β
Afterward, I had the last laugh. I made an air bubble at the bottom of the lake. Our friends kept waiting for us to come up, but hey-when you are the son of Poseidon, you don't have to hurry. And it was pretty much the best underwater kiss of all time.
β
β
Rick Riordan
β
There are times, however, and this is one of them, when even being right feels wrong. What do you say, for instance, about a generation that has been taught that rain is poison and sex is death? If making love might be fatal and if a cool spring breeze on any summer afternoon can turn a crystal blue lake into a puddle of black poison right in front of your eyes, there is not much left except TV and relentless masturbation. It's a strange world. Some people get rich and others eat shit and die.
β
β
Hunter S. Thompson (Generation of Swine: Tales of Shame and Degradation in the '80's)
β
Things like that happen all the time in this great big world of ours. It's like taking a boat out on a beautiful lake on a beautiful day and thinking both the sky and the lake are beautiful. So stop eating yourself up alive. Things will go where they're supposed to go if you just let them take their natural course.
β
β
Haruki Murakami (Norwegian Wood)
β
The lake was silent for some time. Finally, it said:
"I weep for Narcissus, but I never noticed that Narcissus was beautiful. I weep because, each time he knelt beside my banks, I could see, in the depths of his eyes, my own beauty reflected.
β
β
Paulo Coelho (The Alchemist)
β
Ayame: "Yuki, let's deepen the bond between us brothers!"
Yuki: "Before you can do that I'll drown you in the deepest part of that lake."
Ayame: "As long as we spend time together."
Yuki: "On second thought, go drown yourself.
β
β
Natsuki Takaya
β
I brush her hair out of her eyes and run my finger along the edge of her face. "I love you, Lake."
"Say it again," she says.
I kiss her forehead and repeat what I said. "I love you, Lake."
"One more time."
"I." I kiss her lips. "And love." I kiss them again. "And you."
"I love you, too.
β
β
Colleen Hoover (Point of Retreat (Slammed, #2))
β
Tell me about the dream where we pull the bodies out of the lake
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββand dress them in warm clothes again.
ββββββββββHow it was late, and no one could sleep, the horses running
until they forget that they are horses.
ββββββββββββββββββββItβs not like a tree where the roots have to end somewhere,
ββββββββββitβs more like a song on a policemanβs radio,
ββββββββββββββββββββββββββββββhow we rolled up the carpet so we could dance, and the days
were bright red, and every time we kissed there was another apple
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββto slice into pieces.
Look at the light through the windowpane. That means itβs noon, that means
ββββββββββwe're inconsolable.
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββTell me how all this, and love too, will ruin us.
These, our bodies, possessed by light.
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββTell me weβll never get used to it.
β
β
Richard Siken (Crush)
β
The alchemist picked up a book that someone in the caravan had brought. Leafing through the pages, he found a story about Narcissus.
The alchemist knew the legend of Narcissus, a youth who knelt daily beside a lake to contemplate his own beauty. He was so fascinated by himself that, one morning, he fell into the lake and drowned. At the spot where he fell, a flower was born, which was called the narcissus.
But this was not how the author of the book ended the story.
He said that when Narcissus died, the goddesses of the forest appeared and found the lake, which had been fresh water, transformed into a lake of salty tears.
'Why do you weep?' the goddesses asked.
'I weep for Narcissus," the lake replied.
'Ah, it is no surprise that you weep for Narcissus,' they said, 'for though we always pursued him in the forest, you alone could contemplate his beauty close at hand.'
'But... was Narcissus beautiful?' the lake asked.
'Who better than you to know that?' the goddesses asked in wonder. 'After all, it was by your banks that he knelt each day to contemplate himself!'
The lake was silent for some time. Finally, it said:
'I weep for Narcissus, but I never noticed that Narcissus was beautiful. I weep because, each time he knelt beside my banks, I could see, in the depths of his eyes, my own beauty reflected.'
'What a lovely story,' the alchemist thought.
β
β
Paulo Coelho (The Alchemist)
β
Claryβs eyes widened. She wondered if she was about to be broken up with. If so, she would have a thing or two to say to Jace about his timing, after she drowned him in the lake.
β
β
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
β
She understood that the hardest times in life to go through were when you were transitioning from one version of yourself to another.
β
β
Sarah Addison Allen (Lost Lake (Lost Lake, #1))
β
Rivers, ponds, lakes and streams β they all have different names, but they all contain water. Just as religions do β they all contain truths
β
β
Muhammad Ali (Muhammad Ali: His Life and Times)
β
THE FOUR HEAVENLY FOUNTAINS
Laugh, I tell you
And you will turn back
The hands of time.
Smile, I tell you
And you will reflect
The face of the divine.
Sing, I tell you
And all the angels will sing with you!
Cry, I tell you
And the reflections found in your pool of tears -
Will remind you of the lessons of today and yesterday
To guide you through the fears of tomorrow.
β
β
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
β
IT was the time of day when Lake Eden residents decided it was too late for a breakfast cookie and too early for a lunch cookie.
β
β
Joanne Fluke (Chocolate Chip Cookie Murder (Hannah Swensen, #1))
β
...this beginning motion, this first time when a sail truly filled and the boat took life and knifed across the lake under perfect control, this was so beautiful it stopped my breath...
β
β
Gary Paulsen (Caught by the Sea)
β
I heard your song the moment we were born. And years later, it dragged me back from the lake of the half-dead when all I wanted to do was die. Each time someone tried to kill me, it sang its tune and gave me hope.
β
β
Melina Marchetta (Froi of the Exiles (Lumatere Chronicles, #2))
β
I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the worldβs cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in blurry, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table.
I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as a starfish loves a coral reef and as a kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza.
I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. i will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey.
I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and as an eraser loves to leave dust in the hairdos of people who talk too much. I will love you as a cufflink loves to drop from its shirt and explore the party for itself and as a pair of white gloves loves to slip delicately into the punchbowl. I will love you as the taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock.
β
β
Lemony Snicket
β
In the early morning on the lake sitting in the stern of the boat with his father rowing, he felt quite sure that he would never die.
β
β
Ernest Hemingway (In Our Time)
β
A girl who travels will need someone that questions her, not too little, and not too much. Sheβll need someone to read her, but also really listen to her. Because sheβll want to do the same. Sheβll want a person that shares an interest but at the same time stays genuine to who they are. Not drown in a puddle of narcissism. And not drown in a lake of fascination.
β
β
lauren klarfeld
β
On September 11, I went out and bought a new TV/VCR at Best Buy so I could record the news coverage of the planes crashing into the Twin Towers. Trevor was on a honeymoon in Barbados, I'd later learn, but Reva was lost. Reva was gone. I watched the videotape over and over to soothe myself that day. And I continue to watch it, usually on a lonely afternoon, or any other time I doubt that life is worth living, or when I need courage, or when I am bored. Each time I see the woman leap off the seventy-eighth floor of the North Towerβone high-heeled shoe slipping off and hovering up over her, the other stuck on her foot as though it were too small, her blouse untucked, hair flailing, limbs stiff as she plummets down, one arm raised, like a dive into a summer lakeβI am overcome by awe, not because she looks like Reva, and I think it's her, almost exactly her, and not because Reva and I had been friends, or because I'll never see her again, but because she is beautiful. There she is, a human being, diving into the unknown, and she is wide awake.
β
β
Ottessa Moshfegh (My Year of Rest and Relaxation)
β
Mirror
I am silver and exact. I have no preconceptions.
Whatever I see I swallow immediately
Just as it is, unmisted by love or dislike.
I am not cruel, only truthful-
The eye of the little god, four cornered.
Most of the time I meditate on the opposite wall.
It is pink, with speckles. I have looked at it so long
I think it is a part of my heart. But it flickers.
Faces and darkness separate us over and over.
Now I am a lake. A woman bends over me,
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully.
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish.
--written 1960
β
β
Sylvia Plath (The Collected Poems)
β
You saved the world," annabeth said.
"We saved the world."
"And Rachel is the new Oracle, which means she won't be dating anybody."
"You don't sound disappointed," I noticed.
Annabeth shrugged. "Oh, I don't care."
"Uh-huh."
She raised an eyebrow. "You got something to say to me, Seaweed Brain?"
"You'd probably kick my butt."
"You know I'd kick your butt."
I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal."
Annabeth kept her eyes on the horizon. "Yeah?"
"Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinkingβ"
"Oh, you so wanted to."
"Well, maybe a little. But I didn't, because I thoughtβI didn't want things to stay the same for eternity, because
things could always get better. And I was thinking . . ." My throat felt really dry.
"Anyone in particular?" Annabeth asked, her voice soft.
I looked over and saw that she was trying not to smile.
"You're laughing at me," I complained.
"I am not!"
"You are so not making this easy."
Then she laughed for real, and she put her hands around my neck. "I am never, ever going to make things easy for
you, Seaweed Brain. Get used to it."
When she kissed me, I had the feeling my brain was melting right through my body. I could've stayed that way forever, except a voice behind us growled, "Well, it's about time!"
Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders.
"Oh, come on!" I complained. "Is there no privacy?"
"The lovebirds need to cool off!" Clarisse said with glee.
"The canoe lake!" Connor Stoll shouted. and they dumped us in the water.
