Knot Untie Quotes

We've searched our database for all the quotes and captions related to Knot Untie. Here they are! All 100 of them:

We all have an old knot in the heart we wish to untie.
Michael Ondaatje (The Cat's Table)
Close your mouth, block off your senses, blunt your sharpness, untie your knots, soften your glare, settle your dust. This is the primal identity.
Lao Tzu (Tao Te Ching: A Literal Translation With an Introduction, Notes, and Commentary)
O time, thou must untangle this, not I. It is too hard a knot for me t'untie.
William Shakespeare (Twelfth Night)
If you're at the end of your rope . . . untie the knot in your heart.
Cooper Edens (If You're Afraid of the Dark, Remember the Night Rainbow / Add One More Star to the Night)
Those who know don’t talk. Those who talk don’t know. Close your mouth, block off your senses, blunt your sharpness, untie your knots, soften your glare, settle your dust. This is the primal identity. Be like the Tao. It can’t be approached or withdrawn from, benefited or harmed, honored or brought into disgrace. It gives itself up continually. That is why it endures.
Lao Tzu
Then I felt too that I might take this opportunity to tie up a few loose ends, only of course loose ends can never be properly tied, one is always producing new ones. Time, like the sea, unties all knots. Judgements on people are never final, they emerge from summings up which at once suggest the need of a reconsideration. Human arrangements are nothing but loose ends and hazy reckoning, whatever art may otherwise pretend in order to console us.
Iris Murdoch (The Sea, the Sea)
Dreams are stories made by and for the dreamer, and each dreamer has his own folds to open and knots to untie.
Siri Hustvedt (The Shaking Woman, or A History of My Nerves)
My silence knot is tied up in my hair; as if to keep my love out of my eyes. I cannot speak to one for whom i care. A hatpin serves as part of my disguise. In the play, my role is baticeer; a word which here means "person who trains bats." The audience may feel a prick of fear, as if sharp pins are hidden in thier hats. My co-star lives on what we call a brae. His solitude might not be just an act. A piece of mail fails to arrive one day. This poignant melodrama's based on fact. The curtain falls just as the knot unties; the silence is broken by the one who dies.
Lemony Snicket
Batter my heart, three-person'd God ; for you As yet but knock ; breathe, shine, and seek to mend ; That I may rise, and stand, o'erthrow me, and bend Your force, to break, blow, burn, and make me new. I, like an usurp'd town, to another due, Labour to admit you, but O, to no end. Reason, your viceroy in me, me should defend, But is captived, and proves weak or untrue. Yet dearly I love you, and would be loved fain, But am betroth'd unto your enemy ; Divorce me, untie, or break that knot again, Take me to you, imprison me, for I, Except you enthrall me, never shall be free, Nor ever chaste, except you ravish me.
John Donne
Not from Hades' black and universal lake can you lift him. Not by groaning, not by prayers. Yet you run yourself out in a grief with no cure, no time-limit, no measure. It is a knot no one can untie. Why are you so in love with things unbearable?
Sophocles (Electra)
Time, like the sea, unties all knots.
Iris Murdoch (The Sea, the Sea)
Your first book is the only one that matters. Perhaps a writer should write only that one. That is the one moment when you make the big leap; the opportunity to express yourself is offered that once, and you untie the knot within you then or never again.
Italo Calvino
We learn the rope of life by untying its knots.
Jean Toomer
Leaving knots untied and scattering seeds to distract them will only work on vampires with OCD.
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
It was as if there was something about Ty Blackthorn that reached into him and untied all the careful knots of protection holding him together. He wondered if that was what people meant when they said they felt undone.
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
If a string is in a knot, Patience will untie it. Patience can do many things— Did you ever try it? If it was sold at any shop I should like to buy it. But you and I must find our own— No other can supply it.
Anna M. Pratt
It was like looking at a knot, knowing it was a knot, but not knowing how to untie it. I had no map for this life.
Laurie Halse Anderson (Chains (Seeds of America, #1))
We are the True Knot,” they responded. “What is tied may never be untied.
Stephen King (Doctor Sleep (The Shining, #2))
By dread things I am compelled. I know that. I see the trap closing. I know what I am. But while life is in me I will not stop this violence. No. Oh my friends who is there to comfort me? Who understands? Leave me be, let me go, do not soothe me. This is a knot no one can untie. There will be no rest, there is no retrieval. No number exists for griefs like these.
Sophocles (Electra)
Every tragedy consists in tying and untying of a knot.
Aristotle (Poetics)
We say to the confused, Know thyself, as if knowing yourself was not the fifth and most difficult of human arithmetical operations, we say to the apathetic, Where there's a will, there's a way, as if the brute realities of the world did not amuse themselves each day by turning that phrase on its head, we say to the indecisive, Begin at the beginning, as if beginning were the clearly visible point of a loosely wound thread and all we had to do was to keep pulling until we reached the other end, and as if, between the former and the latter, we had held in our hands a smooth, continuous thread with no knots to untie, no snarls to untangle, a complete impossibility in the life of a skein, or indeed, if we may be permitted one more stock phrase, in the skein of life.
José Saramago (The Cave)
Drama, instead of telling us the whole of a man's life, must place him in such a situation, tie such a knot, that when it is untied, the whole man is visible.
Leo Tolstoy
What is the key To untie the knot of the mind’s suffering? Benevolent thought, sound And movement.
Hafez (The Gift: Poems Inspired by Hafiz, the Great Sufi Master (Compass))
She was the most beautiful, complicated thing I'd ever seen - a tangled mess of silky string - and all I wanted of life was to sit down cross-legged and untie her knots.
Atticus Poetry (Love Her Wild)
Reading poetry, even if you are only reading it to find a secret message hidden within its words, can often give one a feeling of power the way you can feel powerful if you are the only one who brought an umbrella on a rainy day, of the only one who knows how to untie knots when you're taken hostage.
