Kurt Vonnegut Indianapolis Quotes

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Indianapolis, Indiana is the first place in the United States of America where a white man was hanged for the murder of an Indian. The kind of people who'll hang a white man for murdering an Indian--that's the kind of people for me.
Kurt Vonnegut Jr.
But I had a good uncle, my late Uncle Alex. He was my father's kid brother, a childless graduate of Harvard who was an honest life-insurance salesman in Indianapolis. He was well- read and wise. And his principal complaint about other human beings was that they so seldom noticed it when they were happy. So when we were drinking lemonade under an apple tree in the summer, say, and talking lazily about this and that, almost buzzing like honeybees, Uncle Alex would suddenly interrupt the agreeable blather to exclaim, "If this isn't nice, I don't know what is." SO I do the same now, and so do my kids and grandkids. And I urge you to please notice when you are happy, and exclaim or murmur or think at some point, "if this isn't nice, I don't know what is." -Kurt Vonnegut "A man without a country" p. 132
Kurt Vonnegut Jr. (A Man Without a Country)
Indianapolis, Indiana,” said Constant, “is the first place in the United States of America where a white man was hanged for the murder of an Indian. The kind of people who’ll hang a white man for murdering an Indian—” said Constant, “that’s the kind of people for me.” Salo’s
Kurt Vonnegut Jr. (The Sirens of Titan)
Indianapolis, Indiana,” said Constant, “is the first place in the United States of America where a white man was hanged for the murder of an Indian. The kind of people who’ll hang a white man for murdering an Indian—” said Constant, “that’s the kind of people for me.” Salo
Kurt Vonnegut Jr. (The Sirens of Titan)
He became the largest individual hog farmer in the North. And, in order not to be victimized by meat packers, he bought controlling interest in an Indianapolis slaughterhouse. In order not to be victimized by steel suppliers, he bought controlling interest in a steel company in Pittsburgh. In order not to be victimized by coal suppliers, he bought controlling interest in several mines. In order not to be victimized by money lenders, he founded a bank.
Kurt Vonnegut Jr. (God Bless You, Mr. Rosewater)
The writing style which is most natural for you is bound to echo the speech you heard when a child. English was the novelist Joseph Conrad's third language, and much of that seems piquant in his use of English was no doubt colored by his first language, which was Polish. And lucky indeed is the writer who has grown up in Ireland, for the English spoken there is so amusing and musical. I myself grew up in Indianapolis, where common speech sounds like a band saw cutting galvanized tin, and employs a vocabulary as unornamental as a monkey wrench. In some of the more remote hollows of Appalachia, children still grow up hearing songs and locutions of Elizabethan times. Yes, and many Americans grow up hearing a language other than English, or an English dialect a majority of Americans cannot understand. All these varieties of speech are beautiful, just as the varieties of butterflies are beautiful. No matter what your first language, you should treasure it all your life. If it happens not to be standard English, and if it shows itself when you write standard English, the result is usually delightful, like a very pretty girl with one eye that is green and one that is blue. I myself find that I trust my own writing most, and others seem to trust it most, too, when I sound most like a person from Indianapolis, which is what I am. What alternatives do I have? The one most vehemently recommended by teachers has no doubt been pressed on you, as well: to write like cultivated Englishmen of a century or more ago.
Kurt Vonnegut Jr.
But I had a good uncle, my late Uncle Alex. He was my father’s kid brother, a childless graduate of Harvard who was an honest life-insurance salesman in Indianapolis. He was well-read and wise. And his principal complaint about other human beings was that they so seldom noticed it when they were happy. So when we were drinking lemonade under an apple tree in the summer, say, and talking lazily about this and that, almost buzzing like honeybees, Uncle Alex would suddenly interrupt the agreeable blather to exclaim, “If this isn’t nice, I don’t know what is.” So I do the same now, and so do my kids and grandkids. And I urge you to please notice when you are happy, and exclaim or murmur or think at some point, “If this isn’t nice, I don’t know what is.
