Krakow Quotes

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No one is ever really lost as long as their story still exists.
R.M. Romero (The Dollmaker of Krakow)
You can destroy a person, Karolina, but destroying their story is far more difficult. No one is ever really lost as long as their story still exists.
R.M. Romero (The Dollmaker of Krakow)
There's nothing as disappointing as realizing you only dreamed a good thing.
R.M. Romero (The Dollmaker of Krakow)
My soul already existed - you just called out to me, and the wind brought me to you.
R.M. Romero (The Dollmaker of Krakow)
That’s what weak people do,”said the Dollmaker. “They’re afraid, and hurt others with that fear. But there comes a point at which they don’t deserve our pity any more.
R.M. Romero (The Dollmaker of Krakow)
She could be the voice of hope as well as reason.
R.M. Romero (The Dollmaker of Krakow)
Krakow the city of Kings, was no longer mine. I had become a foreigner in the place i had always called home
Pam Jenoff
Von Faulhaber had authored “With Burning Concern” in 1937, and in 1941, von Galen had spoken out so vehemently against The Party and the Gestapo that the British had copied his sermons and dropped them from planes across Europe.* German soldiers, civilians, and occupied peoples read them, including the future Pope John Paul II, who found a flyer in Krakow, Poland.
Adam Makos (A Higher Call)
You know, seeing the world straight doesn’t make you smarter or better. It might just make you worse and more complacent about things.
Alex Rosenberg (The Girl from Krakow)
Doing right means nothing more than minimizing human misery.
Alex Rosenberg (The Girl from Krakow)
Most magicians smell like ink and starlight. The world bends around them.
R.M. Romero (The Dollmaker of Krakow)
That's what magic is - making things happen because you want them to be real" -Karolina
R.M. Romero (The Dollmaker of Krakow)
We're magical. That means we're very good a surviving" -Karolina
R.M. Romero (The Dollmaker of Krakow)
But, Karolina, having a broken heart doesn't mean you failed. It means you still have one." -Fritz
R.M. Romero (The Dollmaker of Krakow)
There are little flags, marking the trunk rings.’ He plucked one, and picked out the lettering. ‘University of Krakow. Scientists did this. What’s the point?
Terry Pratchett (The Long Earth (The Long Earth, #1))
It was just after the war. There was nothing left in Warsaw for me. He and his brother were coming to Krakow to make a fresh start. And he loved me so. He would have done anything for me.
Brigid Pasulka (A Long, Long Time Ago and Essentially True)
It is said that you are a New Yorker the moment you remember the way New York used to be. This miraculous place lives to obliterate its history. It is history as fashion. Trend. Moments. Moments lost and... overwritten. You have to hunt the past in NY. Not like Prague. Budapest. Krakow. Paris. Istanbul. These places wear their pasts with honor over their hearts. A woman. Not a girl. New York... is youth. Always trying on new masks, new faces.
David Aja (Hawkeye #1)
The Dollmaker: Jewish people like Mr. Trzmiel practice a different religion that I do - they aren't Christian. They have a different relationship with God than I do. Karolina: Oh. That's a foolish reason to hate someone. The Dollmaker: Yes, it is.
R.M. Romero (The Dollmaker of Krakow)
As I walked out of the ghetto with its tombstone-crowned walls and along the streets of Krakow, I was dumbfounded to see that life seemed just as it had been before I entered the ghetto. It was as if I were in a time warp...or as if the ghetto were on another planet. I stared at the clean, well-dressed people, busily moving from place to place. They seemed so normal, so happy. Had they not known what we had been suffering just a few blocks away? How could they not have known? How could they not have done something to help us? A streetcar stopped, and passengers boarded, oblivious to our presence. They showed absolutely no interest in who we were, where we were going, or why. That our misery, confinement, and pain were irrelevant to their lives was simply incomprehensible.
Leon Leyson
Karolina couldn't always predict what the Dollmaker would do, but she understood his heart well; she felt as if she had a map of it inside her own. For it wasn't only the cobblestone streets of Krakow and the roadways that needed to be navigated. People could be like labyrinths too.
