β
Maybe I got sick of accusations, sick of being Polonius's daughter, and Laertes's sister, and Hamlet's girlfriend. Maybe I wanted, for a short while, simply to be myself.
β
β
Lisa Mantchev (Eyes Like Stars (ThéÒtre Illuminata, #1))
β
I'll be your foil, Laertes: in mine ignorance your skill shall, like a star i' the darkest night, stick fiery off indeed.
β
β
William Shakespeare (Hamlet)
β
And these few precepts in thy memory
Look thou character. Give thy thoughts no tongue,
Nor any unproportioned thought his act.
Be thou familiar but by no means vulgar.
Those friends thou hast, and their adoption tried,
Grapple them unto thy soul with hoops of steel,
But do not dull thy palm with entertainment
Of each new-hatched, unfledged comrade.
β
β
William Shakespeare (Hamlet)
β
Lay her iβ the earth;
And from her fair and unpolluted flesh
May violets spring!
β
β
William Shakespeare (Hamlet)
β
I may doubt the truths of the world, but never again will I doubt whether or not the person that I am, or may be, is loved or worthy of love. I know myself, and I donβt. Both can be true.
I am not Ophelia: daughter of Polonius, sister of Laertes, lover of Hamlet.
I am Ophelia Rojas: daughter of Miguel and Stella, best friend of Sammie and Agatha, aspirational lover to many, many boys and one girl.
And I am so much more, just waiting to be discovered.
β
β
Racquel Marie (Ophelia After All)
β
Mr Bott sits down and gestures gracefully to the board. "As you are clearly both fascinated by this text, would you like to explain the significance of Laertes in Hamlet?" He looks at Alexa. "Please go first, Miss Roberts."
"Well..." Alexa says hesitantly. "He's Ophelia's brother, right?"
"I didn't ask for his family tree, Alexa. I want to know his literary significance as a fictional character."
Alexa looks uncomfortable. "Well then, his literary significance is in being Ophelia's brother, isn't it? So she has someone to hang out with."
"How very kind of Shakespeare to give fictional Ophelia a fictional playmate so that she doesn't get fictionally bored. Your analytical skills astound me, Alexa. Perhaps I should send you to Set Seven with Mrs White and you can spend the rest of the lesson studying Thomas the Tank Engine. I believe he has lots of buddies too.
β
β
Holly Smale (Geek Girl (Geek Girl, #1))
β
Polonius to Laertes (in Hamlet): βTo thine own self be true, and it must follow, as the night the day, thou canst not then be false to any man [or woman].
β
β
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
β
This above all: to thine own self be true,
And it must follow, as the night the day,
Thou cannot not then be false to any man.
Farewell. My blessing season this in thee!
β
β
William Shakespeare (Hamlet)
β
One woe doth tread upon another's heel,
So fast they follow. Your sister's drowned, Laertes.
β
β
William Shakespeare (Hamlet)
β
Be buried quick with her, and so will I.
β
β
William Shakespeare (Hamlet)
β
Othello, Ophelia and Timon have not committed suicide. Iago, Hamlet, Polonius, Laertes and the society respectively drive them mad and ultimately murder them by using βwordsβ only!
β
β
Ziaul Haque
β
Conviene pues, no omitir precauciΓ³n alguna, pues la mayor seguridad estriba en el temor prudente. La juventud, aun cuando nadie la combate, halla en sΓ misma su propio enemigo.
β
β
William Shakespeare (Hamlet)
β
The miserable little encounter had nothing to do with me, the me of me, any more than it had to do with that silly clerk. The incident was a recurring dream, concocted years before by stupid whites and it eternally came back to haunt us all. The secretary and I were like Hamlet and Laertes in the final scene, where, because of harm done by one ancestor to another, we were bound to duel to the death. Also because the play must end somewhere. I went further than forgiving the clerk, I accepted her as a fellow victim of the same puppeteer
β
β
Maya Angelou (I Know Why the Caged Bird Sings)
β
The secretary and I were like Hamlet and Laertes in the final scene, where, because of harm done by one ancestor to another, we were bound to duel to the death. Also because the play must end somewhere.
β
β
Maya Angelou (I Know Why the Caged Bird Sings)
β
The incident was a recurring dream, concocted years before by stupid whites and it eternally came back to haunt us all. The secretary and I were like Hamlet and Laertes in the final scene, where, because of harm done by one ancestor to another, we were bound to duel to the death. Also because the play must end somewhere. I went further than forgiving the clerk, I accepted her as a fellow victim of the same puppeteer.
β
β
Maya Angelou (I Know Why the Caged Bird Sings)
β
The miserable little encounter had nothing to do with me, the me of me, any more than it had to do with that silly clerk. The incident was a recurring dream, concocted years before by stupid whites and it eternally came back to haunt us all. The secretary and I were like Hamlet and Laertes in the final scene, where, because of harm done by one ancestor to another, we were bound to duel to the death. Also because the play must end somewhere.
