Lain Wired Quotes

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I thought I was going to die. I wanted to die. And I thought if I was going to die I would die with you. Someone like you, young as I am, I saw so many dying near me in the last year. I didn’t feel scared. I certainly wasn’t brave just now. I thought to myself, We have this villa this grass, we should have lain down together, you in my arms, before we died. I wanted to touch that bone at your neck, collarbone, it’s like a small hard wing under your skin. I wanted to place my fingers against it. I’ve always liked flesh the colour of rivers and rocks or like the brown eye of a Susan, do you know what that flower is? Have you seen them? I am so tired, Kip, I want to sleep. I want to sleep under this tree, put my eye against your collarbone I just want to close my eyes without thinking of others, want to find the crook of a tree and climb into it and sleep. What a careful mind! To know which wire to cut. How did you know? You kept saying I don’t know I don’t know, but you did. Right? Don’t shake, you have to be a still bed for me, let me curl up as if you were a good grandfather I could hug, I love the word ‘curl,’ such a slow word, you can’t rush it...
Michael Ondaatje (The English Patient)
At the present, a plausible nominee for the neural substrate of consciousness is one of the most important neurological discoveries of our time. T h is is that tangle of tiny internuncial neurons called the reticular formation, which has long lain hidden and unsuspected in the brainstem. It extends f rom the top of the spinal cord through the brainstem on up into the thalamus and hypothalamus, attracting collaterals from sensory and motor nerves, almost like a system of wire-tabs on the communication lines that pass near it. But this is not all. It also has direct lines of command to half a dozen major areas of the cortex and probably all the nuclei of the brainstem, as we ll as sending fibers down the spinal cord where it influences the peripheral sensory and motor systems. Its function is to sensitize or “awaken” selected nervous circuits and desensitize others, such that those who pioneered in this work christened it “ t he waking b r a i n
Anonymous
already put me in quite a position. ‘I’ve put you in a position? Just give me the damned divorce and let’s have done with it.’ Before he could answer there was a rustling just inside the house, and our houseboy, Barasa, came onto the veranda, ducking his head to show us he’d not meant to disturb us. ‘Does bwana want the evening meal served here?’ ‘No, in the house, Barasa. We’ll be in directly.’ When the boy had gone, Jock looked at me pointedly. ‘What?’ I asked. ‘The servants won’t tell tales.’ ‘No,’ he said. ‘Usually not. But they always know the score, don’t they?’ ‘I don’t care what anyone knows.’ ‘Maybe not, but you should.’ We ate our meal in strained silence, all of the furniture seeming to lean heavily in from the walls. The servants were very quiet as they came and went, and it was awful to sit there, wanting to scream but saying nothing. Jock was terrified I was going to embarrass him – or embarrass him further. That was all he seemed to think of now as he flexed and cautioned me, running thick strands of wire around the charade of our life together. He’d always been good at fences. I had known that from the beginning, but I hadn’t guessed how desperate I could feel bound up inside one. When I could finally excuse myself to the small guest bedroom where I was sleeping, I felt chapped and raw and prodded at. I barely slept at all that night, and the next morning, though I generally stayed for lunch, I bolted for the wagon at first light.   Back at Soysambu, Jock’s warnings and expectations continued to wear on me, but only in weak moments, when I let myself think of him.
Paula McLain (Circling the Sun)
The hair on its haunches was like crisp black wire. Its mouth was frozen and clenched in death, bearing an expression of stubbornness I admired.
Paula McLain (Circling the Sun)
And then there was Jock—Purves, as my father called him—looking a good deal cleaner than he had done twisting fence wire and more handsome now that we were nose to nose. When he spun me close, I smelled shaving powder and gin, and though I didn’t have the slightest bit of experience with men or swooning, I could tell by Dos’s look, as we came past her table again, that it was high time I learned. There were lots of men like Jock in town—discharged soldiers who’d taken their Settlement Allotment and snatched up acreage, trying to reinvent themselves in a purposeful way—but few were as handsome. He was strong-looking and squared off everywhere, shoulders and jaw and chin. This was what a man was supposed to be, I thought, if you could build him from scratch and break him in like new land.
Paula McLain (Circling the Sun)
He’s like a human bomb with dozens of trip wires. Some of them I can see, but most are deeply inside him.
Paula McLain (When the Stars Go Dark)