Lemony Snicket (The Grim Grotto (A Series of Unfortunate Events, #11))
With thoughtless and impatient hands We tangle up the plans The Lord hath wrought. And when we cry in pain He saith, “Be quiet, man, while I untie the knot.” (Author unknown, in Jack M. Lyon et al., Best-Loved Poems of the LDS People [1996], 304)
Boyd K. Packer (Truths Most Worth Knowing)
History's got no bows on it, only frayed ends of ribbons and knots that can't be untied.
Orson Scott Card (Alvin Journeyman (Tales of Alvin Maker, #4))
For the first time, I don't feel the giant hands pressing around my heart. Instead, I feel weightless, as if someone has untied a knot inside me and I am slowly unfolding.
Stewart Lewis (You Have Seven Messages)
With thoughtless and impatient hands We tangle up the plans The Lord hath wrought. And when we cry in pain He saith, "Be quiet, man, while I untie the knot.
Best-Loved Poems pg 304
You know you don’t have to carry that baggage by yourself. There are people out there willing to help you carry it. And the right person won’t just carry it. They’ll unpack it until there isn’t much baggage left.
Meghan Quinn (Untying the Knot)
Do you know why I adore roses?" Shahrzad untied the knot of his tikka sash with deliberate slowness. "I've always loved them for their beauty and their scent, but--" "It's because of their thorns." His muscles tensed at her touch. "Because there's more to them than first meets the eye.
Renée Ahdieh
Keeping The City "Unless the Lord keepeth the city, the watchman guardeth in vain" - John F. Kennedy's unspoken words in Dallas on November 23, 1963. Once, in August, head on your chest, I heard wings battering up the place, something inside trying to fly out and I was silent and attentive, the watchman. I was your small public, your small audience but it was you that was clapping, it was you untying the snarls and knots, the webs, all bloody and gluey; you with your twelve tongues and twelve wings beating, wresting, beating, beating your way out of childhood, that airless net that fastened you down. Since then I was more silent though you had gone miles away, tearing down, rebuilding the fortress. I was there but could do nothing but guard the city lest it break. I was silent. I had a strange idea I could overhear but that your voice, tongue, wing belonged solely to you. The Lord was silent too. I did not know if he could keep you whole, where I, miles away, yet head on your chest, could do nothing. Not a single thing. The wings of the watchman, if I spoke, would hurt the bird of your soul as he nested, bit, sucked, flapped. I wanted him to fly, burst like a missile from your throat, burst from the spidery-mother-web, burst from Woman herself where too many had laid out lights that stuck to you and left a burn that smarted into your middle age. The city of my choice that I guard like a butterfly, useless, useless in her yellow costume, swirling swirling around the gates. The city shifts, falls, rebuilds, and I can do nothing. A watchman should be on the alert, but never cocksure. And The Lord - who knows what he keepeth?
Anne Sexton (45 Mercy Street)
you can't untie this knot by listening to fairy tales you have to do something inside yourself the smallest fountain inside of you is better than a raging river outside
Jalal ad-Din Muhammad ar-Rumi (رباعيات جلال الدين الرومي)
I felt knots untie themselves, knots I didn't know were there. I could already tell there were things happening deep inside of me that were irreversible. Is there any scarier word than "irreversible"? It's a hiss of a word, full of side effects and mutilations. Severe tire damage - no backing up. Falling in love with Renee felt that way.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
We formed an impromptu circle just so we could look at each other and memorize faces. We hardly noticed the waiting officials. We hardly noticed anything but our little family whose ties weren’t loosening at all. In fact, this impending separation only seemed to be binding us together with a double overhand knot, hard to untie and unfailing.
Laura Anderson Kurk (Perfect Glass)
A denouement is not a complete or fully resolved ending but a satisfying closure to a story. [in French translates 'an untying, a relaxing of a knot of complexity'] Denouement is the rest that comes when all the disparate plot lines of a story, gnarled and taut, have been untied and an order has come about that brings a new moment of shalom.
Dan B. Allender (To Be Told: God Invites You to Coauthor Your Future)
Divorce is now normal (quoted in the Sun, 1992)
Sue Morris (Untying the Knot: Characteristics of Divorce in Scotland)
Schism It took two ropes to tie the knot but only one to untie it. When one released away, the other fell too.
A.V.S Pranavi (The Kaleidoscope Called Life)
BATTLE, n. A method of untying with the teeth of a political knot that would not yield to the tongue.
Ambrose Bierce (The Devil's Dictionary (Illustrated))
I just hope that one day, when you’ve created the life you deserve, and that beautiful smile has returned to your face, you can forgive me.
Meghan Quinn (Untying the Knot)
Your heartbeat is the cadence of my life, and without it in my palm, I’m an aimless wanderer. I don’t ever want to feel that again.
Meghan Quinn (Untying the Knot)
FORM IS ECSTATIC There is a shimmering excitement in being sentient and shaped. The caravan master sees his camels lost in it, nose to tail, as he himself is, his friend, and the stranger coming toward them. A gardener watches the sky break into song, cloud wobbly with what it is. Bud, thorn, the same. Wind, water, wandering this essential state. Fire, ground, gone. That's how it is with the outside. Form is ecstatic. Now imagine the inner: soul, intelligence, the secret worlds! And don't think the garden loses its ecstasy in winter. It's quiet, but the roots are down there rioutous. If someone bumps you in the street, don't be angry. Everyone careens about in this surprise. Respond in kind. Let the knots untie, turbans be given away. Someone drunk on this could drink a donkeyload a night. Believer, unbeliever, cynic, lover, all combine in the spirit-form we are, but no one yet is awake like Shams.
