“
Saying 'I notice you're a nerd' is like saying, 'Hey, I notice that you'd rather be intelligent than be stupid, that you'd rather be thoughtful than be vapid, that you believe that there are things that matter more than the arrest record of Lindsay Lohan. Why is that?' In fact, it seems to me that most contemporary insults are pretty lame. Even 'lame' is kind of lame. Saying 'You're lame' is like saying 'You walk with a limp.' Yeah, whatever, so does 50 Cent, and he's done all right for himself.
”
”
John Green
“
We will destroy you,” the Flyboys droned. “You have no escape.” That was the most imaginative, threatening thing the whitecoats had programmed these ’droids to say? “Talk about lame,” Fang muttered.
”
”
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
“
What do you want to show me?"
"Nothing, really. I just want to be alone with you for a minute."
He pulled her to the back of the driveway, where they were almost completely hidden by a line of trees and the RV and the garage.
"Seriously?" she said. "That was so lame."
"I know," he said, turning to her. "Next time, I'll just say, 'Eleanor, follow me down this dark alley, I want to kiss you.'"
She didn't roll her eyes. She took a breath, then closed her mouth. He was learning how to catch her off guard.
She pushed her hands deeper in her pockets, so he put his hands on her elbows. "Next time," he said, "I'll just say, 'Eleanor, duck behind these bushes with me, I'm going to lose my mind if I don't kiss you.'"
She didn't move, so he thought it was probably okay to touch her face. Her skin was as soft as it looked, white and smooth as freckled porcelain.
"I'll just say, 'Eleanor, follow me down this rabbit hole...'"
He laid his thumb on her lips to see if she'd pull away. She didn't. He leaned closer. He wanted to close his eyes, but he didn't trust her not to leave him standing there.
”
”
Rainbow Rowell (Eleanor & Park)
“
Being beautiful, was that for men?'
'Yes. Some women say that it is for ourselves. What on earth can we do with it? I could have loved myself whether I was hunchbacked or lame, but to be loved by others, you had to be beautiful.
”
”
Jacqueline Harpman (I Who Have Never Known Men)
“
The idea is that for ten minutes, we forget that we have feelings. And we forget about protecting ourselves or other people and we just say the truth. For ten minutes. And then we can go back to being lame.
”
”
John Green (Will Grayson, Will Grayson)
“
It's nice of you to say I'm your best friend."
"You are my best friend, dummy."
"Really? You are my best friend. But I always assumed that somebody else was your best friend, and I was totally okay with that. You don't have to say that I'm your best friend just to make me feel good."
"You're so lame."
"That's why I figured somebody else was your best friend.
”
”
Rainbow Rowell (Attachments)
“
I think, for me, listening to music is a very solitary thing. Or maybe that’s just something people say when they’re too lame to go to live shows.
”
”
Becky Albertalli (Simon vs. the Homo Sapiens Agenda (Creekwood, #1))
“
Sickness is a problem for the body, not the mind — unless the mind decides that it is a problem. Lameness, too, is the body's problem, not the mind's. Say this to yourself whatever the circumstance and you will find without fail that the problem pertains to something else, not to you.
”
”
Epictetus (Discourses and Selected Writings)
“
[O]ur own bodies are changing every second. Yet we take the body to be our Self; and, speaking in terms of it, we say, “I am hungry” or “I am lame”; “I am black” or “I am white.” These are all just the conditions of the body. We touch the truth when we say, “My body aches,” implying the body belongs to us and that therefore we are not that. (87)
”
”
Satchidananda (The Yoga Sutras of Pantanjali)
“
And it all comes out so lame. I love your mouth. I love your hair. I love your ears. I want you. I want you. I want you. Anything to avoid saying: I love you.
”
”
Erica Jong (Fear of Flying)
“
So I guess this makes me your sidekick, right?” he asked. “Like I could be…” “Robin?”
He scowled. “I ain’t no Robin.”
“What’s wrong with Robin?”
“What’s wrong?” Ray rolled his eyes. “Two words: green Speedo. And he was lame. Batman was always having to save his ass.” I didn’t say anything.
”
”
Karen Chance (Fury's Kiss (Dorina Basarab, #3))
“
Cracking his knuckles, Cary dramatically prepared to open his fortune cookie. “Let’s see. Will I be rich? Famous? About to
meet Mr. or Ms. Tall, Dark, and Tasty? Traveling to distant lands? What’d you guys get?”
“Mine’s lame,” I said. “In the end all things will be known. Duh. I didn’t need a fortune to figure that out.”
Gideon opened his and read, “Prosperity will knock on your door soon.”
I snorted.
Cary shot me a look. “I know, right? You snatched someone else’s cookie, Cross.”
“He better not be anywhere near someone else’s cookie,” I said dryly.
Reaching over, Gideon plucked half of mine out of my fingers. “Don’t worry, angel. Your cookie is the only one I want.”
He popped it in his mouth with a wink.
“Gag,” Cary muttered. “Get a room.” He cracked his fortune with a flourish, and then scowled. “What the fuck?”
I leaned forward. “What’s it say?”
“Confucius say,” Gideon ad-libbed, “man with hand in pocket feel cocky all day.”
Cary threw half his cookie at Gideon, who caught it deftly and grinned.
“Give me that.” I snatched the fortune out from between Cary’s fingers and read it. Then laughed.
“Fuck you, Eva.”
“Well?” Gideon prodded.
“Pick another cookie.”
Gideon smiled. “Pwned by a fortune.”
Cary threw the other half of his cookie.
”
”
Sylvia Day (Bared to You (Crossfire, #1))
“
In my lame pescetarian defense, it's very hard to be a girl and say you won't eat something. Refuse one plate of bacon-wrapped pork rinds and you're anorexic. Accept them and you're on the Atkins. Excuse yourself to go to the bathroom and you're bulimic. Best to keep perfectly still and bring an IV of fluids with you to dinner.
”
”
Sloane Crosley (I Was Told There'd Be Cake: Essays)
“
The most punk-rock thing you can do in L.A. is to say ‘George Bush is fucking awesome’ instead of talking about how lame it is that he’s fighting for oil.
”
”
Trey Parker
“
It’s not your fault,” Alec was saying. He sounded weary, as if he’d been through this sort of thing with his sister before. Clary wondered how many boyfriends she’d turned into rats by accident. “But it ought to teach you not to go to so many Downworld parties,” he added. “They’re always more trouble than they’re worth.”
Isabelle sniffed loudly. “If anything had happened to him, I—I don’t know what I would have done.”
“Probably whatever it is you did before,” said Alec in a bored voice. “It’s not like you knew him all that well.”
“That doesn’t mean that I don’t—”
“What? Love him?” Alec scoffed, raising his voice. “You need to know someone to love them.”
“But that’s not all it is.” Isabelle sounded almost sad. “Didn’t you have any fun at the party, Alec?”
“No.”
“I thought you might like Magnus. He’s nice, isn’t he?”
“Nice?” Alec looked at her as if she were insane. “Kittens are nice. Warlocks are—” He hesitated. “Not,” he finished, lamely.
“I thought you might hit it off.” Isabelle’s eye makeup glittered as bright as tears as she glanced over at her brother. “Get to be friends.”
“I have friends,” Alec said, and looked over his shoulder, almost as if he couldn’t help it, at Jace.
But Jace, his golden head down, lost in thought, didn’t notice.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Horses are of a breed unique to Fantasyland. They are capable of galloping full-tilt all day without a rest. Sometimes they do not require food or water. They never cast shoes, go lame or put their hooves down holes, except when the Management deems it necessary, as when the forces of the Dark Lord are only half an hour behind. They never otherwise stumble. Nor do they ever make life difficult for Tourists by biting or kicking their riders or one another. They never resist being mounted or blow out so that their girths slip, or do any of the other things that make horses so chancy in this world. For instance, they never shy and seldom whinny or demand sugar at inopportune moments. But for some reason you cannot hold a conversation while riding them. If you want to say anything to another Tourist (or vice versa), both of you will have to rein to a stop and stand staring out over a valley while you talk. Apart from this inexplicable quirk, horses can be used just like bicycles, and usually are. Much research into how these exemplary animals come to exist has resulted in the following: no mare ever comes into season on the Tour and no stallion ever shows an interest in a mare; and few horses are described as geldings. It therefore seems probable that they breed by pollination. This theory seems to account for everything, since it is clear that the creatures do behave more like vegetables than mammals. Nomads appears to have a monopoly on horse-breeding. They alone possess the secret of how to pollinate them.
”
”
Diana Wynne Jones (The Tough Guide to Fantasyland)
“
You're a punk?'
'What?'
'What do they call people from the eighties?' I asked.
'Oh,' she laughed. It was a beautiful laugh. 'I'm my mother, actually. I mean, these are her clothes from High School. I guess I should tell people I'm Cyndi Lauper though, or something, because dressing up as your mother is pretty lame.'
'I almost dressed up as my mother,' I said, 'but I was worried what my therapist would say.'
She laughed again, and I realized that she thought I was joking. It was probably for the best, since telling her the second half of my mom costume - a giant fake butcher knife through the head - would probably freak her out.
”
”
Dan Wells (I Am Not a Serial Killer (John Cleaver, #1))
“
Your choice. Cunt or pussy, but so help me God, if you say some lame ass word like flower or lady garden you'll pay for it later, because I don't fuck gardens or flowers any more than I have a love sword attached to my groin.
”
”
Elizabeth Finn (The Fight for Us (Bristol Island, #1))
“
I would not have done anything differently. All of the moments in my life, everyone I have met, every trip I have taken, every success I have enjoyed, every blunder I have made, every loss I have endured has been just right. I am not saying that they were all good or that they happened for a reason...but they have been right. They have been okay. As far as revelations go its pretty lame, I know. Okay is not bliss or even happiness. Okay is not the basis for a new religion or self help movement. Okay won't get me on Oprah, but okay is a start and for that I am grateful. Can I thank Bhutan for this breakthrough? It's hard to say […] It is a strange place, peculiar in ways large and small. You lose your bearings here and when that happens a crack forms in your armor. A crack large enough, if you're lucky, to let in a few shafts of light.
”
”
Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
“
People in France have a phrase: "Spirit of the Stairway." In French: esprit d'Escalier. It means that moment when you find the answer but it's too late. So you're at a party and someone insults you. You have to say something. So, under pressure, with everybody watching, you say something lame. But the moment you leave the party . . .
As you start down the stairway, then - magic. You come up with the perfect thing you should've said. The perfect crippling put down. That's the Spirit of the Stairway.
”
”
Chuck Palahniuk
“
Minerva considered herself a reasonably intelligent person, but good heavens . . . handsome men made her stupid. She grew so flustered around them, never knew where to look or what to say. The reply meant to be witty and clever would come out sounding bitter or lame. Sometimes a teasing remark from Lord Payne’s quarter quelled her into dumb silence altogether. Only days later, while she was banging away at a cliff face with a rock hammer, would the perfect retort spring to mind.
”
”
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
“
Is it lame to say I think I’m stuck in a nightmare? I always thought everyone was being so dramatic when they said that: ‘This feels like a nightmare.’ Like, really, that’s all you feel when tragedy happens? I don’t know how I wanted them to feel, but I can say now they hit the nail on the head. There’s another cliché for you, whatever.
”
”
Adam Silvera (They Both Die at the End (They Both Die at the End Series Book 1))
“
The lame (as they say) in the path outstrip the swift who wander from it, and it is clear that the very skill and swiftness of him who runs not in the right direction must increase his aberration.
