Kohl Eyes Quotes

Hands quivering, she reached toward him. "Don't." He turned his back to her, facing the door. That word had stopped her once before. But not now. Not now that she had glimpsed through the funeral front of Varen's own eternal Grim Facade. Despite all the dark armor, the kohl eye liner, the black boots and chains, she saw him clearly now. She peered through the curtain of that cruel calmness, through the death stare and the vampire sentiments and angst and, behind it all, had found true beauty.

I donned my armor, lining my eyes with kohl until they were dark as death and patting crushed rose petals on my lips until they were scarlet as blood.

We were fools.” “You were children. Was there no one to protect you?” “Was there anyone to protect you?” “My father. My mother. They would have done anything to keep me from being stolen.” “And they would have been mowed down by slavers.” “Then I guess I was lucky I didn’t have to see that.” How could she still look at the world that way? “Sold into a brothel at age fourteen and you count yourself lucky.” “They loved me. They love me. I believe that.” He saw her draw closer in the mirror. Her black hair was an ink splash against the white tile walls. She paused behind him. “You protected me, Kaz.” “The fact that you’re bleeding through your bandages tells me otherwise.” She glanced down. A red blossom of blood had spread on the bandage tied around her shoulder. She tugged awkwardly at the strip of towel. “I need Nina to fix this one.” He didn’t mean to say it. He meant to let her go. “I can help you.” Her gaze snapped to his in the mirror, wary as if gauging an opponent. I can help you. They were the first words she’d spoken to him, standing in the parlor of the Menagerie, draped in purple silk, eyes lined in kohl. She had helped him. And she’d nearly destroyed him. Maybe he should let her finish the job.

He turned his head and caught her with his eyes. She froze, locked by the intensity of his stare. His eyes were stark and cold, the concentrated green of pale jade. Outlined in smudged black kohl, those eyes focused on her, unblinking through the feathery strands of his jet black hair, and it was like being watched through a cage by a complacent and calculating cat. Discomfort welled in her, thick and black as an oil spring. Who was this guy and what was his royal problem? Her gaze flicked briefly to the small metal loop that hugged one corner of his bottom lip. He blinked once, then slowly lifted one hand and crooked a beckoning finger at her. Isobel hesitated but then as though spellbound to obey, she found herself leaning in. “What are you staring at?” he whispered.

Farsi Couplet: Ba khak darat rau ast maara, Gar surmah bechashm dar neaayad. English Translation: The dust of your doorstep is just the right thing to apply, If Surmah (kohl powder) does not show its beauty in the eye!

Thankfully,two old friends stood next to the throne. Horus wore full battle armor and a khopesh sword at his side.is kohl-lined eyes-one gold, one silver-were as piercing as ever. At his side stood Isis in a shimmering white gown, with wings of light. "Welcome," Horus said. "Um, hi," I said. "He has a way with words," Isis muttered, which made Sadie snort.

Did you pray?" she asks. "For the last time," I say, narrowing my kohl-lined black eyes at her, "I refuse to pray to my own parents. It's ridiculous.

What haunts me most about her eyes is the pain I put in them... In the corner of my dark soul, her passion is dark like a kohl. She is giving new meaning to these feelings... She is complete, she is whole.

A monster of a man sits on his blood-red steed, a massive sword strapped to his back. There are gold rings in his dark hair and kohl thickly lines his eyes. His cheekbones are high and the scowl he wears makes him look absolutely petrifying.

