Kya And The Marsh Quotes

Sometimes she heard night-sounds she didn’t know or jumped from lightning too close, but whenever she stumbled, it was the land who caught her. Until at last, at some unclaimed moment, the heart-pain seeped away like water into sand. Still there, but deep. Kya laid her hand upon the breathing, wet earth, and the marsh became her mother.

Kya laid her hand upon the breathing, wet earth, and the marsh became her mother.

What d'ya mean, where the crawdads sing? Ma used to say that." Kya remembered Ma always encouraging her to explore the marsh: "Go as far as you can --- way out yonder where the crawdads sing." Tate said, "Just means far in the bush where critters are wild, still behaving like critters.

Most of what she knew, she'd learned from the wild. Nature had nurtured, tutored, and protected her when no one else would. If consequences resulted from her behaving differently then they too were functions of life's fundamental core. Tate's devotion eventually convinced her that human love is more than the bizarre mating competitions of the marsh creatures. But life also taught her than ancient genes for survival still persist in undesirable forms among the twists and turns of man's genetic code. For Kya it was enough to be part of this natural sequence as sure as the tides. Kya was bonded to her planet and its life in a way few people are. Rooted solid in this earth. Born of this mother.

Sometimes she heard night-sounds she didn't know or jumped from lightning too close, but whenever she stumbled, it was the land who caught her. Until at last, at some unclaimed moment, the heart-pain seeped away like water into sand. Still there, but deep. Kya laid her hand upon the breathing, wet earth, and the marsh became her mother.

Well, we better hide way out there where the crawdads sing. I pity any foster parents who take you on.” Tate’s whole face smiled. “What d’ya mean, where the crawdads sing? Ma used to say that.” Kya remembered Ma always encouraging her to explore the marsh: “Go as far as you can—way out yonder where the crawdads sing.” “Just means far in the bush where critters are wild, still behaving like critters. Now, you got any ideas where we can meet?

Months passed, winter easing gently into place, as southern winters do. The sun, warm as a blanket, wrapped Kya's shoulders, coaxing her deeper into the marsh. Sometimes she heard night-sounds she didn't know or jumped from lightning too close, but whenever she stumbled, it was the land that caught her. Until at last, at some unclaimed moment, the heart-pain seeped away like water into sand. Still there, but deep. Kya laid her hand upon the breathing, wet earth, and the marsh became her mother.

Until at last, at some unclaimed moment, the heart-pain seeped away like water into sand. Still there, but deep. Kya laid her hand upon the breathing, wet earth, and the marsh became her mother.

Here, just a minute.” He touched a drop of marsh water onto the slide, covered it with another, and focused the eyepiece. He stood. “Have a look.” Kya leaned over gently, as if to kiss a baby. The microscope’s light reflected in her dark pupils, and she drew in a breath as a Mardi Gras of costumed players pirouetted and careened into view. Unimaginable headdresses adorned astonishing bodies so eager for more life, they frolicked as though caught in a circus tent, not a single bead of water. She put her hand on her heart. “I had no idea there were so many and so beautiful,” she said, still looking. He identified some odd species, then stepped back, watching her. She feels the pulse of life, he thought, because there are no layers between her and her planet.

Looks like it’ll be ’bout eight hundr’d dollars total—put the land free and clear.” Kya walked out of the courthouse with a full deed in her name for three hundred ten acres of lush lagoons, sparkling marsh, oak forests, and a long private beach on the North Carolina coastline

Kya laid her hand up on the breathing, wet earth, and the marsh became her mother.

Their squeals made Kya’s silence even louder. Their togetherness tugged at her loneliness, but she knew being labeled as marsh trash kept her behind the oak tree.

FOR A MONTH AFTER JULY 4, Kya did not leave her place, did not go into the marsh or to Jumpin’s for gas or supplies. She lived on dried fish, mussels, oysters. Grits and greens.

Kya had never been this high above the marsh. Now all the pieces lay beneath her, and she saw her friend’s full face for the first time.

What d’ya mean, where the crawdads sing? Ma used to say that.” Kya remembered Ma always encouraging her to explore the marsh: “Go as far as you can—way out yonder where the crawdads sing.