”
”
Francis Bacon
“
I had no songs in my repertoire for commercial radio anyway. Songs about debauched bootleggers, mothers that drowned their own children, Cadillacs that only got five miles to the gallon, floods, union hall fires, darkness and cadavers at the bottom of rivers weren't for radiophiles. There was nothing easygoing about the folk songs I sang. They weren't friendly or ripe with mellowness. They didn't come gently to the shore. I guess you could say they weren't commercial.
Not only that, my style was too erratic and hard to pigeonhole for the radio, and songs, to me, were more important that just light entertainment. They were my preceptor and guide into some altered consciousness of reality, some different republic, some liberated republic. Greil Marcus, the music historian, would some thirty years later call it "the invisible republic."
Whatever the case, it wasn't that I was anti-popular culture or anything and I had no ambitions to stir things up. i just thought of popular culture as lame as hell and a big trick. It was like the unbroken sea of frost that lay outside the window and you had to have awkward footgear to walk on it.
I didn't know what age of history we were in nor what the truth of it was. Nobody bothered with that. If you told the truth, that was all well and good and if you told the un-truth, well, that's still well and good. Folk songs taught me that.
”
”
Bob Dylan (Chronicles, Volume One)
“
They looked at each other and she broke into a rare grin that filled his heart with light before her eyes flicked away. “You don’t even have to say it,” Hades sighed. “I’m, like, totally lame. Right?
”
”
Candice Fox (Hades (Archer & Bennett, #1))
“
People in France have a phrase: "Spirit of the Stairway." In French: Esprit de l'escalier. It means that moment when you find the answer, but it's too late. Say you're at a party and someone insults you. You have to say something. So under pressure, with everybody watching, you say something lame. But the moment you leave the party…
As you start down the stairway, then -- magic. You come up with the perfect thing you should've said. The perfect crippling put-down.
That's the Spirit of the Stairway.
The trouble is even the French don't have a phrase for the stupid things you actually do say under pressure. Those stupid, desperate things you actually think or do.
Some deeds are too low to even get a name. Too low to even get talked about.
”
”
Chuck Palahniuk (Guts)
“
It's a physical sickness. Etienne. How much I love him.
I love Etienne.
I love it when he cocks an eyebrow whenever I say something he finds clever or amusing. I love listening to his boots clomp across my bedroom ceiling. I love that the accent over his first name is called an acute accent, and that he has a cute accent.
I love that.
I love sitting beside him in physics. Brushing against him during lands. His messy handwriting on our worksheets. I love handing him his backpack when class is over,because then my fingers smell like him for the next ten minutes. And when Amanda says something lame, and he seeks me out to exchange an eye roll-I love that,too. I love his boyish laugh and his wrinkled shirts and his ridiculous knitted hat. I love his large brown eyes,and the way he bites his nails,and I love his hair so much I could die.
There's only one thing I don't love about him. Her.
If I didn't like Ellie before,it's nothing compared to how I feel now. It doesn't matter that I can count how many times we've met on one hand. It's that first image, that's what I can't shake. Under the streeplamp. Her fingers in his hair. Anytime I'm alone, my mind wanders back to that night. I take it further. She touches his chest. I take it further.His bedroom.He slips off her dress,their lips lock, their bodies press,and-oh my God-my temperature rises,and my stomach is sick.
I fantasize about their breakup. How he could hurt her,and she could hurt him,and of all the ways I could hurt her back. I want to grab her Parisian-styled hair and yank it so hard it rips from her skull. I want to sink my claws into her eyeballs and scrape.
It turns out I am not a nice person.
Etienne and I rarely discussed her before, but she's completely taboo now. Which tortures me, because since we've gotten back from winter break, they seem to be having problems again. Like an obsessed stalker,I tally the evenings he spend with me versus the evening he spends with her. I'm winning.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Though love may be blind, it sees much;
though it may be deaf, it hears much;
though it may be mute, it says much;
and though it may be lame, it does much.
”
”
Matshona Dhliwayo
“
This is going to sound trite, I suppose, but you never know when it’s going to be the last time. That you hug someone. That you kiss. That you say goodbye.
I don’t know what my last words were to Ty. Probably something like, Smell you later , as I went out the door that morning. I can’t remember. It wasn’t significant, is all I know. We were never one of those families that says “I love you” at the end of every conversation, just in case.
Steven’s parents do that. When he calls to tell them he’s going to be late or something, he always ends by saying “I love you, too.” Even if he’ll see them in 10 minutes.
I used to think that was the tiniest bit lame. If you say something that often, it loses its meaning, doesn’t it? But now I understand. If the unthinkable happens—a car accident, a heart attack, whatever—at least you’ll know your last words were something positive. There’s a security in that. A comfort.
”
”
Cynthia Hand (The Last Time We Say Goodbye)
“
Ironically, the tattoo represents the opposite for me today. It reminds me that it's important to let yourself be vulnerable, to lose control and make a mistake. It reminds me that, as Whitman would say, I contain multitudes and I always will. I'm a level-one introvert who headlined Madison Square Garden—and was the first woman comic to do so. I'm the ‘overnight success’ who's worked her ass off every single waking moment for more than a decade. I used to shoplift the kind of clothing that people now request I wear to give them free publicity. I'm the SLUT or SKANK who's only had one one-night stand. I'm a ‘plus-size’ 6 on a good day, and a medium-size 10 on an even better day. I've suffered the identical indignities of slinging rib eyes for a living and hustling laughs for cash. I'm a strong, grown-ass woman who's been physically, sexually, and emotionally abused by men and women I trusted and cared about. I've broken hearts and had mine broken, too.
Beautiful, ugly, funny, boring, smart or not, my vulnerability is my ultimate strength. There's nothing anyone can say about me that's more permanent, damaging, or hideous than the statement I have forever tattooed upon myself. I'm proud of this ability to laugh at myself—even if everyone can see my tears, just like they can see my dumb, senseless, whack, lame lower back tattoo.
”
”
Amy Schumer (The Girl with the Lower Back Tattoo)
“
...To trust in the strength of God in our weakness; to say, ‘I am weak: so let me be: God is strong;’ to seek from him who is our life, as the natural, simple cure of all that is amiss with us, power to do, and be, and live, even when we are weary,—this is the victory that overcometh the world.
To believe in God our strength in the face of all seeming denial, to believe in him out of the heart of weakness and unbelief, in spite of numbness and weariness and lethargy; to believe in the wide-awake real, through all the stupefying, enervating, distorting dream;
to will to wake, when the very being seems athirst for a godless repose;—these are the broken steps up to the high fields where repose is but a form of strength, strength but a form of joy, joy but a form of love.
‘I am weak,’ says the true soul, ‘but not so weak that I would not be strong; not so sleepy that I would not see the sun rise; not so lame but that I would walk! Thanks be to him who perfects strength in weakness, and gives to his beloved while they sleep!
”
”
George MacDonald (Unspoken Sermons, Third Series (Sunrise Centenary Edition))
“
There once was a brown horse that was brown like a bean, and he lived in the home of a very poor farmer. And the poor farmer had a very poor wife, and they had a very thin chicken and a lame little pig. And so, one day the very poor farmer s wife said: We have nothing more to eat because we are very poor, so we must eat the very thin chicken. So they killed the very thin chicken and made a thin soup and ate it. And so, for a while, they were fine; but the hunger returned and the very poor farmer told his very poor wife: We have nothing more to eat because we are so poor, so we must eat the lame little pig. And so the lame little pig s turn came and they killed it and they made a lame soup and ate it. And then it was the bean-brown horse s turn. But the bean-brown horse did not wait for the story to end; it just ran away and went to another story.
Is that the end of the story? I asked Durito, unable to hide my bewilderment. Of course not. Didn't you hear me say that the bean-brown horse fled to another story? he said as he prepared to leave. And so? I ask exasperated. And so nothing you have to look for the bean-brown horse in another story! he said, adjusting his hat. But, Durito! I said, protesting uselessly. Not one more word! You tell the story like it is
”
”
Subcomandante Marcos (Our Word is Our Weapon: Selected Writings)
“
You’re not too tall,” Dunk blurted out. “You’re just right for …” He realized what he had been about to say, and blushed furiously. “For?” said Tanselle, cocking her head inquisitively. “Puppets,” he finished lamely.
”
”
Robert Silverberg (Legends: Stories By The Masters of Modern Fantasy)
“
I will say something still easier. Take a single flea or louse-since you tempt and mock our God with this talk about curing a lame horse-and if, after combining all the powers and concentrating all the efforts both of your good and all your supporters, you succeed in killing it in the name of free choice, you shall be victorious, your case shall be established, and we too will come at once and worship that god of yours, that wonderful killer of the louse.
”
”
Martin Luther (The Bondage of the Will)
“
The thing that amazes me about getting fired is that nobody ever has anything insightful to say about it. They always say the same thing. They always say, 'Everything happens for a reason.' As lame as that sounds, I guess it’s better to hear it out loud. Because when you hear it in your own head, it sounds like, 'Anything can happen with a razor.
”
”
Laura Kightlinger
“
Well… Five… I just wanted to say rest in peace. To me you are a dead man… I am ashamed that I am related to you. I am ashamed that we have the same bloodline, it is obvious that yours contains a defect in the structure. I’m going to endure the punishment for this gun just because I made the mistake of hanging with a lame. But I swear to God on everything I ever loved… you better change your last fucking name as soon as possible. You will never in your life again be referred to as Powers! Change that shit, or I will kill you with my bare hands the first chance I get. Disconnect yourself bitch!
”
”
David Weaver (Bankroll Squad)
“
Just to say evil Islamics did it, that's so lame, and we know it. We see those official close-ups on the screen. The shifty liar's look, the twelve-stepper's gleam in the eye. One look at these faces and we know they're guilty of the worst crimes we can imagine. But who's in any hurry to imagine? To make the awful connection? Any more than Germans were back in 1933, when Nazis torched Reichstag within a month of Hitler becoming chancellor. Which of course is not to suggest that Bush and his people have actually gone out and staged the events of 11 September. It would take a mind hopelessly diseased with paranoia, indeed a screamingly anti-American nutcase, even to allow to cross her mind the possibility that that terrible day would have deliberately been engineered as a pretext to impose some endless Orwellian 'war' and the emergency decrees we will soon be living under. Nah, nah, perish that thought.
"But there's still always the other thing. Our yearning. Our deep need for it to be true. Somewhere, down at some shameful dark recess of the national soul, we need to feel betrayed, even guilty. As if it was us who created Bush and his gang, Cheney and Rove and Rumsfeld and Feith and the rest of them--we who called down the sacred lightning of 'democracy' and then the fascist majority on the Supreme Court threw the switches, and Bush rose from the slab and began his rampage. And whatever happened then is on our ticket.
”
”
Thomas Pynchon (Bleeding Edge)
“
The founder of a religion must be able to turn water into wine -- cure with a word the blind and lame, and raise with a simple touch the dead to life. It was necessary for him to demonstrate to the satisfaction of his barbarian disciple, that he was superior to nature. In times of ignorance this was easy to do. The credulity of the savage was almost boundless. To him the marvelous was the beautiful, the mysterious was the sublime. Consequently, every religion has for its foundation a miracle -- that is to say, a violation of nature -- that is to say, a falsehood.
No one, in the world's whole history, ever attempted to substantiate a truth by a miracle. Truth scorns the assistance of a miracle. Nothing but falsehood ever attested itself by signs and wonders. No miracle ever was performed, and no sane man ever thought he had performed one, and until one is performed, there can be no evidence of the existence of any power superior to, and independent of, nature.