β
β
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
β
If he comes in the dark, then it's KYAG Time!"
- Harkat Mulds (The Lake of Souls)
β
β
Darren Shan (The Lake of Souls (Cirque du Freak, #10))
β
There was a small wooden gazebo built out over the water; Isabelle was sitting in it, staring out across the lake. She looked like a princess in a fairy tale, waiting at the top of her tower for someone to ride up and rescue her.
Not that traditional princess behavior was like Isabelle at all. Isabelle with her whip and boots and knives would chop anyone who tried to pen her up in a tower into pieces, build a bridge out of the remains, and walk carelessly to freedom, her hair looking fabulous the entire time.
β
β
Cassandra Clare
β
There have been times I have thought some dreams should never be dreamt, but I would hate a world where that was true.
β
β
Daniel Amory (Minor Snobs)
β
Before I love you can come out of my mouth again, the front door swings open and Julia walks outside. "We're going to have to set some ground rules," she says. There's more amusement in her voice than anger or annoyance.
"Sorry, Julia," I yell over my shoulder. I turn back to Lake and kiss her one last time, then take a step away from her. "It's just that I'm madly in love with your daughter!"
"Yeah." Julia laughs. "I can see that.
β
β
Colleen Hoover (This Girl (Slammed, #3))
β
I'm Losing Faith in My Favorite Country
Throughout my life, the United States has been my favorite country, save and except for Canada, where I was born, raised, educated, and still live for six months each year. As a child growing up in Waterloo, Ontario, Canada, I aggressively bought and saved baseball cards of American and National League players, spent hours watching snowy images of American baseball and football games on black and white television and longed for the day when I could travel to that great country. Every Saturday afternoon, me and the boys would pay twelve cents to go the show and watch U.S. made movies, and particularly, the Superman serial. Then I got my chance. My father, who worked for B.F. Goodrich, took my brother and me to watch the Cleveland Indians play baseball in the Mistake on the Lake in Cleveland. At last I had made it to the big time. I thought it was an amazing stadium and it was certainly not a mistake. Amazingly, the Americans thought we were Americans.
I loved the United States, and everything about the country: its people, its movies, its comic books, its sports, and a great deal more. The country was alive and growing. No, exploding. It was the golden age of life, liberty, and the pursuit of happiness. The American dream was alive and well, but demanded hard work, honesty, and frugality. Everyone understood that. Even the politicians.
Then everything changed.
β
β
Stephen Douglass
β
Our human tragedy is that we are unable to comprehend our experience, it slips through our fingers, we can't hold on to it, and the more time passes, the harder it gets...My father said that the natural world gave us explanations to compensate for the meanings we could not grasp. The slant of the cold sunlight on a winter pine, the music of water, an oar cutting the lake and the flight of birds, the mountains' nobility , the silence of the silence. We are given life but must accept that it is unattainable and rejoice in what can be held in the eye, the memory, the mind.
β
β
Salman Rushdie (Shalimar the Clown)
β
Ali wrinkled her forehead and cocked her head to the side. Clearly, she hadn't prepared herself for me to be pleasant. After a moment, her eyes narrowed. "What exactly did you and Lake did yesterday?" she asked, like we might have held up a gas station and gone on a crime spree across the country, all in the span of just a few hours.
"We went to Mexico, had some tequila, eloped with a pair of drug smugglers, and took part-time jobs as exotic dancers. You know, same old, same old."
Ali snorted.
"I'm torn on stripper names. It's either going to be Lady Love or Wolfsbane Lane. Thoughts?"
Ali threw a onesie at me. "Brat.
β
β
Jennifer Lynn Barnes (Raised by Wolves (Raised by Wolves, #1))
β
That is the way Emerson said it. But here is the way a poet -the late Douglas Mallochsaid
it:
If you can't be a pine on the top of the hill.
Be a scrub in the valley-but be
The best little scrub by the side of the rill;
Be a bush, if you can't be a tree.
If you can't be a bush, be a bit of the grass.
If you can't be a muskie, then just be a bass-
But the liveliest bass in the lake!
We can't all be captains, we've got to be crew.
There's something for all of us here.
There's big work to do and there's lesser to do
And the task we must do is the near.
If you can't be a highway, then just be a trail,
If you can't be the sun, be a star;
It isn't by the size that you win or you fail-
Be the best of whatever you are!
β
β
Dale Carnegie (How to Stop Worrying and Start Living: Time-Tested Methods for Conquering Worry (Dale Carnegie Books))
β
Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,βthe hour that comes only once; his star rose in the horizon,βthat star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,βhe saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow.
The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately:
I have received yours,βbut too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,βit is all that remains for either of us."
And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,βthe real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,βexceedingly real.
Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.
β
β
Harriet Beecher Stowe (Uncle Tomβs Cabin)
β
Not from Hades' black and universal lake can you lift him. Not by groaning, not by prayers. Yet you run yourself out in a grief with no cure, no time-limit, no measure. It is a knot no one can untie. Why are you so in love with things unbearable?
β
β
Sophocles (Electra)
β
I think that the best kind of change, is the change that comes from the inside and begins it's way out until it emerges on the outside; a change that is born underneath then continues and spreads until it has reached the surface. That's a true change. A powerful change. And I have found that while we are emerging, changing into something glorious; it is actually us becoming who we really are. A water lily is born underneath the water, inside the soil at the bottom of the river or lake. And the water lily has always been a water lily for that whole time that it was sprouting out of the wet soil, reaching up through the dark water towards the sunlight, stretching and grasping for the surface; where it then buds and blooms on the outside in the sunshine. It doesn't bud and bloom on the surface and then try to reach down below into the soil.
β
β
C. JoyBell C.
β
The stars are brilliant at this time of night
and I wander these streets like a ritual I donβt dare to break
for darling, the times are quite glorious.
I left him by the waterβs edge,
still waving long after the ship was gone
and if someone would have screamed my name I wouldnβt have heard for Iβve said goodbye so many times in my short life that farewells are a muscular task and Iβve taught them well.
Thereβs a place by the side of the railway near the lake where I grew up and I used to go there to burry things and start anew.
I used to go there to say goodbye.
I was young and did not know many people but I had hidden things inside that I never dared to show and in silence I tried to kill them,
one way or the other,
leaving sin on my body
scrubbing tears off with salt
and I built my rituals in farewells.
Endings I still cling to.
So I go to the ocean to say goodbye.
He left that morning, the last words still echoing in my head
and though he said heβd come back one day I know a broken promise from a right one
for I have used them myself and there is no coming back.
Minds like ours are canβt be tamed and the price for freedom is the price we pay.
I turned away from the ocean
as not to fall for its plea
for it used to seduce and consume me
and there was this one night
a few years back and I was not yet accustomed to farewells
and just like now I stood waving long after the ship was gone.
But I was younger then and easily fooled
and the ocean was deep and dark and blue
and I took my shoes off to let the water freeze my bones.
I waded until I could no longer walk and it was too cold to swim but still I kept on walking at the bottom of the sea for I could not tell the difference between the ocean and the lack of someone I loved and I had not yet learned how the task of moving on is as necessary as survival.
Then days passed by and I spent them with my work
and now Iβm writing letters I will never dare to send.
But there is this one day every year or so
when the burden gets too heavy
and I collect my belongings I no longer need
and make my way to the ocean to burn and drown and start anew
and it is quite wonderful, setting fire to my chains and flames on written words
and I stand there, starring deep into the heat until theyβre all gone.
Nothing left to hold me back.
You kissed me that morning as if youβd never done it before and never would again and now I write another letter that I will never dare to send, collecting memories of loss
like chains wrapped around my veins,
and if you see a fire from the shore tonight
itβs my chains going up in flames.
The time of moon i quite glorious.
We could have been so glorious.
β
β
Charlotte Eriksson (You're Doing Just Fine)
β
thereβs no such thing as happily ever after. Thereβs only happy for a short period of time before everything falls apart.
β
β
Riley Sager (The House Across the Lake)
β
What if you could meet your soul mate?" the ghost asked. "You 'd want to avoid that?"
"Hell, yes. The idea that there's one soul out there, waiting to merge with mine like some data-sharing program, depresses the hell out of me."
"It's not like that. It's not about losing yourself."
"Then what is it?" Alex was only half listening, still occupied with the viselike tightness of his chest.
"It's like your whole life you 've been falling toward the earth, until the moment someone catches you. And you realise that somehow you 've caught her at the same time. And together, instead of falling, you might be able to fly.
β
β
Lisa Kleypas (Dream Lake (Friday Harbor, #3))
β
I think about going to the lake, but I'm so weak that I barely make it to my
meeting place with Gale. I sit on the rock where Cressida filmed us, but it's too wide without his body beside me.
Several times I close my eyes and count to ten, thinking that when I open them, he will have materialized without a sound as he so often did. I have to remind myself that Gale's in 2 with a fancy job, probably kissing another pair
of lips.
β
β
Suzanne Collins
β
Any time, any place? I ask, gazing out across the glittering lake.
A breeze disturbs it's silver surface. In a heartbeat, Phoenix promises.