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
That age of the church which was most fertile in subtle questions was most barren in religion; for it makes people think religion to be only a matter of cleverness, in tying and untying of knots.
Richard Sibbes (The Bruised Reed)
Take off that coat,' he told him. 'Sir?' 'You heard me.' The boy slipped out of his jacket, whining, 'What you gonna do? What I'm gonna wear?' The man untied the baby from her chest and wrapped it in the boy's coat, knotting the sleeves in front. 'What I'm gonna wear?' The old man sighed and, after a pause, said, 'You want it back then go head and take it off that baby. Put the baby naked in the grass and put your coat back on. And if you can do it, then go on 'way somewhere and don't come back.
Toni Morrison (Beloved (Beloved Trilogy, #1))
I don’t want anyone else. I don’t need anyone else. It’s you I think about. It’s you I want in my goddamn bed. It’s you I want wearing my ring.” His lips skim my ear. “You’re all I’ve ever wanted, Myla.
Meghan Quinn (Untying the Knot)
you don’t have to carry that baggage by yourself. There are people out there willing to help you carry it. And the right person won’t just carry it. They’ll unpack it until there isn’t much baggage left.
Meghan Quinn (Untying the Knot)
And that’s the worst of it, the part no one ever tells you about.” “What part?” he said, his voice still clenched with grief. “How it never stops. How the pain of missing people never stops. When you burn your finger in a fire, it hurts, but it only hurts one way because you know what caused the pain and why the pain is there, and you know that it will settle, in a bit. But heart pain has facets, Silas. A thousand different sides, sharp and hard; most of them you don’t even know exist, even when you’re looking straight at them. When someone leaves, or dies, or doesn’t love you in return, well, you may think you know why your heart hurts. But wrapped in there are a hundred kinds of fear all tangled in a knot you can’t untie. Nobody wants to be alone. We all fear being left alone, being left behind. I know such things exist. But you must learn to see death as something more than loss, more than absence, more than silence. You must learn to make mourning into memory. For once a person takes leave of his life, that life becomes so much more a part of ours. In death, they come to be in our keeping. The dead find their rest within us. Thus, in remembrance, we are never alone. But people forget the power of memory. So we fear death in the deepest place of our very being, because we don’t know that memories make us immortal. We focus instead on being gone and the awful mystery behind absence. Love and death—and those two are very closely bound together—scare us because we can’t control them. We fear what we can’t control. That fear is really part of what makes us human, but mostly, we’re just afraid of the ends of stories we can’t foresee.
Ari Berk (Death Watch (The Undertaken, #1))
summer ends and autumn begins. The trees retract their sap in a hurry and the resulting bright colours must be a panic-stricken response to the sudden withdrawal of that life-blood. Because the sight's so beautiful, you forget what this gorgeous display actually represents. Decay and death. If only human death were so glorious.
Linda Gillard (Untying the Knot)
Time, like the sea, unties all knots. Judgments on people are never final, they emerge from summings up which at once suggest the need of a reconsideration. Human arrangements are nothing but loose ends and hazy reckoning,
Iris Murdoch (The Sea, the Sea)
There was some unresolved inner knot which she wished to untie and which was quite beyond my skill as a lover or a friend. Of course. Of course. I knew as much as could be known of the psychopathology of hysteria at that time.
Lawrence Durrell (The Alexandria Quartet)
When you feel like you’re at your absolute worst, total rock bottom, it could be the universe letting you know that you need to build a new foundation, a stronger one—a foundation that will jumpstart the next chapter in your life.
Meghan Quinn (Untying the Knot)
The Landscape" I dreamt of loving. The dream remains, but love is no longer those lilacs and roses whose breath filled the broad woods, where the sail of a flame lay at the end of each arrow-straight path. I dreamt of loving. The dream remains, but love is no longer that storm whose white nerve sparked the castle towers, or left the mind unrhymed, or flared an instant, just where the road forked. It is the star struck under my heel in the night. It is the vvord no book on earth defines. It is the foam on the wave, the cloud in the sky. As they age, all things grow rigid and bright. The streets fall nameless, and the knots untie. Now, with this landscape, I fix; I shine.
Robert Desnos
To love God more is never to love people less. It’s to love people best. It’s to relieve them of the responsibility of being your false Christ. It’s to keep their sins against you from being unforgivable and your sins against them from being ignorable. It’s to guard them from our mean-streaks and strong human tendencies to respond to disappointment with punishment. It’s to keep the people close by from cutting their wrists on the razor-sharp blades of our insecurities. It’s to dull the edge of our cravings to be adored. It’s to untie the double knots of codependency. It’s to let the affirmations of others be the overflow and not the essential source of our emotional survival. To love God is to guard man.
Beth Moore (Audacious)
A good father, like a good mother, is one who intervenes in the life of the child just enough to demonstrate guidelines for growing up, to help him, but who later knows when to be a bystander to his own and others’ failures, and to endure them.
Paul Vallely (Pope Francis: Untying the Knots)
At what point did he and I establish something? I missed it. That’s what worries me. It was organic. The knots and bonds were knitted without me noticing. Now I don’t know how to untie all the knots because I missed how they were woven together.
Amo Jones (In Peace Lies Havoc (Midnight Mayhem, #1))
There’s a reason the human body is conditioned to love, and it’s so we don’t have to walk around this planet alone. So we don’t have to face the trials and tribulations of our journey in the dark, but rather in the light from the guidance of the ones we love. Goals and dreams come and go, but love, that lasts forever. Don’t lose it because you’re too worried about what might happen to your goals.
Meghan Quinn (Untying the Knot)
Mourning is not forgetting,’ he said gently, his helplessness vanishing and his voice becoming wise. ‘It is an undoing. Every minute tie has to be untied and something permanent and valuable recovered and assimilated from the knot. The end is gain, of course. Blessed are they that mourn, for they shall be made strong, in fact. But the process is like all other human births, painful and long and dangerous.