Bright flashes of memory sparked through Kaz’s mind. A cup of hot chocolate in his mittened hands, Jordie warning him to let it cool before he took a sip. Ink drying on the page as he’d signed the deed to the Crow Club. The first time he’d seen Inej at the Menagerie, in purple silk, her eyes lined with kohl. The bone-handled knife he’d given her. The sobs that had come from behind the door of her room at the Slat the night she’d made her first kill. The sobs he’d ignored. Kaz remembered her perched on the sill of his attic window, sometime during that first year after he’d brought her into the Dregs. She’d been feeding the crows that congregated on the roof. “You shouldn’t make friends with crows,” he’d told her. “Why not?” she asked. He’d looked up from his desk to answer, but whatever he’d been about to say had vanished on his tongue. The sun was out for once, and Inej had turned her face to it. Her eyes were shut, her oil-black lashes fanned over her cheeks. The harbor wind had lifted her dark hair, and for a moment Kaz was a boy again, sure that there was magic in this world. “Why not?” she’d repeated, eyes still closed. He said the first thing that popped into his head. “They don’t have any manners.” “Neither do you, Kaz.” She’d laughed, and if he could have bottled the sound and gotten drunk on it every night, he would have. It terrified him.

I can help you. They were the first words she’d spoken to him, standing in the parlor of the Menagerie, draped in purple silk, eyes lined in kohl. She had helped him. And she’d nearly destroyed him. Maybe he should let her finish the job.

The washroom door swung open, and all thoughts of pirates vanished. A tall boy walked inside, dressed in black clothes at least two sizes too tight. His cherry-red hair stood in haphazard spikes, and his eyes were heavily lined in kohl. If a rock star had an affair with a circus clown, this guy would be the result. It took a few moments to recognize him as Doran.

Alice's eyes sparkled, but not with mirth; there was a sinister candescence to them, lined in more black kohl than usual. 'A knife,' she replied calmly. 'A what?' I practically yelped. 'A knife,' she repeated, unwrapping the brown paper to reveal a smooth, olive wood penknife with the intials A.K.W. engraved in a crusive font. 'I had it customised, because I am nothing if not pretentious.

Death stood on the other side of the chamber doors. Today I would not meet it in my usual armor of leather and chain-mail, but in the armor of silk and cosmetics. One might think one armor was stronger than the other, but a red lip was its own scimitar and a kohl darkened eye could aim true as a steel-tipped arrow. Death might be waiting, but I was going to be a queen. I would have my throne if I would have to carve a path of blood and bone to get it back. Death could wait.

If anyone had bothered to notice me, they would only see a scared fifteen-year-old girl with eyes of sable ringed by kohl liner and black hair that fell to her waist. They wouldn't see someone struggling to remain sane. Only an empty space where a real girl used to live.

Bekka treated her role has Frankenstein's bride more like an audition to be Brett's bride. Every part of her body had been colored bright kelly green - even parts that her mother had stressed were 'not to be seen by anyone except God and the inside of a toilet bowl.' Instead of wearing a wig, Bekka had teased and then shellacked her own hair into a windblown cone and she'd used female-mustache bleach to create white streaks. Her seams, made of real suture thread, had been attached to her neck and wrists with clear double-sided costume tape because drawing them on with kohl would not have been 'honoring the character.' Her Costume Castle dress had been exchanged for something 'more authentic' from the Bridal Barn. If Brett didn't see his future in her heavily black-shadowed eyes tonight, he never would. Or so she believed.

ALCOHOL, n. (Arabic al kohl, a paint for the eyes.) The essential principle of all.

Alice's eyes sparkled, but not with mirth; there was a sinister candescence to them, lined in more black kohl than usual. 'A knife,' she replied calmly. 'A what?' I practically yelped. 'A knife,' she repeated, unwrapping the brown paper to reveal a smooth, olive wood penknife with the intials A.K.W. engraved in a cursive font. 'I had it customised, because I am nothing if not pretentious.

The women showed off new tunic sets and caftans, fringed scarves at their waists or wrapped around their heads like fanciful turbans. Faded traces of their recent henna night lingered on their hands. Silver earrings jangled, kohled eyes flashed, and bangles jostled and clinked with merriment.

On the land adjoining La Grenouillère strollers were sauntering under the gigantic trees which help to make this part of the island one of the most delightful parks imaginable. Busty women with peroxided hair and nipped-in waists could be seen, made up to the nines with blood red lips and black-kohled eyes. Tightly laced into their garish dresses they trailed in all their vulgar glory over the fresh green grass. They were accompanied by men whose fashion-plate accessories, light gloves, patent-leather boots, canes as slender as threads and absurd monocles made them look like complete idiots.

