Lace Fabric Quotes

We've searched our database for all the quotes and captions related to Lace Fabric. Here they are! All 65 of them:

Will." Her hands pulled at his shirt, and it came away, the buttons tearing, his head shaking free of the fabric, all wild dark hair, Heathcliff on the moors. His hands were less sure on her dress, but it came away as well, off over her head, and was cast aside, leaving Tessa in her chemise and corset. She went motionless, shocked at being so undressed in front of anyone but Sophie, and Will took a wild look at her corset that was only part desire. “How—," he said. “Does it come off?" Tessa couldn't help herself; despite everything, she giggled. “It laces," she whispered. “In the back.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
I keep wondering if it'll ever hurt less. This...this hole in our lives." "Oh, I imagine it'll hurt less eventually. I think there will always be a hole, though. But lace is one of the most beautiful fabrics, you know. All those holes and gaps, but it's still complete somehow- still lovely.
Emery Lord (When We Collided)
I think there will always be a hole, though. But lace is one of the most beautiful fabrics, you know. All those holes and gaps, but it's still complete somehow--still lovely.
Emery Lord (When We Collided)
We, like lace, make up the very fabric of society, the tapestry of togetherness that consists of holes, but also of threads that tie us together until the end of time. The more we embrace our fragility and shared sufferings, the more boundaries we overcome, until the light can’t help but pour on in.
Kayla Severson (Nature's 1st Gem Is Green)
Are you particularly attached to these? He fingered the lace around the crease where her thigh curved against the most intimate part of her. "Wh-what?" Her hands dripped form his head to dig into the sheets. He filed away her responsiveness when touched in that particular area. I'll take that as a no." Gipping hold of the front, he tore the fragile fabric off her body. The scraps fell away like mist.
Nalini Singh (Caressed by Ice (Psy-Changeling, #3))
Your essence is fabricated from the stardust lace and earthly soil. As you wander, you call in your soul closer until one day you embody it.
Sylvia Salow (Find Yourself: Go the Distance to Discover Your Meaning)
Damen could see Laurent’s shallow breath. He could see his dark-eyed intention. Laurent was undressing for him, one lace after another, the jacket’s fabric opening, revealing the fine white shirt beneath. Heat
C.S. Pacat (Kings Rising (Captive Prince, #3))
Contemplating the lace-like fabric of streams outspread over the mountains, we are reminded that everything is flowing—going somewhere, animals and so-called lifeless rocks as well as water.
John Muir (My First Summer in the Sierra)
One does not have to dress in a way that is unflattering, or even unfashionable, to be rational—and comfortable. How can you expect women to exercise their faculties, nay, their rights, in clothes that confine them? We shall never be men’s equals while we lace ourselves into ill health and drape ourselves in fabric until we can scarcely move. Dress reform is almost as important to our cause as the vote.
Theodora Goss (European Travel for the Monstrous Gentlewoman (The Extraordinary Adventures of the Athena Club, #2))
Susannah Buxton, costume designer: This dress (above) was made of original beading so delicate that it couldn't be worn again. The red dress (right) is made from a turn-of-the-century Spanish evening dress. We sourced beautiful silk chiffon and had it pleated for the cap sleeves and bands across the front. We built layers for the final effect, with embroidered lace laid over the deep-red satin under-dress. We used evening gloves from the costume house selection, which are "dipped down" - that is, run through with dyes to take the brightness out of the fabric.
Jessica Fellowes (The World of Downton Abbey)
How can you expect women to exercise their faculties, nay, their rights, in clothes that confine them? We shall never be men’s equals while we lace ourselves into ill health and drape ourselves in fabric until we can scarcely move. Dress reform is almost as important to our cause as the vote.
Theodora Goss (European Travel for the Monstrous Gentlewoman (The Extraordinary Adventures of the Athena Club, #2))
Randall continued to hear the fundamental insincerity of the man, but also knew that the most effective lies were those liberally laced with truth. The lie could be ninety-nine parts truth to one part falsehood, the one tarnished part mingling with the pure until it was all tainted, more false than pure fabrication.
Richard Russo (Mohawk)
Jonah's stare stays out over the water. "I keep wondering if it'll ever hurt less. This... this whole in our lives." "Oh, I imagine it'll hurt less eventually. I think there will always be a hole, though. But lace is one of the most beautiful fabrics, you know. All those holes and gaps, but it's still completed somehow-still lovely.
Emery Lord (When We Collided)
Penny smoothed her gloved hands along the sheer silk netting that overlaid an underdress of ivory satin. The gauzy fabric was patterned with tiny pink roses connected by curling tendrils of green. The cap sleeves were fashioned from satin petals layered over creamy lace. A wide band of green velvet cinched her waist, and the daring neckline revealed the perfect amount of cleavage. "Emma works miracles," she said. "The beauty is all in the wearer," Emma said graciously.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
His hands crept down to the bodice of her gown and he began to untie the laces. She gasped at the feel of his hands on such an intimate part of her body. She struggled and tried to shove him away. “What are you doing?” He stepped back and blinked. “What exactly did your mother tell you about what goes on between married couples behind closed doors?” She shuddered and pulled the fabric of the gown tight around her bodice. “She said you would hurt me very badly and that I would bleed.” Her eyes narrowed and her tone grew laced with hostility at such a horrific concept. “She said I must submit to you without complaint.” He cursed and Angelica flinched. “I suppose that explains why you’re an only child. Damn, I hate some of the traditions of this century. To keep a young woman in ignorance of one of the most important facts of life is… is a goddamned outrage!” He ran a hand through his hair and sat on the bed. “Sit down with me, Angel. You’re shaking so hard that I am afraid you will topple over to the floor.
Brooklyn Ann (Bite Me, Your Grace (Scandals with Bite, #1))
Then eventually Westwood arrived. He looked nothing like Reacher expected, but the reality fit the bill just as well as the preconceptions had. He was an outdoors type, not a lab rat, and sturdy rather than pencil-necked. He looked like a naturalist or an explorer. He had short but unruly hair, fair going gray, and a beard of the same length and color. He was red in the face from sunburn and had squint lines around his eyes. He was forty-five, maybe. He was wearing clothing put together from high-tech fabrics and many zippers, but it was all old and creased. He had hiking boots on his feet, with speckled laces like miniature mountain-climbing ropes. He was toting a canvas bag about as big as a mail carrier’s.
Lee Child (Make Me (Jack Reacher, #20))
Then eventually Westwood arrived. He looked nothing like Reacher expected, but the reality fit the bill just as well as the preconceptions had. He was an outdoors type, not a lab rat, and sturdy rather than pencil-necked. He looked like a naturalist or an explorer. He had short but unruly hair, fair going gray, and a beard of the same length and color. He was red in the face from sunburn and had squint lines around his eyes. He was forty-five, maybe. He was wearing clothing put together from high-tech fabrics and many zippers, but it was all old and creased. He had hiking boots on his feet, with speckled laces like miniature mountain-climbing ropes. He was toting a canvas bag about as big as a mail carrier’s. He paused inside the door, and identified Chang instantly, because she was the only woman in the place. He slid in opposite, across the worn vinyl, and hauled his bag after him. He put his forearm on the table and said, “I assume your other colleague is still missing. Mr. Keever, was it?” Chang nodded and said, “We hit the wall, as far as he’s concerned. We’re dead-ended. We can trace him so far, but no further.
Lee Child (Make Me (Jack Reacher, #20))
He stripped off his jeans and T-shirt, climbed into bed, and watched me change into my pajamas. “You don’t need those,” he said. I smiled at the sight of him leaning back against the brass headboard with his hands clasped comfortably behind his head. He was brawny and tan, incongruously masculine against all the frilly antique fabric and lace. “I don’t like to sleep naked,” I told him. “Why? It’s a great look for you.” “I like to be prepared.” “For what?” “If there’s ever an emergency— a fire or something. . . .” “Jesus, Ella.” He was laughing. “Think of it this way— going to bed naked is better for the environment.” “Oh, shut up.” “Come on, Ella. Sleep green.” Ignoring him, I got into bed wearing a T-shirt and boxer shorts printed with penguins. I reached over to the nightstand and flipped off the lamp. A moment of silence, and then I heard a lecherous murmur. “I like your penguins.” I snuggled back against him, and his knees tucked under mine. “I’m guessing your usual female company doesn’t wear boxer shorts to bed,” I said. “Nope.” Jack’s hand settled on my hip. “If they wear anything, it’s usually some kind of see-through nightgown.” “That sounds pretty pointless.” I yawned, relaxing into the warmth of his body. “But I’ll wear one someday if you want me to.” “I don’t know.” Jack sounded pensive. His hand circled my bottom. “I’m kind of partial to these penguins.” -Jack & Ella
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
In order to conform to the current Empire style in fashion, the modiste had raised the waistline so that it fell just beneath Esme's small rounded breasts. Mrs. Benson had embellished further by adding a slender grosgrain ribbon there that matched the exact shade of tiny embroidered golden flowers scattered over the gown's ivory satin. Next she had shortened the sleeves so they were now small puffed caps edged against the arms with more narrow golden ribbon. As for the long length of material that had once run from shoulder to heel, she'd removed it and used the excess fabric to create a sweeping train that ended in a spectacular half circle that trailed after Esme as she walked. The entire hem was further enlivened by small appliquéd white lace rosettes, whose effect was nothing short of ethereal. On her feet, Esme wore a soft pair of ivory satin slippers with gold and diamond buckles that had been a last-minute gift from Mallory and Adam. On her hands were long white silk gloves that ended just above her elbows; her lustrous dark hair was pinned and styled in an elaborate upsweep with a few soft curls left to brush in dainty wisps against her forehead and cheeks. Carefully draped over head was a waist-length veil of the finest Brussels lace, which had been another present, this one from Claire, and in her hands she held creamy pink hothouse roses and crisp green holly leaves banded together inside a wide white satin ribbon.
