Lamp Shade Quotes

Christian, you are the state lottery, the cure for cancer, and the three wishes from Aladdin's lamp all rolled into one

If you have a soul of a warrior, you are a warrior. Whatever the color, the shape, the design of the shade that conceals it, the flame inside the lamp remains the same. You are that flame.

Her Majesty Victoria, by the Grace of God, of the United Kingdom of Great Britain and Ireland Queen, Defender of the Faith, had a lamp shade on her head. Again.

Whatever you are physically, male or female, strong or weak, ill or healthy – all those things matter less than what your heart contains. If you have the soul of a warrior, you are a warrior. Whatever the color, the shape, the design of the shade that conceals it, the flame inside the lamp remains the same. You are that flame.

We’re coming near to the end of the bridge, and the road is once more bathed in the neon light of the street lamps so his face is intermittently in the light and the dark. And it’s such a fitting metaphor. This man, whom I once thought of as a romantic hero, a brave shining white knight—or the dark knight, as he said. He’s not a hero; he’s a man with serious, deep emotional flaws, and he’s dragging me into the dark. Can I not guide him into the light?

Upon the hearth the fire is red, Beneath the roof there is a bed; But not yet weary are our feet, Still round the corner we may meet A sudden tree or standing stone That none have seen but we alone. Tree and flower, leaf and grass, Let them pass! Let them pass! Hill and water under sky, Pass them by! Pass them by! Still round the corner there may wait A new road or a secret gate, And though we pass them by today, Tomorrow we may come this way And take the hidden paths that run Towards the Moon or to the Sun. Apple, thorn, and nut and sloe, Let them go! Let them go! Sand and stone and pool and dell, Fare you well! Fare you well! Home is behind, the world ahead, And there are many paths to tread Through shadows to the edge of night, Until the stars are all alight. Then world behind and home ahead, We'll wander back to home and bed. Mist and twilight, cloud and shade, Away shall fade! Away shall fade! Fire and lamp and meat and bread, And then to bed! And then to bed!

[The] insistence on the absolutely indiscriminate nature of compassion within the Kingdom is the dominant perspective of almost all of Jesus' teaching. What is indiscriminate compassion? 'Take a look at a rose. Is is possible for the rose to say, "I'll offer my fragrance to good people and withhold it from bad people"? Or can you imagine a lamp that withholds its rays from a wicked person who seeks to walk in its light? It could do that only be ceasing to be a lamp. And observe how helplessly and indiscriminately a tree gives its shade to everyone, good and bad, young and old, high and low; to animals and humans and every living creature -- even to the one who seeks to cut it down. This is the first quality of compassion -- its indiscriminate character.' (Anthony DeMello, The Way to Love)... What makes the Kingdom come is heartfelt compassion: a way of tenderness that knows no frontiers, no labels, no compartmentalizing, and no sectarian divisions.

THE GREAT HUMANITY The great humanity is the deck-passenger on the ship third class on the train on foot on the causeway the great humanity. The great humanity goes to work at eight marries at twenty dies at forty the great humanity. Bread is enough for all except the great humanity rice the same sugar the same cloth the same books the same are enough for all except the great humanity. The great humanity has no shade on his soil no lamp on his road no glass on his window but the great humanity has hope you can't live without hope.

Anyone who does not acknowledge the darkness in his nature will succumb to it...the lamp of conviction needs to be shaded by doubt, or it burns with a blinding light.

They felt the wings on their fingers and elbows flying, then, suddenly plunged in new sweeps of air, the clear autumn river flung them headlong where they must go. Up steps, three, six, nine, twelve! Slap! Their palms hit the library door. Jim and Will grinned at each other. It was all so good, these blowing quiet October nights and the library waiting inside now with its green-shaded lamps and papyrus dust.

The second prong in my revised Trinity is IKEA, the Swedish home store monolith. If you're unfamiliar, they carry every single thing you could possibly ever need to fill your home and garden at low, low prices, but in obscure Swedish sizes so those items won't coordinate with anything else you own, like, say, if you want to put a regular Target lamp shade on your IKEA lamp. Fletch thinks it's Sweden's master plan to make Americans so busy trying to construct furniture with Allen wrenches that we don't notice they've invaded us. (Personally, I think it's payback; the Swedes are pissed that we aren't buying ABBA albums anymore.)

Done with the whole dark & the insect dirge under blue lit lamps. Done trying to remember June, first stars & August when I was Penelope when I was Eurydice when July was missing & I was my own dull shade.

The book and I secret ourselves Behind the paneled door. We merge our thoughts in retrospect Of ancient mystic lore. We spend a pleasant quiet hour, Nor know it passed us by... The easy chair, the shaded lamp, A well-loved book and I.

To the birds, I assume it must’ve been very much like accepting a ride from a stranger, only to get in the back of the van to find several murdered hikers who were being made into lamp shades. My

The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head. The world was fair, the mountains tall, In Elder Days before the fall Of mighty kings in Nargothrond And Gondolin, who now beyond The Western Seas have passed away: The world was fair in Durin's Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote; There forged was blade, and bound was hilt; The delver mined, the mason built. There beryl, pearl, and opal pale, And metal wrought like fishes' mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin's folk; Beneath the mountains music woke: The harpers harped, the minstrels sang, And at the gates the trumpets rang. The world is grey, the mountains old, The forge's fire is ashen-cold; No harp is wrung, no hammer falls: The darkness dwells in Durin's halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep. -The Song of Durin

The skins of concentration camp prisoners, especially executed for this ghoulish purpose, had merely decorative value. They made, it was found, excellent lamp shades, several of which were expressly fitted up for Frau Ilse Koch, the wife of the commandant of Buchenwald and nicknamed by the inmates the “Bitch of Buchenwald.”*

Christian, you are the state lottery, the cure for cancer, and the three wishes from Aladdin’s lamp all rolled into one.

