“
No one's family is normal. Normalcy is a lie invented by advertising agencies to make the rest of us feel inferior.
”
”
Claire LaZebnik (Epic Fail)
“
Her delight in the smallest things was like that of a child. There were days when she ran in the garden, like a child of ten, after a butterfly or a dragon-fly. This courtesan who had cost more money in bouquets than would have kept a whole family in comfort, would sometimes sit on the grass for an hour, examining the simple flower whose name she bore.
”
”
Alexandre Dumas fils (La Dame aux Camélias)
“
Homesick—Henry knows that one is supposed to mean sick for home, not from it, but it still feels right. He loves his family, he does. He just doesn’t always like them. Doesn’t like who he is around them.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
I've been reading all sorts of objects for years, and yet I feel as if I know nothing. An Earth shattered to pieces. Deliberately forgetful family spirits. Indecipherable Books. You.
”
”
Christelle Dabos (Les Disparus du Clairdelune (La Passe-Miroir, #2))
“
Death was just the beginning of a journey that everyone took at some point.
”
”
Melissa de la Cruz (Witches of East End (The Beauchamp Family, #1))
“
Looking for Narnia? You’re in the wrong universe
”
”
Melissa de la Cruz (Witches of East End (The Beauchamp Family, #1))
“
Your home is where your family is... Where someone waits for you and thinks about you.
”
”
Tony DiTerlizzi (A Hero For WondLa (The Search for WondLa, #2))
“
It wasn't a lie, not at all like one of those lies she told herself all the time, like This is the last drink of the evening, or I'm not going to set the bitch's house on fire.
”
”
Melissa de la Cruz (Witches of East End (The Beauchamp Family, #1))
“
But what happens to the girl with no positive parental examples?
What happens to the girl with the cold mother who
conditioned herself to bury her emotions?
And what happens to the girl with the father who
is an example of who not to marry?
”
”
LaTasha “Tacha B.” Braxton
“
Facts do not find their way into the world in which our beliefs reside; they did not produce our beliefs, they do not destroy them; they may inflict on them the most constant refutations without weakening them, and an avalanche of afflictions or ailments succeeding one another without interruption in a family will not make it doubt the goodness of its God or the talent of its doctor.
”
”
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
“
Nations, like families, have great men only in spite of themselves.
”
”
Charles Baudelaire (Fusées, Mon coeur mis à nu, La Belgique déshabillée)
“
She [Sidonie Rougon] never spoke of her husband, nor of her childhood, her family, or her personal concerns. There was only one thing she never sold, and that was herself.
”
”
Émile Zola (La Curée)
“
The peculiar predicament of the present-day self surely came to pass as a consequence of the disappointment of the high expectations of the self as it entered the age of science and technology. Dazzled by the overwhelming credentials of science, the beauty and elegance of the scientific method, the triumph of modern medicine over physical ailments, and the technological transformation of the very world itself, the self finds itself in the end disappointed by the failure of science and technique in those very sectors of life which had been its main source of ordinary satisfaction in past ages.
As John Cheever said, the main emotion of the adult Northeastern American who has had all the advantages of wealth, education, and culture is disappointment.
Work is disappointing. In spite of all the talk about making work more creative and self-fulfilling, most people hate their jobs, and with good reason. Most work in modern technological societies is intolerably dull and repetitive.
Marriage and family life are disappointing. Even among defenders of traditional family values, e.g., Christians and Jews, a certain dreariness must be inferred, if only from the average time of TV viewing. Dreary as TV is, it is evidently not as dreary as Mom talking to Dad or the kids talking to either.
School is disappointing. If science is exciting and art is exhilarating, the schools and universities have achieved the not inconsiderable feat of rendering both dull. As every scientist and poet knows, one discovers both vocations in spite of, not because of, school. It takes years to recover from the stupor of being taught Shakespeare in English Lit and Wheatstone's bridge in Physics.
Politics is disappointing. Most young people turn their backs on politics, not because of the lack of excitement of politics as it is practiced, but because of the shallowness, venality, and image-making as these are perceived through the media--one of the technology's greatest achievements.
The churches are disappointing, even for most believers. If Christ brings us new life, it is all the more remarkable that the church, the bearer of this good news, should be among the most dispirited institutions of the age. The alternatives to the institutional churches are even more grossly disappointing, from TV evangelists with their blown-dry hairdos to California cults led by prosperous gurus ignored in India but embraced in La Jolla.
Social life is disappointing. The very franticness of attempts to reestablish community and festival, by partying, by groups, by club, by touristy Mardi Gras, is the best evidence of the loss of true community and festival and of the loneliness of self, stranded as it is as an unspeakable consciousness in a world from which it perceives itself as somehow estranged, stranded even within its own body, with which it sees no clear connection.
But there remains the one unquestioned benefit of science: the longer and healthier life made possible by modern medicine, the shorter work-hours made possible by technology, hence what is perceived as the one certain reward of dreary life of home and the marketplace: recreation.
Recreation and good physical health appear to be the only ambivalent benefits of the technological revolution.
”
”
Walker Percy (Lost in the Cosmos: The Last Self-Help Book)
“
Every family has a myth for the young to inherit – an undocumented fable passed between mouths, a grave illness to be contracted – as if the very words were a blight to infect the youth with and let them know they’re now welcome to the fold.
After all, what exactly is a family, if not a brotherhood and sisterhood afflicted with the same terminal disease?
”
”
Eric LaRocca (Things Have Gotten Worse Since We Last Spoke)
“
They were that kind of family, estranged, huge upholstered couches of absolute silence between them.
”
”
Olivia Laing (Crudo)
“
se sentir familier d'un lieu, c'est le début de la mort
”
”
Sylvain Tesson (Dans les forêts de Sibérie)
“
It’s taboo to admit that you’re lonely. You can make jokes about it, of course. You can tell people that you spend most of your time with Netflix or that you haven’t left the house today and you might not even go outside tomorrow. Ha ha, funny. But rarely do you ever tell people about the true depths of your loneliness, about how you feel more and more alienated from your friends each passing day and you’re not sure how to fix it. It seems like everyone is just better at living than you are.
A part of you knew this was going to happen. Growing up, you just had this feeling that you wouldn’t transition well to adult life, that you’d fall right through the cracks. And look at you now. La di da, it’s happening.
Your mother, your father, your grandparents: they all look at you like you’re some prized jewel and they tell you over and over again just how lucky you are to be young and have your whole life ahead of you. “Getting old ain’t for sissies,” your father tells you wearily.
You wish they’d stop saying these things to you because all it does is fill you with guilt and panic. All it does is remind you of how much you’re not taking advantage of your youth.
You want to kiss all kinds of different people, you want to wake up in a stranger’s bed maybe once or twice just to see if it feels good to feel nothing, you want to have a group of friends that feels like a tribe, a bonafide family. You want to go from one place to the next constantly and have your weekends feel like one long epic day. You want to dance to stupid music in your stupid room and have a nice job that doesn’t get in the way of living your life too much. You want to be less scared, less anxious, and more willing. Because if you’re closed off now, you can only imagine what you’ll be like later.
Every day you vow to change some aspect of your life and every day you fail. At this point, you’re starting to question your own power as a human being. As of right now, your fears have you beat. They’re the ones that are holding your twenties hostage.
Stop thinking that everyone is having more sex than you, that everyone has more friends than you, that everyone out is having more fun than you. Not because it’s not true (it might be!) but because that kind of thinking leaves you frozen. You’ve already spent enough time feeling like you’re stuck, like you’re watching your life fall through you like a fast dissolve and you’re unable to hold on to anything.
I don’t know if you ever get better. I don’t know if a person can just wake up one day and decide to be an active participant in their life. I’d like to think so. I’d like to think that people get better each and every day but that’s not really true. People get worse and it’s their stories that end up getting forgotten because we can’t stand an unhappy ending. The sick have to get better. Our normalcy depends upon it.
You have to value yourself. You have to want great things for your life. This sort of shit doesn’t happen overnight but it can and will happen if you want it.
Do you want it bad enough? Does the fear of being filled with regret in your thirties trump your fear of living today?
We shall see.
”
”
Ryan O'Connell
“
In the love of the family of God, we must become color brave, color caring, color honoring, and not color blind. We have to recognize the image of God in one another. We have to love despite, and even because of, our differences.
”
”
LaTasha Morrison (Be the Bridge: Pursuing God's Heart for Racial Reconciliation)
“
Jesus can make beauty from ashes, but the family of God must first see and acknowledge the ashes.
”
”
LaTasha Morrison (Be the Bridge: Pursuing God's Heart for Racial Reconciliation)
“
Abusers – they’ll manipulate and they’ll lie to you.
And when you no longer give them that power, they’ll try to manipulate your family or the people close to you instead. Abusers want everyone to hate you just as much as they do. It’s sick.
Their lack of morals and integrity is sick. The amount of hate they harbor in their hearts is sick,
as are their psychopathic or sociopathic traits.
”
”
LaTasha “Tacha B.” Braxton
“
Siempre creí que la clave para encajar en el mundo era tratando de parecerme al resto de la gente, así que nunca me imaginé que encontraría mi verdadero hogar en medio de seres infinitamente distintos los unos de los otros".