R.M. Romero (The Dollmaker of Krakow)
shriek,
Alex Rosenberg (The Girl from Krakow)
Who is it, really, peering out at the world from inside my body, and why did it turn out to be me?
Alex Rosenberg (The Girl from Krakow)
Such clubs and bars offered the perfect “third place,” neither home nor work, where I could go to unwind and socialize. I wasn’t ready to give that up.
Clea Simon (Mew Is for Murder (Theda Krakow, #1))
why did rail journeys always provoke interior monologues of philosophy?
Alex Rosenberg (The Girl from Krakow)
Why? Why did Brandt hurt so many people with his own pain?" -Karolina "That's what weak people do. They're afraid, and hurt others with that fear." -The Dollmaker
R.M. Romero (The Dollmaker of Krakow)
Dear Reader Once and its sequel Then are two parts of the same story, but they were written and published as two separate books. In this edition they are together for the first time. Felix and Zelda’s story came from my imagination, but it was inspired by a period of history that was all too real. My grandfather was a Jew from Krakow in Poland. He left there long before that time, but his extended family didn’t and most of them perished. Fifteen years ago I read a book about Janusz Korczak, a Polish Jewish doctor and children’s author who devoted his life to caring for young people. Over many years he helped run an orphanage for two hundred Jewish children. In 1942, when the Nazis murdered these orphans, Janusz Korczak was offered his freedom but chose to die
Morris Gleitzman (Once And Then)
the Pope said, ‘Whoever meets Jesus Christ meets Judaism.’ Karol Wojtyla, who was once Bishop of Krakow and helped Jews during the Holocaust, described Judaism as Christianity’s older brother and Christianity as an offshoot of the trunk of King David. He said that it was time that the Catholic Church recognised its responsibility in fostering the anti-Semitism which had made the Holocaust possible, and urged reconciliation between Catholics and Jews.
Diane Armstrong (Mosaic: A Chronicle of Five Generations)
As he worked, the Dollmaker's tears stopped, and Karolina thought she understood why. Creating something always made her feel better. It was only when her hands were still that she could not fend off the fears that threatened to overtake her heart.
R.M. Romero (The Dollmaker of Krakow)
Bugün Cengiz Han denildiği zaman aklımıza yok edilen şehirler ve yapılan katliamlar gelir. Milyonlarca öldürülen insanlar, yok edilen dünya mirasları ve yeryüzünden silinen zamanının en güzel şehirleri… Moğollar islam alemine bir çok zarar vermiştir. Hatta önüne Memlüklüler çıkmasaydı dünyada islam şehri bırakmayacaklardı. Fakat islam alemini Hasan Sabbah’ın kurmuş olduğu ölüm makinesinden kurtaran yine Moğollardır. Cengiz Han’ın başını çektği ilk dalga hiç kuşkusuz Doğu’nun başına çöken en yıkıcı afetti. Pekin, Buhara veya Semerkant gibi itibarlı şehirler yeryüzünden kazındı ve milyonlarca insan yok edildi. Alamut’u silip süpüren dalga ise ikinci dalgaydı.Bu önceki kadar kanlı olmasa da, daha yaygın bir istilaydı. Moğol ordularının bir kaç arayla Bağdat’ı Şam’ı Polonya’da Krakow kentini ve Çin’de Sezuan eyaletini yakıp yıkabildikleri düşünülürse, o çağda yaşayanların nasıl bir dehşete kapıldıkları kolayca anlaşılır. AlamutttYüz altmış altı yıl boyunca her türlü istilacıya kafa tutmuş Alamut kalesi de teslim olmayı tercih etti! Cengiz Han’ın torunu olan Hulagu Han bu askeri inşaat mucizesini bizzat gelip gözleriyle gördü; efsaneye göre, orada Hasan Sabbah’ın devrinden bu yana el sürülmeden duran ve hiç bozulmamış erzak depoları buldu. Hulagu Han askerlerine herşeyi yıkmalarını ve taş üstünde taş bırakmamalarını emretti. Yakılan yerlere Alamut’un kütüphanesi de dahildi. Bu kütüphanede binlerce hiç bir kopyası olmayan sayısız eser kül oldu. Böylece Hasan Sabbah’ın kurmuş olduğu ölüm imparatorluğu sona erdi.
