Lad Sad Quotes

Be you wise and never sad, You will get your lovely lad. Never serious be, nor true, And your wish will come to you-- And if that makes you happy, kid, You'll be the first it ever did.

Lady, lady, never start Conversation toward your heart; Keep your pretty words serene; Never murmur what you mean. Show yourself, by word and look, Swift and shallow as a brook. Be as cool and quick to go As a drop of April snow; Be as delicate and gay As a cherry flower in May. Lady, lady, never speak Of the tears that burn your cheek- She will never win him, whose Words had shown she feared to lose. Be you wise and never sad, You will get your lovely lad. Never serious be, nor true, And your wish will come to you- And if that makes you happy, kid, You'll be the first it ever did.

Will sat where he was, gazing at the silver bowl in front of him; a white rose was floating in it, and he seemed prepared to stare at it until it went under. In the Kitchen Bridget was still singing one of her awful sad songs; the lyrics drifted in through the door: "Twas on an evening fair I went to take the air, I heard a maid making her moan; Said, 'Saw ye my father? Or ye my mother? Or saw ye my brother John? Or saw ye the lad that I love best, And his name it is Sweet William?" I may murder her, Tessa thought. Let her make a song about that.

One of the new things people began to find out in the last century was that thoughts—just mere thoughts—are as powerful as electric batteries—as good for one as sunlight is, or as bad for one as poison. To let a sad thought or a bad one get into your mind is as dangerous as letting a scarlet fever germ get into your body. If you let it stay there after it has got in you may never get over it as long as you live... surprising things can happen to any one who, when a disagreeable or discouraged thought comes into his mind, just has the sense to remember in time and push it out by putting in an agreeable determinedly courageous one. Two things cannot be in one place. "Where you tend a rose, my lad, A thistle cannot grow.

A kiss is the prize?’ he asked sadly. ‘Even more than giving me the rest of you? It should be the other way round, Princess. In the real world, it's called courting. You let a lad kiss you and then you offer him more.’ ‘Let me tell you something, Olivier,’ she said with tears of sorrow in her eyes, ‘this is my real world.

A lady who sets her heart upon a lad in uniform must prepare to change lovers pretty quickly, or her life will be but a sad one.

Where are you going, Master?' cried Sam, though at last he understood what was happening. 'To the Havens, Sam,' said Frodo. 'And I can't come.' 'No, Sam. Not yet, anyway, not further than the Havens. Though you too were a Ring-bearer, if only for a little while. Your time may come. Do not be too sad, Sam. You cannot always be torn in two. You will have to be one and whole, for many years. You have so much to enjoy and to be, and to do.' 'But,' said Sam, and tears started in his eyes, 'I thought you were going to enjoy the Shire, too, for years and years, after all you have done.' 'So I thought too, once. But I have been too deeply hurt, Sam. I tried to save the Shire, and it has been saved, but not for me. It must often be so, Sam, when things are in danger: some one has to give them up, lose them, so that others may keep them. But you are my heir: all that I had and might have had I leave to you. And also you have Rose, and Elanor; and Frodo-lad will come, and Rosie-lass, and Merry, and Goldilocks, and Pippin; and perhaps more that I cannot see. Your hands and your wits will be needed everywhere. You will be the Mayor, of course, as long as you want to be, and the most famous gardener in history; and you will read things out of the Red Book, and keep alive the memory of the age that is gone, so that people will remember the Great Danger, and so love their beloved land all the more. And that will keep you as busy and as happy as anyone can be, as long as your part in the Story goes on. 'Come now, ride with me!

Oh, most think he's barking, the potty wee lad, but some are more kindly and think he's just sad, but Peevesy knows better and says that he's mad.

Sin is the only real colour-element left in modern life.' 'You really must not say things like that before Dorian, Harry.' 'Before which Dorian? The one who is pouring out tea for us, or the one in the picture?' 'Before either.' 'I should like to come to the theatre with you, Lord Henry,' said the lad. 'Then you shall come; and you will come, too, Basil, won't you?' 'I can't, really. I would sooner not. I have a lot of work to do.' 'Well, then you and I will go alone, Mr. Gray.' 'I should like that awfully.' The painter bit his lip and walked over, cup in hand, to the picture. 'I shall stay with the real Dorian,' he said, sadly.

They say my verse is sad: no wonder. Its narrow measure spans Rue for eternity, and sorrow Not mine, but man's This is for all ill-treated fellows Unborn and unbegot, For them to read when they're in trouble And I am not.