”
”
Mariana Palova (El señor del Sabbath (La nación de las bestias, #1))
“
After all, what exactly is a family, if not a brotherhood and sisterhood afflicted with the same terminal disease?
”
”
Eric LaRocca (Things Have Gotten Worse Since We Last Spoke)
“
A home is never finished, it’s only saved from decay.
”
”
Victor LaValle (Lone Women)
“
I took the chain between the tips of my fingers, lifted it to the light. Each delicate link sparkled in the sun. It would have been lovely on anyone's wrist. It would have been precious, with or without me. But it was everything I wanted, because I chose it to be mine.
”
”
Nina LaCour (Watch Over Me)
“
I need to leave something behind. Something that will stay. This room should be a historical landmark, the site of the beginning and end of Colby and Bev. Several minutes have passed, and I know that if I wait too long there will be a knock on the door and I'll have to go, but I need to leave a mark. It has to be significant enough to last, but subtle enough that the maid won't notice and wash it away.
As I'm looking around I realize that I never noticed the print above the bed. It's another in the family series - a faded wedding portrait. Groom in tux. Bride with pearls. It comes off the wall easily.I set the print on the bedspread and wit eht dust on the wall with the sleeve of my hood. I take out a Sharpie from my bag. The wall has yellowed to create a perfect rectangle where the photograph must have been hanging, unremoved, for years.
I fill the whiter space with this: I never got to tell you how beautiful you are.
And then I return the frame to its place on the wall and go back out into the night.
”
”
Nina LaCour (The Disenchantments)
“
La soledad es mucho más divertida si es opcional.
”
”
Charlaine Harris (Dead in the Family (Sookie Stackhouse, #10))
“
Un des problèmes essentiels qui se posent à propos de la femme, c'est la conciliation de son rôle reproducteur et de son travail producteur.
”
”
Simone de Beauvoir
“
El primero de la estirpe está amarrado a un árbol y al último se lo están comiendo las hormigas.
”
”
Gabriel García Márquez
“
Mwalimu Julius Kambarage Nyerere alikuwa baba kwa familia yake. Kwa Tanzania alikuwa mlezi; wa ndoto ya haki, amani, uzalendo, ujamaa, na uhuru.
”
”
Enock Maregesi
“
Blood makes you related, but it's loyalty that makes you family.
”
”
L.A. Cotton (Loyalty and Lies (Chastity Falls, #1))
“
Las cosas nunca son como a primera vista las figuramos, y así ocurre que cuando empezamos a verlas de cerca, cuando empezamos a trabajar sobre ellas, nos presentan tan raros y hasta tan desconocidos aspectos; tal pasa con las caras que nos imaginamos, con los pueblos que vamos a conocer, que nos los hacemos de tal o de cual forma en la cabeza, para olvidarlos repentinamente ante la vista de lo verdadero.
”
”
Camilo José Cela (The Family of Pascual Duarte)
“
La Nature est un temple où de vivants piliers
Laissent parfois sortir de confuses paroles;
L'homme y passe à travers des forêts de symboles
Qui l'observent avec des regards familiers.
”
”
Charles Baudelaire (Les Fleurs du Mal)
“
The family's function is to repress Eros; to induce a false consciousness of security; to deny death by avoiding life; to cut off transcendence; to believe in God, not to experience the Void; to create, in short, one-dimensional man; to promote respect, conformity, obedience. . .
”
”
R.D. Laing
“
—¿Me van a dejar pasar comida en el aeropuerto?
Se van a pensar que es una terrorista dijo Steve.
—la rerrorista de las albóndigas —añadió Sonny, y los dos empezaron a reírse a carcajadas otra vez.
”
”
Joana Marcús (Antes de diciembre (Meses a tu lado, #1))
“
Adeline is sixteen now, and everyone speaks of her as if she is a summer bloom, something to be plucked, and propped within a vase, intended only to flower and then to rot. Like Isabelle, who dreams of family instead of freedom, and seems content to briefly blossom and then wither.
”
”
Victoria E. Schwab
“
The facts of life do not penetrate to the sphere in which our beliefs are cherished; they did not engender those beliefs, and they are powerless to destroy them; they can inflict on them continual blows of contradiction and disproof without weakening them; and an avalanche of miseries and maladies succeeding one another without interruption in the bosom of a family will not make it lose faith in either the clemency of its God or the capacity of its physician.
”
”
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
“
Time alone is pornography for people with families.
”
”
Victor LaValle (Big Machine)
“
Al parecer, era la época de "abrazar a Sookie" y nadie me había avisado.
”
”
Charlaine Harris (Dead in the Family (Sookie Stackhouse, #10))
“
We cannot be held responsible for what our families do, especially when we have no way to control them.
”
”
Robin LaFevers (Mortal Heart (His Fair Assassin, #3))
“
She just wanted to get home to her family’s sprawling log mansion in Colorado.
”
”
Tim LaHaye (Thunder of Heaven (The End Series, #2))
“
He couldn't shame his father; they hadn't raised him that way. And the blood of the revolution didn't run in his veins. He would have to bury his heart.
”
”
Lena Manta (La lettera d'oro (Italian Edition))
“
Porque el divorcio es eso: quitarle cosas que no ya no necesita a una persona a la que ya no quieres.
”
”
Zadie Smith (White Teeth)
“
There are people in this home- human beings- drowning in their desire for you to look them in the eye. You made this family. And all you have to do is show up and like them. It's called 're-la-ting.' So get over whatever totally-absent-buying-your affection parenting that you received and get here, man- because this is your LIFE and you're just pissing it away!
”
”
Nicola Kraus (The Nanny Diaries (Nanny, #1))
“
There’s this family photo,” he says, “not the one in the hall, this other one, from back when I was six or seven. That day was awful. Muriel put gum in David’s book and I had a cold, and my parents were fighting right up until the flash went off. And in the photo, we all look so … happy. I remember seeing that picture and realizing that photographs weren’t real. There’s no context, just the illusion that you’re showing a snapshot of a life, but life isn’t snapshots, it’s fluid. So photos are like fictions. I loved that about them. Everyone thinks photography is truth, but it’s just a very convincing lie.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
It was the history of the family, written by Melquíades, down to the most trivial details, one hundred years ahead of time. He had written it in Sanskrit, which was his mother tongue, and he had encoded the even lines in the private cipher of the Emperor Augustus and the odd ones in a La cedemonian military code.
”
”
Gabriel García Márquez (One Hundred Years of Solitude)
“
- Si conoces al enemigo y te conoces a ti mismo. - Cale respondió tranquilamente.
- Si conoces al enemigo y te conoces a ti mismo, no debes temer el resultado de cien batallas. - Choi Han recordó la cita de la Tierra.- ¿Cale-nim va a decir eso?
- Si conoces al enemigo y te conoces a ti mismo, puedes crear un lío aún mayor. - Cale continuó hablando - Y también puedes robar cosas sin que ellos lo sepan y puedes prepararte para el futuro.
”
”
Yoo Ryeo Han (Trash of the Count's Family)
“
My family sat in their pool courtyard," Harah said, "in air bathed by the moisture that arose from the spray of a fountain. There was a tree of portyguls, round and deep in color, near at hand. There was a basket with mish mish and baklawa and mugs of liban—all manner of good things to eat. In our gardens and, in our flocks, there was peace . . . peace in all the land."
"Life was full with happiness until the raiders came," Alia said.
"Blood ran cold at the scream of friends," Jessica said. And she felt the memories rushing through her out of all those other pasts she shared.
"La, la, la, the women cried," said Harah.
”
”
Frank Herbert (Dune (Dune, #1))
“
When our mother is seen only as the one-dimensional Mary of modern times, instead of the great dual force of life and death, She is relegated to the same second-class status of most women in the world. She is without desires of Her own, selfless and sexless except for Her womb. She is the cook, the mistress, bearer and caretaker of children and men. Men call upon Her and carry Her love and magic to form a formidable fortress, a team of cannons to protect them against their enemies. But for a long, long time the wars that women have been left to wage on behalf of men, on behalf of the human race, have started much sooner, in the home, in front of the hearth, in the womb. We do what we must to protect and provide for our young our families, our tribes
”
”
Ana Castillo (Goddess of the Americas / La Diosa de Las Americas: Writings on the Virgin of Guadalupe)
“
But under the Vichy government, Jews were sent there as from 1941. In ’42, the first direct trains to Auschwitz left Beaune-la-Rolande and Pithiviers.” “Why weren’t the Vel’ d’Hiv’ families sent to Drancy, in the Paris suburbs?” Franck Lévy gave a bleak smile. “The Jews without children were sent to Drancy after the roundup. Drancy is close to Paris. The other camps were more than an hour away. Lost in the middle of the quiet Loiret countryside. And it was there, in all discretion, that the French police separated the children from their parents. They could not have done that so easily in Paris. You have read about their brutality I suppose?
”
”
Tatiana de Rosnay (Sarah's Key)
“
Ce pot face, în viaţa cotidiană? Ce lucru uimitor, extraordinar, poate ea conţine pentru mine? în fiecare zi mă voi spăla pe dinţi, voi mânca la prânz şi voi lua cafeaua cu lapte seara, indiferent dacă undeva se va fi întâmplat în timpul zilei o catastrofă de cale ferată, ori cineva în familie va fi murit. Tot mă voi spăla pe dinţi, tot voi sta la masă... tot eu voi fi. Înţelegi? Înţelegi ce animal îngrozitor de monoton voi deveni?
