Lamp Lightning Quotes

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As a lamp, a cataract, a star in space an illusion, a dewdrop, a bubble a dream, a cloud, a flash of lightning view all created things like this.
Red Pine (The Diamond Sutra)
The New Colossus Not like the brazen giant of Greek fame, With conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand A mighty woman with a torch, whose flame Is the imprisoned lightning, and her name Mother of Exiles. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame. Keep ancient lands, your storied pomp!" cries she with silent lips. "Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!
Emma Lazarus
This is how to contemplate our conditioned existence in this fleeting world: Like a tiny drop of dew, or a bubble floating in a stream; Like a flash of lightning in a summer cloud, Or a flickering lamp, an illusion, a phantom, or a dream. So is all conditioned existence to be seen.
Gautama Buddha
At that time, I well remember whatever could excite - certain accidents of the weather, for instance, were almost dreaded by me, because they woke the being I was always lulling, and stirred up a craving cry I could not satisfy. One night a thunder-storm broke; a sort of hurricane shook us in our beds: the Catholics rose in panic and prayed to their saints. As for me, the tempest took hold of me with tyranny: I was roughly roused and obliged to live. I got up and dressed myself, and creeping outside the basement close by my bed, sat on its ledge, with my feet on the roof of a lower adjoining building. It was wet, it was wild, it was pitch dark. Within the dormitory they gathered round the night-lamp in consternation, praying loud. I could not go in: too resistless was the delight of staying with the wild hour, black and full of thunder, pealing out such an ode as language never delivered to man - too terribly glorious, the spectacle of clouds, split and pierced by white and blinding bolts.
Charlotte Brontë
But you do believe, don’t you," Rose implored him, "you think it’s true?" "Of course it’s true," the Boy said. "What else could there be?" he went scornfully on. "Why," he said, "it’s the only thing that fits. These atheists, they don’t know nothing. Of course there’s Hell. Flames and damnation," he said with his eyes on the dark shifting water and the lightning and the lamps going out above the black struts of the Palace Pier, "torments." "And Heaven too," Rose said with anxiety, while the rain fell interminably on. "Oh, maybe," the Boy said, "maybe.
Graham Greene (Brighton Rock)
understanding the nature of things just as they are. Why? Because: So you should view all of the fleeting worlds: A star at dawn, a bubble in the stream; A flash of lightning in a summer cloud; A flickering lamp, a phantom, and a dream.
Mu Soeng (The Diamond Sutra: Transforming the Way We Perceive the World)
Fear drove many on deck that were used to avoiding the night winds and the spray. Some thought the vessel could not live through the night, and it seemed less dreadful to stand out in the midst of the wild tempest and see the peril that threatened than to be shut up in the sepulchral cabins, under the dim lamps, and imagine the horrors that were abroad on the ocean. And once out—once where they could see the ship struggling in the strong grasp of the storm—once where they could hear the shriek of the winds and face the driving spray and look out upon the majestic picture the lightnings disclosed, they were prisoners to a fierce fascination they could not resist, and so remained. It was a wild night—and a very, very long one.
Mark Twain (The Innocents Abroad)
This was the first time I knelt and with my lips, […] kissed the lit inwardly pink petaled lips. It was like touching a bird’s exposed heart with your tongue. Summer dawn flowing into the room parting the curtains–the lamp dimming–breeze rendered visible. Lightning, and then soft applause from the leaves … Almost children, we lay asleep in love listening to the rain. We didn’t ask to be born. — Franz Wright, “Untitled,” Earlier Poems (Alfred A. Knopf, 2007)
Franz Wright (Earlier Poems)
What can I be thinking of? Just imagine my not having presented myself to you even yet! But as a matter of fact I do not want to tell you my name out loud; it is a romantic one, utterly inappropriate to the typically modern environment in which we now stand. Ah, if we were only on the steep side of some mountain with the moon like a great lamp above us, or by the shore of some wild ocean, there would be some glamour in proclaiming my identity in the silence of the night, or in the midst of lightning and thunder as a hurricane swept the seas! But here in a third-floor suite of the Royal Palace Hotel, surrounded by telephones and electric lights, and standing by a window overlooking the Champs Elysees-> it would be positively anachronistic!" He took a card out of his pocket and drew near the little writing desk. "Allow me, Princess, to slip my card into this drawer, left open on purpose, it would seem," and while the princess uttered a little cry she could not repress, he did just that. "And now, Princess," he went on, compelling her to retreat before him as he moved to the door of the anteroom opening on to the corridor, "you are too well bred, I am sure, not to wish to conduct your visitor to the door of your suite." His tone altered abruptly, and in a deep imperious voice that made the princess quake he ordered her: "And now, not a word, not a cry, not a movement until I am outside, or I will kill you!