β
β
Eden Maguire (Phoenix (Beautiful Dead, #4))
β
Once he went into the mountains on a clear, sunny day, and wandered about for a long time with a tormenting thought that refused to take shape. Before him was the shining sky, below him the lake, around him the horizon, bright and infinite, as if it went on forever. For a long time he looked and suffered. He remembered now how he had stretched out his arms to that bright, infinite blue and wept. What had tormented him was that he was a total stranger to it all. What was this banquet, what was this great everlasting feast, to which he had long been drawn, always, ever since childhood, and which he could never join? Every morning the same bright sun rises; every morning there is a rainbow over the waterfall; every evening the highest snowcapped mountain, there, far away, at the edge of the sky, burns with a crimson flame; every little fly that buzzes near him in a hot ray of sunlight participates in this whole chorus: knows its place, loves it, and is happy; every little blade of grass grows and is happy! And everything has its path, and everything knows its path, goes with a song and comes back with a song; only he knows nothing, understands nothing, neither people nor sounds, a stranger to everything and a castaway.
β
β
Fyodor Dostoevsky (The Idiot)
β
Yoga says instinct is a trace of an old experience that has been repeated many times and the impressions have sunk down to the bottom of the mental lake. Although they go down, they arenβt completely erased. Donβt think you ever forget anything. All experiences are stored in the chittam; and, when the proper atmosphere is created, they come to the surface again. When we do something several times it forms a habit. Continue with that habit for a long time, and it becomes your character. Continue with that character and eventually, perhaps in another life, it comes up as instinct. (92)
β
β
Satchidananda (The Yoga Sutras of Pantanjali)
β
It wasn't raindrops at all. It was a great solid mass of water that might have been a lake or a whole ocean dropping out of the sky on top of them, and down it came, down and down and down, crashing first onto the seagulls and then onto the peach itself, while the poor travelers shrieked with fear and groped around frantically for something to catch hold of- the peach stem, the silk strings, anything they could find- and all the time the water came pouring and roaring down upon them, bouncing and smashing and sloshing and slashing and swashing and swirling and surging and whirling and gurgling and gushing and rushing and rushing, and it was like being pinned down underneath the biggest waterfall in the world and not being able to get out.
β
β
Roald Dahl
β
Wait! I'm not ready.
Tough shit, Monroe. You had a year to get ready.
Can we talk about this?
I'm done talking. It's time to fuck.
β
β
B.B. Reid (Fear Me (Broken Love, #1))
β
When I put my hands on your body on your flesh I feel the history of that body. Not just the beginning of its forming in that distant lake but all the way beyond its ending. I feel the warmth and texture and simultaneously I see the flesh unwrap from the layers of fat and disappear. I see the fat disappear from the muscle. I see the muscle disappearing from around the organs and detaching iself from the bones. I see the organs gradually fade into transparency leaving a gleaming skeleton gleaming like ivory that slowly resolves until it becomes dust. I am consumed in the sense of your weight, the way your flesh occupies momentary space the fullness of it beneath my palms. I am amazed at how perfectly your body fits to the curves of my hands. If I could attach our blood vessels so we could become each other I would. If I could attach our blood vessels in order to anchor you to the earth to this present time I would. If I could open up your body and slip inside your skin and look out your eyes and forever have my lips fused with yours I would. It makes me weep to feel the history of your flesh beneath my hands in a time of so much loss. It makes me weep to feel the movement of your flesh beneath my palms as you twist and turn over to one side to create a series of gestures to reach up around my neck to draw me nearer. All these memories will be lost in time like tears in the rain.
β
β
David Wojnarowicz
β
I took my time walking down to the lake, hoping that somehow the ache in my heart would ease. My joy at the success on the roof had drained away, leaving me hollow, like a well someone could shout down and hear nothing back but echoes.
β
β
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
β
Live. And Live Well.
BREATHE. Breathe in and Breathe deeply.
Be PRESENT. Do
not be past. Do not be future. Be now.
On a crystal clear, breezy 70 degree day,
roll down the windows and
FEEL the wind against your skin. Feel the warmth of
the sun.
If you run, then allow those first few breaths on a cool Autumn day to
FREEZE your lungs and do not just be alarmed, be ALIVE.
Get knee-deep in a novel
and LOSE track of time.
If you bike, pedal HARDER and if you crash then crash
well.
Feel the SATISFACTION of a job well done-a paper well-written, a project
thoroughly completed, a play well-performed.
If you must wipe the snot from your
3-year old's nose, don't be disgusted if the Kleenex didn't catch it all
because soon he'll be wiping his own.
If you've recently experienced loss, then
GRIEVE. And Grieve well.
At the table with friends and family, LAUGH.
If you're
eating and laughing at the same time, then might as well laugh until you puke.
And if you eat, then SMELL.
The aromas are not impediments to your day. Steak on
the grill, coffee beans freshly ground, cookies in the oven.
And TASTE.
Taste every ounce of flavor.
Taste every ounce of friendship.
Taste every ounce of Life.
Because-it-is-most-definitely-a-Gift.
β
β
Kyle Lake
β
In prehistoric times, early man was bowled over by natural events: rain, thunder, lightning, the violent shaking and moving of the ground, mountains spewing deathly hot lava, the glow of the moon, the burning heat of the sun, the twinkling of the stars. Our human brain searched for an answer, and the conclusion was that it all must be caused by something greater than ourselves - this, of course, sprouted the earliest seeds of religion. This theory is certainly reflected in faery lore. In the beautiful sloping hills of Connemara in Ireland, for example, faeries were believed to have been just as beautiful, peaceful, and pleasant as the world around them. But in the Scottish Highlands, with their dark, brooding mountains and eerie highland lakes, villagers warned of deadly water-kelpies and spirit characters that packed a bit more punch.
β
β
Signe Pike (Faery Tale: One Woman's Search for Enchantment in a Modern World)
β
Sorry,β Kiersten says to Lake and I. βMom says the FCC is responsible for inventing cusswords just for media shock value. She says if everyone would just use them enough, they wouldnβt be considered cusswords anymore and no one would ever be offended by themβ
This kid is hard to keep up with!
βYour mother encourages you to cuss?β Gavin says.
Kiersten nods. βI donβt see it that way. Itβs more like sheβs encouraging us to undermine a system flawed through overuse of words that are made out to be harmful, when in fact theyβre just letters, mixed together like every other word. Thatβs all they are, mixed up letters. Like, take the word βbutterflyβ for example. What if someone decided one day that butterfly is a cussword? People would eventually start using butterfly as an insult, and to emphasize things in a negative way. The actual WORD doesnβt mean anything. Itβs the negative association people give these words that make them cusswords. So if we all just decided to keep saying butterfly all the time, eventually people would stop caring. The shock value would subsideβ¦and it would just become another word again. Same with every other so-called bad word. If we would all just start saying them all the time, They wouldnβt be bad anymore. Thatβs what my mom says anyway.β
βKiersten?β Eddie says. βWill you be my new best friend?β
Lake grabs a french fry off her plate and throws it at Eddie, hitting her in the face with it. βThatβs Bullshit,β Lake says.
βOh, go BUTTERFLY yourself,β Eddie says. She returns a fry in Lakes direction.
β
β
Colleen Hoover (Point of Retreat (Slammed, #2))
β
What could she tell him? I notice everything about him, from his flawed nose to his battle scars to his eyes as blue as an upland lake at midsummer. Sometimes I see the boy he would have been had it not been for his life at Ragmarket. He wears his pain on his face in unguarded moments; at other times, I can see just how dangerous he is. No, she couldn't say any of that.
β
β
Cinda Williams Chima (The Exiled Queen (Seven Realms, #2))
β
I have heard several people justify working long hours and getting home from work late it night by saying things like, βI have to put in all this time to make up for the vacation weβre going to take this summer.β I bet if I asked your kids, theyβd say that theyβd rather have you home every night to play with them than the weeklong summer trip to the lake where youβre stressed out the whole time anyways.
β
β
Daniel Willey
β
Things like that happen all the time in this great big world of ours. It is like taking a boat out on a beautiful lake on a beautiful day and thinking both the sky and the lake are beautiful. Things will go where they are supposed to go if you just let them take their natural course. Despite your best efforts, people are going to be hurt when it is time for them to be hurt. Life is like that.
β
β
Haruki Murakami (Norwegian Wood)
β
But people arenβt math problems.β I gave a heavy shrug. βI can miss my dad and hate him at the same time. I can be worried about this book and torn up about my family and sick over the house Iβm living in, and still look out at Lake Michigan and feel overwhelmed by how big it is. I spent all last summer thinking Iβd never be happy again, and now, a year later, I still feel sick and worried and angry, but at moments, Iβm also happy. Bad things donβt dig down through your life until the pitβs so deep that nothing good will ever be big enough to make you happy again. No matter how much shit, there will always be wildflowers. There will always be Petes and Maggies and rainstorms in forests and sun on waves.
β
β
Emily Henry (Beach Read)
β
Iβve always liked the feeling of traveling light; there is something in me that wants to feel I could leave wherever I am, at any time, without any effort. The idea of being weighed down made me uneasy, as if I lived on the surface of a frozen lake and each new trapping of domestic life - a pot, a chair, a lamp - threatened to be the thing that sent me through the ice.
