Lake View Quotes

You see? Size defeats us. For the fish, the lake in which he lives is the universe. What does the fish think when he is jerked up by the mouth through the silver limits of existence and into a new universe where the air drowns him and the light is blue madness? Where huge bipeds with no gills stuff it into a suffocating box abd cover it with wet weeds to die? Or one might take the tip of the pencil and magnify it. One reaches the point where a stunning realization strikes home: The pencil tip is not solid; it is composed of atoms which whirl and revolve like a trillion demon planets. What seems solid to us is actually only a loose net held together by gravity. Viewed at their actual size, the distances between these atoms might become league, gulfs, aeons. The atoms themselves are composed of nuclei and revolving protons and electrons. One may step down further to subatomic particles. And then to what? Tachyons? Nothing? Of course not. Everything in the universe denies nothing; to suggest an ending is the one absurdity.

I missed her so much that I wanted to build a hundred-foot memorial to her with my bare hands. I wanted to see her sitting in a vast stone chair in Hyde Park, enjoying her view. Everybody passing could comprehend how much I miss her. How physical my missing is. I miss her so much it is a vast golden prince, a concert hall, a thousand trees, a lake, nine thousand buses, a million cars, twenty million birds and more. The whole city is my missing her. Eugh,

Whose house is this? Whose night keeps out the light In here? Say, who owns this house? It’s not mine. I dreamed another, sweeter, brighter With a view of lakes crossed in painted boats; Of fields wide as arms open for me. This house is strange. Its shadows lie. Say, tell me, why does its lock fit my key?

There are cities that get by on their good looks, offer climate and scenery, views of mountains or oceans, rockbound or with palm trees; and there are cities like Detroit that have to work for a living, whose reason for being might be geographical but whose growth is based on industry, jobs. Detroit has its natural attractions: lakes all over the place, an abundance of trees and four distinct seasons for those who like variety in their weather, everything but hurricanes and earth-quakes. But it’s never been the kind of city people visit and fall in love with because of its charm or think, gee, wouldn’t this be a nice place to live.

And beyond the timeless meadows and emerald pastures, the rabbit holes and moss-covered oak and rowan trees and the "slippy sloppy" houses of frogs, the woodland-scented wind rushed between the leaves and blew around the gray veil that dipped below the fells, swirling up in a mist, blurring the edges of the distant forest. (View from Windermere in the Lake District)

Wylan wanted to scream. The closet was crammed with paintings—landscapes, different views of the hospital grounds, a lake in sun and shadow, and there, repeated again and again, was the face of a little boy with ruddy curls and bright blue eyes.

We are all victims of our human experience,” Alice continued, “apt to view the present through the lens of our own past.

Talking to strangers sounded like talking to no one, which Henry had some firsthand experience in- in real life. It was lonely. Almost as lonely as Lake View Cemetery, where he'd buried Ethel.

The greatest mystery the universe offers is not life but size. Size encompasses life, and the Tower encompasses size. The child, who is most at home with wonder, says: Daddy, what is above the sky? And the father says: The darkness of space. The child: What is beyond space? The father: The galaxy. The child: Beyond the galaxy? The father: Another galaxy. The child: Beyond the other galaxies? The father: No one knows. You see? Size defeats us. For the fish, the lake in which he lives is the universe. What does the fish think when he is jerked up by the mouth through the silver limits of existence and into a new universe where the air drowns him and the light is blue madness? Where huge bipeds with no gills stuff it into a suffocating box and cover it with wet weeds to die? Or one might take the tip of the pencil and magnify it. One reaches the point where a stunning realization strikes home: The pencil tip is not solid; it is composed of atoms which whirl and revolve like a trillion demon planets. What seems solid to us is actually only a loose net held together by gravity. Viewed at their actual size, the distances between these atoms might become league, gulfs, aeons. The atoms themselves are composed of nuclei and revolving protons and electrons. One may step down further to subatomic particles. And then to what? Tachyons? Nothing? Of course not. Everything in the universe denies nothing; to suggest an ending is the one absurdity. If you fell outward to the limit of the universe, would you find a board fence and signs reading DEAD END? No. You might find something hard and rounded, as the chick must see the egg from the inside. And if you should peck through the shell (or find a door), what great and torrential light might shine through your opening at the end of space? Might you look through and discover our entire universe is but part of one atom on a blade of grass? Might you be forced to think that by burning a twig you incinerate an eternity of eternities? That existence rises not to one infinite but to an infinity of them?

This is the most beautiful place on earth. There are many such places. Every man, every woman, carries in heart and mind the image of the ideal place, the right place, the one true home, known or unknown, actual or visionary. A houseboat in Kashmir, a view down Atlantic Avenue in Brooklyn, a gray gothic farmhouse two stories high at the end of a red dog road in the Allegheny Mountains, a cabin on the shore of a blue lake in spruce and fir country, a greasy alley near the Hoboken waterfront, or even, possibly, for those of a less demanding sensibility, the world to be seen from a comfortable apartment high in the tender, velvety smog of Manhattan, Chicago, Paris, Tokyo, Rio, or Rome — there's no limit to the human capacity for the homing sentiment.

I consider the positions of kings and rulers as that of dust motes. I observe treasure of gold and gems as so many bricks and pebbles. I look upon the finest silken robes as tattered rags. I see myriad worlds of the universe as small seeds of fruit, and the greatest lake in India as a drop of oil on my foot. I perceive the teachings of the world to be the illusion of, magicians. I discern the highest conception of emancipation as golden brocade in a dream, and view the holy path of the illuminated one as flowers appearing in one's eyes. I see meditation as a pillar of a mountain, Nirvana as a nightmare of daytime. I look upon the judgment of right and wrong as the serpentine dance of a dragon, and the rise and fall of beliefs as but traces left by the four seasons.

Years and years ago, there was a production of The Tempest, out of doors, at an Oxford college on a lawn, which was the stage, and the lawn went back towards the lake in the grounds of the college, and the play began in natural light. But as it developed, and as it became time for Ariel to say his farewell to the world of The Tempest, the evening had started to close in and there was some artificial lighting coming on. And as Ariel uttered his last speech, he turned and he ran across the grass, and he got to the edge of the lake and he just kept running across the top of the water — the producer having thoughtfully provided a kind of walkway an inch beneath the water. And you could see and you could hear the plish, plash as he ran away from you across the top of the lake, until the gloom enveloped him and he disappeared from your view. And as he did so, from the further shore, a firework rocket was ignited, and it went whoosh into the air, and high up there it burst into lots of sparks, and all the sparks went out, and he had gone. When you look up the stage directions, it says, ‘Exit Ariel.

At Bramasole, the first secret spot that draws me outside is a stump and board bench on a high terrace overlooking the lake and valley. Before I sit down, I must bang the board against a tree to knock off all the ants. Then I'm happy. With a stunted oak tree for shelter and a never-ending view, I am hidden. No one knows where I am. The nine-year-old's thrill of the hideout under the hydrangea comes back: My mother is calling me and I am not answering.

We are all victims of our human experience,” Alice continued, “apt to view the present through the lens of our own past.” Sadie

Love skimmed over the surface like a sailboat, grabbing me up and carrying me along one minute, the speed dizzying, the view passing by so quickly I couldn't take it in. The next minute, my little love boat was swamped in a storm, overturned, the sail pointing toward the murky depths, everything upside down. I was trying to swim with legs of lead. I'd never thought of love this way—as something that moved with the ebb and flow of currents. Push and pull. Joy and pain. Fear and trust. Falling, and trying to balance, and falling again.

When we die the only judge we have is ourselves. We see our life played out in a hologram of knowledge that our earth souls cannot understand. We see all at once how each word and each action affected the lives of the people around us. How a moment of kindness can change a life and a sharp word can affect someone for ever. Words and actions are far more powerful than we realise. It's the pebble-in-the-lake effect-even the tiniest pebble thrown into water will create ripples right across the lake. We don't need to be punished because, when we have viewed the consequences of our actions on all the souls we have met, we have remorse enough. I believe there is no external judge. We must face ourselves.

When a langur or human gets sick, its problems are akin to a lake that’s smothered by algae or a meadow that’s overrun with weeds – ecosystems gone awry.

They say that it’ll hit us on Hogswatchnight and the seas will boil and the countries of the Disc will be broken and kings will be brought down and the cities will be as lakes of glass,’ said the man. ‘I’m off to the mountains.’ ‘That’ll help, will it?’ said Rincewind doubtfully. ‘No, but the view will be better.

We call it a grain of sand, but it calls itself neither grain nor sand. It does just fine, without a name, whether general, particular, permanent, passing, incorrect, or apt. Our glance, our touch means nothing to it. It doesn’t feel itself seen and touched. And that it fell on the windowsill is only our experience, not its. For it, it is not different from falling on anything else with no assurance that it has finished falling or that it is falling still. The window has a wonderful view of a lake, but the view doesn’t view itself. It exists in this world colorless, shapeless, soundless, odorless, and painless. The lake’s floor exists floorlessly, and its shore exists shorelessly. The water feels itself neither wet nor dry and its waves to themselves are neither singular nor plural. They splash deaf to their own noise on pebbles neither large nor small. And all this beheath a sky by nature skyless in which the sun sets without setting at all and hides without hiding behind an unminding cloud. The wind ruffles it, its only reason being that it blows. A second passes. A second second. A third. But they’re three seconds only for us. Time has passed like courier with urgent news. But that’s just our simile. The character is inverted, his hasts is make believe, his news inhuman.

My life had been like a painter who climbs up a road overhanging a lake that is hidden from view by a screen of rocks and trees. Through a gap he glimpses it, he has it all there in front of him, he takes up his brushes.

