Lad Image Quotes

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Hold childhood in reverence, and do not be in any hurry to judge it for good or ill. Leave exceptional cases to show themselves, let their qualities be tested and confirmed, before special methods are adopted. Give nature time to work before you take over her business, lest you interfere with her dealings. You assert that you know the value of time and are afraid to waste it. You fail to perceive that it is a greater waste of time to use it ill than to do nothing, and that a child ill taught is further from virtue than a child who has learnt nothing at all. You are afraid to see him spending his early years doing nothing. What! is it nothing to be happy, nothing to run and jump all day? He will never be so busy again all his life long. Plato, in his Republic, which is considered so stern, teaches the children only through festivals, games, songs, and amusements. It seems as if he had accomplished his purpose when he had taught them to be happy; and Seneca, speaking of the Roman lads in olden days, says, "They were always on their feet, they were never taught anything which kept them sitting." Were they any the worse for it in manhood? Do not be afraid, therefore, of this so-called idleness. What would you think of a man who refused to sleep lest he should waste part of his life? You would say, "He is mad; he is not enjoying his life, he is robbing himself of part of it; to avoid sleep he is hastening his death." Remember that these two cases are alike, and that childhood is the sleep of reason. The apparent ease with which children learn is their ruin. You fail to see that this very facility proves that they are not learning. Their shining, polished brain reflects, as in a mirror, the things you show them, but nothing sinks in. The child remembers the words and the ideas are reflected back; his hearers understand them, but to him they are meaningless. Although memory and reason are wholly different faculties, the one does not really develop apart from the other. Before the age of reason the child receives images, not ideas; and there is this difference between them: images are merely the pictures of external objects, while ideas are notions about those objects determined by their relations.
Jean-Jacques Rousseau (Emile, or On Education)
Let me make a clean breast of it here, and frankly admit that I kept but sorry guard. With the problem of the universe revolving in me, how could I- being left completely to myself at such a thought-engendering altitude- how could I but lightly hold my obligations to observe all whaleships' standing orders, "Keep your weather eye open, and sing out every time." And let me in this place movingly admonish you, ye ship-owners of Nantucket! Beware of enlisting in your vigilant fisheries any lad with lean brow and hollow eye; given to unseasonable meditativeness...: your whales must be seen before they can be killed; and this sunken-eyed young Platonist will tow you ten wakes round the world, and never make you one pint of sperm the richer. Nor are these monitions at all unneeded. For nowadays, the whale-fishery furnishes an asylum for many romantic, melancholy, and absent-minded young men, disgusted with the corking care of earth, and seeking sentiment in tar and blubber. Childe Harold not unfrequently perches himself upon the mast-head of some luckless disappointed whale-ship, and in moody phrase ejaculates:- "Roll on, thou deep and dark blue ocean, roll! Ten thousand blubber-hunters sweep over thee in vain. " ... "Why, thou monkey," said a harpooneer to one of these lads, "we've been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen's teeth whenever thou art up here." Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Crammer's sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. There is no life in thee, now, except that rocking life imparted by a gentle rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at midday, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!
Herman Melville (Moby Dick)
Were I a man,” she struck a fencing pose and swept her hand before her as if it held a razor-sharp rapier, “I’d fix him thus!” She stabbed once, twice, thrice, then whipped the imaginary tip across her victim’s throat. Delicately she wiped the phantom blade and restored it to an equally airy scabbard. “Were I a man,” she straightened to stare pensively through the window, “I’d assure myself that braggart knew the error of his ways and henceforth would bend to seek his fortune in some other corner of the world.” She caught her reflection in the crystal panes and folding her hands, struck a demure pose. “Alas, a brawling lad I am not, but a mere woman.” She turned her head from side to side to inspect the carefully arranged raven tresses, then smiled wisely at her image. “Thus my weapons must be my wit and tongue.” -Erienne
Kathleen E. Woodiwiss (A Rose in Winter)
Why, thou monkey,” said a harpooneer to one of these lads, “we’ve been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen’s teeth whenever thou art up here.” Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it.
