tried in vain to roll over in the direction of the sound, and stretched his left arm out across the snow. And now it was as though he felt rather than heard the twittering; it seemed to be under his palm, which rested on something soft and springy. The thought of the animal's suffering was intolerable to him and he struggled to raise himself, and could not because a rock, or some huge mass, seemed to be lying on him. But he continued to finger about cautiously with his left hand, thinking he might get hold of the little creature and help it; and all at once he knew that the soft thing he had touched was Mattie's hair and that his hand was on her face.
”
”
Edith Wharton (Ethan Frome)
“
If Pakistani cities were caricatures, most would be easy to draw. Lahore is corpulent and languid, stretched out in a shalwar kameez, twirling its moustache over a greasy breakfast. Islamabad cuts a more clipped figure, holding court in a gilded drawing room, proffering Scotch and political whispers. Peshawar wears a turban or a burka, scuttling among the stalls of an ancient bazaar. But Karachi is harder to sketch. It has too many faces: the shiny-shod businessman, rushing to the gym; the hardscrabble labourer who sends his wages to a distant village; the slinky young socialite, kicking off her heels as she bends over a line of cocaine.
”
”
Declan Walsh (The Nine Lives of Pakistan: Dispatches from a Precarious State)
“
his soul was sensitive without being enthusiastic: it was too languid to thrill out of self-consciousness into passionate delight; it went on fluttering in the swampy ground where it was hatched, thinking of its wings and never flying. His experience was of that pitiable kind which shrinks from pity, and fears most of all that is should be known: it was that proud narrow sensitiveness which has not mass enough to spare for transformation into sympathy, and quivers threadlike in small currents of self-preoccupation or at best of an egoistic scrupulosity.
”
”
George Eliot
“
Gabriel didn't have to look at his parents to know they were thoroughly charmed by Pandora. As for him...
He hardly recognized himself in his reaction to her. She was full of life, burning like sunflowers in the rime of autumn frost. Compared to the languid and diffident girls of London's annual marriage mart, Pandora might have been another species altogether. She was just as beautiful as he'd remembered, and as unpredictable. Laughing after the dog had jumped on her in the front drive, when any other young woman in her place would have been angry or humiliated. As she'd stood there wanting to argue with him about carrots, all Gabriel had been able to think of was how much he wanted to carry her somewhere cool and dark and quiet, and have her all to himself.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
evening harmony
behold the times when trembling on their stems
the flowers evaporate like thuribles
the sounds and scents turn in the evening cool;
sad waltz, languid intoxication!
the flowers evaporate like thuribles
the viol quivers like a heart that's torn
sad waltz, languid intoxication!
the sky is sad like some memorial.
the viol quivers like a heart that's torn
a heart that hates the void perpetual!
the sky is sad like some memorial
the sun has drowned in it's vermillion
a heart that hates the void perpetual
recalls each glowing moment of times gone!
the sun has drowned in it's vermillion;
your memory shines my monstrance personal
”
”
Charles Baudelaire
“
The life of a man is like a ball in the river, the Buddhist texts state - no matter what our will wants or desires, we are swept along by an invisible current that finally delivers us to the limitless expanse of the black sea. This image rather appeals to me. It suggests there are times when we float lightly along life's surface, bobbing from one languid, long pool to another. But then, when we least expect it, we turn a river bend and find ourselves plummeting over a thundering waterfall into the churning abyss below. This I have experienced. And more.
”
”
Richard C. Morais (Buddhaland Brooklyn)
“
Whether on Ida's shady brow,
Or in the chambers of the East,
The chambers of the sun, that now
From ancient melody have ceas'd;
Whether in Heav'n ye wander fair,
Or the green corners of the earth,
Or the blue regions of the air,
Where the melodious winds have birth;
Whether on crystal rocks ye rove,
Beneath the bosom of the sea
Wand'ring in many a coral grove,
Fair Nine, forsaking Poetry!
How have you left the ancient love
That bards of old enjoy'd in you!
The languid strings do scarcely move!
The sound is forc'd, the notes are few!
- "To the Muses
”
”
William Blake (The Complete Poems)
“
I seemed to be walking on and on forever through a peaceful, languid garden of rice paddies. This was no longer the territory of savages, but of an ancient and high civilization. Here and there farmers were plowing their fields, using water buffaloes. As a buffalo started to move, snowy herons would fly down and perch on its back and horns. But they flew away again in fright whenever a buffalo reached the edge of the field the farmer turned his plow.
Once, as I was walking along, a moist wind began to blow and the sky quickly filled with black clouds. Herons were tossing in the wind like downy feathers. Soon the rain came. Rainfall in Burma is violent. Before I knew it, I was shut in by a thick spray. I could hardly breathe--I felt as if I were swimming.
After a while the rain stopped and the sky cleared. All at once the landscape brightened and a vast rainbow hung across the sky. The mist was gone, as if a curtain had been lifted. And there, under the rainbow, the farmers were singing and plowing again.