As we drew nearer we could see that the three men fishing seemed old and solemn-looking men. They sat on three chairs in the punt and watched intently their lines. And the red sunset threw a mystic light upon the waters and tinged with fire the towering woods and made a golden glory of the piled-up clouds. It was an hour of deep enchantment of ecstatic hope and longing. The little sail stood out against the purple sky the gloaming lay around us wrapping the world in rainbow shadows and behind us crept the night. We seemed like knights of some old legend sailing across some mystic lake into the unknown realm of twilight unto the great land of the sunset. We did not go into the realm of twilight we went slap into that punt where those three old men were fishing. We did not know what had happened at first because the sail shut out the view but from the nature of the language that rose up upon the evening air we gathered that we had come into the neighbourhood of human beings and that they were vexed and discontented.

He positions himself beneath me. Right then, with those brown eyes looking up, full of lust for me, he’s the sexiest thing I’ve ever seen. So I do it. I sink down onto his dick. Jamie’s mouth opens on a silent groan, and those beautiful eyes go half-mast. The burn returns, but it’s nothing I can’t handle. I give myself a minute to adjust, and I use the time to take Jamie’s gorgeous face in my hands. For a second I just admire the view. He’s flushed and sex-tousled, burning up with arousal. I came to Lake Placid hoping we could still be friends. I got much more than that. And I’m so grateful.

I missed her so much that I wanted to build a hundred-foot memorial to her with my bare hands. I wanted to see her sitting in a vast stone chair in Hyde Park, enjoying her view. Everybody passing could comprehend how much I miss her. How physical my missing is. I miss her so much it is a vast golden prince, a concert hall, a thousand trees, a lake, nine thousand buses, a million cars, twenty million birds and more. The whole city is my missing her.

Just when I despaired -- she was there, filling me as a melody fills a cottage. I was with her, running beside the Acis when we were a child. I knew the ancient villa moated by a dark lake, the view through the dusty windows of the belvedere, and the secret space in the odd angle between two rooms where we sat at noon to read by candlelight. I knew the life of the Autarch's court, where poison waited in a diamond cup. I learned what it was for one who had never seen a cell or felt a whip to be a prisoner of the torturers, what dying meant, and death. I learned that I had been more to her than I had ever guessed, and at last fell into a sleep in which my dreams were all of her. Not memories merely -- memories I had possessed in plenty before. I held her poor, cold hands in mine, and I no longer wore the rags of an apprentice, nor the fuligin of a journeyman. We were one, naked and happy and clean, and we knew that she was no more and that I still lived, and we struggled against neither of those things, but with woven hair read from a single book and talked and sang of other matters.

PRETENDING TO DROWN The only regret is that I waited longer than a breath to scatter the sun's reflection with my body. New stars burst upon the water when you pulled me in. On the shore, our clothes begged us to be good boys again. Every stick our feet touched a snapping turtle, every shadow a water moccasin. Excuses to swim closer to one another. I sank into the depths to see you as the lake saw you: cut in half by the surface, taut legs kicking, the rest of you sky. Suddenly still, a clear view of what you knew I wanted to see. When I resurfaced, slick grin, knowing glance; you pushed me back under. I pretended to drown, then swallowed you whole.

Through their discomforts Dom and Phil were missing everything of interest: the sudden strip marshes, the faces in the rock formations, the perfect lakes, the awesome måskoskårså valley grooved into the earth during the Ice Age, the golden eagle circling above it, and the views of a landscape it was impossible to believe existed in Europe.

How well we pull together, don't we?" said Amy, who objected to silence just then. "So well that I wish we might always pull in the same boat. Will you, Amy?" very tenderly. "Yes, Laurie," very low. Then they both stopped rowing, and unconsciously added a pretty little tableau of human love and happiness to the dissolving views reflected in the lake.

A house by the lake must have many windows so as to benefit fully the brilliant view; a man by the wise man must have many windows so as to benefit fully the brilliant lights!

The sight of somebody meditating needs to become commonplace.

I could hardly believe what I had read. Woman’s Friend was joining the call for Government Nurseries and asking our readers to air their views in the magazine!

There is a wager that we must all make; for the small stake of some rewarding mental training, we can attain lasting contentment and contribute to a positive outcome for our planet.

A room with a view!” my mother exclaimed, though she was too weak to rise and see the lake herself. And then more quietly she said: “All of my life I’ve waited for a room with a view.

While endowed with the morose temper of genius, he [Lakes, Arts Professor] lacked originality and was aware of that lack; his own paintings always seemed beautifully clever imitations, although one could never quite tell whose manner he mimicked. His profound knowledge of innumerable techniques, his indifference to 'schools' and 'trends', his detestation of quacks, his conviction that there was no difference whatever between a genteel aquarelle of yesterday and, say, conventional neoplasticism or banal non-objectivism of today, and that nothing but individual talent mattered--these views made of him an unusual teacher. St Bart's was not particularly pleased either with Lake's methods or with their results, but kept him on because it was fashionable to have at least one distinguished freak on the staff. Among the many exhilarating things Lake taught was that the order of the solar spectrum is not a closed circle but a spiral of tints from cadmium red and oranges through a strontian yellow and a pale paradisal green to cobalt blues and violets, at which point the sequence does not grade into red again but passes into another spiral, which starts with a kind of lavender grey and goes on to Cinderella shades transcending human perception. He taught that there is no such thing as the Ashcan School or the Cache Cache School or the Cancan School. That the work of art created with string, stamps, a Leftist newspaper, and the droppings of doves is based on a series of dreary platitudes. That there is nothing more banal and more bourgeois than paranoia. That Dali is really Norman Rockwell's twin brother kidnapped by gipsies in babyhood. That Van Gogh is second-rate and Picasso supreme, despite his commercial foibles; and that if Degas could immortalize a calèche, why could not Victor Wind do the same to a motor car?

Say you could view a time lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by widening lead. Mountains burst up, jutting, and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up- mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash-frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and crumble, like paths of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues whose split second in the light was too brief an exposure to yield any image but the hunched shadowless figures of ghosts. Slow it down more, come closer still. A dot appears, a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

When sonneteering Wordsworth re-creates the landing of Mary Queen of Scots at the mouth of the Derwent - Dear to the Loves, and to the Graces vowed, The Queen drew back the wimple that she wore - he unveils nothing less than a canvas by Rubens, baroque master of baroque masters; this is the landing of a TRAGIC Marie de Medicis. Yet so receptive was the English ear to sheep-Wordsworth's perverse 'Enough of Art' that it is not any of these works of supreme art, these master-sonnets of English literature, that are sold as picture postcards, with the text in lieu of the view, in the Lake District! it is those eternally, infernally sprightly Daffodils.

The view reminded me of the Haitian proverb “Beyond mountains there are mountains,” which meant that when you’d solved one problem, you couldn’t rest because you had to go on and solve the next. The view of the Péligre Dam and its immense lake and the land it had drowned was, so to speak, another mountain to Farmer. It was a story of exploitation and disaster for at least a hundred thousand Haitians, and in one way or another, Farmer had to deal with it every day.

I know this may be a disappointment for some of you, but I don’t believe there is only one right person for you. I think I fell in love with my wife, Harriet, from the first moment I saw her. Nevertheless, had she decided to marry someone else, I believe I would have met and fallen in love with someone else. I am eternally grateful that this didn’t happen, but I don’t believe she was my one chance at happiness in this life, nor was I hers. Another error you might easily make in dating is expecting to find perfection in the person you are with. The truth is, the only perfect people you might know are those you don’t know very well. Everyone has imperfections. Now, I’m not suggesting you lower your standards and marry someone with whom you can’t be happy. But one of the things I’ve realized as I’ve matured in life is that if someone is willing to accept me—imperfect as I am—then I should be willing to be patient with others’ imperfections as well. Since you won’t find perfection in your partner, and your partner won’t find it in you, your only chance at perfection is in creating perfection together. There are those who do not marry because they feel a lack of “magic” in the relationship. By “magic” I assume they mean sparks of attraction. Falling in love is a wonderful feeling, and I would never counsel you to marry someone you do not love. Nevertheless—and here is another thing that is sometimes hard to accept—that magic sparkle needs continuous polishing. When the magic endures in a relationship, it’s because the couple made it happen, not because it mystically appeared due to some cosmic force. Frankly, it takes work. For any relationship to survive, both parties bring their own magic with them and use that to sustain their love. Although I have said that I do not believe in a one-and-only soul mate for anyone, I do know this: once you commit to being married, your spouse becomes your soul mate, and it is your duty and responsibility to work every day to keep it that way. Once you have committed, the search for a soul mate is over. Our thoughts and actions turn from looking to creating. . . . Now, sisters, be gentle. It’s all right if you turn down requests for dates or proposals for marriage. But please do it gently. And brethren, please start asking! There are too many of our young women who never go on dates. Don’t suppose that certain girls would never go out with you. Sometimes they are wondering why no one asks them out. Just ask, and be prepared to move on if the answer is no. One of the trends we see in some parts of the world is our young people only “hanging out” in large groups rather than dating. While there is nothing wrong with getting together often with others your own age, I don’t know if you can really get to know individuals when you’re always in a group. One of the things you need to learn is how to have a conversation with a member of the opposite sex. A great way to learn this is by being alone with someone—talking without a net, so to speak. Dates don’t have to be—and in most cases shouldn’t be—expensive and over-planned affairs. When my wife and I moved from Germany to Salt Lake City, one of the things that most surprised us was the elaborate and sometimes stressful process young people had developed of asking for and accepting dates. Relax. Find simple ways to be together. One of my favorite things to do when I was young and looking for a date was to walk a young lady home after a Church meeting. Remember, your goal should not be to have a video of your date get a million views on YouTube. The goal is to get to know one individual person and learn how to develop a meaningful relationship with the opposite sex.

if you are 42 years old, you only have 36 more Christmases left with your family. If you are 57 years old, you only have 21 more summers to enjoy at the lake. If you’re 63 years old, that’s 15 more birthday cakes with your family. Fifteen! That’s nothing! It makes you view life more seriously, doesn’t it?