Vladimir Bartol (Fedailerin Kalesi Alamut)
your emotions are screaming at you. But your emotions have no foresight. They can’t look ahead. They only look back to what enabled your ancestors to survive. If you allow them to overmaster you in the life-or-death choice you face, you’ll regret it in a future that your emotions cannot see.
Alex Rosenberg (The Girl from Krakow)
Yes, your emotions are screaming at you. But your emotions have no foresight. They can’t look ahead. They only look back to what enabled your ancestors to survive. If you allow them to overmaster you in the life-or-death choice you face, you’ll regret it in a future that your emotions cannot see.
Alex Rosenberg (The Girl from Krakow)
As if not to be outdone by the fair sex, as ladies headwear ranged ever higher, so too men’s footwear became ever longer. By 1367 a fashion for long-toed shoes called Krakows, after the capital city of Poland at that time, emerged and by 1450 the shoes were known as pikes or pigaches after a kind of pail with a long handle. A decade later they were universally recognised as Poulaines as in ‘souliers a la Poulaine’, otherwise shoes in the Polish fashion. The monstrosities lasted over 300 years, with the term Poulaine always referring to the long, pointed beak of the shoe only and not the shoe itself. The shoes were eventually legislated against as the ridiculous extensions became longer and longer until walking was almost impossible.
Karen Bowman (Corsets and Codpieces: A History of Outrageous Fashion, from Roman Times to the Modern Era)
natural selection a couple of hundred thousand years. It’s sure to find ways to make you hate strangers who might be threats to survival. Better safe than sorry. Hate all strangers. The best way of making you hate strangers who just might hurt you is the way religion does it. It even gets you to give up your life for some greater cause—protecting your tribe from the strangers.
Alex Rosenberg (The Girl from Krakow)
I can’t write Krakow’s history, even though its people and ideas, trees and walls, cowardice and courage, freedom and rain all involve me. Ideas as well, since they cling to our skin and change us imperceptibly. The Zeitgeist chisels our thoughts and mocks our dreams. I’m intrigued by all kinds of walls; the space we inhabit isn’t neutral, it shapes our existence. Landscapes enter our innermost being, they leave traces not just on our retinas but on the deepest strata of our personalities. Those moments when the sky’s blue-gray suddenly stands revealed after a downpour stay with us, as do moments of quiet snowfall. And ideas may even join forces with the snow, through our senses and our body. They cling to the walls of houses. And later the houses and bodies, the senses and ideas all vanish. But I can’t write Krakow’s history, I can only try to reclaim a few moments, a few places and events; a few people I liked and admired, and a few that I despised.
Adam Zagajewski (Another Beauty)
Evolution is inevitable. But the process isn’t going from lower to higher. It’s just going from different to different—today’s fittest are likely to be tomorrow’s unfit. It’s environments that decide fitness, and environments change.
Alex Rosenberg (The Girl from Krakow)
I'm a real man, who died and became a story. The more people tell a story, the more alive it becomes" -Juraj Janosik
R.M. Romero (The Dollmaker of Krakow)
You can destroy a person, Karolina, but destroying their story is far more difficult. No one is ever really lost as long as their story still exists" -The Dollmaker
R.M. Romero (The Dollmaker of Krakow)
Magic is an odd thing. It never takes the form you expect" -The Dollmaker
R.M. Romero (The Dollmaker of Krakow)
For all she loved the Dollmaker, he was still an adult. Being loved by a child like Rena was very different - and special.
R.M. Romero (The Dollmaker of Krakow)
Magic is supposed to help everyone, not just certain people you approve of" -Karolina
R.M. Romero (The Dollmaker of Krakow)
Meadow had her chance to get off the bus for good, but instead she’s inching toward a lifetime bus pass. Carmela had two chances—first when Dr. Krakower’s second opinion told her to leave Tony, then when she actually threw him out—and both times she couldn’t do it.