Tracy Anne Warren (Happily Bedded Bliss (The Rakes of Cavendish Square, #2))
It was a wondrous sight. The wood was green as mosses of the Icy Glen; the trees stood high and haughty, feeling their living sap; the industrious earth beneath was as a weaver’s loom, with a gorgeous carpet on it, whereof the ground-vine tendrils formed the warp and woof, and the living flowers the figures. All the trees, with all their laden branches; all the shrubs, and ferns, and grasses; the message-carrying air; all these unceasingly were active. Through the lacings of the leaves, the great sun seemed a flying shuttle weaving the unwearied verdure. Oh, busy weaver! unseen weaver!—pause!—one word!—whither flows the fabric? what palace may it deck? wherefore all these ceaseless toilings? Speak, weaver!—stay thy hand!—but one single word with thee! Nay—the shuttle flies—the figures float from forth the loom; the fresher-rushing carpet for ever slides away. The weaver-god, he weaves; and by that weaving is he deafened, that he hears no mortal voice; and by that humming, we, too, who look on the loom are deafened; and only when we escape it shall we hear the thousand voices that speak through it. For even so it is in all material factories. The spoken words that are inaudible among the flying spindles; those same words are plainly heard without the walls, bursting from the opened casements. Thereby have villainies been detected. Ah, mortal! then, be heedful; for so, in all this din of the great world’s loom, thy subtlest thinkings may be overheard afar.
Herman Melville
But the crown jewel was the columned Greek Revival mansion, which dated from the mid-1800s, along with the manicured boxwood gardens that would serve as the backdrop for the couple's ceremony. Of course, everything was not only very traditional but also a standard to what one might imagine an over-the-top Southern wedding to be. As I said, "Steel Magnolias on steroids." The ceremony would take place outdoors in the garden, but large custom peach-and-white scalloped umbrellas were placed throughout the rows of bamboo folding chairs to shade the guests. Magnolia blossoms and vintage lace adorned the ends of the aisles. White, trellis-covered bars flanked the entrance to the gardens where guests could select from a cucumber cooler or spiked sweet tea to keep cool during the thirty-minute nuptials. It was still considered spring, but like Dallas, Nashville could heat up early in the year, and we were glad to be prepared. By the time we arrived the tent was well on its way to completion, and rental deliveries were rolling in. The reception structure was located past the gardens near the enormous whitewashed former stable, and inside the ceiling was draped in countless yards of peach fabric with crystal chandeliers hanging above every dining table. Custom napkins with embroidered magnolias on them complemented the centerpieces' peach garden roses, lush greenery, and dried cotton stems. Cedric's carpentry department created floor-to-ceiling lattice walls covered in faux greenery and white wisteria blooms, a dreamy backdrop for the band.
Mary Hollis Huddleston (Without a Hitch)
VIN RESISTED THE URGE TO PICK at her noblewoman’s dress. Even after a half week of being forced to wear one—Sazed’s suggestion—she found the bulky garment uncomfortable. It pulled tightly at her waist and chest, then fell to the floor with several layers of ruffled fabric, making it difficult to walk. She kept feeling as if she were going to trip—and, despite the gown’s bulk, she felt as if she were somehow exposed by how tight it was through the chest, not to mention the neckline’s low curve. Though she had exposed nearly as much skin when wearing normal, buttoning shirts, this seemed different somehow. Still, she had to admit that the gown made quite a difference. The girl who stood in the mirror before her was a strange, foreign creature. The light blue dress, with its white ruffles and lace, matched the sapphire barrettes in her hair. Sazed claimed he wouldn’t be happy until her hair was at least shoulder-length, but he had still suggested that she purchase the broochlike barrettes and put them just above each ear. “Often, aristocrats don’t hide their deficiencies,” he had explained. “Instead, they highlight them. Draw attention to your short hair, and instead of thinking you’re unfashionable, they might be impressed by the statement you are making.” She also wore a sapphire necklace—modest by noble standards, but still worth more than two hundred boxings. It was complemented by a single ruby bracelet for accentuation. Apparently, the current fashion dictated a single splash of a different color to provide contrast. And it was all hers,
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
He murmurs, low and hungry, "I really want to ruin you." Eden bites her lip. She can barely breathe as she rasps, "Then what are you waiting for?" He hums, content, as he reaches behind her to help lift her bralette up and over her head. Alexander grabs at her small breasts, easily covering her with his massive hands. She shivers, both amused and aroused at how small and protected he makes her feel. He leaves a line of kisses from her breasts down her stomach, marking her as he works his way down to her jeans. It's a wonder to watch his skilled fingers undo the front of her pants before tugging them off with great haste. All that remains is her matching white lace thong, one that leaves little to the imagination. Alexander growls. "You're really going to kill me, you know that?" "Sorry," she replies, breathless. "Don't be," he mumbles, moving in to lick at her mound through the fabric. Pleasure spears through her in a massive shock wave, the warmth of his tongue seeping through the lace. The throbbing wetness between her legs grows more and more unbearable with every second. But Alexander takes his time, mouthing at her through her thong with slow and controlled determination. It's torturous. It's heaven. "Take it off," she commands, barely recognizing the sound of her own voice. "Take it---" "Be patient." Eden whines. "But I want---" "I know." "Please---" "I told you. I want to ruin you." Eden moans, lightheaded and babbling nonsense. It's enough to make her toes curl. She's sure she sounds pathetic, panting and mewling like she's in heat.
Katrina Kwan (Knives, Seasoning, & A Dash of Love)
The next room was a great round ballroom. Its walls were arrayed in gold-painted moldings; its floor was a swirling mosaic of blue and gold; its dome was painted with the loves of all the gods, a vast tangle of plump limbs and writhing fabric. The air was cool, still, and hugely silent. My footsteps were only a soft tap-tap-tap, but they echoed through the room. After that came what seemed like a hundred more rooms and hallways. In every one, the air was different: hot or cold, fresh or stuffy, smelling of rosemary, incense, pomegranates, old paper, pickled fish, cedarwood. None of the rooms frightened me like the first hallway. But sometimes--especially when sunlight glowed through a window--I thought I heard the faint laughter. Finally, at the end of a long hallway with a cherrywood wainscot and lace-hung windows between the doors, we came to my room. I could see why the Gentle Lord called it the "bridal suite": the walls were papered with a silver pattern of hearts and doves, and most of the room was taken up by a huge canopied bed, more than big enough for two. The four posts were shaped like four maidens, coiffed and dressed in gauzy robes that clung to their bodies, their faces serene. They were exactly like the caryatids holding up the porch of a temple. The bed curtains were great falls of white lace, woven through with crimson ribbons. A vase of roses sat on the bedside table. Their red petals had blossomed wide to expose their gold centers, and their musk wove through the air. It was a bed that had been built for pleasure, just like my dress, and as I stared at it I felt hot and cold at once.