”
”
Robert G. Ingersoll
“
Tatiana turns to him, looks up at him, and smiles. “Do you know what a happy ending is to a Russian?” she says. “When the hero, at the end of his own story, finally learns the reason for his suffering.” Taking another swig of Coke, Alexander says, “Your jokes are getting so lame.” He knocks into her with his stretched-out leg. She takes hold of his hand. “What?” he asks. “Nothing, soldier,” says Tatiana. He is thinking of sailboats in distant oceans, the desert from dimmest childhood, the ghost of fortune, the girl on the bench. When he saw her, he saw something new. He saw it because he wanted to see it, because he wanted to change his life. He stepped off the curb and out of the deadfall. To cross the street. To follow her. And she will give your life meaning, she will save you. Yes, yes—to cross. “We’ll meet again in Lvov, my love and I ...” Tatiana hums, eating her ice cream, in our Leningrad, in jasmine June, near Fontanka, the Neva, the Summer Garden, where we are forever young.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
Standing on your own feet, naturally, is as tiresome and dangerous as standing your ground; and when the wild dogs begin to circle grinning round you with their dripping tongues hanging out and you know that with mock servility they like to go for your toes first, why, then, you should stand on someone else’s feet, or head if necessary. It is a point of faith for me never to be Hitler; he stood his ground in his own two shoes in his own little hole almost to the end, the fool. But I may disguise myself as any other animate or inanimate object in what follows. I can be eight lame women with falsies, eight cracked chamber pots, or -- let’s get right to the point -- a gladiator who is actually constructed of old clothes, brooms, and a paper plate with a face daubed on in finger-paints, not to mention two vagrants inside each shirt-sleeve and pant-leg, moving Goliath’s limbs at my say-so; but as long as you believe in the gladiator, you are whipped, and the Museum people will set out on your track, and then once they catch you, don’t think I won’t come study your exhibit until I can convince your own sweetheart that I am you come back from the dead. For I am Big George, the eternal winner.
”
”
William T. Vollmann (You Bright and Risen Angels (Contemporary American Fiction))
“
She gasps, tipping her chin back, studying me. What I’m not seeing is a get the fuck off me right now red light and it’s impossible to ask me to wait a second longer to taste her, not with the hollow rush of blood through my ears.
“Have to kiss you, Bexley.”
Another little sexy gasp and her pupils blow out to pure black. And then like it’s the biggest imposition to her, she huffs, chewing her lip again and presents her mouth. “Fine, get it over with.”
Another time I will joke about how she’s taking one for the team or something equally lame like that, but I’m a frantic man and I’ve just been given the keys to heaven again. No way am I pumping the breaks on my lust to say some damn joke.
My lips take hers; I try to go gentle, I really do, but there’s something so drugging about Bexley that pulls me in. Almost like she has full control over my body, because the kiss becomes feral in seconds.
”
”
V. Theia (Manhattan Storm (From Manhattan #3))
“
Is it lame to say I think I’m stuck in a nightmare? I always thought everyone was being so dramatic when they said that: ‘This feels like a nightmare.’ Like, really, that’s all you feel when tragedy happens? I don’t know how I wanted them to feel, but I can say now they hit the nail on the head. There’s another cliché for you, whatever. I want to wake up. And if I can’t wake up, I want to go to sleep forever where there’s a chance I dream everything beautiful about you,
”
”
Adam Silvera (They Both Die at the End (They Both Die at the End Series Book 1))
“
The other birds in turn received their chance
To show off their loquacious ignorance.
All made excuses – floods of foolish words
Flowed from these babbling, rumour-loving birds.
Forgive me, reader, if I do not say
All these excuses to avoid the Way;
But in an incoherent rush they came,
And all were inappropriate and lame.
”
”
Attar of Nishapur (THE CONFERENCE OF THE BIRDS)
“
People in France have a phrase: "Spirit of the Stairway." In French, Esprit d'Escalier. It means that moment when you find the answer but it's too late. Say you're at a party and someone insults you. You have to say something. So, under pressure, with everybody watching, you say something lame. But the moment you leave the party...
”
”
Chuck Palahniuk (Haunted)
“
The busybody (banned as sexist, demeaning to older women) who lives next door called my daughter a tomboy (banned as sexist) when she climbed the jungle (banned; replaced with "rain forest") gym. Then she had the nerve to call her an egghead and a bookworm (both banned as offensive; replaced with "intellectual") because she read fairy (banned because suggests homosexuality; replace with "elf") tales.
I'm tired of the Language Police turning a deaf ear (banned as handicapism) to my complaints. I'm no Pollyanna (banned as sexist) and will not accept any lame (banned as offensive; replace with "walks with a cane") excuses at this time.
If Alanis Morrissette can play God (banned) in Dogma (banned as ethnocentric; replace with "Doctrine" or "Belief"), why can't my daughter play stickball (banned as regional or ethnic bias) on boy's night out (banned as sexist)? Why can't she build a snowman (banned, replace with "snow person") without that fanatic (banned as ethnocentric; replace with "believer," "follower," or "adherent") next door telling her she's going to hell (banned; replaced with "heck" or "darn")?
Do you really think this is what the Founding Fathers (banned as sexist; replace with "the Founders" or "the Framers") had in mind? That we can't even enjoy our Devil (banned)-ed ham sandwiches in peace? I say put a stop to this cult (banned as ethnocentric) of PC old wives' tales (banned as sexist; replace with "folk wisdom") and extremist (banned as ethnocentric; replace with "believer," "follower," or "adherent") conservative duffers (banned as demeaning to older men).
As an heiress (banned as sexist; replace with "heir") to the first amendment, I feel that only a heretic (use with caution when comparing religions) would try to stop American vernacular from flourishing in all its inspirational (banned as patronizing when referring to a person with disabilities) splendor.
”
”
Denise Duhamel
“
While I was busy wondering if we were expecting anybody, it took me by surprise when an arm—which I was starting to get very well acquainted with at this rate—snaked around my waist and pulled me backward. My ass landed on something hard and hot, immediately molding into the space. Aaron’s lap. His breath caressed the shell of my ear. “You didn’t say good morning.” My back straightened as I remembered my lame runaway moment. “You almost made me drop my cookie, Mr. Robot.” It was so weird, so strange, calling him that, like I had done so many times in the past. As if that belonged to a whole different life. To two different people. Aaron chuckled, and it tickled my neck. “I wouldn’t dare. I know better than that.” His arm tightened around me, and I had to restrain myself from wrapping my hands around it. “What are you doing?” I whispered loudly. Charo would come back in at any second. “I was feeling lonely,” he admitted, lowering his voice and making my mind fly with everything he wasn’t saying. Stupid. I need to stop being stupid. “And if I’m going to sit through this one-sided interrogation, the least you can do is keep me company. Plus, you owe me a conversation.” “I was right there.” My voice came out strangled. “And Charo is not here now.” He hummed, and that noise traveled straight to my lower belly. “She will be back though. You know I like to be extra prepared.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
Twin, sagging is seriously lame. It's so cliched gang-wannabe circa 1990s. Hotties should just say no to it.
”
”
P.C. Cast
“
What I want is for everyone to embrace whatever they're into, even if society or their boss or some asshole online says it's lame.
”
”
Stassi Schroeder (Next Level Basic: The Definitive Basic Bitch Handbook)
“
Seriously?” she said. “That was so lame.” “I know,” he said, turning to her. “Next time, I’ll just say, ‘Eleanor, follow me down this dark alley, I want to kiss you.’” She
”
”
Rainbow Rowell (Eleanor & Park)
“
Then he says how it's no one's fault, it just happened, and I swear that it-just-happened line is the filmiest line in the Book of Excuses for Lame Boys.
”
”
Susane Colasanti (Take Me There)
“
It's a physical sickness. Étienne. How much I love him.
I love Étienne.
I love it when he cocks an eyebrow whenever I say something he finds clever or amusing. I love listening to his boots clomp across my bedroom ceiling. I love that the accent over his first name is called an acute accent, and that he has a cute accent.
I love that.
I love sitting beside him in physics. Brushing against him during labs. His messy handwriting on our worksheets. I love handing him his backpack when class is over, because then my fingers smell like him for the next ten minutes. And when Amanda says something lame, and he seeks me out to exchange an eye roll — I love that, too. I love his boyish laugh and his wrinkled shirts and his ridiculous knitted hat. I love his large brown eyes, and the way he bites his nails, and I love his hair so much I could die.
There's only one thing I don't love about him. Her.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
I am acutely aware that I am now the middle-aged traveler that I used to consider to lame, so embarrassing. And I have something to say to my 20-year-old self:
You cannot possibly know how much time it takes to learn to treasure this world, how many years it takes to properly cherish your place in it.
As you age, you will find it more and more remarkable, a miracle really, that any of us -- you, me -- are here at all, the result of an undeserved, infinite gift.
And the older you get, the more you know how much you will miss all this when you are gone.
In the end, the world was not all that changed by your coming, you were not all that crucial to it. But the world, this world, which you will one day travel in homage and gratitude, this world was everything to you.
”
”
Vivian Swift (Le Road Trip: A Traveler's Journal of Love and France)
“
I'm not trying to avoid you,' I replied lamely, but what else could I say? Sorry Brae but when I first came down to meet you I had no idea how hard it was going to be to avoid telling you that I was turning into a grotesque monster and I am worried that there is a good chance I could wake up one morning with a sudden lust for your blood.
Somehow I didn't think that would go down particularly well.
”
”
Heather James (Fire (Elements of Power, #1))
“
If only people communicated with each other, women won't have to come up with lame excuses when what we want to say is, "Our body feels like shit today. Can we please take a day off and catch up tomorrow?
”
”
Binati Sheth (ShhhARK WEEK)
“
In front marched Egypt. The Duke of Egypt at their head, on horseback, with his counts on foot, holding his bridle and stirrups; behind them the Egyptians, men and women, in any order, with their young children yelling on their shoulders; all of them, duke, counts, common people, in rags and tinsel. Then came the kingdom of the argot, that is to say, every thief in France, graded in order of rank, the lowest going in front. Thus there filed past in column of four, in the various insignia of their grades in this strange academy, the majority crippled, some of them lame, others with only one arm, the upright men, the counterfeit cranks, the rufflers, the kinchincoves, the Abraham-men, the fraters, the dommerars, the trulls, the whipjacks, the prygges, the drawlatches, the robardesmen, the clapper-dogens; an enumeration to weary Homer.
”
”
Victor Hugo (The Hunchback of Notre-Dame)
“
I try to shape a tight laugh, and it dies in my throat. "This is new to me, Wes. Sharing. Having someone I can share with. And I really appreciate your help -- That sounds lame. I've never had someone like... This is a mess. There's finally something good in my life and I'm already making a mess of it." My cheeks go hot, and I have to clench my teeth to stop the rambling.
"Hey," he says, knocking his shoe playfully against mine. "It's the same for me, you know?" This is all new to me. And I'm not going anywhere. It takes at least three assassination attempts to scare me off. And even then, if there are baked goods involved, I might come back." He hoists himself up from the bench. "But on that note, I retreat to tend my wounded pride." He says it with a smile, and somehow I'm smiling, too. How does he do that, untangle things so easily?
”
”
Victoria E. Schwab (The Archived (The Archived, #1))
“
This was not going the way I wanted it to. I felt a desperate need to escape before I said something that would screw up my plans. Ren was the dark side, the forbidden fruit, my personal Delilah-the ultimate temptation. The question was…could I resist?
I gave his knee a friendly pat and played my trump card…”I’m leaving.”