The Words, Kaladin. That was Syl’s voice. You have to speak the Words! I FORBID THIS. YOUR WILL MATTERS NOT! Syl shouted. YOU CANNOT HOLD ME BACK IF HE SPEAKS THE WORDS! THE WORDS, KALADIN! SAY THEM! “I will protect even those I hate,” Kaladin whispered through bloody lips. “So long as it is right.” A Shardblade appeared in Moash’s hands. A distant rumbling. Thunder. THE WORDS ARE ACCEPTED, the Stormfather said reluctantly. “Kaladin!” Syl’s voice. “Stretch forth thy hand!” She zipped around him, suddenly visible as a ribbon of light. “I can’t…” Kaladin said, drained. “Stretch forth thy hand!” He reached out a trembling hand. Moash hesitated. Wind blew in the opening in the wall, and Syl’s ribbon of light became mist, a form she often took. Silver mist, which grew larger, coalesced before Kaladin, extending into his hand. Glowing, brilliant, a Shardblade emerged from the mist, vivid blue light shining from swirling patterns along its length. Kaladin gasped a deep breath as if coming fully awake for the first time. The entire hallway went black as the Stormlight in every lamp down the length of the hall winked out. For a moment, they stood in darkness. Then Kaladin exploded with Light. It erupted from his body, making him shine like a blazing white sun in the darkness. Moash backed away, face pale in the white brilliance, throwing up a hand to shade his eyes. Pain evaporated like mist on a hot day. Kaladin’s grip firmed upon the glowing Shardblade, a weapon beside which those of Graves and Moash looked dull. One after another, shutters burst open up and down the hallway, wind screaming into the corridor. Behind Kaladin, frost crystalized on the ground, growing backward away from him. A glyph formed in the frost, almost in the shape of wings. Graves screamed, falling in his haste to get away. Moash backed up, staring at Kaladin. “The Knights Radiant,” Kaladin said softly, “have returned.

I stopped reading and stared round the room. There were the new curtains, the new shades on all the lamps, the deep new pile of the Indian carpet beneath my feet, the new loose cover of the chair that I was sitting in, the slightly different appearance of the wallpaper by the electric switch, the gleam of the new paint. I had not noticed any of them.

white comforter. It was midafternoon, and the curtains were drawn, but a lamp in the corner had been left on, a towel draped over the shade to mute it, and the

On this material plane, each living being is like a street lantern lamp with a dirty lampshade. The inside flame burns evenly and is of the same quality as all the rest—hence all of us are equal in the absolute sense, the essence, in the quality of our energy. However, some of the lamps are “turned down” and having less light in them, burn fainter, (the beings have a less defined individuality, are less in tune with the universal All which is the same as the Will)—hence all of us are unequal in a relative sense, some of us being more aware (human beings), and others being less aware (animal beings), with small wills and small flames. The lampshades of all are stained with the clutter of the material reality or the physical world. As a result, it is difficult for the light of each lamp to shine through to the outside and it is also difficult to see what is on the other side of the lampshade that represents the external world (a great thick muddy ocean of fog), and hence to “feel” a connection with the other lantern lamps (other beings). The lampshade is the physical body immersed in the ocean of the material world, and the limiting host of senses that it comes with. The dirt of the lampshade results from the cluttering bulk of life experience accumulated without a specific goal or purpose. The dirtier the lampshade, the less connection each soul has to the rest of the universe—and this includes its sense of connection to other beings, its sense of dual presence in the material world and the metaphysical world, and the thin connection line to the wick of fuel or the flow of electricity that resides beyond the material plane and is the universal energy. To remain “lit” each lantern lamp must tap into the universal Source of energy. If the link is weak, depression and-or illness sets in. If the link is strong, life persists. This metaphor to me best illustrates the universe.

Wathever you are physically male or female, strong or weak, ill or healthy all those things matter less than what your heart contains. If you have the soul of a warrior, you are a warrior. Whatever the color, the shape, the design of the shade that conceals it, the flame inside the lamp remains the same. You are that flame.

Whatever you are physically, male or female, strong or weak, ill or healthy, all those things matter less than what your heart contains. If you have the soul of a warrior, you are a warrior. Whatever the color, the shape, the design of the shade that conceals it, the flame inside the lamp remains the same. You are that flame.

Home is behind, the world ahead, And there are many paths to tread Through shadows to the edge of night, Until the stars are all alight. Then world behind and home ahead, We’ll wander back to home and bed. Mist and twilight, cloud and shade, Away shall fade! Away shall fade! Fire and lamp, and meat and bread, And then to bed! And then to bed!

Whatever you are physically, male or female, strong or weak, ill or healthy - all those things matter less than what your heart contains. If you have the soul of a warrior, you are a warrior. Whatever the color, the shape, the design of the shade that conceals it, the flame inside the lamp remains the same. YOU are the flame. That's what I believe.

ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky I was thinking of so many things he didnt know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharons and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the posadas glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and the pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.

She especially liked my bedside lamp, which had a five-sided porcelain shade. Unlit, the shade seemed like bumpy ivory. Lit, each panel came to life with the image of a bird: a blue jay, a cardinal, wrens, an oriole, and a dove. Kathleen turned it off and on again, several times. "How does it do that?" "The panels are called lithophanes." I knew because I'd asked my father about the lamp, years ago. "The porcelain is carved and painted. You can see it if you look inside the shade." "No," she said. "It's magic. I don't want to know how it's done.

The skins of concentration camp prisoners, especially executed for this ghoulish purpose, had merely decorative value. They made, it was found, excellent lamp shades, several of which were expressly fitted up for Frau Ilse Koch, the wife of the commandant of Buchenwald and nicknamed by the inmates the “Bitch of Buchenwald.

Whatever you are physically, male or female, strong or weak, ill or healthy - all those things matter less than what your heart contains. If you have the soul of a warrior, you are a warrior. Whatever the color, the shape, the design of the shade that conceals it, the flame inside the lamp remains the same. You are that flame.

thought is pleasing. Her room is small, neat, and girlish: all whites, creams, and baby blues, and bathed in the soft glow of her bedside lamp. It’s also a little empty, but I spy

Charlotte had been beaten over the head with a lamp by an invisible man. I was prepared to give her a pass.

a damage deposit that’s fucking outrageous unless the cookware is All-Clad, the china Limoges, and the lamps come with Tiffany shades.

Soon the room had that desolate look that comes from the chaos of packing up to go away and, worse, from removing the shade from the lamp. Never, never take the shade off a lamp. A lampshade is something sacred. Scuttle away like a rat from danger and into the unknown. Read or doze beside your lampshade; let the storm howl outside and wait until they come for you.

…All prisoners with tattooing on them were ordered to report to the dispensary… After the prisoners had been examined the ones with the best and most artistic specimens were killed by injections. The corpses were then turned over to the pathological department where the desired pieces of tattooed skin were detached from the bodies and treated further. The finished products were turned over to Koch’s wife, who had them fashioned into lamp shades, and other ornamental household articles.

THE OFFICE FELT SUMPTUOUS EVEN IN NEAR DARKNESS. It reminded me of certain photographs by Edward Steichen: velvet shadows deepening into moody gloom, here and there a form suggested by a reflection of light on a radius of polished wood, the mysterious gleam of Tiffany glass in the pendant shade of a lamp not lit, the room implied rather than revealed, yet known as well as if it had been enraptured by sunshine instead of barely kissed by the ghost light of the haunted city beyond the windows.

