Kowloon Quotes

We've searched our database for all the quotes and captions related to Kowloon. Here they are! All 18 of them:

But that’s the thing about East Texas. Red dirt never quite washes out, and pine pollen is tenacious as original sin. You can leave East Texas, for Houston, for the Metroplex, for the Commonwealth, for New York, or Bonn or Tokyo or Kowloon; but you can never quite leave it behind.
Markham Shaw Pyle
Where's my life gone? Where's it going? Looking across the grassy marshland to Flint and up the coast to Point Of Air, I start to wonder what all those poor fuckers in Wales are doing with their lives. Screwing? Sleeping in? Debating whether to take breakfast in bed to their broken fathers? Unlikely. They're probably doing what the gilded folk of Hollywood are doing, or Kowloon or Port Elizabeth. Worrying. Worrying about getting old, or about work, or about money, or about their boyfriend, mistress, lover, house, health, future. Life is shit. There is no fucking point to any of it. Not now that we've evolved past the survival stage. Maybe we used to live to hunt to kill to eat to live another day. Now we just kill time in as many sophisticated ways as possible. Pointless jobs. Pointless lives. Work. Television. Football.
Kevin Sampson (Awaydays)
The boat rocked in the waves, and as I saw the lights of Kowloon come through the fog, I held the railing, breathless. How wrong I had been to assume this feeling had been lost forever. This lightheaded uncertainty, all my fear and joy - I could return here, punching the sky. Because I had found her: Polly Guo. Wherever I went next, I would never let her go again... The water was Minjiang, New York, Fuzhou, but most of all, it was you.
Lisa Ko (The Leavers)
My good sir,' he said, 'do you know to whom you are speaking? I am the Prince of Bengal and these are my friends, the Princess of Kowloon and the Duke of Massachusettes. We are waiting for my father, the Maharajah, to come out of this bookshop so he can take us to the Ritz for tea. Do you intend to prevent us from going about our business?
Robin Stevens (Death in the Spotlight (Murder Most Unladylike, #7))
There are whole villages in Extremadura in Spain that are built of rock that has very high grade wolfram ore and the stone fences of the peasant’s field are all made of this ore. Yet the peasants are very poor. At this time it was so valuable that we were using DC-2’s, transport planes such as fly from here to Miami, to fly it over from a field at Nam Yung in Free China to Kai Tak airport at Kowloon. From there it was shipped to the States. It was considered very scarce and of vital importance in our preparations for war
Ernest Hemingway (Islands in the Stream)
There were streets, narrow and crowded with people and vehicles. Above them flashed neon lights and blinking billboards of every colour, shape and size. Some ran up the sides of buildings, others blinked on and off in store windows. In the space above the sidewalk, higher than a double-decker bus, hung flashing neon signs in bright pink, yellow, read, blue, orange, green and white. Yes, if white could be whiter than white, it was when it was in neon, Hong Mei thought. She knew Nathan Road in Kowloon was famous for its neon lights.
B.L. Sauder (Year of the Golden Dragon (Journey to the East))
There’s a statement by [the Roman dramatist] Terence: “I am a human being. Nothing human can be alien to me.” If you know that, accept that, then you can tell a story. You can make people believe characters are just like they are. Jack and Jill went up the hill, one fell down and the other came tumbling after. The listener thinks, “Oh, I’ve fallen down, so I can understand,” even if it happened in Holland or Kowloon. Human beings should understand how other humans feel no matter where they are, no matter what their language or culture is, no matter their age, and no matter the age in which they live. If you develop the art of seeing us as more alike than we are unalike, then all stories are understandable.
Maya Angelou
Each night when I returned to the rooming house in Hong Kong, I lay on a cot with wet towels over my chest. The walls were sweating because I couldn’t open the windows for fresh air. The building was on a fishy street on the Kowloon side. This was not the part where the fish were sold. There it smelled of the morning sea, salty and sharp. I was living in Kowloon Walled City, along the low point in a wide gutter, where the scales and blood and guts gathered, swept there by the fishmongers’ buckets of water at night. When I breathed the air, it was the vapors of death, a choking sour stink that reached like fingers into my stomach and pulled my insides out. Forever in my nose, that is the fragrance of Fragrant Harbor.
Amy Tan (The Bonesetter's Daughter)
The Treaty of Tianjin and the Convention of Peking that ended the Second Opium War gave Kowloon – an area next to Hong Kong – to Britain, legalised the opium trade and granted Christians full civil rights. Importantly, foreign powers were given the right to carry Chinese workers to labour in their own lands and colonies. This launched the ‘coolie’ trade and Chinese workers were conveyed to work in plantations and mines in places such as Malaya, while in America they famously built the railroads.