Herman Melville (Moby Dick; Or, The Whale)
Why, thou monkey," said a harpooneer to one of these lads, "we've been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen's teeth whenever thou art up here." Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it.
Herman Melville (Moby Dick: or, the White Whale)
Why, thou monkey,’ said a harpooneer to one of these lads, ‘we ’ve been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen’s teeth whenever thou art up here.’ Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious revery is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Cranmer’s sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. 10 There is no life in thee, now, except that rocking life imparted by a gently rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at mid-day, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise forever. Heed it well, ye Pantheists!
Herman Melville
Whatever stamped itself on Niels's mind, what he saw, what he understood and what he misunderstood, what he admired and what he knew he ought to admire--all was woven into the story. As running water is colored by every passing picture, sometimes holding the image with perfect clearness, sometimes distorting it or throwing it back in wavering, uncertain lines, then again drowning it completely in the color and play of its own ripples, so the lad's story reflected feeling and thoughts, his own and those of other people, mirrored human beings and events, life and books, as well as it could. It was a play life, running side by side with real life. It was a snug retreat, where you could abandon yourself to dreams of the wildest adventures. It was a fairy garden that opened at your slightest nod, and received you in all its glory, shutting out everybody else.
Jens Peter Jacobsen (Niels Lyhne)
In the wake of the Empire Media scandal, the CEO of Townsend’s received a threatening note, which the police deemed to be credible. The note, signed Jennifer, demanded that the lads’ magazines be removed from every branch of Townsend’s and replaced with soft-core gay male porn. The CEO took immediate action. The lads’ magazines were exchanged for those that featured images of buff young men, hairless and muscled and bronzed, with bulging underpants (if they were wearing underpants). The men played with their nipples and flashed their man patches. After the renovation, Townsend’s was filled with women and girls. It was funny to see images of semi-naked, sexed-up men. For women it was like being in a carnival funhouse, where nothing was as it was supposed to be. News reports claimed that men felt uncomfortable going into the shops, since the women were leering and laughing. Businessmen in Armani suits tried to conduct themselves with dignity, but it was difficult to do with all those perfect male butts in their faces, with those men staring at them with a look that said fuck me.
Sarai Walker (Dietland)
Why, thou monkey,” said a harpooneer to one of these lads, “we’ve been cruising now hard upon three years, and thou hast not raised a whale yet. Whales are scarce as hen’s teeth whenever thou art up here.” Perhaps they were; or perhaps there might have been shoals of them in the far horizon; but lulled into such an opium-like listlessness of vacant, unconscious reverie is this absent-minded youth by the blending cadence of waves with thoughts, that at last he loses his identity; takes the mystic ocean at his feet for the visible image of that deep, blue, bottomless soul, pervading mankind and nature; and every strange, half-seen, gliding, beautiful thing that eludes him; every dimly-discovered, uprising fin of some undiscernible form, seems to him the embodiment of those elusive thoughts that only people the soul by continually flitting through it. In this enchanted mood, thy spirit ebbs away to whence it came; becomes diffused through time and space; like Crammer’s sprinkled Pantheistic ashes, forming at last a part of every shore the round globe over. There is no life in thee, now, except that rocking life imparted by a gently rolling ship; by her, borrowed from the sea; by the sea, from the inscrutable tides of God. But while this sleep, this dream is on ye, move your foot or hand an inch; slip your hold at all; and your identity comes back in horror. Over Descartian vortices you hover. And perhaps, at midday, in the fairest weather, with one half-throttled shriek you drop through that transparent air into the summer sea, no more to rise for ever. Heed it well, ye Pantheists!