Marcel Allain (Fantômas (Fantômas, #1))
The night darkened. Our day's works had been done. We thought that the last guest had arrived for the night and the doors in the village were all shut. Only some said the king was to come. We laughed and said `No, it cannot be!' It seemed there were knocks at the door and we said it was nothing but the wind. We put out the lamps and lay down to sleep. Only some said, `It is the messenger!' We laughed and said `No, it must be the wind!' There came a sound in the dead of the night. We sleepily thought it was the distant thunder. The earth shook, the walls rocked, and it troubled us in our sleep. Only some said it was the sound of wheels. We said in a drowsy murmur, `No, it must be the rumbling of clouds!' The night was still dark when the drum sounded. The voice came `Wake up! delay not!' We pressed our hands on our hearts and shuddered with fear. Some said, `Lo, there is the king's flag!' We stood up on our feet and cried `There is no time for delay!' The king has come---but where are lights, where are wreaths? Where is the throne to seat him? Oh, shame! Oh utter shame! Where is the hall, the decorations? Someone has said, `Vain is this cry! Greet him with empty hands, lead him into thy rooms all bare!' Open the doors, let the conch-shells be sounded! in the depth of the night has come the king of our dark, dreary house. The thunder roars in the sky. The darkness shudders with lightning. Bring out thy tattered piece of mat and spread it in the courtyard. With the storm has come of a sudden our king of the fearful night.
রবীন্দ্রনাথ ঠাকুর | Rabindranath Tagore (Gitanjali)
Light, oh where is the light? Kindle it with the burning fire of desire! There is the lamp but never a flicker of a flame---is such thy fate, my heart? Ah, death were better by far for thee! Misery knocks at thy door, and her message is that thy lord is wakeful, and he calls thee to the love-tryst through the darkness of night. The sky is overcast with clouds and the rain is ceaseless. I know not what this is that stirs in me---I know not its meaning. A moment's flash of lightning drags down a deeper gloom on my sight, and my heart gropes for the path to where the music of the night calls me. Light, oh where is the light! Kindle it with the burning fire of desire! It thunders and the wind rushes screaming through the void. The night is black as a black stone. Let not the hours pass by in the dark. Kindle the lamp of love with thy life.