Matt Zoller Seitz (The Sopranos Sessions)
Some East Side Jews were budding Marxists, some were socialists, some were Zionists. Some were Orthodox, some were atheists. The Jews of Warsaw could not see eye to eye with those from Krakow.
Stephen Birmingham ("The Rest of Us": The Rise of America's Eastern European Jews)
ideas that make cooperation in your tribe possible are just like any other parasite, only they invade the brain instead of the liver, say. The brain parasites survive and spread because of what they do to and for their hosts—us. So ideas that make us band together, especially against strangers, are going to be encouraged by the same forces of evolution that made it possible for us to kill off the woolly mammoth, right?
Alex Rosenberg (The Girl from Krakow)
It’s the ideas that infect people and spread from them to others . . . and destroy each one. But not before the parasite has the chance to spread further. Ideas spread like the germs of a disease. Like the deadliest diseases, they die out because they kill their hosts before they can jump to new ones.
Alex Rosenberg (The Girl from Krakow)
The only trick that would work was ganging up to protect ourselves from them. Without that we would have become extinct. So, there must have been very strong selection for anything—especially gestures, grunts, signs—that made it possible for people to gang up, to cooperate. That’s how language, and culture, emerged by natural selection.” “And everything else about
Alex Rosenberg (The Girl from Krakow)
So, wrong because forbidden by God, or forbidden by God because wrong? It’s obvious. Forbidden by God because it’s wrong.
Alex Rosenberg (The Girl from Krakow)
the
Alex Rosenberg (The Girl from Krakow)
all German, so I didn’t understand . . .
Alex Rosenberg (The Girl from Krakow)
petite mort.
Alex Rosenberg (The Girl from Krakow)
Ideas spread like the germs of a disease. Like the deadliest diseases, they die out because they kill their hosts before they can jump to new ones.
Alex Rosenberg (The Girl from Krakow)
Tis not contrary to reason to prefer the destruction of the whole world to the scratching of my finger.
Alex Rosenberg (The Girl from Krakow)
Like most humans, Krystyna would respond to human emotions with kindness, especially if there were something to gain.
Alex Rosenberg (The Girl from Krakow)
days
Alex Rosenberg (The Girl from Krakow)
by Hitler and Mussolini. Their caudillo,
Alex Rosenberg (The Girl from Krakow)
Generalgouvernement.
Alex Rosenberg (The Girl from Krakow)
 ’Tis not contrary to reason to prefer the destruction of the whole world to the scratching of my finger.
Alex Rosenberg (The Girl from Krakow)
Mädchen, but that was not going to make a
Alex Rosenberg (The Girl from Krakow)
People driven by emotion, she had convinced herself, were less content than those whose lives were calculated.
Alex Rosenberg (The Girl from Krakow)
There had to be some meaning to it. Judgment, punishment, test, trial, strengthening—something that made sense out of it. Some scheme into which what was happening could all be fit—Rita, Urs, Tadeusz, Stefan, Erich, Freddy . . . A story from which she might at least learn something about herself and her life. At the end of it, when the war was over, if she survived, there would be a plot with a natural beginning, a long, painful, tension-filled middle, villains and heroes, and a satisfying end, or at least one that brought the story to a close—her survival. When it was all over, the story would stitch together everything that had happened—her perpetual discomfort and danger—even if it didn’t make sense of the horrors visited on the millions somehow suffering through the demented melodrama that would end with her survival. Yes, there would be a story at the end, if she did survive—a plot with dangers and escapes, in which her actions and everyone else’s would make sense. But
Alex Rosenberg (The Girl from Krakow)
underwear. She
Alex Rosenberg (The Girl from Krakow)
So the two things the Nazis think they take from Darwin aren’t there at all. No master race, no progress, just change. No glorification of violence or overlordship as morally right.
Alex Rosenberg (The Girl from Krakow)
May I take you out for supper?