Herman Melville (Moby Dick)
With great care, Amy opened the cellar door. With ladylike demeanor, she descended the stairs. And as her reward, she had the satisfaction of catching His Mighty Lordship sitting on the cot, his knee crooked sideways and his ankle pulled toward him, cursing at the manacle. “I got it out of your own castle,” she said. Northcliff jumped like a lad caught at a mischief. “My . . . castle?” At once he realized what she meant. “Here on the island, you mean. The old ancestral pile.” “Yes.” She strolled farther into the room. “I went down into the dungeons, crawled around in among the spider webs and the skeleton of your family’s enemies—” “Oh, come on.” He straightened his leg. “There aren’t any skeletons.” “No,” she admitted. “We had them removed years ago.” For one instant, she was shocked. So his family had been ruthless murderers! Then she realized he was smirking. The big, pompous jackass was making a jest of her labors. “If I could have found manacles that were in good shape I’d have locked both your legs to the wall.” “Why stop there? Why not my hands, too?” He moved his leg to make the chain clink loudly. “Think of your satisfaction at the image of my starving, naked body chained to the cold stone—” “Starving?” She cast a knowledgeable eye at the empty breakfast tray, then allowed her lips to curve into a sarcastic smile. “You’d love a look at my naked body, though, wouldn’t you?” He fixed his gaze on her, and for one second she thought she saw a lick of golden flame in his light brown eyes. “Isn’t that what this is all about?” “I beg your pardon.” She took a few steps closer to him—although she remained well out of range of his long arms. What are you talking about?” “I spurned you, didn’t I?” What? What What was he going on about? “You’re a girl from my past, an insignificant debutante I ignored at some cotillion or another. I didn’t dance with you.” He stretched out on the cot, the epitome of idle relaxation. “Or I did, but I didn’t talk to you. Or I forgot to offer you a lemonade, or—” “I don’t believe you.” She tottered to the rocking chair and sank down. “Are you saying you think this whole kidnapping was done because you, the almighty marquees of Northcliff, treated me like a wallflower?” “It seems unlikely I treated you as a wallflower. I have better taste than that.” He cast a critical glance up and down her workaday gown, then focused on her face. “You’re not in the common way, you must know that. With the proper gown and your hair swirled up in that style you women favor—” He twirled his fingers about his head—“you would be handsome. Perhaps even lovely.” She gripped the arms of the chair. Even his compliments sounded like insults! “We’ve never before met, my lord.” As if she had not spoken, he continued, “but I don’t remember you, so I must have ignored you and hurt your feelings—” “Damn!” Exploding out of the chair, she paced behind it, gripping the back hard enough to break the wood. His arrogance was amazing. Invulnerable! “Haven’t you heard a single word I’ve said to you? Are you so conceited you can’t conceive of a woman who isn’t interested in you as a suitor?” “It’s not conceit when it’s the truth.” He sounded quite convinced.
Christina Dodd (The Barefoot Princess (Lost Princesses, #2))
The preaching of Jesus shows how deeply He had drunk the essence of natural beauty and reveled in the changing aspects of the seasons. It was when wandering in these fields as a lad that He gathered the images of beauty that He poured out in His parables and addresses. It was on that hill that He acquired the habit of retreating to the mountaintops to spend the night in solitary prayer. The doctrines of His preaching were not thought out on the spur of the moment – they were poured out in a living stream when the occasion came – but the water had been gathered into the hidden well for many years before. In the fields and on the mountainside, He had thought them out during the years of happy and undisturbed meditation and prayer.
James Stalker (The Life of Jesus Christ: A Biographical Overview of the Life of Christ)
Bright were the memories of his childhood at these docks, to which he had been ever drawn by the allure of the stranger traders as they swung into their berths like weary and weathered heroes returned from some elemental war. In those days it was uncommon to see the galleys of the Freemen Privateers ease into the bay, sleek and riding low with booty. They hailed from such mysterious ports as Filman Orras, Fort By a Half, Dead Man's Story, and exile; names that rang of adventure in the ears of a lad who had never seen his home city from outside its walls. The man slowed as he reached the foot of the stone pier. The years between him and that lad marched through his mind, a possession of martial images growing ever grimmer. If he searched out the many crossroads he had come to in the past, he saw their skies storm-warped, the lands ragged and wind-torn. The forces of age and experience worked on them now, and whatever choices he had made then seemed fated and almost desperate.