Kurt Vonnegut Jr. (A Man Without a Country)
This is the only story of mine whose moral I know. I don't think it's a marvelous moral, I simply happen to know what it is: We are what we pretend to be, so we must be careful about what we pretend to be. My personal experience with Nazi monkey business was limited. There were some vile and lively native American Fascists in my home town of Indianapolis during the thirties, and somebody slipped me a copy of The Protocols of the Elders of Zion, I remember, which was supposed to be the Jews' secret plan for taking over the world. And I remember some laughs about my aunt, too, who married a German German, and who had to write to Indianapolis for proofs that she had no Jewish blood. The Indianapolis mayor knew her from high school and dancing school, so he had fun putting ribbons and official seals all over the documents the Germans required, which made them look like eighteenth-century peace treaties. After a while the war came, and I was in it, and I was captured, so I got to see a little of Germany from the inside while the war was still going on. I was a private, a battalion scout, and, under the terms of the Geneva Convention, I had to work for my keep, which was good, not bad. I didn't have to stay in prison all the time, somewhere out in the countryside. I got to go to a city, which was Dresden, and to see the people and the things they did. There were about a hundred of us in our particular work group, and we were put out as contract labor to a factory that was making a vitamin-enriched malt syrup for pregnant women. It tasted like thin honey laced with hickory smoke. It was good. I wish I had some right now. And the city was lovely, highly ornamented, like Paris, and untouched by war. It was supposedly an 'open' city, not to be attacked since there were no troop concentrations or war industries there. But high explosives were dropped on Dresden by American and British planes on the night of February 13, 1945, just about twenty-one years ago, as I now write. There were no particular targets for the bombs. The hope was that they would create a lot of kindling and drive firemen underground. And then hundreds of thousands of tiny incendiaries were scattered over the kindling, like seeds on freshly turned loam. More bombs were dropped to keep firemen in their holes, and all the little fires grew, joined one another, and became one apocalyptic flame. Hey presto: fire storm. It was the largest massacre in European history, by the way. And so what? We didn't get to see the fire storm. We were in a cool meat-locker under a slaughterhouse with our six guards and ranks and ranks of dressed cadavers of cattle, pigs, horses, and sheep. We heard the bombs walking around up there. Now and then there would be a gentle shower of calcimine. If we had gone above to take a look, we would have been turned into artefacts characteristic of fire storms: seeming pieces of charred firewood two or three feet long - ridiculously small human beings, or jumbo fried grasshoppers, if you will. The malt syrup factory was gone. Everything was gone but the cellars where 135,000 Hansels and Gretels had been baked like gingerbread men. So we were put to work as corpse miners, breaking into shelters, bringing bodies out. And I got to see many German types of all ages as death had found them, usually with valuables in their laps. Sometimes relatives would come to watch us dig. They were interesting, too. So much for Nazis and me. If I'd been born in Germany, I suppose I would have been a Nazi, bopping Jews and gypsies and Poles around, leaving boots sticking out of snowbanks, warming myself with my secretly virtuous insides. So it goes. There's another clear moral to this tale, now that I think about it: When you're dead you're dead. And yet another moral occurs to me now: Make love when you can. It's good for you.
Kurt Vonnegut Jr. (Mother Night)
Somebody behind him in the boxcar said, “Oz.” That was I. That was me. The only other city I’d ever seen was Indianapolis, Indiana.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Eliot, rising from his seat in the bus, beheld the firestorm of Indianapolis. He was awed by the majesty of the column of fire, which was at least eight miles in diameter and fifty miles high. The boundaries of the column seemed absolutely sharp and unwavering, as though made of glass. Within the boundaries, helixes of dull red embers turned in stately harmony about an inner core of white. The white seemed holy.
Kurt Vonnegut Jr. (God Bless You, Mr. Rosewater)
The Red Key Tavern in Indianapolis, a dive bar where you could order a beer and a candy bar, and where Kurt Vonnegut was never a regular, though for years I believed that lore.
Maggie Smith (You Could Make This Place Beautiful)
I will explain the main symbols in this book. There is an unappreciated, empty arts center in the shape of a sphere. This is my head as my sixtieth birthday beckons to me. There is a neutron bomb explosion in a populated area. This is the disappearance of so many people I cared about in Indianapolis when I was starting out to be a writer. Indianapolis is there, but the people are gone. Haiti is New York City, where I live now. The neutered pharmacist who tells the tale is my declining sexuality. The crime he committed in childhood is all the bad things I have done.
Kurt Vonnegut Jr. (Deadeye Dick)
. And lucky indeed is the writer who has grown up in Ireland, for the English spoken there is so amusing and musical. I myself grew up in Indianapolis, Indiana, where common speech sounds like a band saw cutting galvanized tin, and employs a vocabulary as unornamental as a monkey wrench.
Kurt Vonnegut Jr. (Palm Sunday)
My name is Eugene Debs Hartke, and I was born in 1940. I was named at the behest of my maternal grandfather, Benjamin Wills, who was a Socialist and an Atheist, and nothing but a groundskeeper at Butler University, in Indianapolis, Indiana, in honor of Eugene Debs of Terre Haute, Indiana. Debs was a Socialist and a Pacifist and a Labor Organizer who ran several times for the Presidency of the United States of America, and got more votes than has any other candidate nominated by a third party in the history of this country.
Kurt Vonnegut Jr. (Hocus Pocus)