You know, all the evil in the world, all the sadness comes from not having a good answer to that question: What do I do next? You just keep thinking of good things to do, lad. You'll be all right. We'll all be all right. I wanted you to know that.

Lad, it’s one thing to be poor in pocket—nothing wrong with that. But poor in heart—that’s no good. Look at them. They’re sad in the eyes, and it’s a sadness no amount of money could repair. Why, they hardly remember what it’s like to laugh from the belly anymore.

Grandpa looked at me seriously and said that missing people is the best sad feeling there is. "You see, Trille lad, if you're sad because you miss someone, then that means you care about that person. And caring about someone is the best thing there is. We carry the people we miss inside us.

That unsounded ocean you gasp in, is Life; those sharks, your foes; those spades, your friends; and what between sharks and spades you are in a sad pickle and peril, poor lad.

A young lad was sent to school. He began his lessons with the other children, and the first lesson the teacher set him was the straight line, the figure “one.” But whereas the others went on progressing, this child continued writing the same figure. After two or three days the teacher came up to him and said, “Have you finished your lesson?” He said, “No, I’m still writing ‘one.’ ” He went on doing the same thing, and when at the end of the week the teacher asked him again he said, “I have not yet finished it.” The teacher thought he was an idiot and should be sent away, as he could not or did not want to learn. At home the child continued with the same exercise and the parents also became tired and disgusted. He simply said, “I have not yet learned it, I am learning it. When I have finished I shall take the other lessons.” The parents said, “The other children are going on further, school has given you up, and you do not show any progress; we are tired of you.” And the lad thought with sad heart that as he had displeased his parents too he had better leave home. So he went into the wilderness and lived on fruits and nuts. After a long time he returned to his old school. And when he saw the teacher he said to him, “I think I have learned it. See if I have. Shall I write on this wall?” And when he made his sign the wall split in two. —Hazrat Inayat Khan The Sufi Message of Hazrat Inayat Khan

A Christian people doesn't mean a lot of goody-goodies. The Church has plenty of stamina, and isn't afraid of sin. On the contrary, she can look it in the face calmly and even take it upon herself, assume it at times, as Our Lord did. When a good workman's been at it for a whole week, surely he's due for a booze on Saturday night. Look: I'll define you a Christian people by the opposite. The opposite of a Christian people is a people grown sad and old. You'll be saying that isn't a very theological definition. I agree... Why does our earliest childhood always seem so soft and full of light? A kid's got plenty of troubles, like everybody else, and he's really so very helpless, quite unarmed against pain and illness. Childhood and old age should be the two greatest trials of mankind. But that very sense of powerlessness is the mainspring of a child's joy. He just leaves it all to his mother, you see. Present, past, future -- his whole life is caught up in one look, and that look is a smile. Well, lad, if only they'd let us have our way, the Church might have given men that supreme comfort. Of course they'd each have their own worries to grapple with, just the same. Hunger, thirst, poverty, jealousy -- we'd never be able to pocket the devil once and for all, you may be sure. But man would have known he was the son of God; and therein lies your miracle. He'd have lived, he'd have died with that idea in his noddle -- and not just a notion picked up in books either -- oh, no! Because we'd have made that idea the basis of everything: habits and customs, relaxation and pleasure, down to the very simplest needs. That wouldn't have stopped the labourer ploughing, or the scientist swotting at his logarithms, or even the engineer making his playthings for grown-up people. What we would have got rid of, what we would have torn from the very heart of Adam, is that sense of his own loneliness... God has entrusted the Church to keep [the soul of childhood] alive, to safeguard our candour and freshness... Joy is the gift of the Church, whatever joy is possible for this sad world to share... What would it profit you even to create life itself, when you have lost all sense of what life really is?

In my own shire, if I was sad Homely comforters I had: The earth, because my heart was sore, Sorrowed for the son she bore; And standing hills, long to remain, Shared their short-lived comrade's pain. And bound for the same bourn as I, On every road I wandered by, Trod beside me, close and dear, The beautiful and death-struck year: Whether in the woodland brown I heard the beechnut rustle down, And saw the purple crocus pale Flower about the autumn dale; Or littering far the fields of May Lady-smocks a-bleaching lay, And like a skylit water stood The bluebells in the azured wood. Yonder, lightening other loads, The season range the country roads, But here in London streets I ken No such helpmates, only men; And these are not in plight to bear, If they would, another's care. They have enough as 'tis: I see In many an eye that measures me The mortal sickness of a mind Too unhappy to be kind. Undone with misery, all they can Is to hate their fellow man; And till they drop they needs must still Look at you and wish you ill.