Margery Allingham (The Tiger In The Smoke (Albert Campion, #14))
I learned that every addict knows two things: he can’t use and he must use. That’s the knot in your head, see? You can’t cut it and you can’t untie it, so you have to learn to rise above it. It can be done, but you have to remember the basic situation. You must but you can’t.
Stephen King (The Outsider)
The other Miller was different. Quieter. Sad, maybe, but at peace. He’d read a poem many years before called “The Death-Self,” and he hadn’t understood the term until now. A knot at the middle of his psyche was untying. All the energy he’d put into holding things together—Ceres, his marriage, his career, himself—was coming free. He’d shot and killed more men in the past day than in his whole career as a cop. He’d started—only started—to realize that he’d actually fallen in love with the object of his search after he knew for certain that he’d lost her. He’d seen unequivocally that the chaos he’d dedicated his life to holding at bay was stronger and wider and more powerful than he would ever be. No compromise he could make would be enough. His death-self was unfolding in him, and the dark blooming took no effort. It was a relief, a relaxation, a long, slow exhale after decades of holding it in.
James S.A. Corey (Leviathan Wakes (Expanse, #1))
It may surprise you to learn that at this moment, Sunny resembled the famous Greek conqueror Alexander the Great. Alexander the Great lived more than two thousand years ago, and his last name was not actually "The Great." "The Great" was something that he forced people to call him, by bringing a bunch of soldiers into their land and proclaiming himself king. Besides invading other people's countries and forcing them to do whatever he said, Alexander the Great was famous for something called the Gordian Knot. The Gordian Knot was a fancy knot tied in a piece of rope by a king named Gordius. Gordius said that if Alexander could untie it, he could rule the whole kingdom. But Alexander who was too busy conquering places to learn how to untie knots, simply drew his sword and cut the Gordian Knot in two. This was cheating, of course, but Alexander had too many soldiers for Gordius to argue, and soon everybody in Gordium had to bow down to You-Know-Who the Great. Ever since then, a difficult problem can be called a Gordian Knot, and if you solve the problem in a simple way - even if the way is rude - you are cutting the Gordian Knot.
Lemony Snicket (The Wide Window (A Series of Unfortunate Events, #3))
Alexander the Magnus was once called to solve the following challenge in the Phrygian city of Gordium (as usual with Greek stories, in modern-day Turkey). When he entered Gordium, he found an old wagon, its yoke tied with a multitude of knots, all so tightly entangled that it was impossible to figure out how they were fastened. An oracle had declared that he who would untie the knot would rule all of what was then called “Asia,” that is, Asia Minor, the Levant, and the Middle East. After wrestling with the knot, the Magnus drew back from the lump of gnarled ropes, then made a proclamation that it didn’t matter for the prophecy how the tangle was to be unraveled. He then drew his sword and, with a single stroke, cut the knot in half. No “successful” academic could ever afford to follow such a policy. And no Intellectual Yet Idiot. It took medicine a long time to realize that when a patient shows up with a headache, it is much better to give him aspirin or recommend a good night’s sleep than do brain surgery, although the latter appears to be more “scientific.” But most “consultants” and others paid by the hour are not there yet.
Nassim Nicholas Taleb (Skin in the Game: Hidden Asymmetries in Daily Life)
Giants, hanging off my door eat, untie the knot you strung in art, oil this hinge for me, in a flashbulb, the door will swing deciphering dauphin syllables with arrow trimmed toes, detective tongues and millimetre ear lobes, yanked in a pig liver’s weight, raw for a gabfest day conceding these fuzzlusty remains to steal a blooey thought of you.
Henry Virgin (Hot Pink Peach)
I had to ask myself, why I was sensing a twinge of something that felt suspiciously like nostalgia. But starlight can do that to a person.
Linda Gillard (Untying the Knot)
As I stared out of the train window, the scenery became a blur, as unclear as my thoughts and feelings.
Linda Gillard (Untying the Knot)
I poured myself another glass of wine (white, now warm and disgusting, but I was in a masochistic mood)
Linda Gillard (Untying the Knot)
Viewed from sufficient height, all problems are simple. All knots can be untied with a few deaths, or ten thousand.
Amal El-Mohtar (This Is How You Lose the Time War)
She was the most beautiful complicated thing I'd ever seen- a tangled mess of silky string- and all I wanted of life was to sit down cross-legged and untie her knots.
Atticus Poetry (Love Her Wild)
You’ve invested in everything outside of our marriage and nothing to our marriage. And I just can’t keep fighting for something only one of us wants.
Meghan Quinn (Untying the Knot)
It’s hard to realize as a wife that you come second, that your opinion doesn’t matter, that you will and can be forgotten.
Meghan Quinn (Untying the Knot)
A change in thought can change a lot. A change thought can untie and untangle the knot
Ernest Agyemang Yeboah
Worship is directed to the Other in himself, to his all-sufficiency, but now it refers itself to the Other who alone can extricate me from the knot that I myself cannot untie.
Pope Benedict XVI (The Spirit of the Liturgy)
Gender is just one of many systems of oppression. The ultimate goal is to see how all systems are tied in a knot with the others and untie, unravel the knots of oppression. It's a spiritual journey more than a governmental one. It's about asking ourselves, 'Is this culture stopping me or anyone else from the free expression of sex and gender?' and if so, we have to act.
Kate Bornstein (Gender Outlaw: On Men, Women and the Rest of Us)
It's ok to do your own thing for a while sometimes the call of the soul is a much more enticing path then one of a drunken phone call from your pals, call it the 21st century or whatever you wish but most live for the weekend untying the knots & ropes of slavery from during the week with no drive nor purpose to become something more than a pay check & a good time every 5 days.