β
β
Nicole Krauss (Great House)
β
Someday stars will wind down or blow up. Someday death will cover us all like the water of a lake and perhaps nothing will ever come to the surface to show that we were ever there. But we WERE there, and during the time we lived, we were alive. That's the truth - what is, what was, what will be - not what could be, what should have been, what never can be.
β
β
Orson Scott Card (Children of the Mind (Ender's Saga, #4))
β
When the sun rises and shines,
Not all the lotus buds in the lakes and ponds bloom,
Only those that are ready, do.
The rest have to bide their time,
But all are destined to bloom,
All have to fulfill that destiny.
There is no need to despair.
β
β
Sathya Sai Baba
β
I began to swim, an armless silver mermaid, using only my hips to generate motion, until finally my ass scraped against the lake's mucky bottom. I turned then and used my hips and waist to roll three times, until I came ashore near a ratty green towel. They'd left me a towel. How thoughtful.
β
β
John Green (Looking for Alaska)
β
Pain? Yes, of course. Racing without pain is not racing. But the pleasure of being ahead outweighed the pain a million times over. To hell with the pain. What's six minutes of pain compared to the pain they're going to feel for the next six months or six decades. You never forget your wins and losses in this sport. YOU NEVER FORGET.
β
β
Brad Alan Lewis (Assault on Lake Casitas)
β
Then she laughed for real, and put her hands around my neck. 'I am never, ever going to make things easy for you Seaweed Brain. Get used to it.'
When she kissed me, I had the feeling my brain was melting right through my body.
I could've stayed that way forever, except a voice behind us growled, 'Well it's about time!'
Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders.
'Oh, come on!' I complained. 'Is there no privacy?'
'The lovebirds need to cool off!' Clarisse said with glee.
'The canoe lake!' Conner Stoll shouted.
With a huge cheer, they carried us down the hill, but they kept us close enough to hold hands. Annabeth was laughing, and I couldn't help laughing too, even though my face was completely red.
We held hands right up to the moment they dumped us in the water.
β
β
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
β
I call the high and light aspects of my being SPIRIT and the dark and heavy aspects SOUL.
Soul is at home in the deep shaded valleys.
Heavy torpid flowes saturated with black grow there.
The rivers flow like arm syrup. They empty into huge oceans of soul.
Spirit is a land of high,white peaks and glittering jewel-like lakes and flowers.
Life is sparse and sound travels great distances.
There is soul music, soul food, and soul love.
People need to climb the mountain not because it is there
But because the soulful divinity need to be mated with the Spirit.
Deep down we must have a rel affection for each other, a clear recognition of our shared human status. At the same time we must openly accept all ideologies and systems as means of solving humanity's problems. No matter how strong the wind of evil may blow, the flame of truth cannot be extinguished.
β
β
Dalai Lama XIV
β
People say that Kashmir was crafted by Godβs own hand. He molded the high mountains and hills that stretch as far as the eye can see, purified the crystal blue rivers and lakes, and painted the grass with His brush. Heβs kept its beauty fresh ever since, a slice of heaven on earth.
I donβt believe that. I think God forgot about us a long time ago. The aesthetic countryside is nothing but a facade, an illusion. Underneath the landβs mirage of beauty lies the truth, and this truth is the one thing the people of Kashmir understand above all else: suffering.
β
β
Ammar Habib (The Orphans of Kashmir)
β
The fleeting hour of life of those who love the hills is quickly spent, but the hills are eternal. Always there will be the lonely ridge, the dancing beck, the silent forest; always there will be the exhilaration of the summits. These are for the seeking, and those who seek and find while there is still time will be blessed both in mind and body.
β
β
Alfred Wainwright (A Pictorial Guide To The Lakeland Fells: The Western Fells)
β
A world in which time is absolute is a world of consolation. For while the movements of people are unpredictable, the movement of time is predictable. While people can be doubted, time cannot be doubted. While people brood, time skips ahead without looking back. In the coffee houses, in the government buildings, in boats of Lake Geneva, people look at their watches and take refuge in time. Each person knows that somewhere is recorded the moment she was born, the moment she took her first step, the moment of her first passion, the moment she said goodbye to her parents.
β
β
Alan Lightman (Einsteinβs Dreams)
β
For this is the thing the priests do not know, with their One God and One Truth; that there is no such thing as a true tale. Truth has many faces and the truth is like the old road to Avalon; it depends on your own will, and your own thoughts, whither the road will take you, and whether, at the end, you arrive at the Holy Isle of Eternity or among the priests with their bells and their death and their Satan and hell and damnation...but perhaps I am unjust even to them. Even the Lady of the Lake, who hated a priest's robe as she would have hated a poisonous viper, and with good cause too, chid me once for speaking evil of the God.
'For all the Gods are one god,' she said to me then, as she had said many times before, and as I have said to my own novices many times, and as every priestess who comes after me will say again, 'and all the Goddesses are one Goddess, and their is only one Initiator. And to every man his own truth, and the God within.'
And so, perhaps, the truth winds somewhere between the road to Glastonbury, Isle of the Priests, and the road to Avalon, lost forever in the mists of the Summer Sea.
But this is my truth, I who am Morgaine tell you these things, Morgaine who was in later days called Morgan le Fay.
β
β
Marion Zimmer Bradley (The Mists of Avalon (Avalon, #1))
β
I became totally absorbed into this forest existence. It was an unparalleled period when aloneness was a way of life; a perfect opportunity, it might seem, for meditating on the meaning of existence and my role in it all. But I was far too busy learning about the chimpanzees'lives to worry about the meaning of my own. I had gone to Gombe to accomplish a specific goal, not to pursue my early preoccupation with philosophy and religion. Nevertheless, those months at Gombe helped to shape the person I am today-I would have been insensitive indeed if the wonder and the endless fascination of my new world had not had a major impact on my thinking. All the time I was getting closer to animals and nature, and as a result, closer to myself and more and more in tune with the spiritual power that I felt all around. For those who have experienced the joy of being alone with nature there is really little need for me to say much more; for those who have not, no words of mine can even describe the powerful, almost mystical knowledge of beauty and eternity that come, suddenly, and all unexpected. The beauty was always there, but moments of true awareness were rare. They would come, unannounced; perhaps when I was watching the pale flush preceding dawn; or looking up through the rustling leaves of some giant forest tree into the greens and browns and the black shadows and the occasionally ensured bright fleck of blue sky; or when I stood, as darkness fell, with one hand on the still warm trunk of a tree and looked at the sparkling of an early moon on the never still, softly sighing water of Lake Tanganyika.
β
β
Jane Goodall
β
Time isn't an orderly stream. Time isn't a placid lake recording each of our ripples. Time is viscous. Time is a massive flow. It is a self-healing substance, which is to say, almost everything will be lost. We're too slight, to inconsequntial, despite all of our thrashing and swimming and waving our arms about. Time is an ocean of inertia, drowning out the small vibrations, absorbing the slosh and churn, the foam and wash, and we're up here, flapping and slapping and just generally spazzing out, and sure, there's a little splashing on the surface, but that doesn't even register in the depths, in the powerful undercurrents miles below us, taking us wherever they are taking us.
β
β
Charles Yu (How to Live Safely in a Science Fictional Universe)
β
He took her face in his bloody hands. 'I'll come and find you wherever you are. I'll not stop breathing until I do. So you're going to have to promise me that you wonβt lose hope. That you will keep yourself alive.'
He tried to wipe her tears, but there were too many.
'I heard your song the moment we were born," she sobbed. "And years later, it dragged me back from the lake of the half-dead when all I wanted to do was die. Each time someone tried to kill me, it sang its tune and gave me hope.'
She pressed cold lips against his and they tasted the salt of each other's tears.
'Are you ready?' he asked.
She nodded.
'Run!
β
β
Melina Marchetta (Froi of the Exiles (Lumatere Chronicles, #2))
β
Donβt forget what he means to me, Poppy. Iβve known him my whole damn life,β he said. βWe shared the same crib more times than not. We took our first steps together. Sat at the same table most nights, refusing to eat the same vegetables We explored tunnels and lakes, pretended that fields were new, undiscovered kingdoms. We were inseparable. And that didnβt change as we grew older.β His voice roughened, and he dropped his forehead to mind. βHe was and still is a part of me.
β
β
Jennifer L. Armentrout (The War of Two Queens (Blood and Ash, #4))
β
Why I Am Happy
Now has come, an easy time. I let it
roll. There is a lake somewhere
so blue and far nobody owns it.
A wind comes by and a willow listens
gracefully.
I hear all this, every summer. I laugh
and cry for every turn of the world,
its terribly cold, innocent spin.
That lake stays blue and free; it goes
on and on.
And I know where it is.
β
β
William Stafford
β
Satisfied, Sundae trotted to a bush near the lake, dug vigorously for some seconds and pulled out a bone deliciously covered in mud and bits of vegetation. She took her prize to a still-sunny patch of grass and began to gnaw at it. Two magpies, their greyish necks identifying them as juveniles, landed on a nearby branch. Sundae paused, eyes flicking up to stare at the birds, then returned to attend to the bone. One of the magpies swooped down and landed on the lawn a couple of metres away from the dog. Sunnyβs top lip trembled up in the prelude of a snarl. The magpie approached the dog. Sundaeβs body tensed, lip furling up further, eyes focused on the agitator. The magpie inched closer. When it was half a metre away, Sundae launched. The bird flew back to the branch next to its companion. Then both birds threw their heads back and let out a rollicking call; it sounded like laughter. Rumbling a growl, Sundae returned to her bone, casting baleful glares at the birds as she gnawed.