Kya stood and walked into the night, into the creamy light of a three-quarter moon. The marsh’s soft air fell silklike around her shoulders. The moonlight chose an unexpected path through the pines, laying shadows about in rhymes. She strolled like a sleepwalker as the moon pulled herself naked from the waters and climbed limb by limb through the oaks. The slick mud of the lagoon shore glowed in the intense light, and hundreds of fireflies dotted the woods. Wearing a secondhand white dress with a flowing skirt and waving her arms slowly about, Kya waltzed to the music of katydids and leopard frogs.

ONLY A FEW DAYS LATER, Tate, still home from graduate school, raced his boat toward Kya’s marsh channel, the first time he’d done so in five years. He still couldn’t explain to himself why he’d never gone

In his room, scanning through the poetry book for one to read in class, Tate found a poem by Thomas Moore: ... she's gone to the Lake of the Dismal Swamp, Where, all night long, by a fire-fly lamp, She paddles her white canoe. And her fire-fly lamp I soon shall see, And her paddle I soon shall hear; Long and loving our life shall be, And I'll hide the maid in a cypress tree, When the footstep of death is near. The words made him think of Kya, Jodie's little sister. She'd seemed so small and alone in the marsh's big sweep. He imagined his own sister lost out there. His dad was right- poems made you feel something.

Ma used to say that.” Kya remembered Ma always encouraging her to explore the marsh: “Go as far as you can—way out yonder where the crawdads sing.” “Just means far in the bush where critters are wild, still behaving like critters.

Kya, I’m sorry ’bout the other day. Okay? C’mon, I wanta show you the fire tower.” She said nothing, still drifting his way, knowing it was weakness. “Look, if you’ve never climbed the tower, it’s a great way to see the marsh. Follow me.

That evening, after the fishing boy led her home through the marsh, Kya sat cross-legged on her porch bed. Mist from the downpour eased through the patched-up screen, touching her face. She thought about the boy. Kind yet strong, like Jodie.

whenever she stumbled, it was the land that caught her. Until at last, at some unclaimed moment, the heart-pain seeped away like water into sand. Still there, but deep. Kya laid her hand upon the breathing, wet earth, and the marsh became her mother.

She sat quiet. Finally she said, “Why do you have to go, Tate? Why can’t you stay here, shrimp like your dad?” “Kya, you know why. I just can’t do that. I want to study the marsh, be a research biologist.” They had reached the beach and sat on the sand.

Ma 1952 The morning burned so August-hot, the marsh’s moist breath hung the oaks and pines with fog. The palmetto patches stood unusually quiet except for the low, slow flap of the heron’s wings lifting from the lagoon. And then, Kya, only six at the time,

What d’ya mean, where the crawdads sing? Ma used to say that.” Kya remembered Ma always encouraging her to explore the marsh: “Go as far as you can—way out yonder where the crawdads sing.” “Just means far in the bush where critters are wild, still behaving like critters. Now,

Kya, you know why. I just can’t do that. I want to study the marsh, be a research biologist.” They had reached the beach and sat on the sand. “Then what? There’re no jobs like that here. You’ll never come home again.” “Yes, I will. I won’t leave you, Kya. I promise. I’ll come back to you.

As before, the shack stood unpainted on the outside, the weathered pine boards and tin roof rich in gray and rust colors, brushed by Spanish moss from the overhanging oak. Less rickety, but still woven into the weft of the marsh. Kya continued sleeping on the porch, except in the coldest of winter. But now she had a bed.

Sometimes she heard night-sounds she didn't know or jumped from lightning too close, but whenever she stumbled, it was the land that caught her. Until at last, at some unclaimed moment, the heart-pain seeped away like water into sand. Still there, but deep. Kya laid her hand upon the breathing, wet earth, and the marsh became her mother.

Sometimes she heard night-sounds she didn’t know or jumped from lightning too close, but whenever she stumbled, it was the land that caught her. Until at last, at some unclaimed moment, the heart-pain seeped away like water into sand. Still there, but deep. Kya laid her hand upon the breathing, wet earth, and the marsh became her mother.