Rosamund Hodge (Cruel Beauty)
But whether I’m on deck or below it, I’ll never be far.” “Shall I take that as a promise? Or a threat?” She sauntered toward him, hands cocked on her hips in an attitude of provocation. His eyes swept her body, washing her with angry heat. She noted the subtle tensing of his shoulders, the frayed edge of his breath. Even exhausted and hurt, he still wanted her. For a moment, Sophia felt hope flicker to life inside her. Enough for them both. And then, with the work of an instant, he quashed it all. Gray stepped back. He gave a loose shrug and a lazy half-smile. If I don’t care about you, his look said, you can’t possibly hurt me. “Take it however you wish.” “Oh no, you don’t. Don’t you try that move with me.” With trembling fingers, she began unbuttoning her gown. “What the devil are you doing? You think you can just hike up your shift and make-“ “Don’t get excited.” She stripped the bodice down her arms, then set to work unlacing her stays. “I’m merely settling a score. I can’t stand to be in your debt a moment longer.” Soon she was down to her chemise and plucking coins from the purse tucked between her breasts. One, two, three, four, five… “There,” she said, casing the sovereigns on the table. “Six pounds, and”-she fished out a crown-“ten shillings. You owe me the two.” He held up open palms. “Well, I’m afraid I have no coin on me. You’ll have to trust me for it.” “I wouldn’t trust you for anything. Not even two shillings.” He glared at her a moment, then turned on his heel and exited the cabin, banging the door shut behind him. Sophia stared at it, wondering whether she dared stomp after him with her bodice hanging loose around her hips. Before she could act on the obvious affirmative, he stormed back in. “Here.” A pair of coins clattered to the table. “Two shillings. And”-he drew his other hand from behind his back-“your two leaves of paper. I don’t want to be in your debt, either.” The ivory sheets fluttered as he released them. One drifted to the floor. Sophia tugged a banknote from her bosom and threw it on the growing pile. To her annoyance, it made no noise and had correspondingly little dramatic value. In compensation, she raised her voice. “Buy yourself some new boots. Damn you.” “While we’re settling scores, you owe me twenty-odd nights of undisturbed sleep.” “Oh, no,” she said, shaking her head. “We’re even on that regard.” She paused, glaring a hole in his forehead, debating just how hateful she would make this. Very. “You took my innocence,” she said coldly-and completely unfairly, because they both knew she’d given it freely enough. “Yes, and I’d like my jaded sensibilities restored, but there’s no use wishing after rainbows, now is there?” He had a point there. “I suppose we’re squared away then.” “I suppose we are.” “There’s nothing else I owe you?” His eyes were ice. “Not a thing.” But there is, she wanted to shout. I still owe you the truth, if only you’d care enough to ask for it. If only you cared enough for me, to want to know. But he didn’t. He reached for the door. “Wait,” he said. “There is one last thing.” Sophia’s heart pounded as he reached into his breast pocket and withdrew a scrap of white fabric. “There,” he said, unceremoniously casting it atop the pile of coins and notes and paper. “I’m bloody tired of carrying that around.” And then he was gone, leaving Sophia to wrap her arms over her half-naked chest and stare numbly at what he’d discarded. A lace-trimmed handkerchief, embroidered with a neat S.H.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Oh, my," said Nerissa, when she could speak. Juliet, smiling, murmured, "Would you just look at her." "I don't think we can help but look at her," murmured an urbane voice, and gasping, all three women turned to see Lucien standing in the doorway, arms crossed and his black eyes gleaming in the candlelight. He lifted his hand.  "Turn around, my dear," he said, giving a negligent little wave.  Her eyes huge, Amy slowly did as he asked, staring down at herself in awe and disbelief.  The gown, an open-robed saque of watered silk, shimmered with every movement, a vibrant purplish-blue in this light, a vivid emerald-green in that.  Its robed bodice open to show a stomacher of bright yellow satin worked with turquoise and green embroidery, it had tight sleeves ending in treble flounces just behind the elbow, which, combined with the chemise's triple tiers of lace, made Amy feel as though she had wings.  She smoothed her palms over the flounced and scalloped petticoats of royal blue silk, and then, with impulsive delight, threw back her head on a little laugh, extended her arms and spun on her toe, making gauzy sleeves, shining hair, and yards upon yards of shimmering fabric float in the air around her. Hannah, who did not think such behavior was quite appropriate, especially in front of a duke, frowned, but Lucien was trying hard to contain his amusement.  He couldn't remember the last time he'd made anyone so happy, and it touched something deep inside him that he'd long thought dead.  He exchanged a look of furtive triumph with Nerissa. "Oh!  Is it really me?" Amy breathed, reverently touching her sleeve and then raising wide, suddenly misty eyes to her small audience. "It is really you," Juliet said, smiling. "Only someone with your coloring could wear such bold shades and make them work for instead of against you," said Nerissa, coming forward to tie a black ribbon around Amy's neck.  "Lud, if I tried to wear those colors, I daresay they would overwhelm me!" "Speaking of overwhelmed . . ."  Amy turned to face the man who still lounged negligently in the doorway, his fingers trying, quite unsuccessfully, to rub away the little smile that tugged at his mouth.  "Your Grace, I don't know how to thank you," she whispered, dabbing away one tear, then another.  "No one has ever done anything like this for me before and I . . . I feel like a princess." "My dear girl.  Don't you know?"  His smile deepened and she saw what was almost a cunning gleam come into his enigmatic black eyes.  "You are a princess.  Now dry those tears and if you must thank me, do so by enjoying yourself tonight." "I will, Your Grace." "Yes," he said, on a note of finality.  "You will." And
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
Gray froze as Miss Turner emerged from the hold. For weeks, she’d plagued him-by day, he suffered glimpses of her beauty; by night, he was haunted by memories of her touch. And just when he thought he’d finally wrangled his desire into submission, today she’d ruined everything. She’d gone and changed her dress. Gone was that serge shroud, that forbidding thundercloud of a garment that had loomed in his peripheral vision for weeks. Today, she wore a cap-sleeved frock of sprigged muslin. She stepped onto the deck, smiling face tilted to the wind. A flower opening to greet the sun. She bobbed on her toes, as though resisting the urge to make a girlish twirl. The pale, sheer fabric of her dress billowed and swelled in the breeze, pulling the undulating contour of calf, thigh, hip into relief. Gray thought she just might be the loveliest creature he’d ever seen. Therefore, he knew he ought to look away. He did, for a moment. He made an honest attempt to scan the horizon for clouds. He checked the hour on his pocket watch, wound the small knob one, two, three, four times. He wiped a bit of salt spray from its glass face. He thought of England. And France, and Cuba, and Spain. He remembered his brother, his sister, and his singularly ugly Aunt Rosamond, on whom he hadn’t clapped eyes in decades. And all this Herculean effort resulting in nothing but a fine sheen of sweat on his brow and precisely thirty seconds’ delay in the inevitable. He looked at her again. Desire swept through his body with starling intensity. And beneath that hot surge of lust, a deeper emotion swelled. It wasn’t something Gray wished to examine. He preferred to let it sink back into the murky depths of his being. An unnamed creature of the deep, let for a more intrepid adventurer to catalog. Instead, he examined Miss Turner’s new frock. The fabric was of fine quality, the sprig pattern evenly stamped, without variations in shape or hue. The dressmaker had taken great pains to match the pattern at the seams. The sleeves of the frock fit perfectly square with her shoulders, in a moment of calm, the skirt’s single flounce lapped the laces of her boots. Unlike that gray serge abomination, this dress was expensive, and it had been fashioned for her alone. But it no longer fit. As she turned, Gray noted how the neckline gaped slightly, and the column of her skirt that ought to have skimmed the swell of her hip instead caught on nothing but air. He frowned. And in that instant, she turned to face him. Their gazes caught and held. Her own smile faded to a quizzical expression. And because Gray didn’t know how to answer the unspoken question in her eyes, and because he hated the fact that he’d banished the giddy delight from her face, he gave her a curt nod and a churlish, “Good morning.” And then he walked away.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Because I like you,” she blurted out, and realized that for once it was true. It was a rather unsettling revelation. “You’re . . . , well, you.” Not just a body on a balcony, not just a pair of lips to blot out boredom, but Alex, Alex who argued with her and watched out for her and woke absurdly early in the mornings to ride with her every day, whether he had the time to do so or not. Perhaps this wasn’t such a good idea after all. Alex didn’t seem to think so, either. His dark eyes were intent on her face, watching her in that way of his, as though he were learning her from the inside out, peering into every little dark nook and cranny of her soul. There were plenty of those to choose from. Dark nooks were one of Penelope’s specialties. He might have wanted her last night, in the still of the bungalow, with the lingering scent of moonflowers on the breeze, but not in daylight, when he saw her again for what she was, brash, impetuous, with her face gone unfashionably tan and curry stains on her habit. He was undoubtedly mustering the words with which to turn her down politely. Penelope suddenly, very desperately, didn’t want to hear them. She jumped to her feet, leaning over to gather up the empty tins. “Or we can just ride on,” she said brusquely, not looking at him. A lean brown hand closed around her wrist. Penelope regarded it blankly, as though not quite sure what it was doing there, alien against the white lace frill of her sleeve. Slowly, her breath catching somewhere in the vicinity of her corset, she lifted her eyes to Alex’s face. What she saw banished any doubts she might have had. In his eyes blazed a reflection of the desire she felt in her own. Nothing more needed to be said. Without a word, he drew her down beside him on the blanket, the blanket that had seemed so prosaic only moments before, but now presented the prospect of a host of exotic and illicit possibilities. Penelope plunked down hard on her knees, catching at his shoulders for balance as she tilted her head down to kiss him, enjoying the unusual advantage of height. “Are you sure?” he murmured, his teeth tugging at her earlobe, even as his hands moved intimately up and down her torso. In answer, Penelope pushed hard at his shoulders, sending him toppling back onto the blanket, narrowly missing sheer disaster with a fork. She followed him down, bracing herself on her elbows and scattering kisses across his upturned face as he busied himself with the buttons on her riding jacket. The fabric parted, and his hands slid beneath, burning through the linen of her blouse, drawing her down on top of him with drugging kisses that made the noon sky dim to dusk and the rustling of the tree leaves blur in her ears. Penelope wriggled her hands beneath his shirt, feeling the hard edges of muscle beneath, delighting in the way they contracted with each labored breath, with a flick of her tongue against the hollow of his throat and an exploratory expedition taken by her lips along his collarbone.