The idea of self-denial for the sake of posterity, of practicing present economy for the sake of debtors yet unborn, of planting forests that our descendants may live under their shade … never I suppose, efficiently takes place among publicly recognized motives of exertion. Yet these are not the less our duties; nor is our part fitly sustained upon the earth, unless the range of our intended and deliberate usefulness include, not only the companions but the successors of our pilgrimage. God has lent us the earth for our life; it is a great entail. It belongs as much to those who are to come after us … as to us; we have no right, by anything that we do or neglect, to involve them in unnecessary penalties, or deprive them of benefits which it was in our power to bequeath.

A German inmate, Andreas Pfaffenberger, deposed at Nuremberg on this. …All prisoners with tattooing on them were ordered to report to the dispensary… After the prisoners had been examined the ones with the best and most artistic specimens were killed by injections. The corpses were then turned over to the pathological department where the desired pieces of tattooed skin were detached from the bodies and treated further. The finished products were turned over to Koch’s wife, who had them fashioned into lamp shades, and other ornamental household articles.78

Bearded Oaks" The oaks, how subtle and marine, Bearded, and all the layered light Above them swims; and thus the scene, Recessed, awaits the positive night. So, waiting, we in the grass now lie Beneath the languorous tread of light: The grassed, kelp-like, satisfy The nameless motions of the air. Upon the floor of light, and time, Unmurmuring, of polyp made, We rest; we are, as light withdraws, Twin atolls on a shelf of shade. Ages to our construction went, Dim architecture, hour by hour: And violence, forgot now, lent The present stillness all its power. The storm of noon above us rolled, Of light the fury, furious gold, The long drag troubling us, the depth: Dark is unrocking, unrippling, still. Passion and slaughter, ruth, decay descend, minutely whispering down, Silted down swaying streams, to lay Foundation for our voicelessness. All our debate is voiceless here, As all our rage, the rage of stone; If hope is hopeless, then fearless is fear, And history is thus undone. Our feet once wrought the hollow street With echo when the lamps were dead All windows, once our headlight glare Disturbed the doe that, leaping fled. I do not love you less that now The caged heart makes iron stroke, Or less that all that light once gave The graduate dark should now revoke. We live in time so little time And we learn all so painfully, That we may spare this hour's term To practice for eternity.

Whatever you are physically, male or female, strong or weak, ill or healthy - all those things matter less than what your heart contains. If you have the soul of a warrior, you are a warrior. Whatever the color, the shape, the design of the shade that conceals it, the flame inside the lamp remains the same. You are the flame.

The cluck of their oars was the only sound of any distinctness upon the sea, and as they laboured amid the thickening shades the lamp-lights grew larger, each appearing to send a flaming sword deep down into the waves before it, until there arose, among other dim shapes of the kind, the form of the vessel for which they were bound.

Whatever you are physically, he said, male of female, strong or weak, ill or healthy- all those things matter less than what your heart contains. If you have the soul of a warrior, you are a warrior. Whatever the color,the shape, the design of the shade that conceals it, the flame inside the lamp remains the same. You are that flame.

Whatever you are physically,” he said, “male or female, strong or weak, ill or healthy—all those things matter less than what your heart contains. If you have the soul of a warrior, you are a warrior. Whatever the color, the shape, the design of the shade that conceals it, the flame inside the lamp remains the same. You are that flame.” He

Whatever you are physically; male or female, strong or weak, ill or healthy-all those things matter less than what your heart contains. If you have a soul of a warrior, you are a warrior. Whatever the colour, the shape, the design of the shade that conceals it, the flame inside the lamp remains the same. You are that flame. That's what I believe.

Lord,You light my lamp; my God illuminates my darkness. I knew dark. Dayl was the deary sky outside the windows of this room. It was the shade of the cloud that followed me every minute of the day. It was the voice that whispered that I was never going to get this song right. Never going to close up the canyon in my soul where a brother used to be.

She parked herself on one of the destroyed humps of rubble in the dead centre. The lamps made lacklustre any real light. They explosively birthed malform shadow all around. The shades of the Ninth were deep and shifty; they were bruise-coloured and cold. In these surrounds, Gideon rewarded herself with a little plastic bag of porridge. It tasted gorgeously grey and horrible.

But soon the poltergeist ran out of ideas in connection with Aunt Maud and became, as it were, more eclectic. All the banal motions that objects are limited to in such cases, were gone through in this one. Saucepans crashed in the kitchen; a snowball was found (perhaps, prematurely) in the icebox; once or twice Sybil saw a plate sail by like a discus and land safely on the sofa; lamps kept lighting up in various parts of the house; chairs waddled away to assemble in the impassable pantry; mysterious bits of string were found on the floor; invisible revelers staggered down the staircase in the middle of the night; and one winter morning Shade, upon rising and taking a look at the weather, saw that the little table from his study upon which he kept Bible-like Webster open at M was standing in a state of shock outdoors, on the snow (subliminally this may have participated in the making of lines 5-12). I imagine, that during the period the Shades, or at least John Shade, experienced a sensation of odd instability as if parts of the everyday, smoothly running world had got unscrewed, and you became aware that one of your tires was rolling beside you, or that your steering wheel had come off.

Is it possible for the rose to say, "I will give my fragrance to the good people who smell me, but I will withhold it from the bad"? Or is it possible for the lamp to say, "I will give my light to the good people in this room, but I will withhold it from the evil people"? Or can a tree say, "I'll give my shade to the good people who rest under me, but I will withhold it from the bad"? These are images of what love is about.

Why did the lamp go out? I shaded it with my cloak to save it from the wind, that is why the lamp went out. Why did the flower fade? I pressed it to my heart with anxious love, that is why the flower faded. Why did the stream dry up? I put a dam across it to have it for my use, that is why the stream dried up. Why did the harp-string break? I tried to force a note that was beyond its power, that is why the harp-string is broken.

Curious?” This second man was tall as a lamp post. His pale face, lunar pockmarks denting it, cast light on those who stood below. His vest was the color of fresh blood. His eyebrows, his hair, his suit were licorice black, and the sun-yellow gem which stared from the tie pin thrust in his cravat was the same unblinking shade and bright crystal as his eyes. But in this instant, swiftly, and with utter clearness, it was the suit which fascinated Will. For it seemed woven of boar-bramble, clock-spring hair, bristle, and a sort of ever-trembling, ever-glistening dark hemp. The suit caught light and stirred like a bed of black tweed-thorns, interminably itching, covering the man’s long body with motion so it seemed he should excruciate, cry out, and tear the clothes free. Yet here he stood, moon-calm, inhabiting his itch-weed suit and watching Jim’s mouth with his yellow eyes. He never looked once at Will. “The name is Dark.