Nothing in my life had prepared me for this.Not one single thing.I feel like a lad rat stuck in some horrible experiment meant to measure how I adapt to brutal forms of social segregation and weirdness.And the sad news is,I'm producing way below average results. I stand to the side of the lunchroom or cafeteria,or whatever they call it.The vegetarian lunch Paloma packed with great love and care tightly clutched in my fist,though I've no clue as to where I'm supposed to go eat it. Having already committed the most heinous crime of all by sitting at the wrong table, I'm not sure I'm up for trying again.I'm still shaken by the way those girls acted-so self-righteous and territorial,so burdened by my presence at the end of their bench. It's the seniors' table, I was told. I have no right to sit there. Ever. And that includes holidays and weekends. "Duly noted," I replied, grabbing my lunch and standing before them. "I'll do my best to steer clear of it on Christmas.Easter as well.Though Valentine's Day is a wild card I just can't commit to." And though it felt good at the time,I've no doubt it was a reckless act that only made things worse.

Is that the Three-and-Twentieth, Strabo mine, Marching below, and we still gulping wine?” From the sad magic of his fragrant cup The red-faced old centurion started up, Cursed, battered on the table. “No,” he said, “Not that! The Three-and-Twentieth Legion’s dead, Dead in the first year of this damned campaign— The Legion’s dead, dead, and won’t rise again. Pity? Rome pities her brave lads that die, But we need pity also, you and I, Whom Gallic spear and Belgian arrow miss, Who live to see the Legion come to this, Unsoldierlike, slovenly, bent on loot, Grumblers, diseased, unskilled to thrust or shoot. O, brown cheek, muscled shoulder, sturdy thigh! Where are they now? God! watch it struggle by, The sullen pack of ragged ugly swine. Is that the Legion, Gracchus? Quick, the wine!” “Strabo,” said Gracchus, “you are strange tonight. The Legion is the Legion; it’s all right. If these new men are slovenly, in your thinking, God damn it! you’ll not better them by drinking. They all try, Strabo; trust their hearts and hands. The Legion is the Legion while Rome stands, And these same men before the autumn’s fall Shall bang old Vercingetorix out of Gaul.

Between the brown hands of a server-lad The silver cross was offered to be kissed. The men came up, lugubrious, but not sad, And knelt reluctantly, half-prejudiced. (And kissing, kissed the emblem of a creed.) Then mourning women knelt; meek mouths they had, (And kissed the Body of the Christ indeed.) Young children came, with eager lips and glad. (These kissed a silver doll, immensely bright.) Then I, too, knelt before that acolyte. Above the crucifix I bent my head: The Christ was thin, and cold, and very dead: And yet I bowed, yea, kissed - my lips did cling. (I kissed the warm live hand that held the thing.)

Don’t complicate your life with such trivial goals as riches and fame: they are the enemy of ataraxia. Fame, for example, consists of the opinions of others and requires that we must live our life as others wish. To achieve and maintain fame, we must like what others like and shun whatever it is that they shun. Hence, a life of fame or a life in politics? Flee from it. And wealth? Avoid it! It is a trap. The more we acquire the more we crave, and the deeper our sadness when our yearning is not satisfied. Lads, listen to me: if you crave happiness, do not waste your life struggling for that which you really do not need.

I'm pleased-very pleased-that you've finally made your choice. It's about time you came to your senses." He arched a brow. "Even if it took a kidnapping to do it?" She nodded sagely. "Even so." She paused, then more gently asked, "She's the right one for you, isn't she?" He held her gaze, then nodded. "Yes. Definitely." He hesitated, then added, "I couldn't live without her." Caro's smile widened until she was beaming. "Wonderful. That's how it should be." He wasn't so sure he needed to hear that; the sense of vulnerability and dependency took some getting used to; he wasn't yet sure he'd mastered the knack. "Sadly, it seems that whenever I get close to a prospective wedding, I end up wounded. With you and Michael, I got shot and nearly died. This time, with me and Heather, I got gored and nearly died. I suppose I should be happy that Constance and Cordelia are already married." Caro laughed. "You probably escaped them because they're so much older that you-you were only a lad when they wed." She paused, head tilting as she studied him. Still smiling, she went on, "You're a protector, you know. That's what you are-that's what you do. And now you've found the lady you're supposed to protect for the rest of your life." Her smile deepened. "Once you marry her, you'll be safe." He humphed, but continued to smile, and didn't attempt to argue. Because she was right. Heather was the lady he would protect for the rest of his life.