”
”
Max Blecher (Inimi cicatrizate; Întâmplări în irealitatea imediată)
“
There are families whose greatness lies in their past, and in their legacies, Mrs. Schuyler answered. That is a quality much to be admired, for tradition is what binds us as a society. But there are some families, like some nations, whose greatness is a future development, and that quality, though harder to discern than the prestige of manor houses and coats of arms and titles of rank and office, is no less valuable, if, indeed, not more so.
”
”
Melissa de la Cruz (Alex and Eliza (Alex & Eliza, #1))
“
Mi cuerpo buscó siempre el cuerpo del abuelo, y no empezó a hablar de maternidades, de herencias, ni de cadenas de recuerdos que no pueden romperse hasta que él murió. Todo se precipitó cuando desapareció el hombre que tenía mis mismas manos.
”
”
Paula Bonet (La anguila)
“
he feels like he's stepped into another version of his life--not ahead, or behind, but sideways. One where his sister looks up to him and his brother doesn't look down, where his parents are proud, and all the judgment has been sucked out of the air like smoke vented from a fire. He didn't realize how much connective tissue was made up of guilt. Without the weight of it, he feels dizzy and light.
Euphoric.
”
”
Victoria E. Schwab (The Invisible Life of Addie LaRue)
“
I could feel the hard part of Mom very strongly that time. It was like a stone in her that grew bigger every time my father lost his temper, right under her heart. Feeling the stone in her calmed me down. It told me that she would always be there for me.
”
”
Kaimana Wolff (La Chiripa (The Widening Gyre #2))
“
J'étais bien. Je regardais les miens. Je pouvais sentir battre leur cœur et respirer leur souffle. Auprès d'eux je me sentais en paix. J'avais le sentiment qu'ils protégeaient ma vie, tous les trois à leur façon. Je voulais qu'ils sachent à quel point je les aimais.
”
”
Jean-Paul Dubois (Tous les hommes n'habitent pas le monde de la meme facon)
“
A criança ao nascer já traz um determinado potencial; são os pais, no entanto, que podem torná-la capaz de realizar esse potencial
”
”
Carlos Messa (O Poder dos Pais no desenvolvimento emocional e cognitivo dos filhos)
“
Daughters. They could cut you with a look.
”
”
Melissa de la Cruz (Witches of East End (The Beauchamp Family, #1))
“
Marriage was like the surface of an ocean, seemingly placid and serene above; yet if you weren’t careful, seething and raging with underground earthquakes below.
”
”
Melissa de la Cruz (Witches of East End (The Beauchamp Family, #1))
“
When you meet the right person, it’s like nothing else—nobody else. No one in your past ever mattered.
”
”
Melissa de la Cruz (Serpent's Kiss (The Beauchamp Family #2))
“
His life and family circle changed considerably between 1900 and 1905. In February 1903, Proust's brother Robert married and left the family apartment. His father died in September of the same year. Finally, and most crushingly, Proust's beloved mother died in September 1905.
”
”
Marcel Proust (Swann’s Way (In Search of Lost Time, #1))
“
R. D. Laing, influenced heavily by Sartre and other existentialists, made the case in The Divided Self that schizophrenia was an act of self-preservation by a wounded soul [..] He believed patients retreat inside their own mind as a way of playing possum, to preserve their autonomy
”
”
Robert Kolker (Hidden Valley Road: Inside the Mind of an American Family)
“
The Academy's a perfect example of what he talks about: we're meant to be the brightest of the Republic, but almost all of us here are the children of senators and knights. We've been trained, educated, since we could walk. Of course we're going to be 'better' than som fifth son of an Octavus who's been ceding half his life, just so his family can get by. Especially at tests which are devised by the same people who trained us. Who decide what merit is.
”
”
James Islington (The Will of the Many. La volontà dei molti (Hierarchy, #1))
“
Page 41
- Alors qu'est ce que tu décides? Tu me suis ou pas?
Pitié accepte, ne me force pas à te tuer...
- Par simple curiosité, que ferais-tu si je refusais?
J'hésitais un instant à répondre mais optai pour la franchise. Clarence n'était pas un mauvais bougre, il avait le droit de savoir ce qui l'attendait.
- Je devrais te liquidier, répondis-je d'un ton glacial.
Une vie contre des milliers d'autres, le choix n'était pas très compliqué.
- Tu sais que tu es pire partenaire que j'aie jamais eue? fit-il non sans humour.
Je haussais les épaules.
- Pourquoi? Parce que je veux préserver la paix?
- Non, parce que tu as une manière très personnelle d'argumenter.
- Le moyen le plus efficace de défendre une opinion est de tuer ceux qui ne la partagent pas.
- C'est quoi ca? Un extrait du guide du parfait dictateur?
- Non, un vieil adage familial, fis je en lui tendant la main pour l'aider à se relever.
- Eh ben désolé de te dire ca, mais ta famille craint! fit-il en se redressant.
- Oui et encore, t'es très en dessous de la vérité, soupirai-je...
”
”
Cassandra O'Donnell (Potion macabre (Rebecca Kean, #3))
“
When you’re married, you’re privy to the misunderstanding. When you’re not married, it’s overrated.” I try to smile. “You rush in, headlong, full of dreams and wishes, so far removed from reality that you never even realize you’ve married into a family and the Navy. One refers to you as the girl from L.A., and the other refers to you as the dependent spouse.
”
”
Katherine Owen (When I See You)
“
În lumea consumistă şi globalizată actuală, pare că nu mai cunoaştem alt sens al fericirii decât acesta din urmă: mediocru, utilitar, lipsit de orice aspiraţie care depăşeşte standardele materialiste: o casă confortabilă, un loc de muncă bănos, o vacanţă în Caraibe (sau măcar la Sinaia...), o familie asigurată financiar. O dragoste călduţă (nu te mai osteneşti să-ţi dai seama măcar dacă-ţi iubeşti sau nu cu adevărat partenerul), o muncă nu prea creativă, obiecte (recomandate la televizor) cu care-ţi umpli orice spaţiu liber... Oamenii au uitat cu totul că li s-a făcut un dar copleşitor: cel de a exista în minunea lumii, de a fi vii, de a fi conştienţi de sine. Ei nu-şi mai pun niciodată întrebări ca: De fapt, cine sunt eu? Ce rost am pe lume? Oare mi s-a dat minunea că pot vedea şi auzi doar ca să fiu şofer de autobuz sau să fac reclame? Oare n-am să mor fără să fi făcut nimic pe lumea asta ? Condamnarea acestui gen de fericire este totuşi în bună parte nedreaptă, după părerea mea, ca întreaga condamnare a modului de viaţă occidental, căci înseamnă, de fapt, o reacţie «elitistă» în faţa unei fericiri «populare». Eu cred că avem nevoie de ambele feluri de fericire, că fiecare-n parte este săracă şi extremă în lipsa celeilalte. Cred, de altfel, că sunt foarte rari atât poeţii puri şi extatici cât şi consumiştii complet imbecilizaţi de bere şi televiziune. Suntem cu toţii, de fapt, o combinaţie între cele două cazuri, şi idealul uman ar putea să fie, în consecinţă, o viaţă împlinită şi decentă material străbătută din când în când de fulguraţiile nebuneşti ale marii şi adevăratei fericiri.
”
”
Mircea Cărtărescu (De ce iubim femeile)
“
Ma famille incarne ce que la joie a de plus bruyant, de plus spectaculaire, l’écho inlassable des morts, et le retentissement du désastre.
Aujourd’hui je sais aussi qu’elle illustre, comme tant d’autres familles, le pouvoir de destruction du verbe, et celui du silence.
”
”
Delphine de Vigan (Rien ne s'oppose à la nuit)
“
Poor, wretched, and stupid peoples, nations determined on your own misfortune and blind to your own good! You let yourselves be deprived before your own eyes of the best part of your revenues; your fields are plundered, your homes robbed, your family heirlooms taken away. You live in such a way that you cannot claim a single thing as our own; and it would seem that you consider yourselves lucky to be loaned your property, your families, and your very lives. All this havoc, this misfortune, this ruin, descends upon you not from alien foes, but from the one enemy whom you yourselves render as powerful as he is, for whom you go bravely to war, for whose greatness you do not refuse to offer your own bodies unto death. ... Where has he acquired enough eyes to spy upon you, if you do not provide them yourselves? How can he have so many arms to beat you with, if he does not borrow them from you? The feet that trample down your cities, where does he get them if they are not your own? How does he have any power over you except through you? How would he dare assail you if he had no cooperation from you? What could he do to you if you yourselves did not connive with the thief who plunders you, if you were not accomplices of the murderer who kills you, if you were not traitors to yourselves? You sow crops in order that he may ravage them, you install and furnish your homes to give him goods to pillage; you rear your daughters that he may gratify his lust; you bring up your children in order that he may confer upon them the greatest privilege he knows—to be led into his battles, to be delivered to butchery, to be made servants of his greed and the instruments of his vengeance; you yield your bodies unto hard labour in order that he may indulge in his delights and wallow in his filthy pleasures; you weaken yourselves in order to make him stronger and the mightier to hold you in check. From all these indignities, such as the very beasts of the field would not endure, you can deliver yourselves if you try, not be taking action, but merely by willing to be free. Resolve to serve no more, and you are at once freed. I do not ask that you place hands upon the tyrant to topple him over, but simply that you support him no longer; then you will behold him, like a great Colossus whose pedestal has been pulled away, fall of his own weight and break into pieces.