Nikki Rowe
Faced with the daunting prospect of a party at which both my ex-husband and my ex-lover would be present with their much younger fiancées, I did what any woman would do in such an emergency. I shopped.
Linda Gillard (Untying the Knot)
I left no ring with her. What means this lady? Fortune forbid my outside have not charmed her. She made good view of me; indeed, so much That, as methought, her eyes had lost her tongue, For she did speak in starts distractedly. She loves me sure; the cunning of her passion Invites me in this churlish messenger. None of my lord's ring? Why, he sent her none. I am the man. If it be so, as 'tis, Poor lady, she were better love a dream. Disguise, I see thou art a wickedness Wherein the pregnant enemy does much. How easy is it for the proper false In women's waxen hearts to set their forms! Alas, our frailty is the cause, not we, For such as we are made of, such we be. How will this fadge? My master loves her dearly; And I (poor monster) fond as much on him; And she (mistaken) seems to dote on me. What will become of this? As I am man, My state is desperate for my master's love. As I am woman (now alas the day!), What thriftless sighs shall poor Olivia breathe? O Time, thou must untangle this, not I; It is too hard a knot for me t' untie.
William Shakespeare
Sunay shook her head, her temples starting to hurt as her mind tied itself in knots trying to untie the tangled mess presented to her. It was making too little sense to not make sense... which didn't make any sense.
Thomas Knapp (Fire Fox (MegaTokyo: Endgames Book 3))
I sift through the jumble of emotions she evokes in me, trying exactly to isolate what it is I feel for her, which is like untying a severely knotted rope, where all you end up with is more knots in a different configuration.
Jonathan Tropper (The Book of Joe)
We value modesty partly because we value desire, and look with suspicion on those habits which untie the knot of individual attachment. Havelock Ellis put the point tendentiously, but (as I shall argue) correctly, when he wrote: 'In the art of love...[modesty] is more than a grace; it must always be fundamental. Modesty is not indeed the last word of love, but it is the necessary foundation for all love's exquisite audacities, the foundation which alone gives worth and sweetness to what Senancour calls its 'delicious impudence'. Without modesty, we could not have, nor rightly value at its true worth, that bold and pure candour which is at once the final revelation of love and the seal of its sincerity.
Roger Scruton (Sexual Desire: A Philosophical Investigation)
Em's the first woman I've met who seems to be...well, the answer.' 'Answer to what?' He shrugged. 'All the questions, I suppose.' Fay looked blank. 'The questions you ask yourself at 4:00am... All the questions you'll ever ask yourself at 4:00am
Linda Gillard (Untying the Knot)
I realized then that both Gladys and Norm were smiling at about the time I realized that Max and I were acting like lunatics. “I don’t think she’s tied up in knots anymore, Gladie,” Norm observed. “She is, dear, just not ones she wants to untie,” Gladys remarked.
Kristen Ashley (The Gamble (Colorado Mountain, #1))
Let silence in. She will rarely speak or mew, She will sleep on my bed And all I have ever been Either false or true Will live again in my head. For it is now or not As old age silts the stream, To shove away the clutter, To untie every knot, To take the time to dream, To come back to still water.
May Sarton (The Silence Now: New and Uncollected Early Poems)
Every Christian would agree that a man’s spiritual health is exactly proportional to his love for God. But man’s love for God, from the very nature of the case, must always be very largely, and must often be entirely, a Need-love. This is obvious when we implore forgiveness for our sins or support in our tribulations. But in the long run it is perhaps even more apparent in our growing—for it ought to be growing—awareness that our whole being by its very nature is one vast need; incomplete, preparatory, empty yet cluttered, crying out for Him who can untie things that are now knotted together and tie up things that are still dangling loose.
C.S. Lewis (The Four Loves)
But in the long run it is perhaps even more apparent in our growing - for it ought to be growing - awareness that our whole being by its very nature is one vast need; incomplete, preparatory, empty yet cluttered, crying out for Him who can untie things that are now knotted together and tie up things that are dangling loose.
C.S. Lewis (The Four Loves)
But in the long run it is perhaps even more apparent in our growing—for it ought to be growing—awareness that our whole being by its very nature is one vast need; incomplete, preparatory, empty yet cluttered, crying out for Him who can untie things that are now knotted together and tie up things that are still dangling loose.
C.S. Lewis (The Four Loves)
my fingers penetrated your bushy hair, pulled it up in tufts, squeezed the tension out of your head, to your quiet, grateful groans. I untied the Gordian knots in your shoulders with juniper oil, pummelled your back with my fists, knuckle each vertebrae down to your coccyx, knead your hard buttocks, rub oil into your legs, bathe your tired feet, squeeze them until your tingles shoot up my arm, I chew each toe in turn until it is softened, bite into your soles like a joint of pork, you cannot help but giggle, sir, I turn you over, with my palms, rotate your temples, trace the curves on your face, touching yet not, three fingers inside your mouth, let you suckle, baby, from belly to breast, I massage your chest in concentric circles, pinch your nipples, nibble gently, set my belly-dancer tongue on to them, take your hands, my love, tie them above your head, with your belt, I sit astride my steed, take the reins, my flexible muscles holding you in, flexing like strong fists, tighten and release, teasing you, taming you, your eyes are shut, you have died and gone to Olympus, smiling, I slap it off, so hard my hand hurts, your eyes shoot open like a dead man dying, I slap you again, you feign amusement, your eyes suggest so this is slap and tickle? I take your riding crop, fold it, lash your chest. ‘Take that!’ I hiss. ‘How dare you humour me. Who’s the boss now?