A dingy emblem on the door depicted a little boy peeing into a pot. The rest of the bar was equally drab and tasteless. Dim bulbs behind red-tasseled lamp shades barely illuminated each of a dozen maroon vinyl booths, which marched along one wall toward the murky front windows. Chipped Formica tables anchored the booths in place. Opposite the row of booths was a long, scarred wooden bar with uncomfortable-looking stools. Behind the bar, sitting on glass shelves in front of a cloudy mirror, were endless rows of bottles, each looking as forlorn as the folks for whom they waited. He caught the strong odors of liquor and tobacco smoke, and the weaker scents of cleaning chemicals and vomit. In one of the booths , two heads bobbed with the movement of mug-clenching fists. A scrawny bartender with droopy eyelids picked his teeth with a swizzle stick and chatted quietly with a woman seated at the bar. Otherwise the bar was empty.

The moon made its twinkling pathway on the sea. A dark shade broke it, the little island of Dionysos; I saw the sanctuary roof with its Cretan horns, and one small lighted window. They had left her with a lamp, I thought, lest waking in a strange place she should be afraid. When midnight had passed, and we put out into the strait under the sinking Pleiads, I saw it was still burning. It shone steadfastly until the sea-line hid it, keeping faith with her sleep while I fled away.

tell me off or worse—beat me? What can I say? I stare momentarily out of the window. The car is heading back across the bridge. We are both shrouded in darkness, masking our thoughts and feelings, but we don’t need the night for that. “Why, Anastasia?” Christian presses me for an answer. I shrug, trapped. I don’t want to lose him. In spite of all his demands, his need to control, his scary vices, I have never felt as alive as I do now. It’s a thrill to be sitting here beside him. He’s so unpredictable, sexy, smart, and funny. But his moods…oh—and he wants to hurt me. He says he’ll think about my reservations, but it still scares me. I close my eyes. What can I say? Deep down I would just like more, more affection, more playful Christian, more…love. He squeezes my hand. “Talk to me, Anastasia. I don’t want to lose you. This last week…” We’re coming near to the end of the bridge, and the road is once more bathed in the neon light of the street lamps so his face is intermittently in the light and the dark. And it’s such a

On the slope of the desolate river among tall grasses I asked her, `Maiden, where do you go shading your lamp with your mantle? My house is all dark and lonesome---lend me your light!' she raised her dark eyes for a moment and looked at my face through the dusk. `I have come to the river,' she said, `to float my lamp on the stream when the daylight wanes in the west.' I stood alone among tall grasses and watched the timid flame of her lamp uselessly drifting in the tide. In the silence of gathering night I asked her, `Maiden, your lights are all lit---then where do you go with your lamp? My house is all dark and lonesome---lend me your light.' She raised her dark eyes on my face and stood for a moment doubtful. `I have come,' she said at last, `to dedicate my lamp to the sky.' I stood and watched her light uselessly burning in the void. In the moonless gloom of midnight I ask her, `Maiden, what is your quest, holding the lamp near your heart? My house is all dark and lonesome---lend me your light.' She stopped for a minute and thought and gazed at my face in the dark. `I have brought my light,' she said, `to join the carnival of lamps.' I stood and watched her little lamp uselessly lost among lights.

His features, shaping into something resembling dumbfounded astonishment, were cast in a warm glow from a shaded nearby lamp. He looked earnestly surprised and a little boyish. Smash, smash, smash. His mesmerizing eyes narrowed as they looked over my now completely covered form, the only skin showing was that of my face and hands. If I’d been thinking clearly and sober I might have felt ridiculous; instead, as I was most definitely not thinking clearly and was most definitely not sober, I was cursing myself for leaving my gloves in Chicago and I was looking for my glasses. He shifted on his feet, stuffed his hands in his pockets, and studied me with open and growing amusement; “Are you going somewhere?

The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head. The world was fair, the mountains tall, In Elder Days before the fall Of mighty kings in Nargothrond And Gondolin, who now beyond The Western Seas have passed away: The world was fair in Durin’s Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote; There forged was blade, and bound was hilt; The delver mined, the mason built. There beryl, pearl, and opal pale, And metal wrought like fishes’ mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin’s folk; Beneath the mountains music woke: The harpers harped, the minstrels sang, And at the gates the trumpets rang. The world is grey, the mountains old, The forge’s fire is ashen-cold; No harp is wrung, no hammer falls: The darkness dwells in Durin’s halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep.

Scrubby evergreen bushes released a strong scent of resin and honey; forests of pine gave way to gentle south-facing vineyards disturbed only by the ululation of early summer cicadas. Sitting up tall on the seat, she craned around eagerly to see what plants thrived naturally. It was a wild and romantic place, Laurent de Fayols had written, the whole island once bought as a wedding gift to his wife by a man who had made his fortune in the silver mines of Mexico. One of three small specks in the Mediterranean known as the Golden Isles, after the oranges, lemons, and grapefruit that glowed like lamps in their citrus groves. There were few reference works in English that offered information beyond superficial facts about the island, and those she had managed to find were old. The best had been published in 1880, by a journalist called Adolphe Smith. Ellie had been struck by the loveliness of his "description of the most Southern Point of the French Riviera": 'The island is divided into seven ranges of small hills, and in the numerous valleys thus created are walks sheltered from every wind, where the umbrella pines throw their deep shade over the path and mingle their balsamic odor with the scent of the thyme, myrtle and the tamarisk.

It was odd that I hadn’t really noticed till now what a beautiful evening it was. The street lamps glowed like ripe oranges among the bare boughs. Below in the wet street their globes glimmered down and down, to drown in their own reflections. He hangs in shades the orange bright, like golden lamps … and on the pavements there were piles of oranges, too, real ones, spilled there in prodigal piles with aubergines and green and scarlet peppers. The open door of a wine-shop glittered like Aladdin’s cave with bottles from floor to roof, shelf on shelf of ruby and amber and purple, the rich heart of a hundred sun-drenched harvests. From a brightly-lit workmen’s café nearby came music, the sound of voices loud in argument, and the smell of new bread. The last lamp drowned its golden moon in the road ahead. The last house vanished and we were running between hedgeless fields. To the right a pale sky still showed clear under the western rim of the rain-clouds, and against it the bare trees that staked the road stood out black and sheer. The leaves of an ilex cut the half-light like knives. A willow streamed in the wind like a woman’s hair. The road lifted itself ahead, mackerel-silver under its bending poplars. The blue hour, the lovely hour … Then the hills were round us, and it was dark.