Saskia and Tania chuckled.
βFor all of my life, I have watched the magpies and dogs of Woodgrove play this game,β Tania said. βAnd every time I see it, I have to laugh.
β
β
Miriam Verbeek (The Forest: Saskia van Essen and the Australian timber industry (Saskia van Essen crime thrillers))
β
Come along,' she said. 'They're waiting.'
He had never felt so happy in the whole of his life! Without a word they made it up. They walked down to the lake. He had twenty minutes of perfect happiness. Her voice, her laugh, her dress (something floating, white, crimson), her spirit, her adventurousness; she made them all disembark and explore the island; she startled a hen; she laughed; she sang. And all the time, he knew perfectly well, Dalloway was falling in love with her; she was falling in love with Dalloway; but it didn't seem to matter. Nothing mattered. They sat on the ground and talked-he and Clarissa. They went in and out of each other's minds without any effort. And then in a second it was over. He said to himself as they were getting into the boat, 'She will marry that man,' dully, without any resentment; but it was an obvious thing. Dalloway would marry Clarissa.
β
β
Virginia Woolf (Mrs. Dalloway)
β
Fundamentalist Christianity: fascinating. These people actually believe that the world is twelve thousand years old. Swear to God. Based on what? I asked them.
"Well, we looked at all the people in the Bible and we added 'em up all the way back to Adam and Eve, their ages? Twelve thousand years."
"Well, how fucking scientific, OK. I didn't know that you'd gone to so much trouble there. That's good. You believe the world's twelve thousand years old?"
"That's right."
"OK, I got one word to ask you, a one word question, ready?"
"Uh huh."
"Dinosaurs."
You know, the world's twelve thousand years old and dinosaurs existed, and existed in that time, you'd think it would been mentioned in the fucking Bible at some point:
And O, Jesus and the disciples walked to Nazareth. But the trail was blocked by a giant brontosaurus... with a splinter in its paw. And the disciples did run a-screamin'. "What a big fucking lizard, Lord!"
"I'm sure gonna mention this in my book," Luke said.
"Well, I'm sure gonna mention it in my book," Matthew said.
But Jesus was unafraid. And he took the splinter from the brontosaurus paw, and the brontosaurus became his friend. And Jesus sent him to Scotland where he lived in a loch, O so many years, attracting fat American families with their fat fuckin' dollars to look for the Loch Ness Monster. And O the Scots did praise the Lord: "Thank you, Lord! Thank you, Lord!"
Twelve thousand years old. But I actually asked this guy, "OK, dinosaur fossils-- how does that fit into your scheme of life? What's the deal?" He goes:
"God put those here to test our faith."
"I think God put you here to test my faith, dude. I think I've figured this out."
Does that-- That's what this guy said. Does that bother anyone here? The idea that God might be fucking with our heads? Anyone have trouble sleeping restfully with that thought in their head? God's running around burying fossils: "Ho ho! We'll see who believes in me now, ha ha! I'm a prankster God. I am killing me, ho ho ho!" You know? You die, you go to St. Peter:
"Did you believe in dinosaurs?"
"Well, yeah. There were fossils everywhere. (trapdoor opens) Aaaaarhhh!"
"You fuckin' idiot! Flying lizards? You're a moron. God was fuckin' with you!"
"It seemed so plausible, aaaaaahh!"
"Enjoy the lake of fire, fucker!"
They believe this. But you ever notice how people who believe in Creationism usually look pretty unevolved. Eyes really close together, big furry hands and feet? "I believe God created me in one day." Yeah, looks like he rushed it.
Such a weird belief. Lots of Christians wear crosses around their necks. You think when Jesus comes back he's gonna want to see a fucking cross, man? "Ow." Might be why he hasn't shown up yet.
"Man, they're still wearing crosses. Fuck it, I'm not goin' back, Dad. No, they totally missed the point. When they start wearing fishes, I might show up again, but... let me bury fossils with you, Dad. Fuck 'em, let's fuck with 'em! Hand me that brontosaurus head, Dad.
β
β
Bill Hicks (Love All the People: Letters, Lyrics, Routines)
β
What you have to understand about the mermaid legend is that it's universal. No matter where you go, the mermaids got there first. Even inland, if there's a big enough lake, I guarantee you there's a local community with a story about women in the water with beautiful voices who lure men to their deaths.
Where there's water, we find mermaids. Maybe it's time we started asking ourselves exactly why that is.
β
β
Mira Grant (Into the Drowning Deep (Rolling in the Deep, #1))
β
I believe it's possible for everyone to discover this silence within themselves. It is there all the time, even when we are surrounded by constant noise. Deep down in the ocean, below the waves and ripples, you can find your internal silence. Standing in the shower, letting the water wash over your head, sitting in front of a crackling fire, swimming across a forest lake or taking a walk over a field: all these can be experiences of perfect stillness too. I love that.
β
β
Erling Kagge
β
It is convenient for the old men to blame Eve. To insist we are damned because a country girl talked to the snake one afternoon long ago. Children must starve in Somalia for that, and old women be abandoned in our greatest cities. Itβs why we will finally be thrown into the lakes of molten lead. Because she was confused by happiness that first time anyone said she was beautiful. Nevertheless, she must be the issue, so people wonβt notice that rocks and galaxies, mathematics and rust are also created in His image.
β
β
Jack Gilbert (Collected Poems)
β
Look what I found, Eight!β
Eight disappears from the grass and reappears up in the air next to the Chest. He wraps his arms around it and hugs it. Slime and all. Then he teleports back to the edge of the lake, the Chest still in his hands. βI canβt believe it,β Eight finally says. βAll this time, it was right here.β He looks stunned.
βIt was inside a Mog ship at the bottom of the lake,β I say, walking out of the water.
Eight disappears again and teleports directly in front of me, our noses practically touching. Before I can register how nice his warm breath feels on my face, he picks me up and kisses me hard on the mouth as he twirls me around. My body stiffens and I suddenly have no idea what to do with my hands. I donβt know what to do at all, so I just let it happen. He tastes salty and sweet at the same time. The whole world disappears and I feel as if Iβm floating in darkness. (Rise of the Nine)
β
β
Pittacus Lore
β
Awake
Shake dreams from your hair
My pretty child, my sweet one.
Choose the day and
choose the sign of your day
The dayβs divinity
First thing you see.
A vast radiant beach
in a cool jeweled moon
Couples naked race down by itβs quiet side
And we laugh like soft, mad children
Smug in the woolly cotton brains of infancy
The music and voices are all around us.
Choose, they croon, the Ancient Ones
The time has come again
Choose now, they croon,
Beneath the moon
Beside an ancient lake
Enter again the sweet forest
Enter the hot dream
Come with us
Everything is broken up and dances.
β
β
The Doors
β
Sit down. Inhale. Exhale.
The gun will wait. The lake will wait.
The tall gall in the small seductive vial
will wait will wait:
will wait a week: will wait through April.
You do not have to die this certain day.
Death will abide, will pamper your postponement.
I assure you death will wait. Death has
a lot of time. Death can
attend to you tomorrow. Or next week. Death is
just down the street; is most obliging neighbor;
can meet you any moment.
You need not die today.
Stay hereβthrough pout or pain or peskyness.
Stay here. See what the news is going to be tomorrow. Graves grow no green that you can use.
Remember, greenβs your color. You are Spring.
β
β
Gwendolyn Brooks
β
He holds Willem so close that he can feel muscles from his back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. 'Harder,' Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goes through the fifth floor, where Richard's family is now storing stacks of Moroccan tiles, down through the fourth floor, which is empty, down through Richard and India's apartment, and Richard's studio, and then to the ground floor, and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossil and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one.
β
β
Hanya Yanagihara (A Little Life)
β
Truly landlocked people know they are. Know the occasional Bitter Creek or Powder River that runs through Wyoming; that the large tidy Salt Lake of Utah is all they have of the sea and that they must content themselves with bank, shore, beach because they cannot claim a coast. And having none, seldom dream of flight. But the people living in the Great Lakes region are confused by their place on the countryβs edge - an edge that is border but not coast. They seem to be able to live a long time believing, as coastal people do, that they are at the frontier where final exit and total escape are the only journeys left. But those five Great Lakes which the St. Lawrence feeds with memories of the sea are themselves landlocked, in spite of the wandering river that connects them to the Atlantic. Once the people of the lake region discover this, the longing to leave becomes acute, and a break from the area, therefore, is necessarily dream-bitten, but necessary nonetheless.
β
β
Toni Morrison (Song of Solomon)
β
The sidewalks were haunted by dust
ghosts all night as the furnace wind summoned them up,
swung them about, and gentled them down in a warm spice on
the lawns. Trees, shaken by the footsteps of late-night strol-
lers, sifted avalanches of dust. From midnight on, it seemed a
volcano beyond the town was showering red-hot ashes every-
where, crusting slumberless night watchmen and irritable
dogs. Each house was a yellow attic smoldering with spon-
taneous combustion at three in the morning.