Lauren Willig (The Betrayal of the Blood Lily (Pink Carnation, #6))
THE NIGHTGOWN was only the first of the garments in the box. There were seven nightgowns, in fact—one for each day of the week—of delicate silk, lovely georgette, and beautiful tiffany. As Alexandra pulled them out, she draped them on the bed. She’d never seen a nightgown that wasn’t white, but these were almond and pale blush pink, powder blue and soft peach, with delicate edgings of lace and intricate, exquisite embroidery. “They’re stunning,” she said. “Madame Rodale has nothing like them in her book of fashion plates.” Tris just grinned. He seemed different tonight. More relaxed, less worried. She didn’t know what had prompted his sudden good humor, but she didn’t want to question it. She’d rather enjoy it instead. After the afternoon she’d had—starting with Elizabeth’s letter and ending with three fruitless interviews—she wasn’t about to risk the one thing that seemed to be going right. “Are you going to try one on for me?” he asked. Her face heated. He chose a nightgown off the bed, palest lavender with black lace and violet embroidery. “This one,” he said, handing it to her. “Do you require assistance with your dress?” “Just the buttons,” she said, and turned to let him unfasten them. She shifted the nightgown in her hands. It felt so light. “There,” he said when the back of her green dress gaped open. He kissed her softly on the nape of her neck, then settled on one of the striped chairs, sipping from the glass of port he’d brought upstairs with him. “Use the dressing room. I’ll be waiting.” In the dressing room, she shakily stripped out of her frock, chemise, shoes, and stockings, then dropped the nightgown over her head and smoothed it down over her hips. The fabric whispered against her legs. She turned to see herself in the looking glass. Sweet heaven. She’d never imagined nightgowns like this existed. Her nightgowns all had high collars that tied at the throat. This one had a wide, low neckline. Her nightgowns all had long, full sleeves. This one had tiny puffed sleeves that began halfway off her shoulders. Her nightgowns were made of yards and yards of thick, billowing fabric. This one was a slender column that left no curve to the imagination. It was wicked. “Are you ready yet?” Tris called. Alexandra swallowed hard, reminding herself that he’d seen her in less clothing. And he was her husband. Still, wearing the nightgown for him somehow felt more intimate than wearing nothing at all. She was as ready as she’d ever be. Drawing a deep breath, she exited the dressing room, walked quickly through the sitting room, and paused in the bedroom’s doorway. She dropped her gaze, then raised her lashes, giving him the look—the one Juliana had said would make men fall at her feet. Judging from the expression on Tris’s face, it was a good thing he was sitting. The way he looked at her made her heartbeat accelerate. He rose and moved toward her. She met him halfway, licking suddenly dry lips. “Will you kiss me?” she asked softly, reaching up to sweep that always unruly lock off his forehead. It worked this time. He kissed her but good.
Lauren Royal (Alexandra (Regency Chase Brides #1))
He reaches out to stroke my wet hair, smoothing it back from my face. “Just once,” he says softly. “Just now, just for a few moments…” We lean into each other at the same time, wet skin pressed against wet skin, cold water over cold skin, warming each other, heating up so fast it feels as if the river droplets are burning off us already as our lips meet. I’ve never kissed anyone in the water before, never been so---comparatively--naked as I press against someone, and it’s dizzying. My hands slip over his shoulders, run over his back, feel the lean muscles there, the strength as his arms tighten around my waist, pulling me up toward him, onto the tips of my toes again. He’s kissing me hard, his tongue cool in my mouth, and I can’t help kissing him back just as hard. His hands slide under the loose shirt I’m wearing, up my bare back, and I moan against his lips; I press against him and feel his nipples, hard little points, through the cotton fabric of the shirt, the lace of my bra. It’s an odd, entrancing sensation, and it makes me want to rub against him even more. I’m clinging to him, my hands rising up to stroke his scalp, burrow into his wet hair, and he almost purrs against my mouth with pleasure, a sound that starts deep in his chest. I feel the vibration. It makes me think of a cat, a big, predatory cat, and I shiver from head to toe and pull my mouth from his and bury my face in the bony hollow of his shoulder, against his bare skin, and just hold on to him. I’m shaking. It’s too much, it’s not enough. Luca’s hand closes over the back of my head and smoothes my hair down, his other hand still firm around my waist, holding me to him. I feel his lips press to my scalp, kissing it. “Violetta,” he says, with utter desolation in his voice. “Violetta, cosa mi fai?” “What are you doing to me?” he’s saying. And I want to repeat his words back to him, but I know he doesn’t expect an answer. I keep my face pressed into his shoulder, because it will be the last time. I try to smell his skin, but the fresh flowing water carries scents away, and when I eventually pull back, there’s an extra little rush of heartbreak because I know it means that I will never have Luca’s scent in my nostrils again, will never again be close enough to him to have that luxury. There’s nothing to say. His hands fall from me and he steps back, enough to let me slip past him, turning my face away, because I’m shallow, and the sight of him with his hair slicked back and his mouth red from kissing will make me do what I know I can’t: throw myself at him all over again.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
I’m sorry, Cass. I said things I didn’t mean. It’s not fair of me to expect you to share my beliefs when we--” “Come from two different worlds?” she finished softly. Falco groaned. “Don’t do that.” He took a step toward her. “Are we really so different?” “Aren’t we?” She could hardly breathe. He was so close. She could see silver threading through his blue eyes. Impulsively, she reached out with one hand to brush his hair away from his face. Falco grabbed her without warning. He spun her around him so that her body was pressed up against the wall. Cass’s heart leapt into her throat. She knew she should protest, should turn away. But she didn’t. She surrendered. To Falco. To what she wanted more than anything. His mouth teased her, tasting her tongue and lips. She pulled him closer, her nails digging into the fabric of his tunic. He pinned her hands above her head as his mouth found the spot where her jaw met her throat. She exhaled hard. Her body threatened to slide right down the wall, but she didn’t push him away. She couldn’t. She angled her head to expose more of her neck. She felt his warm mouth, his soft tongue tracing circles on her skin. “Come with me to my quarters,” he murmured. Cass’s eyes snapped back open. No raised eyebrow, no lopsided smirk. He was serious. “I can’t. I--” “You can,” he insisted. “You want to. No one has to know, Cass.” His breath was hot against her lips. And her face. Her whole body was burning, like lightning was sizzling beneath her skin. And then there was a burst of loud applause from outside the room. Cass slipped out from between Falco and the wall, her heart thudding like the hooves of a runaway horse. “What was that?” she asked, not caring in the slightest. She had come too close. Too close to giving in, to letting go. No one has to know. She had actually been considering it. Images tumbled through her head. Falco carrying her to his bed. Her fingers ripping his doublet from his chest. His hands tugging at the laces of her bodice. The two of them lying together, skin to skin. “Cass.” He took a step toward her again. She dodged him, turned and escaped into the hallway, fanning her cheeks with one gloved hand. She didn’t want him to see the look on her face.
Fiona Paul (Belladonna (Secrets of the Eternal Rose, #2))
Luca stepped away and turned around to give Cass privacy. She wrestled out of her waterlogged dress and slipped the fresh chemise over her head. She tugged the skirt over her hips. The dry fabric felt good against her skin. She slipped her arms through the sleeves of her bodice and stopped. The ties were in the back. She had no way to lace it without Siena’s help. A sob escaped from her lips. Luca was at her side in an instant. “Cass. What is it?” he asked. “Are you hurt?” “I need Siena,” Cass whispered, feeling incredibly stupid. “I--I can’t lace this bodice. I--” “I’ll help you,” Luca said. With slow, fumbling fingers, Luca threaded the first lace through the highest hole. He dropped it and grabbed the lace on the other side. Cass started to tell him it was faster if he threaded one lace through all of the holes first, and then did the same on the other side. But she stopped. There was something comforting about Luca’s painstakingly slow progress, about the methodical but innocent way his hands grazed her back repeatedly. “Thank you,” Cass said, when he had made it all the way to the bottom and knotted the silk pieces in a clumsy bow.
Fiona Paul (Belladonna (Secrets of the Eternal Rose, #2))
Tell him to stop, a voice inside her said, but all she could think was that Jeremy had never kissed her like this. He had never made her feel like this--not once in the two years they had been together. No one had ever made her feel like this. And she didn’t want the moment to end. Her brain seemed to shut down just then, leaving her body in control. Desire curled like mist through her veins. She fumbled with the buttons on the front of his denim shirt, tore one of them off in her haste to touch him. She jerked the fabric apart and slid her hands inside, pressed her trembling palms against his bare chest. Thick bands of muscle tightened. Crisp brown chest hair curled around the tips of her fingers, and ridges of muscle rippled down his flat stomach. Call made a sound in his throat and a shudder ran the length of his body. His mouth still clung to hers. He jerked up her sweatshirt, cupped her breasts over her white lace bra, and started to work the catch beneath the tiny bow at the front. “Hey, Call! You over here? Call! Is everything all right?” She whimpered as he whipped his mouth away and softly cursed. With an unsteady hand, he jerked down her sweatshirt and stepped protectively in front of her, leaving her shielded behind his body and the trunk of the tree. “Everything’s fine, Toby.” His voice sounded raspy. She wondered if his friend would notice. “I thought I heard shots,” Toby said, “but I was cooking so I didn’t pay all that much attention. Then I went into the living room and found the front door open. When I saw your rifle gone from the rack, I was afraid something bad might have happened.” “Our neighbor, Ms. Sinclair, came nose to nose with her first black bear.” Call looked her way, gave her a quick once-over, saw that she didn’t look too disheveled, and tugged her out from behind the tree. “Charity Sinclair, meet Toby Jenkins. Toby’s chief-cook-and-bottle-washer over at my place, and all-around handyman. At least he is till he leaves for college in the fall. Toby, this is Ms. Sinclair, our new neighbor.” “Nice to meet you, ma’am. I heard Mose sold the place. I’ve been meaning to come over and say hello.” “Forget the ma’am,” Charity told him. “It makes me feel too old. Charity is enough.” He nodded, smiled. He was young, maybe nineteen or twenty, with thick, dark red hair and a few scattered freckles, sort of a young John Kennedy, an attractive boy with what appeared to be a pleasant disposition. She wondered if he could tell by looking at her what had been going on when he arrived. Then she noticed Call’s shirt was open and missing a button and felt her face heating up again.