In the Naked Bed, in Plato’s Cave In the naked bed, in Plato’s cave, Reflected headlights slowly slid the wall, Carpenters hammered under the shaded window, Wind troubled the window curtains all night long, A fleet of trucks strained uphill, grinding, Their freights covered, as usual. The ceiling lightened again, the slanting diagram Slid slowly forth. Hearing the milkman’s chop, His striving up the stair, the bottle’s chink, I rose from bed, lit a cigarette, And walked to the window. The stony street Displayed the stillness in which buildings stand, The street-lamp’s vigil and the horse’s patience. The winter sky’s pure capital Turned me back to bed with exhausted eyes. Strangeness grew in the motionless air. The loose Film grayed. Shaking wagons, hooves’ waterfalls, Sounded far off, increasing, louder and nearer. A car coughed, starting. Morning, softly Melting the air, lifted the half-covered chair From underseas, kindled the looking-glass, Distinguished the dresser and the white wall. The bird called tentatively, whistled, called, Bubbled and whistled, so! Perplexed, still wet With sleep, affectionate, hungry and cold. So, so, O son of man, the ignorant night, the travail Of early morning, the mystery of beginning Again and again, while History is unforgiven.

I struck a match to find the keyhole, but my eyes, involuntarily, caught sight of the black-clad figure, and I recognized the two oblique eyes—two large, black eyes amid a silvery thin face—the same eyes that stared at a man's face without actually seeing. Even if I had not seen her before, I would have recognized her. No. I was not mistaken. This black-clad figure was she. Astounded and bewildered, I stood petrified in my place. I felt like someone who is dreaming, and who knows that he is asleep, but who cannot wake up when he wants to. The match, having burnt itself and my fingers, brought me to reality. I turned the key, opened the door, and drew myself aside. Like someone familiar with the way, she got off the platform and crossed the dark corridor. She opened the door of my room and entered. I followed her in. I lit the lamp quickly and saw that she had already retired to my bed and was lying on it. Her face was in the shade. I did not know whether she could see me or hear me. Her outward appearance showed no trace of either fear, or of a desire to resist me. It seemed as though she had involuntarily come to my house. Was she sick? Had she lost her way? She had come here like a sleepwalker, quite unconsciously. The mental state I experienced at this moment is beyond the imagination of any living being. I felt a kind of pleasant, yet indescribable, pain. No. I was not mistaken. That lady, and this girl, who unceremoniously and without uttering a word had entered my room were the same person. I had always imagined our first meeting to happen like this. For me, this state was like an endless, deep sleep; one has to be in a very deep sleep to have such a dream. The silence that weighed on me was like an eternal life. It is hard to speak at the beginning, or at the end of eternity.

The Addams dwelling at 25 West Fifty-fourth Street was directly behind the Museum of Modern Art, at the top of the building. It was reached by an ancient elevator, which rumbled up to the twelfth floor. From there, one climbed through a red-painted stairwell where a real mounted crossbow hovered. The Addams door was marked by a "big black number 13," and a knocker in the shape of a vampire. ...Inside, one entered a little kingdom that fulfilled every fantasy one might have entertained about its inhabitant. On a pedestal in the corner of the bookcase stood a rare "Maximilian" suit of armor, which Addams had bought at a good price ("a bargain at $700")... It was joined by a half-suit, a North Italian Morion of "Spanish" form, circa 1570-80, and a collection of warrior helmets, perched on long stalks like decapitated heads... There were enough arms and armaments to defend the Addams fortress against the most persistent invader: wheel-lock guns; an Italian prod; two maces; three swords. Above a sofa bed, a spectacular array of medieval crossbows rose like birds in flight. "Don't worry, they've only fallen down once," Addams once told an overnight guest. ... Everywhere one looked in the apartment, something caught the eye. A rare papier-mache and polychrome anatomical study figure, nineteenth century, with removable organs and body parts captioned in French, protected by a glass bell. ("It's not exactly another human heart beating in the house, but it's close enough." said Addams.) A set of engraved aquatint plates from an antique book on armor. A lamp in the shape of a miniature suit of armor, topped by a black shade. There were various snakes; biopsy scissors ("It reaches inside, and nips a little piece of flesh," explained Addams); and a shiny human thighbone - a Christmas present from one wife. There was a sewing basket fashioned from an armadillo, a gift from another. In front of the couch stood a most unusual coffee table - "a drying out table," the man at the wonderfully named antiques shop, the Gettysburg Sutler, had called it. ("What was dried on it?" a reporter had asked. "Bodies," said Addams.)...

The man who best drew the contrast between Kiev and Ukraine was the novelist Mikhail Bulgakov. Son of a theology professor, he was brought up in a small house on Andriyivsky Uzviz, the steep cobbled lane that winds down from the High City to Podil. His Kiev, immortalised in The White Guard, is the middle-class city of the years just before the revolution – the Kiev of the La Marquise confectioner’s and the Fleurs de Nice flower shop, of chiming clocks and Dutch-tiled stoves, of sugar tongs and the green-shaded lamp in his father’s study. Writing from the inflation-wracked Moscow of the early 1920s, Bulgakov turned these vanished comforts into something rich and strange:

Miss Trent opened the Bow Street Society’s office door but didn’t enter; she knew she’d locked it. Slowly she looked over the darkened room until she could make out two silhouettes; one behind the desk, the other to its left. She stared at the latter as she moved forward and closed the door. “There is a lamp, you know,” she remarked casually. Lifting the glass shade from the kerosene lamp on her desk, she turned on the gas slightly and ignited it with a match. As she carefully increased the lamp’s gas, the faces of Mr Locke and Mr Snyder emerged from the darkness.

So, after a cash injection from her mega-wealthy dad, Sam made the move down from Chelsea to Mulberry-On-Sea and now reigns supreme over her gorgeous café. It has a honey-hued interior and reclaimed train seats upholstered in crimson velvet, sectioned into booths, so you feel as though you're actually in a real vintage steam train, complete with golden glow lighting from frilly-shaded table lamps. It's very nostalgic in an Orient Express kind of way. And the food is to die for- salted caramel cupcakes, rainbow salads, delicious artisan breads and the most fabulous afternoon cream teas you can possibly imagine. Homemade scones piled high with strawberry jam and gooey clotted cream, surrounded by delicate finger sandwiches crammed with every filling imaginable.