Dawn, then, was a time where things changed element for
element. Air ran like hot spring waters nowhere, with no
sound. The lake was a quantity of steam very still and deep
over valleys of ο¬sh and sand held baking under its serene
vapors. Tar was poured licorice in the streets, red bricks were
brass and gold, roof tops were paved with bronze. The high-
tension wires were lightning held forever, blazing, a threat
above the unslept houses.
The cicadas sang louder and yet louder.
The sun did not rise, it overο¬owed.
β
β
Ray Bradbury (Dandelion Wine)
β
She took a deep breath, inhaling the night air scented with hay, honeysuckle and the rich waters of the lake, listened to the music and laughter coming from the theatre, tilted her head to the the stars. She had never seen them so brilliant and clear. Cassiopeia, Orion, the great girdle of the Milky Way-and her own birth sign, Gemini. With such staggering beauty in the world, how could anyone not rejoice?
It seemed however, that 'anyone' could. For at once came the age-old cry of lovers since time began. 'What are the stars if i am not gazing at them with him? What is beauty except something we share?
β
β
Eva Ibbotson (The Reluctant Heiress)
β
I wish I could explain how I feel, but nothing can explain this moment. Not a vase of stars. Not a book. Not a song. Not even a poem. Nothing can explain the moment when the woman you would give your life for sees her daughter for the very first time.
Tears are streaming down her face. Sheβs stroking our baby girlβs cheek, smiling.
Crying.
Laughing.
βI donβt want to count her fingers or toes,β Lake whispers. βI donβt care if she has two toes or three fingers or fifty feet. I love her so much, Will. Sheβs perfect.β
She is perfect. So perfect. βJust like her mom,β I say.
I lean my head against Lakeβs and we just stare. We stare at the daughter who is so much more than I could have asked for. The daughter who is so much more than I dreamt of. So much more than I ever thought I would have. This girl. This baby girl is my life. Her mother is my life. These girls are both my life.
I reach down and pick up her hand. Her tiny fingers reflexively wrap around my pinky and I canβt choke back my tears any longer. βHey, Julia. Itβs me. Itβs your daddy.
β
β
Colleen Hoover (This Girl (Slammed, #3))
β
So this is Canada,β I said, looking outside my car door.
βFor the last time, itβs not Canada,β Sydney replied, rolling her eyes. βItβs northern Michigan.β
I glanced around, seeing nothing but enormous trees in every direction. Despite it being a late August afternoon, the temperature couldβve easily passed for something in autumn. Craning my head, I just barely caught a glimpse of gray waters beyond the trees to my right: Lake Superior, according to the map Iβd seen.
βMaybe itβs not Canada,β I conceded. βBut itβs exactly how I always imagined Canada would look. Except I thought thereβd be more hockey.
β
β
Richelle Mead (The Ruby Circle (Bloodlines, #6))
β
Years and years ago, there was a production of The Tempest, out of doors, at an Oxford college on a lawn, which was the stage, and the lawn went back towards the lake in the grounds of the college, and the play began in natural light. But as it developed, and as it became time for Ariel to say his farewell to the world of The Tempest, the evening had started to close in and there was some artificial lighting coming on. And as Ariel uttered his last speech, he turned and he ran across the grass, and he got to the edge of the lake and he just kept running across the top of the water β the producer having thoughtfully provided a kind of walkway an inch beneath the water. And you could see and you could hear the plish, plash as he ran away from you across the top of the lake, until the gloom enveloped him and he disappeared from your view.
And as he did so, from the further shore, a firework rocket was ignited, and it went whoosh into the air, and high up there it burst into lots of sparks, and all the sparks went out, and he had gone.
When you look up the stage directions, it says, βExit Ariel.
β
β
Tom Stoppard
β
On the fourth day, we came upon a cavern with a perfectly still pool that gave the illusion of a night sky, its depths sparkling with tiny luminescent fish.
Mal and I were slightly ahead of the others. He dipped his hand in, then yelped and drew back. βThey bite.β
βServes you right,β I said. ββOh, look, a dark lake full of something shiny. Let me put my hand in it.ββ
βI canβt help being delicious,β he said, that familiar cocky grin flashing across his face like light over water. Then he seemed to catch himself. He shouldered his pack, and I knew he was about to move away from me.
I wasnβt sure where the words came from: βYou didnβt fail me, Mal.β
He wiped his damp hand on his thigh. βWe both know better.β
βWeβre going to be traveling together for who knows how long. Eventually, youβre going to have to talk to me.β
βIβm talking to you right now.β
βSee? Is this so terrible?β
βIt wouldnβt be,β he said, gazing at me steadily, βif all I wanted to do was talk.β
My cheeks heated. You donβt want this, I told myself. But I felt my edges curl like a piece of paper held too close to fire. βMalββ
βI need to keep you safe, Alina, to stay focused on what matters. I canβt do that if . . .β He let out a long breath. βYou were meant for more than me, and Iβll die fighting to give it to you. But please donβt ask me to pretend itβs easy.β
He plunged ahead into the next cave.
I looked down into the glittering pond, the whorls of light in the water still settling after Malβs brief touch. I could hear the others making their noisy way through the cavern.
βOncat scratches me all the time,β said Harshaw as he ambled up beside me.
βOh?β I asked hollowly.
βFunny thing is, she likes to stay close.β
βAre you being profound, Harshaw?β
βActually, I was wondering, if I ate enough of those fish, would I start to glow?β
I shook my head. Of course one of the last living Inferni would have to be insane. I fell into step with the others and headed into the next tunnel.
βCome on, Harshaw,β I called over my shoulder.
Then the first explosion hit.
β
β
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
β
And don't think that has anything to do with this." He points to his eye.
"I'm aware in the moments I lack emotion. You and Garrick don't need to share little oh no glances. I already feel it. It's like sliding over a frozen lake while a shrinking part of me screams that I'm supposed to be swimming in those pieces I've bartered away, and those feelings are right beneath the surface, but fuck is skating faster and a hell of a lot less messy. This shit?" He swings his finger back toward the house. "It's messy and painful and infuriating, and if I could choose to give this portion of myself away, so help me, Malek, I would. I get it now. It's not just the power that's addicting; it's the freedom to not feel this."
"Xaden," I whisper, all but bleeding out by the time he finishes.
[...]
"Don't barter it away." I beg as he stares at the sea and the words spill out of me faster and faster as his eyes harden and he resurrects the defences it took me a year to break past. "The pain. The mess. Give it to me. I'll hold it. I know that sounds ludicrous, but I'll find a way." I lace our fingers. "I will hold everything you don't want to feel because I love every part of you."
"You already hold my soul and now you want my pain? Getting greedy, Violence." He brings my hand to his mouth and brushes a kiss over my knuckles before letting go.
β
β
Rebecca Yarros (Onyx Storm (The Empyrean, #3))
β
Do you remember the lake?' she said, in an abrupt voice, under the pressure of an emotion which caught her heart, made the muscles of her throat stiff, and contracted her lips in a spasm as she said 'lake.' For she was a child, throwing bread to the ducks, between her parents, and at the same time a grown woman coming to her parents who stood by the lake, holding her life in her arms which, as she neared them grew larger and larger in her arms until it became a whole life, a complete life, which she put down by them and said, 'This is what I have made of it! This!' And what had she made of it? What indeed? sitting there sewing this morning with Peter.
β
β
Virginia Woolf (Mrs. Dalloway)
β
Fairy tales are more than moral lessons and time capsules for cultural commentary; they are natural law. The child raised on folklore will quickly learn the rules of crossroads and lakes, mirrors and mushroom rings. Theyβll never eat or drink of a strange harvest or insult an old woman or fritter away their name as though thereβs no power in it. Theyβll never underestimate the youngest son or touch anyoneβs hairpin or rosebush or bed without asking, and their steps through the woods will be light and unpresumptuous. Little ones who seek out fairy tales are taught to be shrewd and courteous citizens of the seen world, just in case the unseen one ever bleeds over.
β
β
S.T. Gibson
β
(I pull the second to last item out of my bag. Her purple hair clip. She told me once how much it meant to her, and why she always keeps it.)
This purple hair clip?
It really is magicβ¦just like your dad told you it was.
Itβs magic because, no matter how many times it lets you downβ¦you keep having hope in it.
You keep trusting it.
No matter how many times it fails you,
You never fail it.
Just like you never fail me.
I love that about you,
because of you.
(I set it back down and pull out a strip of paper and unfold it.)
Your mother.
(I sigh)
Your mother was an amazing woman, Lake.
I'm blessed that I got to know her,
And that she was a part of my life, too.
I came to love her as my own momβ¦just as she came to love Caulder and I as her own.
I didnβt love her because of you, Lake.
I loved her because of her.
So, thank you for sharing her with us.
She had more advice about
Life and love and happiness and heartache than anyone I've ever known.
But the best advice she ever gave me?
The best advice she ever gave us?
(I read the quote in my hands)
"Sometimes two people have to fall apart, to realize how much they need to fall back together."
(Sheβs definitely crying now. I place the slip back inside the satchel and take a step closer to the edge of the stage as I hold her gaze.)
The last item I have wouldnβt fit, because youβre actually sitting in it.
That booth.