Alex Rosenberg (The Girl from Krakow)
After twenty-five years of Communism, Russia was still awash in Nicholas II twenty-ruble pieces, Louis Napoleon twenty-franc pieces, and twenty-dollar US gold coins, now as illegal in the United States as they were in the Union of Soviet Socialist Republics.
Alex Rosenberg (The Girl from Krakow)
Without free will, none of those bastards is responsible for what they are doing. They are just sick, crazy, defective individuals we should pity. We have to protect ourselves from them. We can’t help hating them, but it doesn’t make any more sense than hating an avalanche.
Alex Rosenberg (The Girl from Krakow)
wrong because forbidden by God, or forbidden by God because wrong? It’s obvious. Forbidden by God because it’s wrong.
Alex Rosenberg (The Girl from Krakow)
Here’s an argument I heard in Paris that I can’t shake. Take the prohibition of abortion. God forbids it, right? So, is that why it’s wrong, just because he forbids it? Or did God forbid abortion because it’s wrong? Which is it?
Alex Rosenberg (The Girl from Krakow)
building
Alex Rosenberg (The Girl from Krakow)
paquebot, the more distasteful grew the prospect
Alex Rosenberg (The Girl from Krakow)
stretched. The last time she had looked up at the
Alex Rosenberg (The Girl from Krakow)
Copernicus, who was a canon in the cathedral of Krakow, celebrated astronomy as “a science more divine than human” and viewed his heliocentric theory as revealing God’s grand scheme for the cosmos. Boyle was a pious Anglican who declared scientists to be on a divinely appointed mission to serve as “priests of the book of nature.” Boyle’s work includes both scientific studies and theological treatises. In his will he left money to fund a series of lectures combating atheism. Newton was virtually a Christian mystic who wrote long commentaries on biblical prophecy from both the book of Daniel and the book of Revelation. Perhaps the greatest scientist of all time, Newton viewed his discoveries as showing the creative genius of God’s handiwork in nature. “This most beautiful system of sun, planets, and comets,” he wrote, “could only proceed from the counsel and dominion of an intelligent and powerful being.”16 Newton’s God was not a divine watchmaker who wound up the universe and then withdrew from it. Rather, God was an active agent sustaining the heavenly bodies in their positions and solicitous of His special creation, man.
Dinesh D'Souza (What's So Great About Christianity)
People aren’t the parasites. It’s the ideas that infect people and spread from them to others . . . and destroy each one. But not before the parasite has the chance to spread further. Ideas spread like the germs of a disease. Like the deadliest diseases, they die out because they kill their hosts before they can jump to new ones.
Alex Rosenberg (The Girl from Krakow)
I oto Nowa Huta - postrach mieszczańskiego Krakowa, ta Nowa Huta, o której opowiadano rzeczy okropne i niemożliwe, po której nowo budowanych ulicach strach było iść, która miała miejsce zwane Meksykiem, od obyczajów swych przelotnych mieszkańców, ta Nowa Huta już wtedy dumna, choć groźna, o której babcie opowiadały wnukom makabryczne bajeczki na dobranoc, a w tych bajeczkach było trochę prawdy, a trochę mitu,(...)