He rose and standing in the dark he began to chant in a deep voice, while the echoes ran away into the roof. The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head. The world was fair, the mountains tall, In Elder Days before the fall Of mighty kings in Nargothrond And Gondolin, who now beyond The Western Seas have passed away: The world was fair in Durin’s Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote; There forged was blade, and bound was hilt; The delver mined, the mason built. There beryl, pearl, and opal pale, And metal wrought like fishes’ mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin’s folk; Beneath the mountains music woke: The harpers harped, the minstrels sang, And at the gates the trumpets rang. The world is grey, the mountains old, The forge’s fire is ashen-cold; No harp is wrung, no hammer falls: The darkness dwells in Durin’s halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep. ‘I

I wasn’t a normal kid. My father used to say half-jokingly that there was a little concern over whether or not I was okay. Maybe it wasn’t a joke at all. The concern was about my personality, which seemed too eccentric. I don’t think “autistic” was a common term back then, but I later found out that they had taken me to a doctor to see if something was really wrong. It wasn’t that I was violent or temperamental. In fact, my mom said it was a blessing because I never gave her trouble. It was the opposite—they knew exactly how to sedate me, which was to sit me in front of something that held my interest and then just leave. I’d develop a deep relationship with that thing, whether it was Soul Train or a record on a turntable. But that led to a secondary worry, which was that I was falling inward into some kind of trance. Once, when I was very young, my dad installed a light with a rotating shade around a lightbulb, one of those lamps that works like a kind of carousel. He pressed the switch that caused the shade to turn and, according to him, I just disappeared inside myself. Five minutes passed, then ten, then fifteen, and I didn’t seem any less interested in the rotating lamp. Then my parents started noticing a broader pattern of me trying to spin stuff. I would take my sister’s bike and watch the wheel go around and around. I would take my father’s records and twirl them on my finger. They had a moment where they thought I might be interested in cars, because I was driving the records like a steering wheel. That was my whole entertainment for a while there, but to my parents, it was almost like a bad habit that they wanted me to drop. But I haven’t dropped it, not at all. To this day, my life revolves around circles. My drums are circles. Turntables are circles. My logo or autograph, which I developed over the years through doodling, is composed of six circles. My life revolves around that shape.

Proust wrote exclusively in bed, lying with his body almost completely horizontal and his head propped up by two pillows. To reach the exercise book resting on his lap, he had to lean awkwardly on one elbow, and his only working light was a weak, green-shaded bedside lamp. Thus any substantial period of work left his wrist cramped and his eyes exhausted. “After ten pages I am shattered,” he wrote. If he felt too tired to concentrate, Proust would take a caffeine tablet, and when he was finally ready to sleep, he would counteract the caffeine with Veronal, a barbital sedative. “You’re putting your foot on the brakes and the accelerator at the same time,” a friend warned him. Proust didn’t care-if anything, he seemed to need the work to be painful. He thought suffering had value, and that it was the root of great art. As he wrote in the final volume of Remembrance of Things Past, “it almost seems as though a writer’s works, like the water in an artesian well, mount to a height which is in proportion to the depth to which suffering has penetrated his heart.

The passion of these newly rich Americans for industrial merger yielded to an even more insistent passion for a merger of their newly acquired domains with more ancient ones; they wanted to veneer their arrivisme with the traditional. It would be gratifying to feel, as you drove up to your porte-cochère in Pittsburgh, that you were one with the jaded Renaissance Venetian who had just returned from a sitting for Titian; to feel, as you walked by the ranks of gleaming and authentic suits of armour in your mansion on Long Island – and passed the time of day with your private armourer – that it was only an accident of chronology that had put you in a counting house when you might have been jousting with other kings in the Tournament of Love; to push aside the heavy damask tablecloth on a magnificent Louis XIV dining-room table, making room for a green-shaded office lamp, beneath which you scanned the report of last month’s profit from the Saginaw branch, and then, looking up, catch a glimpse of Mrs Richard Brinsley Sheridan and flick the fantasy that presently you would be ordering your sedan chair, because the loveliest girl in London was expecting

The room is a hundred shades of white. The enormous desk is the color of sand dollar beer foam with a plush cotton eggshell chair behind it. To its side, a tall shaving cream topped Swiss coffee lamp with a mozzarella sour cream lampshade. Official certificates the color of chalky whitecaps in limestone glacier frames hang on the frosted beluga whale wall. The wall is covered with rice powder cloud bookcases, full of books the color of moonstone jasmine, opal daffodil, quartz daisy, and polar bear hibiscus. The books are being tended by a man with his back to me, dressed in a milky, baking soda suit in seagull bone shoes, riding a rolling ladder the color of marshmallow tofu glue.

The kung-an is the lamp-shade, while Zen is the lamp itself.

How did he show Lucas what he liked outside of murder? What did he like? Would Lucas still want him when he realized August was put together all wrong? In every way. “What about sex?” Archer spit his drink onto the table with a laugh, shaking his now wet hand. Noah glared at the man before giving August a patient look. “What about it?” “How do I get him to like the things I like…sexually?” “I’m shocked you’ve even had sex,” Adam said, sounding genuinely surprised and a little relieved. August frowned. “Why’s that?” “You’re creepy, bro. What person is going to have sex with you without wondering if you’re going to turn them into a lamp shade when it’s over?

A small percentage of the population can be easily hypnotized, and, when given posthypnotic suggestions, they end up doing things with no conscious awareness of why. G. H. Estabrooks notes that when this happens, the person “finds excuses for his actions and, strange to say, while these excuses may be utterly false, the subject tends to believe them.” He relates the following example: The operator hypnotizes a subject and tells him that when the cuckoo clock strikes he will walk up to Mr. White, put a lamp shade on his head, kneel on the floor in front of him and “cuckoo” three times. Mr. White was not the type on whom one played practical jokes, in fact, he was a morose, nonhumorous sort of individual who would fit very badly in such a picture. Yet, when the cuckoo clock struck, the subject carried out the suggestion to the letter. “What in the world are you doing?” he was asked. “Well, I’ll tell you. It sounds queer but it’s just a little experiment in psychology. I’ve been reading on the psychology of humor and I thought I’d see how you folks reacted to a joke that was in very bad taste. Please pardon me, Mr. White, no offense intended whatsoever,” and the subject sat down without the slightest realization of having acted under posthypnotic compulsion.2

After a while he got up shakily and lighted the lamp. He wandered around the room a little, touching things, the binding of a book, the shade of a lamp, glad to be back among these familiar objects, back in his own world—for at this instant the difference between this planet and that one, between Urras and Anarres, was no more significant to him than the difference between two grains of sand on the shore of the sea. There were no more abysses, no more walls. There was no more exile. He had seen the foundations of the universe, and they were solid.

Patting her hair, she tried to tame the flyaway strands, but they stayed a wild halo of blue. Inside the library, lit by lamps, her hair usually was a respectably staid shade of night-sky blue, but out here in the sunlight, it was an unruly sapphire.