Gordon Kerr (A Short History of China: From Ancient Dynasties to Economic Powerhouse)
Angeline says that we’re not doing very well. Apparently they expected the Japs from the south, by the sea, but they came from the north instead and just breezed right through the defenses there. And it’s really awful outside.” Her voice hiccups. “I saw a dead baby on a pile of rubbish this morning as I came here. It’s all around, the rubbish and the corpses, I mean, and they’re burning it so it smells like what I imagine hell smells like. And I saw a woman being beaten with bamboo poles and then dragged off by her hair. She was half being dragged, half crawling along, and screaming like the end of the world. Her skin was coming off in ribbons. You’re supposed to wear sanitary pads so that . . . you know . . . if a soldier tries to . . . Well, you know. The locals and the Japanese both are looting anything that’s not locked down, and thieving and generally being impossible. They’re all over the place in Kowloon, running amok. We’re thinking about moving out to one of the hotels, just so we’re more in the middle of things, and we can see people and get more information. The Gloucester is packed to the rafters but my old friend Delia Ho has a room at the Repulse Bay and says we can have it because she’s leaving to go to China. We can share the room with Angeline, don’t you think? And apparently, the American Club has cots out and people are staying there as well. They have a lot of supplies, I suppose. Americans always do. Everyone wants to be around other people.
Janice Y.K. Lee (The Piano Teacher)
The legislature might be toothless, but street politics was not, so long as the numbers were large enough. The King of Kowloon might be dead, but his descendants increasingly wanted a government that saw with the eyes of the people and heard with their ears.
林慕蓮(Louisa Lim) (Indelible City: Dispossession and Defiance in Hong Kong)
An image began to form in her mind. There were streets, narrow and crowded with people and vehicles. Above them flashed neon lights and blinking billboards of every colour, shape and size. Some ran up the sides of buildings, others blinked on and off in store windows. In the space above the sidewalk, higher than a double-decker bus, hung flashing neon signs in bright pink, yellow, red, blue, orange, green and white. Yes, if white could be whiter than white, it was when it was in neon, Hong Mei thought. She knew Nathan Road in Kowloon was famous for its neon lights. Were these streets of Kowloon that she was seeing it her head?
B.L. Sauder (Year of the Golden Dragon (Journey to the East))
These chicken feet are first quality. You appreciate them?
Paul Theroux (Kowloon Tong)
All the crockery in China had been smashed – flung over the years in all the periodic convulsions for which China was famous. All the blood-stained carpets had been tossed away. All the ancestors’ portraits had been destroyed. All the bodies had been buried. It was a country of bare rooms and empty shelves, like this apartment
Paul Theroux (Kowloon Tong)
Nope. Moved to the Philippines in his twenties, but he grew up in Wan Chai. Isn't that where you're from?' LIKE ALL THE PROSTITUTES. 'No, I grew up in Kowloon Tong. Was your mother from Wan Chai?' Arabella shot back. 'She was from Shenyang, but she met my dad in the Philippines. I was born in Forbes Park.' IN A HOUSE MUCH BIGGER THAN THIS OLD DUMP AND WITH THREE TIMES THE SERVANTS. 'I don't know the Philippines. I believes some of the maids we had growing up came from Cebu.
Kevin Kwan (Lies and Weddings)
If the sky were to cry... I'd raise my umbrella. If you were to cry... I'd be your umbrella.
Jun Mayuzuki (Kowloon Generic Romance, Vol. 5)
ridden the Star Ferry from Hong Kong to Kowloon and back, had suffered two hours of rain in Hong Kong’s Wanchai District, had gone up and down the Peak Tram, and had arrived at Hong Kong’s Jetfoil terminal just in time to catch the last high-speed boat to Macau.
Brad Thor (Path of the Assassin (Scot Harvath, #2))
Diamond Hill—what a glorious name for a place. No one outside of Hong Kong would have guessed it was the moniker of a squatter village in Kowloon East. In the fifties and sixties, it was a ghetto with its share of grime and crime, and sleaze oozing from brothels, opium dens, and underground gambling houses. There and then, you found no diamonds but plenty of poor people residing on its muddy slopes. Most refugees from mainland China settled in dumps like this because the rent was dirt cheap. Hong Kong began prospering in the seventies and eighties, and its population exploded, partly due to the continued influx of refugees. Large-scale urbanization and infrastructure development moved at breakneck speed. There was no longer any room for squatter villages or shantytowns. By the late eighties, Diamond Hill was chopped into pieces and demolished bit by bit with the construction of the six-lane Lung Cheung Road in its north, the Tate’s Cairn Tunnel in its northwest, and its namesake subway station in its south. Only its southern tip had survived. More than two hundred families and businesses crammed together in this remnant of Diamond Hill, where the old village’s flavor lingered. Its buildings remained a mishmash of shoddy low-rise brick houses and bungalows, shanties, tin huts, and illegal shelters made of planks and tar paper occupying every nook and cranny. There was not a single thoroughfare wide enough for cars. The only access was by foot using narrow lanes flanked by gutters. The lanes branched out and merged, twisted and turned, and dead-ended at tall fences built to separate the village from the outside world. The village was like a maze. The last of Diamond Hill’s residents were on borrowed time and borrowed land. They had already received eviction notices from the Hong Kong government, and all had made plans for the future. The government promised to compensate longtime residents for vacating the land, but not the new arrivals.
Jason Y. Ng (Hong Kong Noir)