Steven Erikson
Web? Did Swift come aboard with you? The boy we spoke of before?” He halted and turned to my question. “Yes. Why do you ask?” “You recall that he is the boy that I asked you to talk with, the one who is Witted?” “Of course. That was why I was so pleased when he came to me and offered to be my ‘page’ if I would take him on and teach him. As if I knew what a page is supposed to do!” He laughed at such nonsense, and then sobered at my serious face. “What is it?” “I had sent him home. I discovered that he did not have his parents’ permission to be at Buckkeep at all. They think that he has run away, and are greatly grieved by his disappearance.” Web stood still and silent, digesting this news, his face showing no expression. Then he shook his head regretfully. “It must be a terrible thing for someone you love to vanish, and leave you always wondering what became of him.” An image of Patience sprang into my mind; I wondered if he had intended that his words prick me. Perhaps not, but the possible criticism made me irritable all the same. “I told Swift to go home. He owes his parents his labor until he either reaches his majority or is released by them.” “So some say,” Web said, in a tone that indicated he might disagree. “But there are ways parents can betray a child, and then I think the youngster owes them nothing. I think that children who are mistreated are wise to leave as swiftly as they can.” “Mistreated? I knew Swift’s father for many years. Yes, he will give a lad a cuff or a sharp word, if the boy has earned it. But if Swift claims he was beaten or neglected at home, then I fear that he lies. That is not Burrich’s way.” My heart sank that the boy could have spoken so of his father. Web shook his head slowly. He glanced at Thick to assure himself that the man was still sleeping and spoke softly. “There are other types of neglect and deprivation. To deny what unfolds inside someone, to forbid the magic that comes unbidden, to impose ignorance in a way that invites danger, to say to a child, ‘You must not be what you are.’ That is wrong.” His voice was gentle but the condemnation was without compassion. “He raises his son as he was raised,” I replied stiffly. It felt odd to defend him, for I had so often railed against Burrich for what he had done to me. “And he learned nothing. Not from having to deal with his own ignorance, not from what it did to the first lad he treated so. I try to pity him, but when I consider all that could have been, had you been properly educated from the time you were small—” “He did well by me!” I snapped. “He took me to his side when no one else would have me, and I’ll not hear ill spoken of him.
Robin Hobb (Fool's Fate (Tawny Man, #3))
As he began to strum his harp, he filled his mind with images of earth. Old crumbling stones and tangled grasses and wildflowers and weeds and saplings that put down deep roots, growing into mighty trees. The color of dirt, the scent of it. How it felt clutched in the hollow of one’s palm. The voice of branches swaying in the breeze, and the slope of the earth as it rose and fell, faithful and steady. Jack closed his eyes and began to sing. He didn’t want to see the spirits manifest, but he heard the grass hissing near his knees, and he heard the tree boughs groaning above him, and he heard the scratch of stone, as if two were being rubbed together. When he heard Adaira’s soft gasp, Jack opened his eyes. The spirits were forming themselves, gathering around him to listen. He played and sang and watched as the trees became maidens with long arms and hair made of leaves. The grass and pennywort knotted themselves into what looked to be mortal lads, small and green. The stones found their faces like old men waking from a long dream. The wildflowers broke their stems and gathered into the shape of a woman with long dark hair and eyes the color of honeysuckle, her skin purple as the heather that bloomed on the hills. Yellow gorse crowned her, and she waited beside the Earie Stone, whose face was still forming, craggy and ancient. As Jack played Lorna’s ballad he felt as if he was slowly sinking into the earth. His limbs were becoming heavy, and he drooped like a flower wilting beneath a fierce sun. It