her power now that she had lost the hair. So when the bride had finished drinking, and would have got upon Falada again, the maid said, "I shall ride upon Falada, and you may have my horse instead;" so she was forced to give up her horse, and soon afterwards to take off her royal clothes, and put on her maid's shabby ones. At last, as they drew near the end of the journey, this treacherous servant threatened to kill her mistress if she ever told anyone what had happened. But Falada saw it all, and marked it well. Then the waiting-maid got upon Falada, and the real bride was set upon the other horse, and they went on in this way till at last they came to the royal court. There was great joy at their coming, and the prince hurried to meet them, and lifted the maid from her horse, thinking she was the one who was to be his wife; and she was led upstairs to the royal chamber, but the true princess was told to stay in the court below. However, the old king happened to be looking out of the window, and saw her in the yard below; and as she looked very pretty, and too delicate for a waiting-maid, he went into the royal chamber to ask the bride whom it was she had brought with her, that was thus left standing in the court below. "I brought her with me for the sake of her company on the road," said she. "Pray give the girl some work to do, that she may not be idle." The old king could not for some time think of any work for her, but at last he said, "I have a lad who takes care of my geese; she may go and help him." Now the name of this lad, that the real bride was to help in watching the king's geese, was Curdken. Soon after, the false bride said to the prince, "Dear husband, pray do me one piece of kindness." "That I will," said the prince. "Then tell one of your slaughterers to cut off the head of the horse I rode upon, for it was very unruly, and plagued me sadly on the road." But the truth was, she was very much afraid lest Falada should speak, and tell all she had done to the princess. She carried her point, and the faithful Falada was killed; but when the true princess heard of it she wept, and begged the man to nail up Falada's head against a large dark gate in the city through which she had to pass every morning and evening, that there she might still see him sometimes. Then the slaughterer said he would do as she wished, so he cut off the head and nailed it fast under the dark gate. Early the next morning, as the princess and Curdken went out through the gate, she said sorrowfully— "Falada, Falada, there thou art hanging!" and the head answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then they went out of the city, driving the geese. And when they came to the meadow, the princess sat down upon a bank there and let down her waving locks of hair, which were all of pure gold; and when Curdken saw it glitter in the sun, he ran up, and would have pulled some of the locks out; but she cried— "Blow, breezes, blow! Let Curdken's hat go! Blow breezes, blow! Let him after it go! "O'er hills, dales, and rocks, Away be it whirl'd, Till the golden locks Are all comb'd and curl'd!" Then there came a wind, so strong that it blew off Curdken's hat, and away it flew over the hills, and he after it; till, by the time he came back, she had done combing and curling her hair, and put it up again safely. Then he was very angry and sulky, and would not speak to her at all; but they watched the geese until it grew dark in the evening, and then drove them homewards. The next morning, as they were going through the dark gate, the poor girl looked up at Falada's head, and cried— "Falada, Falada, there thou art hanging!" and it answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then she drove on the geese and sat down again in the meadow, and began to comb

Get away from the door." she whispered. "Both of you get out of here NOW." "Miss," said Alf. "We don't mean no..." "You don't know what you're getting into." she said. "You must leave here this instant." Alf, his face worried said to Peter. "Maybe we should..." "No," sad Peter, furious. "We've come this far, and we're going to go in there, and she can't stop us." "Yes I can." said Molly, her voice dead calm. Peter and Alf both looked at her. "I can scream." she said. "You wouldn't." Peter said. "Yes I would." "You don't dare." said Peter. "You're not supposed to be here, either. You'd be in as much trouble as us." "I could say I heard a noise," she said. "I heard something fall." she pointed to the padlcok. "I came to investigate, and when I saw you I screamed." "All right miss. said Alf. "No need for that." he put a hand on Peter's shoulder. "Come on lad." "No," said Peter, shrugging off the hand, glaring at Molly. "You go if you want. She doesn't scare me." "I'm going to count," said Molly. "If you're not gone when I get to ten, I WILL scream." "You're bluffing." said Peter." said Peter. "One." said Molly. On the floor Leatherface stirred, rolling over, resumed snoring. "Little friend." whispered Alf, his tone urgent now. "I'm going." "Go then." said Peter. "Two." "Please little friend." "NO." "Three" "All right, then." said Alf, shaking his head. "Good luck, then." "Four" Alf was up the ladder and gone. "Five" "Why are you doing this?" hissed Peter. "Six. Because I have to." Her face was grim. "But why?" "Seven. I can't tell you." "Tell me WHAT? Why can't you tell me anyway? How do you know if you don't try?" "Nine. Because I... Because it... it's so..." Molly's voice broke. Peter saw she was crying. "Molly, please, whatever it is, JUST TELL ME.. Maybe...maybe I can help you." For several seconds, Molly looked at him, a look of lonely desperation, tears brimming in her luminescent green eyes. Then she made a decision- Peter saw it happen- and her expression was grim again. She's going to say ten, thought Peter. She's going to scream. Molly opened her mouth. "All right, then." she said. "I'll tell you.