”
”
Michio Takeyama (Harp of Burma)
“
At some point in the night she had a dream. Or it was possible that she was partially awake, and was only remembering a dream? She was alone among the rocks on a dark coast beside the sea. The water surged upward and fell back languidly, and in the distance she heard surf breaking slowly on a sandy shore. It was comforting to be this close to the surface of the ocean and gaze at the intimate nocturnal details of its swelling and ebbing. And as she listened to the faraway breakers rolling up onto the beach, she became aware of another sound entwined with the intermittent crash of waves: a vast horizontal whisper across the bossom of the sea, carrying an ever-repeated phrase, regular as a lighthouse flashing: Dawn will be breaking soon. She listened a long time: again and again the scarcely audible words were whispered across the moving water. A great weight was being lifted slowly from her; little by little her happiness became more complete, and she awoke. Then she lay for a few minutes marveling the dream, and once again fell asleep.
”
”
Paul Bowles (Up Above the World)
“
The hearing was adjourned. For a few brief moments, as I left the Law Courts on my way to the van, I recognised the familiar smells and colours of a summer evening. In the darkness of my mobile prison I rediscovered one by one, as if rising from the depths of my fatigue, all the familiar sounds of a town that I loved and of a certain time of day when I sometimes used to feel happy. The cries of the newspaper sellers in the languid evening air, the last few birds in the square, the shouts of the sandwich sellers, the moaning of the trams high in the winding streets of the town and the murmuring of the sky before darkness spills over onto the port, all these sounds marked out an invisible route which I knew so well before going into prison. Yes, this was the time of day when, long ago, I used to feel happy. What always awaited me then was a night of easy, dreamless sleep. And yet something had changed, for with the prospect of the coming day, it was to my cell that I returned. As if a familiar journey under a summer sky could as easily end in prison as in innocent sleep.
”
”
Albert Camus (The Stranger)
“
My well-beloved was stripped. Knowing my whim,
She wore her tinkling gems, but naught besides:
And showed such pride as, while her luck betides,
A sultan's favoured slave may show to him.
When it lets off its lively, crackling sound,
This blazing blend of metal crossed with stone,
Gives me an ecstasy I've only known
Where league of sound and luster can be found.
She let herself be loved: then, drowsy-eyed,
Smiled down from her high couch in languid ease.
My love was deep and gentle as the seas
And rose to her as to a cliff the tide.
My own approval of each dreamy pose,
Like a tamed tiger, cunningly she sighted:
And candour, with lubricity united,
Gave piquancy to every one she chose.
Her limbs and hips, burnished with changing lustres,
Before my eyes clairvoyant and serene,
Swanned themselves, undulating in their sheen;
Her breasts and belly, of my vine and clusters,
Like evil angels rose, my fancy twitting,
To kill the peace which over me she'd thrown,
And to disturb her from the crystal throne
Where, calm and solitary, she was sitting.
So swerved her pelvis that, in one design,
Antiope's white rump it seemed to graft
To a boy's torso, merging fore and aft.
The talc on her brown tan seemed half-divine.
The lamp resigned its dying flame. Within,
The hearth alone lit up the darkened air,
And every time it sighed a crimson flare
It drowned in blood that amber-coloured skin
”
”
Charles Baudelaire
“
The object of the intellect is to light and lead the will on its path, and therefore, the greater the force, impetus and passion, which spurs on the will from within, the more complete and luminous must be the intellect which is attached to it, that the vehement strife of the will, the glow of passion, and the intensity of the emotions, may not lead man astray, or urge him on to ill considered, false or ruinous action; this will, inevitably, be the result, if the will is very violent and the intellect very weak. On the other hand, a phlegmatic character, a weak and languid will, can get on and hold its own with a small amount of intellect; what is naturally moderate needs only moderate support.
”
”
Arthur Schopenhauer (Essays of Schopenhauer)
“
Therefore it is to a practical mysticism that the practical man is here invited: to a training of his latent faculties, a bracing and brightening of his languid consciousness, an emancipation from the fetters of appearance, a turning of his attention to new levels of the world. Thus he may become aware of the universe which the spiritual artist is always trying to disclose to the race. This amount of mystical perception—this “ordinary contemplation,” as the specialists call it—is possible to all men: without it, they are not wholly conscious, nor wholly alive. It is a natural human activity, no more involving the great powers and sublime experiences of the mystical saints and philosophers than the ordinary enjoyment of music involves the special creative powers of the great musician.
”
”
Evelyn Underhill (Practical Mysticism; and, Abba: Meditations on the Lord's Prayer)
“
I studied Finn the way another boy might have studied history, determined to memorize his vocabulary, his movements, his clothes, what he said, what he did, what he thought. What ideas circulated in his head when he looked distracted? What did he dream about?
But most of all what I wanted was to see myself through his eyes, to define myself in relation to him, to sift out what was interesting in me (what he must have liked, however insignificant) and distill it into a purer, bolder, more compelling version of myself.
The truth is, for that brief period of my life I failed to exist if Finn wasn't looking at me. And so I copied him, strove to exist the way he existed: to stretch, languid and graceful when tired, to move swiftly and with determination when not, to speak rarely and with force, to smile in a way that rewarded the world.
