Koala Love Quotes

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I am sentimental,’ she said. ‘I could dissect a koala but not its baby. I like the words damozel, eglantine, elegant. I love when you kiss my elongated white hand.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
I love how golf courses have water hazards. But the ponds feel empty without ducks. I'd like to start a business renting my ducks out to country clubs.
Jarod Kintz (To be good at golf you must go full koala bear)
Do you think,” she says, the words emerging thickly, “we might have used up all our conversation last night?” “Not possible,” says Oliver, and the way he says it, his mouth turned up in a smile, his voice full of warmth, unwinds the knot in Hadley’s stomach. “We haven’t even gotten to the really important stuff yet.” “Like what?” she asks, trying to arrange her face in a way that disguises the relief she feels. “Like what’s so great about Dickens?” “Not at all,” he says. “More like the plight of koalas. Or the fact that Venice is sinking.” He pauses, waiting for this to register, and when Hadley says nothing, he slaps his knee for emphasis. “Sinking! The whole city! Can you believe it?” She frowns in mock seriousness. “That does sound pretty important.” “It is,” Oliver insists. “And don’t even get me started on the size of our carbon footprint after this trip. Or the difference between crocodiles and alligators. Or the longest recorded flight of a chicken.” “Please tell me you don’t actually know that.” “Thirteen seconds,” he says, leaning forward to look past her and out the window. “This is a total disaster. We’re nearly to Heathrow and we haven’t even properly discussed flying chickens.
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
I love cola-flavored soda—especially if it's authentically brown colored and manufactured by the government. It reminds me that Soviet Russia never produced any great golfers, and that is the only mistake made by the game over the centuries.
Jarod Kintz (To be good at golf you must go full koala bear)
Separation anxiety was the very first label Joy heard applied to her oldest child, the first of many labels she’d hear over the years, but Joy had felt no sense of foreboding when she heard that first one. She’d felt foolish pride: my child can’t bear to be separated from me! That’s how much she loves me. Amy used to cling to her like a koala, her face pressed against Joy’s collarbone.
Liane Moriarty (Apples Never Fall)
There was plenty of wildlife to film: water pythons, venomous snakes, numerous beautiful birds, koalas, possums, and all kinds of lizards. But the big croc remained elusive. Finally we found him. But something was wrong. As we approached, he failed to submerge. We were horrified to discover that the poachers had beaten us--and shot him. It was likely that he had been killed some time ago. Crocs often take a long while to die. They have the astonishing ability to shut off blood supply to an injured part of their body. The big croc had shut down and gone to the bottom of the river, at last, to succumb to his wound. He was huge, some fifteen feet long, fat and in good shape. Steve was beside himself; he felt as if the croc’s death was a personal failure. We filmed the croc and talked about what had happened. But eventually, Steve simply had to walk away. When I went to him, there were tears in his eyes. Steve had a genuine love for crocodiles and appreciated each individual animal. This croc could have been fifty years old, with mates, a family, and a history as king of this river. His death wasn’t abstract to Steve. It was personal, as though he had lost a friend, and it fueled his anger toward the poacher who had killed such a magnificent animal. Steve knew there was another croc in the area that was also in potential danger. “Maybe if we save that one,” Steve said, with resolve, “we can salvage something out of this trip.” He didn’t give up. That night we cruised Cattle Creek again to film the trap sites. It seemed that wherever we went, Steve had an uncanny ability as a wildlife magnet.
Terri Irwin (Steve & Me)
People used to say Evie was weird, but she didn't care. She said she liked weird things." This professed love of the weird might go some way to explaining Evie's particular interests in the world of fauna and flora. Not for her the "obvious" choices like koalas and kangaroos; her favorite animals were monotremes. And while she loved the smells and sights of gums and banksias and wattles, it was the primeval expanse of the forest floor that excited her. Evie was mystified when her classmates spoke of magic and make-believe, and by the stories Reverend Lawson told in church on Sundays of water turning to wine and angels appearing to men. Why, she puzzled, did people seek refuge in such fantasies, when the natural world offered endless wonder? She delighted in entering the cool, dark realm of the bush after rain, searching through sopping leaf muck to discover that a whole new variety of fungi had sprouted overnight, an array of unimaginable shapes and sizes and colors waiting to be explored and catalogued.
Kate Morton (Homecoming)
your fur is as soft as a butterfly's wings
Shea Cullen (Beauty: A story about how love transforms how we see the world.)