“You’re what?”
“I’m going home to Oregon. Mr. Kadam thinks it will be safer for me anyway, with Lokesh out there looking to kill us and all. Besides, you need time to figure out…stuff.”
“If you’re leaving, then I’m going with you!”
I smiled at him wryly. “That kind of defeats the purpose of me leaving. Don’t you think?”
He slicked back his hair, let out a deep breath, then took my hand and looked intently into my eyes. “Kells, when are you going to accept the fact that we belong together?”
I felt sick, like I was kicking a faithful puppy who only wanted to be loved. I looked out at the pool.
After a moment, he sat back scowling and said menacingly, “I won’t let you leave.”
Inside, I desperately wanted to take his hand and beg him to forgive me, to love me, but I steeled myself, dropped my hands in my lap, then implored, “Ren, please. You have to let me go. I need…I’m afraid…look, I just can’t be here, near you, when you change your mind.”
“It’s not going to happen.”
“it might. There’s a good chance.”
He growled angrily. “There’s no chance!”
“Well, my heart can’t take that risk, and I don’t want to put you in what can only be an awkward position. I’m sorry, Ren. I really am. I do want to be your friend, but I understand if you don’t want that. Of course, I’ll return when you need me, if you need me, to help you find the other three gifts. I wouldn’t abandon you or Kishan in that way. I just can’t stay here with you feeling obligated to pity-date me because you need me. But I’d never abandon your cause. I’ll always be there for you both, no matter what.”
He spat out, “Pity-date! You? Kelsey, you can’t be serious!”
“I am. Very, very serious. I’ll ask Mr. Kadam to make arrangements to send me back in the next few days.”
He didn’t say another word. He just sat back in his chair. I could tell he was fuming mad, but I felt that, after a week or two, when he started getting back out in the world, he would come to appreciate my gesture.
I looked away from him. “I’m very tired now. I’d like to go to bed.” I got up and headed to my room. Before I closed the sliding door, I asked, “Can I make one last request?”
He sat there tight-lipped, his arms folded over his chest, with a tense, angry face.
I sighed. Even infuriated he was beautiful.
He said nothing so I went on, “It would be a lot easier on me if I didn’t see you, I mean as a man. I’ll try to avoid most of the house. It is yours after all, so I’ll stay in my room. If you see Mr. Kadam, please tell him I’d like to speak with him.”
He didn’t respond.
“Well, good-bye, Ren. Take care of yourself.” I tore my eyes away from him, shut the door, and drew the curtains.
Take care of yourself? That was a lame goodbye. Tears welled in my eyes and blurred my vision. I was proud that I’d gotten through it without showing emotion. But, now, I felt like a steamroller had come along and flattened me.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Waste of time," said the leper. "There's a dozen or more beggars who come here every day, pretending to be cripples, hiring themselves out to the holy men. A couple of drachmas and they'll swear they've been crippled or blind for years then stage a bloody miraculous recovery. Holy men? Healers? Don't make me laugh."
"But this man is different," said Christ.
"I remember him," said the blind man. "Jesus. He come here on the sabbath, like a fool. The priests wouldn't let him heal anyone on sabbath. He should've known that."
"But he did heal someone," said the lame man. "Old Hiram. You remember that. He told him to take up his bed and walk."
"Bloody rubbish," said the blind man. "Hiram went as far as the temple gate, then he lay down and went on begging. Old Sarah told me. He said what was the use of taking his living away? Begging was the only thing he knew how to do. You and your blether about goodness," he said, turning to Christ, "where's the goodness in throwing an old man out into the street without a trade, without a home, without a penny? Eh? That Jesus is asking too much of people."
"But he was good," said the lame man. "I don't care what you say. You could feel it, you could see it in his eyes."
"I never saw it," said the blind man.
”
”
Philip Pullman (The Good Man Jesus and the Scoundrel Christ)
“
feel that way too when I say such things to others who have lost someone they loved. We all do. It feels lame because we like to think we can solve things. It feels insufficient because there is nothing we can actually do to change what’s horribly true.
”
”
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
“
Zane looks pensive, and then his lips twitch. “They say most girls end up marrying a guy just like their dad.”
“Oh God … That’s so lame,” I say, spluttering as coffee dribbles down my chin.
“I believe it’s a tried and tested theory,” he says, standing up and wiping my chin with the back of his hand. I jolt at his touch.
“Now it’s a theory? I thought it was a saying? Next you’ll be telling me it’s a fact.” I flop back down on the couch.
“Empirical evidence shows that sixty-eight percent of girls marry a guy who displays similar personality traits to her father ...” His voice trails off as I shake my head. “What?” he asks, his palms open and raised.
“You really need to get out more. Where’d you glean that interesting nugget? The desperate men’s journal perhaps?
”
”
Siobhan Davis ™ (Beyond Reach (True Calling #2))
“
Today when I was walking down an endless maze of white picket fences back to the train station, a little boy playing in his front yard runs up to the fence and looks at me...looks at me with eyes that take it all in...maybe he will say,
'Start writing. On the train. Tonight. In that gay little journal you carry around with you. It's what you naturally do, ever since the sixth grade, except this time it will be notes for this book. You'll be like a huge 33 year old goony sixth grader with a book deal writing on some lame ass commuter train. Now Go! Go on!'
Whatever he says, he will deliver the message that all of us have lost the ability to say in our jaded adult lives. Maybe how our lives finally change but only when it is right for our lives to change. That we are not in control of this thing. I look back at him just before making my turn on the last part of my walk toward the train. It feels like slow motion as he sizes me up that one last time. He opens his mouth and the words come out: 'Hey mister, why dont you have a car?'
Oh, man.
”
”
Dan Kennedy
“
OK, so this is the story of a Chinese father and son and their best horse. The horse runs away, for no reason, and lives with some nomads across the border. The son is very upset that the horse has gone, and the father says to him, "What makes you so sure this isn't a blessing?" Then the horse comes back, a few months later, with a beautiful nomad stallion. The son is thrilled, but the father says to him, "What makes you so sure this isn't a disaster?" The son loves riding the new horse, but one day falls and breaks his leg. Everyone is sad for him, and his father says, wait for it, "What makes you so sure this isn't a blessing?" At some point the nomads invade, and every able-bodied young man has to go off to battle. The nomads basically wipe out all the men, but the son is safe because he is lame, and so he and his father live on and look after one another.
”
”
Scarlett Thomas (Our Tragic Universe)
“
Oh, how was your little sex party thing, by the way?” “Okay.” “Cool.” “I mean, it was super lame,” I add. “I don’t think I’ll be doing that again. Ever.” She looks at me. “You’re allowed to have fun without me, you know.” “I know,” I say. “But I really didn’t. At all.” She looks at me until I look away. Silence.
”
”
Mona Awad (Bunny)
“
Out of the magazines I read came a passionate call for the experiences of the disinherited, and there were none of the lame lispings of the missionary in it. It did not say: "Be like us and we will like you, maybe." It said: "If you possess enough courage to speak out what you are, you will find that you are not alone.
”
”
Richard Wright (Black Boy)
“
Then we were quiet. Quiet isn’t easy. Especially with virtual strangers. They say that nature hates a vacuum, and so it’s kind of natural to want to fill up a human silence with words—any kind of lame words. But there was such a feeling of space around us that my first self-conscious word died long before I ever felt it on my tongue.
”
”
Kristen D. Randle (The Gardener)
“
I hate to say this, but I am still holding somewhat of a grudge at the people that could have come to the funeral but didn't, especially when they came up with some lame excuse how it was too sad or how they were afraid of cemeteries or whatever. No justification in the world could make up for you not being there when someone needs you. Period.
”
”
Silvia Corradin (Losing Alex: The Night I Held An Angel)
“
What is it, Lord?” What am I holding back? What am I using as an excuse for not serving You in whatever You want me to do?” And then, there by the canal, I finally had my answer. My “yes” to God had always been a “yes, but.” Yes, but I’m not educated. Yes, but I’m lame. With the next breath, I did say “Yes.” I said it in a brand-new way, without qualification. “I’ll go, Lord,
”
”
Brother Andrew (God's Smuggler)
“
What is it, Lord? What am I holding back? What am I using as an excuse for not serving You in whatever You want me to do?' And then, there by the canal, I finally had my answer. My 'yes' to God had always been a 'yes, but'. Yes, but I'm not educated. Yes, but I'm lame.
With the next breath, I did say 'Yes'. I said it in a brand-new way, without qualification. 'I'll go, Lord,' I said, 'no matter whether it's through the route of ordination, or through the WEC programme, or through working on at Ringers'.' Whenever, wherever, however You want me, I'll go. And I'll begin this very minute. Lord, as I stand up from this place, and as I take my first step forward, will You consider that this is a step towards complete obedience to You? I'll call it the Step of Yes.
”
”
Brother Andrew (God's Smuggler)
“
Because people like me want to have their hamburgers. Only once or twice a year, I want to say. But I know that’s a lame defense. It’s not the quantity that matters, it’s the statement you make or don’t make. When you tell people you don’t eat beef — or would never use a glue trap — you make the alternative a little less comfortable for them. You keep it from being a thing they give no thought to.
”
”
Mary Roach (Fuzz: When Nature Breaks the Law)
“
...a final word to "the children": do you want to get suckered like your big brothers and sisters? Those saps who spent 2008 standing behind the Obamessiah swaying and chanting, "We are the dawning of the Hopeychange" like brainwashed cult extras? Sooner or later you guys have to crawl out from under the social engineering and rediscover the contrarian spirit for which youth was once known...This will be the great battle of the next generation--to reclaim your birthright from those who spent it. If you don't, the entire global order will teeter and fall. But, if you do, you will have won a great victory. Every time a politician proposes new spending, tell him he's already spent your money, get his hand out of your pocket. Every time a politician says you can stay a child until your twenty-seventh birthday, tell him, "No, you're the big baby, not me--you've spent irresponsibly, and me and my pals are the ones who are gonna have to be the adults and clean up your mess. Don't treat met like a kid when your immaturity got us into this hole." This is a battle for the American idea, and it's an epic one, but--to reprise the lamest of lame-o-lines--you can do anything you want to do. So do it.
”
”
Mark Steyn (After America: Get Ready for Armageddon)
“
Boon and Watt had the bad—or perhaps good—fortune to come of age during one of rock’s most abject periods. “That Seventies stuff, the Journey, Boston, Foreigner stuff, it was lame,” Watt says. “If it weren’t for those type of bands we never would have had the nerve to be a band. But I guess you need bad things to make good things. It’s like with farming—if you want to grow a good crop, you need a lot of manure.
”
”
Michael Azerrad (Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991)
“
To follow somebody, without them knowing that you’re doing it, is not the doddle they make it seem in films. I’ve had some experience of professional following, and a lot more experience of professional going back to the office and saying ‘we lost him’. Unless your quarry is deaf, tunnel-sighted and lame, you need at least a dozen people and fifteen thousand quids-worth of short-wave radio to make a decent go of it.
”
”
Hugh Laurie (The Gun Seller)
“
[98]. How is it that a lame man does not annoy us while a lame mind does? Because a lame man recognizes that we are walking straight, while a lame mind says that it is we who are limping. But for that we should feel sorry rather than angry. Epictetus goes much further when he asks: Why do we not lose our temper if someone tells us that we have a headache, while we do lose it if someone says there is anything wrong with our arguments or our choice?