Kat Martin (Midnight Sun (Sinclair Sisters Trilogy, #1))
Take your cloak off,” she said quickly. “Trying to undress me?” Falco asked. He slid out of his cloak and looked questioningly at Cass. “Hold it up,” she ordered. She adjusted his hands so that the cloak shielded her, and fumbled to undo the bindings around her chest. She began to sweat as she unknotted the laces; in the dark, images of Agnese and Luca floated in front of her, their faces cold with disapproval. “You all right in there?” Falco asked. “You’re thrashing about like you’re performing a self-exorcism.” Cass emerged a minute later, red faced but triumphant. She waved her ivory-colored stays above her head. “Now,” she said, “I can breathe.” Falco plucked the fabric from her hand. He fingered it and feigned surprise. “Good Lord. What is this thing made of?” he asked. “Steel?” “Whalebone.” Cass clasped a hand over her mouth to stifle a yelp as Falco tossed her stays over the edge of the Rialto Bridge. “Consider yourself liberated,” he said. “Do you feel better?” Cass couldn’t respond. She couldn’t describe it, the way it felt to be able to inhale and exhale completely, like for once she was using all of her lungs. Her satin chemise curled and folded against her bare chest, giving her the sensation of being both cold and hot at the same time. Falco touched his forehead to hers again. His nose brushed against the side of her cheek. Cass’s heart sped up. But this time, he didn’t try to kiss her. He just held her in the dark, his mouth so close to hers that their breath mingled together like mist off the canals.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
So you aren’t angry with me?” Cass buried her shaking hands in the folds of her skirts. How could he not be furious? She had lied to him. Well, practically. She had let him kiss her, even though she couldn’t be his bride. She had even kissed him back. Falco smiled at her through the dark. “Is that what’s been worrying you? No, starling. I’m not angry.” He pulled her body close to his again, burying his face in her hair. “You smell amazing,” he said. “Like roses and butterflies and cool spring mornings.” He held her hand up to his mouth, his fingers untying one of her lacy cuffs. Cass’s relief started to fade as Falco’s lips found the bare skin of her wrist. “Wait a minute.” She pulled away. “Why aren’t you angry with me? You and I, we kissed, we might have--” Cass couldn’t bring herself to finish the sentence. Exactly how far would she have let things go if she hadn’t been ripped from her moment of fantasy by the stranger on the bridge? When he had loosened her bodice and reached beneath her chemise to stroke the skin of her upper back, all she had wanted was for him to loosen the rest of the laces. She definitely hadn’t been thinking about telling him to stop. Falco’s eyes gleamed in the night. “Go on. We might have what?” Coldness filled Cass’s whole body. She reached out and pushed Falco away from her. “I think I understand.” She pulled the lace on her cuff tight so that her wrist disappeared beneath the fabric. “All you wanted was a sordid little tryst? You were just going to keep going until I stopped you? That is so--so…” She struggled to find the correct words, but the cold fury that filled her made it difficult to speak. “Improper?” Falco said. “Fun?” “Fun?” Cass had half a mind to push Falco out of the boat and right into the murky water of the canal. She reached behind her back and made a futile attempt to retighten her bodice. “You’re disgusting,” she spat out. “Would you like help with that?” Falco reached toward her. “Don’t touch me.” Cass gave up on the bodice. She wrapped herself tightly in the woolen blanket. Falco laughed aloud. “You’re the one with the fiancé, and I’m disgusting?” He shook his head. “Women.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
You made a good choice for your Naga,” she assured me. “Danica is more graceful on a dais than half the serpents I know.” “Provided she isn’t blushing too brightly to see,” another quipped. “The first time I saw our queen perform, I thought she was a lost cause--far too uptight, like most avians--but I’m glad to be proved wrong.” I knew I was grinning. I had never doubted that Danica could learn the serpent art. Much of her loved my world; a part of her craved dance as surely as anyone else in this nest did. Perhaps that thirst came from her time dancing with the currents of air far above where we earthbound creatures roamed, or perhaps it came from the expressive nature her own world forced her to hide. Similar conversation flowed among us until A’isha’s musical voice commanded me, “Zane, admire your queen.” The words brought our attention to the back of the room, where Danica had emerged, looking so beautiful that she took my breath away. In response to her teacher’s words, Danica smiled and shook her head, causing her golden hair to ripple about her face. It made my heart speed and my breath still, as if I was afraid the next movement would shatter the world. She was a spark of fire in sha’Mehay. The serpiente dress rippled around the hawk’s long legs, the fabric so light it moved with the slightest shift of air. The bodice was burgundy silk; it laced up the front with a black ribbon, and though it was more modest than many dancers’ costumes, it still revealed enough cream-and-roses skin to tantalize the imagination. On Danica’s right temple, A’isha had painted a symbol for courage; beneath her left collarbone lay the symbols for san’Anhamirak, abandon and freedom. “You dance every day with the wind. This is not so different,” A’isha said encouragingly to Danica. “Now, look at the man you love and dance for him.” The nest hushed, faces turning to their Naga. Her cheeks held more color than usual, which A’isha addressed with a common dancers’ proverb. “There is no place for shame, Danica. If Anhamirak had not wanted beauty admired, she would not have made our eyes desire it. You are art.” Danica stepped out of A’isha’s grip. “If my mother could see me now,” she murmured, but she smiled as she said it.
Amelia Atwater-Rhodes (Snakecharm (The Kiesha'ra, #2))
What made you come back?” Kitty jerked at his sudden question. She sputtered for a moment then laughed. “What made me come back? What do you mean?” He shrugged with one shoulder, never moving his gaze away from her. “At Eliza’s and Thomas’s wedding last year you were convinced that returning to Boston and living with your aunt was the best course to take. But it appears you have changed your mind. So, what made you come back?” “Is that why you followed me? To ask me that?” Her face burned, but she feigned composure and looked at him with as much ease as she could marshal. “Boston is too dangerous, you know that.” “’Tis true, I am well aware of what Boston and its residents suffer. But I cannot believe that was the only reason you returned.” Training her mouth to reveal nothing more than a slight grin, she strained to keep her pulse quiet. She stepped toward the fire, resting her hand atop the chair, acting more casual than she felt. “If there were any other reason, do you think that I would share such information with you? Surely, Nathaniel, I cannot share all my secrets.” “Secrets? Well, now I am curious.” Kitty rubbed the lace on her gloves and emitted a warm, genuine laugh that eased the strain in her voice. She offered an impish smile. “I came back for several reasons, if you must know. As I mentioned, ‘twas for matters of safety that Henry Donaldson insisted I return as well as—”  “Donaldson?” Kitty peered over her shoulder, hiding the grin that surged at the undeniable question in Nathaniel’s eyes. Could he be... nay, not possible. She kept her focus. “Aye, Henry Donaldson. You remember him, do you not?” “Aye, of course. I just... I just hadn’t known he was still... around. He was always a good friend and I admire him, despite his poor choice of allegiances.” Nathaniel’s interested expression stayed lifted, but the light in his eyes went flat. “Are you... have you been seeing much of him of late?” “I have,” she said. “He’s a close friend and I admire him very much.” Nathaniel’s expression didn’t change, but his Adam’s apple bobbed and he cleared his throat. “I see.”  She once again toyed with the fabric of her gloves, unsure what else to do with her hands. Quickly focusing on the subject of their conversation, she stared back into the fire. “Henry said it was too dangerous for me to stay despite my protestations. With Father gone and Eliza here—and since our home was destroyed that December… well, my home is here now.” The scent of smoke wafting from the fireplace in front of her snatched the horrid vision from its hiding place in her mind. Instantly she witnessed anew the roaring flames that devoured her treasured childhood home, taking with it all her cherished memories and replacing them with ash. She turned to Nathaniel, his face drawn as if he too relived the tragedy. The bond they’d shared that night had forged a friendship that could never be shaken.  Nathaniel stepped forward, the look of tenderness so rich in his eyes it wound around her shoulders like a warm cloak. “I can well understand that, Kitty. Donaldson was right in advising you to return.” Then, as if the heaviness were too much, he shrugged and sighed with added gaiety to his tone. “Well, I will admit that Sandwich didn’t feel the same with you gone, that’s for certain.” She tipped her head with a smirk. “You pined for my return?”  “With the pains of an anguished soul.” “Lying is a sin, Nathaniel,” she teased. Nathaniel laughed, his broad smile exposing his straight teeth. “All right, if you want the truth I pined more for your cooking, and more specifically for your carrot pudding. Are you satisfied?” “I knew it.