The boy was twelve, reveling in the strange dust-smelling murk of a New Orleans library, watching motes flash gold in a beam of sun. He loved the ceiling lights on chains and the table lamps with their green glass shades. The room was as beautiful as another world.

STAY CLOSE, MY HEART Stay close, my heart, to the one who knows your ways; Come into the shade of the tree that allays has fresh flowers. Don't stroll idly through the bazaar of the perfume-markers: Stay in the shop of the sugar-seller. If you don't find true balance, anyone can deceive you; Anyone can trick out of a thing of straw, And make you take it for gold Don't squat with a bowl before every boiling pot; In each pot on the fire you find very different things. Not all sugarcanes have sugar, not all abysses a peak; Not all eyes possess vision, not every sea is full of pearls. O nightingale, with your voice of dark honey! Go on lamenting! Only your drunken ecstasy can pierce the rock's hard heart! Surrender yourself, and if you cannot be welcomes by the Friend, Know that you are rebelling inwardly like a thread That doesn't want to go through the needle's eye! The awakened heart is a lamp; protect it by the him of your robe! Hurry and get out of this wind, for the weather is bad. And when you've left this storm, you will come to a fountain; You'll find a Friend there who will always nourish your soul. And with your soul always green, you'll grow into a tall tree Flowering always with sweet light-fruit, whose growth is interior.

Aligning your body clock to the new environment requires a phase shift. It takes one day per time zone to shift. Advance or retard your body clock as many days before your trip as the number of time zones you’ll be crossing. Before traveling east, get into sunlight early in the day. Before traveling west, avoid sunlight early by keeping the curtains drawn, and instead expose yourself to bright light in the evening, to simulate what would be late afternoon sun in your destination. Once you’re on the plane, if you’re westbound, keep the overhead reading lamp on, even if it is your home bedtime. When you arrive in the western city, exercise lightly by taking a walk in the sun. That sunlight will delay the production of melatonin in your body. If you’re on an eastbound plane, wear eye shades to cover your eyes two hours or so before sunset in your destination city, to acclimate yourself to the new “dark” time.

To find peace and quiet in the crowded farmhouse, he got up morning after morning at four or five o’clock and tiptoed downstairs to read and do his homework by the light of the big what shaded kerosend lamp on the kitchen table.

And books all over the floor, some stacked in piles, some worn-looking, some brand-new, some splayed upside down, some sliding off the pink bedside table next to the lamp with the orange fabric shade.

Whatever you are physically," he said, "male or female, strong or weak, ill or healthy--all those things matter less than what your heart contains. If you have the soul of a warrior, you are a warrior. Whatever the color, the shape, the design of the shade that conceals it, the flame inside the lamp remains the same. You are that flame.

When I came to again—parched, pain rampaging through my intestines—I was in my bed. The little bedside lamp illuminated two anxious faces, my sister’s and Mrs. P.’s (the latter looking a shade guilty, I noted, no doubt realizing that it was effectively through her negligence that I had been forced to poison myself) [. . .] “I think he has eaten many kidney beans.” Mrs. P. shuddered. “Many kidney beans not cooked.” “Beans!” I cried again deliriously. “Oh for heaven’s sake,” Bel said. “Charles, listen carefully, did you soak the beans before you cooked them?” “Of course I didn’t soak them,” I said. “What are you talking about?

Shadow, shadow, on the wall, Who casts the longest shade of all? Is it death; or yet desire? Is it night, tamed by fire? Who’s the man who lights the lamp And calls the storm that brings the damp? Which the god who blocks the sun And fills the rivers in their run? Call the hammer, call the lightning…

Whatever you are physically," he said, "male or female, strong or weak, ill or healthy--all those things matter less than what your heart contains. If you have the soul of a warrior, you are a warrior. Whatever the color, the shape, the design of the shade that conceals it, the flame inside the lamp remains the same. You are that flame.

The aspiring writer comes home after a hard day’s work in the plastic shop. Maybe he has a few beers, or a cocktail, but soon he retires to his writing. There he discovers the aroma of burning lavender incense, and a soft red glow streaming from his reading lamp. The strings of a violin sing out softly, romantically. He notices his favorite notebook lying on his desk, submissively, with her blank naked pages spread open for him. He fondles his ballpoint pen and gawks at her 9.75 by 7.5-inch-wide ruled lines. He simply sits and stares at her awhile, lustfully, admiring the soft red lines that run down her legs to form margins. He smiles, feeling shy and perhaps a little apprehensive about this, what is for him, inevitable endeavor. He glances at his eager pen for a moment. It is a small pen. She reassures him that it is not the size of the pen that counts, but rather his prowess with it.        Not having any sort of plan in mind, all the more excited by the spontaneity of it, he sets to writing. He starts out softly, gently, and careful at first, forming each letter of each word with intimate precision. The inhibitions drop with each gentle stroke of his pen. Soon he is inside and one with the inviting quarter blank page. His pen is feverishly scratching against the warm paper. Madly he is marking the page. The blood in his head pounds, as he lets all his energy, all the everything inside him spill out onto the page. Faster and faster he writes with wild abandon, pushing it out onto her! “More” she moans. He grunts a primal grunt that rises up thick and full, from somewhere in the depths of his very soul, and he writes on! From under his pen she screams out in shades of purple passion ecstasy! “YES! OH GOOD GOD, YES! GIVE IT TO ME! YOU MAD MAD POET!” So he writes on, harder and faster, striving for climax. Until it seems at any moment, his pen might explode and spray thick creamy bubbling blue ink everywhere! He comes! To the end of the page. With the ink still wet and strangely sticky between her pages, he closes the notebook. Feeling drained, he lies his head against her soft cardboard cover and dozes off to dream the dreams that writers dream…           Rainbow

The wolf’s fur was speckled with drops of blood that had beaded on it like rain. The gravel in the alley shone in the half-light from the distant street lamps. The wolf’s muzzle, a little shorter and broader than I had seen on Wild Kingdom, was drawn back, black lips from fangs striped white and red like peppermints. Its eyes were blue, rather than any proper lupine shade, and gleamed with a sort of demented awareness.