”
”
Blaise Pascal (Pensees)
“
Friendship intimacy calls for whoever is on the receiving end of the information to offer "hefty helpings of emotional expressiveness and unconditional support." Yet, as Karbo points out, they can't be too opinionated. So if I'm enraged that Matt canceled our Friday night plans, again, she better huff and puff and agree it was lame of him, but she would never say "He's such an ass, I've never liked him." Such are the unwritten rules of friendship.
”
”
Rachel Bertsche (MWF Seeking BFF: My Yearlong Search For A New Best Friend)
“
Chase took a long breath. “There’s no way around saying this, other than just coming straight out with it. I’ve been an idiot—an ass. Time and time again, I’ve done the wrong thing by you.”
Her mouth dropped open.
“And this whole time I’d been trying to do the right thing by not being with you. I didn’t want to betray Mitch by hooking up with his little sister. I didn’t want to somehow mess up our friendship either, because you have been such a huge part of my life.” He took a deep breath. “And I never wanted to be like my father—to treat you like he treated my mom. And it was stupid—I get that now. Chad was right. Father never loved our mother, but it’s different for me—it’s different for us. It always has been.”
The whole time he spoke, he never looked away from her. She opened her mouth to say something but he rushed ahead. “But all I’ve managed to do is screw things up. That night in the club…I wasn’t drunk.”
Madison shifted uncomfortably. “I know.”
“It was a lame excuse, and I’m sorry. That night—I should’ve told you how I really felt. And every night thereafter,” he said, taking a step forward. “I should’ve told you how I felt the night in that damn cabin, too.”
Her heart swelled as hope grew in a tangle of emotions she could never unravel. All of this seemed surreal. Tears rushed her eyes as she reached behind her, grasping the edges of her desk. “And how do you feel?”
Chase’s smile revealed those deep dimples she loved, and when he spoke, his voice was husky. “Aw hell, Maddie, I’m not good at this kind of stuff. You…you are my world. You’ve always been my world, ever since I can remember.”
At Bridget’s soft inhale, Madison placed a trembling hand over her mouth.
Stepping forward, he placed a hand over hers, gently pulling it away from her mouth. “It’s the truth. You are my everything. I love you. I have for longer than I realized. Please tell me my boneheadedness hasn’t screwed things up beyond repair for us.
”
”
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
“
Come on,” he said, reaching for her.
” Leave me alone,” she managed to say, stumbling back. The enkanto caught her before she fell, supporting her with his good arm.
” Let her alone,” said the enkanto, “or I will curse you blind, lame, and worse."
The old man laughed. “I'm a curse breaker, fool."
The elf grabbed one of the Jim Beam bottles from the table and slammed it down, so that he was holding a jagged glass neck. The elf smiled a very thin smile. “Then I won't bother with magic.
”
”
Holly Black (The Poison Eaters and Other Stories)
“
Well, good luck,’ the Vietnam verbal tic...It was as though people couldn’t stop themselves from saying it, even when they actually meant to express the opposite wish, like, ‘Die, motherfucker.’ Usually it was only an uninhabited passage of dead language, sometimes it came out five times in a sentence, like punctuation, often it was spoken flat side up to telegraph the belief that there wasn’t any way out; tough shit, sin loi, smack it, good luck. Sometimes, though, it was said with such feeling and tenderness that it could crack your mask, that much love where there was so much war. Me too, every day, compulsively, good luck: to friends in the press corps going out on operations, to grunts I’d meet at firebases and airstrips, to the wounded, the dead and all the Vietnamese I ever saw getting fucked over by us and each other, less often but most passionately to myself, and though I meant it every time I said it, it was meaningless. It was like telling someone going out in a storm not to get any on him, it was the same as saying, ‘Gee, I hope you don’t get killed or wounded or see anything that drives you insane.’ You could make all the ritual moves, carry your lucky piece, wear your magic jungle hat, kiss your thumb knuckle smooth as stones under running water, the Inscrutable Immutable was still out there, and you kept on or not at its pitiless discretion. All you could say that wasn’t fundamentally lame was something like, ‘He who bites it this day is safe from the next,’ and that was exactly what nobody wanted to hear.
”
”
Michael Herr (Dispatches)
“
You’re so bright, Trav, and so intuitive about people. And you have … the gift of tenderness. And sympathy. You could be almost anything.” “Of course!” I said, springing to my feet and beginning to pace back and forth through the lounge. “Why didn’t I think of that! Here I am, wasting the golden years on this lousy barge, getting all mixed up with lame-duck women when I could be out there seeking and striving. Who am I to keep from putting my shoulder to the wheel? Why am I not thinking about an estate and how to protect it? Gad, woman, I could be writing a million dollars a year in life insurance. I should be pulling a big oar in the flagship of life. Maybe it isn’t too late yet! Find the little woman, and go for the whole bit. Kiwanis, P.T.A., fund drives, cookouts, a clean desk, and vote the straight ticket, yessiree bob. Then when I become a senior citizen, I can look back upon …” I stopped when I heard the small sound she was making. She sat with her head bowed. I went over and put my fingertips under her chin. I tilted her head up and looked down into her streaming eyes. “Please, don’t,” she whispered. “You’re beginning to bring out the worst in me, woman.” “It was none of my business.” “I will not dispute you.” “But … who did this to you?” “I’ll never know you well enough to try to tell you, Lois.” She tried to smile. “I guess it can’t be any plainer than that.” “And I’m not a tragic figure, no matter how hard you try to make me into one. I’m delighted with myself, woman.” “And you wouldn’t say it that way if you were.” “Spare me the cute insights.
”
”
John D. MacDonald (The Deep Blue Good-By)
“
You know what, Sam? We created the council to take pressure off of you. Because you were falling apart.”
Sam just stared at her. Not quite believing she’d said it. And Astrid seemed shocked herself. Shocked at the venom behind her own words.
“I didn’t mean…,” she started lamely, but then couldn’t find her way to explaining just what it was she didn’t mean.
Sam shook his head. “You know, even now, as long as we’ve been together it still surprises me that you can be so ruthless.”
“Ruthless? Me?”
“You will use anyone to get what you want. Say anything to get your way. Why was I ever even in charge?” He stabbed an accusing finger at her. “Because of you! Because you manipulated me into it. Why? So I would protect you and Little Pete. That’s all you cared about.”
“That’s a lie!” she said hotly.
“You know it’s the truth. And now you don’t have to bother manipulating me, you can just give me orders. Embarrass me. Undercut me. But as soon as some problem hits, guess what? It’ll be, oh, please, Sam, save us.”
“Anything I do, I do for everyone’s good,” Astrid said.
“Yeah, so you’re not just a genius now, you’re a saint.
”
”
Michael Grant (Lies (Gone, #3))
“
I am thirty-two years old, and the best I can do on a Saturday is accompany my married friends to a craft fair. The thought inspired an instant twitch of self-loathing, because it was such a lame lament. You put something like that in your suicide note, and the cops would have a good laugh. “My wife burned dinner,” someone would say. “I think I’ll hang myself.” Another wit would say, “Hell, nothing but reruns on. I’m gonna get the shotgun out of the attic and blow my damned head off.” Wally found himself resenting these imagined cops. What did they know about his life?
”
”
Ellen Datlow (Lovecraft Unbound)
“
The same is true for your fiancée, Bewildered. She is your joy on wheels whose every experience is informed and altered by the fact that she lost the most essential, elemental, primal, and central person in her life too soon. I know this without knowing her. It will never be okay that she lost her mother. And the kindest, most loving thing you can do for her is to bear witness to that, to muster the strength, courage, and humility it takes to accept the enormous reality of its not okayness and be okay with it the same way she has to be. Get comfortable being the man who says Oh honey, I’m so sorry for your loss over and over again. That’s what the people who’ve consoled me the most deeply in my sorrow have done. They’ve spoken those words or something like them every time I needed to hear it; they’ve plainly acknowledged what is invisible to them, but so very real to me. I know saying those clichéd and ordinary things makes you feel squirmy and lame. I feel that way too when I say such things to others who have lost someone they loved. We all do. It feels lame because we like to think we can solve things. It feels insufficient because there is nothing we can actually do to change what’s horribly true.
”
”
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Someone Who's Been There)
“
Even if fate decreed that we had a bond, I definitely don’t recognize it. I don’t even like you.”
“If we had no bad blood between us, would you . . . like me?”
“I’d be attracted to you, but there’s no way I’d want anything permanent with you—bad blood or not.”
“What the hell’s so wrong with me?” His eyes flickered, and the hint of uncertainty he’d just revealed was drowned out by a surge of arrogance. “I’m strong, I can protect you, and I’m rich. And I vow to you, lass, once you experience what it’s like to share my bed, you will no’ ever want to leave it.”
His eyes bored into hers as he said the last, and despite herself, his utter confidence in this area affected her, forcing herself to wonder what tricks a twelve-century-old immortal would’ve picked up over the years.
She inwardly shook herself. “MacRieve, when I settle down it’s going to be with a male that has—oh, I don’t know—a sense of humor, or of modesty. How about a lack of scathing hatred towards witches? Maybe a zest for life? Too much to ask that he’s born in the same millennium?”
“Some of these things canna be changed, but know that I was no’ always so . . . grave as I am now.”
“It doesn’t matter. We’re just too different. I need a male who will get along with my friends, my witch friends, who’ll be current enough to know the difference between emo rock and jangle pop, and who’ll be able to get me through the ice world in Zelda.”
MacRieve was no doubt speculating in what ice dimension this mysterious land of Zelda was. He finally said, “These differences are surmountable—”
“And the age difference? You keep talking about how young I am, but all you’re doing is reminding me how old you are. Any minute now you’re going to say something really lame like ‘When I was your age . . .,’ and I’m just not going to be able to keep from laughing at you.
”
”
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
“
Everyone asks me how I got started into writing. I wish I had some cool story to tell, but the truth is pretty lame. My wife and I were having a drink on our back porch and I mentioned a concept I'd been mulling over. She suggested that I write it down, and so I figured I'd make a few notes and get it out of my system. No matter how I tried though, it just wouldn't let me write it in any other way than a story. Believe me when I say I tried, but 63,000 words later I realized that I needed a chart to track the plot and personas to maintain character consistency. So I just gave up and let it write itself from that point on.
As far as I'm concerned now, I'm just hanging on and trying to keep up.
”
”
Jason Faris (Transitions (The Quantum Mechanic, #1))
“
I walk outside and the green on the trees seems greener, so potent I can almost taste it. Maybe I can taste it, and it is like the grass I decided to chew when I was a child just to see what it was like. I almost fall down the stairs because of the swaying and burst into laughter when the grass tickles my bare feet. I wander toward the orchard.
“Four!” I call out. Why am I calling out a number? Oh yes. Because that’s his name. I call out again. “Four! Where are you?”
“Tris?” says a voice from the trees on my right. It almost sounds like the tree is talking to me. I giggle, but of course it’s just Tobias, ducking under a branch.
I run toward him, and the ground lurches to the side, so I almost fall. His hand touches my waist, steadies me. The touch sends a shock through my body, and all my insides burn like his fingers ignited them. I pull closer to him, pressing my body against his, and lift my head to kiss him.
“What did they--” he starts, but I stop him with my lips. He kisses me back, but too quickly, so I sigh heavily.
“That was lame,” I say. “Okay, no it wasn’t, but…”
I stand on my tiptoes to kiss him again, and he presses his finger to my lips to stop me.
“Tris,” he says. “What did they do to you? You’re acting like a lunatic.”
“That’s not very nice of you to say,” I say. “They put me in a good mood, that’s all. And now I really want to kiss you, so if you could just relax--”
“I’m not going to kiss you. I’m going to figure out what’s going on,” he says.