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
Her dream of being a textile artist had actually begun as a fetish for vintage clothing. Not because she loved clothes. She’d never cared about fashion. It was fabric that captivated her, the way it moved and felt and behaved. Watered silks and pebbly knits, crisp organdy, diaphanous lace, nubby tweeds and lamb-soft worsteds, each with a texture and personality all its own. Her first attempt had been crude and unsophisticated, but a passion for creation had already found its way into her blood, driving her to perfect her craft with practice and new techniques. What had started as a fetish had become a quiet obsession, resulting in a series of pieces dubbed the Storm Watch Collection.
Barbara Davis (The Keeper of Happy Endings)
A desperate, whimpering moan escaped me when he stroked my clit through my lace panties, and I grabbed onto the edges of the sink for stability. Steele teased me through the thin fabric only a few moments before tugging them aside and driving two fingers deep inside me.
Tate James (Hate (Madison Kate, #1))
He’d also taken the opportunity to examine her underwear.  If he was going to be an obsessed bastard, he might as well do it full throttle.  So he had a very clear picture of what silky bits of fabric separated her succulent curves from the pilfered clothes. He wondered if it was the black panties with the lace. Christ, he hoped so.
Cassandra Gannon (Seducing the Sheriff of Nottingham (A Kinda Fairytale, #5))
Draped in a gown woven from the fabric of dreams, the princess was a vision of ethereal beauty. Her attire, a long, light blue masterpiece, captured the essence of a tranquil sky at twilight. A sheer overlay added an enchanting touch, making her appear as if she were spun from threads of moonlight. The bodice, adorned with intricate beading that sparkled like distant stars, shimmered with every movement. Delicate lace sleeves, as fine as gossamer, adorned her arms. The skirt of her gown cascaded to the floor like a waterfall of dreams, its craftsmanship a testament to the artistry of the realm. A beaded belt cinched her waist, accentuating her graceful figure, while the sheer fabric, adorned with a silver glitter pattern, cast a radiant glow as she moved. With every step, her presence was a living painting from a fairy tale, a royal woven into the enchantment of the room.
Haala Humayun (The Legend of Tilsim Hoshruba)
The very concept that dragons can recall their previous lives is so hard for humans to grasp. I should so dearly love to listen to whatever you wished to tell me, and to make a complete record of all you recall. Such conversations alone would make a journey worthwhile! Oh, please, say that you will!” A taut quiet followed her words. “Alise,” Sedric said warningly, “I think you should come away from the railing.” But she clung there, even though she, too, could feel the wave of uneasiness that swept through the ship. The smoothness went out of the sailing; the deck under her feet shifted subtly. Surely it was her imagination that the wind flowed more chill than it had? Paragon spoke into the roaring silence. “I choose not to remember,” he said. Alise felt as if his words broke a spell. Sound and life came suddenly back to the world. It included the sudden thud of feet on the deck behind her. A woman’s voice said, without preamble, “I fear you’re upsetting my ship. I’ll have to ask you to leave the foredeck.” “She’s not upsetting me, Althea,” Paragon interjected as Alise turned to see the captain’s wife advancing on her. Alise had met her when they embarked and had spoken with her several times, but still did not feel at ease with her. She was a small woman who wore her hair in a long black pigtail down her back. She dressed in sailor’s garb; it was well tailored and of quality fabric, but for all that, she was a woman in trousers and a jacket. Less feminine garb Alise could not imagine, and yet the very inappropriateness of it seemed to emphasize her female form. Her eyes were very dark, and right now they sparked with either anger or fear. Alise retreated a step and put her hand on Sedric’s arm. For his part, he turned his body so that he stood almost between them and said, “I’m sure the lady meant no harm. The ship asked us to come up and speak with him.” “That I did,” Paragon confirmed. He twisted to look over his shoulder at all of them. “No harm done, Althea, I assure you. We were speaking of dragons, and quite naturally, she asked me what I recalled of being one. I told her that I chose to recall nothing at all.” “Oh, Ship,” the woman said, and Alise felt as if she had disappeared. Althea Trell did not even glance at her as she moved forward to take Alise’s place at the bow. She leaned on the railing and stared far ahead up the river as if sharing the ship’s thoughts. “Par’gon!” A child’s voice piped up suddenly behind them. Alise turned to watch a small boy of three or four clambering onto the raised foredeck. He was bare armed and bare legged and baked dark by the sun. He scampered forward, dropped to his hands and knees, and thrust his head out under the ship’s railing. Alise gasped, expecting him to pitch overboard at any moment. Instead he demanded the ship’s attention with a strident, “Par’gon? You awright?” His babyish voice was full of concern. The ship swung his head around to stare at the child. His mouth puckered oddly and then suddenly he smiled, an expression that transformed his face. “I’m fine.” “Catch me!” the boy commanded, and before his mother could even turn to him, he launched himself into the figurehead’s waiting hands. “Fly me!” the imp commanded the ship. “Fly me like a dragon!” And without a word, the ship obeyed him. He cupped the child in his two immense hands and lifted him high and forward. The boy leaned fearlessly against the ship’s laced fingers and spread his small arms wide as if they were wings. The figurehead gently wove his hands through the air, swaying the youngster from left to right. A squeal of glee drifted back to them. Abruptly the charge of tension in the air vanished. Alise wondered if Paragon even recalled they were there. “Let’s leave them shall we?” Althea suggested quietly. “Is it safe for the child?” Sedric objected in horror. “It’s the safest place the boy can possibly be,” Althea replied with certainty. “And for the ship, it’s the best place, too.
Robin Hobb (The Dragon Keeper (Rain Wild Chronicles #1))
She stepped to her clothing trunks, the grand traveling trunks that she had packed so hopefully in the days before she left Bingtown. They had been stuffed when she began her journey, full of sensible clothes fit for a lady adventurer. Stoutly woven cotton blouses with a minimum of lace, split skirts for hiking, hats with veils to ward off insects and sun, sturdy leather boots…little but memories remained of them now. The hardships of travel had softened the fabrics. Her boots scuffed and leaked, the ties now a series of knots. Laundering clothes in the acidic waters of the river had been her only choice, but seams had weakened and hems had frayed. She drew on a set of her worn clothes with no thought as to what they would look like. No one was going to look at her anyway. She was finished forever with worrying about what she looked like or what people thought of her.
Robin Hobb (Blood of Dragons (Rain Wilds Chronicles #4))
Every one wanted to be her, to be ex-maybe-boyfriend's amazing championship mother, so they dispensed with the father, either pairing off themselves as two supremely costumed waltzing women, or else just pretending to have a male prop dancing partner, "for that way," explained wee sisters, "you get to dress up and be her every time." This explained the colour - for there had been an explosion of colour - plus fabric, accessories, make-up, feathers, plumes, tiaras, beads, sparkles, tassels, lace, ribbons, ruffles, layered petticoats, lipsticks, eyeshadows, even fur - I had glimpsed fringed fur - high heels too, which belonged to the little girls' big sisters and which didn't fit which was why periodically the little girls fell over, sustaining injuries. "But the thing is," reiterated wee sisters, "and you don't seem to be overjoyed by this, middle sister, you get to be her every time!
Anna Burns (Milkman)
millinery trade, the textile trade, and the fabric and lace trades.
James Jacob Prasch (The Dilemma of Laodicea)
There are endless variations on Broomstick Lace, also known as Jiffy Lace, and ways it can be combined with other stitches to create wonderful fabrics. The version demonstrated here is the most basic of these - master this and you can do the rest! For broom stick lace you will need one extra tool in addition to the usual yarn and hook - a dowel, large knitting needle, or even an actual
Prime Publishing (8 Different Crochet Stitches: Learn to Crochet Something New with Crochet Patterns)
Levering himself upward, Swift reached for her hair, which had begun to fall from its pins. His fingers were gentle as he pulled feathers from the glinting black strands. For a silent minute or two they worked on each other. Daisy was so intent on the task that the impropriety of her position didn’t occur to her at first. For the first time she was close enough to notice the variegated blue of his eyes, ringed with cobalt at the outer edge of the irises. And the texture of his skin, satiny and sun-hued, with the shadow of close-shaven stubble on his jaw. She realized that Swift was deliberately avoiding her gaze, concentrating on finding every tiny piece of down in her hair. Suddenly she became aware of a simmering communication between their bodies, the solid strength of him beneath her, the incendiary drift of his breath against her cheek. His clothes were damp, the heat of his skin burning through wherever it pressed against hers. They both went still at the same moment, caught together in a half-embrace while every cell of Daisy’s skin seemed to fill with liquid fire. Fascinated, disoriented, she let herself relax into it, feeling the throb of her pulse in every extremity. There were no more feathers, but Daisy found herself gently lacing her fingers through the dark waves of his hair. It would be so easy for him to roll her beneath him, his weight pressing her into the damp earth. The hardness of their knees pressed together through layers of fabric, triggering a primitive instinct for her to open to him, to let him move her limbs as he would. She heard Swift’s breath catch. He clamped his hands around her upper arms and unceremoniously removed her from his lap. Landing on the grass beside him with a decisive thump, Daisy tried to gather her wits. Silently she found the pen-knife on the ground and handed it back to him. After slipping the knife back into his pocket, he made a project of brushing feathers and dirt from his calves. Wondering why he was sitting in such an oddly cramped posture, Daisy struggled to her feet. “Well,” she said uncertainly, “I suppose I’ll have to sneak back into the manor through the servants’ entrance. If Mother sees me, she’ll have conniptions.” “I’m going back to the river,” Swift said, his voice hoarse. “To find out how Westcliff is faring with the reel. And maybe I’ll fish some more.” Daisy frowned as she realized he was deliberately avoiding her. “I should think you’d had enough of standing up to your waist in cold water today,” she said. “Apparently not,” Swift muttered, keeping his back to her as he reached for his vest and coat.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Mother knocked once on my door and walked in my room to see me on my bed with the book tight in my grasp. She looked at my night dress and smiled. “Expecting company?” She asked. I flushed. “It was a gift from Aunt Rose. It is only fair that I wear it considering I do not see her that often anymore.” My voice was firm as I looked down at my night dress. The fabric was silky, and the color was minty-green. It made my skin tone much more noticeable and it made my hair stand out from the rest of me. “Are you sure you are not expecting Alexander?” She asked me sitting at the edge of my bed with a smile not only on her face, but in her eyes. “Why do you insist I dress for him?” I returned. “I did not insist that,” Mother answered softly. “I was simply curious as to why you were wearing it. Plus,” Mother flashed me a bright smile. “I saw Alexander walking around the corridor a few minutes ago.” My heart raced. Mother could see my reaction to that and looked back at my night dress. “It is a very pretty dress; I just wish you were to get it in a year or two from now. It seems so….” “Grown up?” I offered. “I suppose it does, yes,” Mother agreed quietly. She ran her hand on the lace that covered the bottom rim of the dress and said, “However the word I was going to say was…suggestive.