He wore a white girdle that pulled in his waist just above the hips. He was, of necessity, slender. She believed men should take up as little space as possible. He wore his black hair long over his shoulders, tied once with a white ribbon. The men allowed to live were, of course, beautiful, far more beautiful than any of the women Zezili knew. Anavha was clean-shaven, as she wanted him, lightly powdered in gold, his eyes lined in kohl, eyes a stormy grey, set a bit too wide in a broad face whose jaw she has initially found almost vulgar in its squareness. He stood a hand shorter than she; she easily outweighed him by fifty pounds. She liked him just this way.

Ansel let out a breathy chuckle, the air warm on Celaena’s hands as they hovered near her face. She kept quiet while Celaena finished with the powder, then held still as she lined her eyes with kohl and darkened her lashes. “All right,” Celaena said, sitting back so she could see Ansel’s face. “Open.” Ansel opened her eyes, and Celaena frowned. “What?” Ansel said. Celaena shook her head. “You’re going to have to wash it all off.” “Why?” “Because you look better than I do.

was a woman, naked and not long dead. Her staring eyes still showed traces of kohl; her teeth gleamed faintly through half-parted lips. He tried to judge her as he had judged the women whose compliance he had secured for coins, to weigh her breasts with his eyes and applaud or condemn the roundness of her belly; he discovered that he could not do so, that in the way he sought to see her she was beyond his sight, unreachable as the unborn, unreachable as his mother had been when he had once, as a boy, happened upon her

The girl standing before me wore a dress of pure white that made her seem about six feet tall. The dress was heavy enough it pulled her back straight, and she stood proudly, the train of the dress spread neatly behind her. Her lips were as red as roses, her eyes outlined in black kohl. Her dark hair had been bundled at the nape of her neck, braided and folded as required, a few curls springing loose to caress her pale shoulders, which were bare. That girl was one of the most powerful mages to ever live. And that girl was me.

It was a woman, naked and not long dead. Her staring eyes still showed traces of kohl; her teeth gleamed faintly through half-parted lips. He tried to judge her as he had judged the women whose compliance he had secured for coins, to weigh her breasts with his eyes and applaud or condemn the roundness of her belly; he discovered that he could not do so, that in the way he sought to see her she was beyond his sight, unreachable as the unborn, unreachable as his mother had been when he had once, as a boy, happened upon her bathing. Eata’s

The July sun blazed in the middle of the sky and the atmosphere was gay and carefree, while in the windless air not a leaf stirred in the poplars and willows lining the banks of the river. In the distance ahead, the conspicuous bulk of Mont-Valérien loomed, rearing the ramparts of its fortifications in the glare of the sun. On the right, the gentle slopes of Louveciennes, following the curve of the river, formed a semi-circle within which could be glimpsed, through the dense and shady greenery of their spacious lawns, the white-painted walls of weekend retreats. On the land adjoining La Grenouillère strollers were sauntering under the gigantic trees which help to make this part of the island one of the most delightful parks imaginable. Busty women with peroxided hair and nipped-in waists could be seen, made up to the nines with blood red lips and black-kohled eyes. Tightly laced into their garish dresses they trailed in all their vulgar glory over the fresh green grass. They were accompanied by men whose fashion-plate accessories, light gloves, patent-leather boots, canes as slender as threads and absurd monocles made them look like complete idiots.

Majnun had said to his Layla. Light the dimness with your glow once the full moon dips and shine in the sun’s stead whilst lazy dawn tarries Your radiance outdoes the brightest sun there be: it can never thieve your smile, steal your pearly mouth The resplendent night, your countenance! tho’ the full moon rise a moon bereft of your breast, of this graceful throat I see Whence would the morning sun ever find a ready kohl-stick to etch for its pale face these languid eyes of yours? What starry siren can mime coy Layla when her form spirals away or her eyes, the winsome startled pools of the sands’ wild mare?