From the bonny bells of heather, They brewed a drink long syne, Was sweeter far than honey, Was stronger far than wine. They brewed it and they drank it, And lay in blessed swound, For days and days together, In their dwellings underground. There rose a King in Scotland, A fell man to his foes, He smote the Picts in battle, He hunted them like roes. Over miles of the red mountain He hunted as they fled, And strewed the dwarfish bodies Of the dying and the dead. Summer came in the country, Red was the heather bell, But the manner of the brewing, Was none alive to tell. In graves that were like children’s On many a mountain’s head, The Brewsters of the Heather Lay numbered with the dead. The king in the red moorland Rode on a summer’s day; And the bees hummed and the curlews Cried beside the way. The King rode and was angry, Black was his brow and pale, To rule in a land of heather, And lack the Heather Ale. It fortuned that his vassals, Riding free upon the heath, Came on a stone that was fallen And vermin hid beneath. Roughly plucked from their hiding, Never a word they spoke: A son and his aged father – Last of the dwarfish folk. The king sat high on his charger, He looked down on the little men; And the dwarfish and swarthy couple Looked at the king again. Down by the shore he had them: And there on the giddy brink – “I will give thee life ye vermin, For the secret of the drink.” There stood the son and father And they looked high and low; The heather was red around them, The sea rumbled below. And up spoke the father, Shrill was his voice to hear: “I have a word in private, A word for the royal ear. “Life is dear to the aged, And honour a little thing; I would gladly sell the secret”, Quoth the Pict to the King. His voice was small as a sparrow’s, And shrill and wonderful clear: “I would gladly sell my secret, Only my son I fear. “For life is a little matter, And death is nought to the young; And I dare not sell my honour, Under the eye of my son. Take him, O king, and bind him, And cast him far in the deep; And it’s I will tell the secret That I have sworn to keep.” They took the son and bound him, Neck and heels in a thong, And a lad took him and swung him, And flung him far and strong And the sea swallowed his body, Like that of a child of ten; And there on the cliff stood the father, Last of the dwarfish men. “True was the word I told you: Only my son I feared; For I doubt the sapling courage, That goes without the beard. But now in vain is the torture, Fire shall not avail: Here dies in my bosom The secret of the Heather Ale.

To sit indoors was silly. I postponed the search for Savchenko and Ludmila till the next day and went wandering about Paris. The men wore bowlers, the women huge hats with feathers. On the café terraces lovers kissed unconcernedly - I stopped looking away. Students walked along the boulevard St. Michel. They walked in the middle of the street, holding up traffic, but no one dispersed them. At first I thought it was a demonstration - but no, they were simply enjoying themselves. Roasted chestnuts were being sold. Rain began to fall. The grass in the Luxembourg gardens was a tender green. In December! I was very hot in my lined coat. (I had left my boots and fur cap at the hotel.) There were bright posters everywhere. All the time I felt as though I were at the theatre. I have lived in Paris off and on for many years. Various events, snatches of conversation have become confused in my memory. But I remember well my first day there: the city electrified my. The most astonishing thing is that is has remained unchanged; Moscow is unrecognizable, but Paris is still as it was. When I come to Paris now, I feel inexpressibly sad - the city is the same, it is I who have changed. It is painful for me to walk along the familiar streets - they are the streets of my youth. Of course, the fiacres, the omnibuses, the steam-car disappeared long ago; you rarely see a café with red velvet or leather settees; only a few pissoirs are left - the rest have gone into hiding underground. But these, after all, are minor details. People still live out in the streets, lovers kiss wherever they please, no one takes any notice of anyone. The old houses haven't changed - what's another half a century to them; at their age it makes no difference. Say what you will, the world has changed, and so the Parisians, too, must be thinking of many things of which they had no inkling in the old days: the atom bomb, mass-production methods, Communism. But with their new thoughts they still remain Parisians, and I am sure that if an eighteen-year-old Soviet lad comes to Paris today he will raise his hands in astonishment, as I did in 1908: "A theatre!