At the base of the hill, blue-green Lake Owyhee met the gravelly shore and twisted on for as far as she could see. It didn’t seem fair that the only people with a view like this were the ones who couldn’t take it in. But maybe you had to die to see the valley like this. Tristan Granger wouldn’t see it. He had no body to bury.

Simon sits at his writing table, gnawing the end of his pen and looking out the window at the grey and choppy waters of Lake Ontario. Across the bay is Wolfe Island, named after the famous poetic general, he supposes. It’s a view he does not admire—it is so relentlessly horizontal—but visual monotony can sometimes be conducive to thought.

How well we pull together, don’t we?” said Amy, who objected to silence just then. “So well that I wish we might always pull in the same boat. Will you, Amy?” very tenderly. “Yes, Laurie,” very low. Then they both stopped rowing, and unconsciously added a pretty little tableau of human love and happiness to the dissolving views reflected in the lake.

hadn’t had any real success but every one of those high school girls knew about my life, and as much as they may have had the story wrong, they wished they were me. In their place, I would have wished I were me, because this unremarkable room with the remarkable view in Middle-of-Nowhere, Michigan, was everything that had ever been written about freedom and possibility.

Not very long ago I was driving with my husband on the back roads of Grey County, which is to the north and east of Huron County. We passed a country store standing empty at a crossroads. It had old-fashioned store windows, with long narrow panes. Out in front there was a stand for gas pumps which weren't there anymore. Close beside it was a mound of sumac trees and strangling vines, into which all kinds of junk had been thrown. The sumacs jogged my memory and I looked back at the store. It seemed to me that I had been here once, and the the scene was connected with some disappointment or dismay. I knew that I had never driven this way before in my adult life and I did not think I could have come here as a child. It was too far from home. Most of our drives out of town where to my grandparents'house in Blyth--they had retired there after they sold the farm. And once a summer we drove to the lake at Goderich. But even as I was saying this to my husband I remembered the disappointment. Ice cream. Then I remembered everything--the trip my father and I had made to Muskoka in 1941, when my mother was already there, selling furs at the Pine Tree Hotel north of Gravehurst.

They seemed to get clearer views of life and duty up there among the everlasting hills; the fresh winds blew away desponding doubts, delusive fancies, and moody mists; the warm spring sunshine brought out all sorts of aspiring ideas, tender hopes, and happy thoughts; the lake seemed to wash away the troubles of the past, and the grand old mountains to look benignly down upon them, saying, 'Little children, love one another.

I remember arriving by train in a small Swiss town. I had walked up a steep, cobblestoned street that offered a sweeping view of the village below and a lake, which, in the late afternoon light, was like a great cloudy opal. And I remember thinking, with a sense of mounting joy, that not a single soul knew where I was at that moment. No one could find me. No one could phone me. No one could see me who knew me by name. For someone whose childhood experiences had pounded home the Sartrian concept that hell, truly, is other people, that was an awesome moment. I knew, at least for an instant, that I was free. That feeling is one I've sought to find again and again. Often I've succeeded, other times, for no reason I can figure out, the feeling of elation and freedom degenerates into a profound loneliness and sense of bitter isolation. But there is still something about arriving in a strange or unexplored city, in Hong Kong or Paris or Sydney, wandering streets one has never walked before, in a place where, only against the most astronomical odds, would one encounter a familiar face. It's that desire for peace coupled with anonymity, for that strange serenity that sometimes comes with immersing oneself in the utterly foreign and exotic, that I suppose was at the heart of my idea for Cities.

The Jealous Sun The sunlight whispers in my ear, his breath a warm, sultry tease. I shrink and duck beneath a tree. My eyes squint to scan the horizon for a glimpse of the wind, but there are no ashen ribbons or golden waves in sight. He is missing. Trickling, tinkling notes reflect loudly off a chandelier of glimmering droplets. The rain sings to me, and I shield my eyes, admiring the song. Far off in my western view I expect to see snow, but the sun grows hot with jealousy, knowing this. He refuses my snowman a place to set. My sight drops to search for the man in the moon. Normally he rises dripping wet from out of the lake, often pale and naked, supple and soft to my caressing gaze. On rare occasions he dons a pumpkin robe as luminous as fire. Today he is draped in silks of the saddest blue. My heart weeps as he steals up and away. An army of stars in shining armor come to my aid, and they force the sun into the ground—a temporary grave. I am fed with a billion bubbles of laughter until I feel I will burst. But the stars will not stop giving, and I will not stop taking. A kiss brands my cheek, and I turn abruptly to find my snowman. He landed safely in the dark. We hide from the man in the moon behind a curtain of flurries to dance on polished rainbows and feast on stars until I hear a fire-red growl. The sun claws its way out of the soil, and everyone scatters.

Having this inner space enables us to view our thoughts and emotions at a distance, which means we do not immediately identify with them as they arise. Normally we identify so strongly with our thoughts and emotions. Because we identify with them, we make them opaque, heavy, solid, real...we create space and a sense of detachment that helps us recognize who we are and what our true nature is. This makes our everyday life much more pleasant because we have a quiet, calm center in which to take refuge.

Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

As Cortés turned to descend the steps of the high temple, a view of the great city spread out before him. He described it in a letter to his king: “This great city is built on a salt lake, and from the mainland to the city is a distance of two leagues from any side from which you enter. It has four approaches by means of artificial causeways, two cavalry lances in width. The city is as large as Seville or Córdoba. The principal streets are very broad and well-constructed. Over them ten horsemen can ride abreast. . . .

Ohio is a scale model of the entire country, jammed into 43,000 square miles. Cleveland views itself as the intellectual East (its citizens believe they have a rivalry with Boston and unironically classify the banks of Lake Erie as the North Coast). Cincinnati is the actual South (they fly Confederate flags and eat weird food). Dayton is the Midwest. Toledo is Pittsburgh, before Pittsburgh was nice. Columbus is a low-altitude Denver, minus the New World Order airport. Ohio experiences all possible US weather, sometimes simultaneously.

holes BY LOUIS SACHAR “Nearly everything in the room was broken; the TV, the pinball machine, the furniture. Even the people looked broken, with their worn out bodies sprawled over the various chairs and sofas.” (p.43) This is Stanley’s view of the “wreck room” at Camp Green Lake. It is the one place the boys are allowed to relax somewhat and they have trashed it. The inhumanity of the camp has possessed the boys. Stanley sees this room as a reminder that the boys have the capacity for violence, and he does not want to mess with the other campers.

Volcanos have naturally been regarded with fear and awe. When medieval Christians viewed the eruption of Mt. Hekla in Inceland and saw churning fragments of soft lava suspended over the summit, they imagined they were seeing the souls of the damned awaiting entrance to Hell. "Fearful howlings, weeping and gnashing of teeth", "melancholy cries and loud wailings" were dutifully reported. The glowing red lakes and sulfurous gases within the Hekla caldera were thought to be a real glimpse into the underworld and confirmation of folk beliefs in Hell (and, by simmetry, in its partner, Heaven).

Feeling that she had not mended matters much, Amy took the offered third of a seat, shook her hair over her face, and accepted an oar. She rowed as well as she did many other things; and, though she used both hands, and Laurie but one, the oars kept time, and the boat went smoothly through the water. “How well we pull together, don’t we?” said Amy, who objected to silence just then. “So well that I wish we might always pull in the same boat. Will you, Amy?” very tenderly. “Yes, Laurie,” very low. Then they both stopped rowing, and unconsciously added a pretty little tableau of human love and happiness to the dissolving views reflected in the lake.

During World War II, there had been a project to sabotage the Nazi nuclear weapons program. Years earlier, Leo Szilard, the first person to realize the possibility of a fission chain reaction, had convinced Fermi not to publish the discovery that purified graphite was a cheap and effective neutron moderator. Fermi had wanted to publish, for the sake of the great international project of science, which was above nationalism. But Szilard had persuaded Rabi, and Fermi had abided by the majority vote of their tiny three-person conspiracy. And so, years later, the only neutron moderator the Nazis had known about was deuterium. The only deuterium source under Nazi control had been a captured facility in occupied Norway, which had been knocked out by bombs and sabotage, causing a total of twenty-four civilian deaths. The Nazis had tried to ship the deuterium already refined to Germany, aboard a civilian Norwegian ferry, the SS Hydro. Knut Haukelid and his assistants had been discovered by the night watchman of the civilian ferry while they were sneaking on board to sabotage it. Haukelid had told the watchman that they were escaping the Gestapo, and the watchman had let them go. Haukelid had considered warning the night watchman, but that would have endangered the mission, so Haukelid had only shaken his hand. And the civilian ship had sunk in the deepest part of the lake, with eight dead Germans, seven dead crew, and three dead civilian bystanders. Some of the Norwegian rescuers of the ship had thought the German soldiers present should be left to drown, but this view had not prevailed, and the German survivors had been rescued. And that had been the end of the Nazi nuclear weapons program. Which was to say that Knut Haukelid had killed innocent people. One of whom, the night watchman of the ship, had been a good person. Someone who'd gone out of his way to help Haukelid, at risk to himself; from the kindness of his heart, for the highest moral reasons; and been sent to drown in turn. Afterward, in the cold light of history, it had looked like the Nazis had never been close to getting nuclear weapons after all. And Harry had never read anything suggesting that Haukelid had acted wrongly.