Victoria Pappas stood half in and half out of the light, the shading across her body exactly that of the photograph on page 8 of Lingerie Parisienne. Desdemona (costume lady, stage manager, and director all in one) had pinned up Victoria’s hair, letting ringlets fall over her forehead and warning her to keep her biggish nose in shadow. Perfumed, depilated, moist with emollients, wearing kohl around her eyes, Victoria let Lefty look upon her. She felt the heat of his gaze, heard his heavy breathing, heard him try to speak twice—small squeaks from a dry throat—and then she heard his feet coming toward her, and she turned, making the face Desdemona had taught her; but she was so distracted by the effort to pout her lips like the French lingerie model that she didn’t realize the footsteps weren’t approaching but retreating; and she turned to see that Lefty Stephanides, the only eligible bachelor in town, had taken off . . .

She sent Amelie to inform Maydrop that she donned an evening dress made of a heavy, supple olive green silk that gleamed under candlelight. It fell from the bodice, but rather than belling out, the silk was cut on the bias and hugged every curve of her body. The bodice was gathered under her breasts and trimmed with dark copper lace that glimmered with shiny black beads. and widened into short sleeves. Her hair was pulled straight back from her forehead without even a wisp floating at her ears, and she waved away the ruby necklace Amelie offered. She wanted no distraction from her face. She did, however, slide a sparkling ruby onto her right hand, a present she had given to herself when Ryburn Weavers made its first thousand guineas in profit. How better to remember that milestone than to wear a sizable percentage it on one's finger? Finally, Amelie drew out a small brush and skillfully applied a few strategic dabs of face paint. The last thing Theo wanted was to try to look conventionally feminine, but she'd discovered that a thin line of kohl made her eyes look deep and mysterious.

What haunts me most about her eyes is the pain I put in them... In the corner of my dark soul Her passion is dark like a kohl She is giving new meaning to these feelings She is complete she is whole.

Hair so black it shone blue streamed to her knees, each strand straighter than a soldier’s back. Her age was impossible to gauge beneath the white powder which smoothed her face into a mask. Rouge slashed her cheeks, blood-red ink outlined her lips, and kohl shadowed her almond-shaped eyes. Sapphire powder glittered across her eyelids up to her eyebrows but her eyes were black pits that offered no reassurance.

If I tell you that my days are numbered Would you caress me still? Would you delve into my kohl lined eyes? And beyond that, into my soul And find me beautiful?...Still?

for Bast, but my heart fell. She didn’t seem to be in the crowd. In fact, most of the gods I didn’t recognize. “What have we started?” Sadie murmured. I understood what she meant. The throne room was full of hundreds of gods, major and minor, all darting through the palace, forming new shapes, glowing with power. An entire supernatural army…and they all seemed to be staring at us. Thankfully, two old friends stood next to the throne. Horus wore full battle armor and a khopesh sword at his side. His kohl-lined eyes—one gold, one silver—were as piercing as ever. At his side stood Isis in a shimmering white gown, with wings of light. “Welcome,” Horus said. “Um, hi,” I said. “He has a way with words,” Isis muttered, which

If a body should fall from that window, its flight would be impeded by the stone arms of caryatids and gargoyles, or else impaled. I could see him thinking of his own death, and he was achingly lovely as he did so: the archetype of all the boys ever loved by kings. His hair, unbound, flowed down him like a veil; the colour of dark honey. His eye, in profile, was slightly slanted, its cat-like shape accentuated by a kiss of kohl.

The old man in the opposite seat has gone now. I can see my reflection in the dark glass, broken up every now and then by the flash of a light. A lock of thick, blonde hair has come loose from its up-do, and oh God, the make-up. I’d forgotten about that. I’m wearing way too much of the bloody stuff. Industrial quantities of it. I’ve been sponged and brushed to within an inch of my life. My eyes have been smothered with kohl and mascara. Apparently, it’s the smoky eyed look, but I’m not too sure. I look like I’ve gone ten rounds with Mike Tyson. If the house-mate hadn’t taken it on herself to give me a make-over first thing this morning, then I wouldn’t be looking like a cross between a tangerine and a clown right now. She’s good at plenty of things, Lucy, such as managing an art gallery and navigating her way around the London Underground, but she’s certainly useless when it comes to make-overs. I’ll swing by a shop when I get off the tube and source a packet of wipes