I pout my lower lip for a second, but then I grin as the pieces come together in my mind.
“That’s why you like me!” I exclaim. “Because you’re not very nice either! It makes so much more sense now.”
“Come on,” he says. “We’re going to see Johanna.”
“I like you, too.”
“That’s encouraging,” he replies flatly. “Come on. Oh, for God’s sake. I’ll just carry you.”
He swings me into his arms, one arm under my knees and the other around my back. I wrap my arms around his neck and plant a kiss on his cheek. Then I discover that the air feels nice on my feet when I kick them, so I move my feet up and down as he walks us toward the building where Johanna works.
”
”
Veronica Roth (Insurgent (Divergent, #2))
“
What is the most beautiful place you’ve ever seen?”
Dragging his gaze from the beauty of the gardens, Ian looked down at the beauty beside him. “Any place,” he said huskily, “were you are.”
He saw the becoming flush of embarrassed pleasure that pinkened her cheeks, but when she spoke her voice was rueful. “You don’t have to say such things to me, you know-I’ll keep our bargain.”
“I know you will,” he said, trying not to overwhelm her with avowals of love she wouldn’t yet believe. With a grin he added, “Besides, as it turned out after our bargaining session, I’m the one who’s governed by all the conditions, not you.”
Her sideways glance was filled with laughter. “You were much too lenient at times, you know. Toward the end I was asking for concessions just to see how far you’d go.”
Ian, who had been multiplying his fortune for the last four years by buying shipping and import-export companies, as well as sundry others, was regarded as an extremely tough negotiator. He heard her announcement with a smile of genuine surprise. “You gave me the impression that every single concession was of paramount importance to you, and that if I didn’t agree, you might call the whole thing off.”
She nodded with satisfaction. “I rather thought that was how I ought to do it. Why are you laughing?”
“Because,” he admitted, chuckling, “obviously I was not in my best form yesterday. In addition to completely misreading your feelings, I managed to buy a house on Promenade Street for which I will undoubtedly pay five times its worth.”
“Oh, I don’t think so,” she said, and, as if she was embarrassed and needed a way to avoid meeting his gaze, she reached up and pulled a leaf off an overhanging branch. In a voice of careful nonchalance, she explained, “In matters of bargaining, I believe in being reasonable, but my uncle would assuredly have tried to cheat you. He’s perfectly dreadful about money.”
Ian nodded, remembering the fortune Julius Cameron had gouged out of him in order to sign the betrothal agreement.
“And so,” she admitted, uneasily studying the azure-blue sky with feigned absorption, “I sent him a note after you left itemizing all the repairs that were needed at the house. I told him it was in poor condition and absolutely in need of complete redecoration.”
“And?”
“And I told him you would consider paying a fair price for the house, but not one shilling more, because it needed all that.”
“And?” Ian prodded.
“He has agreed to sell it for that figure.”
Ian’s mirth exploded in shouts of laughter. Snatching her into his arms, he waited until he could finally catch his breath, then he tipped her face up to his. “Elizabeth,” he said tenderly, “if you change your mind about marrying me, promise me you’ll never represent the opposition at the bargaining table. I swear to God, I’d be lost.” The temptation to kiss her was almost overwhelming, but the Townsende coach with its ducal crest was in the drive, and he had no idea where their chaperones might be. Elizabeth noticed the coach, too, and started toward the house.
"About the gowns," she said, stopping suddenly and looking up at him with an intensely earnest expression on her beautiful face. "I meant to thank you for your generosity as soon as you arrived, but I was so happy to-that is-" She realized she'd been about to blurt out that she was happy to see him, and she was so flustered by having admitted aloud what she hadn't admitted to herself that she completely lost her thought.
"Go on," Ian invited in a husky voice. "You were so happy to see me that you-"
"I forgot," she admitted lamely.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
You married, Zig?“ I asked him.
"Yeah, twenty-one years.” He actually glanced at his wedding ring as he said it. “You?”
I looked down at my bare left hand. I’d never had the compulsion to do that before. How lame. “I’m, uh… .” Great, I couldn’t say it.
But I had to. The longer I waited, the worse my anxiety would be. And I couldn’t imagine it feeling any worse than it did already. “I’m moving in with someone. Just as soon as we find a place that’s not haunted.” Say it, Vic. Damn it. Tell him.
“That a common problem, spirit activity in a …?”
“Jacob Marks. From the Twelfth. You know him? I’m moving in with him.”
Zig almost did a spit-take. The color drained from his ruddy cheeks, leaving him a strange shade of gray. His already-bulging eyes bulged even more. And then a barrier slammed down somewhere behind them and he pressed his lips together hard.
Shit. I’d thought I was up for the conversation, but evidently I was a much bigger pussy than I realized. My stomach clenched up and I fought the urge to tell Zig I was just kidding, and laugh, and give him a hearty, heterosexual clap on the back.
God, I hate confrontation.
I steeled myself for the tirade that was sure to come. The one where I was a drug addict, a shitty cop, and a miserable excuse for a human being.
Zig blinked. He cleared his throat. “Marks,” he said. “Sure. We’ve met.” And then he looked back at his notepad with every ounce of attention he had.
”
”
Jordan Castillo Price (Body and Soul (PsyCop, #3))
“
A look of perplexity appeared on Gabriel's face. It was true that he wrote a literary column every Wednesday in The Daily Express, for which he was paid fifteen shillings. But that did not make him a West Briton surely. The books he received for review were almost more welcome than the paltry cheque. He loved to feel the covers and turn over the pages of newly printed books... He did not know how to meet her charge. He wanted to say that literature was above politics. But they were friends of many years' standing and their careers had been parallel, first at the University and then as teachers: he could not risk a grandiose phrase with her. He continued blinking his eyes and trying to smile and murmured lamely that he saw nothing political in writing reviews of books.
”
”
James Joyce (The Dead)
“
A VALEDICTION: OF THE BOOK I'll tell thee now (dear love) what thou shalt do To anger destiny, as she doth us; How I shall stay, though she eloign me thus, And how posterity shall know it too; How thine may out-endure Sibyl's glory, and obscure Her who from Pindar could allure, And her, through whose help Lucan is not lame, And her, whose book (they say) Homer did find, and name. Study our manuscripts, those myriads Of letters, which have past 'twixt thee and me; Thence write our annals, and in them will be To all whom love's subliming fire invades, Rule and example found; There the faith of any ground No schismatic will dare to wound, That sees, how Love this grace to us affords, To make, to keep, to use, to be these his records. This book, as long-lived as the elements, Or as the world's form, this all-graved tome In cypher writ, or new made idiom; We for Love's clergy only are instruments; When this book is made thus, Should again the ravenous Vandals and Goths invade us, Learning were safe; in this our universe, Schools might learn sciences, spheres music, angels verse. Here Love's divines—since all divinity Is love or wonder—may find all they seek, Whether abstract spiritual love they like, Their souls exhaled with what they do not see; Or, loth so to amuse Faith's infirmity, they choose Something which they may see and use; For, though mind be the heaven, where love doth sit, Beauty a convenient type may be to figure it. Here more than in their books may lawyers find, Both by what titles mistresses are ours, And how prerogative these states devours, Transferred from Love himself, to womankind; Who, though from heart and eyes, They exact great subsidies, Forsake him who on them relies; And for the cause, honour, or conscience give; Chimeras vain as they or their prerogative. Here statesmen, (or of them, they which can read) May of their occupation find the grounds; Love, and their art, alike it deadly wounds, If to consider what 'tis, one proceed. In both they do excel Who the present govern well, Whose weakness none doth, or dares tell; In this thy book, such will there something see, As in the Bible some can find out alchemy. Thus vent thy thoughts; abroad I'll study thee, As he removes far off, that great heights takes; How great love is, presence best trial makes, But absence tries how long this love will be; To take a latitude Sun, or stars, are fitliest viewed At their brightest, but to conclude Of longitudes, what other way have we, But to mark when and where the dark eclipses be?
”
”
John Donne (The Love Poems)
“
Weak and trembling from passion, Major Flint found that after a few tottering steps in the direction of Tilling he would be totally unable to get there unless fortified by some strong stimulant, and turned back to the club-house to obtain it. He always went dead-lame when beaten at golf, while Captain Puffin was lame in any circumstances, and the two, no longer on speaking terms, hobbled into the club-house, one after the other, each unconscious of the other's presence. Summoning his last remaining strength Major Flint roared for whisky, and was told that, according to regulation, he could not be served until six. There was lemonade and stone ginger-beer. You might as well have offered a man-eating tiger bread and milk. Even the threat that he would instantly resign his membership unless provided with drink produced no effect on a polite steward, and he sat down to recover as best he might with an old volume of Punch. This seemed to do him little good. His forced abstemiousness was rendered the more intolerable by the fact that Captain Puffin, hobbling in immediately afterwards, fetched from his locker a large flask of the required elixir, and proceeded to mix himself a long, strong tumblerful. After the Major's rudeness in the matter of the half-crown, it was impossible for any sailor of spirit to take the first step towards reconciliation.
Thirst is a great leveller. By the time the refreshed Puffin had penetrated half-way down his glass, the Major found it impossible to be proud and proper any longer. He hated saying he was sorry (no man more) and he wouldn't have been sorry if he had been able to get a drink. He twirled his moustache a great many times and cleared his throat--it wanted more than that to clear it--and capitulated.
"Upon my word, Puffin, I'm ashamed of myself for--ha!--for not taking my defeat better," he said. "A man's no business to let a game ruffle him."
Puffin gave his alto cackling laugh.
"Oh, that's all right, Major," he said. "I know it's awfully hard to lose like a gentleman."
He let this sink in, then added:
"Have a drink, old chap?"
Major Flint flew to his feet.
"Well, thank ye, thank ye," he said. "Now where's that soda water you offered me just now?" he shouted to the steward.
The speed and completeness of the reconciliation was in no way remarkable, for when two men quarrel whenever they meet, it follows that they make it up again with corresponding frequency, else there could be no fresh quarrels at all. This one had been a shade more acute than most, and the drop into amity again was a shade more precipitous.
”
”
E.F. Benson
“
Before the troops left Rome, the consul Varro made a number of extremely arrogant speeches. The nobles, he complained, were directly responsible for the war on Italian soil, and it would continue to prey upon the country's vitals if there were any more commanders on the Fabian model. He himself, on the contrary, would bring it to an end on the day he first caught sight of the enemy. His colleague Paullus spoke only once before the army marched, and in words which though true were hardly popular. His only harsh criticism of Varro was to express his surprise about how any army commander, while still at Rome, in his civilian clothes, could possibly know what his task on the field of battle would be, before he had become acquainted either with his own troops or the enemy's or had any idea of the lie and nature of the country where he was to operate--or how he could prophesy exactly when a pitched battle would occur. As for himself, he refused to recommend any sort of policy prematurely; for policy was moulded by circumstance, not circumstance by policy. . . . [T]o strengthen [Paullus'] determination Fabius (we are told) spoke to him at his departure in the following words.
'If, Lucius Aemilius, you were like your colleague, or if--which I should much prefer--you had a colleague like yourself, anything I could now say would be superfluous. Two good consuls would serve the country well in virtue of their own sense of honour, without any words from me; and two bad consuls would not accept my advice, nor even listen to me. But as things are, I know your colleague's qualities and I know your own, so it is to you alone I address myself, understanding as I do that all your courage and patriotism will be in vain, if our country must limp on one sound leg and one lame one. With the two of you equal in command, bad counsels will be backed by the same legal authority as good ones; for you are wrong, Paullus, if you think to find less opposition from Varro than from Hannibal. Hannibal is your enemy, Varro your rival, but I hardly know which will prove the more hostile to your designs; with the former you will be contending only on the field of battle, but with the latter everywhere and always. . . .