This scroll, five hundred years old and more, had been inspired by her favorite, the great Wang Wei, master of landscape art, who had painted the scenes from his own home, where he lived for thirty years before he died. Now behind the palace walls on this winter’s day, where she could see only sky and falling snow, Tzu His gazed upon the green landscapes of continuing spring. One landscape melted into another as slowly she unrolled the scroll, so that she might dwell upon every detail of tree and brook and distant hillside. So did she, in imagination, pass beyond the high walls which enclosed her, and she traveled through a delectable country, beside flowing brooks and spreading lakes, and following the ever-flowing river she crossed over wooden bridges and climbed the stony pathways upon a high mountainside and thence looked down a gorge to see a torrent fed by still higher springs, and breaking into waterfalls as it traveled toward the plains. Down from the mountain again she came, past small villages nestling in pine forests and into the warmer valleys among bamboo groves, and she paused in a poet’s pavilion, and so reached at last the shore where the river lost itself in a bay. There among the reeds a fisherman’s boat rose and fell upon the rising tide. Here the river ended, its horizon the open sea and the misted mountains of infinity. This scroll, Lady Miao had once told her, was the artist’s picture of the human soul, passing through the pleasantest scenes of earth to the last view of the unknown future, far beyond.

At the same time, Kaufmann discovered that in developing his genetic networks, he had reinvented some of the most avant-garde work in physics and applied mathematics-albeit in a totally new context. The dynamics of his genetic regulatory networks turned out to be a special case of what the physicists were calling "nonlinear dynamics." From the nonlinear point of view, in fact, it was easy to see why his sparsely connected networks could organize themselves into stable cycles so easily: mathematically, their behavior was equivalent to the way all the rain falling on the hillsides around a valley will flow into a lake at the bottom of the valley. In the space of all possible network behaviors, the stable cycles were like basins-or as the physicists put it, "attractors.

The house is still standing on the banks of the lake in Zurich. Jung’s descendants manage it, but unfortunately it’s not open to the public, so people can’t view the interior. Rumor has it, though, that at the entrance to the original tower there is a stone into which Jung carved some words with his own hand. ‘Cold or Not, God Is Present.’ That’s what he carved into the stone himself.” Tamaru paused again. “ ‘Cold or Not, God Is Present,’ ” he intoned, quietly, once more. “Do you know what this means?” Ushikawa shook his head. “No, I don’t.” “I can imagine. I’m not sure myself what it means. There’s some kind of deep allusion there, something difficult to interpret. But consider this: in this house that Carl Jung built, piling up the stones with his own hands, at the very entrance, he found the need to chisel out, again with his own hands, these words. I don’t know why, but I’ve been drawn to these words for a long time. I find them hard to understand, but the difficulty in understanding makes it all the more profound. I don’t know much about God. I was raised in a Catholic orphanage and had some awful experiences there so I don’t have a good impression of God. And it was always cold there, even in the summer. It was either really cold or outrageously cold. One or the other. If there is a God, I can’t say he treated me very well. Despite all this, those words of Jung’s quietly sank deep into the folds of my soul. Sometimes I close my eyes and repeat them over and over, and they make me strangely calm. ‘Cold or Not, God Is Present.’ Sorry, but could you say that out loud?” “ ‘Cold or Not, God Is Present,’ ” Ushikawa repeated in a weak voice, not really sure what he was saying. “I can’t hear you very well.” “ ‘Cold or Not, God Is Present.’ ” This time Ushikawa said it as distinctly as he could. Tamaru shut his eyes, enjoying the overtones of the words. Eventually, as if he had made up his mind about something, he took a deep breath and let it out. He opened his eyes and looked at his hands. He had on disposable latex gloves so he wouldn’t leave behind any fingerprints. “I’m sorry about this,” Tamaru said in a low voice. His tone was solemn. He took out the plastic bag again, put it over Ushikawa’s head, and wrapped the thick rubber band around his neck. His movements were swift and decisive. Ushikawa was about to protest, but the words didn’t form, and they never reached anyone’s ears. Why is he doing this? Ushikawa thought from inside the plastic bag.

If you have ever come upon a grove that is thick with ancient trees rising far above their usual height and blocking the view of the sky with their cover of intertwining branches, the loftiness of the forest, the seclusion of the spot, and your wonder at the unbroken shade in the midst of open space will create in you a sense of the divine (numen). Or, if a cave made by the deep erosion of rocks supports a mountain with its arch, a place not made by hands but hollowed out by natural causes into spaciousness, then your mind will be aroused by a feeling of religious awe (religio). We venerate the sources of mighty rivers, we build an altar where a great stream suddenly bursts forth from a hidden source, we worship hot springs, and we deem lakes sacred because of their darkness or immeasurable depth. (Seneca the Younger, Letters 41.3)

In their offices in the top floor of the Rookery, Daniel Burnham, forty-three, and his partner, John Root, newly forty, felt the electricity more keenly than most. They had participated in secret conversations, received certain assurances, and gone so far as to make reconnaissance forays to outlying parts of the city. They were Chicago’s leading architects: They had pioneered the erection of tall structures and designed the first building in the country ever to be called a skyscraper; every year, it seemed, some new building of theirs became the tallest in the world. When they moved into the Rookery at La Salle and Adams, a gorgeous light-filled structure of Root’s design, they saw views of the lake and city that no one but construction workers had seen before. They knew, however, that today’s event had the potential to make their success so far seem meager

The woods, and lakes, and mountains which I have loved, have for me a thousand associations; and thou, oh, Sun! hast smiled upon, and borne your part in many imaginations that sprung to life in my soul alone, and which will die with me. Your solitudes, sweet land, your trees and waters will still exist, moved by your winds, or still beneath the eye of noon, though what I have felt about ye, and all my dreams which have often strangely deformed thee, will die with me. You will exist to reflect other images in other minds, and ever will remain the same, although your reflected semblance vary in a thousand ways, changeable as the hearts of those who view thee. One of these fragile mirrors, that ever doted on thine image, is about to be broken, crumbled to dust. But everteeming Nature will create another and another, and thou wilt loose nought by my destruction.

The child, who is most at home with wonder, says: Daddy, what is above the sky? And the father says: The darkness of space. The child: What is beyond space? The father: The galaxy. The child: Beyond the galaxy? The father: Another galaxy. The child: Beyond the other galaxies? The father: No one knows. “You see? Size defeats us. For the fish, the lake in which he lives is the universe. What does the fish think when he is jerked up by the mouth through the silver limits of existence and into a new universe where the air drowns him and the light is blue madness? Where huge bipeds with no gills stuff it into a suffocating box and cover it with wet weeds to die? “Or one might take the tip of a pencil and magnify it. One reaches the point where a stunning realization strikes home: The pencil-tip is not solid; it is composed of atoms which whirl and revolve like a trillion demon planets. What seems solid to us is actually only a loose net held together by gravity. Viewed at their actual size, the distances between these atoms might become leagues, gulfs, aeons. The atoms themselves are composed of nuclei and revolving protons and electrons. One may step down further to subatomic particles. And then to what? Tachyons? Nothing? Of course not. Everything in the universe denies nothing; to suggest an ending is the one absurdity. “If you fell outward to the limit of the universe, would you find a board fence and signs reading DEAD END? No. You might find something hard and rounded, as the chick must see the egg from the inside. And if you should peck through that shell (or find a door), what great and torrential light might shine through your opening at the end of space? Might you look through and discover our entire universe is but part of one atom on a blade of grass? Might you be forced to think that by burning a twig you incinerate an eternity of eternities? That existence rises not to one infinite but to an infinity of them?

She looked out the window, and her heart jumped: the expanse of the pie pantry and orchard shimmered in the early-morning light in front of her, the bay and LaKe Michigan glimmering in the distance. To Sam, it looked as if one of her grandmother's paintings had come to life: red apples bobbed as tree limbs swayed in the breeze; bushes thick with the bluest of blueberries shimmied; peaches, fuzzy and bright, nestled snugly against branches; shiny cars and people dressed in bright T-shirts and caps danced into the pie pantry and into the orchards; near the distance, the cornfields seemed to move as if they were doing the wave at a football game, while cherry trees dotted with the deep red fruit resembled holly bushes out of season. And yet there was an incredible uniformity to the scene despite the visual overload: everything was lined up in neat rows, as if each tree, bush, and person understood its purpose at this very moment. I've forgotten this view, Sam thought, recalling the one from her own bedroom window earlier in the morning. There is an order to life's chaos, be it the city or country, if we just stop for a moment and see it.

She had plenty of leisure now, day in, day out, to survey her life as a tract of country traversed, and at last become a landscape instead of separate fields or separate years and days, so that it became a unity and she could see the whole view, and could even pick out a particular field and wander round it again in spirit, though seeing it all the while as it were from a height, fallen in its proper place, with the exact pattern drawn round it by the hedge, and the next field into which the gap in the hedge would lead. So, she thought, could she at last put circles on her life. Slowly she crossed that day, as one crosses a field by a little path through the grasses, with the sorrel and the buttercups waving on either side; she crossed it again slowly, from breakfast to bed-time, and each hour, as one hand of the clock passed over the other, regained for her its separate character: this was the hour, she thought, when I first came downstairs that day, swinging my hat by its ribbons; this was the hour when he persuaded me into the garden, and sat with me on the seat beside the lake, and told me it was not true that with one blow of its wing a swan could break the leg of a man.