রবীন্দ্রনাথ ঠাকুর | Rabindranath Tagore (Gitanjali)
Amazing Grace” Amazing grace, how sweet the sound, That saved a wretch like me! I once was lost, but now am found; Was blind, but now I see. ’Twas grace that taught my heart to fear, And grace my fears relieved; How precious did that grace appear, The hour I first believed. Through many dangers, toils and snares, I have already come; ’Tis grace hath brought me safe thus far, And grace will lead me home. The Lord has promised good to me, His Word my hope secures; He will my Shield and Portion be, As long as life endures. Yea, when this flesh and heart shall fail, And mortal life shall cease, I shall possess, within the veil, A life of joy and peace. The earth shall soon dissolve like snow, The sun forbear to shine; But God, who called me here below, Will be forever mine. When we’ve been there ten thousand years, Bright shining as the sun, We’ve no less days to sing God’s praise, Than when we’d first begun. Lyrics by John Newton, 1779 “Swing Low, Sweet Chariot” (Chorus) Swing low, sweet chariot, Coming for to carry me home. Swing low, sweet chariot, Coming for to carry me home. I looked over Jordan, and what did I see? (Coming for to carry me home) A band of angels coming after me. (Coming for to carry me home) (Chorus) If you get there before I do, (Coming for to carry me home) Tell all of my friends, that I'm coming there too. (Coming for to carry me home) (Chorus) Traditional lyrics Wallis Willis, circa 1865 “Battle Hymn of the Republic” Mine eyes have seen the glory of the coming of the Lord; He is trampling out the vintage where the grapes of wrath are stored; He hath loosed the fateful lightning of His terrible swift sword: His truth is marching on. (Chorus) Glory, Glory, hallelujah! Glory, glory, hallelujah! Glory, glory, hallelujah! His truth is marching on. I have seen Him in the watch-fires of a hundred circling camps, They have builded Him an altar in the evening dews and damps; I can read His righteous sentence in the dim and flaring lamps: His day is marching on. (Chorus) I have read a fiery gospel writ in burnished rows of steel: "As ye deal with my contemners, so with you my grace shall deal"; Let the Hero, born of woman, crush the serpent with his heel, Since God is marching on. (Chorus) He has sounded forth the trumpet that shall never call retreat; He is sifting out the hearts of men before His judgment-seat; Oh, be swift, my soul, to answer Him! Be jubilant, my feet! Our God is marching on. (Chorus) In the beauty of the lilies Christ was born across the sea, With a glory in His bosom that transfigures you and me. As He died to make men holy, let us die to make men free, While God is marching on. Lyrics by Julia Ward Howe, 1861
Dyrk Ashton (Wrath of Gods (The Paternus Trilogy, #2))
Now then,” Falco started as he tucked the canvases back beneath the long table. “Have I proven myself, Signorina Cassandra? May I paint you?” Cass looked down at her long legs protruding from the ruffled skirt. She willed back the images of Aunt Agnese and Luca that threatened to overwhelm her. “You’re not going to display it, are you?” she asked. “I thought I’d hang it by the entrance to the Grand Canal. Call it Signorina Cassandra Caravello in Her Undergarments. What do you think?” “Very funny.” “I thought so.” Falco dragged the wooden stool and easel to the center of the room. He gestured for Cass to take her place on the divan. “Please.” He pulled a pair of lamps close, murmuring something about the insufficient lighting. “Under normal circumstances,” Falco said, “I would ask you to sit during the daytime. It’s the only way to get a clear picture. But it isn’t often I have the place to myself.” He grinned. “And you are certainly not a normal circumstance.” Cass felt herself blushing; she was sure he would have to paint her complexion a mottled red. “Make yourself comfortable,” he said. “Right now it looks as though you’re sitting on a pincushion.” Cass tried a new pose and Falco laughed. “Let me,” he said, and, reaching out, set about readjusting her. He gently eased her onto her left hip, letting the right leg fall forward in front of her. He pulled part of her hair over her shoulder so it twisted and curled around her neck. Cass sipped her drink nervously, hoping the alcohol might relax her. Each of Falco’s touches generated a tiny bolt of lightning inside her. The charge was starting to build up to dangerous levels. “Are your legs cold?” Falco asked. Cass managed to choke out a no. Her whole body was racing with heat, and she felt about two touches away from spontaneous combustion. She was seized by a fleeting impulse to run away; at the same time, she wished he would touch her forever. The costume, the posing, the mysterious alcohol that was dissolving her inhibitions. Cass felt wild and alive, even more so than she had the night they went to the brothels. That night she had been someone else, but tonight she was posing as herself, and she loved it.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
Not like the brazen giant of Greek fame, With conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand A mighty woman with a torch, whose flame Is the imprisoned lightning, and her name Mother of Exiles. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame. "Keep, ancient lands, your storied pomp!" cries she With silent lips. "Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!" -Emma Lazarus
Joyana Peters (The Girl From Saint Petersburg)
Upon arriving we went straight into the school. Shepherd boys would come here twice a week, have a hot meal, go to a class. We sat in semi-darkness, beside a paraffin lamp, watching a lesson, and then we sat on the ground with a dozen boys, some as young as eight. We listened to them describe their daily trek to our school. It defied belief: after twelve hours of tending their cattle and sheep, they’d walk for two hours through mountain passes just to learn maths, reading, writing. Such was their hunger to learn. They braved sore feet, bitter cold – and far worse. They were so vulnerable on the road, so exposed to the elements, several had died from lightning strikes. Many had been attacked by stray dogs. They dropped their voices and told us that many had also been sexually abused by wanderers, rustlers, nomads and other boys. I felt ashamed to think of all my bitching about school. About anything.