Donato, Donato,” Hannah calls, waving. He comes over to us, kisses his mother and her friend on their cheeks. They laugh and smile, slapping him playfully when he flatters them in Italian. I can tell Hannah is waiting for her turn. She blushes when he spins her. “Bellissima.” He whistles. When he looks at me it’s with the same calculated charm. Only he’s quick about it, he does not mention the silk crepe dress I’m wearing, the one from the shop on Via Condotti. He does offer me a cigarette. “Cilla doesn’t smoke,” Hannah reminds him. He smirks. “Ah, sì. I forget. Ready to go in?” He gives us wristbands that will get us free drinks, and then ushers us from the line, past the bouncers and into the club. It is an instant assault of grinding bodies, of a thick, not unpleasant heat. Flashing lights—blue, white, pink, purple. I can’t make anything out. And then Hannah and her girlfriends are gone. Donato too. I look around, but I’ve been left with Marie and her friend. “Donato reserved us a booth,” Marie shouts to me, and signals that I should follow her. I push my way through the crowd. Everywhere are women, most not older than thirty, all of them red-lipped and kohl-eyed, with delicate sloping noses, bare shoulders and legs. They are dancing almost on top of one another, their teeth bright white and perfect. A bartender comes by with shots for anyone who will kiss him. Marie’s friend leaves a fat lip print on either cheek. Bacio, bacio, she mouths to me. I shake my head. No, thank you. A waitress takes us past a velvet rope, to a big round booth where a bottle of champagne sits in a bucket of ice. Marie and her friend are beaming. Marie leans over to me. “Is this like Los Angeles clubs?

#Ola Musings Her brow's penciled bow Eyes tinged with kohl wow A mere passing shadow of hers Causes dust dry bloom wow! By nCr

The woman raked her gaze up his body as if checking out livestock. As she reached his face, her kohl-rimmed brown eyes lit with a challenge. “I am the one you know as Hamid Nabil Hassan. The most wanted man in the world.

The woman raked her gaze up his body as if checking out livestock. As she reached his face, her kohl-rimmed brown eyes lit with a challenge. “I am the one you know as Hamid Nabil Hassan. The most wanted man in the world.

Aedion, facing her in a fine tunic of deep green, was the first to notice. He let out a low whistle. “Well, if you didn’t already scare the living shit out of me, you’ve certainly done it now.” Rowan turned to her. He went completely and utterly still as he took in the dress. The black velvet hugged every curve and hollow before pooling at her feet, revealing each too-shallow breath as Rowan’s eyes grazed over her body. Down, then up—to the hair she’d swept back with golden bat-wing-shaped combs that rose above either side of her head like a primal headdress; to the face she’d kept mostly clean, save for a sweep of kohl along her upper eyelid and the deep red lips she’d painstakingly colored. With the burning weight of Rowan’s attention upon her, she turned to show them the back—the roaring golden dragon clawing up her body. She looked over her shoulder in time to see Rowan’s eyes again slide south, and linger. Slowly, his gaze lifted to hers. And she could have sworn that hunger—ravenous hunger—flickered there.

Sebastien recognized the rangy, beaky man within. He was perhaps thirty-three, thirty-five. His eyes were lined with kohl, his cheeks rouged, his forehead pale with powder. But he wore a dark worsted suit, a good waistcoat crossed with a platinum chair, and his hair was cropped quite short and oiled back from a razor-line part. He moved painfully, as if he had been sitting for too long and he stretched against the stiffness of his muscles.

Her face was unguarded. Grief transformed her and for a moment, the Mother Dhina I knew sank away. I saw a woman with ruined beauty, kohl-dark eyes ringed with dryness. I saw a woman who had placed her faith in an era that had not treated her any differently, that had taken her children and left her with the double-edged sword of a long life.