Bernardine Evaristo (The Emperor's Babe)
This is something my mom told me once,” she said, stretching the ribbon out between her hands and then tying a loose knot on one end. “Imagine this is your relationship with Daniel.” She handed me the ribbon and pointed at the knot. “This is where you are right now. Untie it.” I slipped the knot free. “Pretty easy, right?” she said. “There’s a small bump on the fabric, but you can smooth it down. If I’d pulled the knot really tight, it’d be harder to untie, and there’d be a big dent left behind.” I flattened the ribbon across my leg. “Meaning the more you drag out conflicts the harder they are to recover from, and the more damage they leave behind?” “Precisely.” “How’d you get to be so smart?
Georgina Guthrie (The Truest of Words (Words, #3))
If your peace is to be solid, you must go yourself to the Fountain of all Truth. If your comforts are to be lasting, you must visit the well of life yourself, and draw fresh water for your own soul. Ministers may depart from the faith. The visible Church may be broken up. But he who has the Word of God written in his heart has a foundation beneath his feet which will never fail him.
J.C. Ryle (Knots Untied)
Each piece of the set was on a winch and pulley, bag-dropped, counterbalanced by nests of fifty-pound bags of sand. The setup was called a "Fairbanks," for the reason that when a stagehand so wanted, he could stand upon a knot on the rope, untie as few or as many bags of sand as he wanted, and ride nearly to the rafters like Zorro as the scenery lowered. There was no particular reason to ride that way, but because Carter allowed it, the team of men did so all night long, trading places at the top, jumping onto the ropes and riding back down later. With the mighty Egyptian set descending in its many pieces, the audience was deprived of a behind-the-scenes tableau of beauty: Carter's team swiftly riding ropes up to the catwalk and down to the stage again, simply because they could.
Glen David Gold (Carter Beats the Devil)
Turn around." "I beg your pardon." Brian merely stepped around her, laid his hands on the nape of her neck. Her already stiff shoulders jerked in protest. "Relax.I'm not after grabbing you in a fit of passion when any member of your family might come along.I'd like to put in at least one day on the job before I get the boot." As he spoke he was kneading, pressing, running those strong fingers over the knots. He hated seeing anything in pain. "Blow out a breath," he ordered when she stood rigis as stone. "Come on, maverneen, don't be so hardheaded. Blow out a nice long breath for me." Out of curiosity she obeyed and tried not to think how marvelous his hands felt on her skin. "Now another." His voice had gone to croon, lulling her.As he worked, murmured, her eyes fluttered close. Her muscles loosened, the knots untied. The threatening throbbing in her head faded away. She all but slid into a trance. She arched against his hands, just a little. Moaned in pleasure.Just a little. He kept his hands firm, professional, even as he imaged skiming them down over her, slipping them under that soft white blouse. He wanted to touch his lips to her nape, just where his thumb was pressing.To taste her there. And that,he knew, would end things before they'd begun.Wanting a woman was natural. Taking one, where the taking held such risks,was suicide.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
You've asked me what the lobster is weaving there with his golden feet? I reply, the ocean knows this. You say, what is the ascidia waiting for in its transparent bell? What is it waiting for? I tell you it is waiting for time, like you. You ask me whom the Macrocystis alga hugs in its arms? Study, study it, at a certain hour, in a certain sea I know. You question me about the wicked tusk of the narwhal, and I reply by describing how the sea unicorn with the harpoon in it dies. You enquire about the kingfisher's feathers, which tremble in the pure springs of the southern tides? Or you've found in the cards a new question touching on the crystal architecture of the sea anemone, and you'll deal that to me now? You want to understand the electric nature of the ocean spines? The armored stalactite that breaks as it walks? The hook of the angler fish, the music stretched out in the deep places like a thread in the water? I want to tell you the ocean knows this, that life in its jewel boxes is endless as the sand, impossible to count, pure, and among the blood-colored grapes time has made the petal hard and shiny, made the jellyfish full of light and untied its knot, letting its musical threads fall from a horn of plenty made of infinite mother-of-pearl. I am nothing but the empty net which has gone on ahead of human eyes, dead in those darknesses, of fingers accustomed to the triangle, longitudes on the timid globe of an orange. I walked around as you do, investigating the endless star, and in my net, during the night, I woke up naked, the only thing caught, a fish trapped inside the wind.
Pablo Neruda
It’s about to rain forks and knives,” Winterborne reported, water drops glittering on his hair and the shoulders of his coat. He reached for a glass of champagne from a silver tray on the table, and raised it in Tom’s direction. “Good luck it is, for the wedding day.” “Why is that, exactly?” Tom asked, disgruntled. “A wet knot is harder to untie,” Winterborne said. “The marriage bond will be tight and long lasting.” Ethan Ransom volunteered, “Mam always said rain on a wedding day washed away the sadness of the past.” “Not only are superstitions irrational,” Tom said, “they’re inconvenient. If you believe in one, you have to believe them all, which necessitates a thousand pointless rituals.” Not being allowed to see the bride before the ceremony, for example. He hadn’t had so much as a glimpse of Cassandra that morning, and he was chafing to find out how she was feeling, if she’d slept well, if there was something she needed. West came into the room with his arms full of folded umbrellas. Justin, dressed in a little velveteen suit, was at his heels. “Aren’t you supposed to be upstairs in the nursery with your little brother?” St. Vincent asked his five-year-old nephew. “Dad needed my help,” Justin said self-importantly, bringing an umbrella to him. “We’re about to have a soaker,” West said briskly. “We’ll have to take everyone out to the chapel as soon as possible, before the ground turns to mud. Don’t open one of these indoors: It’s bad luck.” “I didn’t think you were superstitious,” Tom protested. “You believe in science.” West grinned at him. “I’m a farmer, Severin. When it comes to superstitions, farmers lead the pack. Incidentally, the locals say rain on the wedding day means fertility.” Devon commented dryly, “To a Hampshireman, nearly everything is a sign of fertility. It’s a preoccupation around here.” “What’s fertility?” Justin asked. In the sudden silence, all gazes went to West, who asked defensively, “Why is everyone looking at me?” “As Justin’s new father,” St. Vincent replied, making no effort to hide his enjoyment, “that question is in your province.” West looked down into Justin’s expectant face. “Let’s ask your mother later,” he suggested. The child looked mildly concerned. “Don’t you know, Dad?