β
β
Maya Angelou (I Know Why The Caged Bird Sings)
β
There is a willow grows askant the brook,
That shows his hoar leaves in the glassy stream.
Therewith fantastic garlands did she make
Of crowflowers, nettles, daisies, and long purples,
That liberal shepherds give a grosser name,
But our cold maids do dead-men's-fingers call them.
There on the pendant boughs her crownet weeds
Clambering to hang, an envious sliver broke,
When down her weedy trophies and herself
Fell in the weeping brook. Her clothes spread wide,
And mermaid-like awhile they bore her up;
Which time she chanted snatches of old tunes,
As one incapable of her own distress,
Or like a creature native and indued
Unto that element.
β
β
William Shakespeare (Hamlet)
β
give order that these bodies
High on a stage by placed to the view.
And let me speak to the unknowing world
How these things came about. So shall you hear
Of carnal, bloody, and unnatural acts,
Of accidental judgements, casual slaughters,
Of deaths put on by cunning and forced cause,
And, in this upshot, purposes mistook
Fallen on th'inventors' heads. All this can I
Truly deliver.
β
β
William Shakespeare (Hamlet)
β
Then, if he says he loves you,
It fits your wisdom so far to believe it
As he in his particular act and place
May give his saying deed; which is no further
Than the main voice of Denmark goes withal.
Then weigh what loss your honour may sustain
If with too credent ear you list his songs,
Or lose your heart, or your chaste treasure open
To his master importunity.
Fear it, Ophelia, fear it, my dear sister.
And keep you in the rear of your affection,
Out of the shot and danger of desire.
The chariest maid is prodigal enough
If she unmask her beauty to the moon.
Virtue itself 'scapes not calumnious strokes.
The canker galls the infants of the spring
Too oft before their buttons be disclosed;
And in the morn and liquid dew of youth
Contagious blastments are more imminent.
Be wary then. Best safety lies in fear.
Youth to itself rebels, though none else near.
β
β
William Shakespeare (Hamlet)
β
Their father, Polonius, was in a βhave a goβ mood and joined in. He also made changes, and together they renamed it: The Tragedy of the Very Witty and Not Remotely Boring Polonius, Father of the Noble Laertes, Who Avenges His Fair Sister, Ophelia, Driven Mad by the Callous, Murderous and Outrageously Disrespectful Hamlet, Prince of Denmark.β βWhat was it like?β βWith Polonius? Very . . . wordy.
β
β
Jasper Fforde (A Thursday Next Digital Collection: Novels 1-5 (Thursday Next, #1-5))
β
He [Hamlet] sees ghosts and listens to dreams. And when his ghost father tells him that he (Hamlet Senior) was killed by his brother and asks Hamlet Junior to avenge his death, in the right, honorable way, Hamlet says yes, yes, yes, he'll do it.
But somehow he never gets round to it. Not like the other two young men in the play. The Norwegian Prince Fortinbras(...) has made his life [!!] pursuing the honor that his father lost when Hamlet Senior beat him in single combat. (...). When the lord chamberlain,Polonius, is killed, his son, Laertes, returns to the court immediately, demanding restitution, (...).
So there is no shortage of examples of how young men are expected to and do act in this world where honor demands an eye for an eye, a tooth for a tooth, a life for a life. But Hamlet doesn't do it. Instead, he beats up on his girlfriend and he's cruel to his mother.
β
β
Tina Packer (Women of Will: Following the Feminine in Shakespeare's Plays)
β
The academic auspices under which we meet this afternoon, prompt me to introduce my remarks with a literary reference. I recall for you a few lines of Shakespeare, from Hamlet where Polonius bids farewell to his son Laertes:
"Neither a borrower nor a lender be,
For loan oft loses both itself and friend
And borrowing dulls the edge of husbandry."
This was undoubtedly necessary advice from a father to a son about to leave for France. but it is clear that Polonius was neither a banker nor a Californian. If he had been a banker, he might have commented on the merits of good collateral as compared to the possible loss of a few friends. And if he had been a Californian, caught in the vigor of a growth economy, the idea of not being a borrower would never have occurred to him. Therefore, it should not be surprising that a California banker has come to say something on behalf of debt.
β
β
Rudolph a. Peterson (Debt in a New Environment)
β
Give every man thy ear but few thy voice. Take each manβs censure but reserve thy judgment. 70 Costly thy habit as thy purse can buy, But not expressed in fancyβrich, not gaudy, For the apparel oft proclaims the man, And they in France of the best rank and station Are of a most select and generous chief in that. 75 Neither a borrower nor a lender be, For loan oft loses both itself and friend, And borrowing dulls the edge of husbandry. This above all: to thine own self be true, And it must follow, as the night the day, 80 Thou canst not then be false to any man. Farewell. My blessing season this in thee. LAERTES Most humbly do I take my leave, my lord. POLONIUS The time invites you. Go. Your servants tend. LAERTES Farewell, Ophelia, and remember well 85 What I have said to you.
β
β
William Shakespeare (Hamlet: No Fear Shakespeare Side-by-Side Plain English)