Dorota Terakowska (Próba generalna)
The knot tightening in her gut always came with a question, one she couldn’t really frame further than its first two words: Why this? Why now? Why us? Why me? Sometimes
Alex Rosenberg (The Girl from Krakow)
patient file came to Gil’s desk for a
Alex Rosenberg (The Girl from Krakow)
[My father’s] survival was his way of saying ‘Mulen Labe’ to his oppressors and murderers of his family. His people. In the Krakow Ghetto, in the camps of Auschwitz, Birkenau, Buna Monowitz, Buchenwald. The ability to fight was within him. In his blood. The challenge chose him. No spartan training. How did Dad confront the Nazi terror with no Spartan warrior to mentor him? The frustration and choked cries of rebellion were already internalised in his soul. Later, the frustration and choked back screams resonated in my soul as well when nourished by the relentless, gruelling training. When I was growing up coming my father told me a few stories that stayed with me through the long marches and along the IDF service. His story of the death March from Buna Monowitz to Gliviz through deep snow and freezing cold. It began January 17 and ended the night of January 22, 1945. The night of January 21 was especially cold. There was no place to get warm. As night fell, my father found a bare wooden door and covered himself with it. A little after midnight the freezing temperatures woke him. He attempted to wake up the people around him, shouting at them, “Wake up, wake up. You're going to freeze to death if you don't move.” A few woke up and joined him in stepping in place to warm up. Others remained unmoving and perished. That night thousands froze to death. The next morning, which was the 6th day of the death march, my father got up with a piercing pain in his hip. He could not take even one step, he told me the ball of the hip bone ground against the hip socket “like sandpaper”. When he asked to be left alone, his friends didn't listen and insisted on carrying him. He argued, “I will cause you to fall behind”. They were adamant. With their last ounce of energy, they put his arms over their shoulders, lifted him up and began to look forward. Supported by his two friends, he moved in a line with the rest of the dead. He continued to beg them to abandon him and they refused, insisting on helping him. After a few hundred yards, his joints warmed and he was able to leap forward on his own. Marching as part of the endless column of human suffering. So they marched, supporting each other, until they arrived that night at the train in Gliviz that was to take them to Buchenwald. When he told me this story, I felt immense gratitude to his friends. How did he do it? The hopeless atmosphere, the scant odds of surviving, inability to control your fate, the deep frustration, the desire to defeat a cruel enemy. All of these feelings are part of me. I tapped into them during my training with the Unit…. I recall after finishing very difficult marches, asking my father to tell me about the Death March. Time and again, everything fell into perspective. Each time I understood that no matter what hardships we endured, we would never come close to measuring up to the strength and courage of my dad and his friends.
Ouri Tsafrir (Along the Trail)
In the two weeks since we started our journey from Krakow, we have walked about 200 kilometers, over 124 miles.
Miriam Segal Shnycer (Of Love and Death: Young Holocaust Survivors' Passage to Freedom)
He had certainly been startled when Karolina had announced herself, but he was no coward; he had not run away from what he could not explain.
R.M. Romero (The Dollmaker of Krakow)
Being around a magician is like that ... Like everything is bending around them because they're brushing the stardust and raindrops from another world off their shoulders.
R.M. Romero (The Dollmaker of Krakow)
Most people were no worse than indifferent to other people’s fate
Alex Rosenberg (The Girl from Krakow)
Why was she alive? Intelligence, foresight, the right decisions? How foolish to think that. Better to ask why thought always seeks stories, meaning. Why do we endlessly try to make sense of things? Why are we never satisfied with the right answer—dumb luck? Why do we always crave a motive? And why did rail journeys always provoke interior monologues of philosophy?
Alex Rosenberg (The Girl from Krakow)
Selznick was of the new generation. Unlike Mayer and Goldwyn and Laemmle, he hadn’t sold buttons in Minsk or shirtwaists in Krakow on the narrowest of margins to leave the bosom of his family and endure weeks in steerage dreaming of streets paved with gold only to wash up in the shtetl-like tenements of the Lower East Side where daily he fought his neighbors, those same margins and the Italian rackets, earning a second fortune he used to bankroll a third and, as mere by-product, creating from the dusty foothills of West L.A. a gilded fiefdom called Hollywood.
Stewart O'Nan (West of Sunset)
and eastern Europe, to settle in town, especially in the capital cities of the Habsburg and Wilhelmine empires. It was in the context of this multiform upheaval – the demographic growth and the urbanization process generated by the industrial revolution, modernization and assimilation – that German Jewry acquired a new profile. Vienna, where no more than 2,000 Jews had lived in 1850, counted more than 200,000 on the eve of the First World War, or 10 per cent of the total population; in the same timeframe, the Jewish population of Berlin grew from less than 10,000 to nearly 200,000, here making up 7 per cent of the total population.12 The Jewish populations of Budapest, Prague, Lvov, Krakow and Czernowitz underwent similar growth.
Enzo Traverso (The End of Jewish Modernity)
tea
Alex Rosenberg (The Girl from Krakow)
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