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
I want to quote that poem in something I'm writing," he explained, "and can you tell me the last line of it ? " Lou answered mechanically, as if he had pressed a button: "Death is not a way out of it!" "A very strange theory, that about death," he said. "I wonder if there's anything in it. It would really be too easy if we could get out of our troubles in so simple a fashion. It has always seemed to me that nothing can ever be destroyed. The problems of life are really put together ingeniously in order to baffle one, like a chess problem. We can't untie a real knot in a closed piece of string without the aid of the fourth dimension; but we can disentangle the complexities caused by dipping the string in water-and such things," he added, with an almost malicious gravity in his tone. I knew what he meant. " It might very well be," he continued, " that when we fail to solve the puzzles of life, they remain with us. We have to do them sooner or later ; and it seems reasonable to suppose that the problems of life ought to be solved during life, while we have to our hands the apparatus in which they arose. We might find that after death the problems were unaltered, but that we were impotent to deal with them. Did you ever meet any one that had been indiscreet about taking drugs ? Presumably not. Well, take my word for it, those people get into a state which is in many ways very like death. And the tragic thing about the situation is this ; that they started taking the drugs because life, in one way or another, was one too many for them. And what is the result ? The drugs have not in the least relieved the monotony of life or whatever their trouble was, and yet they have got into a state very like that of death, in which they are impotent to struggle. No, we must conquer life by living it to the full, and then we can go to meet death with a certain prestige. We can face that adventure as we've faced the others.
Aleister Crowley (Diary of a Drug Fiend)
By free will we explain only the surface of history, the appearances it assumes, its external vicissitudes, but not its depths, its real course, which preserves, in spite of everything, a baffling, even a mysterious character. We are still amazed that Hannibal, after Cannae, did not fall upon Rome. Had he done so, we should be boasting today of our Carthaginian ancestry. To maintain that whim, that accident, hence the individual, play no part, is folly. Yet each time we envisage the future as a totality, the verdict of the Mahabharata invariably comes to mind: “The knot of Destiny cannot be untied; nothing in this world is the result of our actions”.
Emil M. Cioran
Well, happy birthday anyway.” “Wow--that’s right, I forgot! I’m seventeen!” Harry seized the wand lying beside his camp bed, pointed it at the cluttered desk where he had left his glasses, and said, “Accio Glasses!” Although they were only around a foot away, there was something immensely satisfying about seeing them zoom toward him, at least until they poked him in the eye. “Slick,” snorted Ron. Reveling in the removal of his Trace, Harry sent Ron’s possessions flying around the room, causing Pigwidgeon to wake up and flutter excitedly around his cage. Harry also tried tying the laces of his trainers by magic (the resultant knot took several minutes to untie by hand) and, purely for the pleasure of it, turned the orange robes on Ron’s Chudley Cannons posters bright blue. “I’d do your fly by hand, though,” Ron advised Harry, sniggering when Harry immediately checked it. “Here’s your present. Unwrap it up here, it’s not for my mother’s eyes.” “A book?” said Harry as he took the rectangular parcel. “Bit of a departure from tradition, isn’t it?” “This isn’t your average book,” said Ron. “It’s pure gold: Twelve Fail-Safe Ways to Charm Witches. Explains everything you need to know about girls. If only I’d had this last year I’d have known exactly how to get rid of Lavender and I would’ve known how to get going with…Well, Fred and George gave me a copy, and I’ve learned a lot. You’d be surprised, it’s not all about wandwork, either.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Inside the castle hovered a shadow version of him, alone, watching this full, well-lit house from the other’s emptiness. Looking through the glass, he was divided in two. He saw himself with the family around him. Glad of it. Almost proud. As a parent might be. He was his own parent. He’d learned to be alone, walking. And it was still good now and then. For thought. For recognition. But being alone was also a closed loop. A loop with a slipknot, say. The loop could be small or large, but it always returned to itself. You had to untie the knot, finally. Open the loop and then everything sank in. And everyone. Then you could see what was true—that separateness had always been the illusion. A simple trick of flesh. The world was inside you after that. Because, after all, you were made of two people only at the very last instant. Before that, of a multiplication so large it couldn’t be fathomed. Back and back in time. A tree in a forest of trees, where men grew from apes and birds grew from dinosaurs. The topmost branches were single cells. And even those cells were “ And even those cells were not the start, for they drew life from the atmosphere. The air. And the vapor. Suspended. It was the fear and loneliness that came in waves that often stopped him from remembering the one thing. The one thing and the greatest thing. Frustrating: he could only ever see it for a second before he lost sight of it again. Released his grip. Let it slip away into the vague background. But it had to be held close, the tree. In the dark, when nothing else was sure, the soaring tree sheltered you. Almost the only thing you had to see before you slept. How you came not from a couple or a few but from infinity. So you had no beginning. And you would never end.
Lydia Millet (Dinosaurs)
Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last. And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?" When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red. Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons. What a roaring.