Sometimes she heard night-sounds she didn’t know or jumped from lightning too close, but whenever she stumbled, it was the land that caught her. Until at last, at some unclaimed moment, the heart-pain seeped away like water into sand. Still there, but deep. Kya laid her hand upon the breathing, wet earth, and the marsh became her mother. 5.

Kya stood and walked into the night, into the creamy light of a three-quarter moon. The marsh's soft air fell silklike around her shoulders. The moonlight chose an unexpected path through the pines, laying shadows about in rhymes. She strolled like a sleepwalker as the moon pulled herself naked from the waters and climbed limb by limb through the oaks.

Well, we better hide way out there where the crawdads sing. I pity any foster parents who take you on.” Tate’s whole face smiled. “What d’ya mean, where the crawdads sing? Ma used to say that.” Kya remembered Ma always encouraging her to explore the marsh: “Go as far as you can—way out yonder where the crawdads sing.” “Just means far in the bush where critters are wild, still behaving like critters.

The language of the court was, of course, not as poetic as the language of the marsh. Yet Kya saw similarities in their natures. The judge, obviously the alpha male, was secure in his position, so his posture was imposing, but relaxed and unthreatened as the territorial boar. Tom Milton, too, exuded confidence and rank with easy movements and stance. A powerful buck, acknowledged as such. The prosecutor, on the other hand, relied on wide, bright ties and broad-shouldered suit jackets to enhance his status. He threw his weight by flinging his arms or raising his voice. A lesser male needs to shout to be noticed. The bailiff represented the lowest-ranking male and depended on his belt hung with glistening pistol, clanging wad of keys, and clunky radio to bolster his position. Dominance hierarchies enhance stability in natural populations, and some less natural, Kya thought.

Months passed, winter easing gently into place, as southern winters do. The sun, warm as a blanket, wrapped Kya’s shoulders, coaxing her deeper into the marsh. Sometimes she heard night-sounds she didn’t know or jumped from lightning too close, but whenever she stumbled, it was the land that caught her. Until at last, at some unclaimed moment, the heart-pain seeped away like water into sand. Still there, but deep. Kya laid her hand upon the breathing, wet earth, and the marsh became her mother.

Jumpin' said the Social Services are lookin' for me. I'm scared they'll pull me in like a trout, put me in a foster home or sump'm." "Well, we better hide away out there where the crawdads sing. I pity any foster parents who take you on." Tate's whole face smiled. "What d'ya mean, where the crawdads sing? Ma used to say that." Kya remembered Ma always encouraging her to explore the marsh: "Go as far as you can- way out yonder where the crawdads sing." "Just means far in the bush where critters are wild, still behaving like critters.

Tate found a poem by Thomas Moore: . . . she’s gone to the Lake of the Dismal Swamp, Where, all night long, by a fire-fly lamp, She paddles her white canoe. And her fire-fly lamp I soon shall see, And her paddle I soon shall hear; Long and loving our life shall be, And I’ll hide the maid in a cypress tree, When the footstep of death is near. The words made him think of Kya, Jodie’s little sister. She’d seemed so small and alone in the marsh’s big sweep. He imagined his own sister lost out there. His dad was right—poems made you feel something.

Ducking beneath the low-hanging limbs of giant trees, she churned slowly through thicket for more than a hundred yards, as easy turtles slid from water-logs. A floating mat of duckweed colored the water as green as the leafy ceiling, creating an emerald tunnel. Finally, the trees parted, and she glided into a place of wide sky and reaching grasses, and the sounds of cawing birds. The view a chick gets, she reckoned, when it finally breaks its shell. Kya tooled along, a tiny speck of a girl in a boat, turning this way and that as endless estuaries branched and braided before her. Keep left at all the turns going out, Jodie had said. She barely touched the throttle, easing the boat through the current, keeping the noise low. As she broke around a stand of reeds, a whitetail doe with last spring's fawn stood lapping water. Their heads jerked up, slinging droplets through the air. Kya didn't stop or they would bolt, a lesson she'd learned from watching wild turkeys: if you act like a predator, they act like prey. Just ignore them, keep going slow. She drifted by, and the deer stood as still as a pine until Kya disappeared beyond the salt grass.