Prince Harry (Spare)
When the psalmist saw the transgression of the wicked his heart told him how it could be. ”There is no fear of God before his eyes,” he explained, and in so saying revealed to us the psychology of sin. When men no longer fear God, they transgress His laws without hesitation. The fear of consequences is not deterrent when the fear of God is gone. In olden days men of faith were said to ”walk in the fear of God” and to ”serve the Lord with fear.” However intimate their communion with God, however bold their prayers, at the base of their religious life was the conception of God as awesome and dreadful. This idea of God transcendent rims through the whole Bible and gives color and tone to the character of the saints. This fear of God was more than a natural apprehension of danger; it was a nonrational dread, an acute feeling of personal insufficiency in the presence of God the Almighty. Wherever God appeared to men in Bible times the results were the same - an overwhelming sense of terror and dismay, a wrenching sensation of sinfulness and guilt. When God spoke, Abram stretched himself upon the ground to listen. When Moses saw the Lord in the burning bush, he hid his face in fear to look upon God. Isalah’s vision of God wrung from him the cry, ”Woe is me!” and the confession, ”I am undone; because I am a man of unclean lips.” Daniel’s encounter with God was probably the most dreadful and wonderful of them all. The prophet lifted up his eyes and saw One whose ”body also was like the beryl, and his face as the appearance of lightning, and his eyes as lamps of fire, and his arms and his feet like in colour to polished brass, and the voice of his words like the voice of a multitude.” ”I Daniel alone saw the vision” he afterwards wrote, ”for the men that were with me saw not the vision; but a great quaking fell upon them, so that they fled to hide themselves. Therefore I was left alone, and saw this great vision, and there remained no strength in me: for my comeliness was turned in me into corruption, and I retained no strength. Yet heard I the voice of his words: and when I heard the voice of his words, then was I in a deep sleep on my face, and my face toward the ground.” These experiences show that a vision of the divine transcendence soon ends all controversy between the man and his God. The fight goes out of the man and he is ready with the conquered Saul to ask meekly, ”Lord, what wilt thou have me to do?”  Conversely, the self-assurance of modern Christians, the basic levity present in so many of our religious gatherings, the shocking disrespect shown for the Person of God, are evidence enough of deep blindness of heart.  Many call themselves by the name of Christ, talk much about God, and pray to Him sometimes, but evidently do not know who He is. ”The fear of the Lord is a fountain of life,” but this healing fear is today hardly found among Christian men.
A.W. Tozer (The Knowledge of the Holy (Annotated))
High overhead, in the reflected glare of arc lamps, one of the unfinished Fuller domes shut out two thirds of the salmon-pink evening sky, its ragged edge like broken gray honeycomb. The Sprawl’s patchwork of domes tended to generate inadvertent microclimates; there were areas of a few city blocks where a fine drizzle of condensation fell continually from the soot-stained geodesics, and sections of high dome famous for displays of static-discharge, a peculiarly urban variety of lightning.
William Gibson (Count Zero (Sprawl, #2))
Shadow, shadow, on the wall, Who casts the longest shade of all? Is it death; or yet desire? Is it night, tamed by fire? Who’s the man who lights the lamp And calls the storm that brings the damp? Which the god who blocks the sun And fills the rivers in their run? Call the hammer, call the lightning…
L.E. Modesitt Jr. (The Hammer of Darkness (Tor Science Fiction))
As a lamp, a cataract, a shooting star, an illusion, a dewdrop, a bubble, a dream, a cloud, a flash of lightning: view all created things like this.