”
”
Étienne de La Boétie (The Politics of Obedience: The Discourse of Voluntary Servitude)
“
But then, he said, "Cute nose." Cute. I have a cute nose. And a cute boyfriend. With cute elk kisses. Also, elk do not sleep standing up. Also, female elk don't have antlers. Also, male elk (bulls) have a harem of cows. Which is maybe why elk popped into my head randomly. Me and Sadie were the cows in Heck's harem. That's weird. But it does explain why I'd randomly think of elks. Elk. Also, though, elk remind me of when we went to Yellowstone—me, Mom, Dad, Mr. Griffin—and saw elk. It was nice. Happy family. And fun. Therefore, elk make me feel happy. And that's probably the real reason for elk randomly popping into my head. Or maybe my mind is a bull with a harem of way too many thought cows! Weirdo.
”
”
Nicole Schubert (Saoirse Berger's Bookish Lens In La La Land)
“
He mused on this village of his, which had sprung up in this place, amid the stones, like the gnarled undergrowth of the valley. All Artaud's inhabitants were inter-related, all bearing the same surname to such an extent that they used double-barrelled names from the cradle up, to distinguish one from another. At some antecedent date an ancestral Artaud had come like an outcast, to establish himself in this waste land. His family had grown with the savage vitality of the vegetation, drawing nourishment from this stone till it had become a tribe, then the tribe turned to a community, till they could not sort out their cousinage, going back for generations. They inter-married with unblushing promiscuity.
”
”
Émile Zola (La Faute de l'abbé Mouret (Les Rougon-Macquart, #5))
“
He was becoming an effective human being. He had learned from his birth family how to snare rabbits, make stew, paint fingernails, glue wallpaper, conduct ceremonies, start outside fires in a driving rain, sew with a sewing machine, cut quilt squares, play Halo, gather, dry, and boil various medicine teas. He had learned from the old people how to move between worlds seen and unseen. Peter taught him how to use an ax, a chain saw, safely handle a .22, drive a riding lawn mower, drive a tractor, even a car. Nola taught him how to paint walls, keep animals, how to plant and grow things, how to fry meat, how to bake. Maggie taught him how to hide fear, fake pain, how to punch with a knuckle jutting. How to go for the eyes. How to hook your fingers in a person’s nose from behind and threaten to rip the nose off your face. He hadn’t done these things yet, and neither had Maggie, but she was always looking for a chance. When
”
”
Louise Erdrich (LaRose)
“
[Ava] had always thought the main relationship in the family was the one between Nancy and her daughters. To have a family, you needed a father, of course, and Jimmy had played that role perfectly well, if you were okay with an old-fashioned interpretation of the job. But the Nickerson family was all about the women and their noisy, bickering, gossiping, interfering relationships with one another.
And now it seemed that maybe she ahd been looking at it all wrong. Maybe she and Lauren were just the icing, and the basic, underlying cake of the family was the couple in front of her who had a shared history she knew very little about.
”
”
Claire LaZebnik (The Smart One and the Pretty One)
“
You must know, my loved one, that there are beings in the elements which almost appear like mortals, and which rarely allow themselves to become visible to your race. Wonderful salamanders glitter and sport in the flames; lean and malicious gnomes dwell deep within the earth; spirits, belonging to the air, wander through the forests; and a vast family of water spirits live in the lakes and streams and brooks. In resounding domes of crystal, through which the sky looks in with its sun and stars, these latter spirits find their beautiful abode; lofty trees of coral with blue and crimson fruits gleam in their gardens; they wander over the pure sand of the sea, and among lovely variegated shells, and amid all exquisite treasures of the old world, which the present is no longer worthy to enjoy; all these the floods have covered with their secret veils of silver, and the noble monuments sparkle below, stately and solemn, and bedewed by the loving waters which allure from them many a beautiful moss-flower and entwining cluster of sea grass. Those, however, who dwell there, are very fair and lovely to behold, and for the most part, are more beautiful than human beings. Many a fisherman has been so fortunate as to surprise some tender mermaid, as she rose above the waters and sang. He would then tell afar of her beauty, and such wonderful beings have been given the name of Undines. You, however, are now actually beholding an Undine.
”
”
Friedrich de la Motte Fouqué (Undine)
“
Thus, seeking to produce a typology of forms of the art of government, La Mothe Le Vayer, in a text from the following century (consisting of educational writings intended for the French Dauphin), says that there are three fundamental types of government, each of which relates to a particular science or discipline: the art of self-government, connected with morality; the art of properly governing a family, which belongs to economy; and finally the science of ruling the state, which concerns politics. What matters, notwithstanding this typology, is that the art of government is always characterized by the essential continuity of one type with the other, and of second type with the third.
”
”
Michel Foucault (The Foucault Effect: Studies in Governmentality)
“
Mon rêve familier
Je fais souvent ce rêve étrange et pénétrant
D'une femme inconnue, et que j'aime, et qui m'aime
Et qui n'est, chaque fois, ni tout à fait la même
Ni tout à fait une autre, et m'aime et me comprend.
Car elle me comprend, et mon coeur, transparent
Pour elle seule, hélas ! cesse d'être un problème
Pour elle seule, et les moiteurs de mon front blême,
Elle seule les sait rafraîchir, en pleurant.
Est-elle brune, blonde ou rousse ? - Je l'ignore.
Son nom ? Je me souviens qu'il est doux et sonore
Comme ceux des aimés que la Vie exila.
Son regard est pareil au regard des statues,
Et, pour sa voix, lointaine, et calme, et grave, elle a
L'inflexion des voix chères qui se sont tues.
”
”
Paul Verlaine (Poèmes saturniens)
“
Voilà bien la famille : même celui qui n'a pas sa place dans le monde, qui n'est ni célèbre ni riche, à qui il n'est venu ni enfants ni idées, et dont le public ne lira le nom que dans sa notice nécrologique, celui-là, en famille, a pourtant sa place attitrée. En famille, on est quelqu'un. Vous n'imaginez pas comme Caroline imite bien Chaplin, ni comme Rudi est irritable. Et quel sens de l'humour, dans toute la famille ! Ce qui, partout ailleurs, n'aurait rien d'humoristique déclenche ici des rires retentissants, on ne saurait dire pourquoi ; c'est drôle, voilà tout, n'est-ce pas l'essentiel en matière d'humour ? Et puis, tous ceux qui ne sont pas de la famille sont bien plus ridicules qu'ils ne s'en doutent. Dieu les a voués à la caricature ; si vous êtes seul au monde, sans attaches, vous pouvez être sûr d'être le summum du ridicule pour les diverses familles qui vous observent. Il est vrai que ces qualités, comme tout, peuvent être vues sous leur angle négatif : la famille a l'esprit plus petit qu'une petite ville. Plus elle est chaleureuse, plus elle se montre dure pour tout ce qui n'est est pas elle, et elle est toujours plus cruelle qu'un être confronté seul à la souffrance du monde. En cantonnant la gloire dans son cercle restreint, où elle est faceil à atteindre (« gloire de la famille »), elle endort l'ambition. Et parce que tous les événements familiaux suscitent une tristesse plus profonde ou une joie plus éclatante qu'ils ne le méritent réellement, parce qu'en famille ce qui n'a rien d'humoristique devient de l'humour, et des peines insignifiantes à l'échelle collective, un malheur personnel, elle est le berceau de toute l'ineptie qui imprègne notre vie publique. Il y aurait encore long à en dire et on l'a dit parfois, mais jamais en des jours comme celui-ci.
”
”
Robert Musil (La maison enchantée)
“
So, it wasn’t until I was living in Mexico that I first started enjoying chocolate mousse. See, there was this restaurant called La Lorraine that became a favorite of ours when John and I were living in Mexico City in 1964–65. The restaurant was in a beautiful old colonial period house with a large courtyard, red tile floors, and a big black and white portrait of Charles de Gaulle on the wall. The proprietor was a hefty French woman with grey hair swept up in a bun. She always welcomed us warmly and called us mes enfants, “my children.” Her restaurant was very popular with the folks from the German and French embassies located nearby. She wasn’t too keen on the locals. I think she took to us because I practiced my French on her and you know how the French are about their language! At the end of each evening (yeah, we often closed the joint) madame was usually seated at the table next to the kitchen counting up the evening’s receipts. Across from her at the table sat a large French poodle, wearing a napkin bib and enjoying a bowl of onion soup. Ah, those were the days… Oh, and her mousse au chocolate was to DIE for!
”
”
Mallory M. O'Connor (The Kitchen and the Studio: A Memoir of Food and Art)
“
—Además —lo interrumpió nuevamente—, mis hijos jamás tendrán
que preocuparse por su próxima comida. Nunca tendrán que pagar
impuestos, nunca tendrán que preocuparse acerca de cómo permitirse enviar
a sus hijos a la escuela. Ellos siempre tendrán la opción de un sólido techo
sobre sus cabezas y tres comidas diarias. Siempre habrá personas a su
alrededor para cuidarlos y protegerlos. Ellos nunca, nunca estarán solos. Y si
hicieran algo mal, tendrían el poder de arreglarlo.