The air was pure and still, and early sunshine sparkled on the heavy dew. In the valley sat cotton candy mist, and the distant hills stood softly, their edges blurred and colors muted by the moist air. Swallows and house martins swooped and dipped, hungry for their breakfasts, catching the first rise of insects of the day. The honeysuckle and roses had not yet warmed to release their scent, so the strongest smell was of wet grass and bracken. Laura smiled, breathing deeply, and walked lightly through the gate into the meadows. She hadn't the courage to head off onto the mountain on her own just yet but could not wait to explore the woods at the end of the fields. By the time she reached the first towering oaks, her feet were washed clean by the dew. She felt wonderfully refreshed and awake. As she wandered among the trees she had the sense of a place where time had stood still. Where man had left only a light footprint. Here were trees older than memory. Trees that had sheltered farmers and walkers for generations. Trees that had been meeting points for lovers and horse dealers. Trees that had provided fuel and food for families and for creatures of the forest with equal grace. As she walked deeper into the woods she noticed the quality of sound around her change. Gone were the open vistas and echoes of the meadows and their mountain backdrop. Here even the tiniest noises were close up, bouncing back off the trunks and branches, kept in by the dense foliage. The colors altered subtly, too. With the trees in full leaf the sunlight was filtered through bright green, giving a curious tinge to the woodland below. White wood anemones were not white at all, but the palest shade of Naples yellow. The silver lichens which grew in abundance bore a hint of olive. Even the miniature violets reflected a suggestion of viridian.

Upon the hearth the fire is red, Beneath the roof there is a bed; But not yet weary are our feet, Still round the corner we may meet A sudden tree or standing stone That none have seen but we alone. Tree and flower and leaf and grass, Let them pass! Let them pass! Hill and water under sky, Pass them by! Pass them by! Still round the corner there may wait A new road or a secret gate, And though we pass them by today, Tomorrow we may come this way And take the hidden paths that run Towards the Moon or to the Sun. Apple, thorn, and nut and sloe, Let them go! Let them go! Sand and stone and pool and dell, Fare you well! Fare you well! Home is behind, the world ahead, And there are many paths to tread Through shadows to the edge of night, Until the stars are all alight. Then world behind and home ahead, We’ll wander back to home and bed. Mist and twilight, cloud and shade, Away shall fade! Away shall fade! Fire and lamp, and meat and bread, And then to bed! And then to bed!

Reaching under the tasseled shade, she switched off the bedside lamp, tucked herself between the crisp, cool cotton sheets, and rolled to her side. Sadness faded, and it wasn’t long before a loving smile returned to her lips. Tonight, she conceded, she would allow herself to dream of love. Tomorrow… well, that was another day.

She threw up the rattling window and turned to light the lamp. Under the green shade the glow whitened and steadied itself. It illuminated the supper-table prepared for her, the shining plates, the cucumber and the radishes, and neat slices of cold veal and the glistening surface of the junket. Nameless and patient, these things had been waiting in the dark, waiting for her to come back and enjoy them. They met her eye with self-possession. They had been sure that she would be pleased to see them.

So how did you feel, when you were following the shadow? Pretty good, I said. I couldn't help but follow it. Mr. Yeo nodded as if to say yes, that's how it is. That's what's scary, you feel light somehow, carefree, if you surrender to the shadow's pulling at you, so you keep on following it, and that's when it strikes. People turn slow-witted when they're in that kind of daze, so it attacks when your wits are the slowest of all, he said, and gently set the probe down on the worktable. Wait and see, it'll start growing now. Growing bigger? That's right. And then what happens? It becomes more dense. Gravity, or something. Oh. Don't worry too much. They say you can survive as long as you keep your eyes peeled, even if you're captured by a fox. Isn't it a tiger? What do you mean, a tiger? The saying is that you can survive as long as you keep your eyes peeled, even if you're captured by a tiger. A tiger, a fox, it's all the same, Mr. Yeo said, pushing a lamp with a tin hemisphere shade right up against the board. What I'm saying is, you need to keep your eyes peeled when what's in front of you has teeth.

Lighting fixtures made of rustic scone of high quality. A perfect addition to any kitchen, dining room, bedroom, foyer, café, bar, or club.It is a metal shade; the lamp is a metal fixture; it is a corded electric lamp with a base of E27, 220V, 60 watts maximum - the bulbs are not included. Space requirement: 10 to 15 square meters

Whatever you are physically , male or female , strong or weak, I'll or healthy- all those things matter less than what your heart contains. If you have the soul of a warrior, you are a warrior. Whatever the colour, the shape, the design of the shade that conceals it, the flame inside the lamp remains the same. You are the flame

Jem seemed to look through her then, as if he were seeing something beyond her, beyond the corridor, beyond the Institute itself. “Whatever you are physically,” he said, “male or female, strong or weak, ill or healthy—all those things matter less than what your heart contains. If you have the soul of a warrior, you are a warrior. Whatever the color, the shape, the design of the shade that conceals it, the flame inside the lamp remains the same. You are that flame.” He smiled then, seeming to have come back to himself, slightly embarrassed. “That’s what I believe.

Anything else? Little lamps maybe? I could make adorable little fire-pokers if they have chimneys. Perhaps a post box?" Cat was giggling now, rocking back and forth on the log."We can't have the wee animals' mail getting lost.

When people go, the things they leave behind can feel haunted. A father can take your left ventricle and a husband can take your frontal lobe, leaving behind a tea kettle, a lamp shade from Bed Bath & Beyond. A wooden spoon can hold the existential weight of a family Bible while you turn into a shell.

the man in the yellow mask. That one sounded educated. All the lamps were on in the living room, and the shades weren’t drawn. Wakeful neighbors might have wondered what was going on in the old writer’s house . . . if he

lampshade, (lamp) shade, abat-jour без абажура unshaded

Whatever you are physically,” he said, “male or female, strong or weak, ill or healthy—all those things matter less than what your heart contains. If you have the soul of a warrior, you are a warrior. Whatever the color, the shape, the design of the shade that conceals it, the flame inside the lamp remains the same. You are that flame.” He smiled then, seeming to have come back to himself, slightly embarrassed. “That’s what I believe.

They had cleared out all of the stuff that had been up there and in its place were things they had clearly gathered for her. A twin mattress took up most of the space with a pink blanket and pillow piled carefully on top. There was a pile of neatly folded clothes, a purple hairbrush and a little cup with a toothbrush in it off to one side. On the other side of the mattress a small lamp with a pink shade sat waiting for her. There was even a teddy bear sitting on top of the pillow. All of the objects had clearly been gathered a little haphazardly and leaned towards the stereotypes of what a girl would like. She loved every bit of it.

At first, the chicks will need about half a square foot per bird. Inside this area, you’ll want to hang a brooder lamp with a 250-watt bulb that will provide heat and light for the chicks. The bulb should have a shade or shield to create an umbrella of warmth that the birds can get under. They will tend to clump together under this light. If the chicks appear to be spreading out from the light, it is too hot, in which case you can raise it a little. You can stop drafts by placing a circle of cardboard 12 inches (30.4 centimeters) high around the birds, but make certain they have enough room to get out of the heat if they so desire. Some people use a plastic kiddie pool for this.

Only a rose-shaded lamp shed its glow on the figure in the armchair.