We stood upon a hill, green and studded with pale stones. Below us was forest, bluebells undulating among the trees, a tide of purple dissolving into shadow. There was a lake-- no, two lakes, the second a mere line of glitter in the distance. At our back, behind the nexus and extending to the northern horizon, were mountains of indigo and layered shadow, some darkened to black by the moody sky overhead, some greyed and smudged by shafts of sunlight. Must I even say it? It was beautiful--- of course it was. The forest in particular, which glinted here and there with silver as the wind rode the branches, as if someone had clambered into the canopy to hang baubles. And yet I had the sense that I was not seeing the entirety of it, that the shadows were thicker here, more obscuring, than those in the mortal realm, and many of the details were clouded by a dreamlike haze. Even now, as I write these words--- I am still in Wendell's kingdom!--- I find the memory of that view trying to slip from my mind like a bird darting through the boughs, so that I catch only the flickering edge of it. Perhaps there is some enchantment embedded in the place, or perhaps it is simply too much for my mortal eyes to take in. Where the Trees Have Eyes.

It was my father who called the city the Mansion on the River. He was talking about Charleston, South Carolina, and he was a native son, peacock proud of a town so pretty it makes your eyes ache with pleasure just to walk down its spellbinding, narrow streets. Charleston was my father’s ministry, his hobbyhorse, his quiet obsession, and the great love of his life. His bloodstream lit up my own with a passion for the city that I’ve never lost nor ever will. I’m Charleston-born, and bred. The city’s two rivers, the Ashley and the Cooper, have flooded and shaped all the days of my life on this storied peninsula. I carry the delicate porcelain beauty of Charleston like the hinged shell of some soft-tissued mollusk. My soul is peninsula-shaped and sun-hardened and river-swollen. The high tides of the city flood my consciousness each day, subject to the whims and harmonies of full moons rising out of the Atlantic. I grow calm when I see the ranks of palmetto trees pulling guard duty on the banks of Colonial Lake or hear the bells of St. Michael’s calling cadence in the cicada-filled trees along Meeting Street. Deep in my bones, I knew early that I was one of those incorrigible creatures known as Charlestonians. It comes to me as a surprising form of knowledge that my time in the city is more vocation than gift; it is my destiny, not my choice. I consider it a high privilege to be a native of one of the loveliest American cities, not a high-kicking, glossy, or lipsticked city, not a city with bells on its fingers or brightly painted toenails, but a ruffled, low-slung city, understated and tolerant of nothing mismade or ostentatious. Though Charleston feels a seersuckered, tuxedoed view of itself, it approves of restraint far more than vainglory. As a boy, in my own backyard I could catch a basket of blue crabs, a string of flounder, a dozen redfish, or a net full of white shrimp. All this I could do in a city enchanting enough to charm cobras out of baskets, one so corniced and filigreed and elaborate that it leaves strangers awed and natives self-satisfied. In its shadows you can find metalwork as delicate as lace and spiral staircases as elaborate as yachts. In the secrecy of its gardens you can discover jasmine and camellias and hundreds of other plants that look embroidered and stolen from the Garden of Eden for the sheer love of richness and the joy of stealing from the gods. In its kitchens, the stoves are lit up in happiness as the lamb is marinating in red wine sauce, vinaigrette is prepared for the salad, crabmeat is anointed with sherry, custards are baked in the oven, and buttermilk biscuits cool on the counter.

house with a great view. You’ll see that at the party tonight. Wish Char would be here for that, too, but we’ll all be together soon.” At least, Kate thought, Jack Lockwood, alias former father, would not be here tonight, so she could enjoy herself. Not only was she curious to see Grant Mason, but she also couldn’t wait to examine the Adena burial site she’d found on an old map in the university archives when she was back in the States at Christmas. The so-called Mason Mound was about twenty yards behind Grant’s house, and she was much more eager to see it than him. * * * The caterers Grant had hired from the upscale Lake Azure area had taken over the kitchen, and he didn’t want to disturb the setup for the buffet or the bar at the far end of the living room. So he sat in his favorite chair looking out over the back forest view through his massive picture window. The guests for the party he was throwing for his best friend, Gabe, and his fiancée, Tess, would be here soon—eighteen people, a nice number for mixing and chatting. He’d laid in champagne for toasts to the happy couple. Gabe and Grant had been best friends since elementary school, when a teacher had seated them in alphabetical order by first names. Grant had been the first to marry. Lacey had been his high-school sweetheart, head of the cheerleaders, prom queen to his king. How unoriginal—and what a disaster.

(from Lady of the Lake) The western waves of ebbing day Rolled o’er the glen their level way; Each purple peak, each flinty spire, Was bathed in floods of living fire. But not a setting beam could glow Within the dark ravines below, Where twined the path in shadow hid, Round many a rocky pyramid, Shooting abruptly from the dell Its thunder-splintered pinnacle; Round many an insulated mass, The native bulwarks of the pass, Huge as the tower which builders vain Presumptuous piled on Shinar’s plain. The rocky summits, split and rent, Formed turret, dome, or battlement, Or seemed fantastically set With cupola or minaret, Wild crests as pagod ever decked, Or mosque of Eastern architect. Nor were these earth-born castles bare, Nor lacked they many a banner fair; For, from their shivered brows displayed, Far o’er the unfathomable glade, All twinkling with the dewdrop sheen, The brier-rose fell in streamers green, And creeping shrubs, of thousand dyes, Waved in the west-wind’s summer sighs. Boon nature scattered, free and wild, Each plant or flower, the mountain’s child. Here eglantine embalmed the air, Hawthorn and hazel mingled there; The primrose pale, and violet flower, Found in each cliff a narrow bower; Fox-glove and night-shade, side by side, Emblems of punishment and pride, Grouped their dark hues with every stain The weather-beaten crags retain. With boughs that quaked at every breath, Gray birch and aspen wept beneath; Aloft, the ash and warrior oak Cast anchor in the rifted rock; And, higher yet, the pine-tree hung His shattered trunk, and frequent flung, Where seemed the cliffs to meet on high, His boughs athwart the narrowed sky. Highest of all, where white peaks glanced, Where glist’ning streamers waved and danced, The wanderer’s eye could barely view The summer heaven’s delicious blue; So wondrous wild, the whole might seem The scenery of a fairy dream. Onward, amid the copse ’gan peep A narrow inlet, still and deep, Affording scarce such breadth of brim As served the wild duck’s brood to swim. Lost for a space, through thickets veering, But broader when again appearing, Tall rocks and tufted knolls their face Could on the dark-blue mirror trace; And farther as the hunter strayed, Still broader sweep its channels made. The shaggy mounds no longer stood, Emerging from entangled wood, But, wave-encircled, seemed to float, Like castle girdled with its moat; Yet broader floods extending still Divide them from their parent hill, Till each, retiring, claims to be An islet in an inland sea. And now, to issue from the glen, No pathway meets the wanderer’s ken, Unless he climb, with footing nice A far projecting precipice. The broom’s tough roots his ladder made, The hazel saplings lent their aid; And thus an airy point he won, Where, gleaming with the setting sun, One burnished sheet of living gold, Loch Katrine lay beneath him rolled, In all her length far winding lay, With promontory, creek, and bay, And islands that, empurpled bright, Floated amid the livelier light, And mountains, that like giants stand, To sentinel enchanted land. High on the south, huge Benvenue Down to the lake in masses threw Crags, knolls, and mountains, confusedly hurled, The fragments of an earlier world; A wildering forest feathered o’er His ruined sides and summit hoar, While on the north, through middle air, Ben-an heaved high his forehead bare.

DREAMLAND             BY a route obscure and lonely,             Haunted by ill angels only,             Where an Eidolon, named NIGHT,             On a black throne reigns upright,             I have reached these lands but newly             From an ultimate dim Thule— From a wild weird clime that lieth, sublime                 Out of SPACE—out of TIME.             Bottomless vales and boundless floods,             And chasms, and caves, and Titan woods             With forms that no man can discover             For the dews that drip all over; WHERE AN EIDOLON NAMED NIGHT ON A BLACK THRONE REIGNS UPRIGHT         Mountains toppling evermore         Into seas without a shore;         Seas that restlessly aspire,         Surging, unto skies of fire;         Lakes that endlessly outspread         Their lone waters—lone and dead,         Their still waters—still and chilly         With the snows of the lolling lily.         By the lakes that thus outspread         Their lone waters, lone and dead,—         Their sad waters, sad and chilly         With the snows of the lolling lily,—         By the mountains—near the river         Murmuring lowly, murmuring ever,—         By the grey woods,—by the swamp         Where the toad and the newt encamp,—         By the dismal tarns and pools                 Where dwell the Ghouls,—         By each spot the most unholy—         In each nook most melancholy,—         There the traveller meets aghast         Sheeted Memories of the Past—         Shrouded forms that start and sigh         As they pass the wanderer by—         White-robed forms of friends long given,         In agony, to the Earth—and Heaven.         For the heart whose woes are legion         ’Tis a peaceful, soothing region—         For the spirit that walks in shadow         ’Tis—oh, ’tis an Eldorado!         But the traveller, travelling through it,         May not—dare not openly view it;         Never its mysteries are exposed         To the weak human eye unclosed;         So wills its King, who hath forbid         The uplifting of the fringèd lid;         And thus the sad Soul that here passes         Beholds it but through darkened glasses.         By a route obscure and lonely,         Haunted by ill angels only,         Where an Eidolon, named NIGHT,         On a black throne reigns upright,         I have wandered home but newly         From this ultimate dim Thule.