Toni Morrison (Beloved (Beloved Trilogy, #1))
that made me relieved that looks in fact cannot kill. Jamie followed me up to my chamber, and somewhat to my surprise, came in after me. The surprise vanished when he shut the door and immediately shed his shirt. I had forgotten the dressing, which I had been meaning to remove for the last two days. “I’ll be glad to get this off,” he said, rubbing at the rayon and linen harness arrangement under his arm. “It’s been chafing me for days.” “I’m surprised you didn’t take it off yourself, then,” I said, reaching up to untie the knots. “I was afraid to, after the scolding ye gave me when you put the first one on,” he said, grinning impudently down at me. “Thought I’d get my bum smacked if I touched it.” “You’ll get it smacked now, if you don’t sit down and keep still,” I answered, mock-stern. I put both hands on his good shoulder and, a little unsteadily, pulled him down onto the bedroom stool. I slipped the harness off and carefully probed the shoulder joint. It was still slightly swollen, with some bruising, but thankfully I could find no evidence of torn muscles.
Diana Gabaldon (Outlander (Outlander, #1))
That's what we do. Embellish. Decorate. Unvarnished truth has only limited appeal. Some events are a joy to recall, but others are best modified, even forgotten. They live in some lumber-room of the mind, housed somewhere you wouldn't want to go alone and never after dark. If I make a mistake in my work or if I change my mind, I can unpick. Undo what I've done. I can make good my errors and no one is the wiser. If they looked, even through a magnifying glass, all observers would see would be the tiny holes where my needle had travelled. I can erase even that evidence by scratching carefully at the weave of the lining with my needle, until the holes are no longer visible. But life isn't like that. Mistakes once made are rarely reversible. The holes they leave in the fabric of life aren't tiny and they can't be scratched away. You have to live with them as best you can. Work round them. That's why you have to come to terms with memory. You can't obliterate the past or eradicate it from the mind, even when, for our own good, memory enfolds us in a blanket of forgetfulness. There are always traces left, marks where time gripped us and left its telltale fingerprint.
Linda Gillard (Untying the Knot)
Ree is his. Is his, is devoted to him, is aggravatingly tender and possessively passionate and wrapped up in him in a thousand ways, loves him in a way that is very useful. It seems a law of nature, at this point. Even if the events of this startling evening have served to give him pause, a little. But Ree is still his. He's fairly sure. Such complex knots can't be untied so quickly, can they? Still, it's not the only thing disturbing him, about the Dam's account of early events. She laughs when she sees his face, his sidewise look at her description, and there's definitely a mean note to it. “Oh, it was darling,” she says, and he gets the feeling of a caged animal stuck behind bars, while a cruel child pokes at it. “You were enchanted by his wolf, would follow it anywhere, welcome or not, though mostly he tolerated it. But you couldn't manage his name – and a nickname hadn't stuck at that point – so instead you imitated the sound he made. Rather insultingly, too, if not intentionally – Ruff. Or Woof, or whatever it was that you intended to say, except that it actually came out as Wuff. Or Wuffy, depending, and at varying pitches and volume as you ran after him, falling down and rolling about half the time.” Penn is transfixed. It's outrageous, it's an outrage. It can't possibly be true. It was nothing like that.
Alex Ankarr (Wolf Runaway (Wolf Wars #2))
Why did you come here tonight?” she asked. “Other than the fact that you’ve finally come to your senses and realize you love me.” Chuckling, Grey reached up and untied the ribbons that held her mask. The pretty silk fell away to reveal the beautiful face beneath. “I missed you,” he replied honestly. “And you were right-about everything. I’m tired of drifting through life. I want to live again-with you.” A lone tear trickled down her cheek. “I think that might be the most romantic thing you’ve ever said to me.” He grinned. “I have more.” She pressed her fingers to his lips. “I’m tired of talking.” She kissed him, teasing his lips with the ripe curves of hers, sliding her tongue inside to rub against his in a sensual rhythm that had him fisting his hands in her skirts. By the time they reached Mayfair, Grey’s hair was mussed, Rose’s skirts crushed, and he was harder than an oratory competition for mutes. “I can’t believe you came,” she told him as the entered the house, arms wrapped around each other. “I’m so proud of you.” “I wouldn’t have done it without you.” She shook her head. “You did it for yourself not for me.” Perhaps that was true, and perhaps it wasn’t. He had no interest in discussing it tonight. “It’s just the beginning,” he promised. “I’m going to go wherever you want to go from now on. Within reason.” She laughed. “Of course. We can’t have you attending a musicale just to please me, can we?” She gazed up at him. “You know, I think I’m going to want to spend plenty of evenings at home as well. That time I spent out of society had some very soothing moments.” “Of course,” he agreed, thinking about all the things they could do to one another at home. Alone. “There has to be moderation.” Upstairs in their bedroom, he undressed her, unbuttoning each tiny button one by one until she sighed in exasperation. “In a hurry?” he teased. His wife got her revenge, when clad only in her chemise and stockings, she turned those nimble fingers of hers to his cravat, working the knot so slowly he thought he might go mad. She worsened the torment by slowly rubbing her hips against his thigh. His cock was so rigid he could hang clothes on it, and the need to bury himself inside her consumed him. Still, a skilled lover knows when to have patience-and a man in love knows that his woman’s pleasure comes far, far before his own. So, as ready as he was, Grey was in no hurry to let this night end, not when it might prove to be the best of his new-found life. Wearing only his trousers, he took Rose’s hand and led her to their bed. He climbed onto the mattress and pulled her down beside him, lying so that they were face-to-face. Warm fingers came up to gently touch the scar that ran down his face. Odd, but he hadn’t thought of it at all that evening. In fact, he’d almost forgot about it. “I heard you that night,” he admitted. “When you told me you loved me.” Her head tilted. “I thought you were asleep.” “No.” He held her gaze as he raised his own hand to brush the softness of her cheek. “I should have said it then, but I love you too, Rose. So much.” Her smile was smug. “I know.” She kissed him again. “Make love to me.” His entire body pulsed. “I intend to, but there’s one thing I have to do first.” Rose frowned. “What’s that?” Grey pulled the brand-new copy of Voluptuous from beneath the pillow where he’d hidden it before going to the ball. “There’s a story in here that I want to read to you.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))