Youβre sitting in the exact same spot you sat in when you watched your first performance on this stage.
The way you watched this stage with passion in your eyesβ¦I'll never forget that moment.
It's the moment I knew it was too late.
I was too far gone by then.
I was in love with you.
I was in love with you because of you.
(I back up and sit down on the stool behind me, still holding her stare.)
I could go on all night, Lake.
I could go on and on and on about all the reasons I'm in love with you.
And you know what? Some of them are the things that life has thrown our way.
I do love you because you're the only other person I know that understands my situation.
I do love you because both of us know what it's like to lose your mom and your dad.
I do love you because you're raising your little brother, just like I am.
I love you because of what you went through with your mother.
I love you because of what we went through with your mother.
I love the way you love Kel.
I love the way you love Caulder.
And I love the way I love Kel.
So I'm not about to apologize for loving all these things about you, no matter the reasons or the circumstances behind them.
And no, I donβt need days, or weeks, or months to think about why I love you.
Itβs an easy answer for me.
I love you because of you.
Because of
every
single
thing
about you.
β
β
Colleen Hoover (Point of Retreat (Slammed, #2))
β
...we're a people who pollute the very air we breathe. And our rivers. We're destroying the great lakes; Erie is already gone, and now we've begun on the oceans. We filled our atmosphere with radioactive fallout that put poison into our children's bones, and we knew it. We've made bombs that can wipe out humanity in minutes, and they are aimed and ready to fire. We ended polio, and then the United States Army bred new strains of germs that can cause fatal, incurable disease. We had a chance to do justice to our Negroes, and when they asked it, we refused. In Asia we burned people alive, we really did. We allow children to grow up malnourished in the United States. We allow people to make money by using our television channels to pursued our own children to smoke, knowing what it is going to do to them. This is a time when it becomes harder and harder to continue telling yourself that we are still good people. We hate each other. And we're used to it.
β
β
Jack Finney
β
When I was a boy in the midwest I used to go out and look at the stars at night and wonder about them.
I guess every boy does that.
When I wasn't looking at the stars, I was running in the my old or my brand-new tennis shoes, on my way to swing in a tree, swim in a lake, or delve in the town library to read about dinosaurs or time machines.
I guess every boy has done that, too.
This is a book about those stars and those tennis shoes. Mainly about the stars, beacuse that is the way I grew up, getting more and more involved with rockets and space as I moved toward my twelfth, thirteenth, and fourteenth years.
Not that I have forgotten the tennis shoes and their powerful magic, as you will see in the last story here, which I have included not because it concerns the future, but because it gives you some sort of idea of the kind of boy I was when I was looking at the stars and thinking of the years ahead.
Nor have I forgetten the dinosaurs that all boys love; they are here, too, along with a machine that travels back in time to step on a butterfly.
This is a book then by a boy who grew up in a small illinois town and lived to see the space age arrive, as he hoped and dreamt it would.
I dedicate these stories to all boys who wonder about the past, run swiftly in the present, and have high hopes for our future.
The stars are yours, if you have the head, the hands, and the heart for them.
β
β
Ray Bradbury
β
To the winter forest
And nowhere to go
This girl runs
From all she knows
The pressure rises to the top
The pressure rises (it won't stop)
They want your body
They want your soul
They want fake smiles
That's rock and roll
The wolves surrond you
A fever dream
The wolves surrond you
So start the scream
Howl, into the night,
Howl, until the light,
Howl, your turn to fight,
Howl, just make it right
Howl howl howl howl
(Motherfucker)
You can't fight fo ever
You have to comply
If your life isn't working
You have to ask why
Remember
When we were young enough
Not to fear tomorrow
Or mourn yesterday
And we were just
Us
And time was just
Now
And we were in
Life
Not rising through
Like arms in a sleeve
Because we had time
We had time to breathe
The bad times are here
The bad times have come
but life can't be over
When it hasn't begun
The lake shines and the water's cold
All that glitters can turn to gold
Silence the music to improve the tune
Stop the fake smiles and howl at the moon
Howl, into the night,
Howl, until the light,
Howl, your turn to fight,
Howl, just make it right
Howl howl howl howl
β
β
Matt Haig (The Midnight Library)
β
You see the suffering of children all the time nowadays. Wars and famines are played out before us in our living rooms, and almost every week there are pictures of children who have been through unimaginable loss and horror. Mostly they look very calm. You see them looking into the camera, directly at the lens, and knowing what they have been through you expect to see terror or grief in their eyes, yet so often thereβs no visible emotion at all. They look so blank it would be easy to imagine that they werenβt feeling much.
And though I do not for a moment equate what I went through with the suffering of those children, I do remember feeling as they look. I remember Matt talking to me--- others as well, but mostly Matt--- and I remember the enormous effort required even to hear what he said. I was so swamped by unmanageable emotions that I couldnβt feel a thing. It was like being at the bottom of the sea.
β
β
Mary Lawson (Crow Lake)
β
In my restless dreams, I see that town. Silent Hill. You promised me you'd take me there again someday. But because of me, you were never able to. Well, I'm alone there nowβ¦
In our ββspecial place.β
Waiting for youβ¦
Waiting for you to come to see me. But you never do. And so I wait, wrapped in my cocoon of pain and loneliness. I know I've done a terrible thing to you. Something you'll never forgive me for. I wish I could change that, but I can't. I feel so pathetic and ugly lying here, waiting for you...
Every day I stare up at the cracks in the ceiling, and all I can think about is how unfair it all is...
The doctor came today. He told me I could go home for a short stay. It's not that I'm getting better. It's just that this may be my last chance...
I think you know what I mean...
Even so, I'm glad to be coming home. I've missed you terribly. But I'm afraid James. I'm Β Β afraid you don't really want me to come home.
Whenever you come see me, I can tell how hard it is on you...
I don't know if you hate me or pity me... Or maybe I just disgust you....
I'm sorry about that. When I first learned that I was going to die, I just didn't want to accept it. I was so angry all the time, and I struck out at everyone I loved most. Especially you, James.
That's why I understand if you do hate me. But I want you to know this, James. I'll always love you.
Even though our life together had to end like this, I still wouldn't trade it for the world. We had some wonderful years together.
Well, this letter has gone on too long, so I'll say goodbye. I told the nurse to give this to you after I'm gone. That means that when you read this, I'll already be dead.
I can't tell you to remember me, but I can't bear for you to forget me. These last few years since I became ill...I'm so sorry for what I did to you, did to us...
You've given me so much and I haven't been able to return a single thing. That's why I want you to live for yourself now. Do what's best for you, James.
James...
You made me happy.
βI love you, Mary.β
Β As the car began to slowly sink to the bottom of the lake, James pulled his wife close and gently held her. Their wish had finally come true. They would be together. And now they had an eternity to enjoy their happiness.
β
β
Sadamu Yamashita (Silent Hill 2: The Novel)
β
She raised an eyebrow. "You got something to say to me, Seaweed Brain?"
You'd probably kick my butt."
You know I'd kick your butt."
I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal."
Annabeth kept her eyes on the horizon. "Yeah?"
Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking-"
Oh, you so wanted to."
Well, maybe a little. But I didn't, because I thought-I didn't want things to stay the same for eternity, because things could always get better. And I was thinking . . ." My throat felt really dry.
Anyone in particular?" Annabeth asked, her voice soft.
I looked over and saw that she was trying not to smile.
You're laughing at me," I complained.
I am not!"
You are so not making this easy."
Then she laughed for real, and she put her hands
around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it.β When she kissed me, I had the feeling my brain was melting right through my body. I could've stayed that way forever, except a voice behind us growled, "Well, it's about time!"
Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders.
"Oh, come on!" I complained. "Is there no privacy?"
"The lovebirds need to cool off!" Clarisse said with glee.
"The canoe lake!" Connor Stoll shouted. and they dumped us in the water.
β
β
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
β
There was no Disney World then, just rows of orange trees. Millions of them. Stretching for miles And somewhere near the middle was the Citrus Tower, which the tourists climbed to see even more orange trees. Every month an eighty-year-old couple became lost in the groves, driving up and down identical rows for days until they were spotted by helicopter or another tourist on top of the Citrus Tower. They had lived on nothing but oranges and come out of the trees drilled on vitamin C and checked into the honeymoon suite at the nearest bed-and-breakfast.
"The Miami Seaquarium put in a monorail and rockets started going off at Cape Canaveral, making us feel like we were on the frontier of the future. Disney bought up everything north of Lake Okeechobee, preparing to shove the future down our throats sideways.
"Things evolved rapidly! Missile silos in Cuba. Bales on the beach. Alligators are almost extinct and then they aren't. Juntas hanging shingles in Boca Raton. Richard Nixon and Bebe Rebozo skinny-dipping off Key Biscayne. We atone for atrocities against the INdians by playing Bingo. Shark fetuses in formaldehyde jars, roadside gecko farms, tourists waddling around waffle houses like flocks of flightless birds. And before we know it, we have The New Florida, underplanned, overbuilt and ripe for a killer hurricane that'll knock that giant geodesic dome at Epcot down the trunpike like a golf ball, a solid one-wood by Buckminster Fuller.