was like the sensation of falling asleep. He swore he saw daisies blooming from his fingertips, and every time he plucked his strings the petals broke away but regrew just as swiftly. And his ankles…he couldn’t move them, the tree roots had begun to take hold of him. His hair was turning into grass, green and long and tangled, and as the song ended he struggled to remember who he was, that he was mortal, a man. Someone was coming to him, bright as a fallen star, and he felt her hands on his face, blissfully cold. “Please,” the woman said, but not to him. She beseeched the wildflower spirit with her long dark hair and crown of vibrant gorse. “Please, this man belongs to me. You cannot claim him.” “Why, mortal woman,” one of the pennywort lads said from the ground, his words raspy as summer hay falling to a scythe. “Why did you sit so far away from him? We thought he sang to be taken by us.” Jack snapped out of the haze. Adaira was kneeling beside him, her hand shifting to his arm. He was stricken to see that he had truly been turning into the earth—grass, flowers, and roots. His harp clattered from his tingling hands; he struggled to breathe as he watched his body return to him. “He is mine, and he played to bring you forth by my command,” Adaira said calmly. “I long to speak to you, spirits of the earth.
Rebecca Ross (A River Enchanted (Elements of Cadence, #1))
The Allosaurus in Winter (a poem of inner terror)- Muddied fields brown, tells horrors secreted in hush, When snow drips back and the ground turns to mush. Sharp air cools, snaps, cirrus clouds do whisp’— Every spring it came—to but lurk and to hiss. Not in summer nor in the fall— The Allosaurus in Winter stalked– To prey over the boy with rancid call. From the Lower Regions it came, to hunt a most desperate soul, To consume the real, this, this image from the wastes below. Who knows why the Allosaurus in Winter hunted the lad so, Terrifying in all aspects–it did quite know– (As its eye sallow in broken frames did show). Flat, impotent, inert, nowhere to hide or to run— It scent his frame; took its time, hours before the set of sun. The dry withered grass peeped through driblets of ice to shew, Forming mud puddles and prints a foot deep; nightmare construed. Into this dying winter ’scape did he in panic fled, Toward the burnt out apartments, not compulsed yet was led. Of destinies time, decreed a savage ungodly hour of fate, Never arrived too soon or on time–but it was always too late. Each room a hauntmare to trap and entangle, For unto him fortune proclaimed him to be mangled. For after him plod the lone Allosaurus in stark of Winter— Slow, calculating reptilian hunting, the dark in the hinter.
Douglas M. Laurent
Australia’s self-facing myth of being egalitarian, larrikin, anti-authority, is a fiction, however pleasing, for a people reverent of wealth and prissily insistent on rules. England’s self-image as civilisation’s cradle is proven to be a veneer, whether by colonial depredations or a lads’ trip to Spain.
Geoff Lemon (Steve Smith's Men: Behind Australian Cricket's Fall)
It is the time of dark and of cold,” she said, “when the fields are unyielding with frost and life sleeps in the earth. During this time, the world dreams, and in her dreams, she relieves the past. Images of the dead appear to those who are aware enough to perceive them.” “I know of this festival,” Shan said. “In our village, we would put out saucers of blood and milk for the spirits. Girls would wear red ribbons in their hair and the lads red garters on their knees. On the night of the Grave, we’d build a bonfire on the green, and dance in a circle to keep the spirits at bay.” “These are old customs,” said Sinaclara, “memories of old practices. In ancient times, the Night of the Grave was called Aya’even, which in the old tongue meant the forest of the dead. It is but one point on the great wheel of life, death, and rebirth. Because of its associations with darkness and the dead, it has within it inherent hope, for without death, there can not be life. This is why it is celebrated by those who no longer remember its true meaning. The memory of that hope lives on.
Storm Constantine (The Crown of Silence (The Chronicles of Magravandias, #2))