”
”
Meg Rosoff (What I Was)
“
Higher purpose: I am here to serve. I am here to inspire. I am here to love. I am here to live my truth. Communion: I will appreciate someone who doesn’t know that I feel that way. I will overlook the tension and be friendly to someone who has ignored me. I will express at least one feeling that has made me feel guilty or embarrassed. Awareness: I will spend ten minutes observing instead of speaking. I will sit quietly by myself just to sense how my body feels. If someone irritates me, I will ask myself what I really feel beneath the anger—and I won’t stop paying attention until the anger is gone. Acceptance: I will spend five minutes thinking about the best qualities of someone I really dislike. I will read about a group that I consider totally intolerant and try to see the world as they do. I will look in the mirror and describe myself exactly as if I were the perfect mother or father I wish I had had (beginning with the sentence “How beautiful you are in my eyes”). Creativity: I will imagine five things I could do that my family would never expect—and then I will do at least one of them. I will outline a novel based on my life (every incident will be true, but no one would ever guess that I am the hero). I will invent something in my mind that the world desperately needs. Being: I will spend half an hour in a peaceful place doing nothing except feeling what it is like to exist. I will lie outstretched on the grass and feel the earth languidly revolving under me. I will take in three breaths and let them out as gently as possible. Efficiency: I will let at least two things out of my control and see what happens. I will gaze at a rose and reflect on whether I could make it open faster or more beautifully than it already does—then I will ask if my life has blossomed this efficiently. I will lie in a quiet place by the ocean, or with a tape of the sea, and breathe in its rhythms. Bonding: When I catch myself looking away from someone, I will remember to look into the person’s eyes. I will bestow a loving gaze on someone I have taken for granted. I will express sympathy to someone who needs it, preferably a stranger. Giving: I will buy lunch and give it to someone in need on the street (or I will go to a café and eat lunch with the person). I will compliment someone for a quality that I know the individual values in him- or herself. I will give my children as much of my undivided time today as they want. Immortality: I will read a scripture about the soul and the promise of life after death. I will write down five things I want my life to be remembered for. I will sit and silently experience the gap between breathing in and breathing out, feeling the eternal in the present moment.
”
”
Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
“
The Garden of Proserpine"
Here, where the world is quiet;
Here, where all trouble seems
Dead winds' and spent waves' riot
In doubtful dreams of dreams;
I watch the green field growing
For reaping folk and sowing,
For harvest-time and mowing,
A sleepy world of streams.
I am tired of tears and laughter,
And men that laugh and weep;
Of what may come hereafter
For men that sow to reap:
I am weary of days and hours,
Blown buds of barren flowers,
Desires and dreams and powers
And everything but sleep.
Here life has death for neighbour,
And far from eye or ear
Wan waves and wet winds labour,
Weak ships and spirits steer;
They drive adrift, and whither
They wot not who make thither;
But no such winds blow hither,
And no such things grow here.
No growth of moor or coppice,
No heather-flower or vine,
But bloomless buds of poppies,
Green grapes of Proserpine,
Pale beds of blowing rushes
Where no leaf blooms or blushes
Save this whereout she crushes
For dead men deadly wine.
Pale, without name or number,
In fruitless fields of corn,
They bow themselves and slumber
All night till light is born;
And like a soul belated,
In hell and heaven unmated,
By cloud and mist abated
Comes out of darkness morn.
Though one were strong as seven,
He too with death shall dwell,
Nor wake with wings in heaven,
Nor weep for pains in hell;
Though one were fair as roses,
His beauty clouds and closes;
And well though love reposes,
In the end it is not well.
Pale, beyond porch and portal,
Crowned with calm leaves, she stands
Who gathers all things mortal
With cold immortal hands;
Her languid lips are sweeter
Than love's who fears to greet her
To men that mix and meet her
From many times and lands.
She waits for each and other,
She waits for all men born;
Forgets the earth her mother,
The life of fruits and corn;
And spring and seed and swallow
Take wing for her and follow
Where summer song rings hollow
And flowers are put to scorn.
There go the loves that wither,
The old loves with wearier wings;
And all dead years draw thither,
And all disastrous things;
Dead dreams of days forsaken,
Blind buds that snows have shaken,
Wild leaves that winds have taken,
Red strays of ruined springs.
We are not sure of sorrow,
And joy was never sure;
To-day will die to-morrow;
Time stoops to no man's lure;
And love, grown faint and fretful,
With lips but half regretful
Sighs, and with eyes forgetful
Weeps that no loves endure.
From too much love of living,
From hope and fear set free,
We thank with brief thanksgiving
Whatever gods may be
That no life lives for ever;
That dead men rise up never;
That even the weariest river
Winds somewhere safe to sea.
Then star nor sun shall waken,
Nor any change of light:
Nor sound of waters shaken,
Nor any sound or sight:
Nor wintry leaves nor vernal,
Nor days nor things diurnal;
Only the sleep eternal
In an eternal night.
”
”
Algernon Charles Swinburne (Poems and Ballads & Atalanta in Calydon)