"I am the native and this is my home. Faded pastels, and Spanish tiles constantly slipping off roofs, shattering on the sidewalk. Dogs with mange and skateboard punks with mange roaming through yards, knocking over garbage cans. Lunatics wandering the streets at night, talking about spaceships. Bail bondsmen wake me up at three A.M. looking for the last tenant. Next door, a mail-order bride is clubbed by a smelly ma in a mechanic's shirt. Cats violently mate under my windows and rats break-dance in the drop ceiling. And I'm lying in bed with a broken air conditioner, sweating and sipping lemonade through a straw. And I'm thinking, geez, this used to be a great state.
"You wanna come to Florida? You get a discount on theme-park tickets and find out you just bough a time share. Or maybe you end up at Cape Canaveral, sitting in a field for a week as a space shuttle launch is canceled six times. And suddenly vacation is over, you have to catch a plane, and you see the shuttle take off on TV at the airport. But you keep coming back, year after year, and one day you find you're eighty years old driving through an orange grove.
β
β
Tim Dorsey (Florida Roadkill (Serge Storms, #1))
β
For a person accustomed to the multi ethnic commotion of Los Angeles, Vancouver, New York, or even Denver, walking across the BYU campus can be a jarring experience. One sees no graffiti, not a speck of litter. More than 99 percent of the thirty thousand students are white. Each of the young Mormons one encounters is astonishingly well groomed and neatly dressed. Beards, tattoos, and pierced ears (or other body parts) are strictly forbidden for men. Immodest attire and more than a single piercing per ear are forbidden among women. Smoking, using profane language, and drinking alcohol or even coffee are likewise banned. Heeding the dictum "Cougars don't cut corners," students keep to the sidewalks as they hurry to make it to class on time; nobody would think of attempting to shave a few precious seconds by treading on the manicured grass. Everyone is cheerful, friendly, and unfailingly polite.
Most non-Mormons think of Salt Lake City as the geographic heart of Mormonism, but in fact half the population of Salt Lake is Gentile, and many Mormons regard the city as a sinful, iniquitous place that's been corrupted by outsiders. To the Saints themselves, the true Mormon heartland is here in Provo and surrounding Utah County--the site of chaste little towns like Highland, American Fork, Orem, Payson and Salem--where the population is nearly 90 percent LDS. The Sabbath is taken seriously in these parts. Almost all businesses close on Sundays, as do public swimming pools, even on the hottest days of the summer months.
This part of the state is demographically notable in other aspects, as well. The LDS Church forbids abortions, frowns on contraception, and teaches that Mormon couples have a sacred duty to give birth to as many children as they can support--which goes a long way toward explaining why Utah County has the highest birth rate in the United States; it is higher, in fact, than the birth rate in Bangladesh. This also happens to be the most Republican county in the most Republican state in the nation. Not coincidentally, Utah County is a stronghold not only of Mormonism but also Mormon Fundamentalism.
β
β
Jon Krakauer
β
One night, very late, he rubs Willem's shoulder and when Willem opens his eyes, he apologizes to him. But Willem shakes his head, and then moves on top of him, and holds him so tightly that he finds it difficult to breathe. βYou hold me back,β Willem tells him. βPretend we're falling and we're clinging together from fear.β He holds Willem so close that he can feel muscles from his back to his fingertips come alive, so close that he can feel Willem's heart beating against his, can feel his rib cage against his, and his stomach deflating and inflating with air. βHarder,β Willem tells him, and he does until his arms grow first fatigued and then numb, until his body is sagging with tiredness, until he feels that he really is falling: first through the mattress, and then the bed frame, and then the floor itself, until he is sinking in slow motion through all the floors of the building, which yield and swallow him like jelly. Down he goesβ¦through the fourth floor...and then to the ground floor, and into the pool, and then down and down, farther and farther, past the subway tunnels, past bedrock and silt, through underground lakes and oceans of oil, through layers of fossils and shale, until he is drifting into the fire at the earth's core. And the entire time, Willem is wrapped around him, and as they enter the fire, they aren't burned but melted into one being, their legs and chests and arms and heads fusing into one. When he wakes the next morning, Willem is no longer on top of him but beside him, but they are still intertwined, and he feels slightly drugged, and relieved, for he has not only not cut himself but he has slept, deeply, two things he hasn't done in months. That morning he feels fresh-scrubbed and cleansed, as if he is being given yet another opportunity to live his life correctly.
β
β
Hanya Yanagihara (A Little Life)
β
The rain set early in tonight,
The sullen wind was soon awake,
It tore the elm-tops down for spite,
And did its worst to vex the lake:
I listened with heart fit to break.
When glided in Porphyria; straight
She shut the cold out and the storm,
And kneeled and made the cheerless grate
Blaze up, and all the cottage warm;
Which done, she rose, and from her form
Withdrew the dripping cloak and shawl,
And laid her soiled gloves by, untied
Her hat and let the damp hair fall,
And, last, she sat down by my side
And called me. When no voice replied,
She put my arm about her waist,
And made her smooth white shoulder bare,
And all her yellow hair displaced,
And, stooping, made my cheek lie there,
And spread, o'er all, her yellow hair,
Murmuring how she loved me β she
Too weak, for all her heart's endeavor,
To set its struggling passion free
From pride, and vainer ties dissever,
And give herself to me forever.
But passion sometimes would prevail,
Nor could tonight's gay feast restrain
A sudden thought of one so pale
For love of her, and all in vain:
So, she was come through wind and rain.
Be sure I looked up at her eyes
Happy and proud; at last l knew
Porphyria worshiped me: surprise
Made my heart swell, and still it grew
While I debated what to do.
That moment she was mine, mine, fair,
Perfectly pure and good: I found
A thing to do, and all her hair
In one long yellow string l wound
Three times her little throat around,
And strangled her. No pain felt she;
I am quite sure she felt no pain.
As a shut bud that holds a bee,
I warily oped her lids: again
Laughed the blue eyes without a stain.
And l untightened next the tress
About her neck; her cheek once more
Blushed bright beneath my burning kiss:
I propped her head up as before,
Only, this time my shoulder bore
Her head, which droops upon it still:
The smiling rosy little head,
So glad it has its utmost will,
That all it scorned at once is fled,
And I, its love, am gained instead!
Porphyria's love: she guessed not how
Her darling one wish would be heard.
And thus we sit together now,
And all night long we have not stirred,
And yet God has not said aword!
β
β
Robert Browning (Robert Browning's Poetry)
β
I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the worldβs cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in a blurring, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table.Β I willΒ love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you retireΒ from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fetuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you asΒ a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and an eraser loves to leave dust in the hairdos of the people who talk too much. I will love you as a taxi loves the muddy splash of a puddle and as aΒ library loves the patient tick of a clock. I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong.
β
β
Lemony Snicket (The Beatrice Letters)
β
Call me Ishmael. Some years ago--never mind how long precisely--having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this.
If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me.
There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs--commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there.
Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?--Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster--tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here?
But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand--miles of them--leagues. Inlanders all, they come from lanes and alleys, streets and avenues--north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither?
Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries--stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.
β
β
Herman Melville (Moby-Dick or, The Whale)
β
The missing remained missing and the portraits couldn't change that. But when Akhmed slid the finished portrait across the desk and the family saw the shape of that beloved nose, the air would flee the room, replaced by the miracle of recognition as mother, father, sister, brother, aunt, and cousin found in that nose the son, brother, nephew, and cousin that had been, would have been, could have been, and they might race after the possibility like cartoon characters dashing off a cliff, held by the certainty of the road until they looked down -- and plummeted is the word used by the youngest brother who, at the age of sixteen, is tired of being the youngest and hopes his older brother will return for many reasons, not least so he will marry and have a child and the youngest brother will no longer be youngest; that youngest brother, the one who has nothing to say about the nose because he remembers his older brother's nose and doesn't need the nose to mean what his parents need it to mean, is the one who six months later would be disappeared in the back of a truck, as his older brother was, who would know the Landfill through his blindfold and gag by the rich scent of clay, as his older brother had known, whose fingers would be wound with the electrical wires that had welded to his older brother's bones, who would stand above a mass grave his brother had dug and would fall in it as his older brother had, though taking six more minutes and four more bullets to die, would be buried an arm's length of dirt above his brother and whose bones would find over time those of his older brother, and so, at that indeterminate point in the future, answer his mother's prayer that her boys find each other, wherever they go; that younger brother would have a smile on his face and the silliest thought in his skull a minute before the first bullet would break it, thinking of how that day six months earlier, when they all went to have his older brother's portrait made, he should have had his made, too, because now his parents would have to make another trip, and he hoped they would, hoped they would because even if he knew his older brother's nose, he hadn't been prepared to see it, and seeing that nose, there, on the page, the density of loss it engendered, the unbelievable ache of loving and not having surrounded him, strong enough to toss him, as his brother had, into the summer lake, but there was nothing but air, and he'd believed that plummet was as close as they would ever come again, and with the first gunshot one brother fell within arms' reach of the other, and with the fifth shot the blindfold dissolved and the light it blocked became forever, and on the kitchen wall of his parents' house his portrait hangs within arm's reach of his older brother's, and his mother spends whole afternoons staring at them, praying that they find each other, wherever they go.
β
β
Anthony Marra (A Constellation of Vital Phenomena)