Barbara C. Doyle (Finding Redemption)
His mouth slid from hers and dragged roughly along her throat, crossing sensitive places that made her writhe. Blindly turning her face, she rubbed her lips against his ear. He drew in a sharp breath and jerked his head back. His hand came to her jaw, clamping firmly. “Tell me what you know,” he said, his breath searing her lips. “Or I’ll do worse than this. I’ll take you here and now. Is that what you want?” As a matter of fact… However, recalling that this was supposed to be a punishment, a coercion, Beatrix managed a languid, “No. Stop.” His mouth ravished hers again. She sighed and melted against him. He kissed her harder, pressing her back against the slatted side of the stall, his hands roaming indecently. Her body was laced and compressed and concealed in layers of feminine attire, frustrating his attempts to caress her. His garments, however, presented far fewer obstacles. She slid her arms inside his coat, fumbling to touch him, tugging ardently at his waistcoat and shirt. Reaching beneath the straps of his trouser braces, she managed to pull part of his shirt free of the trousers, the fabric warm from his body. They both gasped as her cool fingers touched the burning skin of his back. Fascinated, Beatrix explored the curvature of deep intrinsic muscles, the tight mesh of sinew and bone, the astonishing strength contained just beneath the surface. She found the texture of scars, vestiges of pain and survival. After stroking a healed-over line, she covered it tenderly with her palm. A shudder racked his frame. Christopher groaned and crushed his mouth over hers, urging her body against his, until together they found an erotic pattern, a cadence. Instinctively Beatrix tried to draw him inside herself, pulling at his lips and tongue with her own. Christopher broke the kiss abruptly, panting. Cradling her head in his hands, he pressed his forehead against hers. “Is it you?” he asked hoarsely. “Is it?” Beatrix felt tears slip from beneath her lashes, no matter how she tried to blink them back. Her heart was ablaze. It seemed that her entire life had led to this man, this moment of unexpressed love. But she was too frightened of his scorn, and too ashamed of her own actions, to answer. Christopher’s fingertips found the tear marks on her damp skin. His mouth grazed her trembling lips, lingering at one soft corner, sliding up to the verge of a salt-flavored cheek. Releasing her, he stepped back and stared at her with baffled anger. The desire exerted such force between them that Beatrix belatedly wondered how he could maintain even that small distance. A shaken breath escaped him. He straightened his clothes, moving with undue care, as if he were intoxicated. “Damn you.” His voice was low and strained. He strode out of the stables. Albert, who had been sitting by a stall, began to trot after him. Upon noticing Beatrix wasn’t going with them, the terrier dashed over to her and whimpered. Beatrix bent to pet him. “Go on, boy,” she whispered. Hesitating only a moment, Albert ran after his master. And Beatrix watched them both with despair.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
What are you doing?” He stepped back and blinked. “What exactly did your mother tell you about what goes on between married couples behind closed doors?” She shuddered and pulled the fabric of the gown tight around her bodice. “She said you would hurt me very badly and that I would bleed.” Her eyes narrowed and her tone grew laced with hostility at such a horrific concept. “She said I must submit to you without complaint.” He cursed and Angelica flinched. “I suppose that explains why you’re an only child. Damn, I hate some of the traditions of this century. To keep a young woman in ignorance of one of the most important facts of life is… is a goddamned outrage!” He ran a hand through his hair and sat on the bed. “Sit down with me, Angel. You’re shaking so hard that I am afraid you will topple over to the floor.” Angelica
Brooklyn Ann (Bite Me, Your Grace (Scandals with Bite, #1))
Lace is one of the most beautiful fabrics, you know. All those holes and gaps, but it's still complete somehow - still lovely.
Emery Lord (When We Collided)
He watches her walk towards him in the dress she knows he likes. Stiff fabric, taut across her hips. Red. The same color as her underwear. Lace with little bows. As if Kate herself is something to be unwrapped, to be torn open.
Emilia Hart (Weyward)
WHAT WE SAY matters. We’ve each felt the power that words have to heal, soothe, or uplift us. Even one caring remark can make the difference between giving up and finding the strength to face life’s challenges. We each also know something of the great harm that can be inflicted through speech. Sharp words laced with anger or cruelty can break a relationship and burn for years. Language can be used to manipulate and coerce on a mass scale, to fuel fear, war, and oppression, and to advance political agendas of genocide or terror. Few things so powerful are also so commonplace. Words are woven into the fabric of our lives. Your first love. Your first job. Your last goodbye to someone you love. Our beginnings and endings and the countless moments in between are punctuated by a play of words as we share our thoughts, feelings, and desires.
Oren Jay Sofer (Say What You Mean: A Mindful Approach to Nonviolent Communication)
Aunt Jane was in perfect correspondence with her environment. She wore a purple calico dress, rather short and scant; a gingham apron, with a capacious pocket, in which she always carried knitting: or some other "handy work"; a white handkerchief was laid primly around the wrinkled throat and fastened with a pin containing a lock of gray hair; her cap was of black lace and lutestring ribbon, not one of the butterfly affairs that perch on the top of the puffs and frizzes of the modern old lady, but a substantial structure that covered her whole head and was tied securely under her chin. She talked in a sweet old treble with a little lisp, caused by the absence of teeth, and her laugh was as clear and joyous as a young girl's. "Yes, I'm a-piecin' quilts again," she said, snipping away at the bits of calico in her lap. "I did say I was done with that sort o' work; but this mornin' I was rummagin' around up in the garret, and I come across this bundle of pieces, and thinks I, 'I reckon it's intended for me to piece one more quilt before I die;' I must 'a' put 'em there thirty years ago and clean forgot 'em, and I've been settin' here all the evenin' cuttin' 'em and thinkin' about old times. "Jest feel o' that," she continued, tossing some scraps into my lap. "There ain't any such caliker nowadays. This ain't your five-cent stuff that fades in the first washin' and wears out in the second. A caliker dress was somethin' worth buyin' and worth makin' up in them days. That blue-flowered piece was a dress I got the spring before Abram died. When I put on mournin' it was as good as new, and I give it to sister Mary. That one with the green ground and white figger was my niece Rebecca's. She wore it for the first time to the County Fair the year I took the premium on my salt-risin' bread and sponge cake. This black-an' white piece Sally Ann Flint give me. I ricollect 'twas in blackberry time, and I'd been out in the big pasture pickin' some for supper, and I stopped in at Sally Ann's for a drink o' water on my way back. She was cuttin' out this dress.
Eliza Calvert Hall (Aunt Jane of Kentucky)
My smile reaches higher, deeper. I’ll stick to throttling your cock in one of our two beds. Speaking of cocks, shall we go retrieve yours, mo khrà? Retrieve my cock, he mutters right before popping my ass cheek. Did you just spank me? Well, you did just call me dickless. He spins me around, his hands kneading the skin he tapped, and then he tilts my hips, and I flail forward, my fingers locking around the edge of the chest of drawers that sits like an island in the middle of his dressing chamber. My cock may not be made of flesh, Fallon, but it can fill you up just the same. Allow me to demonstrate. When he slams home, I wheeze. Can you feel me, my love? I can feel nothing else. To punish me once again for having alluded to his missing manhood, he rubs my ass, then gives it a brisk smack. A dizzying current whizzes through my body, zapping a throaty mewl from my lungs. Oh, Gods, Lore. Oh—I choke as Lore pounds into me, stretching me with his shadows—Gods—my climax roars through my body, jostling both my skin and marrow—Lore! He keeps rocking his shadow-hips. Reassured? I didn’t mean to make you feel like less of a man. He doesn’t respond, merely recalls his shadows. When a translucent trail of wetness dribbles down my inner thighs, he rips a fresh tunic off a hanger and cleans my skin. I hook up an eyebrow. Was any of that yours? His gaze remains locked on the fabric absorbing my pleasure. No. Because he cannot come in this form . . . If I need to come, I’ll penetrate your mind before I penetrate your body. Now get dressed and meet me in the war room. His gruff timbre makes me glance over my shoulder at where he stands, delineated in dark wisps. How do I reach the war room? Use the door beside my fireplace. It’ll lead to a sitting room, which will lead you to the war room. His tone is laced with so much frost that it ices my heart. “Lore, I’m sorry. I . . .” He leaves before I can finish speaking.