”
”
MaryJanice Davidson (The Royal Treatment (Alaskan Royal Family, #1))
“
People didn't want to think about boarding schools--the era of forced assimilation was supposed to be over. But then again, kids from chaotic families didn't get to school, or get sleep, or real food, or homework help. And they'd never get out of the chaos--whatever brand of chaos, from addictions to depression to failing health--unless they got to school. To succeed in school, kids had to attend regularly, eat regularly, sleep regularly, and study regularly. Maybe the boarding schools of the earliest days had stripped away culture from the vulnerable, had left adults with little understanding of how to give love or parent, but what now? Kids needed some intervention, but not the wrenching away of foster families and outside adoptions.
”
”
Louise Erdrich (LaRose)
“
El mayor de todos los males es el poder_ contestó el sumo pontífice_, y es nuestro deber borrar cualquier deseo de poder de los corazones y las almas de los hombres. Ésa es la mision de la Iglesia, pues es la lucha por el poder lo que hace que los hombres se enfrentan unos a otros. Ahí radica el mal de nuestro mundo; siempre será un mundo injusto, siempre será un mundo cruel para los menos afortunados. Quién sabe,,, Es posible que dentro de quinientos años los hombres dejen de matarse entre sí. Feliz día será aquel en el que ocurra. Pero el poder forma parte de la misma naturaleza del hombre. Igual que forma parte de la naturaleza de la sociedad que, para mantener unidos a sus súbditos, por el bien de su Dios y d su nación, un rey tenga que mandar ahorcar a quienes no obedezcan su ley. ¿Pues cómo, si no, podría doblegar la voluntad de su súbditos? Además, no debemos olvidar que la naturaleza humana es tan insondable como el mundo que nos acoge y que no todos los demonios temen el agua bendita.
”
”
Mario Puzo (The Family)
“
Yo, señor, no soy malo, aunque no me faltarían motivos para serlo. Los mismos cueros tenemos todos los mortales al nacer y sin embargo, cuando vamos creciendo, el destino se complace en variarnos como si fuésemos de cera y en destinarnos por sendas diferentes al mismo fin: la muerte. Hay hombres a quienes se les ordena marchar por el camino de las flores, y hombres a quienes se les manda tirar por el camino de los cardos y de las chumberas. Aquéllos gozan de un mirar sereno y al aroma de su felicidad sonríen con la cara del inocente; estos otros sufren del sol violento de la llanura y arrugan el ceño como las alimañas por defenderse. Hay mucha diferencia entre adornarse las carnes con arrebol y colonia, y hacerlo con tatuajes que después nadie puede borrar ya.
”
”
Camilo José Cela (The Family of Pascual Duarte)
“
But the history of Hopkins Hospital certainly isn’t pristine when it comes to black patients. In 1969, a Hopkins researcher used blood samples from more than 7,000 neighborhood children—most of them from poor black families—to look for a genetic predisposition to criminal behavior. The researcher didn’t get consent. The American Civil Liberties Union filed suit claiming the study violated the boys’ civil rights and breached confidentiality of doctor-patient relationships by releasing results to state and juvenile courts. The study was halted, then resumed a few months later using consent forms. And in the late nineties, two women sued Hopkins, claiming that its researchers had knowingly exposed their children to lead, and hadn’t promptly informed them when blood tests revealed that their children had elevated lead levels—even when one developed lead poisoning. The research was part of a study examining lead abatement methods, and all families involved were black. The researchers had treated several homes to varying degrees, then encouraged landlords to rent those homes to families with children so they could then monitor the children’s lead levels. Initially, the case was dismissed. On appeal, one judge compared the study to Southam’s HeLa injections, the Tuskegee study, and Nazi research, and the case eventually settled out of court. The Department of Health and Human Services launched an investigation and concluded that the study’s consent forms “failed to provide an adequate description” of the different levels of lead abatement in the homes.
”
”
Rebecca Skloot (The Immortal Life of Henrietta Lacks)
“
Quel giorno, guardando Maia, Tobia capì che quando si piange qualcuno si piange anche per ciò che quel qualcuno non ci ha dato.
Maia piangeva la madre che non aveva mai avuto.
E a quel punto, ormai era certo, la madre ideale non avrebbe mai fatto parte della sua vita.
Per questo singhiozzava tanto.
Come se, fino alla fine, si mantenesse la speranza di un gesto o di una parola capace di riparare tutto. Come se la morte, infine, uccidesse quel gesto che non è mai stato fatto o quella parola che non è mai stata pronunciata.
”
”
Timothée de Fombelle (Toby Alone)
“
I was a vase.
The thought struck her as she gazed at the wall of them. She had been a vessel; it was true. She'd stepped into this shop, introduced herself, asked for a job, hoped it would fill her.
And then, sitting with Jacob at the community table, she'd been a flower. Snipped from the root, quick to wilt, temporary. She'd existed to be lovely and to be chosen. No one had expected her to last.
But she hadn't been a flower when she'd gone to live with Claire, had she?
Emilie traveled deeper into the shop. She was in the addition now, its ceiling higher, its rows of tables laden with houseplants. Water, she decided. That's what she'd been with Claire. Shapeless, colorless, but necessary. She'd done what she had to. She had been there for her grandmother. She'd kept her family afloat.
But what was she now?
”
”
Nina LaCour (Yerba buena)
“
Mai fiecare dintre noi – cei din generatia mea în orice caz – am avut în familie exponenti ai "speciei" Coposu : nu vorbesc neaparat de anvergura, ci de croiala : oameni directi, adica drepti si simpli, oameni care nu stiau sa surîda ironic cînd auzeau de principii si care nu sucombau în semitonuri cînd se punea problema unei optiuni. In genere au murit prin închisori sau au revenit între ai lor surpati trupeste si sufleteste de experiente inomabile. Disparitia lui Corneliu Coposu aduce între noi si lumea acestor înaintasi o distanta în plus, un spor de abstractiune. In el se sting unchii si bunicii nostri, amintirile "din alte timpuri", figurile "obsedantului deceniu", farmecul imprecis al povestilor de familie despre Maniu si Bratieni, despre tînarul rege Mihai, despre România Mare, despre magazinele de pe Calea Victoriei si despre promenadele de la Sosea.
”
”
Andrei Pleșu (Faţă către faţă. Întâlniri şi portrete)
“
Silver mining in the United States didn’t start, like hard-core, until the mid-1850s,” Louis said. “And only really got big when the Comstock Lode was discovered in 1859 in California.”
“It was bad work. Dangerous. Like any mining. But silver also lets out fumes when it’s mined. Even Pliny the Elder wrote about how harmful the fumes were, especially to animals. You know Pliny the Elder?”
“The problem with the silver fumes,” Louis continued, “is that, over time, they gave the miners delusions. Bad enough that they had to stop mining. Their health deteriorated. And a bunch of them even died.” Hard to make fun of something like that, so Pepper didn’t. “Do you know what people would say, in these mining towns, when they saw one of these miners falling apart? Walking through town muttering and swinging at phantoms? They said the Devil in Silver got them. It became shorthand. Like someone might say, ‘What happened to Mike?’ And the answer was always the same. ‘The Devil in Silver got him.’ ” Louis sat straight and crossed his arms and surveyed the table. “Do you understand what I’m trying to tell you?” “You’re saying we’re just making this thing up,” Pepper said quietly. Louis seemed disappointed. He dropped his hands into his lap and folded them there. He looked at his sister and Pepper. He turned his head to take in the other patients gathered with their family members there in the hospital. “I’m saying they were dying,” Louis said. “They definitely weren’t making that up. But it wasn’t a monster that was killing them. It was the mine.
”
”
Victor LaValle (The Devil in Silver)
“
Era extraño ver a un humano llevarse bien con tantas razas diferentes.
Archie escuchó la conversación de Choi Han y Rosalyn en ese momento.
"Como se esperaba de Cale-nim."
"¿No crees que dices, 'como se esperaba de Cale-nim', demasiado?"
"¿Me equivoco?"
"No, tienes razón. El joven maestro Cale es único. Muy único".
Choi Han y Rosalyn sonaban muy casuales, lo que hacía que pareciera que estaban acostumbrados a llamar a Cale único. Archie continuó mirando hacia ellos hasta que hizo contacto visual con Rosalyn.
Los ojos de Rosalyn se abrieron de par en par antes de darse cuenta de lo que debía estar pasando por la mente de la Ballena y empezar a hablar.
"¿No es asombroso lo bien que se lleva el joven maestro Cale con todos?"
"Sí."
Archie respondió de inmediato.
"¿Pero no es obvio ese trato después de pensar en todo lo que el joven maestro Cale ha hecho hasta ahora en todo el continente?"
Paseton, que había estado escuchando a Rosalyn, dejó escapar un grito ahogado.
Las cosas que Cale había hecho hasta ahora.
Rosalyn continuó hablando.
"El joven maestro Cale ha hecho todo eso, pero nunca pidió un título ni nada de influencia. Aunque ha recibido algunas recompensas monetarias, no creo que valgan más que su vida".
Rosalyn sabía que Cale era más estratégico que brillante. Sin embargo, había una razón por la que ella seguía creyendo que él era una buena persona.