Cardan is wearing his usual scowl, accessorised with kohl under his eyes and a circlet of gold in his midnight hair. He has on a long black coat with a high, jagged collar, the whole thing stitched with a pattern of constellations. Valerian is in deep red, cabochon rubies sparkling on his cuffs, each like a drop of frozen blood. Nicasia's hair is the blue-green of the ocean, crowned with a diadem of pearls. A glittering cobweb net covers her braids. Locke brings up the rear, looking bored, his hair the precise colour of fox fur.

Stories of a woman in a red-and-gold bridal lehenga, hitching rides. When Arnav had first heard the tale, he’d felt sorry for that bride, picturing her—kohl and lipstick smudged, her eyes wild.

From the neck up, I was regal: my face was adorned with cosmetics- rouge on my lips, a smearing of gold dust on my eyelids, kohl lining my eyes- and my hair was coiled around a small golden diadem imbedded with lapis lazuli. But from the neck down, I was a heathen god's play-thing. They had continued the pattern of the tattoo on my arm, and once the blue-black paint had dried, they placed on me a gauzy white dress. If you could call it a dress. It was little more than two long shafts of gossamer, just wide enough to cover my breasts, pinned at each shoulder with gold brooches. The sections flowed down to a jewelled belt slung low across my hips, where they joined into a single piece of fabric that hung between my legs and to the floor. It barely covered me, and from the cold air on my skin, I knew that most of my backside was left exposed.

Cows and yaks are kings of the road in Kathmandu. Drivers would much rather cause a major traffic pile-up involving several human fatalities than harm a hair of a sacred bovine. These animals wander through the main streets with impunity, usually with their eyes traced in thick kohl and their necks adorned with necklaces

Dylan Caruso, the one in all black with silvery-white hair and black roots, rings and tattoos all over his hands, seductive hooded eyes covered in kohl, and a killer smile, flicks a lighter on and off. Alistair King sits next to him in his black netted outfit covered in thick jewelry, his curly, light-brown hair softly swishing in the wind, and a devilish smirk on his pale face as he looks down at the girls. But worst of all is Felix Rivera … a brown-haired guy with a face so sharply cut and intense sanpaku hazel eyes so deeply sunken in that it does honor to his society’s name.

The Allure of Impeccable Skin Across continents and cultures, from ancient civilisations to today’s digital age, our desire for flawless skin remains as strong as ever. It serves not merely as an emblem of one's outer beauty, but also as a reflection of one's health, vitality, and inner harmony. Although some are fortunate to possess naturally pristine complexions, many of us are in a constant battle with blemishes, each imperfection eroding our confidence and well-being. So today, journey with us as we delve into the timeless beauty standards that have shaped our perceptions of flawless skin, the modern remedies at our disposal, and one woman's gorgeous transformative experience. And if you're wondering where the best place is to achieve such results? Look no further than the exceptional Healand Clinic, a hub for these and many other treatments. Through Time’s Lens Historically, human beings have always been in pursuit of perfect beauty. The Ancient Egyptians, with their kohl-lined eyes and exquisite jewellery, weren't just embracing fashion; they were symbolising societal stature and their adoration of the divine. Similarly, Greeks cherished clear skin, turning to nature's gifts like honey and olive oil to retain youthfulness and fight off skin ailments. Fast forward to today, and with the flood of beauty influencers, trends, and products, the narrative is more nuanced than ever. We've started celebrating 'flaws' be it freckles, scars, or birthmarks. They’re seen as unique identifiers, personal badges of one’s journey. Yet, for some, blemishes become profound sources of insecurity, impacting their daily interactions, self-worth, and even mental health.

In Ancient Egypt,’ Aura murmurs, ‘Cleopatra believed that by lining her eyes with kohl, just like yours are, the gods would grant her protection against harm.