[I]t is not the enemy who will make it difficult and dangerous for you to tread, but your fellow-countrymen. Your own men will want precisely what the enemy wants; the wishes of Varro, the Roman consul, will play straight into the hands of Hannibal, commander-in-chief of the Carthaginian armies. You will have two generals against you; but you will stand firm against both, if you can steel yourself to ignore the tongues of men who will defame you--if you remain unmoved by the empty glory your colleague seeks and the false infamy he tries to bring upon yourself. . . . Never mind if they call your caution timidity, your wisdom sloth, your generalship weakness; it is better that a wise enemy should fear you than that foolish friends should praise. Hannibal will despise a reckless antagonist, but he will fear a cautious one. Not that I wish you to do nothing--all I want is that your actions should be guided by a reasoned policy, all risks avoided; that the conduct of the war should be controlled by you at all times; that you should neither lay aside your sword nor relax your vigilance but seize the opportunity that offers, while never giving the enemy a chance to take you at a disadvantage. Go slowly, and all will be clear and sure. Haste is always improvident and blind.
”
”
Livy (The History of Rome, Books 21-30: The War with Hannibal)
“
Or when you keep a sex-addiction meeting under surveillance because they’re the best places to pick up chicks.” Serge looked around the room at suspicious eyes. “Okay, maybe that last one’s just me. But you should try it. They keep the men’s and women’s meetings separate for obvious reasons. And there are so many more opportunities today because the whole country’s wallowing in this whiny new sex-rehab craze after some golfer diddled every pancake waitress on the seaboard. That’s not a disease; that’s cheating. He should have been sent to confession or marriage counseling after his wife finished chasing him around Orlando with a pitching wedge. But today, the nation is into humiliation, tearing down a lifetime of achievement by labeling some guy a damaged little dick weasel. The upside is the meetings. So what you do is wait on the sidewalk for the women to get out, pretending like you’re loitering. And because of the nature of the sessions they just left, there’s no need for idle chatter or lame pickup lines. You get right to business: ‘What’s your hang-up?’ And she answers, and you say, ‘What a coincidence. Me, too.’ Then, hang on to your hat! It’s like Forrest Gump’s box of chocolates. You never know what you’re going to get. Most people are aware of the obvious, like foot fetish or leather. But there are more than five hundred lesser-known but clinically documented paraphilia that make no sexual sense. Those are my favorites . . .” Serge began counting off on his fingers. “This one woman had Ursusagalmatophilia, which meant she got off on teddy bears—that was easily my weirdest three-way. And nasophilia, which meant she was completely into my nose, and she phoned a friend with mucophilia, which is mucus. The details on that one are a little disgusting. And formicophilia, which is being crawled on by insects, so the babe bought an ant farm. And symphorophilia—that’s staging car accidents, which means you have to time the air bags perfectly
”
”
Tim Dorsey (Pineapple Grenade (Serge Storms #15))
“
Waste of what?” “Of you! It seems degrading. Forgive me for saying that. I’ve seen those African movies. The lion makes a kill and then clever animals come in and grab something and run. You’re so bright, Trav, and so intuitive about people. And you have … the gift of tenderness. And sympathy. You could be almost anything.” “Of course!” I said, springing to my feet and beginning to pace back and forth through the lounge. “Why didn’t I think of that! Here I am, wasting the golden years on this lousy barge, getting all mixed up with lame-duck women when I could be out there seeking and striving. Who am I to keep from putting my shoulder to the wheel? Why am I not thinking about an estate and how to protect it? Gad, woman, I could be writing a million dollars a year in life insurance. I should be pulling a big oar in the flagship of life. Maybe it isn’t too late yet! Find the little woman, and go for the whole bit. Kiwanis, P.T.A., fund drives, cookouts, a clean desk, and vote the straight ticket, yessiree bob. Then when I become a senior citizen, I can look back upon …
”
”
John D. MacDonald (The Deep Blue Good-By)
“
I didn’t want you to apply just because I’m going to be in New York. Or hell, even worse, not apply because I’m going to be there. I was going to tell you in person. And then the scout shows up at the game tonight, and what was I supposed to do? My mom is freaking out; you’re freaking out.” He throws his hands in the air in frustration. “I’ve totally fucked this up.”
It hits me then, the truth of the situation. He made his decision about Columbia on his own, and he wanted me to be able to do the same. Of course.
Hell, if it hadn’t been for the storm bringing us together like it did, I probably would have turned down NYU rather than risk going off to New York with him, and that’s the truth.
I drop my gaze to the ground and take a deep breath, cursing myself for being such an idiot.
“No, you haven’t,” I say at last, raising my eyes to meet his confused ones.
“Haven’t what?”
“Fucked it up.” I take a tentative step toward him. “I get it now. God, Ryder. Why do you have to be so perfect?”
“Perfect? I’ve been in love with you for so long now, and I’ve never managed to get it right, not once.”
I have to bite my lip to keep from grinning. “News flash--I think you’ve finally got it this time.”
His smile makes my heart leap. “Do you have any idea what was going through my head when you first told me about NYU? I couldn’t believe it. It was like…like a gift fell right into my lap. Like winning the lottery. All this time I thought going off to New York would mean leaving you behind. And now--”
“Now we both better get in,” I finish for him, though it probably wasn’t what he was going to say. I mean, he’s a shoo-in for Columbia. Perfect grades, high SATs, and a superstar quarterback the likes of which the Ivy League rarely sees. He’s every college admissions director’s dream. But me? If I get into NYU, it’ll be by the skin of my teeth. Because they want geographic diversity or something lame like that. I’m nothing special.
“Where will you go if you don’t get into NYU?” he asks.
“Where else?” I say. “Ole Miss, with Lucy and Morgan.”
“Then Ole Miss is my backup too. Here’s the thing, Jem. I’m going wherever you’re going--whether it’s New York or Oxford. I’m not missing my chance this time.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
I’ll wait for you at the cottage until noon tomorrow.”
“I won’t be there.”
“I’ll wait until noon,” he insisted.
“You will be wasting your time. Let go of me, please. This has all been a mistake!”
“Then we may as well make two of them,” he said harshly, and his arm abruptly tightened, bringing her closer to his body. “Look at me, Elizabeth,” he whispered, and his warm breath stirred the hair at her temple.
Warning bells screamed through her, belated but loud. If she lifted her head, he was going to kiss her. “I do not want you to kiss me,” she warned him, but it wasn’t completely true.
“Then say good-bye to me now.”
Elizabeth lifted her head, dragging her eyes past his finely sculpted mouth to meet his gaze. “Good-bye,” she told him, amazed that her voice didn’t shake.
His eyes moved down her face as if he were memorizing it, then they fixed on her lips. His hands slid down her arms and abruptly released her as he stepped back. “Good-bye, Elizabeth.”
Elizabeth turned and took a step, but the regret in his deep voice made her turn back…or perhaps it had been her own heart that had twisted as if she was leaving something behind-something she’d regret. Separated by less than two feet physically and a chasm socially, they looked at each other in silence. “They’ve probably noticed our absence,” she said lamely, and she wasn’t certain whether she was making excuses for leaving him there or hoping he’d convince her to remain.
“Possibly.” His expression was impassive, his voice coolly polite, as if he was already beyond her reach again.
“I really must go back.”
“Of course.”
“You do understand, don’t you…” Elizabeth voice trailed off as she looked at the tall, handsome man whom society deemed unsuitable merely because he wasn’t a blue blood, and suddenly she hated all the restrictions of the stupid social system that was trying to enslave her. Swallowing, she tried again, wishing that he’d either tell her to go or open his arms to her as he had when he’d asked her to dance. “You do understand that I can’t possibly be with you tomorrow…”
“Elizabeth,” he interrupted in a husky whisper, and suddenly his eyes were smoldering as he held out his hand, sensing victory before Elizabeth ever realized she was defeated. “Come here.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
New Rule: Conservatives have to stop complaining about Hollywood values. It's Oscar time again, which means two things: (1) I've got to get waxed, and (2) talk-radio hosts and conservative columnists will trot out their annual complaints about Hollywood: We're too liberal; we're out of touch with the Heartland; our facial muscles have been deadened with chicken botulism; and we make them feel fat. To these people, I say: Shut up and eat your popcorn. And stop bitching about one of the few American products--movies---that people all over the world still want to buy.
Last year, Hollywood set a new box-office record: $16 billion worldwide. Not bad for a bunch of socialists. You never see Hollywood begging Washington for a handout, like corn farmers, or the auto industry, or the entire state of Alaska.
What makes it even more inappropriate for conservatives to slam Hollywood is that they more than anybody lose their shit over any D-lister who leans right to the point that they actually run them for office. Sony Bono? Fred Thompson? And let'snot forget that the modern conservative messiah is a guy who costarred with a chimp. That's right, Dick Cheney.
I'm not trying to say that when celebrities are conservative they're almost always lame, but if Stephen Baldwin killed himself and Bo Derrick with a car bomb, the headline the next day would be "Two Die in Car Bombing."
The truth is that the vast majority of Hollywood talent is liberal, because most stars adhere to an ideology that jibes with their core principles of taking drugs and getting laid. The liebral stars that the right is always demonizing--Sean Penn and Michael Moore, Barbra Streisand and Alec Baldwin and Tim Robbins, and all the other members of my biweekly cocaine orgy--they're just people with opinions. None of them hold elective office, and liberals aren't begging them to run. Because we live in the real world, where actors do acting, and politicians do...nothing.
We progressives love our stars, but we know better than to elect them. We make the movies here, so we know a well-kept trade secret: The people on that screen are only pretending to be geniuses, astronauts, and cowboys.
So please don't hat eon us. And please don't ruin the Oscars. Because honestly, we're just like you: We work hard all year long, and the Oscars are really just our prom night. The tuxedos are scratchy, the limousines are rented, and we go home with eighteen-year-old girls.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
I get it now. God, Ryder. Why do you have to be so perfect?”
“Perfect? I’ve been in love with you for so long now, and I’ve never managed to get it right, not once.”
I have to bite my lip to keep from grinning. “News flash--I think you’ve finally got it this time.”
His smile makes my heart leap. “Do you have any idea what was going through my head when you first told me about NYU? I couldn’t believe it. It was like…like a gift fell right into my lap. Like winning the lottery. All this time I thought going off to New York would mean leaving you behind. And now--”
“Now we both better get in,” I finish for him, though it probably wasn’t what he was going to say. I mean, he’s a shoo-in for Columbia. Perfect grades, high SATs, and a superstar quarterback the likes of which the Ivy League rarely sees. He’s every college admissions director’s dream. But me? If I get into NYU, it’ll be by the skin of my teeth. Because they want geographic diversity or something lame like that. I’m nothing special.
“Where will you go if you don’t get into NYU?” he asks.
“Where else?” I say. “Ole Miss, with Lucy and Morgan.”