No era codicioso.
¿Le gusta el dinero?
La codicia por la fama y el poder era peor que la codicia por el dinero.
¿Por qué los comerciantes intentan comprar títulos para sí mismos una vez que están desbordados de dinero? ¿Y por qué los reyes de la historia que tenían suficiente dinero y poder inician guerras inútiles?
Había muchos tipos de codicia que eran peores que la codicia por el dinero.
Pero Cale no mostró ninguna codicia hacia estas cosas. De hecho, trató de evitarlos.
"Él tampoco usa el dinero para sus propias razones egoístas".
Rosalyn sabía que las mejoras al territorio de Henituse y todas sus otras acciones habían requerido una gran cantidad de la propia riqueza de Cale.
Hubo momentos en que Cale usó su dinero para sí mismo.
Pero esos tiempos eran para alimentarse a sí mismo o para proporcionar comida y alojamiento a su grupo.
"Este es el tipo de persona que debería tener dinero".
Pensó que alguien como Cale, que sabía cuándo usar el dinero para el bien común mientras se sentía satisfecho con comer frutas simples para sí mismo, merecía tener dinero.
Rosalyn pensó que estaría bien que Cale ganara más dinero, no, creía que Cale debería ganar más dinero.
”
”
Yoo Ryeo Han (Trash of the Count's Family)
“
I hated seeing these spasmodic upside-down chicken heads stretching to puncture my flesh. I imagined once that they reached my groin and pecked out my penis and my huevos and kept pecking until they got to my gut and my eyes and my brain, until I was just a pecked-out piece of human meat surrounded by thousands of nervous, dirty white chickens. I think that was about the time I fucked up a pair of chicken heads against a warehouse wall when no one was looking. Well, almost no one. Rueben was right behind me, and that's when he grinned his stupid grin. Maybe he hated the chickens as much as I did. Maybe he just knew que ya me iba también a la chingada. Maybe I was going on my first joy ride to hell and back, and it was fun to watch.
”
”
Sergio Troncoso (The Last Tortilla & Other Stories)
“
Dacă singurătatea e ceva ce te atrage doar fragmentar, dacă nu îţi imaginezi întreaga ta viaţă trăită undeva cu totul şi cu totul izolat de oameni, atunci niciodată, cu niciun preţ, sub nicio formă, nu trebuie sa devii prea deştept. Dacă aş fi avut puţină înţelepciune şi instinct de conservare, acum aş fi fost mediocru, adică prost, şi aş fi putut avea o iubită. O familie. Un copil sau doi. Un câine. Un apartament de două camere cu chirie. Cu balcon. Aş fi urmat un program strict, întocmit de femeia mea, de dezalcoolizare, dezintoxicare şi depurificare. Aş fi mers la sală, iar cu băieţii aş fi avut voie la bere doar sâmbăta seară, de două ori pe lună. Aş fi avut job, mi-aş fi făcut credit la bancă pentru un apartament care să fie doar al nostru. Aş fi mers în vizită la soacră, i-aş fi dus un buchet frumos de flori. I-aş fi pupat mâna. I-aş fi dus crănţănele şoricarului soacrei. Aş fi fost atent să nu-l calc cu bocancul pe cap, sub masă. Aş fi ajutat-o să aducă farfuriile din bucătărie şi să pună masa pentru toată familia. Aş fi dat anunţ la ziar pentru a-i găsi şoricarului soacrei o şoricară cu care să facă şoricăruţi.
”
”
Cristina Nemerovschi (Pervertirea)
“
Chicana intifada
Rocks are our weapons of choice,
indeed the only ones that we have stockpiled.
We never worry about running out of them.
After all, our unpaved streets are filled with rocks.
We have wiped the dirt off them so that they may sail
with a smooth hardness when we fling them into the air.
We shall name each one of our rocks for the family members
we have lost each year of the hundreds of years we’ve lived in
these parts—as indios, as mestizos, as “Hi-panics.”
For starters, we plan to break a few windows
of the jefe’s casota nueva.
I myself will be delighted to land one in each pane:
center, left, right, top, bottom—the exact location
doesn’t much matter.
Why should his fancy house remain intact
while we cannot count on running water?
No one will suspect
that an abuela is la capitana of the Chicana intifada,
with her disguise of hat and gloves,
of shiny earrings and sheer “nude” pantyhose;
with her polite yes, ma’aming.
“We’ll launch the first volleys at 6 p.m.,”
she whispers to us. Smiling wryly, she adds,
“Inside the house at a reception to which
I’ve been properly invited you’ll see me
lower my right gloved hand to the marble table.”
Copyright (C) Teresa Palomo Acosta, 2007. All rights reserved.
”
”
Teresa Palomo Acosta
“
On Thanksgiving Day, 2011, my pastor Peter Jonker preached a marvelous sermon on Psalm 65 with an introduction from the life of Seth MacFarlane, who had been on NPR’s Fresh Air program with Terry Gross. MacFarlane is a cartoonist and comedian. He’s the creator of the animated comedy show “The Family Guy,” which my pastor called “arguably the most cynical show on television.” Terry Gross asked MacFarlane about 9/11. It seems that on that day of national tragedy MacFarlane had been booked on American Airlines Flight 11, Boston to LA, but he had arrived late at Logan airport and missed it. As we know, hijackers flew Flight 11 into the North Tower of the World Trade Center. My preacher said, “MacFarlane should have been on that plane. He should have been dead at 29 years of age. But somehow, at the end of that terrible day, he found himself healthy and alive, still able to turn his face toward the sun.” Terry Gross asked the inevitable question: “After that narrow escape, do you think of the rest of your life as a gift?” “No,” said MacFarlane. “That experience didn’t change me at all. It made no difference in the way I live my life. It made no difference in the way I look at things. It was just a coincidence.” And my preacher commented that MacFarlane had created “a missile defense system” against the threat of incoming gratitude — which might have lodged in his soul and changed him forever. MacFarlane, “the Grinch who stole gratitude,” perfectly set up what Peter Jonker had to say to us about how it is right and proper for us to give thanks to God at all times and in all places, and especially when our life has been spared.
”
”
Cornelius Plantinga Jr. (Reading for Preaching: The Preacher in Conversation with Storytellers, Biographers, Poets, and Journalists)
“
She was the first close friend who I felt like I’d really chosen. We weren’t in each other’s lives because of any obligation to the past or convenience of the present. We had no shared history and we had no reason to spend all our time to gether. But we did. Our friendship intensified as all our friends had children – she, like me, was unconvinced about having kids. And she, like me, found herself in a relationship in her early thirties where they weren’t specifically working towards starting a family.
By the time I was thirty-four, Sarah was my only good friend who hadn’t had a baby. Every time there was another pregnancy announcement from a friend, I’d just text the words ‘And another one!’ and she’d know what I meant.
She became the person I spent most of my free time with other than Andy, because she was the only friend who had any free time. She could meet me for a drink without planning it a month in advance. Our friendship made me feel liberated as well as safe. I looked at her life choices with no sympathy or concern for her. If I could admire her decision to remain child-free, I felt encouraged to admire my own. She made me feel normal. As long as I had our friendship, I wasn’t alone and I had reason to believe I was on the right track.
We arranged to meet for dinner in Soho after work on a Friday. The waiter took our drinks order and I asked for our usual – two Dirty Vodka Martinis.
‘Er, not for me,’ she said. ‘A sparkling water, thank you.’ I was ready to make a joke about her uncharacteristic abstinence, which she sensed, so as soon as the waiter left she said: ‘I’m pregnant.’
I didn’t know what to say. I can’t imagine the expression on my face was particularly enthusiastic, but I couldn’t help it – I was shocked and felt an unwarranted but intense sense of betrayal. In a delayed reaction, I stood up and went to her side of the table to hug her, unable to find words of congratulations. I asked what had made her change her mind and she spoke in vagaries about it ‘just being the right time’ and wouldn’t elaborate any further and give me an answer. And I needed an answer. I needed an answer more than anything that night. I needed to know whether she’d had a realization that I hadn’t and, if so, I wanted to know how to get it.
When I woke up the next day, I realized the feeling I was experiencing was not anger or jealousy or bitterness – it was grief. I had no one left. They’d all gone. Of course, they hadn’t really gone, they were still my friends and I still loved them. But huge parts of them had disappeared and there was nothing they could do to change that. Unless I joined them in their spaces, on their schedules, with their families, I would barely see them.
And I started dreaming of another life, one completely removed from all of it. No more children’s birthday parties, no more christenings, no more barbecues in the suburbs. A life I hadn’t ever seriously contemplated before. I started dreaming of what it would be like to start all over again. Because as long as I was here in the only London I knew – middle-class London, corporate London, mid-thirties London, married London – I was in their world. And I knew there was a whole other world out there.
”
”
Dolly Alderton (Good Material)
“
To be loved by a pure young girl, to be the first to reveal to her the strange mystery of love, is indeed a great happiness, but it is the simplest thing in the world. To take captive a heart which has had no experience of attack, is to enter an unfortified and ungarrisoned city. Education, family feeling, the sense of duty, the family, are strong sentinels, but there are no sentinels so vigilant as not to be deceived by a girl of sixteen to whom nature, by the voice of the man she loves, gives the first counsels of love, all the more ardent because they seem so pure.