Grandpa, I miss her dreadfully," I said in the end, starting to cry again. Grandpa looked at me seriously and said that missing people is the best sad feeling there is. "You see, Trille lad, if you're sad because you miss someone, then that means you care about that person. And caring about someone is the best thing there is. We carry the people we miss inside us." He put his hand to his chest with a thump. "Oh..." I said, pulling my sleeve across my eyes. "But Grandpa, you can't play with people who are in there." I sighed, thumping my hand on my own chest. Grandpa nodded heavily. He understood.

Prithee, sir,” Ian said, controlling his impatience, “tell us what Dougal said.” “He said he’d tell the world that he’s had his way with our Lina, even shared her with his men. Och, but I wanted to hang him from the tree outside me gate right then! In short, if Dougal canna have her, he’ll murder her reputation. So, in my fury, I’ve condemned my daughter to the sad future of an unmarried, unwanted woman. A future in which others will revile her, if Dougal has his say. Och, I’m a villain m’self to do such a vile thing. Mayhap I should think more on it, unless . . .” He looked at Rob, who stared silently, blankly back at him. After a glance at Ian, Andrew chose a point midway between the two men and said with a slight, self-deprecating shrug, “I dinna suppose ye’d . . . either o’ ye . . . be willing to marry the poor lassie and save her from such a dreadful fate.” Ian saw the pit yawning before him, but he barely heeded it. Having saved Lina from one wretched fate, he did not want to watch her fall victim to another. Impulsively, he said, “I . . . I’d be willing to give the idea some thought, sir.” “Good lad,” Andrew said cheerfully. “I’ll let ye have her.

Tim Finnegan’s Wake by Dr. Thom Dedalus When God reeled in good auld Tim Finnegan, And looked into his green Irish peepers, Said He, “Now, what was I thinkin’? Poor lad, he ain’t one of the keepers.” To hell Tim descended without any fear, To the devil, whom not much is lost on, Said he, “I’m sure you’ll be comfortable here, Among all your old friends from South Boston.” Tim’s jokes night and day caused Satan to swear, As migraines crept behind blood red eyelids, “An eternity with you is just too much to bear. You’re going home to your wife and your nine kids.” So up pops Tim at his wake from his casket. “It can’t be,” went a howl from his wife. When he belched the sea from his own breadbasket, Said she, “Someone, hand me a knife.” Now Tim’s fishing off George’s Banks Catching codfish, haddock and hake. The happiest folk in town to give thanks, Is John Hancock for Finnegan’s wake. Finn’s now a legend among life underwriters, In Beantown and all over the States. In him beats the heart of a fighter. Sad to hear how they increased his rates. Finn’s tale is best told with a dram of Jameson. You’re entitled to whatever sense you can make. Just cause you’re dead, it don’t mean you’re gone. You may take comfort in Finnegan’s wake.

My brave husband came back from fighting the Turks and brought me a robe of silk and a necklace of human teeth. He sat up at night by his hearth telling tales of battle. Apparently the Turks are ten times more ferocious and fearless than the Scots. 'Perhaps we should invite them here to drive the Scots back,' I suggested, and he laughed, but he didn't kiss me. That's when I learned the truth about scars. A man with a battle scar is a veteran, a hero, given an honoured place at the fire. Small boys gaze up fascinated, dreaming of winning such badges of courage. Maids caress his thighs with their buttocks as they bend over to mull his ale. Women cluck and cosset, and if in time other men grow a little weary of that tale of honour, then they call for his cup to be filled again and again until he is fuddled and dozes quietly in the warmth of the embers. But a scarred woman is not encouraged to tell her story. Boys jeer and mothers cross themselves. Pregnant women will not come close for fear that if they look upon such a sight, the infant in their belly will be marked. You've heard of the tales of Beauty and the Beast no doubt. How a fair maid falls in love with a monster and sees the beauty of his soul beneath the hideous visage. But you've never heard the tale of the handsome man falling for the monstrous woman and finding joy in her love, because it doesn't happen, not even in fairytales. The truth is that the scarred woman's husband buys her a good thick veil and enquires about nunneries for the good of her health. He spends his days with his falcons and his nights instructing pageboys in their duties. For if nothing else, the wars taught him how to be a diligent master to such pretty lads.