“Then Ole Miss is my backup too. Here’s the thing, Jem. I’m going wherever you’re going--whether it’s New York or Oxford. I’m not missing my chance this time.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
Saying goodbye to everyone, I picked up my bag and began walking away as a deep husky voice called my name. I didn’t stop walking, but looked over my shoulder in time to see Brandon walking around the table toward me, and Chase holding the brunette’s head away from his as he watched us, she just continued onto his neck. Falling into step with me, he held out a hand, “We haven’t met yet, I’m Brandon Taylor.” Dear Lord that voice could warm me on the coldest day of the year. “Harper Jackson, nice to meet you.” He smiled as he held the door open for me, “You too. You seem to know the rest of the guys pretty well though we’re just meeting, they said you’re Bree’s roommate?” “Uh, yeah. I am, but I don’t really know them well. I’ve only talked to them for a total of about ten minutes before today.” “Really?” The corners of his mouth twitched up, “You seem to make quite an impression in a short amount of time then.” “Oh I definitely made an impression with them.” I muttered. He looked at me quizzically but I shook my head so he wouldn’t push it. We stopped walking when we got to the path that would take me to the dorms and him to his next class. I turned towards him and shamelessly took in his worn jeans resting low on his narrow hips and fitted black shirt before going back to his face. I hadn’t realized how tall he was when we were walking out, but he had to be at least a foot taller than me. His height and muscled body made me want to curl up in his arms, it looked like I’d fit perfectly there. I nervously bit my bottom lip while I watched his cloudy eyes slowly take in my small frame. It didn’t feel like the guys at the party, looking at me like I was something to eat. His eyes made me feel beautiful, and it thrilled me that they were on me. Thrilled me that they were on me? Get a grip Harper you just met him two seconds ago. “Come on PG, let’s go.” Chase grabbed my arm and started dragging me away. “Chase! Stop!” I yanked my arm out and shot him a dirty look. “What is your problem?” “I’m taking you and Bree to the house, and you need to pack for the weekend so let’s go.” He grabbed for me again but I dodged his hand. “The weekend, what?” “You’re staying with me, go pack.” I narrowed my eyes and started to turn towards Brandon, “Fine, hold on.” “Harper.” “Go away Chase, I’ll meet you in the room in a minute. Go find Bree.” He moved to stand closer behind me so I just sighed and gave Brandon a lame smile. “Sorry, apparently I have to go. I’ll see you tonight?” I don’t know why I asked, he actually lived there. A sexy smile lit up his face as his hand reached out to quickly brush against my arm, “See you then.” With a hard nod directed towards Chase, he turned and walked away.
”
”
Molly McAdams (Taking Chances (Taking Chances, #1))
“
It's hard to form a lasting connection when your permanent address is an eight-inch mailbox in the UPS store.
Still,as I inch my way closer, I can't help the way my breath hitches, the way my insides thrum and swirl. And when he turns,flashing me that slow, languorous smile that's about to make him world famous,his eyes meeting mine when he says, "Hey,Daire-Happy Sweet Sixteen," I can't help but think of the millions of girls who would do just about anything to stand in my pointy blue babouches.
I return the smile, flick a little wave of my hand, then bury it in the side pocket of the olive-green army jacket I always wear. Pretending not to notice the way his gaze roams over me, straying from my waist-length brown hair peeking out from my scarf, to the tie-dyed tank top that clings under my jacket,to the skinny dark denim jeans,all the way down to the brand-new slippers I wear on my feet.
"Nice." He places his foot beside mine, providing me with a view of the his-and-hers version of the very same shoe. Laughing when he adds, "Maybe we can start a trend when we head back to the States.What do you think?"
We.
There is no we.
I know it.He knows it.And it bugs me that he tries to pretend otherwise.
The cameras stopped rolling hours ago, and yet here he is,still playing a role. Acting as though our brief, on-location hookup means something more.
Acting like we won't really end long before our passports are stamped RETURN.
And that's all it takes for those annoyingly soft girly feelings to vanish as quickly as a flame in the rain. Allowing the Daire I know,the Daire I've honed myself to be, to stand in her palce.
"Doubtful." I smirk,kicking his shoe with mine.A little harder then necessary, but then again,he deserves it for thinking I'm lame enough to fall for his act. "So,what do you say-food? I'm dying for one of those beef brochettes,maybe even a sausage one too.Oh-and some fries would be good!"
I make for the food stalls,but Vane has another idea. His hand reaches for mine,fingers entwining until they're laced nice and tight. "In a minute," he says,pulling me so close my hip bumps against his. "I thought we might do something special-in honor of your birthday and all.What do you think about matching tattoos?"
I gape.Surely he's joking.
"Yeah,you know,mehndi. Nothing permanent.Still,I thought it could be kinda cool." He arcs his left brow in his trademark Vane Wick wau,and I have to fight not to frown in return.
Nothing permanent. That's my theme song-my mission statement,if you will. Still,mehndi's not quite the same as a press-on. It has its own life span. One that will linger long after Vane's studio-financed, private jet lifts him high into the sky and right out of my life.
Though I don't mention any of that, instead I just say, "You know the director will kill you if you show up on set tomorrow covered in henna."
Vane shrugs. Shrugs in a way I've seen too many times, on too many young actors before him.He's in full-on star-power mode.Think he's indispensable. That he's the only seventeen-year-old guy with a hint of talent,golden skin, wavy blond hair, and piercing blue eyes that can light up a screen and make the girls (and most of their moms) swoon. It's a dangerous way to see yourself-especially when you make your living in Hollywood. It's the kind of thinking that leads straight to multiple rehab stints, trashy reality TV shows, desperate ghostwritten memoirs, and low-budget movies that go straight to DVD.
”
”
Alyson Noel (Fated (Soul Seekers, #1))
“
Sky's The Limit"
[Intro]
Good evening ladies and gentlemen
How's everybody doing tonight
I'd like to welcome to the stage, the lyrically acclaimed
I like this young man because when he came out
He came out with the phrase, he went from ashy to classy
I like that
So everybody in the house, give a warm round of applause
For the Notorious B.I.G
The Notorious B.I.G., ladies and gentlemen give it up for him y'all
[Verse 1]
A nigga never been as broke as me - I like that
When I was young I had two pair of Lees, besides that
The pin stripes and the gray
The one I wore on Mondays and Wednesdays
While niggas flirt I'm sewing tigers on my shirts, and alligators
You want to see the inside, I see you later
Here comes the drama, oh, that's that nigga with the fake, blaow
Why you punch me in my face, stay in your place
Play your position, here come my intuition
Go in this nigga pocket, rob him while his friends watching
And hoes clocking, here comes respect
His crew's your crew or they might be next
Look at they man eye, big man, they never try
So we rolled with them, stole with them
I mean loyalty, niggas bought me milks at lunch
The milks was chocolate, the cookies, butter crunch
88 Oshkosh and blue and white dunks, pass the blunts
[Hook: 112]
Sky is the limit and you know that you keep on
Just keep on pressing on
Sky is the limit and you know that you can have
What you want, be what you want
Sky is the limit and you know that you keep on
Just keep on pressing on
Sky is the limit and you know that you can have
What you want, be what you want, have what you want, be what you want
[Verse 2]
I was a shame, my crew was lame
I had enough heart for most of them
Long as I got stuff from most of them
It's on, even when I was wrong I got my point across
They depicted me the boss, of course
My orange box-cutter make the world go round
Plus I'm fucking bitches ain't my homegirls now
Start stacking, dabbled in crack, gun packing
Nickname Medina make the seniors tote my Niñas
From gym class, to English pass off a global
The only nigga with a mobile can't you see like Total
Getting larger in waists and tastes
Ain't no telling where this felon is heading, just in case
Keep a shell at the tip of your melon, clear the space
Your brain was a terrible thing to waste
88 on gates, snatch initial name plates
Smoking spliffs with niggas, real-life beginner killers
Praying God forgive us for being sinners, help us out
[Hook]
[Verse 3]
After realizing, to master enterprising
I ain't have to be in school by ten, I then
Began to encounter with my counterparts
On how to burn the block apart, break it down into sections
Drugs by the selections
Some use pipes, others use injections
Syringe sold separately Frank the Deputy
Quick to grab my Smith & Wesson like my dick was missing
To protect my position, my corner, my lair
While we out here, say the Hustlers Prayer
If the game shakes me or breaks me
I hope it makes me a better man
Take a better stand
Put money in my mom's hand
Get my daughter this college grant so she don't need no man
Stay far from timid
Only make moves when your heart's in it
And live the phrase sky's the limit
Motherfuckers
See you chumps on top
[Hook]
”
”
The Notorious B.I.G
“
Lieutenant Smith was asked by Mister Zumwald to get him a drink,” Wilkes said. “She responded with physical violence. I counseled her on conduct unbecoming of an officer and, when she reacted with foul language, on disrespect to a superior officer, sir, and I’ll stand by that position. Sir.”
“I agree that her actions were unbecoming, Captain,” Steve said, mildly. “She really should have resolved it with less force. Which I told her as well as a strong lecture on respect to a superior officer. On the other hand, Captain, Mister Zumwald physically accosted her, grabbing her arm and, when she protested, called her a bitch. Were you aware of that, Captain?”
“She did say something about it, sir,” Wilkes said. “However… ”
“I also understand that you spent some time with Mister Zumwald afterwards,” Steve said. “Rather late. Did you at any time express to Mister Zumwald that accosting any woman, much less an officer of… what was it? ‘The United States Naval services’ was unacceptable behavior, Captain?”
“Sir,” Wilkes said. “Mister Zumwald is a major Hollywood executive… ”
“Was,” Steve said.
“Excuse me, sir?” Wilkes said.
“Was a major Hollywood executive,” Steve said. “Right now, Ernest Zumwald, Captain, is a fucking refugee off a fucking lifeboat. Period fucking dot. He’s given a few days grace, like most refugees, to get his headspace and timing back, then he can decide if he wants to help out or go in with the sick, lame and lazy. And in this case he’s a fucking refugee who thinks it’s acceptable to accost some unknown chick and tell him to get him a fucking drink. Grab her by the arm and, when she tells him to let go, become verbally abusive.
“What makes the situation worse, Captain, is that the person he accosted was not just any passing young hotty but a Marine officer. He did not know that at the time; the Marine officer was dressed much like other women in the compartment. However, he does not have the right to grab any woman in my care by the fucking arm and order them to get him a fucking drink, Captain! Then, to make matters worse, following the incident, Captain, you spent the entire fucking evening getting drunk with a fucktard who had physically and verbally assaulted a female Marine officer! You dumbshit.”
“Sir, I… ” Wilkes said, paling.
“And not just any Marine officer, oh, no,” Steve said. “Forget that it was the daughter of the Acting LANTFLEET. Forget that it was the daughter of your fucking rating officer, you retard. I’m professional enough to overlook that. I really am. There’s personal and professional, and I do actually know the line. Except that it was, professionally, a disgraceful action on your part, Captain. But not just any Marine officer, Captain. No, this was a Marine officer that, unlike you, is fucking worshipped by your Marines, Captain. This is a Marine officer that the acting Commandant thinks only uses boats so her boots don’t get wet walking from ship to ship. This is a Marine officer who is the only fucking light in the darkness to the entire Squadron, you dumbfuck!
“I’d already gotten the scuttlebutt that you were a palace prince pogue who was a cowardly disgrace to the Marine uniform, Captain. I was willing to let that slide because maybe you could run the fucking clearance from the fucking door. But you just pissed off every fucking Marine we’ve got, you idiot. You incredible dumbfuck, moron!
“In case you hadn’t noticed, you are getting cold-shouldered by everyone you work with while you were brown-nosing some fucking useless POS who used to ‘be somebody.’ ‘Your’ Marines are spitting on your shadow and that includes your fucking Gunnery Sergeant! Captain, am I getting through to you? Are you even vaguely recognizing how badly you fucked up? Professionally, politically, personally?
”
”
John Ringo (To Sail a Darkling Sea (Black Tide Rising, #2))