TUTORED BY MILLIONS OF MINUTES ALONE, Kya thought she knew lonely. A life of staring at the old kitchen table, into empty bedrooms, across endless stretches of sea and grass. No one to share the joy of a found feather or a finished watercolor. Reciting poetry to gulls. But after Jacob closed her cell with the clank of bars, disappeared down the hall, and locked the heavy door with a final thud, a cold silence settled. Waiting for the verdict of her own murder trial brought a loneliness of a different order. The question of whether she lived or died did not surface on her mind, but sank beneath the greater fear of years alone without her marsh. No gulls, no sea in a starless place.

On every trip to Kya's, Tate took school or library books, especially on marsh creatures and biology. Her progress was startling. She could read anything now, her said, and once you can read anything you can learn everything. It was up to her. "Nobody's come close to filling their brains," he said. "We're all like giraffes not using their necks to reach the higher leaves." Alone for hours, by the light of the lantern, Kya read how plants and animals change over time to adjust to the ever-shifting earth; how some cells divide and specialize into lungs or hearts, while others remain uncommitted as stem cells in case they're needed later. Birds sing mostly at dawn because the cool, moist air of morning carries their songs and their meanings much farther. All her life, she'd seen these marvels at eye level, so nature's ways came easily to her.

AUTUMN WAS COMING; the evergreens might not have noticed, but the sycamores did. They flashed thousands of golden leaves across slate-gray skies. Late one afternoon, after the lesson, Tate lingering when he should have left, he and Kya sat on a log in the woods. She finally asked the question she’d wanted to ask for months. “Tate, I appreciate your teaching me to read and all those things you gave me. But why’d you do it? Don’t you have a girlfriend or somebody like that?” “Nah—well, sometimes I do. I had one, but not now. I like being out here in the quiet and I like the way you’re so interested in the marsh, Kya. Most people don’t pay it any attention except to fish. They think it’s wasteland that should be drained and developed. People don’t understand that most sea creatures—including the very ones they eat—need the marsh.” He didn’t mention how he felt sorry for her being alone, that he knew how the kids had treated her for years; how the villagers called her the Marsh Girl and made up stories about her. Sneaking out to her shack, running through the dark and tagging it, had become a regular tradition, an initiation for boys becoming men. What did that say about men? Some of them were already making bets about who would be the first to get her cherry. Things that infuriated and worried him. But that wasn’t the main reason he’d left feathers for Kya in the forest, or why he kept coming to see her. The other words Tate didn’t say were his feelings for her that seemed tangled up between the sweet love for a lost sister and the fiery love for a girl. He couldn’t come close to sorting it out himself, but he’d never been hit by a stronger wave. A power of emotions as painful as pleasurable.

Above the roar of pounding waves, Kya called to the birds. The ocean sang bass, the gulls sang soprano. Shrieking and crying, they circled over the marsh and above the sand as she threw piecrust and yeast rolls onto the beach. Legs hanging down, heads twisting, they landed. A few birds pecked gently between her toes, and she laughed from the tickling until tears streamed down her cheeks, and finally great, ragged sobs erupted from that tight place below her throat. When the carton was empty she didn’t think she could stand the pain, so afraid they would leave her like everybody else. But the gulls squatted on the beach around her and went about their business of preening their gray extended wings. So she sat down too and wished she could gather them up and take them with her to the porch to sleep. She imagined them all packed in her bed, a fluffy bunch of warm, feathered bodies under the covers together.

Above the roar of pounding waves, Kya called to the birds. The ocean sang bass, the gulls sang soprano. Shrieking and crying, they circled over the marsh and above the sand as she threw piecrust and yeast rolls onto the beach. Legs hanging down, heads twisting, they landed. A few birds pecked gently between her toes, and she laughed from the tickling until tears streamed down her cheeks, and finally great, ragged sobs erupted from that tight place below her throat. When the carton was empty she didn't think she could stand the pain, so afraid they would leave her like everybody else. But the gulls squatted on the beach around her and went about their business of preening their gray extended wings. So she sat down too and wished she could gather them up and take them with her to the porch to sleep. She imagined them all packed in her bed, a fluffy bunch of warm, feathered bodies under the covers together.