Wait a second,” said Ash. “How is there a ‘moon in springtime before the start of the new year’? I think it’s a riddle. It makes no sense.” “Yes, it does,” said Jared. “The new year was in March in England until the 1700s, when the pope introduced a new calendar.” Everyone stared at him. Jared flushed slightly, scar thrown into relief, and muttered, “I read a lot of old books.” “Well done,” said Jon. “See where learning gets you, lads? So much better than messing around with girls or playing those video games which one hears are full of violence.” Kami, as a witness to many of her father’s video game marathons, gave him a long judgmental stare. “You total hypocrite.” “Hypocrisy is what being a parent is all about,” Jon said. “Well done for cracking the books, Jared and Holly. You see how it pays off.” Holly smiled and the light of her smile seemed to spill all over the room, reflections of light refracted all over everywhere. “It’s true reading is a wonderful thing,” Rusty observed. “I read a Cosmo a year ago, and I still remember how to keep my nails in perfect condition and also ten top tips on how to dress to accentuate my ass.” Now everybody was staring at Rusty. Unlike Jared, he did not blush. “Those tips are working,” he said. “Don’t pretend you haven’t all noticed. I know the truth.” Kami rolled up a magazine on the table—sadly, for the sake of dramatic irony, not a Cosmo—and hit Rusty over the head with it. “Does anybody have anything else to say—I can’t stress this enough—specifically about Elinor Lynburn and medieval New Year?” “Want to know what it was called? You’ll like this,” Jared added, and he looked at Kami. It was a simple glance from his gray eyes, but it felt like being put in a room that was just the two of them. “Lady Day.” Kami beamed at him. “You know what I like, sugarprune

Bring Back Our Baskets! That was the cry heard from Quidditch players across the nation last night as it became clear that the Department of Magical Games and Sports had decided to burn the baskets used for centuries for goal-scoring in Quidditch. ‘We’re not burning them, don’t exaggerate,’ said an irritable-looking Departmental representative last night when asked to comment. ‘Baskets, as you may have noticed, come in different sizes. We have found it impossible to standardise basket size so as to make goalposts throughout Britain equal. Surely you can see it’s a matter of fairness. I mean, there’s a team up near Barnton, they’ve got these minuscule little baskets attached to the opposing team’s posts, you couldn’t get a grape in them. And up their own end they’ve got these great wicker caves swinging around. It’s not on. We’ve settled on a fixed hoop size and that’s it. Everything nice and fair.’ At this point, the Departmental representative was forced to retreat under a hail of baskets thrown by the angry demonstrators assembled in the hall. Although the ensuing riot was later blamed on goblin agitators, there can be no doubt that Quidditch fans across Britain are tonight mourning the end of the game as we know it. ‘’T won’t be t’ same wi’out baskets,’ said one apple-cheeked old wizard sadly. ‘I remember when I were a lad, we used to set fire to ’em for a laugh during t’ match. You can’t do that with goal hoops. ’Alf t’ fun’s gone.’ Daily Prophet, 12 February 1883

I would be sad. Yes, I say it quite seriously: I would be sad. For my boss Vasques, Moreira the book-keeper, Borges the cashier, all the lads, the cheery boy who takes the letters to the post office, the errand boy, the friendly cat -they have all become part of my life. I could never leave all that behind without weeping, without realizing, however displeasing the thought, that part of me would remain with them and that losing them would be akin to death. Moreover, if I left them all tomorrow and discarded this Rua dos Douradores suit of clothes I wear, what else would I do? Because I would have to do something. And what suit would I wear? Because I would have to wear another suit.

Jeg har hverken råd eller kræfter til at være stolt lige nu. Jeg er så uendeligt træt af det her. Jeg ruller med resolutte skridt mit sovende barn hen mod caféen, hvor min veninde drikker kaffe. Jeg overvejer at lade som om, jeg ikke har set hendes billede på Instagram, men simpelthen bare er kommet herhen for at drikke kaffe. Jeg tænker, at det alligevel nok er bedst, hvis jeg giver lyd først. Jeg skriver overdrevet henkastet, at jeg er på vej, jeg kunne se på hendes billede, at hun sad ved vandet, at jeg alligevel skulle den vej og er der om et øjeblik. Jeg går så hurtigt, jeg kan. Da jeg er halvvejs, kommer der svar. Hun skriver, at der er ved at gå, hendes barn skal sove, han sover bedst derhjemme.

And Odo the hero, they bore him back home To the place that he’d known as a lad, sang Slughorn plaintively. They laid him to rest with his hat inside out And his wand snapped in two, which was sad.

That’s it for me, lads. I know when to quit. Sadly, I should have quit then.