The protect-against-evil-eye mark was similar to the dots that Parsis drew on their children’s head and feet, and the thick kohl eyeliner that adorned young Hindu children.

night has enveloped, to give me some relief now invisible are walls of separation, and thy grief where blood quenches the thirst disloyalty is faith last and first is the religion my beloved belongs to I beckoned, red and black robed lady with a wand let me take her by the hand heard of her about sorcery her powers useless, and witch now about to succumb from just a gaze of eyes filled with Kohl of Leila my nights worthless, body breathless every moment, feeling restless be silent and hear, hear me, my cries don't forget the promise you swore I have lost my childhood over you don't know, how these years left me alone sufferings, separation, theft me alone I never knew how pain excrutiates sometimes, i enlivened you my dear Love is a blessing, and not a fear in a melancholy cloudy day, I mourn glistening eyes, weeping sky, and heart torn I gaze from a window in Kashmir For a moment, condoling the tragedy, sighing In sombre time, lifeless, as if dying

I am a seasonal Indian. My complexion is light enough for you to mistake me as Mexican, Greek, Arab, Iranian, Turkish, Spanish, or a Sephardic Jew. On the streets of America, I am often asked, “¿Hablas español?” When my skin darkens in the summer months, you might deduce that I am from the Indian subcontinent. If I wear a sari, line my eyes with kohl, or speak in the accent I once had, then you will see more easily that I am Indian. But I use camouflage frequently to lift the weight of visibility off my shoulders.

But the woman who attended him looked like Ariel of Firi—it was the look he thought he preferred—with dusky skin and full lips, round hips and heavy breasts. Her thick, black hair was arranged in fat ropes down her back, and he found himself wishing it was unbound, the curls untamed. When she looked up at him, her eyes carefully lined in kohl and heavy-lidded with pretended ardor, he felt nothing but self-loathing. He immediately sent her away.

Once his daggers were all stashed, he underlined his enchanting green eyes with a layer of kohl. The dark liner was to deflect the light, but I fawned over the way it contrasted his light irises.

Cardan is wearing his usual scowl, accessorized with kohl under his eyes and a circlet of gold in his midnight hair. He has on a long black coat with a high, jagged collar, the whole thing stitched with a pattern of constellations

Dylan Caruso, the one in all black with silvery-white hair and black roots, rings and tattoos all over his hands, seductive hooded eyes covered in kohl, and a killer smile, flicks a lighter on and off. Alistair King sits next to him in his black netted outfit covered in thick jewelry, his curly, light-brown hair softly swishing in the wind, and a devilish smirk on his pale face as he looks down at the girls.

I spotted dark kohl around her eyes and there was a splash of red on her wide mouth. She looked rakish, glamorous, and completely and utterly dashing.

Shep-en-Mut The painted wooden face was known to me. She stood in the dusty museum sun, Painted eyes lengthened with kohl. Azure, terra-cotta, white, Emblazoned cartonnage. The Isis wings, spread in care and love. Curving protective Neckbet and Nepthys. Beneath, the corticated skin, Black bitumen. Eyeless, cracked and black, Dessicated viscera, wrapped apart. Leaving child and husband, moving through satin bands of shadow, Singing in the ecstatic sun. Feet hissing through the silken sand She carried the Milk Jar and a Palm frond, Worshipping and serving each day. This lady was the songstress of Amun-Re, Her songs curved upward in the great Temple of Thebes. The stone beauty of the face of the God above her frailty Gave her voice a scope of praise denied to our dessicated senses When death stooped on her, claws and beak ripped. Then feathers lay outstretched in love. Horus wings, Night Heron beak, Having slain, now standing guard in fearful phalanx. Leaving the echo between the roof trees. Her flesh must be pickled, cured with cinnamon and myrrh. The skull, frail as a blown egg, Emptied of its convolute majesty, Stuffed with delicate resinous rags. When the sucking natron has had its meal Her shell will taste the shriving sun and wind once more. Blow gently, shine kindly down, Amun-Re, on thy slave. She shall be wrapped in fine linen Layer on layer, and laced like a shoe. The last we shall see in linen and plaster and paint. May her journey be safe through the dark tunnels May her soul sing in light before her God, In soft peace. The holding wings enfold my friend. Priestess of Thebes. Singer of Amun-Re Bearer of the little Milk Jar.