Consider, for example, a cichlid fish known as Haplochromis burtoni that comes from the lakes of East Africa.9 In this species, only a small number of males secure a breeding territory, and they are not discreet about their privileged social status. In contrast to their drably beige nonterritorial counterparts, territorial males sport bold splashes of red and orange, and intimidating black eye stripes. The typical day for a territorial male involves a busy schedule of unreconstructed masculinity: fighting off intruders, risking predation in order to woo a female into his territory, then, having inseminated her by ejaculating into her mouth, immediately setting off in pursuit of a new female. Add to this the fact that territorial males boast significantly larger testes and have higher circulating levels of testosterone than submissive nonterritorial males, and a T-Rex view of the situation seems almost irresistible. These high-T fish are kings indeed, presumably thanks to the effects of all that testosterone on their bodies, brain, and behavior. With a large dose of artistic license, we might even imagine the reaction were a group of feminist cichlid fish to start agitating for greater territorial equality between the sexes. It’s not discrimination, the feminist fish would be told, in tones of regret almost thick enough to hide the condescension, but testosterone. But even in the cichlid fish, testosterone isn’t the omnipotent player it at first seems to be. If it were, then castrating a territorial fish would be a guaranteed method of bringing about his social downfall. Yet it isn’t. When a castrated territorial fish is put in a tank with an intact nonterritorial male of a similar size, the castrated male continues to dominate (although less aggressively). Despite his flatlined T levels, the status quo persists.10 If you want to bring down a territorial male, no radical surgical operations are required. Instead, simply put him in a tank with a larger territorial male fish. Within a few days, the smaller male will lose his bold colors, neurons in a region of the brain involved in gonadal activity will reduce in size, and his testes will also correspondingly shrink. Exactly the opposite happens when a previously submissive, nonterritorial male is experimentally maneuvered into envied territorial status (by moving him into a new community with only females and smaller males): the neurons that direct gonadal growth expand, and his testes—the primary source of testosterone production—enlarge.11 In other words, the T-Rex scenario places the chain of events precisely the wrong way around. As Francis and his colleagues, who carried out these studies, conclude: “Social events regulate gonadal events.”12

There appears to have been institutionalized bias against women right from the earliest times. I don’t think anybody sat down and thought, “Oh, let us be biased.” It’s just that it was part of the prevailing social scene. As the years passed, everything was recited and recorded from the male point of view. I am sure this was not intentional, it was just how it happened. Because most of the texts and the commentaries were written from the male point of view—that is, by monks—women increasingly began to be seen as dangerous and threatening. For example, when the Buddha talked about desire, he gave a meditation on the thirty-two parts of the body. You start with the hair on the top of the head and then go all the way down to the soles of the feet, imagining what you would find underneath if you took the skin off each part; the kidneys, the heart, the guts, the blood, the lymph and all that sort of thing. The practitioner dissects his body in order to cut through the enormous attachment to physical form and see it as it really is. Of course, in losing attachment to our own bodies, we also lose attachment to the bodies of others. But nonetheless, the meditation that the Buddha taught was primarily directed towards oneself. It was designed to cut off attachment to one’s own physical form and to achieve a measure of detachment from it; to break through any preoccupation the meditator might have about the attractiveness of his own body. However, when we look at what was being taught later, in the writings of Nagarjuna in the first century, or Shantideva in the seventh, we see that this same meditation is directed outwards, towards the bodies of women. It is the woman one sees as a bag of guts, lungs, kidneys, and blood. It is the woman who is impure and disgusting. There is no mention of the impurity of the monk who is meditating. This change occurred because this tradition of meditation was carried on by much less enlightened minds than that of the Buddha. So instead of just using the visualization as a meditation to break through attachment to the physical, it was used as a way of keeping the monks celibate. It was no longer simply a means of seeing things as they really are, but instead, as a means of cultivating aversion towards women. Instead of monks saying to themselves, “Women are impure and so am I and so are all the other monks around me,” it developed into “Women are impure.” As a consequence, women began to be viewed as a danger to monks, and this developed into a kind of monastic misogynism. Obviously, if women had written these texts, there would have been a very different perspective. But women did not write the texts. Even if they had been able to write some works from the female point of view, these still would have been imbued with the flavor and ideas of the texts and teachings designed for males. As a result of this pronounced bias, an imbalance developed in the teachings.

But sleep tha pondereth and is not to be and there oh may my weary spirit dwell apart forms heaven's eternity and yet how far from hell. other friends have flown before on the morrow he will leave me as my hopes have flown before the bird said nevermore. leave my loneliness unbroken. how dark a woe yet how sublimes a hope. And the fever called living is conquered at last. I stand amid the roar of a surf tormented shore and i hold within my hand grains of the golden sand how few yet how they creep through my fingers to the deep while i weep while i weep o god can i not grasp them with a tighter clasp o god can i not save one from the pitiless wave is all that we see or seem but a dream within a dream. Hell rising form a thousand thrones shall do it reverence. It was the dead who groaned within lest the dead who is forsaken may not be happy now. even for thy woes i love thee even for thy woes thy beauty and thy woes think of all that is airy and fairy like and all that is hideous and unwieldy. hast thou not dragged Diana from her car. I care not though it perishes with a thought i then did cherish. For on its wing was dark alley and as it fluttered fell an essence powerful to destroy a soul that knew it well. (Talking about death) the intense reply of hers to our intelligence. Then all motion of whatever nature creates most writers poets in especial prefer having it understood that they compose by a species of fine frenzy an ecstatic intuition and would positively shudder at letting the public take a peep behind the scenes at the elaborate and vacillating crudities of thought at the true purposes seized only at the last moment at the innumerable glimpses of idea that arrived not at the maturity of full view at the fully matured fancies discarded in despair as unmanageable at the cautions selection and rejections at the painful erasures and interpolations in a word at the wheels and pinions the tackle for scene shifting the steep ladders and demon traps the cock[s feathers a the red pain and the black patches which in ninety nine cases out of the hundred constitute the properties of the literary _histiro. Wit the Arabians there is a medium between heaven and hell where men suffer no punishment but yet do not attain that tranquil and even happiness which they supposed to be characteristic of heavenly enjoyment. If i could dwell where israfel hath dwelt and he where i he might not sing so wildly well mortal melody, while a bolder note than this might swell form my lyre within the sky. And i am drunk with love of the dead who is my bride. And so being young and dipt in folly , I feel in love with melancholy. I could not love except where death was mingling his with beauty's breath or hymen, Time, and destiny were stalking between her and me. Yet that terror was not friegt but a tremulous delight a feeling not the jeweled mine could teach or bribe me to define nor love although the love were thine. Whose solitary soul could make an Eden of that dim lake. that my young life were a lasting dream my spirit not awakening till the beam of an eternity should bring the morrow. An idle longing night and day to dream my very life away. As others saw i could not bring my passions from a comman spring from the sam source i have not taken my sorrow and all i loved i loved alone La solitude est une belle chose; mais il faut quelqu'un pour vous dire que la solitude estune belle chose impulse upon the ether the source of all motion is thought and the source of all thought. Be of heart and fear nothing your allotted days of stupor have expired and tomorrow i will myself induct you into the full joys and wonders of your novel existence. unknown now known of the speculative future merged in the august and certain present.

There are several unexplained phenomenon which occur naturally around the shores of Lake Baikal. The lake itself covers over thirty one thousand square kilometers of area, but it seems that every sighting of the city of Kitezh happens in the same location. It is always seen from one of the more popular viewing sites for tourists on the southern bank and seen to appear across from that point on the northern shore. I think if we start at the point these people see it from and advance to where it seems to appear we should be able to find something out.

Ma stood for a long moment and took in the panorama. Her gaze moving from left to right, she viewed the perimeter of the ice-covered plain. Three sides of the lake were bordered in marshland. The dusky skeletons of long dead pine trees angled helter-skelter at the verge of the marshes. Beyond, scrub forests of oak and maple in saturnine nakedness stood on the rolling terrain. A dark overcast added to the grimness of the tableau. Ma looked over the expanse of ice toward the old resort.

You always seem to pick the spots with the best view,” a deep voice said from the other side of the tree. My chest tightened and for a moment I couldn’t breathe as I dared to hope. A sandy head peeked around the low gnarled branches, hazel eyes bright against the blossoms.

I never forgot you, mia Luce.” He turned and stroked his hand down my face. The furrow in his brow deepened as his gaze fell to my lips. “I’ve been trapped in a dark place for so long, but when I’m with you, I feel different. Every day is like fucking chaos inside my head. Constantly pushing me. Driving me to this invisible edge where I’m always wired, ready to jump if I have to. But when I’m with you, it’s quiet. It’s like that edge disappears and I can just enjoy the view for a little while. I can deal with the world again, without all that anger and violence in my head. You’re like a beam of light breaking through, and for the first time, I’m opening my eyes to it.

