Ladybug Love Quotes

Somehow, the days of summer with their glimmering enchantment of dancing ladybugs and sailing clouds had faded into grey. Maddie’s heart had somehow faded with it.

When someone you love becomes someone you can’t, it is the very worst kind of heartbreak. Goodnight, Ladybug.

If I could really love, I would take away these tubes dripping lipids and glucose into your blood. I would liquefy the things you love and flood them through your veins: our sleeping dogs' rhythmic breathing, huge orange trumpets of the amaryllis we thought would never bloom, the crunch of the gravel road coming home. If I could really love, I would climb onto your narrow back and wrap myself around, guarding like a ladybug, or Achilles' mighty shield.

April days in Henrietta were quite often fair, tender things, coaxing sleeping trees to bud and love-mad ladybugs to beat against windowpanes.

Your little ladybug tried to seduce me with a cookie.

To forgive is the highest, most beautiful form of love. In return, you will receive untold peace and happiness.” Robert Muller   Chapter

History conditioned you for epic-scale calamity. Once, when she was studying the death tolls of battles in World War I, she'd caught herself thinking, Only eight thousand men died here. Well, that's not many. Because next to, say, the million who died at the Somme, it wasn't. The stupendous numbers deadened you to the merely tragic, and history didn't average in the tame days for balance. On this day, no one in the world was murdered. A lion gave birth. Ladybugs launched on aphids. A girl in love daydreamed all morning, neglecting her chores, and wasn't even scolded.

...when the Gods finished creating woman, they stood back and looked at what they'd done. They had given her a body strong enough to run a marathon, a mind fast enough to do six things at once, a heart big enough to love even while it was breaking, hands that could paint a masterpiece or feed a family or write a symphony. And they were afraid, because they saw that what they made was stronger than they were. They knew they had to create a secret weapon, one thing they could use to destroy her. So they gave her children.

For about five minutes, as I tried to get the Vespa to start, I fell in love with her. The oversized raincoat made her look about eight, as though she should have had matching Wellies with ladybugs on them, and inside the red hood were huge brown eyes and rain-spiked lashes and a face like a kitten’s. I wanted to dry her gently with a big fluffy towel, in front of a roaring fire. But then she said, “Here, let me—you have to know how to twist the thingy,” and I raised an eyebrow and said, “The thingy? Honestly, girls.” I immediately regretted it—I have never been talented at banter, and you never know, she could have been some earnest droning feminist extremist who would lecture me in the rain about Amelia Earhart. But Cassie gave me a deliberate, sideways look, and then clasped her hands with a wet spat and said in a breathy Marilyn voice, “Ohhh, I’ve always dreamed of a knight in shining armor coming along and rescuing little me! Only in my dreams he was good-looking.” What I saw transformed with a click like a shaken kaleidoscope. I stopped falling in love with her and started to like her immensely. I looked at her hoodie jacket and said, “Oh my God, they’re about to kill Kenny.” Then I loaded the Golf Cart into the back of my Land Rover and drove her home.

The biggest canvas is wider than my arm span. It’s bursting with so much color it looks like a graffiti artist got too excited with a spray can. But it’s my story, told in brushstrokes and acrylic paint. There's Jamie and me as children, hiding in trees and searching for ladybugs. There's me alone, searching for stars in the dark. There's my mom, the queen of the starfish, existing in a tornado of glitter that poisons anything else it touches. There are my brothers and me, living on opposite sides of a triangle, experiencing the same things but never together. There's my dad, never knowing or doing as much as he should but trying to fix the poison all the same. There's Hiroshi, painting my hands so I can paint my voice. There's me split in half—Japanese and white—stitching myself together again because I am whole only when I’ve embraced the true beauty of my heritage. And there's Jamie and me in June, the sun on our faces and the sand at our feet, finding each other again after all those years. Our lives trail around us, sometimes broken and sometimes beautiful, but all puzzled and tangled up into the lump that is us. We fit together not because we need each other, but because we choose each other. Our friendship was always our choice. Love was a natural progression. Jamie stares at the painting for so long that I think the room actually starts to get darker. When he turns to face me, he looks relieved. Calm. Jamie turns back to the painting. We don’t need words. We just know. Our fingers find each other’s.

Have they ever. Isabel never misses a trick. Anytime I step into their foyer, she’s dropping hints all over the place. Don’t get me wrong because I love both women dearly, and I enjoy playing a game or two of Scrabble, just not on every visit. Why can’t we play Monopoly for a change of pace? I love squeezing the play money in my fist and snapping up the swanky properties like Park Place and Boardwalk.