Kya never had her troop of close friends, nor the connections Jodie described, for she never had her own family. She knew the years of isolation had altered her behavior until she was different from others, but it wasn't her fault she'd been alone. Most of what she knew, she'd learned from the wild. Nature had nurtured, tutored, and protected her when no one else would. If consequences resulted from her behaving differently then they too were functions of life's fundamental core. Tate's devotion eventually convinced her that human love is more than the bizarre mating competitions of the marsh creatures. But life also taught her that ancient genes for survival still persist in undesirable forms among the twists and turns of man's genetic code. For Kya it was enough to be part of this natural sequence as sure as the tides. Kya was bonded to her planet and its life in a way few people are. Rooted solid in this earth. Born of this mother.

Well, we better hide way out there where the crawdads sing. I pity any foster parents who take you on.” Tate’s whole face smiled. “What d’ya mean, where the crawdads sing? Ma used to say that.” Kya remembered Ma always encouraging her to explore the marsh: “Go as far as you can—way out yonder where the crawdads sing.” “Just means far in the bush where critters are wild, still behaving like critters. Now, you got any ideas where we can meet?” “There’s a place I found one time, an old fallin’-down cabin. Once you know the turnoff, ya can get there by boat; I can walk there from here.” “Okay then, get in. Show me this time; next time we’ll meet there.” “If I’m out there I’ll leave a little pile of rocks right here by the tyin’-up log.” Kya pointed to a spot on the lagoon beach. “Otherwise, I’m ’round here somewhere and will come out when I hear yo’ motor.” They puttered slowly through the marsh, then planed off south through open sea, away from town. She bounced along in the bow, wind

EVERY MORNING SHE WOKE EARLY, still listening for the clatter of Ma’s busy cooking. Ma’s favorite breakfast had been scrambled eggs from her own hens, ripe red tomatoes sliced, and cornbread fritters made by pouring a mixture of cornmeal, water, and salt onto grease so hot the concoction bubbled up, the edges frying into crispy lace. Ma said you weren’t really frying something unless you could hear it crackling from the next room, and all her life Kya had heard those fritters popping in grease when she woke. Smelled the blue, hot-corn smoke. But now the kitchen was silent, cold, and Kya slipped from her porch bed and stole to the lagoon. Months passed, winter easing gently into place, as southern winters do. The sun, warm as a blanket, wrapped Kya’s shoulders, coaxing her deeper into the marsh. Sometimes she heard night-sounds she didn’t know or jumped from lightning too close, but whenever she stumbled, it was the land that caught her. Until at last, at some unclaimed moment, the heart-pain seeped away like water into sand. Still there, but deep. Kya laid her hand upon the breathing, wet earth, and the marsh became her mother.

Scupper walked to the sitting room, calling back, “I used to know most of it by heart, but not anymore. But here it is, I’ll read it to ya.” He sat back down at the table and began reading. When he got to this segment: “And there sat Sam, looking cool and calm, in the heart of the furnace roar; And he wore a smile you could see a mile, and he said, ‘Please close that door. It’s fine in here, but I greatly fear you’ll let in the cold and storm— Since I left Plumtree down in Tennessee, it’s the first time I’ve been warm.’” Scupper and Tate chuckled. “Your mom always laughed at that.” They smiled, remembering. Just sat there a minute. Then Scupper said he’d wash up while Tate did his homework. In his room, scanning through the poetry book for one to read in class, Tate found a poem by Thomas Moore: . . . she’s gone to the Lake of the Dismal Swamp, Where, all night long, by a fire-fly lamp, She paddles her white canoe. And her fire-fly lamp I soon shall see, And her paddle I soon shall hear; Long and loving our life shall be, And I’ll hide the maid in a cypress tree, When the footstep of death is near. The words made him think of Kya, Jodie’s little sister. She’d seemed so small and alone in the marsh’s big sweep. He imagined his own sister lost out there. His dad was right—poems made you feel something.