I knew the Tam were already a success by the greeting I got. The women in their canoes in the middle of the lake called out loud hellos that I heard over my engine, and a few men and children came down to the beach and gave me big floppy Tam waves. A noticeable shift from the chary welcome we’d received six weeks earlier. I cut the engine and several men came and pulled the boat to shore, and without my having to say a word two swaybacked young lads with something that looked like red berries woven in their curled hair led me up a path and down a road, past a spirit house with an enormous carved face over the entryway—a lean and angry fellow with three thick bones through his nose and a wide open mouth with many sharp teeth and a snake’s head for a tongue. It was much more skilled than the Kiona’s rudimentary depictions, the lines cleaner, the colors—red, black, green, and white—far more vivid and glossy, as if the paint were still wet. We passed several of these ceremonial houses and from the doorways men called down to my guides and they called back. They took me in one direction then, as if I wouldn’t notice, turned me around and doubled back down the same road past the same houses, the lake once again in full view. Just when I thought their only plan was to parade me round town all day, they turned a corner and stopped before a large house, freshly built, with a sort of portico in front and blue-and-white cloth curtains hanging in the windows and doorway. I laughed out loud at this English tea shop encircled by pampas grass in the middle of the Territories. A few pigs were digging around the base of the ladder. From below I heard footsteps creaking the new floor. The cloth at the windows and doors puffed in and out from the movement within. ‘Hallo the house!’ I’d heard this in an American frontier film once. I waited for someone to emerge but no one did, so I climbed up and stood on the narrow porch and knocked on one of the posts. The sound was absorbed by the voices inside, quiet, nearly whispery, but insistent, like the drone of a circling aeroplane. I stepped closer and pulled the curtain aside a few inches. I was struck first by the heat, then the smell. There were at least thirty Tam in the front room, on the floor or perched oddly on chairs, in little groups or even alone, everyone with a project in front of them. Many were children and adolescents, but

through. The eastern part of the city all the way to The Rigolets was bathed in a soft golden sunlight, almost like a beach at sunset. To the west, however, there was a wicked billowing black mass of clouds, an advancing stampede that blotted out both sky and earth. A seabird’s view of startling weather patterns was one of the major perks of this office: this sky looked not only scenic but particularly menacing. He could imagine the shock waves it was literally sending to all those boat captains out on the Lake trying to get back to the harbor, not to mention the fear in the hearts of all of the Carnival krewe captains who were trying to get their parades lined up and rolling. “Well, better to rain on Lundi Gras than Mardi Gras,” he thought. He heard noises in his outer office and stuck his head out to see if maybe he had a paying client after all. A short round lady with a distressed look was

Many of the differences we experience between ourselves and others can be explained by soul age, which is determined by the number of lifetimes we have lived. Any relationship between two people of very different soul ages is bound to be challenging. Younger souls (those who have had fewer lifetimes) have a different way of viewing the world and different lessons than older souls. Younger and older souls live in two different worlds, in a sense, and when their worlds intersect, conflict or disappointment nearly always arises.

From early on, parts of Charlie’s speeches were devoted to using fear about African Americans, a term that came into common use only in the late 1970s and official use in the 1980s, to support his prejudiced view of the world. His ideas would grow more extreme over time, but even in the beginning, he was indoctrinating us to believe that black people were going to rise up collectively against white people. While he wasn’t necessarily framing it as an armed conflict initially, he talked to us in the Family about the blacks and whites and the coming insurrection. As he told it, he had been in jail with black people, and this was something he had heard from them.

She’s so afraid,” Alex said after she retreated from view. “You know why?” “Um, because you’re big and scary?” “Because she already knows about possibilities. Long as you know there are options in life, you get scared of choosing the wrong one.” Toni leaned away from him and gave him a mistrustful smile. “Okay, Einstein. Easy with the philosophy.” “No, really. She’s like a thousand different people right now, all waiting to be, and every time she makes a choice, one of those people goes away forever. Until finally you run out of choices and you are whoever you are. She’s afraid of what she’ll lose by coming out to see me. Of who she’ll never get to be.

,This is a lovely walk with views of the back of Yosemite National Park and Kaiser Peak ... Perhaps by the time you read and walk this trail, improvements will have been made to clarify the ambiguities. As of this writing, the middle of this walk is more closely a deer and animal trail than a footpath. - Pam Geisel HIKE NUMBER 12: The Dogwood Trail, p. 77

The S. J. & E. [railroad] grade can offer beautiful views of the San Joaquin river basin, the Yosemite National Park, and the Southern Slopes of Kaiser Peak. Built in 1912 in a period of 157 days, this nostalgic route through the mountains features wildflowers - Greg Goodman on HIKE NUMBER 20, p. 135

Utopia Island where all becomes clear. Solid ground beneath your feet. The only roads are those that offer access. Bushes bend beneath the weight of proofs. The Tree of Valid Supposition grows here with branches disentangled since time immemorial. The Tree of Understanding, dazzlingly straight and simple, sprouts by the spring called Now I Get It. The thicker the woods, the vaster the vista: the Valley of Obviously. If any doubts arise, the wind dispels them instantly. Echoes stir unsummoned and eagerly explain all the secrets of the worlds. On the right a cave where Meaning lies. On the left the Lake of Deep Conviction. Truth breaks from the bottom and bobs to the surface. Unshakable Confidence towers over the valley. Its peak offers an excellent view of the Essence of Things. For all its charms, the island is uninhabited, and the faint footprints scattered on its beaches turn without exception to the sea. As if all you can do here is leave and plunge, never to return, into the depths. Into unfathomable life.

Christ makes clear that Christianity is not a path to more comforts, higher status, or greater ease in this world..Here are the days when holding fasting to the gospel, actually believing the Bible, and putting it into practice will mean risking your reputation, sacrificing your social status, disagreeing with your closest family and friends, jeopardizing your economic security and earthly stability, giving away your possessions, leaving behind the accolades of the world, and..potentially losing your life..it is not possible to love the poor and live in unabated luxury..authentic tolerance doesn't mask truth but magnifies it, showing us how to love and serve one another in view of our differences..we spend the majority of our time sitting as spectators in services that cater to our comforts. Even in our giving to the church, we spend the majority of our money on places for us to meet, professionals to do the ministry, and programs designed around us and our kids..Jesus' main point is not that going to a funeral is wrong, but that his Kingdom will not take second place to anyone or anything else..Even more important than honoring the dead was proclaiming the Kingdom to those who were dying..Jesus knew that as great as people's earthly needs were, their eternal need was far greater..the ultimate priority of his coming was not to relieve suffering..his ultimate priority in coming to the world was to sever the root of suffering: sin itself..He came not just to give the poor drinking water for their bodies but to give people living water for their souls. He came not just to give orphans and widows a family now but to give them a family forever. He came not just to free girls from slavery to sex but to free them from slavery to sin. He came not just to make equality possible on earth but to make eternity possible in heaven..If all we do is meet people's physical needs while ignoring their spiritual need, we miss the entire point..We testify with our lips what we attest with our lives..giving a cup of water to the poor is not contingent upon that person's confession of faith in Christ..it is in addressing eternal suffering that we are most effective in alleviating earthly suffering..This commission is not just a general command to make disciples among as many people as possible. Instead, it is a specific command to make disciples among every people group in the world..Jesus has not given us a commission to consider; he has given us a command to obey..it seems that Jesus knows as soon as this man returns to his family, the lure to stay will be strong..It is not uncommon for the lure of family love to lead to faithless living..Following Jesus doesn't just entail sacrificial abandonment of our lives; it requires supreme affection from our hearts..I can slowly let indecision become inaction..delayed obedience becomes disobedience..If I'm walking by a lake and see a child drowning, I don't stop and ponder what I should do. Nor do I just stand there praying about what action to take. I do something..My purpose in putting these realities before us is not to cause us to collapse under their weight. To be certain, God alone is able to bear these global burdens..proclaim the gospel not under a utopian illusion that you or I or anyone or everyone together can rid this world of pain and suffering. That responsibility belongs to the resurrected Christ.

Emmeline’s room overlooked Eros and Psyche on the front lawn, while Hannah preferred the smaller one with a view to the rose garden and the lake beyond. The two bedrooms were adjoined by a small sitting area, which was always referred to as the burgundy room, though I never could think why as the walls were a pale shade of duck-egg blue and the curtains a Liberty floral in blues and pinks.

He turned away, walked over to the window, looked out over the ornamental lake--smaller than it had been, but still brimful--and at the rolling parkland and the woods beyond. Varney remembered this view yesterday, a century ago, two centuries: the trees had changed but the contours of the landscape remained the same; time's blurring brush had not altered the bones of the land itself. What had changed was--everything else. What had changed was him.

Everyone watched the older gentleman wearing a smeared white apron who did all the cooking. It was Mr. Smoot, a longtime friend of her dad's. He gave her a nod of recognition right before he dumped an entire bucket of red potatoes into the boiling cauldron of water, then added a huge scoop of salt. "What's the white stuff?" Bass asked. "That's the salt. The fish boil here is just four ingredients: water, salt, potatoes, and whitefish from Lake Michigan. Some places add in corn on the cob or onions, but I like their simple approach best." "So what happens?" "In a little while, they'll add another basket that's full of whitefish and more salt. As the fish cooks, the oil will rise to the top. They have a special trick for removing it you aren't going to want to miss. It's the best part. Then we go inside, fill a plate, then pour warm melted butter and lemon over it and eat until we're stuffed." Sanna's stomach growled. She'd forgotten how much she enjoyed fish boils here. Rustic and delicious. As they waited for the fish to cook, she answered Bass's and Isaac's questions, but saved the best part as a secret. When everyone began to gather around the cooking pit, Sanna maneuvered Bass to the front so he could have a perfect view for the grand finale with her and Isaac behind him. When Mr. Smoot splashed the kerosene on the fire, it caused the fish oil to boil over the edge of the pot into the fire, making a huge flare- like a fireball. Bass jumped and the crowd oohed as one.

For the Dharmi, the world around us is seen as being alive with sentiency and personality. Some of this life is readily seen through the senses, while other forms of life exist on more subtle realms and cannot be as readily detected. Consciousness – life – inhabits the four corners of our cosmos in all its myriad forms, and is all meant to be appreciated for its own inherent value. As a result of this unique way of perceiving reality, the Dharmi has deep respect and reverence for his surroundings, including respect for all life-forms, all natural phenomena, as well as for the Earth Herself. The trees, mountains, the oceans, rivers and lakes, the myriad diverse biospheres, and the planets and stars are all seen as being beneficent friends and blessings upon us all. The Dharmi never considers himself to be at war with other species of life, but views the diverse living entities found in nature with love and acceptance. All living beings have an inherent right to life […] In actuality, Dharma teaches us that every corner of the cosmos is filled with consciousness and is alive with personality. The Sun, the Moon, the Earth, the lakes and trees, and Nature herself are all seen as being living persons, with their own will and inherent value, and are accordingly treated with the highest respect. (p. 63 f.)