The Australian jewel beetle has sex with beer bottles. The beetles are a light chocolate color with dimples all down their back and dark black legs and heads that peek out from underneath their carapeces. Their bodies are big and long instead of round, and they resemble cicadas more than they do ladybugs. The male Australian jewel beetle is hardwired to like certain aspects about the female jewel beetle. They like females to be big, brown, and shiny. The bottles they make love to are bigger, browner, and shinier than any female could ever hope to be. In Australia, a certain type of bottle called stubbies overstimulates male jewel beetles. In a trash heap filled with bottles, you will often see every single stubby covered in male jewel beetles trying to get it on. The stubbies are what evolutionary psychologists call supernormal releasers. They are superstimuli, better than the real thing. The beetles will mate with these bottles even while being devoured by ants.

How many times are we held back because we’re not good enough either? How many days are we discouraged because we don’t realize the extent of God’s grace? I’m not a perfect wife, but I cling to the verse in Proverbs 12:4, “A virtuous woman is a crown to her husband.” With joy I’m reminded that I’d rather be a crown than a trophy wife, and that I’d rather have virtue than vogue. Who can find a virtuous woman? For her price is far above rubies. – Proverbs 31:10 You’re so much more than just another pretty face; you’re deeply loved by a God Who numbers your hair. The same God who painted spots on ladybugs' backs, and lights up our skies with fireflies created you, redeemed you, and knows you by name. Have you surrendered your life to the Lord? Here’s merely a glimpse of who we become through His grace:

YOU MUST BE PRESENT, i say to myself when the what wheres all up in the how now—trees! i turn to the trees for relief & they say nah! don’t look at us. you don’t even know our names. you don’t even know the difference between an oak tree & a maple tree. it’s true: my relationship with (love) (nature) (money) (fill in the blank) is like my relationship to weather— i only see it when it’s pouring on my head. i’m sorry to the trees i grew up with. i didn’t ask. i never learned. or even wondered (about their names). (their families) (their longings) i only dreamed of (me) climbing onto their shoulders. honestly, i was a ladybug to them—only heavier & more annoying. those trees i grew up with were generations older than me. they were practiced at living in a way i will never understand & all i could imagine was the view from their crown. oak trees. they were oak trees with their own history of migration. rooted in calumet city like me. if i asked them for answers, i wouldn’t have understood: sunlight. water. sunlight. water. sunlight. water.

On this day, no one in the world was murdered. A lion gave birth. Ladybugs lunched on aphids. A girl in love daydreamed all morning, neglecting her chores, and wasn’t even scolded.

Place Message Here" I knew that somewhere Jesus wept. --Larry Brown, Dirty Work That was when our love began for me, though late, the way a flock of darkness settles over your shoulders. I remember the muted reflections that smudged the water prowling among the lingering rocks, a snail crawling out of its shell, the drizzle of light, the blackened windows. It was when that the sun peeled away the dark from the air, the surface of the water, then the soul. It was only then that I could read the shadows that followed our words. It seemed that the whole planet was taking aim at our future. I thought, then, that I could see your own soul in the constant waves tearing unconcerned at the impenetrable dunes. I wanted, then, to believe the moon is a flower, fragrant, its stem tossed across the water. It was then that I entered some other world, the way your life wakes suddenly in the middle of the night to find your own worn-out dreams lying in sheets around you, an empty bottle on the table, and yet some voice stumbling down the hallway of the wind trying the locked doors of the heart, calling out your name. It was then on that shore after I heard the news of my friend's heart tearing open like a wet paper bag. I was standing where Marconi sent his messages which seemed to fill the air, still, like swallows. There is always another life in the corner of our eyes, one that begins because our poor words have never said what we meant at the time. Today, here, ladybugs fill my porch screen trying to reach the early sun that radiates through the fine mesh. They halt there like messages never received, empty husks of some abandoned future we can never know. Why is it we love so fully what has washed up on the beaches of our hearts, those lost messages, lost friends, the daylight stars we never get to see? Bad luck never takes a vacation, my friend once wrote. It lies there among the broken shells and stones we collect, a story he would say begins with you, with me, a story that is forever lost among the backwaters of our lives, our endless fear of ourselves, and our endless need for hope, a story, perhaps an answer, a word suddenly on wing, the simple sound of a torn heart, or the unmistakable scent of the morning's fading moon. Richard Jackson, The Cortland Review. Spring 2005.

Solitude is a luxury for the lucky. For people who don’t have sick cats and lost ladybugs and very possibly dying loved ones to worry about. For people who don’t have to worry about getting their hands dirty with the everyday goo of ordinary suffering.

Dangling from a silver chain was an intricate pendant of the Eiffel Tower. It wasn’t something fancy with jewels, but it was far more precious than any diamonds would have been. Nico knew how much I loved the art world and how desperately I yearned to go to Paris to see its famous artworks in person. “Someday, I’m going to show you the world, and this is my promise to you. We’ll see it all, Ladybug—Paris, Rome, Valencia—I’ll take you to every museum in the world if I can.” His words were so earnest and heartfelt, they brought tears to my eyes.