Now, son, I don’t pay much mind to idle talk, never have done. But there’s a regular riptide of gossip saying you’ve got something going with that girl in the marsh.” Tate threw up his hands. “Now hold on, hold on,” Scupper continued. “I don’t believe all the stories about her; she’s probably nice. But take a care, son. You don’t want to go starting a family too early. You get my meaning, don’t you?” Keeping his voice low, Tate hissed, “First you say you don’t believe those stories about her, then you say I shouldn’t start a family, showing you do believe she’s that kind of girl. Well, let me tell you something, she’s not. She’s more pure and innocent than any of those girls you’d have me go to the dance with. Oh man, some of the girls in this town, well, let’s just say they hunt in packs, take no prisoners. And yes, I’ve been going out to see Kya some. You know why? I’m teaching her how to read because people in this town are so mean to her she couldn’t even go to school.” “That’s fine, Tate. That’s good of you. But please understand it’s my job to say things like this. It may not be pleasant and all for us to talk about, but parents have to warn their kids about things. That’s my job, so don’t get huffy about it.” “I know,” Tate mumbled while buttering a biscuit. Feeling very huffy. “Come on now. Let’s get another helping, then some of that pecan pie.” After the pie came, Scupper said, “Well, since we’ve talked about things we never mention, I might as well say something else on my mind.” Tate rolled his eyes at his pie. Scupper continued. “I want you to know, son, how proud I am of you. All on your own, you’ve studied the marsh life, done real well at school, applied for college to get a degree in science. And got accepted. I’m just not the kind to speak on such things much. But I’m mighty proud of you, son. All right?” “Yeah. All right.” Later in his room, Tate recited from his favorite poem: “Oh when shall I see the dusky Lake, And the white canoe of my dear?” •

She wasn't sure she could speak. She wanted him to take her again to the place.. In case he never came back, she wanted him to take her there now. "I'm going to miss you, Kya. Every day, all day." "You might forget me." "I will never forget you. Ever. You take care of the marsh till I get back, you hear? And be careful." "I will." "I mean it now, Kya. Watch out for folks; don't let strangers get near you.. I'll come home... I'll be back before you know it.

Kya had never been this high above the marsh. Now all the pieces lay beneath her, and she saw her friend's full face for the first time.

- Can we meet somewhere besides here? Please. [...] - Well, we better hide way out there where the crawdads sing. [...] - What d'ya mean, where the crawdads sing? Ma used to say that. Kya remembered Ma always encouraging her to explore the marsh: "Go as far as you can-way out yonder where the crawdads sing" - Just means far in the bush where critters are wild, still behaving like critters.

...but whenever she stumbled, it was the land that caught her. Until at last, some unclaimed moment, the heart-pain seeped away like water into sand. Still there, but deep. Kya laid her hand upon the breathing, wet earth, and the marsh became her mother.

Kya remembered Ma always encouraging her to explore the marsh: 'Go as far as you can - way out yonder where the crawdads sing.' 'Just means far in the bush where critters are wild, still behaving like critters...

...I like being out here in the quiet and I like the way you're so interested in the marsh, Kya. Most people don't pay it any attention except to fish. They think it's wasteland that should be drained and developed. People don't understand that most sea creatures - including the very ones they eat - need the marsh.

Tate's devotion eventually convinced her that human love is more than the bizarre mating competitions of the marsh creatures, but life also taught her that ancient genes for survival still persist in some undesirable forms among the twists and turns of man's genetic code. For Kya, it was enough to be part of this natural sequence as sure as the tides. She was bonded to her planet and its life in a way few people are. Rooted solid in this earth. Born of this mother.

Months passed, winter was easing gently into place, as southern winters do. The sun, warm as a blanket, wrapped Kya's shoulders, coaxing her deeper into the marsh. Sometimes she heard night-sounds she didn't know or jumped from lightning too close, but whenever she stumbled, it was the land that caught her. Until at last, at some unclaimed moment, the heart-pain seeped away like water into sand. Still there, but deep. Kya laid her hand upon the breathing, wet earth, and the marsh became her mother

Well, we better hide way out there where the crawdads sing. I pity any foster parents who take you on." Tate's whole face smiled. "What d'ya mean, where the crawdads sing? Ma used to say that." Kya remembered Ma always encouraging her to explore the marsh. "Go as far as you can - way out yonder where the crawdads sing." "Just means far in the bush where critters are wild, still behaving like critters.

Still there, but deep. Kya laid her hand upon the breathing, wet earth, and the marsh became her mother.