The estate Marjorie envisioned was to be erected in the middle of the seventeen-acre lot, which, when cleared of jungle growth, would be surrounded by great stretches of rolling lawn with views of Lake Worth and the Atlantic.

Inspired by its views of both the Atlantic and Lake Worth, Marjorie planned to call her home Mar-A-Lago from the Latin, meaning 'from sea to lake.

Will We Become Angels? I’m often asked if people, particularly children, become angels when they die. The answer is no. Death is a relocation of the same person from one place to another. The place changes, but the person remains the same. The same person who becomes absent from his or her body becomes present with the Lord (2 Corinthians 5: 8). The person who departs is the one who goes to be with Christ (Philippians 1: 23). Angels are angels. Humans are humans. Angels are beings with their own histories and memories, with distinct identities, reflected in the fact that they have personal names, such as Michael and Gabriel. Under God’s direction, they serve us on Earth (Hebrews 1: 14). Michael the archangel serves under God, and the other angels, in various positions, serve under Michael (Daniel 10: 13; Revelation 12: 7). In Heaven human beings will govern angels (1 Corinthians 6: 2-3). The fact that angels have served us on Earth will make meeting them in Heaven particularly fascinating. They may have been with us from childhood, protecting us, standing by us, doing whatever they could on our behalf (Matthew 18: 10). They may have witnessed virtually every moment of our lives. Besides God himself, no one could know us better. What will it be like not only to have them show us around the intermediate Heaven but also to walk and talk with them on the New Earth? What stories will they tell us, including what really happened that day at the lake thirty-five years ago when we almost drowned? They’ve guarded us, gone to fierce battle for us, served as God’s agents in answer to prayers. How great it will be to get to know these brilliant ancient creatures who’ve lived with God from their creation. We’ll consult them as well as advise them, realizing they too can learn from us, God’s image-bearers. Will an angel who guarded us be placed under our management? If we really believed angels were with us daily, here and now, wouldn’t it motivate us to make wiser choices? Wouldn’t we feel an accountability to holy beings who serve us as God’s representatives? Despite what some popular books say, there’s no biblical basis for trying to make contact with angels now. We’re to ask God, not angels, for wisdom (James 1: 5). As Scripture says and as I portray in my novels Dominion, Lord Foulgrin’s Letters, and The Ishbane Conspiracy, Satan’s servants can “masquerade as servants of righteousness” and bring us messages that appear to be from God but aren’t (2 Corinthians 11: 15). Nevertheless, because Scripture teaches that one or more of God’s angels may be in the room with me now, every once in a while I say “Thank you” out loud. And sometimes I add, “I look forward to meeting you.” I can’t wait to hear their stories. We won’t be angels, but we’ll be with angels—and that’ll be far better. Will We Have Emotions? In Scripture, God is said to enjoy, love, laugh, take delight, and rejoice, as well as be angry, happy, jealous, and glad. Rather than viewing these actions and descriptors as mere anthropomorphisms, we should consider that our emotions are derived from God’s. While we should always avoid creating God in our image, the fact remains we are created in his. Therefore, our emotions are a reflection of and sometimes (because of our sin) a distortion of God’s emotions. To be like God means to have and express emotions. Hence, we should expect that in Heaven

Clouds are very pretty from above. You can really appreciate their unique shapes, consistencies, the different colors they reflect. And that they’re a part of a system. If they were to turn gray and break, water would fall onto the mountains and flow down streams to lakes and rivers and eventually the sea. The water would support the cities and suburbs and the rural towns and farmland you can also see up here, down through them, the clouds. Haruka has a view of it all.

I’ve barely seen her since we got here,” went on the voice. “What is it, two weeks now?” The mother was speaking from the breakfast room, out of my field of view. I liked that room a lot, with its long, oaken table and glass walls on three sides. You could see the bright sparkle of the lake through the glass walls, and sunlight shifted through the moving branches of an ancient willow that shaded the house. But the room was teeming with parents every morning. We couldn’t use it. I tried for a voice ID, but when I edged into the doorway the conversation had turned to other matters—war in the news, a friend’s tragic abortion. Alycia had gone AWOL to the nearest town, hitching a ride from a yardman. The town was a gas station, a drugstore that was rarely open, and a dive bar, but she had a boyfriend there. Some decades older than she was.

C’mere. I want to hold you.” He led her over to the padded window seat, where he sat with his back against the wall and one leg spread along the length of the seat. He pulled her down between his legs, wrapped his arms around her and their children, and stared out at the view of Hummingbird Lake and Sinner’s Prayer Pass beyond. So beautiful. So joyous. He cleared his throat against a lump of emotion, then patted her tummy. “How about Beryl and Beulah? Beryl and Beulah Callahan. What do you … whoa! Did you feel that kick?” “A reaction to the name, I’m sure,” she dryly replied. “So, what do you think?” He nuzzled her neck. “I think you’re a bit rusty at picking names. We’ll work on it.

Her pace was slow, and after a moment, she glimpsed him. Iain straightened in the water, unable to stop his smile. Well, now. Wasn’t this an interesting dilemma? “You have me at a disadvantage, a chara.” He took a few steps closer, unable to resist teasing her. Now the water was at his waistline, and Rose put up her hands. “Stop,” she commanded. “I didn’t realize you were here. There’s no need to . . . leave the water.” Her face held a lovely blush, and he rather wanted to see what she would do now. “I’ll just go now.” Oh, no. He wasn’t about to let this opportunity escape. “I had just finished swimming,” he said. “If you’d like to take your turn, the water is all yours. Though, I must say, it’s a bit cold now.” “I wasn’t planning to swim.” He took another step closer, and this time, the water grazed his hip bones. Rose scrunched her eyes shut. “No, you needn’t come any farther.” He rather wondered if she would sneak a glimpse if he were to leave the lake. He took another step forward, baring a bit more of himself. When she didn’t respond, he guessed that she was indeed hiding her eyes. “I do need my clothes,” he pointed out. “And they are on the shore at the moment. I’ll go and fetch them.” This time, he strode out of the water, fully bared. God almighty, it was cold. He watched Rose closely as he continued toward his clothes, but she kept both hands covering her eyes. He couldn’t be certain, but it almost looked as if there was a slight space between her fingers. Was is possible that she was staring at him? “Are you enjoying the view, a chara?” he asked as he reached for his smallclothes and trousers. “I am not looking at you.” “So you say.” He smiled to himself as he dressed. When he was half-clothed, he returned toward her horse. Aye, he could have finished putting on his shirt and the remainder of his clothing, but he wanted to see her reaction, to tease her a little more. “You can look now.” She did, and promptly shut her eyes again. “You are not dressed, Lord Ashton.” “All the important bits are. And it’s not as if you haven’t seen me in this state before.” She let out a groan. “Really, now. Must you behave in such a villainous manner?” “I would only be a villain if I pulled you from that horse and threw you in the lake.” He had no intention of doing so, but the slight gasp she emitted made it clear that she wasn’t quite so certain. “Don’t you dare.” He approached the horse while her eyes were still closed and reached up, pulling her down to stand before him. Rose squealed, and tried to fight him, but he held her steady. “Now, a chara, I wouldn’t do such a thing to you.” “You took me off the horse.” “So I did. You were wanting to walk, were you not?” He kept her standing, knowing full well that his body was still wet from the lake. “Your skin is freezing,” she pointed out. “The water was too cold.” “It’s England. It will never get warm,” he felt compelled to remind her. And he was accustomed to swimming in frigid water, for it wasn’t at all warm in Ireland, either. But the longer he held her waist, the more she had an effect upon him. Her eyes remained closed, her lips slightly parted. Her reddish-brown hair was caught up in a pretty green bonnet, and she wore a riding habit that revealed the dip in her waist and the curve of her hips. Iain kept his arms around her, enjoying the temptation before him. There was no denying that Lady Rose was a stunningly beautiful woman, one he wanted to touch. Not yours, he warned himself. But she wasn’t fighting his hands upon her waist. And although she gave a slight shiver, she didn’t seem frightened of him. “I’m not going to harm you, Lady Rose,” he reminded her. “You can open your eyes.” After a moment, she did. “I cannot believe you were swimming naked in the lake. Did you think no one would come along?” He shrugged. “I don’t suppose I cared if anyone did.

The room smelled of lemon wax and the perfume she wore, something delicate and unassuming, not truly mirroring the complex woman she was. She would wear something hinting of roses, or more exotic blooms, a scent that teased the senses. She hated the mirrors, so he had them removed. He found another desk in the attics, one more suited for a study, but she'd been overjoyed when first viewing it. There was enough space in the sitting room, and that's where it rested, beneath the window looking out over Huntly's glen. He wished this view of the lake. She would have liked the sight of the birds soaring over the trees or the pale light of dawn reflected in the water.

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By the time I feel tired enough to go up to bed, I could easily have told you how long you need to cook a three-bed semi in the Lake District to get the right consistency, and exactly how large a mortgage you should be paying on a chocolate and maraschino cake with excellent views of Windermere.

Xander twisted back around with a crooked grin. “Just admiring the view is all.” “You and I go back a long time, Xander.” Gavin lifted a hooked dagger in the air before stuffing it into a side holster. “It’d be a shame to have to kill you.

I am an artist. I draw things that interest and intrigue me. When I happened upon you there at the lake, I felt compelled to capture your likeness." A slow smile spread over his face. "So I interest and intrigue you, do I?" "Only from an artistic point of view, nothing more. You might have been a particularly fine ram or perhaps a goat who had strayed from its flock. You were there, so I drew you." Gabriel's eyebrows arched, uncertain whether she was playing games with him or not. "I can assure you that I am neither a ram nor a goat, although I have been accused over the years of being randy as one.