The more a girl believes in goodness, the more easily will she give way, if not to her lover, at least to love, for being without mistrust she is without force, and to win her love is a triumph that can be gained by any young man of five-and-twenty. See how young girls are watched and guarded! The walls of convents are not high enough, mothers have no locks strong enough, religion has no duties constant enough, to shut these charming birds in their cages, cages not even strewn with flowers. Then how surely must they desire the world which is hidden from them, how surely must they find it tempting, how surely must they listen to the first voice which comes to tell its secrets through their bars, and bless the hand which is the first to raise a corner of the mysterious veil!
But to be really loved by a courtesan: that is a victory of infinitely greater difficulty. With them the body has worn out the soul, the senses have burned up the heart, dissipation has blunted the feelings. They have long known the words that we say to them, the means we use; they have sold the love that they inspire. They love by profession, and not by instinct. They are guarded better by their calculations than a virgin by her mother and her convent; and they have invented the word caprice for that unbartered love which they allow themselves from time to time, for a rest, for an excuse, for a consolation, like usurers, who cheat a thousand, and think they have bought their own redemption by once lending a sovereign to a poor devil who is dying of hunger without asking for interest or a receipt.
Then, when God allows love to a courtesan, that love, which at first seems like a pardon, becomes for her almost without penitence. When a creature who has all her past to reproach herself with is taken all at once by a profound, sincere, irresistible love, of which she had never felt herself capable; when she has confessed her love, how absolutely the man whom she loves dominates her! How strong he feels with his cruel right to say: You do no more for love than you have done for money. They know not what proof to give. A child, says the fable, having often amused himself by crying "Help! a wolf!" in order to disturb the labourers in the field, was one day devoured by a Wolf, because those whom he had so often deceived no longer believed in his cries for help. It is the same with these unhappy women when they love seriously. They have lied so often that no one will believe them, and in the midst of their remorse they are devoured by their love.
”
”
Alexandre Dumas (La dame aux camélias)
“
All groups operate by means of phantasy. The type of experience a group gives us is one of the main reasons, if not for some people the only reason, for being in a group. What do people want to get from the experience of being in a particular set of human collectivities?
The close-knit groups that occur in some families and other groupings are bound together by the need to find pseudo-real experience that can be found only through the modality of phantasy. This means that the family is not experienced as the modality of phantasy but as ‘reality’. However, ‘reality’ in this sense is not a modality, but a quality attachable to any modality.
If a family member has a tenable position within the family phantasy system, his call to leave the system in any sense is likely only to come from outside the phantasy system. We vary in readiness, and in desire, to emerge from the unconscious phantasy systems we take to be our realities. As long as we are in apparently tenable positions, we find every reason not to suppose that we are in a false sense of reality or unreality, security or insecurity, identity or lack of identity.
A false social sense of reality entails, among other things, phantasy unrecognized as such. If [someone] begins to wake up from the [group] phantasy system, he can only be classified as mad or bad by [that group] since to them their phantasy is reality, and what is not their phantasy is not real.
”
”
R.D. Laing (Self and Others)
“
In the campaign of 1876, Robert G. Ingersoll came to Madison to speak. I had heard of him for years; when I was a boy on the farm a relative of ours had testified in a case in which Ingersoll had appeared as an attorney and he had told the glowing stories of the plea that Ingersoll had made. Then, in the spring of 1876, Ingersoll delivered the Memorial Day address at Indianapolis. It was widely published shortly after it was delivered and it startled and enthralled the whole country. I remember that it was printed on a poster as large as a door and hung in the post-office at Madison. I can scarcely convey now, or even understand, the emotional effect the reading of it produced upon me. Oblivious of my surroundings, I read it with tears streaming down my face. It began, I remember:
"The past rises before me like a dream. Again we are in the great struggle for national life.We hear the sounds of preparation--the music of boisterous drums--the silver voices of heroic bugles. We see the pale cheeks of women and the flushed faces of men; and in those assemblages we see all the dead whose dust we have covered with flowers..."
I was fairly entranced. he pictured the recruiting of the troops, the husbands and fathers with their families on the last evening, the lover under the trees and the stars; then the beat of drums, the waving flags, the marching away; the wife at the turn of the lane holds her baby aloft in her arms--a wave of the hand and he has gone; then you see him again in the heat of the charge. It was wonderful how it seized upon my youthful imagination.
When he came to Madison I crowded myself into the assembly chamber to hear him: I would not have missed it for every worldly thing I possessed. And he did not disappoint me.
A large handsome man of perfect build, with a face as round as a child's and a compelling smile--all the arts of the old-time oratory were his in high degree. He was witty, he was droll, he was eloquent: he was as full of sentiment as an old violin. Often, while speaking, he would pause, break into a smile, and the audience, in anticipation of what was to come, would follow him in irresistible peals of laughter. I cannot remember much that he said, but the impression he made upon me was indelible.
After that I got Ingersoll's books and never afterward lost an opportunity to hear him speak. He was the greatest orater, I think, that I have ever heard; and the greatest of his lectures, I have always thought, was the one on Shakespeare.
Ingersoll had a tremendous influence upon me, as indeed he had upon many young men of that time. It was not that he changed my beliefs, but that he liberated my mind. Freedom was what he preached: he wanted the shackles off everywhere. He wanted men to think boldly about all things: he demanded intellectual and moral courage. He wanted men to follow wherever truth might lead them. He was a rare, bold, heroic figure.
”
”
Robert Marion La Follette (La Follette's Autobiography: A Personal Narrative of Political Experiences)
“
În general, se presupune că îmbogățirea reprezintă țelul suprem tipic al evreului. Nimic mai fals. Îmbogățirea înseamnă pentru el numai o treaptă intermediară, un mijloc spre adevăratul scop. Ceea ce vrea cu adevărat evreul, idealul său imanent, este desăvârșirea intelectuală, promovarea într-o categorie culturală superioară. Chiar la evreimea ortodoxă răsăriteană, la care atât slăbiciunile, cât și calitățile întregii rase se manifestă mai pregnant, își găsește o expresie plastică această supremație a voinței de spiritualitate asupra factorului material nud: cel cucernic, învățatul în ale Bibliei valorează de o mie de ori mai mult în ochii comunității decât bogatul. Chiar și cel mai înstărit își va mărita fiica mai degrabă cu un învățat sărac lipit pămâtului decât cu un negustor. Această întâietate dată celor spirituale se manifestă la fel de intens în toate straturile; chiar și cel mai sărac neguțător ambulant, care-și târăște marfa prin ploi și zloată, va încerca cu prețul celor mai grele sacrificii să-și dea cel puțin un fecior la învățătură, și pentru întreaga familie este un titlu de onoare să aibă printre membrii ei pe cineva care a devenit un intelectual de vază, un profesor, un savant, un muzician, ca și când aceasta ar înnobila-o prin performanța lui. Instinctiv, ceva din firea evreului caută să se debaraseze de ceea ce este moralmente dubios, respingător și meschin, inerent oricărui negoț, oricărei simple afaceri și să se ridice în sfera mai pură, imaterială a valorilor spirituale, ca și când ar vrea - ca să vorbim ca Wagner - să scape, el și tot neamul lui, de blestemul banilor.
”
”
Stefan Zweig (The World of Yesterday)
“
And he was right. Because Carlos De Vil’s brain, by way of comparison, was almost as big as Cruella De Vil’s fur-coat closet. That’s what Carlos tried to tell himself, anyway, especially when people were making him run the tombs. His first class today was Weird Science, one he always looked forward to. It was where he’d originally gotten the idea to put his machine together, from the lesson on radio waves. Carlos was not the only top student in the class—he was tied, in fact, with the closest thing he had to a rival in the whole school: the scrawny, bespectacled Reza. Reza was the son of the former Royal Astronomer of Agrabah, who had consulted with Jafar to make sure the stars aligned on more than one nefarious occasion, which was how his family had found their way to the Isle of the Lost with everyone else. Weird Science was the class where Carlos always worked the hardest. The presence of Reza, who was every bit as competitive in science lab as he was, only made Carlos work that much harder. And as annoying as everyone found Reza to be—he always had to use the very biggest words for everything, whether they were used correctly and whether he was inserting a few extra syllables where they might or might not belong—he was still smart. Very smart. Which meant Carlos enjoyed besting him. Just the other week they had been working on a special elixir, and Reza had been annoyed that Carlos had figured out the secret ingredient first. Yeah, Reza was almost as smart as he was irritating. Even now he was raising his hand, waving it wildly back and forth. Their professor, the powerful sorcerer Yen Sid,
”
”
Melissa de la Cruz (The Isle of the Lost (Descendants, #1))
“
Les Poets de Sept ans
Et la Mère, fermant le livre du devoir,
S'en allait satisfaite et très fière sans voir,
Dans les yeux bleus et sous le front plein d'éminences,
L'âme de son enfant livrée aux répugnances.
Tout le jour, il suait d'obéissance ; très
Intelligent ; pourtant des tics noirs, quelques traits
Semblaient prouver en lui d'âcres hypocrisies.
Dans l'ombre des couloirs aux tentures moisies,
En passant il tirait la langue, les deux poings
A l'aine, et dans ses yeux fermés voyait des points.