Red Pine (The Diamond Sutra)
Fields of opium poppies surrounded the infrequent villages shining their fresh green leaves against the storm-inked sky. Purple lightning danced on the horizon. It had rained here already, and out in the desert we could smell the aromatic camel-thorn as if it was on fire. Yellow lupins mingled with big clumps of mauve and white iris. Kariz itself was pervaded by an overpowering scent, as sweet as bean- flowers, but more languid, more poetic. I walked out to try and place it. The opium flowers called me, glowing in the dusk like lamps of ice.
Robert Byron (The Road to Oxiana)
Do you know any lamp-wick jokes?' he said, settling himself comfortably on the sand. 'I don't think so,' said Nijel politely, tapping a slab. 'I know hundreds. They are very droll. For example, do you know how many trolls it takes to change a lamp-wick?' 'This slab moves,' said Nijel. 'Look, it's a sort of door. Give me a hand.' He pushed enthusiastically, his biceps standing out on his arms like peas on a pencil. 'I expect it's some sort of secret passage,' he added. 'Come on, use a bit of magic, will you? It's stuck.' 'Don't you want to hear the rest of the joke?' said Rincewind, in a pained voice. It was warm and dry down here, with no immediate danger, not counting the snake, which was trying to look inconspicuous. Some people were never satisfied. 'I think not right at the moment,' said Nijel. 'I think I would prefer a bit of magical assistance.' 'I'm not very good at it,' said Rincewind. 'Never got the hang of it, see, it's more than just pointing a finger at it and saying "Kazam-" ' There was a sound like a thick bolt of octarine lightning zapping into a heavy rock slab and smashing it into a thousand bits of spitting, white-hot shrapnel, and no wonder.
Terry Pratchett (Sourcery (Discworld, #5; Rincewind, #3))
Light, or where is the light? Kindle it with the burning fire of desire! There is the lamp but never a flicker of a flame – is such thy fate, my heart! Ah, death were better by far for thee! Misery knocks at thy door, and her message is that thy lord is wakeful, and he calls thee to the love-tryst through the darkness of night. The sky is overcast with clouds and the rain is ceaseless. I know not what this is that stirs in me – I know not its meaning. A moment’s flash of lightning drags down a deeper gloom on my sight, and my heart gropes for the path to where the music of the night calls me. Light, oh where is the light! Kindle it with the burning fire of desire! It thunders and the wind rushes screaming through the void. The night is black as a black stone. Let not the hours pass by in the dark. Kindle the lamp of love with thy life.
রবীন্দ্রনাথ ঠাকুর | Rabindranath Tagore (Gitanjali)
This is how to contemplate our conditioned existence in this fleeting world: Like a tiny drop of dew, or a bubble floating in a stream; like a flash of lightning in a summer cloud, or a flickering lamp, an illusion, a phantom, or a dream. This is to be done by one skilled in aims who wants to break through to the state of peace: Be capable, upright, & straightforward, easy to instruct, gentle, & not conceited, content & easy to support, with few duties, living lightly, with peaceful faculties, masterful, modest, & no greed for supporters. Do not do the slightest thing that the wise would later censure. Sutta Nipāta 1.143, 1.144, 1.145
Siddhartha Gautama
3824A place replete with shadowy shapes, this Mugby Junction in the black hours of the four-and-twenty. Mysterious goods trains, covered with palls and gliding on like vast weird funerals, conveying themselves guiltily away from the presence of the few lighted lamps, as if their freight had come to a secret and unlawful end. Half miles of coal pursuing in a Detective manner, following when they lead, stopping when they stop, backing when they back. Red hot embers showering out upon the ground, down this dark avenue, and down the other, as if torturing fires were being raked clear; concurrently, shrieks and groans and grinds invading the ear, as if the tortured were at the height of their suffering. Iron-barred cages full of cattle jangling by midway, the drooping beasts with horns entangled, eyes frozen with terror, and mouths too: at least they have long icicles (or what seem so) hanging from their lips. Unknown languages in the air, conspiring in red, green, and white characters. An earthquake accompanied with thunder and lightning, going up express to London.
Charles Dickens