Olivia Wildenstein (House of Striking Oaths (The Kingdom of Crows, #3))
She pointed to a sundress with bright yellow lemons on it. "That's cute. I love lemons." Ay, Dios mio! Carolina cringed. She sounded like a fool. It was like Baby's "I carried a watermelon" line in Dirty Dancing. Why was she so awkward? "You'd look stunning in that." Enrique signaled to a woman who worked there. A saleswoman walked over to them from the back of the shop. She quickly and professionally assessed Carolina's body and then picked one of the bright dresses off the rack. "This should fit you. Shall I put it in a room for you, miss?" "Sure." Carolina followed her right to the dressing room. The dark hair on her arms stood at full attention and her heart raced. Nerves and anticipation swirled through her--- this whole day seemed like a fantasy, but it was tough for her to just live in the moment. She undressed and slipped the dress over her head. The soft fabric caressed her body, accentuating her curves. She stared at her figure in the mirror. She looked... sexy. Carolina had never seen herself as sensual, but in this dress, in the soft, warm glow of the dressing room lights, she was a knockout. The saleswoman had also placed some bright red pumps in the room. Carolina loved high heels and never had a problem walking in them, because she had spent so many years dancing with the Ballet Folklórico. Carolina's eyes practically bugged out of her head when she saw their bottoms, and she stroked the red soles--- they were Louboutins, an identifying detail she knew about from Blanca's endless fashion magazines. Blanca dreamed of owning a pair one day. She would be so jealous. Luckily, they were the same size, so Carolina would let Blanca borrow them. There was only one problem with Carolina's outfit--- her underwear didn't work with the dress. Her broad, wide bra elastics showed under the thin spaghetti straps, and her panties were too dark. She leaned out of the curtain. "Ma'am." The saleslady walked back over to her. "Can I get you something else?" "Yes. A bra and some panties." Carolina told the lady her sizes, and the lady went around the corner, returning later with an adorable matching yellow lace bra and thong. A thong. Her face crinkled. "Do you have anything with, uh, fuller coverage?" "Of course, dear. But not in the yellow. Do you want to match the bra?" Carolina did want to match the bra. It was such a cute set. She exhaled, stepping out of her comfort zone and into the lingerie. She again looked at herself in the mirror. She practically couldn't recognize herself--- a gorgeous young woman on a romantic day trip with a man whom she really liked.
Alana Albertson (Kiss Me, Mi Amor (Love & Tacos))
I would court you," said Damen, "with all the grace and courtesy that you deserve." He undid the first lace on Laurent's shirt, and the fabric began to open, a glimpse of the hollow of his throat. Laurent's lips were parted, his breath hardly stirring. Damen said, "There'd be no lies between us." He opened the second lace, felt the low throb of his own pulse, the warmth of Laurent's skin as his fingers moved to the third. "We'd have time," Damen said, "to be together." And in the warm flame light, he lifted his hand and cupped Laurent's cheek, and then leaned in, and kissed him on the lips, gently.
C.S. Pacat (Kings Rising (Captive Prince, #3))
Never mind. Just wondering when Lycra became the national fabric.” On the other hand, he thought, his attention riveted by one woman bending way over to retie her laces, there was something to be said for Lycra. He hadn’t seen that much of Linda until after they were married.
Julia Spencer-Fleming (A Fountain Filled with Blood (Rev. Clare Fergusson & Russ Van Alstyne Mysteries, #2))
I love your dress," Jim's wife says, leaning toward Annika to briefly touch the lace. "Thank you. The lace is very comfortable on my arms because of the fabric underneath. Otherwise I'd never be able to wear it." Annika says it very matter-of-factly and takes another sip of her club soda and lime. "Oh, I know what you mean. I had a lace dress once that didn't, and it was so uncomfortable. I ended up giving it away." Jim's wife, Claudia, who is rather quiet and is routinely cold-shouldered by the other, more boisterous wives, has finally found some common ground, and she studies Annika with quiet reverence. Annika's cool aloofness, which is entirely unintentional, has afforded her the upper hand slightly, and I don't think she even realizes it. But even if she did, Annika would never capitalize on it to make herself seem more important. It simply would never occur to her. "You should try silk," Annika says. "I have a blouse that feels absolutely wonderful against my skin." "I will," Claudia says. "Thanks for the tip.
Tracey Garvis Graves (The Girl He Used to Know)
Needles—sharps, betweens, milliner’s, darners, tapestry, embroidery, beading, for all that must be pierced and adorned and joined together Pin cushion, apple-shaped, with a felt stem, to keep pins from getting lost Thimble, your mother’s, gold, on a chain, a tiny loop soldered to the top; wear it on your index finger so you won’t prick yourself, or around your neck, to remember Measuring tape, for determining shape and size, yards, inches, centimeters, the distance from here to there Thread—mercerized, nylon silk, textured, floss Fabric, swatches and yards and bolts, wool, silk, linen, net, whatever will come next, whatever will be made The pattern? Will it come from a drawer at the fabric store—McCall’s, Butterick, Simplicity, names from your childhood, the instructions in an envelope, the outcome preordained? Or will you make it up as you
Heather Barbieri (The Lace Makers of Glenmara)
I tried to imagine her in my grandfather’s clothes. Everything about her was feminine and tailored and perfect. Everything about her felt the opposite of me. I could imagine me in my grandfather’s clothes. But not her. I wanted you. I wanted you growing in my body, I wanted you in my arms, I wanted you over my shoulder— She got quiet. And then the wanting was gone, wasn’t it? She shook her head. More time passed before she spoke again. It wasn’t gone. Just different. You’re going to learn this. I mean, I hope you learn this. Love changes and changes. Then it changes again. Today, the love is me wanting to see you in that dress, she said. I want to see me in you because Me in that dress was over a long time ago. Sixteen was gone. Then seventeen, eighteen—all of it. I pulled the dress closer to me—lace over silk and satin, tea length, mandarin collared. A tailor had cinched the waist and let out the hips. He’d lifted the hem to see if there was extra fabric there to lengthen it. When there was only just enough, he used satin binding over the raw edge to squeeze the last of the length from it. My grandmother was so proud of his work. As I stood in his shop turning for the two of them, the tailor nodded approvingly and my grandmother dabbed at her eyes.
Jacqueline Woodson (Red at the Bone)
It was black (of course), but it was different shades of black. The fabric was charcoal black and the trim was metallic black and the lining was obsidian black and the buttons were tiny silver raven skulls with even tinier twinkling black eyes. The sleeves were swooping and edged with black lace, but because Pins knew how Witches were, the lace could be tied back out of the way and there were very practical tight black sleeves underneath.
Ursula Vernon (Castle Hangnail)
Before I can stop myself, I visualize my body tied to his bed, helpless and scared, my clothes torn, while he hovers over me, covered in streaks of blood splattered across the stubble on his cheeks. “Such a dirty little girl,” he whispers, dragging the sharp blade in his hand down my chest, over the valley of my heaving tits. The knife slips beneath the torn fabric, and he slides it away from my breast, exposing my lace bra. “Dirty girls like you deserve to be punished.
Harleigh Beck (Obsession)
Lady Duff Gordon had been promoting Ascot gowns made of textiles woven in American mills to the readers of the papers to which she contributed columns. It had been her intention that her designs should be executed in a floral palette of pinks, blues and mauves. Now that that was out of the question, she reassured clients that ‘the present styles lend themselves most gracefully to mourning costumes’ owing to the pliancy of their fabrics.23 The supple laces and chiffons she advocated imbued countless ensembles with what was approvingly described as ‘a lightness and indescribably cool finish’.24 Considerable mileage was derived from filmy silk voile, but there was an abundance of ninon de soie, mousseline de soie, charmeuse and foulard too. ‘One realised how exceedingly pretty and tasteful black can be made to look if used properly, and not too, too conscientiously,’ marvelled the Bystander. ‘So long as the outer material is black, it matters not how gossamer-like its transparency – and that is the whole point about it.
Martin Williams (The King is Dead, Long Live the King!: Majesty, Mourning and Modernity in Edwardian Britain)
The thing that few people appreciated about Ed Gein was his skill as a seamstress. Clive had sat through every episode of the Great British Sewing Bee and, whilst the finalists on that show invariably produced some nice-looking creations in the last episode of each series, and sometimes that was when they were working with awkward fabrics such as organza, pleated lace or chiffon, none of them had (yet) been challenged with creating something original from human skin.
Ashley Lister (Conversations with Dead Serial Killers)