Une porte s'ouvrait sur le soir : à la lampe
On le voyait, là-haut, qui râlait sur la rampe,
Sous un golfe de jour pendant du toit. L'été
Surtout, vaincu, stupide, il était entêté
A se renfermer dans la fraîcheur des latrines:
Il pensait là, tranquille et livrant ses narines.
Quand, lavé des odeurs du jour, le jardinet
Derrière la maison, en hiver, s'illunait ,
Gisant au pied d'un mur, enterré dans la marne
Et pour des visions écrasant son oeil darne,
Il écoutait grouiller les galeux espaliers.
Pitié ! Ces enfants seuls étaient ses familiers
Qui, chétifs, fronts nus, oeil déteignant sur la joue,
Cachant de maigres doigts jaunes et noirs de boue
Sous des habits puant la foire et tout vieillots,
Conversaient avec la douceur des idiots !
Et si, l'ayant surpris à des pitiés immondes,
Sa mère s'effrayait, les tendresses profondes,
De l'enfant se jetaient sur cet étonnement.
C'était bon. Elle avait le bleu regard, - qui ment!
A sept ans, il faisait des romans, sur la vie
Du grand désert où luit la Liberté ravie,
Forêts, soleils, rives, savanes ! - Il s'aidait
De journaux illustrés où, rouge, il regardait
Des Espagnoles rire et des Italiennes.
Quand venait, l'Oeil brun, folle, en robes d'indiennes,
-Huit ans -la fille des ouvriers d'à côté,
La petite brutale, et qu'elle avait sauté,
Dans un coin, sur son dos, en secouant ses tresses,
Et qu'il était sous elle, il lui mordait les fesses,
Car elle ne portait jamais de pantalons;
- Et, par elle meurtri des poings et des talons,
Remportait les saveurs de sa peau dans sa chambre.
Il craignait les blafards dimanches de décembre,
Où, pommadé, sur un guéridon d'acajou,
Il lisait une Bible à la tranche vert-chou;
Des rêves l'oppressaient, chaque nuit, dans l'alcôve.
Il n'aimait pas Dieu; mais les hommes qu'au soir fauve,
Noirs, en blouse, il voyait rentrer dans le faubourg
Où les crieurs, en trois roulements de tambour,
Font autour des édits rire et gronder les foules.
- Il rêvait la prairie amoureuse, où des houles
Lumineuses, parfums sains, pubescences d'or,
Font leur remuement calme et prennent leur essor !
Et comme il savourait surtout les sombres choses,
Quand, dans la chambre nue aux persiennes closes,
Haute et bleue, âcrement prise d'humidité,
Il lisait son roman sans cesse médité,
Plein de lourds ciels ocreux et de forêts noyées,
De fleurs de chair aux bois sidérals déployées,
Vertige, écroulement, déroutes et pitié !
- Tandis que se faisait la rumeur du quartier,
En bas, - seul et couché sur des pièces de toile
Écrue et pressentant violemment la voile!
”
”
Arthur Rimbaud
“
Vă e milă de mine, nu? Sunt singur, n-am un ban, sunt paralizat și abia am împlinit 28 de ani. Dar pocnesc din degete drept sub nasul vostru și, cu egală aroganță, mi-e milă mie de voi. Mi-e milă de norocul vostru neîntrerupt și de pacea stătută a minților voastre. Prefer furtuna mea. Eu sunt pe moarte, dar voi sunteți deja cadavre. N-ați trăit niciodată cu adevărat. Corpul vostru n-a fost niciodată trezit la viață sub loviturile de bici ale dorinței deznădăjduite de a iubi, de a ști, de a face, de a reuși. N-am ce invidia la voi, cei absorbiți degrijile mărunte ale unei existențe ordinare.
Credeți că aș schimba comuniunea pe care o am cu inima mea pentru baloanele colorate ale conversațiilor voastre prostești? Sau curiozitatea mea pentru interesele voastre nestatornice? Sau disperarea mea pentru speranța voastră confortabilă? Sau viața mea joasă de-acum pentru viața voastră lustruită și curată ca o monedă nouă? Nu aș schimba-o. Mă înfășor în mantie și îi mulțumesc solemn Domnului că nu sunt cum sunt alții.
N-am decât douăzeci și opt de ani, dar în anii aceștia puțini am comprimat o viață destul de lungă: am iubit și m-am căsătorit și am o familie; am plâns și m-am bucurat, am luptat și am învins, iar când va veni ceasul voi fi mulțumit să mor.
”
”
Barbellon (The Journal of a Disappointed Man)
“
It might be useful here to say a word about Beckett, as a link between the two stages, and as illustrating the shift towards schism. He wrote for transition, an apocalyptic magazine (renovation out of decadence, a Joachite indication in the title), and has often shown a flair for apocalyptic variations, the funniest of which is the frustrated millennialism of the Lynch family in Watt, and the most telling, perhaps, the conclusion of Comment c'est. He is the perverse theologian of a world which has suffered a Fall, experienced an Incarnation which changes all relations of past, present, and future, but which will not be redeemed. Time is an endless transition from one condition of misery to another, 'a passion without form or stations,' to be ended by no parousia. It is a world crying out for forms and stations, and for apocalypse; all it gets is vain temporality, mad, multiform antithetical influx.
It would be wrong to think that the negatives of Beckett are a denial of the paradigm in favour of reality in all its poverty. In Proust, whom Beckett so admires, the order, the forms of the passion, all derive from the last book; they are positive. In Beckett, the signs of order and form are more or less continuously presented, but always with a sign of cancellation; they are resources not to be believed in, cheques which will bounce. Order, the Christian paradigm, he suggests, is no longer usable except as an irony; that is why the Rooneys collapse in laughter when they read on the Wayside Pulpit that the Lord will uphold all that fall.
But of course it is this order, however ironized, this continuously transmitted idea of order, that makes Beckett's point, and provides his books with the structural and linguistic features which enable us to make sense of them. In his progress he has presumed upon our familiarity with his habits of language and structure to make the relation between the occulted forms and the narrative surface more and more tenuous; in Comment c'est he mimes a virtually schismatic breakdown of this relation, and of his language. This is perfectly possible to reach a point along this line where nothing whatever is communicated, but of course Beckett has not reached it by a long way; and whatever preserves intelligibility is what prevents schism.
This is, I think, a point to be remembered whenever one considers extremely novel, avant-garde writing. Schism is meaningless without reference to some prior condition; the absolutely New is simply unintelligible, even as novelty. It may, of course, be asked: unintelligible to whom? --the inference being that a minority public, perhaps very small--members of a circle in a square world--do understand the terms in which the new thing speaks. And certainly the minority public is a recognized feature of modern literature, and certainly conditions are such that there may be many small minorities instead of one large one; and certainly this is in itself schismatic. The history of European literature, from the time the imagination's Latin first made an accommodation with the lingua franca, is in part the history of the education of a public--cultivated but not necessarily learned, as Auerbach says, made up of what he calls la cour et la ville. That this public should break up into specialized schools, and their language grow scholastic, would only be surprising if one thought that the existence of excellent mechanical means of communication implied excellent communications, and we know it does not, McLuhan's 'the medium is the message' notwithstanding. But it is still true that novelty of itself implies the existence of what is not novel, a past. The smaller the circle, and the more ambitious its schemes of renovation, the less useful, on the whole, its past will be. And the shorter. I will return to these points in a moment.
”
”
Frank Kermode (The Sense of an Ending: Studies in the Theory of Fiction)
“
For many years there have been rumours of mind control experiments. in the United States. In the early 1970s, the first of the declassified information was obtained by author John Marks for his pioneering work, The Search For the Manchurian Candidate. Over time retired or disillusioned CIA agents and contract employees have broken the oath of secrecy to reveal small portions of their clandestine work. In addition, some research work subcontracted to university researchers has been found to have been underwritten and directed by the CIA. There were 'terminal experiments' in Canada's McGill University and less dramatic but equally wayward programmes at the University of California at Los Angeles, the University of Rochester, the University of Michigan and numerous other institutions. Many times the money went through foundations that were fronts or the CIA. In most instances, only the lead researcher was aware who his or her real benefactor was, though the individual was not always told the ultimate use for the information being gleaned. In 1991, when the United States finally signed the 1964 Helsinki Accords that forbids such practices, any of the programmes overseen by the intelligence community involving children were to come to an end. However, a source recently conveyed to us that such programmes continue today under the auspices of the CIA's Office of Research and Development. The children in the original experiments are now adults. Some have been able to go to college or technical schools, get jobs. get married, start families and become part of mainstream America. Some have never healed. The original men and women who devised the early experimental programmes are, at this point, usually retired or deceased. The laboratory assistants, often graduate and postdoctoral students, have gone on to other programmes, other research. Undoubtedly many of them never knew the breadth of the work of which they had been part. They also probably did not know of the controlled violence utilised in some tests and preparations. Many of the 'handlers' assigned to reinforce the separation of ego states have gone into other pursuits. But some have remained or have keen replaced. Some of the 'lab rats' whom they kept in in a climate of readiness, responding to the psychological triggers that would assure their continued involvement in whatever project the leaders desired, no longer have this constant reinforcement. Some of the minds have gradually stopped suppression of their past experiences. So it is with Cheryl, and now her sister Lynn.
”
”
Cheryl Hersha (Secret Weapons: How Two Sisters Were Brainwashed to Kill for Their Country)