Now, lad, do you know about the Truthsayer drug?” “You take it to improve your ability to detect falsehood,” he said. “My mother’s told me.” “Have you ever seen truthtrance?” He shook his head. “No.” “The drug’s dangerous,” she said, “but it gives insight. When a Truthsayer’s gifted by the drug, she can look many places in her memory—in her body’s memory. We look down so many avenues of the past…but only feminine avenues.” Her voice took on a note of sadness. “Yet, there’s a place where no Truthsayer can see. We are repelled by it, terrorized. It is said a man will come one day and find in the gift of the drug his inward eye. He will look where we cannot—into both feminine and masculine pasts.” “Your Kwisatz Haderach?” “Yes, the one who can be many places at once: the Kwisatz Haderach. Many men have tried the drug…so many, but none has succeeded.” “They tried and failed, all of them?” “Oh, no.” She shook her head. “They tried and died.

And Odo the hero, they bore him back home To the place that he’d known as a lad, They laid him to rest with his hat inside out And his wand snapped in two, which was sad.

O Time! It may be pitiless, or sad, And now and it brutally shakes the earth. If Time intends to annihilate you, my lad, Go boldly forward, and fight for all you're worth.

There are few things in this world that truly make us content. There’s a difference between happy and content, did ya know?" I shook my head, having never given the idea much thought. "Happy is what you are when you buy yourself a new hat, when you look on something grand for the first time, when a lad surprises his girl with roses. But content is different entirely. A content person feels that all is right with the world even when tragedy strikes, even when loss weighs the spirit down. They’re still at ease within themselves no matter what calamity breaks their heart. Do you see? " I did. I nodded, though I wasn’t quite sure where all this was going. "Just so, a person can be depressed or sad. The depressed person feels the blow of some misfortune---loss of a job, a pet dies, a car accident. With time depression goes away. But the sad one..." He shakes his head leveling his gaze on me. "The sad one allows misfortune to darken the spirit, to smother any hope left inside. The sad one doesn’t live long." "What do you mean? You can’t die from sadness." "Even if the body’s breathin’, that don’t mean you’re livin’, lass.

There was a rose that faded young; I saw its shattered beauty hung Upon a broken stem. I heard them say, "What need to care With roses budding everywhere?" I did not answer them. There was a bird, brought down to die; They said, "A hundred fill the sky-- What reason to be sad?" There was a girl, whose lover fled; I did not wait, the while they said, "There's many another lad.

Ghost House I dwell in a lonely house I know That vanished many a summer ago, And left no trace but the cellar walls, And a cellar in which the daylight falls, And the purple-stemmed wild raspberries grow. O’er ruined fences the grape-vines shield The woods come back to the mowing field; The orchard tree has grown one copse Of new wood and old where the woodpecker chops; The footpath down to the well is healed. I dwell with a strangely aching heart In that vanished abode there far apart On that disused and forgotten road That has no dust-bath now for the toad. Night comes; the black bats tumble and dart; The whippoorwill is coming to shout And hush and cluck and flutter about; I hear him begin far enough away Full many a time to say his say Before he arrives to say it out. It is under the small, dim, summer star. I know not who these mute folk are Who share the unlit place with me- Those stones out under the low-limbed tree Doubtless bear names that the mosses mar. They are tireless folk, but slow and sad, Though two, close-keeping, are lass and lad- With none among them that ever sings, And yet, in view of how many things, As sweet companions as might be had.

Do you see where we are?” asked Wanda. “Do you know what was standing here before they started hanging people behind closed doors? Do you know the real name of this place?” “Tyburn,” said Guleed, who’d obviously been paying more attention to me than I thought. Because back in the days of yore, when Oxford Street was the Tyburn Road and the city had only just started its mad rush to cover all the west in desirable redbrick and stucco terraces, it was the main route out of London to the little village of Tyburn that sat just beyond where the road crossed the river. Condemned prisoners were loaded onto tumbrils at Newgate Jail, and would wind their way through the streets of London, past the rookeries at St. Giles, before hitting the long straight road into the open countryside and the Tyburn Tree. And it was a busy place, the Tyburn Tree. Because markets were laissez-faire, every Englishman’s home was his castle and what passed for law and order was largely privately run. Back then the gentry lived in fear of the London mob and, to keep the masses in check, made sure that stealing bread or your employer’s linen was a topping offense. So they came in numbers, the tragic lads and lasses, the local boys and the immigrants from Yorkshire, Cornwall and Berkshire, from Strathclyde and County Clare. Some weeping, some defiant, and most of them pissed out of their box because the whole sad procession from Newgate Jail would make periodic pauses for refreshments. “This was the last stop,” said Wanda. A last drink under the spreading chestnut tree, perhaps a chance to unburden yourself of any secrets or things you might not be able to take into the next world. And so The Chestnut Tree became the repository of final bequests. Or a final offering, a tradition from back when the river ran free and its god walked among men.